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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Conservación y Restauración</h1><div class="u-tcGrayDark">30,698 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Conservación y Restauración</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Conservaci%C3%B3n_y_Restauraci%C3%B3n">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_52228688" data-work_id="52228688" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/52228688/Improved_cavitation_resistance_of_acryloid_copolymers_reinforced_by_alumina_submicron_particles">Improved cavitation resistance of acryloid copolymers reinforced by alumina submicron particles</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Materials of acryloide type are very often used in conservation and restoration of ceramic materials as adhesives, consolidants and protective coatings. As they do not have enough strength by themselves to satisfy more demanding... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_52228688" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Materials of acryloide type are very often used in conservation and restoration of ceramic materials as adhesives, consolidants and protective coatings. As they do not have enough strength by themselves to satisfy more demanding interventions, inorganic particles were added as reinforcement in order to improve their mechanical properties. In the present work composite materials with matrix made from mixture of two acryloid copolymers, Paraloid B-72 and B-48N, were tested for extreme service condition that were simulated by exposing the samples to cavitation resistance.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/52228688" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="484a630756704035c570a1a66a922f61" rel="nofollow" data-download="{"attachment_id":69590987,"asset_id":52228688,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/69590987/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="57201746" href="https://bg-rs.academia.edu/RadmilaDamjanovic">Radmila Damjanovic</a><script data-card-contents-for-user="57201746" type="text/json">{"id":57201746,"first_name":"Radmila","last_name":"Damjanovic","domain_name":"bg-rs","page_name":"RadmilaDamjanovic","display_name":"Radmila Damjanovic","profile_url":"https://bg-rs.academia.edu/RadmilaDamjanovic?f_ri=68226","photo":"https://0.academia-photos.com/57201746/64034030/52349516/s65_radmila.damjanovic.jpg"}</script></span></span></li><li class="js-paper-rank-work_52228688 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="52228688"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 52228688, container: ".js-paper-rank-work_52228688", }); 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In "Pride and Prejudice and Patina" I discuss some aspects behind conservation decision-making... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_17849624" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"Pride and Prejudice and Patina" is the "Praska Lecture" I delivered on February 9, 2015 at the Fine Arts Institute of the New York University. In "Pride and Prejudice and Patina" I discuss some aspects behind conservation decision-making that often are not often acknowledged, such as human perception thresholds, aesthetic custom or technical inertia. I suggest that these phenomena need to be taken into account in order to fully understand most conservation cleaning treatments.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17849624" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="30b88874412a76bc8d387f35d1a13fed" rel="nofollow" data-download="{"attachment_id":45165799,"asset_id":17849624,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45165799/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1127560" href="https://upv-es.academia.edu/SalvadorMu%C3%B1ozVi%C3%B1as">Salvador Muñoz-Viñas</a><script data-card-contents-for-user="1127560" type="text/json">{"id":1127560,"first_name":"Salvador","last_name":"Muñoz-Viñas","domain_name":"upv-es","page_name":"SalvadorMuñozViñas","display_name":"Salvador Muñoz-Viñas","profile_url":"https://upv-es.academia.edu/SalvadorMu%C3%B1ozVi%C3%B1as?f_ri=68226","photo":"https://0.academia-photos.com/1127560/921674/148972644/s65_salvador.mu_oz-vi_as.png"}</script></span></span></li><li class="js-paper-rank-work_17849624 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="17849624"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 17849624, container: ".js-paper-rank-work_17849624", }); 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$(".js-view-count[data-work-id=17849624]").text(description); $(".js-view-count-work_17849624").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_17849624").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="17849624"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5459" href="https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation">Cultural Heritage Conservation</a>, <script data-card-contents-for-ri="5459" type="text/json">{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6735" href="https://www.academia.edu/Documents/in/Heritage_Conservation">Heritage Conservation</a>, <script data-card-contents-for-ri="6735" type="text/json">{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11987" href="https://www.academia.edu/Documents/in/Art_Conservation">Art Conservation</a>, <script data-card-contents-for-ri="11987" type="text/json">{"id":11987,"name":"Art Conservation","url":"https://www.academia.edu/Documents/in/Art_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="55872" href="https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage">Science for Conservation and Restoration of Cultural Heritage</a><script data-card-contents-for-ri="55872" type="text/json">{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=17849624]'), work: {"id":17849624,"title":"Praska Lecture: Pride and Prejudice and Patina (New York, Feb. 9, 2015)","created_at":"2015-11-06T01:51:10.537-08:00","url":"https://www.academia.edu/17849624/Praska_Lecture_Pride_and_Prejudice_and_Patina_New_York_Feb_9_2015_?f_ri=68226","dom_id":"work_17849624","summary":"\"Pride and Prejudice and Patina\" is the \"Praska Lecture\" I delivered on February 9, 2015 at the Fine Arts Institute of the New York University. 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36908885" data-work_id="36908885" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36908885/Le_strutture_militari_nell_Arcipelago_di_La_Maddalena_Dai_forti_settecenteschi_al_sistema_difensivo_dell_Seconda_Guerra_Mondiale_Military_buildings_in_the_Maddalena_Archipelago_From_the_18th_century_fortresses_to_the_defensive_system_of_the_Second_World_War">Le strutture militari nell’Arcipelago di La Maddalena. Dai forti settecenteschi al sistema difensivo dell Seconda Guerra Mondiale / Military buildings in the Maddalena Archipelago. From the 18th century fortresses to the defensive system of the Second World War</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This research aims, on the evident cultural, historical and architectural ‘values’ of the military heritage still present in the Archipelago of La Maddalena, to deepen knowledge of these structures and to propose ideas and guidelines on... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36908885" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This research aims, on the evident cultural, historical and architectural ‘values’ of the military heritage still present in the Archipelago of La Maddalena, to deepen knowledge of these structures and to propose ideas and guidelines on their conservation and enhancement. Between the late eighteenth century and the Second World War the defense of the territory of La Maddalena is expressed especially through measures to protect the borders from foreign invasions, before of the Kingdom of Sardinia and then of Italy. The first attempts of aggression were in the end of 1792, when revolutionary France attacks the Kingdom of Sardinia. In the early nineteenth century the Archipelago was equipped with other structures: in addition to the forts Balbiano and St. Stephen, built between 1790 to 1792, are built the forts Carlo Felice and St. George, on the island of Saint Stephen. In the late nineteenth century, the Archipelago of La Maddalena had been fortified. At the end of the First World War, changing the strategically prominent areas, the General Staff of the Army, with the Royal Navy, identifies new fifteen industrial and demographic areas that need protection from the sea. Today, a cultural asset of great strategic importance and landscape, live in the extremely conditions and are subject to spoliation and demolition; a situation that demands urgent action, supported by a preliminary step of knowledge as well as by the development of specific system works for the protection and enhancement.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36908885" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3519abadd300e5f152872e5d25dce8a5" rel="nofollow" data-download="{"attachment_id":56859699,"asset_id":36908885,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56859699/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1149587" href="https://uniroma1.academia.edu/MariaGraziaTurco">Maria Grazia Turco</a><script data-card-contents-for-user="1149587" type="text/json">{"id":1149587,"first_name":"Maria Grazia","last_name":"Turco","domain_name":"uniroma1","page_name":"MariaGraziaTurco","display_name":"Maria Grazia Turco","profile_url":"https://uniroma1.academia.edu/MariaGraziaTurco?f_ri=68226","photo":"https://0.academia-photos.com/1149587/555670/693193/s65_maria_grazia.turco.jpg"}</script></span></span></li><li class="js-paper-rank-work_36908885 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36908885"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36908885, container: ".js-paper-rank-work_36908885", }); 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$(".js-view-count[data-work-id=36908885]").text(description); $(".js-view-count-work_36908885").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36908885").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36908885"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">22</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3183" href="https://www.academia.edu/Documents/in/Landscape_Architecture">Landscape Architecture</a>, <script data-card-contents-for-ri="3183" type="text/json">{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11860" href="https://www.academia.edu/Documents/in/Enhancement">Enhancement</a>, <script data-card-contents-for-ri="11860" type="text/json">{"id":11860,"name":"Enhancement","url":"https://www.academia.edu/Documents/in/Enhancement?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15263" href="https://www.academia.edu/Documents/in/First_World_War">First World War</a>, <script data-card-contents-for-ri="15263" type="text/json">{"id":15263,"name":"First World War","url":"https://www.academia.edu/Documents/in/First_World_War?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17374" href="https://www.academia.edu/Documents/in/Restoration">Restoration</a><script data-card-contents-for-ri="17374" type="text/json">{"id":17374,"name":"Restoration","url":"https://www.academia.edu/Documents/in/Restoration?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36908885]'), work: {"id":36908885,"title":"Le strutture militari nell’Arcipelago di La Maddalena. 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Eludir y cuestionar las prácticas de " una nueva academia " que día a día tiene mayor número de maestrías y doctorados, pero que destruye más... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27983163" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este escrito no pretende ser historia, sino dar algunas puntadas para la memoria de los hombres. Eludir y cuestionar las prácticas de " una nueva academia " que día a día tiene mayor número de maestrías y doctorados, pero que destruye más y más con sus egresados los escenarios metropolitanos como este. El propósito de la publicación es difundir la memoria de un lugar en la ciudad, ver su situación dentro de la cultura urbana y hacer evidente el descuido a que los hombres de escritorio lo tienen sometido.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27983163" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a791e97dde77eccf7f1cd347a8880c16" rel="nofollow" data-download="{"attachment_id":48284930,"asset_id":27983163,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48284930/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="46907358" href="https://independent.academia.edu/RubenMolina17">Rubén Hernandez Molina</a><script data-card-contents-for-user="46907358" type="text/json">{"id":46907358,"first_name":"Rubén","last_name":"Hernandez Molina","domain_name":"independent","page_name":"RubenMolina17","display_name":"Rubén Hernandez Molina","profile_url":"https://independent.academia.edu/RubenMolina17?f_ri=68226","photo":"https://0.academia-photos.com/46907358/12392963/13794498/s65_rube_n.hernandez_molina.jpg"}</script></span></span></li><li class="js-paper-rank-work_27983163 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27983163"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27983163, container: ".js-paper-rank-work_27983163", }); 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Un análisis de la interdisciplina en el estudio de la pintura de caballete novohispana.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Tesis de Licenciatura en Restauración de Bienes Muebles. Se analiza el estado de la cuestión de la interdisciplina entre Restauración e Historia del arte a partir de las convergencias de sus objetos de estudio. Como estudio de caso se... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8436682" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Tesis de Licenciatura en Restauración de Bienes Muebles. Se analiza el estado de la cuestión de la interdisciplina entre Restauración e Historia del arte a partir de las convergencias de sus objetos de estudio. Como estudio de caso se presenta un estudio integral de la pintura de Diego de Cuentas: Glorificación de la orden de la Merced (1709), que se encuentra en la sacristía del Templo de la Merced en Guadalajara, México.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8436682" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9ba6d9fa360abcd0f2410e5ee96f0b56" rel="nofollow" data-download="{"attachment_id":34826212,"asset_id":8436682,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34826212/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2146992" href="https://colmich.academia.edu/AlejandroMezaOrozco">Alejandro Meza Orozco</a><script data-card-contents-for-user="2146992" type="text/json">{"id":2146992,"first_name":"Alejandro","last_name":"Meza Orozco","domain_name":"colmich","page_name":"AlejandroMezaOrozco","display_name":"Alejandro Meza Orozco","profile_url":"https://colmich.academia.edu/AlejandroMezaOrozco?f_ri=68226","photo":"https://0.academia-photos.com/2146992/4074250/21176494/s65_alejandro.meza_orozco.jpg"}</script></span></span></li><li class="js-paper-rank-work_8436682 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8436682"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8436682, container: ".js-paper-rank-work_8436682", }); 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Como estudio de caso se presenta un estudio integral de la pintura de Diego de Cuentas: Glorificación de la orden de la Merced (1709), que se encuentra en la sacristía del Templo de la Merced en Guadalajara, México.","downloadable_attachments":[{"id":34826212,"asset_id":8436682,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2146992,"first_name":"Alejandro","last_name":"Meza Orozco","domain_name":"colmich","page_name":"AlejandroMezaOrozco","display_name":"Alejandro Meza Orozco","profile_url":"https://colmich.academia.edu/AlejandroMezaOrozco?f_ri=68226","photo":"https://0.academia-photos.com/2146992/4074250/21176494/s65_alejandro.meza_orozco.jpg"}],"research_interests":[{"id":26510,"name":"Interdisciplinary Studies","url":"https://www.academia.edu/Documents/in/Interdisciplinary_Studies?f_ri=68226","nofollow":false},{"id":65020,"name":"Technical Art History, Conservation","url":"https://www.academia.edu/Documents/in/Technical_Art_History_Conservation?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":92897,"name":"Restauration and Conservation","url":"https://www.academia.edu/Documents/in/Restauration_and_Conservation?f_ri=68226","nofollow":false},{"id":1167409,"name":"Pintura virreinal","url":"https://www.academia.edu/Documents/in/Pintura_virreinal?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32041798" data-work_id="32041798" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32041798/MO%C3%91IVAS_E_El_agua_como_material_art%C3%ADstico_contempor%C3%A1neo_Universidad_Complutense_de_Madrid_2013">MOÑIVAS, E. "El agua como material artístico contemporáneo". Universidad Complutense de Madrid, 2013.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32041798" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6cf7b4631e34cc9f44bace5a70cc531f" rel="nofollow" data-download="{"attachment_id":52303761,"asset_id":32041798,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52303761/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3465498" href="https://ucm.academia.edu/Esther_Monivas">Esther Moñivas</a><script data-card-contents-for-user="3465498" type="text/json">{"id":3465498,"first_name":"Esther","last_name":"Moñivas","domain_name":"ucm","page_name":"Esther_Monivas","display_name":"Esther Moñivas","profile_url":"https://ucm.academia.edu/Esther_Monivas?f_ri=68226","photo":"https://0.academia-photos.com/3465498/1189816/30712446/s65_esther.mo_ivas.jpg"}</script></span></span></li><li class="js-paper-rank-work_32041798 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32041798"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32041798, container: ".js-paper-rank-work_32041798", }); 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O edifício, atualmente conhecido... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_68992547" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O edifício antiga sede da Associação dos Empregados do Comércio da Bahia (AECB), na Rua Chile, é um marco entre os edifícios ecléticos construídos no início do século XX e ainda existentes em Salvador. O edifício, atualmente conhecido como Palacete Tira-Chapéu, foi nomeado<br />patrimônio estadual pelo Instituto do Patrimônio Artístico e Cultural da Bahia (Ipac) em 2011 e é integrante da área de proteção do conjunto arquitetônico, paisagístico e urbanístico do Centro Histórico de Salvador, pelo Instituto do Patrimônio Histórico e Artístico Nacional (Iphan) desde 1984.<br />Cabe ressaltar que, apesar de tratar-se de obra do início do séc. XX, o edifício se funde visualmente ao conjunto do séc. 16, como com o vizinho palácio Tomé de Souza (Bacher, 1986; Hale, 1994; Bonduki, 2010). De fato, numa mesma quadra na Rua Chile identificam-se edifícios do séc. 16 até<br />meados do séc. 20, art déco, ecletismo, neoclássico ou barroco, entre vários outros.<br />Com projeto do arquiteto italiano Rossi Baptista, após a mudança da associação do local, o edifício ficou abandonado e sem uso por mais de dez anos. Adquirido por um grupo de investidores em 2012, a partir de 2020 foram iniciados estudos com vistas a restaurar e dar novo uso à edificação,</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/68992547" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dfbe7676fa5367f98895604cf9e7dda5" rel="nofollow" data-download="{"attachment_id":79263701,"asset_id":68992547,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/79263701/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2552232" href="https://ufg.academia.edu/WolneyUnes">Wolney Unes</a><script data-card-contents-for-user="2552232" type="text/json">{"id":2552232,"first_name":"Wolney","last_name":"Unes","domain_name":"ufg","page_name":"WolneyUnes","display_name":"Wolney Unes","profile_url":"https://ufg.academia.edu/WolneyUnes?f_ri=68226","photo":"https://0.academia-photos.com/2552232/795968/990533/s65_wolney.unes.jpg"}</script></span></span></li><li class="js-paper-rank-work_68992547 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="68992547"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 68992547, container: ".js-paper-rank-work_68992547", }); 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$(".js-view-count[data-work-id=68992547]").text(description); $(".js-view-count-work_68992547").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_68992547").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="68992547"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="70518" href="https://www.academia.edu/Documents/in/Arquitetura">Arquitetura</a>, <script data-card-contents-for-ri="70518" type="text/json">{"id":70518,"name":"Arquitetura","url":"https://www.academia.edu/Documents/in/Arquitetura?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="71918" href="https://www.academia.edu/Documents/in/Patrimonio_Cultural">Patrimonio Cultural</a>, <script data-card-contents-for-ri="71918" type="text/json">{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="79548" href="https://www.academia.edu/Documents/in/Arquitetura_e_Urbanismo">Arquitetura e Urbanismo</a><script data-card-contents-for-ri="79548" type="text/json">{"id":79548,"name":"Arquitetura e Urbanismo","url":"https://www.academia.edu/Documents/in/Arquitetura_e_Urbanismo?