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Spain</a>, <a class="u-tcGrayDarker" href="https://aguapedia.academia.edu/Departments/Expresi%C3%B3n_Gr%C3%A1fica_Arquitect%C3%B3nica/Documents">Expresi贸n Gr谩fica Arquitect贸nica</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Rafael" data-follow-user-id="175220865" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="175220865"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">3</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">1</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Rafael Ortiz Martinez de Carnero</h3></div><div class="js-work-strip profile--work_container" data-work-id="113724920"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113724920/Ecological_design_strategies_for_urban_spaces_in_European_World_Expos_From_Bioclimatic_Control_to_Sustainability"><img alt="Research paper thumbnail of Ecological design strategies for urban spaces in European World Expos From Bioclimatic Control to Sustainability" class="work-thumbnail" src="https://attachments.academia-assets.com/110613242/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113724920/Ecological_design_strategies_for_urban_spaces_in_European_World_Expos_From_Bioclimatic_Control_to_Sustainability">Ecological design strategies for urban spaces in European World Expos From Bioclimatic Control to Sustainability</a></div><div class="wp-workCard_item"><span>Grand Projects: Urban Legacies of the late 20th Century</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Since its inception, World Expositions have anticipated innovations and new de卢sign systems in re...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Since its inception, World Expositions have anticipated innovations and new de卢sign systems in relation to the issues that concern the society of every historical period. Producing an important contribution and impact on the design solutions of each era as pilot experiences and experimental systems. <br /><br />Our investigation focuses on the analysis of bioclimatic and ecological design strat卢egies together with technological solutions for urban spaces in European World Expos during the 1990 to 2000 decade. From Seville World Expo in 1992 to Hannover World Expo in 2000. Thus, highlighting the evolution from a user comfort point of view in terms of bioclimatic control into an ecological sustainable approach, identi卢fying the experiences of the Seville World Expo as a turning point in a global plan卢ning for the development of ecological oriented strategies in urban scale. <br /><br />The systems are exposed and analyzed within their historical and geographical context, showing their ability to adapt in urban or geographical situations of a similar nature in contemporary contexts and proposing possibilities for their use and future development. <br />This decade of World Expos, highlight the development of experimental systems, bioclimatic experiences and ecological design in urban spaces that will have an impact for its adequacy and implementation in future solutions. <br /><br />We will witness a redefinition of the parameters and values that Expos represent with the arrival of the end of the century. Where the recovery and preservation of balance with the ecosystem will be part of the conceptual ideology of these inter卢national events.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0668534332e8a380bea6da3dcba39109" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110613242,"asset_id":113724920,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110613242/download_file?st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113724920"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113724920"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113724920; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113724920]").text(description); $(".js-view-count[data-work-id=113724920]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113724920; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113724920']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113724920, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0668534332e8a380bea6da3dcba39109" } } $('.js-work-strip[data-work-id=113724920]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113724920,"title":"Ecological design strategies for urban spaces in European World Expos From Bioclimatic Control to Sustainability","translated_title":"","metadata":{"abstract":"Since its inception, World Expositions have anticipated innovations and new de卢sign systems in relation to the issues that concern the society of every historical period. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109204013"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation"><img alt="Research paper thumbnail of The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation" class="work-thumbnail" src="https://attachments.academia-assets.com/107456581/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation">The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation</a></div><div class="wp-workCard_item"><span>Artnodes</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Over the last three decades, the rise of new conceptualizations around the human body in connecti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing. <br /> <br />This paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics. <br /> <br />The human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5addd369deedd0e5e17abbc838782c50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107456581,"asset_id":109204013,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107456581/download_file?st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109204013"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109204013"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109204013; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109204013]").text(description); $(".js-view-count[data-work-id=109204013]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109204013; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109204013']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109204013, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5addd369deedd0e5e17abbc838782c50" } } $('.js-work-strip[data-work-id=109204013]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109204013,"title":"The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation","translated_title":"","metadata":{"doi":"10.7238/artnodes.v0i32.410379","issue":"32","abstract":"Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing.