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-webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">15th Century Florence</h1><div class="u-tcGrayDark">3,994 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>15th Century Florence</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/15th_Century_Florence">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/15th_Century_Florence/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/15th_Century_Florence/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/15th_Century_Florence/MostRecent">Newest Papers</a></li><li><a class="" 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href="https://www.academia.edu/44245673/Vespucci_Piero_in_Dizionario_biografico_degli_italiani_Roma_Istituto_della_Enciclopedia_Italiana_XCIX_2020_pp_85_87">Vespucci, Piero, in Dizionario biografico degli italiani, Roma, Istituto della Enciclopedia Italiana, XCIX, 2020, pp. 85-87</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Profilo biografico di Piero Vespucci (Firenze, 1432 - Alessandria, 1485), uomo politico fiorentino.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44245673" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a 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type="text/json">{"id":48688,"name":"Luigi Pulci","url":"https://www.academia.edu/Documents/in/Luigi_Pulci?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="71580" href="https://www.academia.edu/Documents/in/Late_Medieval_History">Late Medieval History</a>, <script data-card-contents-for-ri="71580" type="text/json">{"id":71580,"name":"Late Medieval History","url":"https://www.academia.edu/Documents/in/Late_Medieval_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="166531" href="https://www.academia.edu/Documents/in/The_Medici_Effect_Florence_Renaissance_Florence">The Medici Effect, Florence, Renaissance Florence</a><script data-card-contents-for-ri="166531" type="text/json">{"id":166531,"name":"The Medici Effect, Florence, Renaissance 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class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a><script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=16747922]'), work: {"id":16747922,"title":"Bernardo Rucellai e l''Accademia neoplatonica' di Careggi","created_at":"2015-10-13T11:54:14.889-07:00","url":"https://www.academia.edu/16747922/Bernardo_Rucellai_e_lAccademia_neoplatonica_di_Careggi?f_ri=270396","dom_id":"work_16747922","summary":null,"downloadable_attachments":[{"id":39161264,"asset_id":16747922,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15556700,"first_name":"Rita","last_name":"Comanducci","domain_name":"isiflorence","page_name":"RitaComanducci","display_name":"Rita Comanducci","profile_url":"https://isiflorence.academia.edu/RitaComanducci?f_ri=270396","photo":"https://0.academia-photos.com/15556700/6050074/6863233/s65_rita.comanducci.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=270396","nofollow":false},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=270396","nofollow":false},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=270396","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396"},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=270396"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=270396"},{"id":4686,"name":"Renaissance Philosophy","url":"https://www.academia.edu/Documents/in/Renaissance_Philosophy?f_ri=270396"},{"id":7885,"name":"Italian Cultural Studies","url":"https://www.academia.edu/Documents/in/Italian_Cultural_Studies?f_ri=270396"},{"id":7990,"name":"Italian Humanism","url":"https://www.academia.edu/Documents/in/Italian_Humanism?f_ri=270396"},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396"},{"id":15812,"name":"Early Modern Intellectual History","url":"https://www.academia.edu/Documents/in/Early_Modern_Intellectual_History?f_ri=270396"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism?f_ri=270396"},{"id":20993,"name":"Plato and Platonism","url":"https://www.academia.edu/Documents/in/Plato_and_Platonism?f_ri=270396"},{"id":23483,"name":"Neoplatonism","url":"https://www.academia.edu/Documents/in/Neoplatonism?f_ri=270396"},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":620285,"name":"History of Philosophy","url":"https://www.academia.edu/Documents/in/History_of_Philosophy?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37781392" data-work_id="37781392" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37781392/ANGELO_POLIZIANO_Coniurationis_commentarium_con_introduzione_traduzione_e_commento_a_cura_di_M_CELATI_Alessandria_Edizioni_dell_Orso_2015_">ANGELO POLIZIANO, Coniurationis commentarium, con introduzione, traduzione e commento, a cura di M. CELATI (Alessandria: Edizioni dell’Orso, 2015).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il Coniurationis commentarium, l’unica opera storica composta da Angelo Poliziano, è la prima e la più importante fonte sulla Congiura dei Pazzi, il sanguinoso colpo di stato perpetrato contro i Medici a Firenze il 26 aprile 1478, che... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37781392" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il Coniurationis commentarium, l’unica opera storica composta da Angelo Poliziano, è la prima e la più importante fonte sulla Congiura dei Pazzi, il sanguinoso colpo di stato perpetrato contro i Medici a Firenze il 26 aprile 1478, che causò la morte del giovane Giuliano e il ferimento di Lorenzo il Magnifico. Poliziano, già intellettuale di primo piano della Firenze medicea e presente al tragico attentato in Santa Maria del Fiore, compose il suo racconto nel burrascoso scenario politico scaturito dal fallimento della cospirazione: una testimonianza storica autoptica, concepita come rapida e necessaria risposta sull’onda del clamore suscitato dal crimine e realizzata con le armi della più raffinata cultura umanistica, un ritratto intenso e coinvolgente degli eventi, che si distingue per la brevitas sallustiana e per la limpida potenza delle sue immagini. Da subito fatta circolare grazie ai nuovissimi mezzi della stampa, l’opera divenne uno dei pilastri più robusti su cui si edificò l’articolata propaganda medicea all’indomani della congiura.<br />Questa nuova edizione del Coniurationis commentarium, dopo l’edizione critica pionieristica curata da Alessandro Perosa nel 1958, si propone di offrire uno strumento di lettura più completo e aggiornato dell’opera, grazie a nuove indagini condotte in ambito filologico, storico e critico. Nuove acquisizioni sul Commentarium presentate in questo volume riguardano inoltre i modelli classici ai quali Poliziano si ispirò e le implicazioni e le prospettive storico-politiche dell’opera nel contesto della congiura. Il testo latino dell’edizione Perosa, riproposto qui con alcuni emendamenti scaturiti da un vaglio più completo della tradizione, è corredato di una nuova traduzione italiana e di puntuali note di commento, aggiornato ai più recenti studi e finalizzato all’illustrazione di personaggi ed eventi storici menzionati e della fitta trama di fonti classiche che sottendono l’opera.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37781392" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a10ba9a58647717a7f36dc6e53a2c897" rel="nofollow" data-download="{"attachment_id":62999631,"asset_id":37781392,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62999631/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7054304" href="https://bdfinance.academia.edu/MartaCelati">Marta Celati</a><script data-card-contents-for-user="7054304" type="text/json">{"id":7054304,"first_name":"Marta","last_name":"Celati","domain_name":"bdfinance","page_name":"MartaCelati","display_name":"Marta Celati","profile_url":"https://bdfinance.academia.edu/MartaCelati?f_ri=270396","photo":"https://0.academia-photos.com/7054304/2661496/20671096/s65_marta.celati.jpg"}</script></span></span></li><li class="js-paper-rank-work_37781392 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37781392"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37781392, container: ".js-paper-rank-work_37781392", }); 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$(".js-view-count[data-work-id=37781392]").text(description); $(".js-view-count-work_37781392").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37781392").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37781392"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="97" href="https://www.academia.edu/Documents/in/Philology">Philology</a>, <script data-card-contents-for-ri="97" type="text/json">{"id":97,"name":"Philology","url":"https://www.academia.edu/Documents/in/Philology?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="135" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37781392]'), work: {"id":37781392,"title":"ANGELO POLIZIANO, Coniurationis commentarium, con introduzione, traduzione e commento, a cura di M. CELATI (Alessandria: Edizioni dell’Orso, 2015).","created_at":"2018-11-15T09:58:27.505-08:00","url":"https://www.academia.edu/37781392/ANGELO_POLIZIANO_Coniurationis_commentarium_con_introduzione_traduzione_e_commento_a_cura_di_M_CELATI_Alessandria_Edizioni_dell_Orso_2015_?f_ri=270396","dom_id":"work_37781392","summary":"Il Coniurationis commentarium, l’unica opera storica composta da Angelo Poliziano, è la prima e la più importante fonte sulla Congiura dei Pazzi, il sanguinoso colpo di stato perpetrato contro i Medici a Firenze il 26 aprile 1478, che causò la morte del giovane Giuliano e il ferimento di Lorenzo il Magnifico. Poliziano, già intellettuale di primo piano della Firenze medicea e presente al tragico attentato in Santa Maria del Fiore, compose il suo racconto nel burrascoso scenario politico scaturito dal fallimento della cospirazione: una testimonianza storica autoptica, concepita come rapida e necessaria risposta sull’onda del clamore suscitato dal crimine e realizzata con le armi della più raffinata cultura umanistica, un ritratto intenso e coinvolgente degli eventi, che si distingue per la brevitas sallustiana e per la limpida potenza delle sue immagini. Da subito fatta circolare grazie ai nuovissimi mezzi della stampa, l’opera divenne uno dei pilastri più robusti su cui si edificò l’articolata propaganda medicea all’indomani della congiura.\nQuesta nuova edizione del Coniurationis commentarium, dopo l’edizione critica pionieristica curata da Alessandro Perosa nel 1958, si propone di offrire uno strumento di lettura più completo e aggiornato dell’opera, grazie a nuove indagini condotte in ambito filologico, storico e critico. Nuove acquisizioni sul Commentarium presentate in questo volume riguardano inoltre i modelli classici ai quali Poliziano si ispirò e le implicazioni e le prospettive storico-politiche dell’opera nel contesto della congiura. Il testo latino dell’edizione Perosa, riproposto qui con alcuni emendamenti scaturiti da un vaglio più completo della tradizione, è corredato di una nuova traduzione italiana e di puntuali note di commento, aggiornato ai più recenti studi e finalizzato all’illustrazione di personaggi ed eventi storici menzionati e della fitta trama di fonti classiche che sottendono l’opera.\n\n","downloadable_attachments":[{"id":62999631,"asset_id":37781392,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7054304,"first_name":"Marta","last_name":"Celati","domain_name":"bdfinance","page_name":"MartaCelati","display_name":"Marta Celati","profile_url":"https://bdfinance.academia.edu/MartaCelati?f_ri=270396","photo":"https://0.academia-photos.com/7054304/2661496/20671096/s65_marta.celati.jpg"}],"research_interests":[{"id":97,"name":"Philology","url":"https://www.academia.edu/Documents/in/Philology?f_ri=270396","nofollow":false},{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=270396","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=270396"},{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=270396"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=270396"},{"id":12602,"name":"The Classical Tradition","url":"https://www.academia.edu/Documents/in/The_Classical_Tradition?f_ri=270396"},{"id":38042,"name":"Angelo Poliziano","url":"https://www.academia.edu/Documents/in/Angelo_Poliziano?f_ri=270396"},{"id":101864,"name":"Neolatin Literature","url":"https://www.academia.edu/Documents/in/Neolatin_Literature?