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=68992547]'), work: {"id":68992547,"title":"NOVO USO E REINTEGRAÇÃO COM A CIDADE NA RESTAURAÇÃO DO PALACETE TIRA-CHAPÉU","created_at":"2022-01-21T05:42:22.441-08:00","url":"https://www.academia.edu/68992547/NOVO_USO_E_REINTEGRA%C3%87%C3%83O_COM_A_CIDADE_NA_RESTAURA%C3%87%C3%83O_DO_PALACETE_TIRA_CHAP%C3%89U?f_ri=68226","dom_id":"work_68992547","summary":"O edifício antiga sede da Associação dos Empregados do Comércio da Bahia (AECB), na Rua Chile, é um marco entre os edifícios ecléticos construídos no início do século XX e ainda existentes em Salvador. O edifício, atualmente conhecido como Palacete Tira-Chapéu, foi nomeado\npatrimônio estadual pelo Instituto do Patrimônio Artístico e Cultural da Bahia (Ipac) em 2011 e é integrante da área de proteção do conjunto arquitetônico, paisagístico e urbanístico do Centro Histórico de Salvador, pelo Instituto do Patrimônio Histórico e Artístico Nacional (Iphan) desde 1984.\nCabe ressaltar que, apesar de tratar-se de obra do início do séc. XX, o edifício se funde visualmente ao conjunto do séc. 16, como com o vizinho palácio Tomé de Souza (Bacher, 1986; Hale, 1994; Bonduki, 2010). De fato, numa mesma quadra na Rua Chile identificam-se edifícios do séc. 16 até\nmeados do séc. 20, art déco, ecletismo, neoclássico ou barroco, entre vários outros.\nCom projeto do arquiteto italiano Rossi Baptista, após a mudança da associação do local, o edifício ficou abandonado e sem uso por mais de dez anos. Adquirido por um grupo de investidores em 2012, a partir de 2020 foram iniciados estudos com vistas a restaurar e dar novo uso à edificação,","downloadable_attachments":[{"id":79263701,"asset_id":68992547,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2552232,"first_name":"Wolney","last_name":"Unes","domain_name":"ufg","page_name":"WolneyUnes","display_name":"Wolney Unes","profile_url":"https://ufg.academia.edu/WolneyUnes?f_ri=68226","photo":"https://0.academia-photos.com/2552232/795968/990533/s65_wolney.unes.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":70518,"name":"Arquitetura","url":"https://www.academia.edu/Documents/in/Arquitetura?f_ri=68226","nofollow":false},{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural?f_ri=68226","nofollow":false},{"id":79548,"name":"Arquitetura e Urbanismo","url":"https://www.academia.edu/Documents/in/Arquitetura_e_Urbanismo?f_ri=68226","nofollow":false},{"id":103708,"name":"Conservation and Restoration","url":"https://www.academia.edu/Documents/in/Conservation_and_Restoration?f_ri=68226"},{"id":199628,"name":"Patrimonio","url":"https://www.academia.edu/Documents/in/Patrimonio?f_ri=68226"},{"id":201761,"name":"Restauração","url":"https://www.academia.edu/Documents/in/Restauracao?f_ri=68226"},{"id":207663,"name":"Patrimoine Architectural Et Urbanistique","url":"https://www.academia.edu/Documents/in/Patrimoine_Architectural_Et_Urbanistique?f_ri=68226"},{"id":671456,"name":"História Da Arquitetura E Do Urbanismo","url":"https://www.academia.edu/Documents/in/Historia_Da_Arquitetura_E_Do_Urbanismo?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43248525" data-work_id="43248525" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43248525/Life_in_Beads">Life in Beads</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the 1950s, the Museu Paulista (MP) of the University of São Paulo (USP) and the American Museum of Natural History (AMNH) exchanged ethnographic materials. At the time, the Brazilian museum donated more than 300 objects made by... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43248525" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the 1950s, the Museu Paulista (MP) of the University of São Paulo (USP) and the American Museum of Natural History (AMNH) exchanged ethnographic materials. At the time, the Brazilian museum donated more than 300 objects made by Brazilian indigenous groups and in return received objects from various groups such as Apache, Najavo, Zuni, Hopi, Tlingit among other cultures. This collection was transferred in 1989 to the Museum of Archeology and Ethnology (MAE) of the same university, and consists of objects that range from accessories, clothing to an extensive miscellany of objects. In this presentation we will highlight the work accomplished with 10 objects of clothing of this collection. These pieces were chosen before the others due to the precarious state of conservation to which they were presented. Many objects were wrapped without an internal support and this caused distortions in many of them. Besides the aesthetic effect, the distortions in leather objects also caused the breaking of threads that supported beads, thus causing areas with large losses of matter. Since the packaging was not suitable, materials such as leathers and beads of objects such as bags and loafers were covered with persistent dirt. Coupled with the risks associated with poor packaging and the layers of dirt that have covered these objects for years, we also detect dissociation. The sparse information that documented the exchange between museums in the 1950s did not detail the cultural groups of their origins; in addition, much information was mistranslated over the years, which led to misunderstandings in the identification of the material. To solve the problems encountered, tests were made for identification of materials and color resistance, then proceed to the next stages of the treatments, such as aspiration, mechanical and wet cleaning, humidification and reshaping and the production of specific packaging supports for each piece through moulage or draping and flat pattern drafting techniques. In order to remedy the risk of dissociation, bibliographic and museum database searches were carried out for searches of similar pieces to those studied, and their due documentation. Finally, it was decided to analyze several points of the objects through the techniques of Energy dispersive X-ray Fluorescence spectroscopy (ED-XRF) and Fourier-transform infrared spectroscopy (FTIR), in order to investigate the detected differences in the pieces after the preventive conservation and what the consequences that this information may have.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43248525" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4dbce91c58eaec31a1bf3cf0d6d98811" rel="nofollow" data-download="{"attachment_id":63519349,"asset_id":43248525,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63519349/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="160050393" href="https://independent.academia.edu/ricardoReisVieira">Ricardo Reis Vieira</a><script data-card-contents-for-user="160050393" type="text/json">{"id":160050393,"first_name":"Ricardo","last_name":"Reis Vieira","domain_name":"independent","page_name":"ricardoReisVieira","display_name":"Ricardo Reis Vieira","profile_url":"https://independent.academia.edu/ricardoReisVieira?f_ri=68226","photo":"https://0.academia-photos.com/160050393/44856195/35172252/s65_ricardo.reis_vieira.jpg"}</script></span></span></li><li class="js-paper-rank-work_43248525 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43248525"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43248525, container: ".js-paper-rank-work_43248525", }); 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$(".js-view-count[data-work-id=43248525]").text(description); $(".js-view-count-work_43248525").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43248525").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43248525"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="299" href="https://www.academia.edu/Documents/in/Native_American_Studies">Native American Studies</a>, <script data-card-contents-for-ri="299" type="text/json">{"id":299,"name":"Native American Studies","url":"https://www.academia.edu/Documents/in/Native_American_Studies?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2320" href="https://www.academia.edu/Documents/in/Textiles">Textiles</a>, <script data-card-contents-for-ri="2320" type="text/json">{"id":2320,"name":"Textiles","url":"https://www.academia.edu/Documents/in/Textiles?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5459" href="https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation">Cultural Heritage Conservation</a>, <script data-card-contents-for-ri="5459" type="text/json">{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="55872" href="https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage">Science for Conservation and Restoration of Cultural Heritage</a><script data-card-contents-for-ri="55872" type="text/json">{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43248525]'), work: {"id":43248525,"title":"Life in Beads","created_at":"2020-06-03T14:00:59.105-07:00","url":"https://www.academia.edu/43248525/Life_in_Beads?f_ri=68226","dom_id":"work_43248525","summary":"In the 1950s, the Museu Paulista (MP) of the University of São Paulo (USP) and the American Museum of Natural History (AMNH) exchanged ethnographic materials. At the time, the Brazilian museum donated more than 300 objects made by Brazilian indigenous groups and in return received objects from various groups such as Apache, Najavo, Zuni, Hopi, Tlingit among other cultures. This collection was transferred in 1989 to the Museum of Archeology and Ethnology (MAE) of the same university, and consists of objects that range from accessories, clothing to an extensive miscellany of objects. In this presentation we will highlight the work accomplished with 10 objects of clothing of this collection. These pieces were chosen before the others due to the precarious state of conservation to which they were presented. Many objects were wrapped without an internal support and this caused distortions in many of them. Besides the aesthetic effect, the distortions in leather objects also caused the breaking of threads that supported beads, thus causing areas with large losses of matter. Since the packaging was not suitable, materials such as leathers and beads of objects such as bags and loafers were covered with persistent dirt. Coupled with the risks associated with poor packaging and the layers of dirt that have covered these objects for years, we also detect dissociation. The sparse information that documented the exchange between museums in the 1950s did not detail the cultural groups of their origins; in addition, much information was mistranslated over the years, which led to misunderstandings in the identification of the material. To solve the problems encountered, tests were made for identification of materials and color resistance, then proceed to the next stages of the treatments, such as aspiration, mechanical and wet cleaning, humidification and reshaping and the production of specific packaging supports for each piece through moulage or draping and flat pattern drafting techniques. In order to remedy the risk of dissociation, bibliographic and museum database searches were carried out for searches of similar pieces to those studied, and their due documentation. Finally, it was decided to analyze several points of the objects through the techniques of Energy dispersive X-ray Fluorescence spectroscopy (ED-XRF) and Fourier-transform infrared spectroscopy (FTIR), in order to investigate the detected differences in the pieces after the preventive conservation and what the consequences that this information may have.","downloadable_attachments":[{"id":63519349,"asset_id":43248525,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":160050393,"first_name":"Ricardo","last_name":"Reis Vieira","domain_name":"independent","page_name":"ricardoReisVieira","display_name":"Ricardo Reis Vieira","profile_url":"https://independent.academia.edu/ricardoReisVieira?f_ri=68226","photo":"https://0.academia-photos.com/160050393/44856195/35172252/s65_ricardo.reis_vieira.jpg"}],"research_interests":[{"id":299,"name":"Native American Studies","url":"https://www.academia.edu/Documents/in/Native_American_Studies?f_ri=68226","nofollow":false},{"id":2320,"name":"Textiles","url":"https://www.academia.edu/Documents/in/Textiles?f_ri=68226","nofollow":false},{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=68226","nofollow":false},{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226"},{"id":92897,"name":"Restauration and Conservation","url":"https://www.academia.edu/Documents/in/Restauration_and_Conservation?f_ri=68226"},{"id":519963,"name":"Native American Art","url":"https://www.academia.edu/Documents/in/Native_American_Art?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37965781 coauthored" data-work_id="37965781" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37965781/El_uso_de_la_madera_en_los_trabajos_de_restauraci%C3%B3n_pdf">El uso de la madera en los trabajos de restauración.pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Aquí se hace una reseña de los trabajos de restauración del exconvento franciscano de Tzintzuntzan entre el 2004 y 2005. Se hace énfasis en los hallazgos de los sistemas constructivos de elementos de madera, muchos de ellos especiales o... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37965781" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Aquí se hace una reseña de los trabajos de restauración del exconvento franciscano de Tzintzuntzan entre el 2004 y 2005. Se hace énfasis en los hallazgos de los sistemas constructivos de elementos de madera, muchos de ellos especiales o únicos.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37965781" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="478e3ce22d67ccf31d58731996545f37" rel="nofollow" data-download="{"attachment_id":57981293,"asset_id":37965781,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57981293/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5326009" href="https://independent.academia.edu/ManuelMart%C3%ADnezAguilar">José Manuel Martínez Aguilar</a><script data-card-contents-for-user="5326009" type="text/json">{"id":5326009,"first_name":"José Manuel","last_name":"Martínez Aguilar","domain_name":"independent","page_name":"ManuelMartínezAguilar","display_name":"José Manuel Martínez Aguilar","profile_url":"https://independent.academia.edu/ManuelMart%C3%ADnezAguilar?f_ri=68226","photo":"https://0.academia-photos.com/5326009/2339884/84830092/s65_jos_manuel.mart_nez_aguilar.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-37965781">+1</span><div class="hidden js-additional-users-37965781"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/HildaMendozaVillela">Hilda Mendoza Villela</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-37965781'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-37965781').html(); 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Se hace énfasis en los hallazgos de los sistemas constructivos de elementos de madera, muchos de ellos especiales o únicos.","downloadable_attachments":[{"id":57981293,"asset_id":37965781,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5326009,"first_name":"José Manuel","last_name":"Martínez Aguilar","domain_name":"independent","page_name":"ManuelMartínezAguilar","display_name":"José Manuel Martínez Aguilar","profile_url":"https://independent.academia.edu/ManuelMart%C3%ADnezAguilar?f_ri=68226","photo":"https://0.academia-photos.com/5326009/2339884/84830092/s65_jos_manuel.mart_nez_aguilar.jpg"},{"id":99504277,"first_name":"Hilda Mendoza","last_name":"Villela","domain_name":"independent","page_name":"HildaMendozaVillela","display_name":"Hilda Mendoza Villela","profile_url":"https://independent.academia.edu/HildaMendozaVillela?f_ri=68226","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=68226","nofollow":false},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false},{"id":66890,"name":"Michoacan","url":"https://www.academia.edu/Documents/in/Michoacan?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":92897,"name":"Restauration and Conservation","url":"https://www.academia.edu/Documents/in/Restauration_and_Conservation?f_ri=68226"},{"id":313944,"name":"Wood Technology","url":"https://www.academia.edu/Documents/in/Wood_Technology?f_ri=68226"},{"id":1562821,"name":"SISTEMAS CONSTRUCTIVOS","url":"https://www.academia.edu/Documents/in/SISTEMAS_CONSTRUCTIVOS?f_ri=68226"},{"id":2779792,"name":"Tzintzuntzan","url":"https://www.academia.edu/Documents/in/Tzintzuntzan?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10960392 coauthored" data-work_id="10960392" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10960392/Resiliencia_tecnol%C3%B3gica">Resiliencia tecnológica</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Las prácticas artísticas en la confluencia del arte y la tecnología heredan el grave problema de la obsolescencia tecnológica y el aún más serio de la obsolescencia programada y psicológica debido a un crecimiento irresponsable y absurdo.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10960392" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Las prácticas artísticas en la confluencia del arte y la tecnología<br />heredan el grave problema de la obsolescencia tecnológica y<br />el aún más serio de la obsolescencia programada y psicológica<br />debido a un crecimiento irresponsable y absurdo. Este problema,<br />en el arte, se puede abordar desde la sostenibilidad (desde la<br />producción sostenible y desde la conservación sostenible). Es<br />decir, desde el respeto a los tres elementos básicos del desarrollo<br />sostenible: económico, social y ambiental. La tecnología tiene<br />suficiente madurez para superarse a sí misma. A pesar de todo<br />es posible producir y conservar obras de manera sostenible.<br />Este trabajo trata todos estos problemas con profundidad y<br />propone soluciones metodológicas para revertir esta situación. La<br />resiliencia tecnológica es posible. Es sólo una cuestión de actitud.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10960392" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f74cfe8608edc9cd8b5df8aa8674ab26" rel="nofollow" data-download="{"attachment_id":36711286,"asset_id":10960392,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36711286/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10166540" href="https://upm-es.academia.edu/LinoGarciaMorales">Lino García Morales</a><script data-card-contents-for-user="10166540" type="text/json">{"id":10166540,"first_name":"Lino","last_name":"García Morales","domain_name":"upm-es","page_name":"LinoGarciaMorales","display_name":"Lino García Morales","profile_url":"https://upm-es.academia.edu/LinoGarciaMorales?f_ri=68226","photo":"https://gravatar.com/avatar/263c229cfe71c9aaca982b4e49513698?s=65"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-10960392">+1</span><div class="hidden js-additional-users-10960392"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/VictoriaGuti%C3%A9rrezColino">Victoria Gutiérrez Colino</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-10960392'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-10960392').html(); 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Este problema,\nen el arte, se puede abordar desde la sostenibilidad (desde la\nproducción sostenible y desde la conservación sostenible). Es\ndecir, desde el respeto a los tres elementos básicos del desarrollo\nsostenible: económico, social y ambiental. La tecnología tiene\nsuficiente madurez para superarse a sí misma. A pesar de todo\nes posible producir y conservar obras de manera sostenible.\nEste trabajo trata todos estos problemas con profundidad y\npropone soluciones metodológicas para revertir esta situación. La\nresiliencia tecnológica es posible. Es sólo una cuestión de actitud.","downloadable_attachments":[{"id":36711286,"asset_id":10960392,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10166540,"first_name":"Lino","last_name":"García Morales","domain_name":"upm-es","page_name":"LinoGarciaMorales","display_name":"Lino García Morales","profile_url":"https://upm-es.academia.edu/LinoGarciaMorales?f_ri=68226","photo":"https://gravatar.com/avatar/263c229cfe71c9aaca982b4e49513698?s=65"},{"id":26846674,"first_name":"Victoria Gutiérrez","last_name":"Colino","domain_name":"independent","page_name":"VictoriaGutiérrezColino","display_name":"Victoria Gutiérrez Colino","profile_url":"https://independent.academia.edu/VictoriaGuti%C3%A9rrezColino?f_ri=68226","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":933,"name":"New Media","url":"https://www.academia.edu/Documents/in/New_Media?f_ri=68226","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=68226","nofollow":false},{"id":18736,"name":"New Media Art","url":"https://www.academia.edu/Documents/in/New_Media_Art?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":821678,"name":"Obsolescencia","url":"https://www.academia.edu/Documents/in/Obsolescencia?