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(PDF) The drizzly identity: A dissolution of the body as a solution of life | Polona Tratnik - Academia.edu

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The process involves a biologist entering the body, cutting into its flesh and taking away a part of it in order to return with an improvement. In other words, to optimize the body it first needs to be deconstructed. This process is demonstrated in the project ‘Hair in Vitro’. However, the fact that it is difficult to reconcile oneself with such a ‘disfigurement’ testifies to a certain sacredness surrounding the body in western culture, where its wholeness and completeness is still fundamental. Nevertheless, could one argue for the idea of an intimate, individual body; of an identity that is preponderantly distinguished and separated from the other world (especially if a human is to be acknowledged as being immersed in the world); where things reciprocally belong to each other in such a manner that they constitute the same flesh of the world? The genetic profile of an individual is actually a much more complex asse...","author":[{"@context":"https://schema.org","@type":"Person","name":"Polona Tratnik"}],"contributor":[],"dateCreated":"2022-09-21","dateModified":"2024-07-30","datePublished":"2015-01-01","headline":"The drizzly identity: A dissolution of the body as a solution of life","image":"https://attachments.academia-assets.com/91356697/thumbnails/1.jpg","inLanguage":"en","keywords":["Chemistry","Tissue Engineering","Bioart","Regenerative Medicine","Body Art"],"publication":"Technoetic Arts","publisher":{"@context":"https://schema.org","@type":"Organization","name":"Intellect"},"sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":null}],"thumbnailUrl":"https://attachments.academia-assets.com/91356697/thumbnails/1.jpg","url":"https://www.academia.edu/87032927/The_drizzly_identity_A_dissolution_of_the_body_as_a_solution_of_life"}</script><link rel="stylesheet" media="all" 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Remarks on the Work of The Tissue Culture &amp; Art Project </a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4718762" href="https://dot.academia.edu/MaciejOzog">Maciej Ożóg</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Crude Life: The Tissue Culture &amp; Art Project. Oron Catts &amp; Ionat Zurr, 2013</p><p class="ds-related-work--abstract ds2-5-body-sm">In 2003, The National Gallery of Victoria in Melbourne planned a presentation of The Tissue Culture &amp; Art Project&#39;s installation Extra Ear -1⁄4 Scale.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;The Art of Critical Engagement. 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As scholars begin to position bodies centrally in the sociology of health and illness, those working in the field of biomedicine continue to devise ways to transform the boundaries of these bodies. Bodies have become more malleable as they become more healthy and less sick or vice versa. While health and illness are terms that are culturally and socially defined, all cultures have known concepts of these terms. These vary from culture to culture according to how sick and healthy bodies become visible and, more importantly, the extent and range of the scopic drive (Braidotti 1994), which makes these bodies visible. Whether sick or healthy, bodies are viewed as empirical objects to be quantified and classified. Alongside the scopic drive generated by biomedicine, a powerful desire to classify forms of deviance, locate them in biology and patrol them in wider social spaces exists in society. Since the 19th century, the somatic territorialising of deviance has been part and parcel of a larger effort to organise social relations according to categories denoting health versus pathology,</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Review Article: Re-shaping the Space Between Bodies and Culture: Embodying the Biomedicalised Body&quot;,&quot;attachmentId&quot;:70658769,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/54159311/Review_Article_Re_shaping_the_Space_Between_Bodies_and_Culture_Embodying_the_Biomedicalised_Body&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/54159311/Review_Article_Re_shaping_the_Space_Between_Bodies_and_Culture_Embodying_the_Biomedicalised_Body"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="1184828" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/1184828/The_Body_as_a_Marketplace">The Body as a Marketplace</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1077925" href="https://su-se.academia.edu/patrikhernwall">patrik hernwall</a></div><p class="ds-related-work--metadata ds2-5-body-xs">webappl.sh.se</p><p class="ds-related-work--abstract ds2-5-body-sm">The primary focus for this paper is to discuss how children and adolescents create themselves, with special attention to the self and the body. In a sense, there is a new closeness to the physical body, as the ways of shaping and reshaping the body out of personal wishes has increased. This can be seen in body ornaments (clothes and jewelleries, but also piercing and tattooing) and body modifications (brace, plastic surgery, doping, smart drugs, and so on). And in-between phenomena such as carving, cutting, branding, and so on. The other side of this phenomena, is most likely an increased awareness of the self, of who you are, and possibly even what it is to be human. It is therefore reasonable to say, that the body has become a marketplace, a biological mass, that with the aid of different techniques can be modified, updated, and reshaped. Even though there are historical parallels in how to manipulate, or ornamenting, the body, what is new, is the extent of these phenomena, and more importantly: it is expressions that are created in contemporary society, rather than being some kind of rites de passage, or established cultural norms. This paper discusses: What does it mean, to grow up in a culture, where phenomena such as these exist? What does it mean for the relation to the self, the I, that the body is something you can take control over, and shape in accordance with personal wishes?