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":906685,"name":"Pazzi Conspiracy","url":"https://www.academia.edu/Documents/in/Pazzi_Conspiracy?f_ri=270396"},{"id":1124933,"name":"Medieval and Neolatin Texts","url":"https://www.academia.edu/Documents/in/Medieval_and_Neolatin_Texts?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29778616" data-work_id="29778616" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29778616/_Abstract_English_Sgraffito_Decoration_in_14th_and_15th_Century_Florence_Invention_Technology_Significance">[Abstract/English]: Sgraffito Decoration in 14th and 15th Century Florence. Invention, Technology, Significance</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Sgraffito as a decorative element of the exterior of 14th and 15th century Florentine buildings has long been known, although seldom granted much attention. The present dissertation, therefore, examines the phenomenon of sgraffito, a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29778616" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Sgraffito as a decorative element of the exterior of 14th and 15th century Florentine buildings has long been known, although seldom granted much attention. The present dissertation, therefore, examines the phenomenon of sgraffito, a technique in which motifs are scratched into smoothened or whitewashed plaster. These decorations can be found as wall decorations on public and semi-public buildings, religious structures, and private dwellings. For the period in question 34 buildings with sgraffito decorations—preserved or otherwise accounted for—could be identified. They have been compiled into a catalogue of the objects under investigation in this study; their documentary value is assessed in a separate chapter. Since many of the sgraffito renderings have only been preserved fragmentarily, extensively restored, or reconstructed, the question of their testimonial value must be treated with caution. The chapter about the history of the technique explores its invention and further development. Scrutiny of the characteristics of the earliest known examples allows the origins of the sgraffito technique—unclear until today—to be traced back to stone work designs and masonry joints. Furthermore, the material suggests a dating of the adoption of grey coloring to the mid-quattrocento, connecting it with the design of the Palazzo Medici’s inner courtyard. The chapter on technology addresses how artists and artisans executed the decorations before and after the Palazzo Medici. Written sources and, most importantly, close study of the decorated objects are the foundation for a reconstruction of the technique in its different stages, taking materials, tools and the time taken to execute these steps into account. The fact that sgraffito decorations were used on both public and private buildings of importance suggests that they were intended to give the buildings a cachet of distinction. The chapter on the significance of sgraffito decorations examines which buildings were so decorated, and investigates who gave the work in commission and what their social standing was. The success of the inexpensive and uncomplicated wall decorations was owed above all to their inherent pictorial character, as the chapter Architektur/Bild argues on the basis of the first and simplest motif—the ashlar. The final chapter compiles examples of the technique’s dissemination from Florence. In particular Rome and Pienza, where many examples of sgraffito have survived, are key locations in this context. <br />Andreas Huth <br />Florentiner Sgraffito-Dekorationen des 14. und 15. Jahrhunderts Erfindung, Technologie, Bedeutung <br /> Abstract (Deutsch) <br />Die vorliegende Arbeit untersucht mit den Florentiner Sgraffito-Dekorationen des 14. und 15. Jahrhunderts eine in der Forschung seit langem bekannte, aber wenig erforschte Form der Außengestaltung von Bauwerken. Mit Sgraffito wird eine Technik bezeichnet, bei der in die geglättete oder geweißte Oberfläche eines Putzes Motive eingeritzt werden. Sgraffito-Dekorationen sind an öffentlichen/halb-öffentlichen Bauwerken, Gebäuden in religiösem Kontext und privaten Wohnbauten zu finden. Für die Arbeit wurden für den Untersuchungszeitraum insgesamt 34 Bauwerke ermittelt und in einem Katalog erfasst. Die erhaltenen und nachweisbaren Sgraffito-Dekorationen bilden das Untersuchungsmaterial, dessen dokumentarischer Wert im einleitenden Kapitel diskutiert wird, da viele der Wandgestaltungen nur fragmentarisch, stark restauriert oder als Rekonstruktionen überliefert sind. Ein Kapitel zur Geschichte nimmt die Erfindung und die weitere Entwicklung der Technik in den Focus. Mit Blick auf die Charakteristika der frühesten bekannten Dekorationen wird die bislang unbekannte Herkunft der Sgraffito-Technik aus Formen der Mauerwerks- und Fugengestaltung erklärt. Darüber hinaus kann der Zeitpunkt der Einführung der Grau-Färbung auf Mitte des Quattrocento eingegrenzt und mit dem Innenhof des Palazzo Medici verbunden werden. Wie Handwerker und Künstler Sgraffito-Dekorationen vor und nach den Palazzo Medici ausführten, behandelt ein Kapitel zur Technologie. Auf Basis von schriftlichen Quellen, vor allem aber Beobachtungen an den Objekten wird hier die Technik in ihren Einzelschritten und unter Berücksichtigung der verwendeten Materialien und Werkzeuge sowie der Ausführungszeit rekonstruiert. Der Einsatz von Sgraffito-Dekorationen für bedeutende öffentliche und private Gebäude erlaubt die Annahme, dass es sich bei ihnen um eine besondere Form der Aus- und Kennzeichnung der Bauwerke handelt. Ein Kapitel zur Bedeutung der Sgraffito-Dekorationen fragt, welche Gebäude verziert wurden, wer die AuftraggeberInnen waren und welchen gesellschaftlichen Status sie besaßen. Der Erfolg der kostengünstigen und technisch wenig aufwändigen Wanddekoration verdankt sich vor allem ihrem bildlichen Charakter, wie das Kapitel ‚Architektur/Bild‘ anhand der Quaderung als dem ersten und einfachsten Motiv zu zeigen versucht. Das letzte Kapitel versammelt Beispiele für die von Florenz ausgehende Verbreitung der Sgraffito-Dekorationen. Hierbei kommt vor allem Rom und Pienza eine Schlüsselstellung zu, wo sich zudem zahlreiche Bauwerke mit Sgraffito-Gestaltungen erhalten haben.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29778616" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b8902093c080832d3f557ec7187b8b71" rel="nofollow" data-download="{"attachment_id":50231806,"asset_id":29778616,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50231806/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11957007" href="https://bamberg.academia.edu/AndreasHuth">Andreas Huth</a><script data-card-contents-for-user="11957007" type="text/json">{"id":11957007,"first_name":"Andreas","last_name":"Huth","domain_name":"bamberg","page_name":"AndreasHuth","display_name":"Andreas Huth","profile_url":"https://bamberg.academia.edu/AndreasHuth?f_ri=270396","photo":"https://0.academia-photos.com/11957007/3439618/128812319/s65_andreas.huth.jpg"}</script></span></span></li><li class="js-paper-rank-work_29778616 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29778616"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29778616, container: ".js-paper-rank-work_29778616", }); 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Invention, Technology, Significance","created_at":"2016-11-10T05:18:30.303-08:00","url":"https://www.academia.edu/29778616/_Abstract_English_Sgraffito_Decoration_in_14th_and_15th_Century_Florence_Invention_Technology_Significance?f_ri=270396","dom_id":"work_29778616","summary":"Sgraffito as a decorative element of the exterior of 14th and 15th century Florentine buildings has long been known, although seldom granted much attention. The present dissertation, therefore, examines the phenomenon of sgraffito, a technique in which motifs are scratched into smoothened or whitewashed plaster. These decorations can be found as wall decorations on public and semi-public buildings, religious structures, and private dwellings. For the period in question 34 buildings with sgraffito decorations—preserved or otherwise accounted for—could be identified. They have been compiled into a catalogue of the objects under investigation in this study; their documentary value is assessed in a separate chapter. Since many of the sgraffito renderings have only been preserved fragmentarily, extensively restored, or reconstructed, the question of their testimonial value must be treated with caution. The chapter about the history of the technique explores its invention and further development. Scrutiny of the characteristics of the earliest known examples allows the origins of the sgraffito technique—unclear until today—to be traced back to stone work designs and masonry joints. Furthermore, the material suggests a dating of the adoption of grey coloring to the mid-quattrocento, connecting it with the design of the Palazzo Medici’s inner courtyard. The chapter on technology addresses how artists and artisans executed the decorations before and after the Palazzo Medici. Written sources and, most importantly, close study of the decorated objects are the foundation for a reconstruction of the technique in its different stages, taking materials, tools and the time taken to execute these steps into account. The fact that sgraffito decorations were used on both public and private buildings of importance suggests that they were intended to give the buildings a cachet of distinction. The chapter on the significance of sgraffito decorations examines which buildings were so decorated, and investigates who gave the work in commission and what their social standing was. The success of the inexpensive and uncomplicated wall decorations was owed above all to their inherent pictorial character, as the chapter Architektur/Bild argues on the basis of the first and simplest motif—the ashlar. The final chapter compiles examples of the technique’s dissemination from Florence. In particular Rome and Pienza, where many examples of sgraffito have survived, are key locations in this context. \r\nAndreas Huth \r\nFlorentiner Sgraffito-Dekorationen des 14. und 15. Jahrhunderts Erfindung, Technologie, Bedeutung\r\n Abstract (Deutsch) \r\nDie vorliegende Arbeit untersucht mit den Florentiner Sgraffito-Dekorationen des 14. und 15. Jahrhunderts eine in der Forschung seit langem bekannte, aber wenig erforschte Form der Außengestaltung von Bauwerken. Mit Sgraffito wird eine Technik bezeichnet, bei der in die geglättete oder geweißte Oberfläche eines Putzes Motive eingeritzt werden. Sgraffito-Dekorationen sind an öffentlichen/halb-öffentlichen Bauwerken, Gebäuden in religiösem Kontext und privaten Wohnbauten zu finden. Für die Arbeit wurden für den Untersuchungszeitraum insgesamt 34 Bauwerke ermittelt und in einem Katalog erfasst. Die erhaltenen und nachweisbaren Sgraffito-Dekorationen bilden das Untersuchungsmaterial, dessen dokumentarischer Wert im einleitenden Kapitel diskutiert wird, da viele der Wandgestaltungen nur fragmentarisch, stark restauriert oder als Rekonstruktionen überliefert sind. Ein Kapitel zur Geschichte nimmt die Erfindung und die weitere Entwicklung der Technik in den Focus. Mit Blick auf die Charakteristika der frühesten bekannten Dekorationen wird die bislang unbekannte Herkunft der Sgraffito-Technik aus Formen der Mauerwerks- und Fugengestaltung erklärt. Darüber hinaus kann der Zeitpunkt der Einführung der Grau-Färbung auf Mitte des Quattrocento eingegrenzt und mit dem Innenhof des Palazzo Medici verbunden werden. Wie Handwerker und Künstler Sgraffito-Dekorationen vor und nach den Palazzo