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7509466" data-work_id="7509466" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7509466/Princ%C3%ADpios_de_Salvaguarda_do_Patrim%C3%B3nio_Monumental">Princípios de Salvaguarda do Património Monumental</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7509466" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0dc79a41979e852333150e27512c9113" rel="nofollow" data-download="{"attachment_id":34076499,"asset_id":7509466,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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arqueológico de Los Padres en Zapopan: propuesta de intervención y divulgación para su conservación</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El sitio arqueológico de Los Padres, así como los sitios del municipio de Zapopan, son representativos de las culturas del Valle de Atemajac. Lamentablemente, el crecimiento acelerado de la población a las periferias de la ciudad, dejó... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_63499320" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El sitio arqueológico de Los Padres, así como los sitios del municipio de Zapopan, son representativos de las culturas del Valle de Atemajac. Lamentablemente, el crecimiento acelerado de la población a las periferias de la ciudad, dejó esta zona inmersa dentro de la mancha urbana, convirtiéndose en un predio baldío y por consecuencia, en un área insegura para los vecinos de la zona. Debido a esto, es necesaria la intervención en el sitio y la divulgación de la información que se tiene sobre este, con el fin de generar un interés por parte de la sociedad y por lo tanto, lograr su conservación.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/63499320" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="455b759e7cf66884282f563763ae9c83" rel="nofollow" data-download="{"attachment_id":75911271,"asset_id":63499320,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/75911271/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5750633" href="https://guadalajara.academia.edu/LauraMontoya">Laura Montoya</a><script data-card-contents-for-user="5750633" type="text/json">{"id":5750633,"first_name":"Laura","last_name":"Montoya","domain_name":"guadalajara","page_name":"LauraMontoya","display_name":"Laura Montoya","profile_url":"https://guadalajara.academia.edu/LauraMontoya?f_ri=68226","photo":"https://0.academia-photos.com/5750633/19964119/30305037/s65_laura.montoya.jpg"}</script></span></span></li><li class="js-paper-rank-work_63499320 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="63499320"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 63499320, container: ".js-paper-rank-work_63499320", }); 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$(".js-view-count[data-work-id=63499320]").text(description); $(".js-view-count-work_63499320").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_63499320").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="63499320"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="38945" href="https://www.academia.edu/Documents/in/Arqueolog%C3%ADa">Arqueología</a>, <script data-card-contents-for-ri="38945" type="text/json">{"id":38945,"name":"Arqueología","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="479527" href="https://www.academia.edu/Documents/in/Realidad_Aumentada">Realidad Aumentada</a>, <script data-card-contents-for-ri="479527" type="text/json">{"id":479527,"name":"Realidad Aumentada","url":"https://www.academia.edu/Documents/in/Realidad_Aumentada?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="922035" href="https://www.academia.edu/Documents/in/Sitios_Arqueologicos">Sitios Arqueológicos</a><script data-card-contents-for-ri="922035" type="text/json">{"id":922035,"name":"Sitios Arqueológicos","url":"https://www.academia.edu/Documents/in/Sitios_Arqueologicos?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=63499320]'), work: {"id":63499320,"title":"El sitio arqueológico de Los Padres en Zapopan: propuesta de intervención y divulgación para su conservación","created_at":"2021-12-07T20:05:21.210-08:00","url":"https://www.academia.edu/63499320/El_sitio_arqueol%C3%B3gico_de_Los_Padres_en_Zapopan_propuesta_de_intervenci%C3%B3n_y_divulgaci%C3%B3n_para_su_conservaci%C3%B3n?f_ri=68226","dom_id":"work_63499320","summary":"El sitio arqueológico de Los Padres, así como los sitios del municipio de Zapopan, son representativos de las culturas del Valle de Atemajac. Lamentablemente, el crecimiento acelerado de la población a las periferias de la ciudad, dejó esta zona inmersa dentro de la mancha urbana, convirtiéndose en un predio baldío y por consecuencia, en un área insegura para los vecinos de la zona. Debido a esto, es necesaria la intervención en el sitio y la divulgación de la información que se tiene sobre este, con el fin de generar un interés por parte de la sociedad y por lo tanto, lograr su conservación.","downloadable_attachments":[{"id":75911271,"asset_id":63499320,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5750633,"first_name":"Laura","last_name":"Montoya","domain_name":"guadalajara","page_name":"LauraMontoya","display_name":"Laura Montoya","profile_url":"https://guadalajara.academia.edu/LauraMontoya?f_ri=68226","photo":"https://0.academia-photos.com/5750633/19964119/30305037/s65_laura.montoya.jpg"}],"research_interests":[{"id":38945,"name":"Arqueología","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":479527,"name":"Realidad Aumentada","url":"https://www.academia.edu/Documents/in/Realidad_Aumentada?f_ri=68226","nofollow":false},{"id":922035,"name":"Sitios Arqueológicos","url":"https://www.academia.edu/Documents/in/Sitios_Arqueologicos?f_ri=68226","nofollow":false},{"id":3360812,"name":"Valle de Atemajac, Jalisco","url":"https://www.academia.edu/Documents/in/Valle_de_Atemajac_Jalisco?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29758402 coauthored" data-work_id="29758402" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29758402/Glosario_de_t%C3%A9rminos_para_%C3%A1lbumes_fotogr%C3%A1ficos_T%C3%A9cnica_de_manufactura">Glosario de términos para álbumes fotográficos. Técnica de manufactura</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Los álbumes fotográficos son complejos formados por diferentes elementos: la estructura del álbum, las fotografías, las dedicatorios y los textos y cada uno cumple una función específica en el conjunto. los distintos componentes tienen un... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29758402" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Los álbumes fotográficos son complejos formados por diferentes elementos: la estructura del álbum, las fotografías, las dedicatorios y los textos y cada uno cumple una función específica en el conjunto. los distintos componentes tienen un papel subordinado al mensaje que se desea trasmitir o la intención de su creador. La transmisión de esta información no se limita únicamente a la imagen, sino que abarca tanto los elementos materiales como los documentales que se conjugan en él. El presente texto reúne una selección de los términos utilizados para denominar las partes de este complejo bien cultural con el fin de generar una correcta identificación con el fin de concebir al álbum fotográfico como una fuente de información.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29758402" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1970635442438ebd672e605c8897bc5d" rel="nofollow" data-download="{"attachment_id":50212060,"asset_id":29758402,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50212060/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3421067" href="https://ceam.academia.edu/DanielaCarre%C3%B3n">Daniela Carreón</a><script data-card-contents-for-user="3421067" type="text/json">{"id":3421067,"first_name":"Daniela","last_name":"Carreón","domain_name":"ceam","page_name":"DanielaCarreón","display_name":"Daniela Carreón","profile_url":"https://ceam.academia.edu/DanielaCarre%C3%B3n?f_ri=68226","photo":"/images/s65_no_pic.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-29758402">+1</span><div class="hidden js-additional-users-29758402"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://inah.academia.edu/BereniceValencia">S. 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Técnica de manufactura","created_at":"2016-11-09T09:03:42.797-08:00","url":"https://www.academia.edu/29758402/Glosario_de_t%C3%A9rminos_para_%C3%A1lbumes_fotogr%C3%A1ficos_T%C3%A9cnica_de_manufactura?f_ri=68226","dom_id":"work_29758402","summary":"Los álbumes fotográficos son complejos formados por diferentes elementos: la estructura del álbum, las fotografías, las dedicatorios y los textos y cada uno cumple una función específica en el conjunto. los distintos componentes tienen un papel subordinado al mensaje que se desea trasmitir o la intención de su creador. La transmisión de esta información no se limita únicamente a la imagen, sino que abarca tanto los elementos materiales como los documentales que se conjugan en él. El presente texto reúne una selección de los términos utilizados para denominar las partes de este complejo bien cultural con el fin de generar una correcta identificación con el fin de concebir al álbum fotográfico como una fuente de información.","downloadable_attachments":[{"id":50212060,"asset_id":29758402,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3421067,"first_name":"Daniela","last_name":"Carreón","domain_name":"ceam","page_name":"DanielaCarreón","display_name":"Daniela Carreón","profile_url":"https://ceam.academia.edu/DanielaCarre%C3%B3n?f_ri=68226","photo":"/images/s65_no_pic.png"},{"id":13988199,"first_name":"S. Berenice","last_name":"Valencia Pulido","domain_name":"inah","page_name":"BereniceValencia","display_name":"S. Berenice Valencia Pulido","profile_url":"https://inah.academia.edu/BereniceValencia?f_ri=68226","photo":"https://0.academia-photos.com/13988199/4104009/136967549/s65_s._berenice.valencia_pulido.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":140604,"name":"Fotografia","url":"https://www.academia.edu/Documents/in/Fotografia?f_ri=68226","nofollow":false},{"id":921834,"name":"Materialidad","url":"https://www.academia.edu/Documents/in/Materialidad?f_ri=68226","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43924010" data-work_id="43924010" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43924010/Desastres_en_acervos_documentales_acciones_b%C3%A1sicas_para_el_rescate_y_estabilizaci%C3%B3n_de_documentos_Disasters_in_documentary_collections_basic_actions_for_the_rescue_and_stabilization_of_documents">Desastres en acervos documentales: acciones básicas para el rescate y estabilización de documentos = Disasters in documentary collections: basic actions for the rescue and stabilization of documents</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Se realiza la caracterización de lo que se asume como un desastre en acervos documentales, sus elementos distintivos y sus dimensiones en cuanto a nivel de impacto; a partir de ello, se dan pautas para poder brindar los “primeros... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43924010" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Se realiza la caracterización de lo que se asume como un desastre en acervos documentales, sus elementos distintivos y sus dimensiones en cuanto a nivel de impacto; a partir de ello, se dan pautas para poder brindar los “primeros auxilios” a fondos y colecciones siniestrados.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43924010" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e5f0bdc2ed08205b23ed9f9361cedcfa" rel="nofollow" data-download="{"attachment_id":65967803,"asset_id":43924010,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65967803/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="167332319" href="https://independent.academia.edu/IsaacTaboada">Isaac Taboada</a><script data-card-contents-for-user="167332319" type="text/json">{"id":167332319,"first_name":"Isaac","last_name":"Taboada","domain_name":"independent","page_name":"IsaacTaboada","display_name":"Isaac Taboada","profile_url":"https://independent.academia.edu/IsaacTaboada?f_ri=68226","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_43924010 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43924010"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43924010, container: ".js-paper-rank-work_43924010", }); 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Restauración y renovación de su legado mudéjar". En Mª del Valle Gómez de Terreros (Edit.), La arquitectura de las órdenes militares en Andalucía. Conservación y . Universidad de Huelva. ISBN: 978-84-15147-15-2. Hu8elva, 2011. 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La restauración de la correcta comprensión del... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10178397" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Una pintura es un valor visual creado a partir de una determinada combinación de materiales  que fue trabajado con unas técnicas específicas y que se realizó en un periodo histórico concreto. La restauración de la correcta comprensión del mensaje estético requiere un examen crítico del contexto histórico artístico, de los materiales compositivos, de su envejecimiento natural, de aquellas alteraciones accidentales que han podido suponer transformaciones y de las modificaciones que antiguas restauraciones han producido en los materiales originales.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10178397" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="174fb4489fbe07c54a7a7667a9e0772c" rel="nofollow" data-download="{"attachment_id":36280215,"asset_id":10178397,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36280215/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4926244" href="https://independent.academia.edu/GemadeCambraFlorensa">Gema de Cambra Florensa</a><script data-card-contents-for-user="4926244" type="text/json">{"id":4926244,"first_name":"Gema","last_name":"de Cambra Florensa","domain_name":"independent","page_name":"GemadeCambraFlorensa","display_name":"Gema de Cambra Florensa","profile_url":"https://independent.academia.edu/GemadeCambraFlorensa?f_ri=68226","photo":"https://0.academia-photos.com/4926244/2125468/11249587/s65_gema.de_cambra_florensa.jpg"}</script></span></span></li><li class="js-paper-rank-work_10178397 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10178397"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10178397, container: ".js-paper-rank-work_10178397", }); 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u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41455956/Restauraci%C3%B3n_de_material_arqueol%C3%B3gico_de_cuatro_tumbas_de_la_necr%C3%B3polis_de_Arroyo_La_Bienvenida_Almod%C3%B3var_del_Campo_Ciudad_Real_">Restauración de material arqueológico de cuatro tumbas de la necrópolis de Arroyo La Bienvenida (Almodóvar del Campo, Ciudad Real)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41455956" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item 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type="text/json">{"id":38945,"name":"Arqueología","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="237661" href="https://www.academia.edu/Documents/in/Tratamientos_de_conservacion_y_Restauracion_de_materiales_organicos_procedentes_de_yacimientos_ar">Tratamientos de conservación y Restauración de materiales orgánicos procedentes de yacimientos arqueológicos</a>, <script data-card-contents-for-ri="237661" type="text/json">{"id":237661,"name":"Tratamientos de conservación y Restauración 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La normativa y los instrumentos de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49133544" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La ciudad mexicana de Puebla de Zaragoza ha sufrido un proceso de expansión física de su entramado urbano hacia las zonas periféricas, fracturando la unidad de la ciudad con el centro histórico. La normativa y los instrumentos de planificación urbana son los principales elementos administrativos que definen el desarrollo inmobiliario de la ciudad, así como las intervenciones sobre inmuebles ya edificados.<br /><br />Una mala planificación, unida a la falta de acuerdo entre las instituciones públicas y la sociedad, puede provocar una discordancia entre los modos de vida y las necesidades de esta última con los intereses políticos y económicos. La consecuencia más directa es la degradación del patrimonio edificado y una pérdida de habitabilidad.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49133544" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="76a32ee445cfb37166998d7912e53222" rel="nofollow" data-download="{"attachment_id":67524117,"asset_id":49133544,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67524117/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="51378018" href="https://uco-es.academia.edu/angelmarinberral">Ángel Marín Berral</a><script data-card-contents-for-user="51378018" type="text/json">{"id":51378018,"first_name":"Ángel","last_name":"Marín Berral","domain_name":"uco-es","page_name":"angelmarinberral","display_name":"Ángel Marín Berral","profile_url":"https://uco-es.academia.edu/angelmarinberral?f_ri=68226","photo":"https://0.academia-photos.com/51378018/13611278/66189353/s65__ngel.mar_n_berral.jpg"}</script></span></span></li><li class="js-paper-rank-work_49133544 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49133544"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49133544, container: ".js-paper-rank-work_49133544", }); 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$(".js-view-count[data-work-id=49133544]").text(description); $(".js-view-count-work_49133544").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49133544").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49133544"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="44867" href="https://www.academia.edu/Documents/in/M%C3%A9xico">México</a>, <script data-card-contents-for-ri="44867" type="text/json">{"id":44867,"name":"México","url":"https://www.academia.edu/Documents/in/M%C3%A9xico?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="191391" href="https://www.academia.edu/Documents/in/Centros_Hist%C3%B3ricos">Centros Históricos</a>, <script data-card-contents-for-ri="191391" type="text/json">{"id":191391,"name":"Centros Históricos","url":"https://www.academia.edu/Documents/in/Centros_Hist%C3%B3ricos?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="213335" href="https://www.academia.edu/Documents/in/Puebla">Puebla</a><script data-card-contents-for-ri="213335" type="text/json">{"id":213335,"name":"Puebla","url":"https://www.academia.edu/Documents/in/Puebla?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49133544]'), work: {"id":49133544,"title":"Conservación arquitectónica en el centro histórico de la ciudad de Puebla (México)","created_at":"2021-06-05T04:04:38.388-07:00","url":"https://www.academia.edu/49133544/Conservaci%C3%B3n_arquitect%C3%B3nica_en_el_centro_hist%C3%B3rico_de_la_ciudad_de_Puebla_M%C3%A9xico_?f_ri=68226","dom_id":"work_49133544","summary":"La ciudad mexicana de Puebla de Zaragoza ha sufrido un proceso de expansión física de su entramado urbano hacia las zonas periféricas, fracturando la unidad de la ciudad con el centro histórico. La normativa y los instrumentos de planificación urbana son los principales elementos administrativos que definen el desarrollo inmobiliario de la ciudad, así como las intervenciones sobre inmuebles ya edificados.\n\nUna mala planificación, unida a la falta de acuerdo entre las instituciones públicas y la sociedad, puede provocar una discordancia entre los modos de vida y las necesidades de esta última con los intereses políticos y económicos. 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Su rescate, conservación y utilidad</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Los objetos encontrados dentro de los libros, ajenos a él, se denominan testigos. Hay una gran variedad de ellos, de naturaleza distinta y por lo tanto su identificación y conservación requieren de atención para reconocer su función... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45038272" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Los objetos encontrados dentro de los libros, ajenos a él, se denominan testigos. Hay una gran variedad de ellos, de naturaleza distinta  y por lo tanto su identificación y conservación requieren de atención para reconocer su función documental, tanto para la historia del libro, como para el estudio de las prácticas de lectura. El texto trata de diferentes acercamientos y decisiones de conservación aplicados en algunas bibliotecas mexicanas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45038272" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ee8c2255d92bf6b78fe6921d22b4fc0b" rel="nofollow" data-download="{"attachment_id":65589757,"asset_id":45038272,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65589757/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="126575932" href="https://unam.academia.edu/MARTHAELENAROMERORAMIREZ">MARTHA ELENA ROMERO RAMIREZ</a><script data-card-contents-for-user="126575932" type="text/json">{"id":126575932,"first_name":"MARTHA ELENA","last_name":"ROMERO RAMIREZ","domain_name":"unam","page_name":"MARTHAELENAROMERORAMIREZ","display_name":"MARTHA ELENA ROMERO RAMIREZ","profile_url":"https://unam.academia.edu/MARTHAELENAROMERORAMIREZ?f_ri=68226","photo":"https://0.academia-photos.com/126575932/37950037/39316544/s65_martha_elena.romero_ramirez.jpg"}</script></span></span></li><li class="js-paper-rank-work_45038272 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45038272"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45038272, container: ".js-paper-rank-work_45038272", }); 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$(".js-view-count[data-work-id=45038272]").text(description); $(".js-view-count-work_45038272").