\r\n\r\nThis paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics.\r\n\r\nThe human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. 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Producing an important contribution and impact on the design solutions of each era as pilot experiences and experimental systems. <br /><br />Our investigation focuses on the analysis of bioclimatic and ecological design strat卢egies together with technological solutions for urban spaces in European World Expos during the 1990 to 2000 decade. From Seville World Expo in 1992 to Hannover World Expo in 2000. Thus, highlighting the evolution from a user comfort point of view in terms of bioclimatic control into an ecological sustainable approach, identi卢fying the experiences of the Seville World Expo as a turning point in a global plan卢ning for the development of ecological oriented strategies in urban scale. <br /><br />The systems are exposed and analyzed within their historical and geographical context, showing their ability to adapt in urban or geographical situations of a similar nature in contemporary contexts and proposing possibilities for their use and future development. <br />This decade of World Expos, highlight the development of experimental systems, bioclimatic experiences and ecological design in urban spaces that will have an impact for its adequacy and implementation in future solutions. <br /><br />We will witness a redefinition of the parameters and values that Expos represent with the arrival of the end of the century. Where the recovery and preservation of balance with the ecosystem will be part of the conceptual ideology of these inter卢national events.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0668534332e8a380bea6da3dcba39109" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110613242,"asset_id":113724920,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110613242/download_file?st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113724920"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113724920"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113724920; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113724920]").text(description); $(".js-view-count[data-work-id=113724920]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113724920; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113724920']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113724920, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0668534332e8a380bea6da3dcba39109" } } $('.js-work-strip[data-work-id=113724920]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113724920,"title":"Ecological design strategies for urban spaces in European World Expos From Bioclimatic Control to Sustainability","translated_title":"","metadata":{"abstract":"Since its inception, World Expositions have anticipated innovations and new de卢sign systems in relation to the issues that concern the society of every historical period. 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Thus, highlighting the evolution from a user comfort point of view in terms of bioclimatic control into an ecological sustainable approach, identi卢fying the experiences of the Seville World Expo as a turning point in a global plan卢ning for the development of ecological oriented strategies in urban scale. \n\nThe systems are exposed and analyzed within their historical and geographical context, showing their ability to adapt in urban or geographical situations of a similar nature in contemporary contexts and proposing possibilities for their use and future development. \nThis decade of World Expos, highlight the development of experimental systems, bioclimatic experiences and ecological design in urban spaces that will have an impact for its adequacy and implementation in future solutions. \n\nWe will witness a redefinition of the parameters and values that Expos represent with the arrival of the end of the century. 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Thus, highlighting the evolution from a user comfort point of view in terms of bioclimatic control into an ecological sustainable approach, identi卢fying the experiences of the Seville World Expo as a turning point in a global plan卢ning for the development of ecological oriented strategies in urban scale. \n\nThe systems are exposed and analyzed within their historical and geographical context, showing their ability to adapt in urban or geographical situations of a similar nature in contemporary contexts and proposing possibilities for their use and future development. \nThis decade of World Expos, highlight the development of experimental systems, bioclimatic experiences and ecological design in urban spaces that will have an impact for its adequacy and implementation in future solutions. \n\nWe will witness a redefinition of the parameters and values that Expos represent with the arrival of the end of the century. 