Medici ausführten, behandelt ein Kapitel zur Technologie. Auf Basis von schriftlichen Quellen, vor allem aber Beobachtungen an den Objekten wird hier die Technik in ihren Einzelschritten und unter Berücksichtigung der verwendeten Materialien und Werkzeuge sowie der Ausführungszeit rekonstruiert. Der Einsatz von Sgraffito-Dekorationen für bedeutende öffentliche und private Gebäude erlaubt die Annahme, dass es sich bei ihnen um eine besondere Form der Aus- und Kennzeichnung der Bauwerke handelt. Ein Kapitel zur Bedeutung der Sgraffito-Dekorationen fragt, welche Gebäude verziert wurden, wer die AuftraggeberInnen waren und welchen gesellschaftlichen Status sie besaßen. Der Erfolg der kostengünstigen und technisch wenig aufwändigen Wanddekoration verdankt sich vor allem ihrem bildlichen Charakter, wie das Kapitel ‚Architektur/Bild‘ anhand der Quaderung als dem ersten und einfachsten Motiv zu zeigen versucht. Das letzte Kapitel versammelt Beispiele für die von Florenz ausgehende Verbreitung der Sgraffito-Dekorationen. Hierbei kommt vor allem Rom und Pienza eine Schlüsselstellung zu, wo sich zudem zahlreiche Bauwerke mit Sgraffito-Gestaltungen erhalten haben.","downloadable_attachments":[{"id":50231806,"asset_id":29778616,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":11957007,"first_name":"Andreas","last_name":"Huth","domain_name":"bamberg","page_name":"AndreasHuth","display_name":"Andreas Huth","profile_url":"https://bamberg.academia.edu/AndreasHuth?f_ri=270396","photo":"https://0.academia-photos.com/11957007/3439618/128812319/s65_andreas.huth.jpg"}],"research_interests":[{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=270396","nofollow":false},{"id":8796,"name":"Architecture in Italian Renaissance and Baroque Art","url":"https://www.academia.edu/Documents/in/Architecture_in_Italian_Renaissance_and_Baroque_Art?f_ri=270396","nofollow":false},{"id":10411,"name":"Rome 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Italy","url":"https://www.academia.edu/Documents/in/14th_century_Italy?f_ri=270396"},{"id":101963,"name":"Renaissance architecture","url":"https://www.academia.edu/Documents/in/Renaissance_architecture?f_ri=270396"},{"id":108744,"name":"Arts and Technology","url":"https://www.academia.edu/Documents/in/Arts_and_Technology?f_ri=270396"},{"id":150371,"name":"Quattrocento","url":"https://www.academia.edu/Documents/in/Quattrocento?f_ri=270396"},{"id":180059,"name":"Lime mortars and plasters","url":"https://www.academia.edu/Documents/in/Lime_mortars_and_plasters?f_ri=270396"},{"id":180061,"name":"Dating of old lime mortars and plasters","url":"https://www.academia.edu/Documents/in/Dating_of_old_lime_mortars_and_plasters?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":299201,"name":"Facade 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href="https://www.academia.edu/Documents/in/Medieval_Russia">Medieval Russia</a>, <script data-card-contents-for-ri="140295" type="text/json">{"id":140295,"name":"Medieval Russia","url":"https://www.academia.edu/Documents/in/Medieval_Russia?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="167877" href="https://www.academia.edu/Documents/in/Medieval_pilgrimage">Medieval pilgrimage</a>, <script data-card-contents-for-ri="167877" type="text/json">{"id":167877,"name":"Medieval pilgrimage","url":"https://www.academia.edu/Documents/in/Medieval_pilgrimage?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a><script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10452665]'), work: {"id":10452665,"title":"The Unorthodox Itinerary of an Orthodox Bishop: Abraham of Suzdal and His Travels","created_at":"2015-02-02T05:16:43.844-08:00","url":"https://www.academia.edu/10452665/The_Unorthodox_Itinerary_of_an_Orthodox_Bishop_Abraham_of_Suzdal_and_His_Travels?f_ri=270396","dom_id":"work_10452665","summary":null,"downloadable_attachments":[{"id":36488552,"asset_id":10452665,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24821885,"first_name":"Juliana 'Julie'","last_name":"Dresvina","domain_name":"oxford","page_name":"JulianaJulieDresvina","display_name":"Juliana 'Julie' Dresvina","profile_url":"https://oxford.academia.edu/JulianaJulieDresvina?f_ri=270396","photo":"https://0.academia-photos.com/24821885/6714889/7585269/s65_juliana_julie_.dresvina.jpg_oh_5384a910135cae45cddd774da37b0028_oe_55665539___gda___1432809128_0ca0378f917d778da2ab6543ec846529"}],"research_interests":[{"id":8528,"name":"Medieval Drama","url":"https://www.academia.edu/Documents/in/Medieval_Drama?f_ri=270396","nofollow":false},{"id":140295,"name":"Medieval Russia","url":"https://www.academia.edu/Documents/in/Medieval_Russia?f_ri=270396","nofollow":false},{"id":167877,"name":"Medieval pilgrimage","url":"https://www.academia.edu/Documents/in/Medieval_pilgrimage?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42902361" data-work_id="42902361" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42902361/_The_Timaeus_Perspective_and_Early_Renaissance_Concepts_of_Architectural_Space_In_forthcoming_Plato_s_Timaeus_and_the_Foundations_of_Medieval_and_Renaissance_Thought_Philosophy_Science_and_Art_edited_by_Edmund_Thomas_and_Jacomien_Prins_Brill_2020_">‘The Timaeus, Perspective and Early Renaissance Concepts of Architectural Space’. In (forthcoming) Plato’s Timaeus and the Foundations of Medieval and Renaissance Thought: Philosophy, Science and Art, edited by Edmund Thomas & Jacomien Prins (Brill, 2020)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The reception of Plato’s Timaeus during the Early Renaissance coincided with ground-breaking developments in the conceptualisation of architectural space and the ‘invention’ of perspective. This gave rise to fertile areas of influence of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42902361" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The reception of Plato’s Timaeus during the Early Renaissance coincided with ground-breaking developments in the conceptualisation of architectural space and the ‘invention’ of perspective. This gave rise to fertile areas of influence of Platonic principles on artistic/architectural creativity, that consciously drew upon the Timaean commentary tradition of Calcidius and others through the intellectual exchanges of humanists, artists and architects. In this chapter I will highlight how the Timaeus influenced architectural representation through a combination of harmonic proportional systems, deployed to convey building as a ‘cosmological receptacle’, and the creation of a new projective (illusory) space, that drew direct alignment between human and divine vision. The study will focus on early fifteenth century Florence, when architects, artists, theologians and humanists were engaged in creative and intellectual initiatives that were influenced in various ways by Plato’s account of Divine Creation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42902361" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba84dc2a76b47376dea4dc360029e089" rel="nofollow" data-download="{"attachment_id":63150528,"asset_id":42902361,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63150528/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2885215" href="https://thecass.academia.edu/NicholasTemple">Nicholas Temple</a><script data-card-contents-for-user="2885215" type="text/json">{"id":2885215,"first_name":"Nicholas","last_name":"Temple","domain_name":"thecass","page_name":"NicholasTemple","display_name":"Nicholas Temple","profile_url":"https://thecass.academia.edu/NicholasTemple?f_ri=270396","photo":"https://0.academia-photos.com/2885215/952991/34915670/s65_nicholas.temple.jpg"}</script></span></span></li><li class="js-paper-rank-work_42902361 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42902361"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42902361, container: ".js-paper-rank-work_42902361", }); });</script></li><li class="js-percentile-work_42902361 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42902361; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_42902361"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_42902361 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="42902361"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42902361; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42902361]").text(description); $(".js-view-count-work_42902361").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42902361").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42902361"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5246" href="https://www.academia.edu/Documents/in/Renaissance_Platonism">Renaissance Platonism</a>, <script data-card-contents-for-ri="5246" type="text/json">{"id":5246,"name":"Renaissance Platonism","url":"https://www.academia.edu/Documents/in/Renaissance_Platonism?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19016" href="https://www.academia.edu/Documents/in/Pythagoreanism">Pythagoreanism</a>, <script data-card-contents-for-ri="19016" type="text/json">{"id":19016,"name":"Pythagoreanism","url":"https://www.academia.edu/Documents/in/Pythagoreanism?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31140" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History">Italian Renaissance Architectural History</a><script data-card-contents-for-ri="31140" type="text/json">{"id":31140,"name":"Italian Renaissance Architectural History","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42902361]'), work: {"id":42902361,"title":"‘The Timaeus, Perspective and Early Renaissance Concepts of Architectural Space’. In (forthcoming) Plato’s Timaeus and the Foundations of Medieval and Renaissance Thought: Philosophy, Science and Art, edited by Edmund Thomas \u0026 Jacomien Prins (Brill, 2020)","created_at":"2020-04-30T10:10:02.423-07:00","url":"https://www.academia.edu/42902361/_The_Timaeus_Perspective_and_Early_Renaissance_Concepts_of_Architectural_Space_In_forthcoming_Plato_s_Timaeus_and_the_Foundations_of_Medieval_and_Renaissance_Thought_Philosophy_Science_and_Art_edited_by_Edmund_Thomas_and_Jacomien_Prins_Brill_2020_?f_ri=270396","dom_id":"work_42902361","summary":"The reception of Plato’s Timaeus during the Early Renaissance coincided with ground-breaking developments in the conceptualisation of architectural space and the ‘invention’ of perspective. This gave rise to fertile areas of influence of Platonic principles on artistic/architectural creativity, that consciously drew upon the Timaean commentary tradition of Calcidius and others through the intellectual exchanges of humanists, artists and architects. In this chapter I will highlight how the Timaeus influenced architectural representation through a combination of harmonic proportional systems, deployed to convey building as a ‘cosmological receptacle’, and the creation of a new projective (illusory) space, that drew direct alignment between human and divine vision. The study will focus on early fifteenth century Florence, when architects, artists, theologians and humanists were engaged in creative and intellectual initiatives that were influenced in various ways by Plato’s account of Divine Creation. ","downloadable_attachments":[{"id":63150528,"asset_id":42902361,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2885215,"first_name":"Nicholas","last_name":"Temple","domain_name":"thecass","page_name":"NicholasTemple","display_name":"Nicholas Temple","profile_url":"https://thecass.academia.edu/NicholasTemple?f_ri=270396","photo":"https://0.academia-photos.com/2885215/952991/34915670/s65_nicholas.temple.