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45038272").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45038272"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6735" href="https://www.academia.edu/Documents/in/Heritage_Conservation">Heritage Conservation</a>, <script data-card-contents-for-ri="6735" type="text/json">{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="47764" href="https://www.academia.edu/Documents/in/Bibliology">Bibliology</a>, <script data-card-contents-for-ri="47764" type="text/json">{"id":47764,"name":"Bibliology","url":"https://www.academia.edu/Documents/in/Bibliology?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="404092" href="https://www.academia.edu/Documents/in/Documentos">Documentos</a><script data-card-contents-for-ri="404092" type="text/json">{"id":404092,"name":"Documentos","url":"https://www.academia.edu/Documents/in/Documentos?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45038272]'), work: {"id":45038272,"title":"Los testigos del libro. Su rescate, conservación y utilidad","created_at":"2021-02-02T18:15:49.112-08:00","url":"https://www.academia.edu/45038272/Los_testigos_del_libro_Su_rescate_conservaci%C3%B3n_y_utilidad?f_ri=68226","dom_id":"work_45038272","summary":"Los objetos encontrados dentro de los libros, ajenos a él, se denominan testigos. Hay una gran variedad de ellos, de naturaleza distinta y por lo tanto su identificación y conservación requieren de atención para reconocer su función documental, tanto para la historia del libro, como para el estudio de las prácticas de lectura. El texto trata de diferentes acercamientos y decisiones de conservación aplicados en algunas bibliotecas mexicanas.","downloadable_attachments":[{"id":65589757,"asset_id":45038272,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":126575932,"first_name":"MARTHA ELENA","last_name":"ROMERO RAMIREZ","domain_name":"unam","page_name":"MARTHAELENAROMERORAMIREZ","display_name":"MARTHA ELENA ROMERO RAMIREZ","profile_url":"https://unam.academia.edu/MARTHAELENAROMERORAMIREZ?f_ri=68226","photo":"https://0.academia-photos.com/126575932/37950037/39316544/s65_martha_elena.romero_ramirez.jpg"}],"research_interests":[{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation?f_ri=68226","nofollow":false},{"id":47764,"name":"Bibliology","url":"https://www.academia.edu/Documents/in/Bibliology?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":404092,"name":"Documentos","url":"https://www.academia.edu/Documents/in/Documentos?f_ri=68226","nofollow":false},{"id":610603,"name":"Bibliologia","url":"https://www.academia.edu/Documents/in/Bibliologia?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43110363" data-work_id="43110363" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43110363/Digitalizaci%C3%B3n_del_patrimonio_Repositorio_Documental_Digital_para_la_Investigaci%C3%B3n_y_Conservaci%C3%B3n_del_Patrimonio_Arquitect%C3%B3nico_de_Torre%C3%B3n">Digitalización del patrimonio. Repositorio Documental Digital para la Investigación y Conservación del Patrimonio Arquitectónico de Torreón.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El trabajo aquí presentado cumple con el interés de divulgar los resultados obtenidos en el proyecto denominado “Repositorio Documental Digital para la Investigación y Conservación del Patrimonio Cultural Arquitectónico de Torreón Coah.”,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43110363" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El trabajo aquí presentado cumple con el interés de divulgar los resultados obtenidos en el proyecto denominado “Repositorio Documental Digital para la Investigación y Conservación del Patrimonio Cultural Arquitectónico de Torreón Coah.”, que tiene como principal intención la localización, digitalización, clasificación y sistematización del patrimonio documental arquitectónico de esta ciudad, es decir la recuperación y escaneo de planos y otros documentos ligados con su devenir histórico arquitectónico, así como el ámbito de aplicación de este repositorio, en relación a los protección y conservación del patrimonio arquitectónico de Torreón. Inicialmente el articulo expone algunas precisiones conceptuales vinculadas a la idea de patrimonio y se presentan los principales procesos ligados a su destrucción, acompañados de datos relacionados con esta circunstancia en la ciudad Torreón, luego se exhiben algunas estrategias de conservación a través de la investigación y se narran experiencias equiparables en materia de protección del patrimonio mediante la conservación de archivos documentales de arquitectura. Finalmente se expone el proyecto, de digitalización del patrimonio arquitectónico realizado, la estructura del acervo y los detalles técnicos, así como las aplicaciones prácticas de dicho acervo, los primeros resultados y las estrategias para continuar con esta actividad.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43110363" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5263e36098840c22556248bb7a158417" rel="nofollow" data-download="{"attachment_id":63364978,"asset_id":43110363,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63364978/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="71296864" href="https://centrodeimagenysonido.academia.edu/joserosales">José Manuel Rosales Mendoza</a><script data-card-contents-for-user="71296864" type="text/json">{"id":71296864,"first_name":"José Manuel","last_name":"Rosales Mendoza","domain_name":"centrodeimagenysonido","page_name":"joserosales","display_name":"José Manuel Rosales Mendoza","profile_url":"https://centrodeimagenysonido.academia.edu/joserosales?f_ri=68226","photo":"https://0.academia-photos.com/71296864/40008296/32915476/s65_jos_manuel.rosales.jpg"}</script></span></span></li><li class="js-paper-rank-work_43110363 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43110363"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43110363, container: ".js-paper-rank-work_43110363", }); 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$(".js-view-count[data-work-id=43110363]").text(description); $(".js-view-count-work_43110363").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43110363").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43110363"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="71918" href="https://www.academia.edu/Documents/in/Patrimonio_Cultural">Patrimonio Cultural</a>, <script data-card-contents-for-ri="71918" type="text/json">{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="85131" href="https://www.academia.edu/Documents/in/Archivos">Archivos</a>, <script data-card-contents-for-ri="85131" type="text/json">{"id":85131,"name":"Archivos","url":"https://www.academia.edu/Documents/in/Archivos?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="191403" href="https://www.academia.edu/Documents/in/Patrimonio_Arquitectonico">Património Arquitectónico</a><script data-card-contents-for-ri="191403" type="text/json">{"id":191403,"name":"Património Arquitectónico","url":"https://www.academia.edu/Documents/in/Patrimonio_Arquitectonico?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43110363]'), work: {"id":43110363,"title":"Digitalización del patrimonio. Repositorio Documental Digital para la Investigación y Conservación del Patrimonio Arquitectónico de Torreón.","created_at":"2020-05-19T15:25:48.523-07:00","url":"https://www.academia.edu/43110363/Digitalizaci%C3%B3n_del_patrimonio_Repositorio_Documental_Digital_para_la_Investigaci%C3%B3n_y_Conservaci%C3%B3n_del_Patrimonio_Arquitect%C3%B3nico_de_Torre%C3%B3n?f_ri=68226","dom_id":"work_43110363","summary":"El trabajo aquí presentado cumple con el interés de divulgar los resultados obtenidos en el proyecto denominado “Repositorio Documental Digital para la Investigación y Conservación del Patrimonio Cultural Arquitectónico de Torreón Coah.”, que tiene como principal intención la localización, digitalización, clasificación y sistematización del patrimonio documental arquitectónico de esta ciudad, es decir la recuperación y escaneo de planos y otros documentos ligados con su devenir histórico arquitectónico, así como el ámbito de aplicación de este repositorio, en relación a los protección y conservación del patrimonio arquitectónico de Torreón. Inicialmente el articulo expone algunas precisiones conceptuales vinculadas a la idea de patrimonio y se presentan los principales procesos ligados a su destrucción, acompañados de datos relacionados con esta circunstancia en la ciudad Torreón, luego se exhiben algunas estrategias de conservación a través de la investigación y se narran experiencias equiparables en materia de protección del patrimonio mediante la conservación de archivos documentales de arquitectura. Finalmente se expone el proyecto, de digitalización del patrimonio arquitectónico realizado, la estructura del acervo y los detalles técnicos, así como las aplicaciones prácticas de dicho acervo, los primeros resultados y las estrategias para continuar con esta actividad.\n","downloadable_attachments":[{"id":63364978,"asset_id":43110363,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":71296864,"first_name":"José Manuel","last_name":"Rosales Mendoza","domain_name":"centrodeimagenysonido","page_name":"joserosales","display_name":"José Manuel Rosales Mendoza","profile_url":"https://centrodeimagenysonido.academia.edu/joserosales?f_ri=68226","photo":"https://0.academia-photos.com/71296864/40008296/32915476/s65_jos_manuel.rosales.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":71918,"name":"Patrimonio 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34546394/Structural_Consolidation_of_Aghios_Konstantinos_Church_Athens">Structural Consolidation of Aghios Konstantinos Church, Athens</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34546394" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8c8e6b4570f9421b58e28d2c84590d88" rel="nofollow" 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type="text/json">{"id":1149587,"first_name":"Maria Grazia","last_name":"Turco","domain_name":"uniroma1","page_name":"MariaGraziaTurco","display_name":"Maria Grazia Turco","profile_url":"https://uniroma1.academia.edu/MariaGraziaTurco?f_ri=68226","photo":"https://0.academia-photos.com/1149587/555670/693193/s65_maria_grazia.turco.jpg"}</script></span></span></li><li class="js-paper-rank-work_34546394 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34546394"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34546394, container: ".js-paper-rank-work_34546394", }); });</script></li><li class="js-percentile-work_34546394 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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type="text/json">{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19685" href="https://www.academia.edu/Documents/in/Architectural_Conservation">Architectural Conservation</a><script data-card-contents-for-ri="19685" type="text/json">{"id":19685,"name":"Architectural Conservation","url":"https://www.academia.edu/Documents/in/Architectural_Conservation?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: 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Centri storici, appunti per una riflessione tra passato e presente; in Materiali e Strutture. 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type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1386" href="https://www.academia.edu/Documents/in/Art_Theory">Art Theory</a>, <script data-card-contents-for-ri="1386" type="text/json">{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2809" href="https://www.academia.edu/Documents/in/Conservation">Conservation</a><script data-card-contents-for-ri="2809" 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3632644" data-work_id="3632644" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3632644/Arquitectura_y_funcionalidad_del_Gran_Templo_de_Requem_Petra_Architecture_and_functionality_of_the_Requem_Petra_Great_Temple_">Arquitectura y funcionalidad del Gran Templo de Requem/Petra (Architecture and functionality of the Requem/Petra Great Temple)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Until 1993 there were conducted first excavations in what promised to be the site of one of the most important buildings of Petra, the stunning capital of the Nabataean kingdom. Its construction, whose initiation century BC, several... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3632644" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Until 1993 there were conducted first excavations in what promised to be the site of one of the most important buildings of Petra, the stunning capital of the Nabataean kingdom. Its construction, whose initiation century BC, several changes, reconstructions and landslides along its more than five hundred years of operation. 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A IV-A <br />12-13 MAI 2016 <br />8:30 <br />PALATUL PATRIARHIEI</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25226911" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d9d24447448c6fab99b49527abca715c" rel="nofollow" data-download="{"attachment_id":45535985,"asset_id":25226911,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45535985/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3153597" href="https://unibuc.academia.edu/DianaIuliana">Diana I Barbu</a><script data-card-contents-for-user="3153597" type="text/json">{"id":3153597,"first_name":"Diana","last_name":"Barbu","domain_name":"unibuc","page_name":"DianaIuliana","display_name":"Diana I Barbu","profile_url":"https://unibuc.academia.edu/DianaIuliana?f_ri=68226","photo":"https://0.academia-photos.com/3153597/1036443/7539574/s65_diana.barbu.jpg"}</script></span></span></li><li class="js-paper-rank-work_25226911 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25226911"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25226911, container: ".js-paper-rank-work_25226911", }); 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Esta investigación contó con el... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_47777756" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este informe fue publicado por Bodegas de Argentina en el mes de Marzo de 2021 y muestra cómo se recupera la actividad de turismo del vino en el país luego de la crisis turística provocada por Covid-19.<br /><br />Esta investigación contó con el aporte de información de más de 140 bodegas abiertas el turismo en el país, representando un 60% del universo totatl.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/47777756" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text 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R. Historia de la Arquitectura Restaurada de la Antigüedad al Renacimiento. Universidad da Coruña, A Coruña, 2008. 726 Págs, 565 ilustraciones. En: Boletín Seminario de Arte. (BSAA). LXXIV Valladolid, 2008, pp. 307-308</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37517551" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f35aacb6226015ce9961020111fe4227" rel="nofollow" data-download="{"attachment_id":57820092,"asset_id":37517551,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57820092/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70286008" href="https://uva-es.academia.edu/Mar%C3%ADaConcepci%C3%B3nPorrasGil">María Concepción Porras Gil</a><script data-card-contents-for-user="70286008" type="text/json">{"id":70286008,"first_name":"María Concepción","last_name":"Porras Gil","domain_name":"uva-es","page_name":"MaríaConcepciónPorrasGil","display_name":"María Concepción Porras Gil","profile_url":"https://uva-es.academia.edu/Mar%C3%ADaConcepci%C3%B3nPorrasGil?f_ri=68226","photo":"https://0.academia-photos.com/70286008/22280309/21500006/s65_mar_a_concepci_n.porras_gil.jpg"}</script></span></span></li><li class="js-paper-rank-work_37517551 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37517551"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37517551, container: ".js-paper-rank-work_37517551", }); 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EN ESTE INMUEBLE... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42244424" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">EL TEMPLO DE SANTA MARÍA HUIRAMANGARO HABÍA SIDO OLVIDADO, PERO POSTERIORMENTE DE CONOCERLO INICIÉ CON LOS ESTUDIOS Y LEVANTAMIENTOS PARA ELABORAR EL PROYECTO GENERAL DE RESTAURACIÓN QUE SE HA IDO REALIZANDO POCO A POCO. EN ESTE INMUEBLE HICE ALGUNOS DESCUBRIMIENTOS EN 1996 COMO LAS PINTURAS ORIGINALES ABAJO DEL COLOR AZUL QUE CUBRE TODO EL ARTESÓN Y QUE BIEN PUEDE TRATARSE DEL MÁS ANTIGUO DEL ESTADO Y UNA TABLA CON LOS DIOSES TARASCOS DEL SIGLO XVI Y QUE POSIBLEMENTE HAYA PERTENECIDO AL ARTESÓN ORIGINAL.<br /><br />TIENE INFLUENCIA MUDÉJAR EN SUS DETALLES DECORATIVOS Y LOS TRES ARCOS QUE A SU VEZ CONFORMAN EL ARCO TRIUNFAL Y EN EL SOTOCORO.<br /><br />ESTAMOS FRENTE AL INMUEBLE RELIGIOSO MÁS ENIGNÁTICO DEL ESTADO DEMICHOACÁN.<br /><br />EN EL  AÑO  2004 LAS DOCTORAS DEL INSTITUO DE INVESTIGACiONES ESTÉTICAS DE LA UNAM HICIERON VARIOS  ESTUDIOS DE LAS PINTURAS DEL ARTESÓN PARA SU RESCATE.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42244424" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1812f44851b8fd603485945d8e4f0324" rel="nofollow" data-download="{"attachment_id":62394917,"asset_id":42244424,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62394917/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="42093732" href="https://ugto.academia.edu/VirgilioMarinesMota">Virgilio Marines Mota</a><script data-card-contents-for-user="42093732" type="text/json">{"id":42093732,"first_name":"Virgilio","last_name":"Marines Mota","domain_name":"ugto","page_name":"VirgilioMarinesMota","display_name":"Virgilio Marines Mota","profile_url":"https://ugto.academia.edu/VirgilioMarinesMota?f_ri=68226","photo":"https://0.academia-photos.com/42093732/12308396/14421924/s65_virgilio.marines_mota.jpg"}</script></span></span></li><li class="js-paper-rank-work_42244424 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42244424"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42244424, container: ".js-paper-rank-work_42244424", }); 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$(".js-view-count[data-work-id=42244424]").text(description); $(".js-view-count-work_42244424").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42244424").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42244424"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3608" href="https://www.academia.edu/Documents/in/Historic_Preservation">Historic Preservation</a>, <script data-card-contents-for-ri="3608" type="text/json">{"id":3608,"name":"Historic Preservation","url":"https://www.academia.edu/Documents/in/Historic_Preservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="79037" href="https://www.academia.edu/Documents/in/Historia_del_Arte">Historia del Arte</a><script data-card-contents-for-ri="79037" type="text/json">{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42244424]'), work: {"id":42244424,"title":"TEMPLO DE SANTA MARÍA HUIRAMANGARO","created_at":"2020-03-17T12:45:02.210-07:00","url":"https://www.academia.edu/42244424/TEMPLO_DE_SANTA_MAR%C3%8DA_HUIRAMANGARO?f_ri=68226","dom_id":"work_42244424","summary":"EL TEMPLO DE SANTA MARÍA HUIRAMANGARO HABÍA SIDO OLVIDADO, PERO POSTERIORMENTE DE CONOCERLO INICIÉ CON LOS ESTUDIOS Y LEVANTAMIENTOS PARA ELABORAR EL PROYECTO GENERAL DE RESTAURACIÓN QUE SE HA IDO REALIZANDO POCO A POCO. EN ESTE INMUEBLE HICE ALGUNOS DESCUBRIMIENTOS EN 1996 COMO LAS PINTURAS ORIGINALES ABAJO DEL COLOR AZUL QUE CUBRE TODO EL ARTESÓN Y QUE BIEN PUEDE TRATARSE DEL MÁS ANTIGUO DEL ESTADO Y UNA TABLA CON LOS DIOSES TARASCOS DEL SIGLO XVI Y QUE POSIBLEMENTE HAYA PERTENECIDO AL ARTESÓN ORIGINAL.\n\nTIENE INFLUENCIA MUDÉJAR EN SUS DETALLES DECORATIVOS Y LOS TRES ARCOS QUE A SU VEZ CONFORMAN EL ARCO TRIUNFAL Y EN EL SOTOCORO.\n\nESTAMOS FRENTE AL INMUEBLE RELIGIOSO MÁS ENIGNÁTICO DEL ESTADO DEMICHOACÁN.\n\nEN EL AÑO 2004 LAS DOCTORAS DEL INSTITUO DE INVESTIGACiONES ESTÉTICAS DE LA UNAM HICIERON VARIOS ESTUDIOS DE LAS PINTURAS DEL ARTESÓN PARA SU RESCATE.\n","downloadable_attachments":[{"id":62394917,"asset_id":42244424,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":42093732,"first_name":"Virgilio","last_name":"Marines Mota","domain_name":"ugto","page_name":"VirgilioMarinesMota","display_name":"Virgilio Marines Mota","profile_url":"https://ugto.academia.edu/VirgilioMarinesMota?f_ri=68226","photo":"https://0.academia-photos.com/42093732/12308396/14421924/s65_virgilio.marines_mota.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=68226","nofollow":false},{"id":3608,"name":"Historic Preservation","url":"https://www.academia.edu/Documents/in/Historic_Preservation?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte?f_ri=68226","nofollow":false},{"id":777997,"name":"Difusión e Interpretación del patrimonio natural y cultural","url":"https://www.academia.edu/Documents/in/Difusion_e_Interpretacion_del_patrimonio_natural_y_cultural?f_ri=68226"},{"id":1779957,"name":"Antropogia socijal","url":"https://www.academia.edu/Documents/in/Antropogia_socijal?