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Producing an important contribution and impact on the design solutions of each era as pilot experiences and experimental systems. \n\nOur investigation focuses on the analysis of bioclimatic and ecological design strat卢egies together with technological solutions for urban spaces in European World Expos during the 1990 to 2000 decade. From Seville World Expo in 1992 to Hannover World Expo in 2000. Thus, highlighting the evolution from a user comfort point of view in terms of bioclimatic control into an ecological sustainable approach, identi卢fying the experiences of the Seville World Expo as a turning point in a global plan卢ning for the development of ecological oriented strategies in urban scale. \n\nThe systems are exposed and analyzed within their historical and geographical context, showing their ability to adapt in urban or geographical situations of a similar nature in contemporary contexts and proposing possibilities for their use and future development. \nThis decade of World Expos, highlight the development of experimental systems, bioclimatic experiences and ecological design in urban spaces that will have an impact for its adequacy and implementation in future solutions. \n\nWe will witness a redefinition of the parameters and values that Expos represent with the arrival of the end of the century. Where the recovery and preservation of balance with the ecosystem will be part of the conceptual ideology of these inter卢national events.\n","owner":{"id":175220865,"first_name":"Rafael","middle_initials":null,"last_name":"Ortiz Martinez de Carnero","page_name":"RafaelOrtizMartinezdeCarnero","domain_name":"aguapedia","created_at":"2020-10-20T01:38:08.907-07:00","display_name":"Rafael Ortiz Martinez de Carnero","url":"https://aguapedia.academia.edu/RafaelOrtizMartinezdeCarnero"},"attachments":[{"id":110613242,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110613242/thumbnails/1.jpg","file_name":"978_989_781_551_5_Rafael_Ortiz_Ecological_design_strategies.pdf","download_url":"https://www.academia.edu/attachments/110613242/download_file?st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Ecological_design_strategies_for_urban_s.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110613242/978_989_781_551_5_Rafael_Ortiz_Ecological_design_strategies-libre.pdf?1705669659=\u0026response-content-disposition=attachment%3B+filename%3DEcological_design_strategies_for_urban_s.pdf\u0026Expires=1734107242\u0026Signature=bamZLMRyXHTLqo-hPZRM9BD18VuS4cIxiF04U-vNA7yrbXRz5yO2CsBzMc6h4j-hEMqyI3Bfcw~JQsqkIjtoqebcgWgx1kJDWPdAg1z5e7UG67JUZYnaWNjl4Lr8-NQ3Xf0rXDoBHVjprPPI9~duIJ~y35fOglrXe~QLuSIgqtlPMxw7c8w6QmO2Y-pf39rg4fDuDWVNYGuGzU-xXxMUlrZJQMX6owVnAVpUOoRN0RwbtsPFoxX0Gq1r6TmFyPTTrEUv7IV-Csm4WcXgZn5HqaoycnzPMN7evHd1CNSacTJE9yhb3nrV~2yBTm39ZccJW9iBlxgWheyH6eiUEitovw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":12000,"name":"Bioclimatic Architecture","url":"https://www.academia.edu/Documents/in/Bioclimatic_Architecture"},{"id":12001,"name":"Bioclimatic Urban Design","url":"https://www.academia.edu/Documents/in/Bioclimatic_Urban_Design"},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs"},{"id":49929,"name":"Ecological Urbanism","url":"https://www.academia.edu/Documents/in/Ecological_Urbanism"},{"id":71868,"name":"Sustainable Urban Planning","url":"https://www.academia.edu/Documents/in/Sustainable_Urban_Planning"},{"id":197241,"name":"Bioclimatic design","url":"https://www.academia.edu/Documents/in/Bioclimatic_design"},{"id":489613,"name":"Bioclimatic Architecture and Sustainable Development","url":"https://www.academia.edu/Documents/in/Bioclimatic_Architecture_and_Sustainable_Development"},{"id":623292,"name":"Arquitectura Bioclimatica","url":"https://www.academia.edu/Documents/in/Arquitectura_Bioclimatica"},{"id":705912,"name":"International Expositions","url":"https://www.academia.edu/Documents/in/International_Expositions"},{"id":1031798,"name":"World鈥檚 Fairs and Other Expositions","url":"https://www.academia.edu/Documents/in/Worlds_Fairs_and_Other_Expositions"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109204013"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation"><img alt="Research paper thumbnail of The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation" class="work-thumbnail" src="https://attachments.academia-assets.com/107456581/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation">The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation</a></div><div class="wp-workCard_item"><span>Artnodes</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Over the last three decades, the rise of new conceptualizations around the human body in connecti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing. <br /> <br />This paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics. <br /> <br />The human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5addd369deedd0e5e17abbc838782c50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107456581,"asset_id":109204013,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107456581/download_file?st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&st=MTczNDEwMzY0Miw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109204013"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109204013"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109204013; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109204013]").text(description); $(".js-view-count[data-work-id=109204013]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109204013; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109204013']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109204013, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5addd369deedd0e5e17abbc838782c50" } } $('.js-work-strip[data-work-id=109204013]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109204013,"title":"The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation","translated_title":"","metadata":{"doi":"10.7238/artnodes.v0i32.410379","issue":"32","abstract":"Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing.\r\n\r\nThis paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics.\r\n\r\nThe human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. 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Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics.\r\n\r\nThe human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. 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