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false},{"id":5246,"name":"Renaissance Platonism","url":"https://www.academia.edu/Documents/in/Renaissance_Platonism?f_ri=270396","nofollow":false},{"id":19016,"name":"Pythagoreanism","url":"https://www.academia.edu/Documents/in/Pythagoreanism?f_ri=270396","nofollow":false},{"id":31140,"name":"Italian Renaissance Architectural History","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History?f_ri=270396","nofollow":false},{"id":31436,"name":"Civic Humanism (Philosophy)","url":"https://www.academia.edu/Documents/in/Civic_Humanism_Philosophy_?f_ri=270396"},{"id":38432,"name":"Leon Battista Alberti","url":"https://www.academia.edu/Documents/in/Leon_Battista_Alberti?f_ri=270396"},{"id":48292,"name":"Plato's Timaeus","url":"https://www.academia.edu/Documents/in/Platos_Timaeus?f_ri=270396"},{"id":48518,"name":"Marsilio Ficino","url":"https://www.academia.edu/Documents/in/Marsilio_Ficino?f_ri=270396"},{"id":71898,"name":"Perspective","url":"https://www.academia.edu/Documents/in/Perspective?f_ri=270396"},{"id":114197,"name":"Leone Battista Alberti: Defining Humanist Architecture","url":"https://www.academia.edu/Documents/in/Leone_Battista_Alberti_Defining_Humanist_Architecture?f_ri=270396"},{"id":174267,"name":"Medieval Cosmology","url":"https://www.academia.edu/Documents/in/Medieval_Cosmology?f_ri=270396"},{"id":185185,"name":"Marsilio Ficino and Renaissance revival of Plato","url":"https://www.academia.edu/Documents/in/Marsilio_Ficino_and_Renaissance_revival_of_Plato?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":495024,"name":"Brunelleschi's Dome","url":"https://www.academia.edu/Documents/in/Brunelleschis_Dome?f_ri=270396"},{"id":786210,"name":"Filippo Brunelleschi","url":"https://www.academia.edu/Documents/in/Filippo_Brunelleschi?f_ri=270396"},{"id":1124932,"name":"Humanism (15th-17th c.)","url":"https://www.academia.edu/Documents/in/Humanism_15th-17th_c._?f_ri=270396"},{"id":1235623,"name":"Medieval Optics","url":"https://www.academia.edu/Documents/in/Medieval_Optics?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42219358" data-work_id="42219358" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42219358/The_Berlin_Chansonnier_and_French_Song_in_Florence_1450_1490_A_New_Dating_and_Its_Implications">The Berlin Chansonnier and French Song in Florence, 1450-1490: A New Dating and Its Implications</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Owing to the loss of most 15th-century music manuscripts from France and Burgundy, chansonniers of Italian origin are of special significance for our knowledge of the French song repertory and its dissemination during the second half of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42219358" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Owing to the loss of most 15th-century music manuscripts from France and Burgundy, chansonniers of Italian origin are of special significance for our knowledge of the French song repertory and its dissemination during the second half of the century. Florence appears to have been a particularly important center of collecting, judging from a group of nine chansonniers copied there between the 1440s and the early 1490s. In recent decades the Berlin Chansonnier (Berlin, Staatliche Museen der Stiftung Preussischer Kulturbesitz, Kupferstichkabinett, MS 78.C.28) has held a special place among these Florentine sources, partly because it is the only one from before the 1490s for which there is external evidence that seemed to provide a precise dating, and partly because that evidence indicated that it was our only surviving Florentine music manuscript from the 1460s. More than 30 years ago Peter Reidemeister identified the two Florentine families whose impaled arms decorate the first chanson in the collection. These arms led him to propose that the manuscript was made in connection with a wedding involving these two families, which he claimed took place in 1465 or 1466, a dating that has been accepted as a terminus ad quem in subsequent scholarship. The manuscript thus appeared to pre-date by 15 or more years the next earliest sources in the Florentine group, and the significant repertorial differences between the Berlin manuscript and those of the early 1480s seemed to confirm this time gap.<br /> Documents in the Archivio di Stato in Florence change this picture considerably. New evidence calls for a series of crucial adjustments to the theories proposed by Reidemeister that together force a reassessment of the dating of the Berlin Chansonnier. This reassessment affects in turn its relation to several other manuscripts, both from Florence and elsewhere in Italy, and provides new insight into the repertory of songs (in particular those of Busnoys) that was circulating in Florence between the 1460s and the early 1480s.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42219358" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7a438a2f9de498d2e0daf3320cd6534f" rel="nofollow" data-download="{"attachment_id":62369051,"asset_id":42219358,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62369051/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="49349991" href="https://newenglandconservatory.academia.edu/SeanGallagher">Sean Gallagher</a><script data-card-contents-for-user="49349991" type="text/json">{"id":49349991,"first_name":"Sean","last_name":"Gallagher","domain_name":"newenglandconservatory","page_name":"SeanGallagher","display_name":"Sean Gallagher","profile_url":"https://newenglandconservatory.academia.edu/SeanGallagher?f_ri=270396","photo":"https://0.academia-photos.com/49349991/31472185/81193720/s65_sean.gallagher.jpg"}</script></span></span></li><li class="js-paper-rank-work_42219358 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42219358"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42219358, container: ".js-paper-rank-work_42219358", }); 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$(".js-view-count[data-work-id=42219358]").text(description); $(".js-view-count-work_42219358").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42219358").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42219358"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23599" href="https://www.academia.edu/Documents/in/Chanson">Chanson</a>, <script data-card-contents-for-ri="23599" type="text/json">{"id":23599,"name":"Chanson","url":"https://www.academia.edu/Documents/in/Chanson?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a><script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42219358]'), work: {"id":42219358,"title":"The Berlin Chansonnier and French Song in Florence, 1450-1490: A New Dating and Its Implications","created_at":"2020-03-14T19:25:30.802-07:00","url":"https://www.academia.edu/42219358/The_Berlin_Chansonnier_and_French_Song_in_Florence_1450_1490_A_New_Dating_and_Its_Implications?f_ri=270396","dom_id":"work_42219358","summary":"Owing to the loss of most 15th-century music manuscripts from France and Burgundy, chansonniers of Italian origin are of special significance for our knowledge of the French song repertory and its dissemination during the second half of the century. Florence appears to have been a particularly important center of collecting, judging from a group of nine chansonniers copied there between the 1440s and the early 1490s. In recent decades the Berlin Chansonnier (Berlin, Staatliche Museen der Stiftung Preussischer Kulturbesitz, Kupferstichkabinett, MS 78.C.28) has held a special place among these Florentine sources, partly because it is the only one from before the 1490s for which there is external evidence that seemed to provide a precise dating, and partly because that evidence indicated that it was our only surviving Florentine music manuscript from the 1460s. More than 30 years ago Peter Reidemeister identified the two Florentine families whose impaled arms decorate the first chanson in the collection. These arms led him to propose that the manuscript was made in connection with a wedding involving these two families, which he claimed took place in 1465 or 1466, a dating that has been accepted as a terminus ad quem in subsequent scholarship. The manuscript thus appeared to pre-date by 15 or more years the next earliest sources in the Florentine group, and the significant repertorial differences between the Berlin manuscript and those of the early 1480s seemed to confirm this time gap.\n\tDocuments in the Archivio di Stato in Florence change this picture considerably. New evidence calls for a series of crucial adjustments to the theories proposed by Reidemeister that together force a reassessment of the dating of the Berlin Chansonnier. This reassessment affects in turn its relation to several other manuscripts, both from Florence and elsewhere in Italy, and provides new insight into the repertory of songs (in particular those of Busnoys) that was circulating in Florence between the 1460s and the early 1480s.\n","downloadable_attachments":[{"id":62369051,"asset_id":42219358,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":49349991,"first_name":"Sean","last_name":"Gallagher","domain_name":"newenglandconservatory","page_name":"SeanGallagher","display_name":"Sean Gallagher","profile_url":"https://newenglandconservatory.academia.edu/SeanGallagher?f_ri=270396","photo":"https://0.academia-photos.com/49349991/31472185/81193720/s65_sean.gallagher.jpg"}],"research_interests":[{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=270396","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=270396","nofollow":false},{"id":23599,"name":"Chanson","url":"https://www.academia.edu/Documents/in/Chanson?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":643622,"name":"Chansonniers","url":"https://www.academia.edu/Documents/in/Chansonniers?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3889093 coauthored" data-work_id="3889093" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3889093/The_Panel_Paintings_of_Masolino_and_Masaccio_The_Role_of_Technique_2002_">The Panel Paintings of Masolino and Masaccio - The Role of Technique (2002)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3889093" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cfd6504f31d0f538160b8a829f9051fc" rel="nofollow" data-download="{"attachment_id":31514236,"asset_id":3889093,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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Frosinini","profile_url":"https://opificiodellepietredure.academia.edu/ceciliafrosinini?f_ri=270396","photo":"https://0.academia-photos.com/3058164/1005600/39387133/s65_cecilia.frosinini.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-3889093">+1</span><div class="hidden js-additional-users-3889093"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://opificiodellepietredure.academia.edu/RobertoBellucci">Roberto Bellucci</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-3889093'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-3889093').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_3889093 InlineList-item InlineList-item--bordered hidden"><span 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data-has-card-for-ri="244" href="https://www.academia.edu/Documents/in/Psychoanalysis">Psychoanalysis</a>, <script data-card-contents-for-ri="244" type="text/json">{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5081" href="https://www.academia.edu/Documents/in/Painting">Painting</a>, <script data-card-contents-for-ri="5081" type="text/json">{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8927" href="https://www.academia.edu/Documents/in/Art_and_Science">Art and Science</a><script data-card-contents-for-ri="8927" type="text/json">{"id":8927,"name":"Art and Science","url":"https://www.academia.edu/Documents/in/Art_and_Science?