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_65078854" data-work_id="65078854" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/65078854/El_ba%C3%B1o_andalus%C3%AD_del_Nogal_o_Ba%C3%B1uelo_%E1%B8%A5amm%C4%81m_al_%C5%B6awza_en_Granada_an%C3%A1lisis_cr%C3%ADtico_de_un_siglo_de_restauraciones_1919_2018_">El baño andalusí del Nogal o Bañuelo (ḥammām al-Ŷawza) en Granada: análisis crítico de un siglo de restauraciones (1919-2018)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Las recientes obras de restauración en el Baño del Nogal o Bañuelo (ḥammām al-Ŷawza) en Granada (España), nos han permitido profundizar en el conocimiento de este importante ejemplo de arquitectura andalusí. En este trabajo presentamos... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_65078854" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Las recientes obras de restauración en el Baño del Nogal o Bañuelo (ḥammām al-Ŷawza) en Granada (España), nos han permitido profundizar en el conocimiento de este importante ejemplo de arquitectura andalusí. En este trabajo presentamos una introducción al análisis histórico del edificio, lo que permite conocer su origen y evolución. Analizamos críticamente la docena de intervenciones de restauración y conservación realizadas durante el último siglo. Finalmente, establecemos unas conclusiones en función de las diferentes áreas del edificio, donde consideramos necesario profundizar y reflexionar, planteando propuestas que puedan ser tenidas en cuenta en la programación de futuras intervenciones. De esta forma se podrá mejorar la interpretación de un monumento singular, conservado según los criterios de la restauración científica e incorporado al patrimonio arquitectónico de la ciudad de Granada. ABSTRACT The recent restoration works in the bath of El Nogal or Bañuelo (ḥammām al-Ŷawza)...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/65078854" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e879afe4e5e2b6e505df6aaabcbb2bc4" rel="nofollow" data-download="{"attachment_id":76822737,"asset_id":65078854,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76822737/download_file?st=MTczMjUzNDcxNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="58176499" href="https://uma.academia.edu/LopezOsorio">López Osorio</a><script data-card-contents-for-user="58176499" type="text/json">{"id":58176499,"first_name":"López","last_name":"Osorio","domain_name":"uma","page_name":"LopezOsorio","display_name":"López Osorio","profile_url":"https://uma.academia.edu/LopezOsorio?f_ri=68226","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_65078854 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="65078854"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 65078854, container: ".js-paper-rank-work_65078854", }); 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$(".js-view-count[data-work-id=65078854]").text(description); $(".js-view-count-work_65078854").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_65078854").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="65078854"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="31186" href="https://www.academia.edu/Documents/in/Early_and_Medieval_Islamic_Art_and_Architecture">Early and Medieval Islamic Art and Architecture</a>, <script data-card-contents-for-ri="31186" type="text/json">{"id":31186,"name":"Early and Medieval Islamic Art and Architecture","url":"https://www.academia.edu/Documents/in/Early_and_Medieval_Islamic_Art_and_Architecture?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46309" href="https://www.academia.edu/Documents/in/Al-Andalus_archaeology">Al-Andalus archaeology</a>, <script data-card-contents-for-ri="46309" type="text/json">{"id":46309,"name":"Al-Andalus archaeology","url":"https://www.academia.edu/Documents/in/Al-Andalus_archaeology?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="65358" href="https://www.academia.edu/Documents/in/Architectural_Preservation_and_Restoration">Architectural Preservation & Restoration</a>, <script data-card-contents-for-ri="65358" type="text/json">{"id":65358,"name":"Architectural Preservation \u0026 Restoration","url":"https://www.academia.edu/Documents/in/Architectural_Preservation_and_Restoration?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a><script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=65078854]'), work: {"id":65078854,"title":"El baño andalusí del Nogal o Bañuelo (ḥammām al-Ŷawza) en Granada: análisis crítico de un siglo de restauraciones (1919-2018)","created_at":"2021-12-19T02:18:36.262-08:00","url":"https://www.academia.edu/65078854/El_ba%C3%B1o_andalus%C3%AD_del_Nogal_o_Ba%C3%B1uelo_%E1%B8%A5amm%C4%81m_al_%C5%B6awza_en_Granada_an%C3%A1lisis_cr%C3%ADtico_de_un_siglo_de_restauraciones_1919_2018_?f_ri=68226","dom_id":"work_65078854","summary":"Las recientes obras de restauración en el Baño del Nogal o Bañuelo (ḥammām al-Ŷawza) en Granada (España), nos han permitido profundizar en el conocimiento de este importante ejemplo de arquitectura andalusí. En este trabajo presentamos una introducción al análisis histórico del edificio, lo que permite conocer su origen y evolución. Analizamos críticamente la docena de intervenciones de restauración y conservación realizadas durante el último siglo. Finalmente, establecemos unas conclusiones en función de las diferentes áreas del edificio, donde consideramos necesario profundizar y reflexionar, planteando propuestas que puedan ser tenidas en cuenta en la programación de futuras intervenciones. De esta forma se podrá mejorar la interpretación de un monumento singular, conservado según los criterios de la restauración científica e incorporado al patrimonio arquitectónico de la ciudad de Granada. ABSTRACT The recent restoration works in the bath of El Nogal or Bañuelo (ḥammām al-Ŷawza)...","downloadable_attachments":[{"id":76822737,"asset_id":65078854,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":58176499,"first_name":"López","last_name":"Osorio","domain_name":"uma","page_name":"LopezOsorio","display_name":"López Osorio","profile_url":"https://uma.academia.edu/LopezOsorio?f_ri=68226","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":31186,"name":"Early and Medieval Islamic Art and Architecture","url":"https://www.academia.edu/Documents/in/Early_and_Medieval_Islamic_Art_and_Architecture?f_ri=68226","nofollow":false},{"id":46309,"name":"Al-Andalus archaeology","url":"https://www.academia.edu/Documents/in/Al-Andalus_archaeology?f_ri=68226","nofollow":false},{"id":65358,"name":"Architectural Preservation \u0026 Restoration","url":"https://www.academia.edu/Documents/in/Architectural_Preservation_and_Restoration?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":302995,"name":"Granada","url":"https://www.academia.edu/Documents/in/Granada?f_ri=68226"},{"id":3645734,"name":"Informes de la Construcción","url":"https://www.academia.edu/Documents/in/Informes_de_la_Construcci%C3%B3n?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_18021981" data-work_id="18021981" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/18021981/San_Pietro_restauro_della_facciata">San Pietro restauro della facciata</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il restauro della facciata della basilica di San Pietro in Roma nel progetto del prof. Sandro Benedetti, dirigente tecnico della Fabbrica di San Pietro, è illustrato in un'intervista a Giovanni Carbonara nella quale s'evidenziano la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_18021981" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il restauro della facciata della basilica di San Pietro in Roma nel progetto del prof. Sandro Benedetti, dirigente tecnico della Fabbrica di San Pietro, è illustrato in un'intervista a Giovanni Carbonara nella quale s'evidenziano la profonda conoscenza del monumento e la precisa intenzionalità storico-critica alla base del progetto di restauro.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/18021981" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba3c52b169abb92152cada61a8957230" rel="nofollow" data-download="{"attachment_id":39832691,"asset_id":18021981,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39832691/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3112441" href="https://independent.academia.edu/AlessandroPergoliCampanelli">Alessandro Pergoli Campanelli</a><script data-card-contents-for-user="3112441" type="text/json">{"id":3112441,"first_name":"Alessandro","last_name":"Pergoli Campanelli","domain_name":"independent","page_name":"AlessandroPergoliCampanelli","display_name":"Alessandro Pergoli Campanelli","profile_url":"https://independent.academia.edu/AlessandroPergoliCampanelli?f_ri=68226","photo":"https://0.academia-photos.com/3112441/1022650/116115219/s65_alessandro.pergoli_campanelli.jpg"}</script></span></span></li><li class="js-paper-rank-work_18021981 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="18021981"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 18021981, container: ".js-paper-rank-work_18021981", }); 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$(".js-view-count[data-work-id=18021981]").text(description); $(".js-view-count-work_18021981").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_18021981").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="18021981"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">25</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2809" href="https://www.academia.edu/Documents/in/Conservation">Conservation</a>, <script data-card-contents-for-ri="2809" type="text/json">{"id":2809,"name":"Conservation","url":"https://www.academia.edu/Documents/in/Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6735" href="https://www.academia.edu/Documents/in/Heritage_Conservation">Heritage Conservation</a>, <script data-card-contents-for-ri="6735" type="text/json">{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17374" href="https://www.academia.edu/Documents/in/Restoration">Restoration</a>, <script data-card-contents-for-ri="17374" type="text/json">{"id":17374,"name":"Restoration","url":"https://www.academia.edu/Documents/in/Restoration?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23866" href="https://www.academia.edu/Documents/in/Christianity_and_Rome">Christianity and Rome</a><script data-card-contents-for-ri="23866" type="text/json">{"id":23866,"name":"Christianity and Rome","url":"https://www.academia.edu/Documents/in/Christianity_and_Rome?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=18021981]'), work: {"id":18021981,"title":"San Pietro restauro della facciata","created_at":"2015-11-09T07:09:58.280-08:00","url":"https://www.academia.edu/18021981/San_Pietro_restauro_della_facciata?f_ri=68226","dom_id":"work_18021981","summary":"Il restauro della facciata della basilica di San Pietro in Roma nel progetto del prof. Sandro Benedetti, dirigente tecnico della Fabbrica di San Pietro, è illustrato in un'intervista a Giovanni Carbonara nella quale s'evidenziano la profonda conoscenza del monumento e la precisa intenzionalità storico-critica alla base del progetto di restauro.","downloadable_attachments":[{"id":39832691,"asset_id":18021981,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3112441,"first_name":"Alessandro","last_name":"Pergoli Campanelli","domain_name":"independent","page_name":"AlessandroPergoliCampanelli","display_name":"Alessandro Pergoli Campanelli","profile_url":"https://independent.academia.edu/AlessandroPergoliCampanelli?f_ri=68226","photo":"https://0.academia-photos.com/3112441/1022650/116115219/s65_alessandro.pergoli_campanelli.jpg"}],"research_interests":[{"id":2809,"name":"Conservation","url":"https://www.academia.edu/Documents/in/Conservation?f_ri=68226","nofollow":false},{"id":6735,"name":"Heritage 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Pietro","url":"https://www.academia.edu/Documents/in/Tomba_Di_San_Pietro?f_ri=68226"},{"id":1231906,"name":"Restauro Architettonico","url":"https://www.academia.edu/Documents/in/Restauro_Architettonico?f_ri=68226"},{"id":1368734,"name":"Conservazione Dei Beni Culturali","url":"https://www.academia.edu/Documents/in/Conservazione_Dei_Beni_Culturali?f_ri=68226"},{"id":2555159,"name":"Restauro Facciate","url":"https://www.academia.edu/Documents/in/Restauro_Facciate?f_ri=68226"},{"id":2555161,"name":"Colore Città","url":"https://www.academia.edu/Documents/in/Colore_Citt%C3%A0?f_ri=68226"},{"id":2555162,"name":"Restauro Colore","url":"https://www.academia.edu/Documents/in/Restauro_Colore?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12579777" data-work_id="12579777" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12579777/Planned_Conservation_and_Local_Development_Processes_the_Key_Role_of_Intellectual_Capital_In_Koenraad_Van_Balen_and_Aziliz_Vandesande_ed_Reflections_on_Preventive_Conservation_Maintenance_and_Monitoring_Leuven_Acco_2013_pp_123_127">Planned Conservation and Local Development Processes: the Key Role of Intellectual Capital, In Koenraad Van Balen & Aziliz Vandesande (ed.), Reflections on Preventive Conservation, Maintenance and Monitoring, Leuven, Acco, 2013, pp. 123-127</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The paper aims at enlightening the positive effect that a shift from restoration as an event to conservation as a planned process.could have on regional economy and local development processes; the empowerment of actors is identified as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12579777" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The paper aims at enlightening the positive effect that a shift from restoration as an event to conservation as a planned process.could have on regional economy and local development processes; the empowerment of actors is identified as the main factor. An analysis of the skills required by planned conservation provides an explanation of the way intellectual capital comes into play. The author argues therefore that the concept of preventive and planned conservation should be implemented in the design of regional development projects, which encompass investments on cultural heritage properties and sites.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12579777" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba8330017f62d3b13c073b89fcad0bb1" rel="nofollow" data-download="{"attachment_id":37730471,"asset_id":12579777,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37730471/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="21681216" href="https://polimi.academia.edu/StefanoDellaTorre">Stefano Della Torre</a><script data-card-contents-for-user="21681216" type="text/json">{"id":21681216,"first_name":"Stefano","last_name":"Della Torre","domain_name":"polimi","page_name":"StefanoDellaTorre","display_name":"Stefano Della Torre","profile_url":"https://polimi.academia.edu/StefanoDellaTorre?f_ri=68226","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_12579777 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12579777"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12579777, container: ".js-paper-rank-work_12579777", }); 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$(".js-view-count[data-work-id=12579777]").text(description); $(".js-view-count-work_12579777").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12579777").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12579777"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5459" href="https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation">Cultural Heritage Conservation</a>, <script data-card-contents-for-ri="5459" type="text/json">{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6735" href="https://www.academia.edu/Documents/in/Heritage_Conservation">Heritage Conservation</a>, <script data-card-contents-for-ri="6735" type="text/json">{"id":6735,"name":"Heritage Conservation","url":"https://www.academia.edu/Documents/in/Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19685" href="https://www.academia.edu/Documents/in/Architectural_Conservation">Architectural Conservation</a>, <script data-card-contents-for-ri="19685" type="text/json">{"id":19685,"name":"Architectural Conservation","url":"https://www.academia.edu/Documents/in/Architectural_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24018" href="https://www.academia.edu/Documents/in/Preventive_conservation">Preventive conservation</a><script data-card-contents-for-ri="24018" type="text/json">{"id":24018,"name":"Preventive conservation","url":"https://www.academia.edu/Documents/in/Preventive_conservation?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12579777]'), work: {"id":12579777,"title":"Planned Conservation and Local Development Processes: the Key Role of Intellectual Capital, In Koenraad Van Balen \u0026 Aziliz Vandesande (ed.), Reflections on Preventive Conservation, Maintenance and Monitoring, Leuven, Acco, 2013, pp. 123-127","created_at":"2015-05-25T06:52:45.723-07:00","url":"https://www.academia.edu/12579777/Planned_Conservation_and_Local_Development_Processes_the_Key_Role_of_Intellectual_Capital_In_Koenraad_Van_Balen_and_Aziliz_Vandesande_ed_Reflections_on_Preventive_Conservation_Maintenance_and_Monitoring_Leuven_Acco_2013_pp_123_127?f_ri=68226","dom_id":"work_12579777","summary":"The paper aims at enlightening the positive effect that a shift from restoration as an event to conservation as a planned process.could have on regional economy and local development processes; the empowerment of actors is identified as the main factor. An analysis of the skills required by planned conservation provides an explanation of the way intellectual capital comes into play. The author argues therefore that the concept of preventive and planned conservation should be implemented in the design of regional development projects, which encompass investments on cultural heritage properties and sites. 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Se identificaron los componentes que dan forma a la unidad de producción y las constantes de diseño empleadas en los espacios arquitectónicos que permiten definir la tipología arquitectónica, condicionada por los requerimientos del proceso de generación de energía.<br />Al identificar que estos sitios pueden presentar cualidades como objetos aislados o como parte de un contexto territorial, se plantea que pueden considerarse como un patrimonio industrial y se realizó una propuesta de conservación de un caso de estudio ubicado en El Salto, Jalisco.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44457768" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="89aa6ff8b53b3c60d14d8a5ce8c24a98" rel="nofollow" data-download="{"attachment_id":64882313,"asset_id":44457768,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64882313/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7191310" href="https://independent.academia.edu/LuisIb%C3%A1%C3%B1ez">Luis Ibáñez</a><script data-card-contents-for-user="7191310" type="text/json">{"id":7191310,"first_name":"Luis","last_name":"Ibáñez","domain_name":"independent","page_name":"LuisIbáñez","display_name":"Luis Ibáñez","profile_url":"https://independent.academia.edu/LuisIb%C3%A1%C3%B1ez?f_ri=68226","photo":"https://0.academia-photos.com/7191310/2688620/37188957/s65_luis.ib_ez.jpg"}</script></span></span></li><li class="js-paper-rank-work_44457768 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44457768"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44457768, container: ".js-paper-rank-work_44457768", }); 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$(".js-view-count[data-work-id=44457768]").text(description); $(".js-view-count-work_44457768").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44457768").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44457768"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="49532" href="https://www.academia.edu/Documents/in/Jalisco">Jalisco</a>, <script data-card-contents-for-ri="49532" type="text/json">{"id":49532,"name":"Jalisco","url":"https://www.academia.edu/Documents/in/Jalisco?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49836" href="https://www.academia.edu/Documents/in/Arquitectura">Arquitectura</a>, <script data-card-contents-for-ri="49836" type="text/json">{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="141797" href="https://www.academia.edu/Documents/in/Patrimonio_Industrial">Patrimonio Industrial</a><script data-card-contents-for-ri="141797" type="text/json">{"id":141797,"name":"Patrimonio Industrial","url":"https://www.academia.edu/Documents/in/Patrimonio_Industrial?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44457768]'), work: {"id":44457768,"title":"Las plantas hidroeléctricas, una tipología de arquitectura industrial","created_at":"2020-11-08T16:39:54.286-08:00","url":"https://www.academia.edu/44457768/Las_plantas_hidroel%C3%A9ctricas_una_tipolog%C3%ADa_de_arquitectura_industrial?f_ri=68226","dom_id":"work_44457768","summary":"Tesis de Maestría en Arquitectura en el campo de Restauración de Monumentos que plantea un acercamiento al estudio de las tipologías arquitectónicas del sector eléctrico y se centra en las plantas hidroeléctricas como una de las más representativas.\nEste estudio se enfoca en las obras construidas en México, por lo que se abordan los antecedentes históricos que incidieron en el contexto nacional y las primeras instalaciones construidas en el país. Se identificaron los componentes que dan forma a la unidad de producción y las constantes de diseño empleadas en los espacios arquitectónicos que permiten definir la tipología arquitectónica, condicionada por los requerimientos del proceso de generación de energía.