</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;The Body as a Marketplace&quot;,&quot;attachmentId&quot;:7325799,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/1184828/The_Body_as_a_Marketplace&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/1184828/The_Body_as_a_Marketplace"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="33643614" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33643614/This_Abstract_Body_The_Self_the_Body_and_Identity_1992_">This Abstract Body: The Self, the Body and Identity (1992)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="133302" href="https://westernsydney.academia.edu/PaulJames">Paul James</a></div><p class="ds-related-work--abstract ds2-5-body-sm">In focusing on the body, this article seeks to consider two related themes. Firstly, it examines how bodily symbolism is part of a process of connecting and defining the self and the community. The easiest way to do this is comparatively, contrasting forms of embodiment in different contexts from tribalism to postmodern capitalism. This then allows us to broach a second theme: is the reconstitution of our lived senses of our bodies in contemporary western society stripping the body of its capacity to enrich the social connectedness of people? The current sense of an image-dictated, shapable body; the current debates over whether or not advances in medical technology are an unproblematic liberation from the constraints of our mortal bodies; and recent developments in feminist attitudes to embodiment will be considered to reveal the tensions and contradictions in the textured modem/postmodern constitution of the body. Our overriding concern is to argue through the need for alternative practices of human interrelation which attempt to bind considerations about the value or otherwise of the various modes of disembodied extension within a framework which instantiates in practice the condensed and complex limitations on embodiment entailed in face-to-face relations. This is not an argument for a return to kinship-based or close-knit parochial communities. Nevertheless, it asserts the ontological importance of relations of continuity, reciprocity and co-operation in which the constraints of embodiment are not simply impediments to be left behind as soon as is technologically possible.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;This Abstract Body: The Self, the Body and Identity (1992)&quot;,&quot;attachmentId&quot;:53655046,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/33643614/This_Abstract_Body_The_Self_the_Body_and_Identity_1992_&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/33643614/This_Abstract_Body_The_Self_the_Body_and_Identity_1992_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="3503973" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/3503973/Remaking_the_Body">Remaking the Body</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3082380" href="https://hull.academia.edu/RinaArya">Rina Arya</a></div><p class="ds-related-work--abstract ds2-5-body-sm">In 2008 the Tate Gallery hosted a retrospective of Francis Bacon to commemorate his centenary. This occasion was one of the motivations for presenting this reflection on Bacon and his legacy 16 years after his death. The exhibition demonstrated Bacon&#39;s technical ability to capture the nuances of flesh in a remarkably visceral way and consolidated his position as one of the greatest painters of the human body. In this article I want to concentrate on the cultural dimensions of Bacon&#39;s Weltanschauung. I argue that it is not a misrepresentation to discuss Bacon as a social and cultural commentator but rather a way of intensifying his aestheticism.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Remaking the Body&quot;,&quot;attachmentId&quot;:32840009,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/3503973/Remaking_the_Body&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/3503973/Remaking_the_Body"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="32506665" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/32506665/THE_BODY_LIMITS_CONSTRUCTIONS_INTENSITY">THE BODY : LIMITS, CONSTRUCTIONS, INTENSITY</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="47753522" href="https://independent.academia.edu/FDainese">Francesca Dainese</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;THE BODY : LIMITS, CONSTRUCTIONS, INTENSITY&quot;,&quot;attachmentId&quot;:52692021,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/32506665/THE_BODY_LIMITS_CONSTRUCTIONS_INTENSITY&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/32506665/THE_BODY_LIMITS_CONSTRUCTIONS_INTENSITY"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="79675519" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/79675519/Delimitations_of_the_Body_The_Profound_Play_of_the_Body_Plastic">Delimitations