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3889093]'), work: {"id":3889093,"title":"The Panel Paintings of Masolino and Masaccio - The Role of Technique 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Bellucci","profile_url":"https://opificiodellepietredure.academia.edu/RobertoBellucci?f_ri=270396","photo":"https://0.academia-photos.com/5848661/9627002/10837223/s65_roberto.bellucci.jpg"}],"research_interests":[{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=270396","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=270396","nofollow":false},{"id":8927,"name":"Art and Science","url":"https://www.academia.edu/Documents/in/Art_and_Science?f_ri=270396","nofollow":false},{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism?f_ri=270396"},{"id":12974,"name":"Drawing","url":"https://www.academia.edu/Documents/in/Drawing?f_ri=270396"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=270396"},{"id":15635,"name":"Thermography","url":"https://www.academia.edu/Documents/in/Thermography?f_ri=270396"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396"},{"id":26370,"name":"Conservation Science","url":"https://www.academia.edu/Documents/in/Conservation_Science?f_ri=270396"},{"id":49289,"name":"Installation","url":"https://www.academia.edu/Documents/in/Installation?f_ri=270396"},{"id":73658,"name":"Materialities","url":"https://www.academia.edu/Documents/in/Materialities?f_ri=270396"},{"id":83758,"name":"Writing about/with art","url":"https://www.academia.edu/Documents/in/Writing_about_with_art?f_ri=270396"},{"id":124478,"name":"XRF","url":"https://www.academia.edu/Documents/in/XRF?f_ri=270396"},{"id":209421,"name":"Masolino da Panicale","url":"https://www.academia.edu/Documents/in/Masolino_da_Panicale?f_ri=270396"},{"id":227579,"name":"Fakes","url":"https://www.academia.edu/Documents/in/Fakes?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":313935,"name":"Arts / Design / Restauro/ Scientific reseach on arts / Arts curator/reserach on interaction of arts and science","url":"https://www.academia.edu/Documents/in/Arts_Design_Restauro_Scientific_reseach_on_arts_Arts_curator_reserach_on_interaction_of_arts_?f_ri=270396"},{"id":371573,"name":"IR reflectography","url":"https://www.academia.edu/Documents/in/IR_reflectography?f_ri=270396"},{"id":371574,"name":"Reflectance Spectrometry","url":"https://www.academia.edu/Documents/in/Reflectance_Spectrometry?f_ri=270396"},{"id":371857,"name":"Non invasive analyses","url":"https://www.academia.edu/Documents/in/Non_invasive_analyses?f_ri=270396"},{"id":375252,"name":"Radiography","url":"https://www.academia.edu/Documents/in/Radiography?f_ri=270396"},{"id":674136,"name":"Masaccio and Masolino","url":"https://www.academia.edu/Documents/in/Masaccio_and_Masolino?f_ri=270396"},{"id":674195,"name":"Masaccio","url":"https://www.academia.edu/Documents/in/Masaccio?f_ri=270396"},{"id":705788,"name":"Underdrawing","url":"https://www.academia.edu/Documents/in/Underdrawing?f_ri=270396"},{"id":808459,"name":"Presence/absence","url":"https://www.academia.edu/Documents/in/Presence_absence?f_ri=270396"},{"id":808460,"name":"Visibility/invisibility","url":"https://www.academia.edu/Documents/in/Visibility_invisibility?f_ri=270396"},{"id":1008907,"name":"Destabilization of Hierarchical Relationships and Borders","url":"https://www.academia.edu/Documents/in/Destabilization_of_Hierarchical_Relationships_and_Borders?f_ri=270396"},{"id":1008920,"name":"Relationship Between Art Theory and Practice","url":"https://www.academia.edu/Documents/in/Relationship_Between_Art_Theory_and_Practice?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9995061" data-work_id="9995061" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9995061/From_Aesops_Fables_to_the_Kalila_wa_Dimna_Giuliano_da_Sangallos_Staircase_in_the_Gondi_Palace_in_Florence">From Aesop's Fables to the Kalila wa-Dimna: Giuliano da Sangallo's Staircase in the Gondi Palace in Florence</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x 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href="https://www.academia.edu/41410533/La_finzione_della_vita_la_verit%C3%A0_del_mito_Una_lettura_della_Life_of_Lorenzo_de_Medici_1795_di_William_Roscoe">La finzione della vita, la verità del mito. Una lettura della Life of Lorenzo de’ Medici (1795) di William Roscoe</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In 1795, publisher John M’Creery printed in Liverpool The Life of Lorenzo de’ Medici called The Magnificent. A huge editorial success, it was written by William Roscoe, a quite gifted figure, who dedicated himself equally to his legal... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41410533" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In 1795, publisher John M’Creery printed in Liverpool The Life of Lorenzo de’ Medici called The Magnificent. A huge editorial success, it was written by William Roscoe, a quite gifted figure, who dedicated himself equally to his legal profession and passion for literature, philanthropy and art collecting. This essay aims at providing a close reading of his celebrated Medicean biography, pointing out the fundamental role it played in the creation of the Florentine Renaissance myth. Deconstructing Roscoe’s idealization of Lorenzo’s personality will not only allow to highlight a transitional stage in the European historiographical tradition, between the end of the Ancien Régime and the birth of liberal states, but also to observe from within the tricks employed in writing a biography, an ambiguous genre always suspended between history and fiction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41410533" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8eed3fcf1525fc3ad1f30806a5bc37c1" rel="nofollow" data-download="{"attachment_id":61598580,"asset_id":41410533,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61598580/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="64818565" href="https://unisi.academia.edu/LucaBaratta">Luca Baratta</a><script data-card-contents-for-user="64818565" type="text/json">{"id":64818565,"first_name":"Luca","last_name":"Baratta","domain_name":"unisi","page_name":"LucaBaratta","display_name":"Luca Baratta","profile_url":"https://unisi.academia.edu/LucaBaratta?f_ri=270396","photo":"https://0.academia-photos.com/64818565/16857645/119478208/s65_luca.baratta.jpg"}</script></span></span></li><li class="js-paper-rank-work_41410533 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41410533"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41410533, container: ".js-paper-rank-work_41410533", }); 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Una lettura della Life of Lorenzo de’ Medici (1795) di William Roscoe","created_at":"2019-12-24T07:07:07.626-08:00","url":"https://www.academia.edu/41410533/La_finzione_della_vita_la_verit%C3%A0_del_mito_Una_lettura_della_Life_of_Lorenzo_de_Medici_1795_di_William_Roscoe?f_ri=270396","dom_id":"work_41410533","summary":"In 1795, publisher John M’Creery printed in Liverpool The Life of Lorenzo de’ Medici called The Magnificent. A huge editorial success, it was written by William Roscoe, a quite gifted figure, who dedicated himself equally to his legal profession and passion for literature, philanthropy and art collecting. This essay aims at providing a close reading of his celebrated Medicean biography, pointing out the fundamental role it played in the creation of the Florentine Renaissance myth. Deconstructing Roscoe’s idealization of Lorenzo’s personality will not only allow to highlight a transitional stage in the European historiographical tradition, between the end of the Ancien Régime and the birth of liberal states, but also to observe from within the tricks employed in writing a biography, an ambiguous genre always suspended between history and fiction.","downloadable_attachments":[{"id":61598580,"asset_id":41410533,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":64818565,"first_name":"Luca","last_name":"Baratta","domain_name":"unisi","page_name":"LucaBaratta","display_name":"Luca Baratta","profile_url":"https://unisi.academia.edu/LucaBaratta?f_ri=270396","photo":"https://0.academia-photos.com/64818565/16857645/119478208/s65_luca.baratta.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false},{"id":3027,"name":"Renaissance 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Authorship","url":"https://www.academia.edu/Documents/in/Authoriality_and_Authorship?f_ri=270396"},{"id":800676,"name":"William Roscoe","url":"https://www.academia.edu/Documents/in/William_Roscoe?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3064820" data-work_id="3064820" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3064820/Les_Livres_de_la_famille_d_Alberti_sources_sens_et_influence_sous_la_direction_de_Michel_Paoli_avec_la_collaboration_d_Elise_Leclerc_et_de_Sophie_Dutheillet_de_Lamothe_Paris_Classiques_Garnier_2013">Les Livres de la famille d’Alberti, sources, sens et influence, sous la direction de Michel Paoli, avec la collaboration d’Elise Leclerc et de Sophie Dutheillet de Lamothe, Paris, Classiques Garnier, 2013</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3064820" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2cd22f01363ab253e5a3f7613ecd4522" rel="nofollow" data-download="{"attachment_id":30992106,"asset_id":3064820,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44325300/Ascesa_e_declino_di_una_professione_artigiana_gli_armaioli_fiorentini_XIV_XV_secolo_in_Armi_Antiche_2018_stampato_nel_2020_pp_19_36">Ascesa e declino di una professione artigiana, gli armaioli fiorentini (XIV-XV secolo), in «Armi Antiche», (2018), stampato nel 2020, pp.19-36</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ENG. This essay aims to clarify what was the craft activity carried out by Florentine armourers (armaioli), enrolled in the Arte di Por Santa Maria and the importance of this profession between the 14th and 15th centuries.The research is... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44325300" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ENG. This essay aims to clarify what was the craft activity carried out by Florentine armourers (armaioli), enrolled in the Arte di Por Santa Maria and the importance of this profession between the 14th and 15th centuries.The research is mainly based on three archival sources: the Sta-tute of Art, to identify what their work consisted; the lists of ma-triculated, in order to be able to evaluate the number of craftmen present in the city and the trend of their enrollments in the chro-nological period of which we have sources; the Catasto of 1427, through which we will have more information on the Florentine armourers active in this year, as the location of their workshops in the city or their wealth.Finally it will conclude with some hypotheses on why this flourishing commercial and productive activity, disappears from the Florentine craft organizations in the end of Middle Ages.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44325300" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="65b73e9ce915c944f62ca89555bb0d45" rel="nofollow" data-download="{"attachment_id":64713880,"asset_id":44325300,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64713880/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31083126" href="https://unica.academia.edu/SimonePicchianti">Simone Picchianti</a><script data-card-contents-for-user="31083126" type="text/json">{"id":31083126,"first_name":"Simone","last_name":"Picchianti","domain_name":"unica","page_name":"SimonePicchianti","display_name":"Simone Picchianti","profile_url":"https://unica.academia.edu/SimonePicchianti?f_ri=270396","photo":"https://0.academia-photos.com/31083126/11390117/34884014/s65_simone.picchianti.jpg"}</script></span></span></li><li class="js-paper-rank-work_44325300 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44325300"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44325300, container: ".js-paper-rank-work_44325300", }); 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This essay aims to clarify what was the craft activity carried out by Florentine armourers (armaioli), enrolled in the Arte di Por Santa Maria and the importance of this profession between the 14th and 15th centuries.The research is mainly based on three archival sources: the Sta-tute of Art, to identify what their work consisted; the lists of ma-triculated, in order to be able to evaluate the number of craftmen present in the city and the trend of their enrollments in the chro-nological period of which we have sources; the Catasto of 1427, through which we will have more information on the Florentine armourers active in this year, as the location of their workshops in the city or their wealth.Finally it will conclude with some hypotheses on why this flourishing commercial and productive activity, disappears from the Florentine craft organizations in the end of Middle Ages.","downloadable_attachments":[{"id":64713880,"asset_id":44325300,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31083126,"first_name":"Simone","last_name":"Picchianti","domain_name":"unica","page_name":"SimonePicchianti","display_name":"Simone Picchianti","profile_url":"https://unica.academia.edu/SimonePicchianti?f_ri=270396","photo":"https://0.academia-photos.com/31083126/11390117/34884014/s65_simone.picchianti.jpg"}],"research_interests":[{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=270396","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=270396","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396"},{"id":3852,"name":"Arms and Armor Studies","url":"https://www.academia.edu/Documents/in/Arms_and_Armor_Studies?f_ri=270396"},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396"},{"id":22386,"name":"Medieval Art","url":"https://www.academia.edu/Documents/in/Medieval_Art?f_ri=270396"},{"id":81113,"name":"Arms and Armour","url":"https://www.academia.edu/Documents/in/Arms_and_Armour?f_ri=270396"},{"id":231654,"name":"Medieval Economic and Social History","url":"https://www.academia.edu/Documents/in/Medieval_Economic_and_Social_History?f_ri=270396"},{"id":232411,"name":"Ancient and medieval arms and armour","url":"https://www.academia.edu/Documents/in/Ancient_and_medieval_arms_and_armour?