\nAl identificar que estos sitios pueden presentar cualidades como objetos aislados o como parte de un contexto territorial, se plantea que pueden considerarse como un patrimonio industrial y se realizó una propuesta de conservación de un caso de estudio ubicado en El Salto, Jalisco.","downloadable_attachments":[{"id":64882313,"asset_id":44457768,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7191310,"first_name":"Luis","last_name":"Ibáñez","domain_name":"independent","page_name":"LuisIbáñez","display_name":"Luis Ibáñez","profile_url":"https://independent.academia.edu/LuisIb%C3%A1%C3%B1ez?f_ri=68226","photo":"https://0.academia-photos.com/7191310/2688620/37188957/s65_luis.ib_ez.jpg"}],"research_interests":[{"id":49532,"name":"Jalisco","url":"https://www.academia.edu/Documents/in/Jalisco?f_ri=68226","nofollow":false},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":141797,"name":"Patrimonio Industrial","url":"https://www.academia.edu/Documents/in/Patrimonio_Industrial?f_ri=68226","nofollow":false},{"id":161802,"name":"Ciudad y territorio","url":"https://www.academia.edu/Documents/in/Ciudad_y_territorio?f_ri=68226"},{"id":213335,"name":"Puebla","url":"https://www.academia.edu/Documents/in/Puebla?f_ri=68226"},{"id":246012,"name":"Arqueologia Industrial","url":"https://www.academia.edu/Documents/in/Arqueologia_Industrial?f_ri=68226"},{"id":1272375,"name":"Industria Eléctrica","url":"https://www.academia.edu/Documents/in/Industria_Electrica?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_52662626" data-work_id="52662626" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/52662626/As_pallozas_entre_Lugo_Le%C3%B3n_e_Asturias_unha_an%C3%A1lise_cr%C3%ADtica_patrimonial">As pallozas entre Lugo León e Asturias: unha análise crítica patrimonial</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O documento e propiedade da súa autora. Calquera enlace ó texto deberá facerse a través da URL de Academia. González Fernández, Eva. "As pallozas entre Lugo, León e Asturias: unha análise crítica patrimonial". 15 de Setembro de 2021.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_52662626" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O documento e propiedade da súa autora. Calquera enlace ó texto deberá facerse a través da URL de Academia. González Fernández, Eva. "As pallozas entre Lugo, León e Asturias: unha análise crítica patrimonial". 15 de Setembro de 2021. Dispoñible en <a href="https://bit.ly/3lxvWf4" rel="nofollow">https://bit.ly/3lxvWf4</a> TFM: Traballo de fin de máster en Arqueoloxía e Ciencias da Antigüidade. Autora: D.ª Eva González Fernández. Directores: Dr. Davíd González Álvarez e Dr. David Barreiro Martínez. Lectura: Na Universidade de Santiago de Compostela o 15 de Setembro de 2021. Idioma: Galego</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/52662626" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="114486671622bdaef618b229278042f8" rel="nofollow" data-download="{"attachment_id":69819878,"asset_id":52662626,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/69819878/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="67950816" href="https://usc-es.academia.edu/EvaGonz%C3%A1lezFern%C3%A1ndez">Eva González Fernández</a><script data-card-contents-for-user="67950816" type="text/json">{"id":67950816,"first_name":"Eva","last_name":"González Fernández","domain_name":"usc-es","page_name":"EvaGonzálezFernández","display_name":"Eva González Fernández","profile_url":"https://usc-es.academia.edu/EvaGonz%C3%A1lezFern%C3%A1ndez?f_ri=68226","photo":"https://0.academia-photos.com/67950816/41030969/33396208/s65_eva.gonzalez.jpg"}</script></span></span></li><li class="js-paper-rank-work_52662626 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="52662626"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 52662626, container: ".js-paper-rank-work_52662626", }); 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Calquera enlace ó texto deberá facerse a través da URL de Academia. González Fernández, Eva. \"As pallozas entre Lugo, León e Asturias: unha análise crítica patrimonial\". 15 de Setembro de 2021. Dispoñible en https://bit.ly/3lxvWf4 TFM: Traballo de fin de máster en Arqueoloxía e Ciencias da Antigüidade. Autora: D.ª Eva González Fernández. Directores: Dr. Davíd González Álvarez e Dr. David Barreiro Martínez. Lectura: Na Universidade de Santiago de Compostela o 15 de Setembro de 2021. Idioma: Galego\n\n","downloadable_attachments":[{"id":69819878,"asset_id":52662626,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":67950816,"first_name":"Eva","last_name":"González Fernández","domain_name":"usc-es","page_name":"EvaGonzálezFernández","display_name":"Eva González Fernández","profile_url":"https://usc-es.academia.edu/EvaGonz%C3%A1lezFern%C3%A1ndez?f_ri=68226","photo":"https://0.academia-photos.com/67950816/41030969/33396208/s65_eva.gonzalez.jpg"}],"research_interests":[{"id":65333,"name":"Museología","url":"https://www.academia.edu/Documents/in/Museolog%C3%ADa?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural?f_ri=68226","nofollow":false},{"id":457215,"name":"Reservas de la biosfera","url":"https://www.academia.edu/Documents/in/Reservas_de_la_biosfera?f_ri=68226","nofollow":false},{"id":988922,"name":"Legislación Cultural","url":"https://www.academia.edu/Documents/in/Legislacion_Cultural?f_ri=68226"},{"id":2937296,"name":"Pallozas de Ancares","url":"https://www.academia.edu/Documents/in/Pallozas_de_Ancares?f_ri=68226"},{"id":3378436,"name":"Ancares","url":"https://www.academia.edu/Documents/in/Ancares?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45099545" data-work_id="45099545" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45099545/COPIAS_FOTOGR%C3%81FICAS_A_LA_ALB%C3%9AMINA_ESTUDIO_DE_LA_T%C3%89CNICA_Y_METODOLOG%C3%8DA_EN_SU_CONSERVACI%C3%93N">COPIAS FOTOGRÁFICAS A LA ALBÚMINA. ESTUDIO DE LA TÉCNICA Y METODOLOGÍA EN SU CONSERVACIÓN</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">[spa] El presente trabajo, como herramienta introductoria en el conocimiento de la técnica fotográfica de positivado a la albúmina; aborda aspectos históricos, matéricos, procesos y procedimientos de elaboración, mecanismos de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45099545" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">[spa] El presente trabajo, como herramienta introductoria en el conocimiento de la técnica fotográfica de positivado a la albúmina; aborda aspectos históricos, matéricos, procesos y procedimientos de elaboración, mecanismos de degradación de la imagen y las posibles vías de su conservación. Mediante el análisis teórico, experimentación y estudio de casos; se vertebra un documento básico para la comprensión y preservación de este Bien Cultural. Las impresiones a la albúmina son el producto de la técnica fotográfica que positiva la imagen por contacto directo del negativo con papel, preparado con una solución salina y clara de huevo antes de ser sensibilizado. Su uso extendido en la segunda mitad del siglo XIX hace de éste patrimonio una entidad susceptible de localizarse prácticamente en cualquier institución gestora de Bienes Culturales, haciendo imprescindible su estudio y significación.<br />[eng] The current paper, as an introductory resource on the knowledge of the albumen printing process, addresses historical aspects, characterization, processing and printing procedures, image deterioration patterns and possible ways of conservation. Through theoretical analysis, experimentation and case studies; a basic document for the understanding and preservation of this Cultural Heritage is structured. The albumen print material consists of a paper support coated with egg white mixed with a saline solution, and then sensitized before exposed in contact with a negative in sunlight. Because of the dominance of the albumen print material in photographic practice in the second half of nineteenth century, albumen prints can be founded nowadays in practically any Cultural Heritage institution, which makes its study and signification essential.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45099545" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e21cedcee36ccf358fc1921abcd797de" rel="nofollow" data-download="{"attachment_id":65662592,"asset_id":45099545,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65662592/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24753597" href="https://ub.academia.edu/Luc%C3%ADaMart%C3%ADnez">Lucía Martínez</a><script data-card-contents-for-user="24753597" type="text/json">{"id":24753597,"first_name":"Lucía","last_name":"Martínez","domain_name":"ub","page_name":"LucíaMartínez","display_name":"Lucía Martínez","profile_url":"https://ub.academia.edu/Luc%C3%ADaMart%C3%ADnez?f_ri=68226","photo":"https://0.academia-photos.com/24753597/17922534/17936760/s65_luc_a.mart_nez.jpg"}</script></span></span></li><li class="js-paper-rank-work_45099545 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45099545"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45099545, container: ".js-paper-rank-work_45099545", }); });</script></li><li class="js-percentile-work_45099545 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45099545; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45099545"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45099545 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45099545"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45099545; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45099545]").text(description); $(".js-view-count-work_45099545").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45099545").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45099545"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1589" href="https://www.academia.edu/Documents/in/Photography">Photography</a>, <script data-card-contents-for-ri="1589" type="text/json">{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2132" href="https://www.academia.edu/Documents/in/Cultural_Heritage">Cultural Heritage</a>, <script data-card-contents-for-ri="2132" type="text/json">{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5459" href="https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation">Cultural Heritage Conservation</a>, <script data-card-contents-for-ri="5459" type="text/json">{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20079" href="https://www.academia.edu/Documents/in/History_of_photography">History of photography</a><script data-card-contents-for-ri="20079" type="text/json">{"id":20079,"name":"History of photography","url":"https://www.academia.edu/Documents/in/History_of_photography?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45099545]'), work: {"id":45099545,"title":"COPIAS FOTOGRÁFICAS A LA ALBÚMINA. ESTUDIO DE LA TÉCNICA Y METODOLOGÍA EN SU CONSERVACIÓN","created_at":"2021-02-11T03:06:17.851-08:00","url":"https://www.academia.edu/45099545/COPIAS_FOTOGR%C3%81FICAS_A_LA_ALB%C3%9AMINA_ESTUDIO_DE_LA_T%C3%89CNICA_Y_METODOLOG%C3%8DA_EN_SU_CONSERVACI%C3%93N?f_ri=68226","dom_id":"work_45099545","summary":"\t[spa] El presente trabajo, como herramienta introductoria en el conocimiento de la técnica fotográfica de positivado a la albúmina; aborda aspectos históricos, matéricos, procesos y procedimientos de elaboración, mecanismos de degradación de la imagen y las posibles vías de su conservación. Mediante el análisis teórico, experimentación y estudio de casos; se vertebra un documento básico para la comprensión y preservación de este Bien Cultural. Las impresiones a la albúmina son el producto de la técnica fotográfica que positiva la imagen por contacto directo del negativo con papel, preparado con una solución salina y clara de huevo antes de ser sensibilizado. Su uso extendido en la segunda mitad del siglo XIX hace de éste patrimonio una entidad susceptible de localizarse prácticamente en cualquier institución gestora de Bienes Culturales, haciendo imprescindible su estudio y significación.\n[eng] The current paper, as an introductory resource on the knowledge of the albumen printing process, addresses historical aspects, characterization, processing and printing procedures, image deterioration patterns and possible ways of conservation. Through theoretical analysis, experimentation and case studies; a basic document for the understanding and preservation of this Cultural Heritage is structured. The albumen print material consists of a paper support coated with egg white mixed with a saline solution, and then sensitized before exposed in contact with a negative in sunlight. Because of the dominance of the albumen print material in photographic practice in the second half of nineteenth century, albumen prints can be founded nowadays in practically any Cultural Heritage institution, which makes its study and signification essential.","downloadable_attachments":[{"id":65662592,"asset_id":45099545,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24753597,"first_name":"Lucía","last_name":"Martínez","domain_name":"ub","page_name":"LucíaMartínez","display_name":"Lucía Martínez","profile_url":"https://ub.academia.edu/Luc%C3%ADaMart%C3%ADnez?f_ri=68226","photo":"https://0.academia-photos.com/24753597/17922534/17936760/s65_luc_a.mart_nez.jpg"}],"research_interests":[{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=68226","nofollow":false},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=68226","nofollow":false},{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=68226","nofollow":false},{"id":20079,"name":"History of photography","url":"https://www.academia.edu/Documents/in/History_of_photography?f_ri=68226","nofollow":false},{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=68226"},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226"},{"id":126142,"name":"Historia de la fotografía","url":"https://www.academia.edu/Documents/in/Historia_de_la_fotografia?f_ri=68226"},{"id":140604,"name":"Fotografia","url":"https://www.academia.edu/Documents/in/Fotografia?f_ri=68226"},{"id":497730,"name":"Conservation and Restoration of cultural heritage","url":"https://www.academia.edu/Documents/in/Conservation_and_Restoration_of_cultural_heritage?f_ri=68226"},{"id":629008,"name":"Conservación Y Restauracion De Documentos Graficos","url":"https://www.academia.edu/Documents/in/Conservacion_Y_Restauracion_De_Documentos_Graficos?f_ri=68226"},{"id":816114,"name":"Restauracion Y Conservación De Bienes Culturales","url":"https://www.academia.edu/Documents/in/Restauracion_Y_Conservacion_De_Bienes_Culturales?f_ri=68226"},{"id":3200903,"name":"Conservación de Fotografía","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_de_Fotograf%C3%ADa?f_ri=68226"},{"id":3556219,"name":"Conservación y restauración patrimonio fotográfico","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_restauraci%C3%B3n_patrimonio_fotogr%C3%A1fico?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36243259" data-work_id="36243259" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36243259/Implantaci%C3%B3n_del_modelo_Abierto_por_obras_en_la_provincia_de_Ja%C3%A9n_el_caso_de_la_Iglesia_de_San_Lorenzo_%C3%9Abeda_Ja%C3%A9n">Implantación del modelo 'Abierto por obras' en la provincia de Jaén: el caso de la Iglesia de San Lorenzo, Úbeda (Jaén</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Suprimida como parroquia en el siglo XIX y saqueada durante la Guerra Civil Española de 1936, la antigua iglesia parroquial de San Lorenzo de Úbeda (Jaén) inició un imparable proceso de deterioro que amenazó incluso con arruinar... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36243259" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Suprimida como parroquia en el siglo XIX y saqueada durante la Guerra Civil Española de 1936, la antigua iglesia parroquial de San Lorenzo de Úbeda (Jaén) inició un imparable proceso de deterioro que amenazó incluso con arruinar totalmente la fábrica. Gracias a la intervención privada de la Fundación Huerta de San Antonio, dicha decadencia se ha frenado y se han iniciado tareas de consolidación del templo. Como elemento clave en el proceso de recuperación del inmueble cabría citar la implantación del modelo Abierto por obras, que ha supuesto la revitalización del entorno desde varios puntos de vista (especial-mente el cultural, sin olvidar el ámbito educativo, el turístico o incluso el económico). De este modo, la antigua iglesia de San Lorenzo se ha convertido en un referente en la provincia de Jaén en cuanto al modo de aprovechar al máximo los recursos que puede ofrecer nuestro rico patrimonio histórico-artístico. Palabras clave: patrimonio, restauración, arquitectura religiosa, Úbeda (Jaén). <br /><br /><br />Suppressed as a parish in the 19 th Century and plundered during the Spanish Civil War in 1936, the Church of Saint Lawrence of Úbeda (Jaén) started an unstoppable process of deterioration which threatened even with completely ruin of the factory. Thanks to the intervention of the private foundation Huerta de San Antonio it has stopped that deterioration , and getting started the recovering of the temple. As key element in the process of recovery of the building might quote the implementation of the model 'Open by restoration' , that has revitalized the surrounding from several points of view (especially the cultural, without forget the educational field, the tourist or even the economic). In this way, the old parish Church of Saint Lawrence has become a reference in the province of Jaen how take advantage of resources that can offer our rich historical and artistic heritage.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36243259" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="19cc230cc78cfb9d40d23fdd59426790" rel="nofollow" data-download="{"attachment_id":56147594,"asset_id":36243259,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56147594/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1771288" href="https://ujaen.academia.edu/Jos%C3%A9ManuelAlmansaMoreno">José Manuel Almansa</a><script data-card-contents-for-user="1771288" type="text/json">{"id":1771288,"first_name":"José Manuel","last_name":"Almansa","domain_name":"ujaen","page_name":"JoséManuelAlmansaMoreno","display_name":"José Manuel Almansa","profile_url":"https://ujaen.academia.edu/Jos%C3%A9ManuelAlmansaMoreno?f_ri=68226","photo":"https://0.academia-photos.com/1771288/1660394/36710690/s65_jos_manuel.almansa_moreno.png"}</script></span></span></li><li class="js-paper-rank-work_36243259 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36243259"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36243259, container: ".js-paper-rank-work_36243259", }); });</script></li><li class="js-percentile-work_36243259 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36243259; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36243259"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36243259 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36243259"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36243259; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36243259]").text(description); $(".js-view-count-work_36243259").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36243259").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36243259"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="49836" href="https://www.academia.edu/Documents/in/Arquitectura">Arquitectura</a>, <script data-card-contents-for-ri="49836" type="text/json">{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="71918" href="https://www.academia.edu/Documents/in/Patrimonio_Cultural">Patrimonio Cultural</a><script data-card-contents-for-ri="71918" type="text/json">{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36243259]'), work: {"id":36243259,"title":"Implantación del modelo 'Abierto por obras' en la provincia de Jaén: el caso de la Iglesia de San Lorenzo, Úbeda (Jaén","created_at":"2018-03-24T04:17:26.863-07:00","url":"https://www.academia.edu/36243259/Implantaci%C3%B3n_del_modelo_Abierto_por_obras_en_la_provincia_de_Ja%C3%A9n_el_caso_de_la_Iglesia_de_San_Lorenzo_%C3%9Abeda_Ja%C3%A9n?f_ri=68226","dom_id":"work_36243259","summary":"Suprimida como parroquia en el siglo XIX y saqueada durante la Guerra Civil Española de 1936, la antigua iglesia parroquial de San Lorenzo de Úbeda (Jaén) inició un imparable proceso de deterioro que amenazó incluso con arruinar totalmente la fábrica. Gracias a la intervención privada de la Fundación Huerta de San Antonio, dicha decadencia se ha frenado y se han iniciado tareas de consolidación del templo. Como elemento clave en el proceso de recuperación del inmueble cabría citar la implantación del modelo Abierto por obras, que ha supuesto la revitalización del entorno desde varios puntos de vista (especial-mente el cultural, sin olvidar el ámbito educativo, el turístico o incluso el económico). De este modo, la antigua iglesia de San Lorenzo se ha convertido en un referente en la provincia de Jaén en cuanto al modo de aprovechar al máximo los recursos que puede ofrecer nuestro rico patrimonio histórico-artístico. Palabras clave: patrimonio, restauración, arquitectura religiosa, Úbeda (Jaén). \n\n\nSuppressed as a parish in the 19 th Century and plundered during the Spanish Civil War in 1936, the Church of Saint Lawrence of Úbeda (Jaén) started an unstoppable process of deterioration which threatened even with completely ruin of the factory. Thanks to the intervention of the private foundation Huerta de San Antonio it has stopped that deterioration , and getting started the recovering of the temple. As key element in the process of recovery of the building might quote the implementation of the model 'Open by restoration' , that has revitalized the surrounding from several points of view (especially the cultural, without forget the educational field, the tourist or even the economic). In this way, the old parish Church of Saint Lawrence has become a reference in the province of Jaen how take advantage of resources that can offer our rich historical and artistic heritage.","downloadable_attachments":[{"id":56147594,"asset_id":36243259,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1771288,"first_name":"José Manuel","last_name":"Almansa","domain_name":"ujaen","page_name":"JoséManuelAlmansaMoreno","display_name":"José Manuel Almansa","profile_url":"https://ujaen.academia.edu/Jos%C3%A9ManuelAlmansaMoreno?f_ri=68226","photo":"https://0.academia-photos.com/1771288/1660394/36710690/s65_jos_manuel.almansa_moreno.png"}],"research_interests":[{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":71918,"name":"Patrimonio Cultural","url":"https://www.academia.edu/Documents/in/Patrimonio_Cultural?f_ri=68226","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44457747" data-work_id="44457747" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44457747/Corredor_Industrial_del_r%C3%ADo_Atoyac_Puebla_Propuesta_de_un_plan_de_regeneraci%C3%B3n_urbana">Corredor Industrial del río Atoyac, Puebla. Propuesta de un plan de regeneración urbana</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Tesis de Licenciatura en Arquitectura en la que se propone un plan de regeneración urbana para la Zona Metropolitana de Puebla-Tlaxcala. El estudio histórico permitió identificar que durante el siglo XIX se establecieron distintas... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44457747" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Tesis de Licenciatura en Arquitectura en la que se propone un plan de regeneración urbana para la Zona Metropolitana de Puebla-Tlaxcala. El estudio histórico permitió identificar que durante el siglo XIX se establecieron distintas fábricas que articularon un corredor industrial a partir del aprovechamiento del agua del río Atoyac como fuerza motriz, mientras que el tendido de vías férreas contribuyó a su desarrollo. La mayoría de esas fábricas ya no opera, pero son sitios icónicos que podrían resignificarse con nuevos usos en favor del desarrollo local. La propuesta busca ordenar un nuevo espacio urbano articulado por el patrimonio industrial que aún se conserva a lo largo del río Atoyac y la vía férrea que lo atraviesa.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44457747" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be5f8677904ba43247009de9dd4b0df5" rel="nofollow" data-download="{"attachment_id":64882284,"asset_id":44457747,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64882284/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7191310" href="https://independent.academia.edu/LuisIb%C3%A1%C3%B1ez">Luis Ibáñez</a><script data-card-contents-for-user="7191310" type="text/json">{"id":7191310,"first_name":"Luis","last_name":"Ibáñez","domain_name":"independent","page_name":"LuisIbáñez","display_name":"Luis Ibáñez","profile_url":"https://independent.academia.edu/LuisIb%C3%A1%C3%B1ez?f_ri=68226","photo":"https://0.academia-photos.com/7191310/2688620/37188957/s65_luis.ib_ez.jpg"}</script></span></span></li><li class="js-paper-rank-work_44457747 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44457747"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44457747, container: ".js-paper-rank-work_44457747", }); });</script></li><li class="js-percentile-work_44457747 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44457747; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44457747"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44457747 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44457747"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44457747; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44457747]").text(description); $(".js-view-count-work_44457747").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44457747").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44457747"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="49836" href="https://www.academia.edu/Documents/in/Arquitectura">Arquitectura</a>, <script data-card-contents-for-ri="49836" type="text/json">{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="141797" href="https://www.academia.edu/Documents/in/Patrimonio_Industrial">Patrimonio Industrial</a>, <script data-card-contents-for-ri="141797" type="text/json">{"id":141797,"name":"Patrimonio Industrial","url":"https://www.academia.edu/Documents/in/Patrimonio_Industrial?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="161802" href="https://www.academia.edu/Documents/in/Ciudad_y_territorio">Ciudad y territorio</a><script data-card-contents-for-ri="161802" type="text/json">{"id":161802,"name":"Ciudad y territorio","url":"https://www.academia.edu/Documents/in/Ciudad_y_territorio?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44457747]'), work: {"id":44457747,"title":"Corredor Industrial del río Atoyac, Puebla. Propuesta de un plan de regeneración urbana","created_at":"2020-11-08T16:28:15.074-08:00","url":"https://www.academia.edu/44457747/Corredor_Industrial_del_r%C3%ADo_Atoyac_Puebla_Propuesta_de_un_plan_de_regeneraci%C3%B3n_urbana?f_ri=68226","dom_id":"work_44457747","summary":"Tesis de Licenciatura en Arquitectura en la que se propone un plan de regeneración urbana para la Zona Metropolitana de Puebla-Tlaxcala. El estudio histórico permitió identificar que durante el siglo XIX se establecieron distintas fábricas que articularon un corredor industrial a partir del aprovechamiento del agua del río Atoyac como fuerza motriz, mientras que el tendido de vías férreas contribuyó a su desarrollo. La mayoría de esas fábricas ya no opera, pero son sitios icónicos que podrían resignificarse con nuevos usos en favor del desarrollo local. La propuesta busca ordenar un nuevo espacio urbano articulado por el patrimonio industrial que aún se conserva a lo largo del río Atoyac y la vía férrea que lo atraviesa.","downloadable_attachments":[{"id":64882284,"asset_id":44457747,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7191310,"first_name":"Luis","last_name":"Ibáñez","domain_name":"independent","page_name":"LuisIbáñez","display_name":"Luis Ibáñez","profile_url":"https://independent.academia.edu/LuisIb%C3%A1%C3%B1ez?f_ri=68226","photo":"https://0.academia-photos.com/7191310/2688620/37188957/s65_luis.ib_ez.jpg"}],"research_interests":[{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":141797,"name":"Patrimonio Industrial","url":"https://www.academia.edu/Documents/in/Patrimonio_Industrial?f_ri=68226","nofollow":false},{"id":161802,"name":"Ciudad y territorio","url":"https://www.academia.edu/Documents/in/Ciudad_y_territorio?f_ri=68226","nofollow":false},{"id":213335,"name":"Puebla","url":"https://www.academia.edu/Documents/in/Puebla?f_ri=68226"},{"id":246012,"name":"Arqueologia Industrial","url":"https://www.academia.edu/Documents/in/Arqueologia_Industrial?f_ri=68226"},{"id":758055,"name":"Arquitectura industrial","url":"https://www.academia.edu/Documents/in/Arquitectura_industrial?f_ri=68226"},{"id":1030018,"name":"Industria Textil","url":"https://www.academia.edu/Documents/in/Industria_Textil?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40065383" data-work_id="40065383" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40065383/Daroca_Historia_arquitectura_y_restauraci%C3%B3n_La_conservaci%C3%B3n_del_patrimonio_monumental_1939_2012_">Daroca. Historia, arquitectura y restauración. La conservación del patrimonio monumental (1939-2012)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Esta publicación recoge la investigación realizada en el ámbito de varios proyectos de investigación de I+D+i de excelencia financiados por el Ministerio de Economía y Competitividad y el Fondo Europeo de Desarrollo Regional (FEDER) de la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40065383" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Esta publicación recoge la investigación realizada en el ámbito de varios proyectos de investigación de I+D+i de excelencia financiados por el Ministerio de Economía y Competitividad y el Fondo Europeo de Desarrollo Regional (FEDER) de la Comisión Europea. El objetivo fundamental ha sido analizar las restauraciones realizadas en la localidad de Daroca entre 1939 y 2012, con el fin de arrojar nuevos datos sobre la labor realizada por los diferentes organismos que se han ocupado de la tutela del Patrimonio en la localidad zaragozana. Las principales fuentes documentales utilizadas han sido los proyectos de restauración conservados en diferentes archivos nacionales, autonómicos, provinciales y locales, las noticias de prensa de la época y las fotografías conservadas en diferentes archivos, así como entrevistas a los arquitectos que han intervenido en Daroca durante este período.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40065383" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ecc902fbc956dad74609cc93b431bffb" rel="nofollow" data-download="{"attachment_id":60267481,"asset_id":40065383,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60267481/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9416061" href="https://polito.academia.edu/IreneRuiz">Irene Ruiz Bazán</a><script data-card-contents-for-user="9416061" type="text/json">{"id":9416061,"first_name":"Irene","last_name":"Ruiz Bazán","domain_name":"polito","page_name":"IreneRuiz","display_name":"Irene Ruiz Bazán","profile_url":"https://polito.academia.edu/IreneRuiz?f_ri=68226","photo":"https://0.academia-photos.com/9416061/4287877/14140480/s65_irene.ruiz.jpg"}</script></span></span></li><li class="js-paper-rank-work_40065383 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40065383"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40065383, container: ".js-paper-rank-work_40065383", }); 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$(".js-view-count[data-work-id=40065383]").text(description); $(".js-view-count-work_40065383").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40065383").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40065383"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="79037" href="https://www.academia.edu/Documents/in/Historia_del_Arte">Historia del Arte</a>, <script data-card-contents-for-ri="79037" type="text/json">{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1731068" href="https://www.academia.edu/Documents/in/Daroca">Daroca</a>, <script data-card-contents-for-ri="1731068" type="text/json">{"id":1731068,"name":"Daroca","url":"https://www.academia.edu/Documents/in/Daroca?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2205443" href="https://www.academia.edu/Documents/in/Teor%C3%ADa_E_Historia_De_La_Restauraci%C3%B3n">Teoría E Historia De La Restauración</a><script data-card-contents-for-ri="2205443" type="text/json">{"id":2205443,"name":"Teoría E Historia De La Restauración","url":"https://www.academia.edu/Documents/in/Teor%C3%ADa_E_Historia_De_La_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40065383]'), work: {"id":40065383,"title":"Daroca. Historia, arquitectura y restauración. La conservación del patrimonio monumental (1939-2012)","created_at":"2019-08-12T02:48:14.349-07:00","url":"https://www.academia.edu/40065383/Daroca_Historia_arquitectura_y_restauraci%C3%B3n_La_conservaci%C3%B3n_del_patrimonio_monumental_1939_2012_?f_ri=68226","dom_id":"work_40065383","summary":"Esta publicación recoge la investigación realizada en el ámbito de varios proyectos de investigación de I+D+i de excelencia financiados por el Ministerio de Economía y Competitividad y el Fondo Europeo de Desarrollo Regional (FEDER) de la Comisión Europea. El objetivo fundamental ha sido analizar las restauraciones realizadas en la localidad de Daroca entre 1939 y 2012, con el fin de arrojar nuevos datos sobre la labor realizada por los diferentes organismos que se han ocupado de la tutela del Patrimonio en la localidad zaragozana. Las principales fuentes documentales utilizadas han sido los proyectos de restauración conservados en diferentes archivos nacionales, autonómicos, provinciales y locales, las noticias de prensa de la época y las fotografías conservadas en diferentes archivos, así como entrevistas a los arquitectos que han intervenido en Daroca durante este período.","downloadable_attachments":[{"id":60267481,"asset_id":40065383,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9416061,"first_name":"Irene","last_name":"Ruiz Bazán","domain_name":"polito","page_name":"IreneRuiz","display_name":"Irene Ruiz Bazán","profile_url":"https://polito.academia.edu/IreneRuiz?f_ri=68226","photo":"https://0.academia-photos.com/9416061/4287877/14140480/s65_irene.ruiz.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte?f_ri=68226","nofollow":false},{"id":1731068,"name":"Daroca","url":"https://www.academia.edu/Documents/in/Daroca?f_ri=68226","nofollow":false},{"id":2205443,"name":"Teoría E Historia De La Restauración","url":"https://www.academia.edu/Documents/in/Teor%C3%ADa_E_Historia_De_La_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":2205448,"name":"Restauración Monumental","url":"https://www.academia.edu/Documents/in/Restauraci%C3%B3n_Monumental?f_ri=68226"},{"id":3002239,"name":"Restauración de Monumentos","url":"https://www.academia.edu/Documents/in/Restauraci%C3%B3n_de_Monumentos?f_ri=68226"},{"id":3182416,"name":"Historia y teoría de la restauración arquitectónica","url":"https://www.academia.edu/Documents/in/Historia_y_teor%C3%ADa_de_la_restauraci%C3%B3n_arquitect%C3%B3nica?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35263254" data-work_id="35263254" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35263254/POMCA_DE_LA_CUENCA_DE_LA_QUEBRADAS_EL_OSO_Y_LA_CHIQUITA">POMCA DE LA CUENCA DE LA QUEBRADAS EL OSO Y LA CHIQUITA</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35263254" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d1e3df456342557aedd7f7a272ad132d" rel="nofollow" data-download="{"attachment_id":55123496,"asset_id":35263254,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55123496/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="71902793" href="https://independent.academia.edu/julianalzate5">julian alzate</a><script data-card-contents-for-user="71902793" type="text/json">{"id":71902793,"first_name":"julian","last_name":"alzate","domain_name":"independent","page_name":"julianalzate5","display_name":"julian alzate","profile_url":"https://independent.academia.edu/julianalzate5?f_ri=68226","photo":"https://0.academia-photos.com/71902793/18430241/18379133/s65_julian.alzate.jpg"}</script></span></span></li><li class="js-paper-rank-work_35263254 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35263254"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35263254, container: ".js-paper-rank-work_35263254", }); 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$(".js-view-count[data-work-id=35263254]").text(description); $(".js-view-count-work_35263254").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35263254").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35263254"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="105667" href="https://www.academia.edu/Documents/in/Medio_Ambiente">Medio Ambiente</a>, <script data-card-contents-for-ri="105667" type="text/json">{"id":105667,"name":"Medio Ambiente","url":"https://www.academia.edu/Documents/in/Medio_Ambiente?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="167041" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n">Conservación</a><script data-card-contents-for-ri="167041" type="text/json">{"id":167041,"name":"Conservación","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35263254]'), work: {"id":35263254,"title":"POMCA DE LA CUENCA DE LA QUEBRADAS EL OSO Y LA CHIQUITA","created_at":"2017-11-27T05:26:02.207-08:00","url":"https://www.academia.edu/35263254/POMCA_DE_LA_CUENCA_DE_LA_QUEBRADAS_EL_OSO_Y_LA_CHIQUITA?f_ri=68226","dom_id":"work_35263254","summary":null,"downloadable_attachments":[{"id":55123496,"asset_id":35263254,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":71902793,"first_name":"julian","last_name":"alzate","domain_name":"independent","page_name":"julianalzate5","display_name":"julian alzate","profile_url":"https://independent.academia.edu/julianalzate5?f_ri=68226","photo":"https://0.academia-photos.com/71902793/18430241/18379133/s65_julian.alzate.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":105667,"name":"Medio Ambiente","url":"https://www.academia.edu/Documents/in/Medio_Ambiente?f_ri=68226","nofollow":false},{"id":167041,"name":"Conservación","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n?f_ri=68226","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45169325" data-work_id="45169325" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45169325/Estudio_del_Plan_Director_de_las_murallas_de_A_vila">Estudio del Plan Director de las murallas de Ávila</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Las murallas de Ávila son uno de los ejemplos más sobresalientes de fortificación urbana medieval, cuyo valor excepcional, su estado de conservación y su alto contenido simbólico han sido determinantes para su declaración como... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45169325" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Las murallas de Ávila son uno de los ejemplos más sobresalientes de fortificación urbana medieval, cuyo valor excepcional, su estado de conservación y su alto contenido simbólico han sido determinantes para su declaración como patrimonio mundial.<br />El Plan Director se ha redactado siguiendo las recomendaciones del Plan Nacional de Arquitectura Defensiva, con el objetivo de agrupar y ampliar el conocimiento, para poder programar ordenadamente su conservación. La eficacia de este instrumento de gestión del patrimonio se ha visto corroborada recientemente por los importantes hallazgos obtenidos en la investigación arqueológica recomendada por el plan.<br />En su redacción ha participado un amplio equipo interdisciplinar, que ha estudiado y ordenado la gran cantidad de información existente sobre las murallas, analizándola y efectuando la diagnosis del estado actual y, finalmente, elaborando planes y propuestas que sirvan de base para su conservación.<br /><br />The Walls of Ávila are one of the most outstanding examples of medieval urban fortifica- tion, whose exceptional value, state of conservation and high symbolic content have been decisive for its World Heritage declaration.<br />The Master Plan has been drafted following the guidelines of the National Defensive Architecture Plan, with the aim of grouping and expanding knowledge, in order to plan its conservation properly.<br />The effectiveness of this heritage management instrument has been corroborated recently by the important findings obtained in the archaeological research recommended by the Plan.<br />A large interdisciplinary team has participated in its writing. It has studied and ordered the large amount of existing information on the walls; has analysed and has made the diagnosis of the current state; and, finally, has prepared plans and proposals that are the basis for its conservation programme.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45169325" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="da91ef03d8098571e36cbfb9cd38198a" rel="nofollow" data-download="{"attachment_id":65751366,"asset_id":45169325,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65751366/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1650244" href="https://ucm.academia.edu/ManuelRetuerceVelasco">Manuel Retuerce</a><script data-card-contents-for-user="1650244" type="text/json">{"id":1650244,"first_name":"Manuel","last_name":"Retuerce","domain_name":"ucm","page_name":"ManuelRetuerceVelasco","display_name":"Manuel Retuerce","profile_url":"https://ucm.academia.edu/ManuelRetuerceVelasco?f_ri=68226","photo":"https://0.academia-photos.com/1650244/576471/716888/s65_manuel.retuerce_velasco.jpg"}</script></span></span></li><li class="js-paper-rank-work_45169325 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45169325"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45169325, container: ".js-paper-rank-work_45169325", }); 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$(".js-view-count[data-work-id=45169325]").text(description); $(".js-view-count-work_45169325").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45169325").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45169325"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="83155" href="https://www.academia.edu/Documents/in/Medieval_Fortifications">Medieval Fortifications</a>, <script data-card-contents-for-ri="83155" type="text/json">{"id":83155,"name":"Medieval Fortifications","url":"https://www.academia.edu/Documents/in/Medieval_Fortifications?