of the Body: The Profound Play of the Body Plastic</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1537901" href="https://ucl.academia.edu/TimothyCarroll">Timothy Carroll</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The New Bioethics, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">Techniques and technologies of and on the body are always social. Thinking through these practices can tell us something of the concerns and complexities of the people who practice them. This collection addresses the body as a technical apparatus of aesthetic performance and ethical commitments. Each of the papers work through intrusions in and extensions out of the body in order to understand the sociocultural genesis of the body as its boundaries are negotiated, contested, and blurred. Ethnographic accounts exploring intrusions into the body such as artful body modifications, medical interventions, and cyborgian movements of enhancement are taken alongside extensions out of the body into institutional, architectural, and ecological environments. In so doing, this short collection of papers seeks to understand how people partner themselves with techniques and technologies of and on the body to form new subjectivities in their aesthetic engagement with internal and external realities. It furthermore helps to fill a need within interdisciplinary discussions of the body to think through the human body as a site of technical engagement enmeshed within complex negotiations of value and meta-values. In this way it defines these delimitations of the body as complex bioethical issues. This special issue is the result of two symposia: one held at University College London in July 2015; the other, in Denver, Colorado as part of the programme of the American Anthropological Association Annual Meeting in December 2015. As such, this collection is the product of a collaborative effort on the part of the authors and associated colleagues (most notably David Jeevendrampillai, with whom we organized the original July symposium). Together we have sought to understand how people ally themselves with technology, render the body a sited technology, use bodily techniques, and extend themselves within medical, urban, and religious environments to form new subjectivities. This collection pulls together research exploring a range of engagements with the body such as: artful body modifications, medical interventions, cyborgian movements of enhancement, and interactions with the &#39;deceased&#39; body, as well as the potentiality of objects and artefacts within the wider material ecology external to the body to act as a sort of &#39;living prosthetic&#39;, oftentimes linked to material-discursive claims of ownership and control. The papers presented in this collection are ethnographically diverse, but they each bring to the conversation a key aspect needed to understand our overarching</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Delimitations of the Body: The Profound Play of the Body Plastic&quot;,&quot;attachmentId&quot;:86308846,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/79675519/Delimitations_of_the_Body_The_Profound_Play_of_the_Body_Plastic&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/79675519/Delimitations_of_the_Body_The_Profound_Play_of_the_Body_Plastic"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--sticky-ctas&quot;,&quot;attachmentId&quot;:91356697,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--sticky-ctas&quot;,&quot;attachmentId&quot;:91356697,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_91356697" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="228837" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/228837/Engineering_Flesh_Towards_Professional_Responsibility_for_Lived_Bodies_in_Tissue_Engineering">Engineering Flesh;Towards Professional Responsibility for ‘Lived Bodies’ in Tissue Engineering</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="129104" href="https://rug.academia.edu/mechteldhannaderksen">mechteld hanna derksen</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link 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class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="2" data-entity-id="40946349" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40946349/Exploring_the_ways_through_which_use_of_human_bodies_and_tissues_in_art_can_expose_us_to_the_abject_and_the_body_of_the_real">Exploring the ways through which use of human bodies and tissues in art can expose us to the abject and the body of the real</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="135484403" href="https://soton.academia.edu/IssyChloeClifton">Issy Chloe Clifton</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" 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class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="3" data-entity-id="89681781" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/89681781/Multi_species_sociology_of_the_body">Multi-species sociology of the body</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="208075202" href="https://independent.academia.edu/KayPeggs">Kay Peggs</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Sociology, 2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" 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