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2563988" data-work_id="2563988" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2563988/Il_padre_a_Firenze_nel_Quattrocento_L_educazione_del_pupillo_in_Giovanni_Morelli_Annali_di_Storia_di_Firenze_III_2008_pp_29_63">Il padre a Firenze nel Quattrocento. L’educazione del pupillo in Giovanni Morelli, «Annali di Storia di Firenze», III, 2008, pp. 29-63</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2563988" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="926318fd5697f0ae0844303dc1360201" rel="nofollow" data-download="{"attachment_id":31611526,"asset_id":2563988,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31611526/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1932357" href="https://chicago.academia.edu/ClaudiaTripodi">Claudia Tripodi</a><script data-card-contents-for-user="1932357" type="text/json">{"id":1932357,"first_name":"Claudia","last_name":"Tripodi","domain_name":"chicago","page_name":"ClaudiaTripodi","display_name":"Claudia Tripodi","profile_url":"https://chicago.academia.edu/ClaudiaTripodi?f_ri=270396","photo":"https://0.academia-photos.com/1932357/1116437/1395950/s65_claudia.tripodi.jpg"}</script></span></span></li><li class="js-paper-rank-work_2563988 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2563988"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2563988, container: ".js-paper-rank-work_2563988", }); 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$(".js-view-count[data-work-id=2563988]").text(description); $(".js-view-count-work_2563988").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2563988").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2563988"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15245" href="https://www.academia.edu/Documents/in/History_of_the_Family">History of the Family</a>, <script data-card-contents-for-ri="15245" type="text/json">{"id":15245,"name":"History of the Family","url":"https://www.academia.edu/Documents/in/History_of_the_Family?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136118" href="https://www.academia.edu/Documents/in/Florence">Florence</a>, <script data-card-contents-for-ri="136118" type="text/json">{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a>, <script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="312953" href="https://www.academia.edu/Documents/in/Renaissance_Florence">Renaissance Florence</a><script data-card-contents-for-ri="312953" type="text/json">{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2563988]'), work: {"id":2563988,"title":"Il padre a Firenze nel Quattrocento. L’educazione del pupillo in Giovanni Morelli, «Annali di Storia di Firenze», III, 2008, pp. 29-63","created_at":"2013-02-12T17:57:20.815-08:00","url":"https://www.academia.edu/2563988/Il_padre_a_Firenze_nel_Quattrocento_L_educazione_del_pupillo_in_Giovanni_Morelli_Annali_di_Storia_di_Firenze_III_2008_pp_29_63?f_ri=270396","dom_id":"work_2563988","summary":null,"downloadable_attachments":[{"id":31611526,"asset_id":2563988,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1932357,"first_name":"Claudia","last_name":"Tripodi","domain_name":"chicago","page_name":"ClaudiaTripodi","display_name":"Claudia Tripodi","profile_url":"https://chicago.academia.edu/ClaudiaTripodi?f_ri=270396","photo":"https://0.academia-photos.com/1932357/1116437/1395950/s65_claudia.tripodi.jpg"}],"research_interests":[{"id":15245,"name":"History of the Family","url":"https://www.academia.edu/Documents/in/History_of_the_Family?f_ri=270396","nofollow":false},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35008064" data-work_id="35008064" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35008064/La_Crocifissione_di_Paolo_Schiavo_nel_monastero_benedettino_di_SantApollonia_a_Firenze_Novit%C3%A0_iconografiche_in_Arte_Cristiana_901_Luglio_Agosto_2017_pp_281_286">La Crocifissione di Paolo Schiavo nel monastero benedettino di Sant'Apollonia a Firenze. Novità iconografiche, in "Arte Cristiana", 901 Luglio-Agosto 2017, pp. 281-286</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35008064" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d2a5f7836719db8246620c46325c6958" rel="nofollow" data-download="{"attachment_id":54872498,"asset_id":35008064,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54872498/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70708315" href="https://independent.academia.edu/MichelaGiuntoli">Michela Giuntoli</a><script data-card-contents-for-user="70708315" type="text/json">{"id":70708315,"first_name":"Michela","last_name":"Giuntoli","domain_name":"independent","page_name":"MichelaGiuntoli","display_name":"Michela Giuntoli","profile_url":"https://independent.academia.edu/MichelaGiuntoli?f_ri=270396","photo":"https://0.academia-photos.com/70708315/18169746/152484326/s65_michela.giuntoli.jpg"}</script></span></span></li><li class="js-paper-rank-work_35008064 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35008064"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35008064, container: ".js-paper-rank-work_35008064", }); 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$(".js-view-count[data-work-id=35008064]").text(description); $(".js-view-count-work_35008064").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35008064").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35008064"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a>, <script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a><script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35008064]'), work: {"id":35008064,"title":"La Crocifissione di Paolo Schiavo nel monastero benedettino di Sant'Apollonia a Firenze. Novità iconografiche, in \"Arte Cristiana\", 901 Luglio-Agosto 2017, pp. 281-286","created_at":"2017-10-31T04:21:33.620-07:00","url":"https://www.academia.edu/35008064/La_Crocifissione_di_Paolo_Schiavo_nel_monastero_benedettino_di_SantApollonia_a_Firenze_Novit%C3%A0_iconografiche_in_Arte_Cristiana_901_Luglio_Agosto_2017_pp_281_286?f_ri=270396","dom_id":"work_35008064","summary":null,"downloadable_attachments":[{"id":54872498,"asset_id":35008064,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":70708315,"first_name":"Michela","last_name":"Giuntoli","domain_name":"independent","page_name":"MichelaGiuntoli","display_name":"Michela Giuntoli","profile_url":"https://independent.academia.edu/MichelaGiuntoli?f_ri=270396","photo":"https://0.academia-photos.com/70708315/18169746/152484326/s65_michela.giuntoli.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=270396","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=270396","nofollow":false},{"id":4058,"name":"Ritual","url":"https://www.academia.edu/Documents/in/Ritual?f_ri=270396"},{"id":46789,"name":"Late Medieval Religion, Monasticism and Devotion","url":"https://www.academia.edu/Documents/in/Late_Medieval_Religion_Monasticism_and_Devotion?f_ri=270396"},{"id":107100,"name":"Florentine Art","url":"https://www.academia.edu/Documents/in/Florentine_Art?f_ri=270396"},{"id":267727,"name":"Christian Studies","url":"https://www.academia.edu/Documents/in/Christian_Studies?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39537466" data-work_id="39537466" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39537466/Womens_Rights_According_to_Lorenzo_de_Medici_The_Borromei_Pazzi_Dispute_and_the_Lex_de_testamentis">Women's Rights According to Lorenzo de' Medici: The Borromei-Pazzi Dispute and the 'Lex de testamentis'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The law "De testamentis", passed by the Florentine legislative councils in March 1477 under pressure from Lorenzo de’ Medici, often recurs in historical narrative in connection with the tragic event that occurred the following year, the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39537466" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The law "De testamentis", passed by the Florentine legislative councils in March 1477 under pressure from Lorenzo de’ Medici, often recurs in historical narrative in connection with the tragic event that occurred the following year, the Pazzi conspiracy, being considered one of its underlying causes. So far, however, no detailed survey has been carried out about the estate litigation between the Borromei and Pazzi families, which drove the legislative action of Lorenzo the Magnificent, nor about the law itself, by which the interpretation of the statutory rules concerning female rights on inheritance was substantially changed while leaving the text untouched. My study aims to fill this gap in the context of a more general survey of the policies implemented by Lorenzo de’ Medici towards the major families of the Florentine patriciate.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39537466" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d10a129cfb4decd677e0f9f838e687d1" rel="nofollow" data-download="{"attachment_id":59688164,"asset_id":39537466,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59688164/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5461504" href="https://operaduomo.academia.edu/LorenzoFabbri">Lorenzo Fabbri</a><script data-card-contents-for-user="5461504" type="text/json">{"id":5461504,"first_name":"Lorenzo","last_name":"Fabbri","domain_name":"operaduomo","page_name":"LorenzoFabbri","display_name":"Lorenzo Fabbri","profile_url":"https://operaduomo.academia.edu/LorenzoFabbri?f_ri=270396","photo":"https://0.academia-photos.com/5461504/2412507/9118904/s65_lorenzo.fabbri.jpg"}</script></span></span></li><li class="js-paper-rank-work_39537466 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39537466"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39537466, container: ".js-paper-rank-work_39537466", }); 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$(".js-view-count[data-work-id=39537466]").text(description); $(".js-view-count-work_39537466").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39537466").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39537466"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a>, <script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="103084" href="https://www.academia.edu/Documents/in/Inheritance">Inheritance</a>, <script data-card-contents-for-ri="103084" type="text/json">{"id":103084,"name":"Inheritance","url":"https://www.academia.edu/Documents/in/Inheritance?