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="598515" href="https://www.academia.edu/Documents/in/Fortificaci%C3%B3n_medieval">Fortificación medieval</a><script data-card-contents-for-ri="598515" type="text/json">{"id":598515,"name":"Fortificación medieval","url":"https://www.academia.edu/Documents/in/Fortificaci%C3%B3n_medieval?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45169325]'), work: {"id":45169325,"title":"Estudio del Plan Director de las murallas de Ávila","created_at":"2021-02-22T07:06:51.996-08:00","url":"https://www.academia.edu/45169325/Estudio_del_Plan_Director_de_las_murallas_de_A_vila?f_ri=68226","dom_id":"work_45169325","summary":"Las murallas de Ávila son uno de los ejemplos más sobresalientes de fortificación urbana medieval, cuyo valor excepcional, su estado de conservación y su alto contenido simbólico han sido determinantes para su declaración como patrimonio mundial.\nEl Plan Director se ha redactado siguiendo las recomendaciones del Plan Nacional de Arquitectura Defensiva, con el objetivo de agrupar y ampliar el conocimiento, para poder programar ordenadamente su conservación. La eficacia de este instrumento de gestión del patrimonio se ha visto corroborada recientemente por los importantes hallazgos obtenidos en la investigación arqueológica recomendada por el plan.\nEn su redacción ha participado un amplio equipo interdisciplinar, que ha estudiado y ordenado la gran cantidad de información existente sobre las murallas, analizándola y efectuando la diagnosis del estado actual y, finalmente, elaborando planes y propuestas que sirvan de base para su conservación.\n\nThe Walls of Ávila are one of the most outstanding examples of medieval urban fortifica- tion, whose exceptional value, state of conservation and high symbolic content have been decisive for its World Heritage declaration.\nThe Master Plan has been drafted following the guidelines of the National Defensive Architecture Plan, with the aim of grouping and expanding knowledge, in order to plan its conservation properly.\nThe effectiveness of this heritage management instrument has been corroborated recently by the important findings obtained in the archaeological research recommended by the Plan.\nA large interdisciplinary team has participated in its writing. It has studied and ordered the large amount of existing information on the walls; has analysed and has made the diagnosis of the current state; and, finally, has prepared plans and proposals that are the basis for its conservation programme.\n","downloadable_attachments":[{"id":65751366,"asset_id":45169325,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1650244,"first_name":"Manuel","last_name":"Retuerce","domain_name":"ucm","page_name":"ManuelRetuerceVelasco","display_name":"Manuel Retuerce","profile_url":"https://ucm.academia.edu/ManuelRetuerceVelasco?f_ri=68226","photo":"https://0.academia-photos.com/1650244/576471/716888/s65_manuel.retuerce_velasco.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":83155,"name":"Medieval Fortifications","url":"https://www.academia.edu/Documents/in/Medieval_Fortifications?f_ri=68226","nofollow":false},{"id":598515,"name":"Fortificación medieval","url":"https://www.academia.edu/Documents/in/Fortificaci%C3%B3n_medieval?f_ri=68226","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43399747" data-work_id="43399747" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43399747/RESTAURACI%C3%93N_REHABILITACI%C3%93N_Y_RECICLAJE_DE_ARQUITECTURA">RESTAURACIÓN, REHABILITACIÓN Y RECICLAJE DE ARQUITECTURA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La restauración de arquitectura, también es arquitectura. Nuestro método de trabajo parte de un planteamiento aparentemente obvio que no lo es tanto, pues muchos son los que todavía cuestionan la intervención contemporánea sobre restos... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43399747" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La restauración de arquitectura, también es arquitectura. Nuestro método de trabajo parte de un planteamiento aparentemente obvio que no lo es tanto, pues muchos son los que todavía cuestionan la intervención contemporánea sobre restos arquitectónicos heredados. Para nosotros, la restauración de arquitectura es también arquitectura. Lo que implica, a su vez, proponer una solución desde hoy (el tiempo histórico presente) y a la vez ser respetuoso con lo recibido (el tiempo histórico pasado). A su vez, nuestro oficio-más allá de una determinada especialidad-nos permite coordinar, gestionar y tomar decisiones en base a la información multidisciplinar procedente de otras profesiones vinculadas, ya procedan del ámbito humanista y/o del científico.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43399747" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="105b70fb4e7e31283b5dc4a4352ab052" rel="nofollow" data-download="{"attachment_id":63697154,"asset_id":43399747,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63697154/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="104660022" href="https://upm-es.academia.edu/LuisCerc%C3%B3s">Luis Cercós</a><script data-card-contents-for-user="104660022" type="text/json">{"id":104660022,"first_name":"Luis","last_name":"Cercós","domain_name":"upm-es","page_name":"LuisCercós","display_name":"Luis Cercós","profile_url":"https://upm-es.academia.edu/LuisCerc%C3%B3s?f_ri=68226","photo":"https://0.academia-photos.com/104660022/23580329/22625800/s65_luis.cerc_s.jpg"}</script></span></span></li><li class="js-paper-rank-work_43399747 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43399747"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43399747, container: ".js-paper-rank-work_43399747", }); });</script></li><li class="js-percentile-work_43399747 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43399747; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43399747"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43399747 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43399747"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43399747; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43399747]").text(description); $(".js-view-count-work_43399747").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43399747").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43399747"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="816114" href="https://www.academia.edu/Documents/in/Restauracion_Y_Conservacion_De_Bienes_Culturales">Restauracion Y Conservación De Bienes Culturales</a><script data-card-contents-for-ri="816114" type="text/json">{"id":816114,"name":"Restauracion Y Conservación De Bienes Culturales","url":"https://www.academia.edu/Documents/in/Restauracion_Y_Conservacion_De_Bienes_Culturales?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43399747]'), work: {"id":43399747,"title":"RESTAURACIÓN, REHABILITACIÓN Y RECICLAJE DE ARQUITECTURA","created_at":"2020-06-21T10:46:59.982-07:00","url":"https://www.academia.edu/43399747/RESTAURACI%C3%93N_REHABILITACI%C3%93N_Y_RECICLAJE_DE_ARQUITECTURA?f_ri=68226","dom_id":"work_43399747","summary":"La restauración de arquitectura, también es arquitectura. Nuestro método de trabajo parte de un planteamiento aparentemente obvio que no lo es tanto, pues muchos son los que todavía cuestionan la intervención contemporánea sobre restos arquitectónicos heredados. Para nosotros, la restauración de arquitectura es también arquitectura. Lo que implica, a su vez, proponer una solución desde hoy (el tiempo histórico presente) y a la vez ser respetuoso con lo recibido (el tiempo histórico pasado). A su vez, nuestro oficio-más allá de una determinada especialidad-nos permite coordinar, gestionar y tomar decisiones en base a la información multidisciplinar procedente de otras profesiones vinculadas, ya procedan del ámbito humanista y/o del científico. ","downloadable_attachments":[{"id":63697154,"asset_id":43399747,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":104660022,"first_name":"Luis","last_name":"Cercós","domain_name":"upm-es","page_name":"LuisCercós","display_name":"Luis Cercós","profile_url":"https://upm-es.academia.edu/LuisCerc%C3%B3s?f_ri=68226","photo":"https://0.academia-photos.com/104660022/23580329/22625800/s65_luis.cerc_s.jpg"}],"research_interests":[{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":816114,"name":"Restauracion Y Conservación De Bienes Culturales","url":"https://www.academia.edu/Documents/in/Restauracion_Y_Conservacion_De_Bienes_Culturales?f_ri=68226","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35511919" data-work_id="35511919" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35511919/El_retablo_de_la_capilla_de_Santa_Mar%C3%ADa_de_los_Sastres_de_la_Catedral_de_Tarragona_Nuevos_datos_tras_su_restauraci%C3%B3n">El retablo de la capilla de Santa María de los Sastres de la Catedral de Tarragona: Nuevos datos tras su restauración.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Palabras clave: Retablo de Santa María de los Sastres, Catedral de Tarragona; Montaje; Policromía; Investigación previa para la conservación-restauración. Keywords: Altarpiece of Santa María de los Sastres, Tarragona Cathedral, assembly,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35511919" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Palabras clave: Retablo de Santa María de los Sastres, Catedral de Tarragona; Montaje; Policromía; Investigación previa para la conservación-restauración. <br />Keywords: Altarpiece of Santa María de los Sastres, Tarragona Cathedral, assembly, polychromy, previous investigation for works of conservation-restoration.<br />Resumen:<br />El Retablo de Sastres se restauró en 2012 por el taller MVarte  y para ello fue necesario su desmontaje y nuevo montaje de sus elementos: los plafones cuadrangulares de cada escena, la Virgen, los dos segmentos del pináculo y el banco o predela. Se retiraron añadidos que modificaban sus dimensiones y se recolocó, lo que además modificó su lectura iconográfica. En el presente artículo explicamos los criterios que seguimos y las investigaciones que nos dieron las claves para  recuperar el montaje original.<br />Abstract:<br />The Santa Maria de Sastres altarpiece was restored in 2012 by the workshop MVarte (Emma Zahonero and Jesus Mendiola) and it was necessary to disassemble and reassemble its elements: the quadrangular panels of each scene, the Virgin, the two segments of the Pinnacle and the predella. We removed additions, that modified its dimensions, and repositioned it, which also modified its iconographic reading. In this article we explain the criteria that we followed and the investigations that gave us the keys to recover the original assembly.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35511919" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b80d8df3213bd0f0846bb442d0f8dd3c" rel="nofollow" data-download="{"attachment_id":55376768,"asset_id":35511919,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55376768/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1961056" href="https://urv.academia.edu/EmmaZahoneroMoreno">Emma Zahonero Moreno</a><script data-card-contents-for-user="1961056" type="text/json">{"id":1961056,"first_name":"Emma","last_name":"Zahonero Moreno","domain_name":"urv","page_name":"EmmaZahoneroMoreno","display_name":"Emma Zahonero Moreno","profile_url":"https://urv.academia.edu/EmmaZahoneroMoreno?f_ri=68226","photo":"https://0.academia-photos.com/1961056/932668/32448539/s65_emma.zahonero_moreno.jpeg"}</script></span></span></li><li class="js-paper-rank-work_35511919 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35511919"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35511919, container: ".js-paper-rank-work_35511919", }); 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$(".js-view-count[data-work-id=35511919]").text(description); $(".js-view-count-work_35511919").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35511919").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35511919"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1386" href="https://www.academia.edu/Documents/in/Art_Theory">Art Theory</a>, <script data-card-contents-for-ri="1386" type="text/json">{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="108777" href="https://www.academia.edu/Documents/in/Gothic_Art">Gothic Art</a><script data-card-contents-for-ri="108777" type="text/json">{"id":108777,"name":"Gothic Art","url":"https://www.academia.edu/Documents/in/Gothic_Art?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35511919]'), work: {"id":35511919,"title":"El retablo de la capilla de Santa María de los Sastres de la Catedral de Tarragona: Nuevos datos tras su restauración.","created_at":"2017-12-26T04:19:33.569-08:00","url":"https://www.academia.edu/35511919/El_retablo_de_la_capilla_de_Santa_Mar%C3%ADa_de_los_Sastres_de_la_Catedral_de_Tarragona_Nuevos_datos_tras_su_restauraci%C3%B3n?f_ri=68226","dom_id":"work_35511919","summary":"Palabras clave: Retablo de Santa María de los Sastres, Catedral de Tarragona; Montaje; Policromía; Investigación previa para la conservación-restauración. \nKeywords: Altarpiece of Santa María de los Sastres, Tarragona Cathedral, assembly, polychromy, previous investigation for works of conservation-restoration.\nResumen:\nEl Retablo de Sastres se restauró en 2012 por el taller MVarte y para ello fue necesario su desmontaje y nuevo montaje de sus elementos: los plafones cuadrangulares de cada escena, la Virgen, los dos segmentos del pináculo y el banco o predela. Se retiraron añadidos que modificaban sus dimensiones y se recolocó, lo que además modificó su lectura iconográfica. En el presente artículo explicamos los criterios que seguimos y las investigaciones que nos dieron las claves para recuperar el montaje original.\nAbstract:\nThe Santa Maria de Sastres altarpiece was restored in 2012 by the workshop MVarte (Emma Zahonero and Jesus Mendiola) and it was necessary to disassemble and reassemble its elements: the quadrangular panels of each scene, the Virgin, the two segments of the Pinnacle and the predella. We removed additions, that modified its dimensions, and repositioned it, which also modified its iconographic reading. In this article we explain the criteria that we followed and the investigations that gave us the keys to recover the original assembly.\n","downloadable_attachments":[{"id":55376768,"asset_id":35511919,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1961056,"first_name":"Emma","last_name":"Zahonero Moreno","domain_name":"urv","page_name":"EmmaZahoneroMoreno","display_name":"Emma Zahonero Moreno","profile_url":"https://urv.academia.edu/EmmaZahoneroMoreno?f_ri=68226","photo":"https://0.academia-photos.com/1961056/932668/32448539/s65_emma.zahonero_moreno.jpeg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=68226","nofollow":false},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":108777,"name":"Gothic Art","url":"https://www.academia.edu/Documents/in/Gothic_Art?f_ri=68226","nofollow":false},{"id":493133,"name":"Policromia","url":"https://www.academia.edu/Documents/in/Policromia?f_ri=68226"},{"id":543388,"name":"Sculptural polychromy","url":"https://www.academia.edu/Documents/in/Sculptural_polychromy?f_ri=68226"},{"id":679621,"name":"Investigacion Artistica, Metodologia De La Investigacion,historia Del Arte","url":"https://www.academia.edu/Documents/in/Investigacion_Artistica_Metodologia_De_La_Investigacion_historia_Del_Arte?f_ri=68226"},{"id":712370,"name":"ARTE GÓTICO","url":"https://www.academia.edu/Documents/in/ARTE_GOTICO?f_ri=68226"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49099156" data-work_id="49099156" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49099156/Miguel_Cabrera_y_la_Vida_de_san_Ignacio_de_Loyola">Miguel Cabrera y la Vida de san Ignacio de Loyola</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Por encargo de la Compañía de Jesús, entre 1756 y 1757 Miguel Cabrera creó la serie pictórica "Vida de San Ignacio de Loyola" para el claustro de la Casa Profesa, el cual fue fue demolido en el siglo XIX. En la actualidad 30 obras se... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49099156" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Por encargo de la Compañía de Jesús, entre 1756 y 1757 Miguel Cabrera creó la serie pictórica "Vida de San Ignacio de Loyola" para el claustro de la Casa Profesa, el cual fue fue demolido en el siglo XIX. En la actualidad 30 obras se encuentran en el Museo Nacional del Virreinato, una en la Pinacoteca de La Profesa y una más está extraviada. Al paso de los siglos, estos magníficos ejemplos del arte barroco novohispano han sufrido serios deterioros que afectan su materialidad. Con el propósito de devolverles su integridad física y estética, en 2019 se intervinieron siete obras de la serie, dentro del “Proyecto de investigación Miguel Cabrera”, INAH.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49099156" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cbca0f09c02de942c2770eff181fe935" rel="nofollow" data-download="{"attachment_id":67494137,"asset_id":49099156,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67494137/download_file?st=MTczMjUzNDcxNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59453074" href="https://unam1.academia.edu/SofiaMartinezdelCampo">Sofia Martinez del Campo Lanz</a><script data-card-contents-for-user="59453074" type="text/json">{"id":59453074,"first_name":"Sofia","last_name":"Martinez del Campo Lanz","domain_name":"unam1","page_name":"SofiaMartinezdelCampo","display_name":"Sofia Martinez del Campo Lanz","profile_url":"https://unam1.academia.edu/SofiaMartinezdelCampo?f_ri=68226","photo":"https://0.academia-photos.com/59453074/22025461/21271052/s65_sofia.martinez_del_campo.jpg"}</script></span></span></li><li class="js-paper-rank-work_49099156 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49099156"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49099156, container: ".js-paper-rank-work_49099156", }); 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$(".js-view-count[data-work-id=49099156]").text(description); $(".js-view-count-work_49099156").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49099156").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49099156"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="49837" href="https://www.academia.edu/Documents/in/Historia">Historia</a>, <script data-card-contents-for-ri="49837" type="text/json">{"id":49837,"name":"Historia","url":"https://www.academia.edu/Documents/in/Historia?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="68226" href="https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n">Conservación y Restauración</a>, <script data-card-contents-for-ri="68226" type="text/json">{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="713869" href="https://www.academia.edu/Documents/in/Arte_Novohispano">Arte Novohispano</a>, <script data-card-contents-for-ri="713869" type="text/json">{"id":713869,"name":"Arte Novohispano","url":"https://www.academia.edu/Documents/in/Arte_Novohispano?f_ri=68226","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2780996" href="https://www.academia.edu/Documents/in/Miguel_Cabrera">Miguel Cabrera</a><script data-card-contents-for-ri="2780996" type="text/json">{"id":2780996,"name":"Miguel Cabrera","url":"https://www.academia.edu/Documents/in/Miguel_Cabrera?f_ri=68226","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49099156]'), work: {"id":49099156,"title":"Miguel Cabrera y la Vida de san Ignacio de Loyola","created_at":"2021-06-02T09:37:36.785-07:00","url":"https://www.academia.edu/49099156/Miguel_Cabrera_y_la_Vida_de_san_Ignacio_de_Loyola?f_ri=68226","dom_id":"work_49099156","summary":"Por encargo de la Compañía de Jesús, entre 1756 y 1757 Miguel Cabrera creó la serie pictórica \"Vida de San Ignacio de Loyola\" para el claustro de la Casa Profesa, el cual fue fue demolido en el siglo XIX. En la actualidad 30 obras se encuentran en el Museo Nacional del Virreinato, una en la Pinacoteca de La Profesa y una más está extraviada. Al paso de los siglos, estos magníficos ejemplos del arte barroco novohispano han sufrido serios deterioros que afectan su materialidad. Con el propósito de devolverles su integridad física y estética, en 2019 se intervinieron siete obras de la serie, dentro del “Proyecto de investigación Miguel Cabrera”, INAH.","downloadable_attachments":[{"id":67494137,"asset_id":49099156,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59453074,"first_name":"Sofia","last_name":"Martinez del Campo Lanz","domain_name":"unam1","page_name":"SofiaMartinezdelCampo","display_name":"Sofia Martinez del Campo Lanz","profile_url":"https://unam1.academia.edu/SofiaMartinezdelCampo?f_ri=68226","photo":"https://0.academia-photos.com/59453074/22025461/21271052/s65_sofia.martinez_del_campo.jpg"}],"research_interests":[{"id":49837,"name":"Historia","url":"https://www.academia.edu/Documents/in/Historia?f_ri=68226","nofollow":false},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=68226","nofollow":false},{"id":713869,"name":"Arte Novohispano","url":"https://www.academia.edu/Documents/in/Arte_Novohispano?f_ri=68226","nofollow":false},{"id":2780996,"name":"Miguel Cabrera","url":"https://www.academia.edu/Documents/in/Miguel_Cabrera?f_ri=68226","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?after=50%2C49099156" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" 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