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a>, <script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="314032" href="https://www.academia.edu/Documents/in/Lorenzo_de_Medici">Lorenzo de' Medici</a><script data-card-contents-for-ri="314032" type="text/json">{"id":314032,"name":"Lorenzo de' Medici","url":"https://www.academia.edu/Documents/in/Lorenzo_de_Medici?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39537466]'), work: {"id":39537466,"title":"Women's Rights According to Lorenzo de' Medici: The Borromei-Pazzi Dispute and the 'Lex de testamentis'","created_at":"2019-06-12T14:40:23.140-07:00","url":"https://www.academia.edu/39537466/Womens_Rights_According_to_Lorenzo_de_Medici_The_Borromei_Pazzi_Dispute_and_the_Lex_de_testamentis?f_ri=270396","dom_id":"work_39537466","summary":"The law \"De testamentis\", passed by the Florentine legislative councils in March 1477 under pressure from Lorenzo de’ Medici, often recurs in historical narrative in connection with the tragic event that occurred the following year, the Pazzi conspiracy, being considered one of its underlying causes. So far, however, no detailed survey has been carried out about the estate litigation between the Borromei and Pazzi families, which drove the legislative action of Lorenzo the Magnificent, nor about the law itself, by which the interpretation of the statutory rules concerning female rights on inheritance was substantially changed while leaving the text untouched. My study aims to fill this gap in the context of a more general survey of the policies implemented by Lorenzo de’ Medici towards the major families of the Florentine patriciate.","downloadable_attachments":[{"id":59688164,"asset_id":39537466,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5461504,"first_name":"Lorenzo","last_name":"Fabbri","domain_name":"operaduomo","page_name":"LorenzoFabbri","display_name":"Lorenzo Fabbri","profile_url":"https://operaduomo.academia.edu/LorenzoFabbri?f_ri=270396","photo":"https://0.academia-photos.com/5461504/2412507/9118904/s65_lorenzo.fabbri.jpg"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=270396","nofollow":false},{"id":103084,"name":"Inheritance","url":"https://www.academia.edu/Documents/in/Inheritance?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false},{"id":314032,"name":"Lorenzo de' Medici","url":"https://www.academia.edu/Documents/in/Lorenzo_de_Medici?f_ri=270396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4263547" data-work_id="4263547" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4263547/Sergio_Bettini_Lo_studio_della_luce_naturale_e_artificiale_nello_spazio_sacro_Giovanni_Gherardi_per_S_Maria_del_Fiore_a_Firenze_e_Baldassarre_Peruzzi_per_S_Stefano_Rotondo_a_Roma_2014_">Sergio Bettini, "Lo studio della luce naturale e artificiale nello spazio sacro: Giovanni Gherardi per S. Maria del Fiore a Firenze e Baldassarre Peruzzi per S. Stefano Rotondo a Roma" [2014]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The analysis of two Renaissance drawings offers the occasion for a discussion of light in ecclesiastical architecture. The first exemple considers the well-known drawing – drafted on parchment by Giovanni di Gherardo Gherardi da Prato in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4263547" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The analysis of two Renaissance drawings offers the occasion for a discussion of light in ecclesiastical architecture. <br />The first exemple considers the well-known drawing – drafted on parchment by Giovanni di Gherardo Gherardi da Prato in competition with Filippo Brunelleschi for the dome of Santa Maria del Fiore – which constitutes both the first fifteenth-century graphic testimony concerning the natural illumination of the church’s interior, and the only drawing contemporary to its construction that has survived and is datable to 1425. <br />The second drawing is a “studio dal vero” by Baldassarre Peruzzi of Santo Stefano Rotondo in Rome, dating from the beginning of the sixteenth-century. It offers a perspective view of the interior of the monument, portraying a system of artificial lights as evinced by the sharp double-shadows on the pavement, and which remind one of the contemporary studies of Leonardo da Vinci. Because of the importance it attributes to light, this drawing is an unicum among those depicting ancient structures all along  the Renaissance. It is precisely with the depiction of light, with the irregularity of its reflections and of its shadows, that this study gives the impression of a captivating and suggestive space, actualizing ancient architecture as if it were visible to the present. And it is also thanks to the pictorial sensibility of Peruzzi, who knew how to combine a philologic spirit with an unsurpassed expressive naturalism in the Renaissance’s corpus of architectural drawings</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4263547" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="82cff50a226dfdbb2f81b78a842cda60" rel="nofollow" data-download="{"attachment_id":40932349,"asset_id":4263547,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40932349/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5167348" href="https://lugano.academia.edu/SergioBettini">Sergio Bettini</a><script data-card-contents-for-user="5167348" type="text/json">{"id":5167348,"first_name":"Sergio","last_name":"Bettini","domain_name":"lugano","page_name":"SergioBettini","display_name":"Sergio Bettini","profile_url":"https://lugano.academia.edu/SergioBettini?f_ri=270396","photo":"https://0.academia-photos.com/5167348/2273215/33785432/s65_sergio.bettini.jpg"}</script></span></span></li><li class="js-paper-rank-work_4263547 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4263547"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4263547, container: ".js-paper-rank-work_4263547", }); 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$(".js-view-count[data-work-id=4263547]").text(description); $(".js-view-count-work_4263547").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4263547").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4263547"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">38</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5124" href="https://www.academia.edu/Documents/in/Renaissance_Art">Renaissance Art</a>, <script data-card-contents-for-ri="5124" type="text/json">{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7863" href="https://www.academia.edu/Documents/in/Architectural_Lighting">Architectural Lighting</a><script data-card-contents-for-ri="7863" type="text/json">{"id":7863,"name":"Architectural Lighting","url":"https://www.academia.edu/Documents/in/Architectural_Lighting?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4263547]'), work: {"id":4263547,"title":"Sergio Bettini, \"Lo studio della luce naturale e artificiale nello spazio sacro: Giovanni Gherardi per S. Maria del Fiore a Firenze e Baldassarre Peruzzi per S. Stefano Rotondo a Roma\" [2014]","created_at":"2013-08-17T22:31:24.251-07:00","url":"https://www.academia.edu/4263547/Sergio_Bettini_Lo_studio_della_luce_naturale_e_artificiale_nello_spazio_sacro_Giovanni_Gherardi_per_S_Maria_del_Fiore_a_Firenze_e_Baldassarre_Peruzzi_per_S_Stefano_Rotondo_a_Roma_2014_?f_ri=270396","dom_id":"work_4263547","summary":"The analysis of two Renaissance drawings offers the occasion for a discussion of light in ecclesiastical architecture.\r\nThe first exemple considers the well-known drawing – drafted on parchment by Giovanni di Gherardo Gherardi da Prato in competition with Filippo Brunelleschi for the dome of Santa Maria del Fiore – which constitutes both the first fifteenth-century graphic testimony concerning the natural illumination of the church’s interior, and the only drawing contemporary to its construction that has survived and is datable to 1425.\r\nThe second drawing is a “studio dal vero” by Baldassarre Peruzzi of Santo Stefano Rotondo in Rome, dating from the beginning of the sixteenth-century. It offers a perspective view of the interior of the monument, portraying a system of artificial lights as evinced by the sharp double-shadows on the pavement, and which remind one of the contemporary studies of Leonardo da Vinci. Because of the importance it attributes to light, this drawing is an unicum among those depicting ancient structures all along the Renaissance. It is precisely with the depiction of light, with the irregularity of its reflections and of its shadows, that this study gives the impression of a captivating and suggestive space, actualizing ancient architecture as if it were visible to the present. And it is also thanks to the pictorial sensibility of Peruzzi, who knew how to combine a philologic spirit with an unsurpassed expressive naturalism in the Renaissance’s corpus of architectural drawings","downloadable_attachments":[{"id":40932349,"asset_id":4263547,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5167348,"first_name":"Sergio","last_name":"Bettini","domain_name":"lugano","page_name":"SergioBettini","display_name":"Sergio Bettini","profile_url":"https://lugano.academia.edu/SergioBettini?f_ri=270396","photo":"https://0.academia-photos.com/5167348/2273215/33785432/s65_sergio.bettini.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=270396","nofollow":false},{"id":7655,"name":"Architectural 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Fiore","url":"https://www.academia.edu/Documents/in/Opera_Di_Santa_Maria_Del_Fiore?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37830396" data-work_id="37830396" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37830396/L_Arte_dei_Fabbri_a_Firenze_e_nel_suo_contado_attraverso_gli_statuti_e_le_matricole_1344_1481_in_Ricerche_Storiche_2018_2_pp_123_146">L’Arte dei Fabbri a Firenze e nel suo contado attraverso gli statuti e le matricole (1344-1481), in «Ricerche Storiche», (2018), 2, pp.123-146</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ENG: The study of most of the Florentine Arti Minori, has aroused until today, a scarce interest by the scholars. This first survey, concerning the Arte dei Fabbri (Art of Blacksmiths) in Florence and its countryside. between the end of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37830396" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ENG: The study of most of the Florentine Arti Minori, has aroused until today, a scarce interest by the scholars. This first survey, concerning the Arte dei Fabbri (Art of Blacksmiths) in Florence and its countryside. between the end of the fourteenth and fifteenth centuries, based on the analysis of the statute and the matricole, shows the great importance of this economic and productive sector in the reality of that time. Particular attention is paid to the structure of this (work specializations, access modalities), to the production of artifacts and to the activities carried out, as well as to the general trend in the chronological period examined.<br /><br />ITA: Lo studio della maggior parte delle Arti Minori fiorentine, ha suscitato sino ad oggi, uno scarso interesse da parte degli studiosi. Questa prima indagine, riguardante l’Arte dei Fabbri a Firenze e nel suo contado, tra la fine del XIV ed il XV secolo, basata sull’analisi dello statuto e delle matricole, mostra la grande importanza di questo settore economico e produttivo nella realtà dell’epoca. Una particolare attenzione è rivolta alla struttura di questa (specializzazioni lavorative, modalità di accesso), alle produzioni di manufatti ed alle attività svolte oltre che all’andamento generale nell’arco cronologico preso in esame.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37830396" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="70d449ea1841495a138ca90d76696dd5" rel="nofollow" data-download="{"attachment_id":58081233,"asset_id":37830396,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58081233/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31083126" href="https://unica.academia.edu/SimonePicchianti">Simone Picchianti</a><script data-card-contents-for-user="31083126" type="text/json">{"id":31083126,"first_name":"Simone","last_name":"Picchianti","domain_name":"unica","page_name":"SimonePicchianti","display_name":"Simone Picchianti","profile_url":"https://unica.academia.edu/SimonePicchianti?f_ri=270396","photo":"https://0.academia-photos.com/31083126/11390117/34884014/s65_simone.picchianti.jpg"}</script></span></span></li><li class="js-paper-rank-work_37830396 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37830396"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37830396, container: ".js-paper-rank-work_37830396", }); 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$(".js-view-count[data-work-id=37830396]").text(description); $(".js-view-count-work_37830396").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37830396").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37830396"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="137" href="https://www.academia.edu/Documents/in/Economic_History">Economic History</a>, <script data-card-contents-for-ri="137" type="text/json">{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a><script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37830396]'), work: {"id":37830396,"title":"L’Arte dei Fabbri a Firenze e nel suo contado attraverso gli statuti e le matricole (1344-1481), in «Ricerche Storiche», (2018), 2, pp.123-146","created_at":"2018-11-22T10:07:45.158-08:00","url":"https://www.academia.edu/37830396/L_Arte_dei_Fabbri_a_Firenze_e_nel_suo_contado_attraverso_gli_statuti_e_le_matricole_1344_1481_in_Ricerche_Storiche_2018_2_pp_123_146?f_ri=270396","dom_id":"work_37830396","summary":"ENG: The study of most of the Florentine Arti Minori, has aroused until today, a scarce interest by the scholars. 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It focuses on... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26136873" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article takes the two exhibitions dedicated to the Florentine Renaissance painter Piero di Cosimo as well as their respective catalogues as a point of departure for a wider discussion of the questions they inspired. It focuses on five interrelated aspects: Piero’s relationship with Filippino Lippi; the impact of Netherlandish art on his style; his altarpieces and issues of chronology and his responses to the art of his day and his patronage networks.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26136873" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d2e9874f6629f6449f490d06674a60ec" rel="nofollow" data-download="{"attachment_id":46472583,"asset_id":26136873,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46472583/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="500956" href="https://courtauld.academia.edu/AlexanderR%C3%B6stel">Alexander Röstel</a><script data-card-contents-for-user="500956" type="text/json">{"id":500956,"first_name":"Alexander","last_name":"Röstel","domain_name":"courtauld","page_name":"AlexanderRöstel","display_name":"Alexander Röstel","profile_url":"https://courtauld.academia.edu/AlexanderR%C3%B6stel?f_ri=270396","photo":"https://0.academia-photos.com/500956/172712/38506132/s65_alexander.r_stel.png"}</script></span></span></li><li class="js-paper-rank-work_26136873 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26136873"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26136873, container: ".js-paper-rank-work_26136873", }); 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It focuses on five interrelated aspects: Piero’s relationship with Filippino Lippi; the impact of Netherlandish art on his style; his altarpieces and issues of chronology and his responses to the art of his day and his patronage networks.\n","downloadable_attachments":[{"id":46472583,"asset_id":26136873,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":500956,"first_name":"Alexander","last_name":"Röstel","domain_name":"courtauld","page_name":"AlexanderRöstel","display_name":"Alexander Röstel","profile_url":"https://courtauld.academia.edu/AlexanderR%C3%B6stel?f_ri=270396","photo":"https://0.academia-photos.com/500956/172712/38506132/s65_alexander.r_stel.png"}],"research_interests":[{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=270396","nofollow":false},{"id":136,"name":"Cultural 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Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=270396"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=270396"},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=270396"},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=270396"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=270396"},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396"},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=270396"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=270396"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=270396"},{"id":17918,"name":"Intellectual and cultural history","url":"https://www.academia.edu/Documents/in/Intellectual_and_cultural_history?f_ri=270396"},{"id":19161,"name":"Curatorial Studies and Practice","url":"https://www.academia.edu/Documents/in/Curatorial_Studies_and_Practice?f_ri=270396"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=270396"},{"id":22832,"name":"Curatorial Practice (Art)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Art_?f_ri=270396"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts?f_ri=270396"},{"id":31140,"name":"Italian Renaissance Architectural History","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History?f_ri=270396"},{"id":99833,"name":"Italian late medieval and Renaissance devotional art, ritual, and patronage","url":"https://www.academia.edu/Documents/in/Italian_late_medieval_and_Renaissance_devotional_art_ritual_and_patronage?f_ri=270396"},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":353569,"name":"Piety and charity in late-fifteenth century Florence, the Oratorio dei Buonomini di San Martino, Renaissance confraternities.","url":"https://www.academia.edu/Documents/in/Piety_and_charity_in_late-fifteenth_century_Florence_the_Oratorio_dei_Buonomini_di_San_Martino_Ren?f_ri=270396"},{"id":489359,"name":"Filippino Lippi","url":"https://www.academia.edu/Documents/in/Filippino_Lippi?f_ri=270396"},{"id":668728,"name":"Galleria Degli Uffizi, Florence","url":"https://www.academia.edu/Documents/in/Galleria_Degli_Uffizi_Florence?f_ri=270396"},{"id":1165007,"name":"Piero Di Cosimo","url":"https://www.academia.edu/Documents/in/Piero_Di_Cosimo?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_767484" data-work_id="767484" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/767484/Manetto_di_Jacopo_Ammanatini_the_Florentine_woodcarver_architect_and_Pippo_Scolari_s_castle_in_Ozora">Manetto di Jacopo Ammanatini, the Florentine woodcarver-architect and Pippo Scolari’s castle in Ozora</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Manetto di Jacopo Ammanatini, Florentine woodcarver (cc.1384/87–cc.1451/52), started to work for Pippo Scolari known as lo Spano, in the Kingdom of Hungary, around 1409. Pippo (1368/69-1426) as a baron of the Hungarian crown, was patron... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_767484" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Manetto di Jacopo Ammanatini, Florentine woodcarver (cc.1384/87–cc.1451/52), started to work for Pippo Scolari known as lo Spano, in the Kingdom of Hungary, around 1409. Pippo (1368/69-1426) as a baron of the Hungarian crown, was patron of several building projects, among them the construction of a castle in the center of his estates in Ozora. The castle was constructed between c. 1416 and 1426 while Ammanatini was probably living in Ozora and employed as the baron’s architect.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/767484" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f01c77a7943cc16cf6d6ca9dff2a022a" rel="nofollow" data-download="{"attachment_id":28194363,"asset_id":767484,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/28194363/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="284975" href="https://univie.academia.edu/KatalinPrajda">Katalin Prajda</a><script data-card-contents-for-user="284975" type="text/json">{"id":284975,"first_name":"Katalin","last_name":"Prajda","domain_name":"univie","page_name":"KatalinPrajda","display_name":"Katalin Prajda","profile_url":"https://univie.academia.edu/KatalinPrajda?f_ri=270396","photo":"https://0.academia-photos.com/284975/58171/140089718/s65_katalin.prajda.jpg"}</script></span></span></li><li class="js-paper-rank-work_767484 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="767484"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 767484, container: ".js-paper-rank-work_767484", }); 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$(".js-view-count[data-work-id=767484]").text(description); $(".js-view-count-work_767484").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_767484").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="767484"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a>, <script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a><script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=767484]'), work: {"id":767484,"title":"Manetto di Jacopo Ammanatini, the Florentine woodcarver-architect and Pippo Scolari’s castle in Ozora","created_at":"2011-07-21T21:46:06.104-07:00","url":"https://www.academia.edu/767484/Manetto_di_Jacopo_Ammanatini_the_Florentine_woodcarver_architect_and_Pippo_Scolari_s_castle_in_Ozora?f_ri=270396","dom_id":"work_767484","summary":"Manetto di Jacopo Ammanatini, Florentine woodcarver (cc.1384/87–cc.1451/52), started to work for Pippo Scolari known as lo Spano, in the Kingdom of Hungary, around 1409. Pippo (1368/69-1426) as a baron of the Hungarian crown, was patron of several building projects, among them the construction of a castle in the center of his estates in Ozora. The castle was constructed between c. 1416 and 1426 while Ammanatini was probably living in Ozora and employed as the baron’s architect.","downloadable_attachments":[{"id":28194363,"asset_id":767484,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":284975,"first_name":"Katalin","last_name":"Prajda","domain_name":"univie","page_name":"KatalinPrajda","display_name":"Katalin Prajda","profile_url":"https://univie.academia.edu/KatalinPrajda?f_ri=270396","photo":"https://0.academia-photos.com/284975/58171/140089718/s65_katalin.prajda.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=270396","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=270396","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=270396"},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=270396"},{"id":7354,"name":"Early Modern Europe","url":"https://www.academia.edu/Documents/in/Early_Modern_Europe?f_ri=270396"},{"id":7870,"name":"Medieval Archaeology","url":"https://www.academia.edu/Documents/in/Medieval_Archaeology?f_ri=270396"},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396"},{"id":22386,"name":"Medieval Art","url":"https://www.academia.edu/Documents/in/Medieval_Art?f_ri=270396"},{"id":28239,"name":"Medieval Hungary","url":"https://www.academia.edu/Documents/in/Medieval_Hungary?f_ri=270396"},{"id":31140,"name":"Italian Renaissance Architectural History","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History?f_ri=270396"},{"id":59314,"name":"Castles","url":"https://www.academia.edu/Documents/in/Castles?f_ri=270396"},{"id":187423,"name":"Medieval castles","url":"https://www.academia.edu/Documents/in/Medieval_castles?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":599476,"name":"medieval Florence","url":"https://www.academia.edu/Documents/in/medieval_Florence?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33573586" data-work_id="33573586" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33573586/Senses_and_Passions_in_Benvenuto_Cellinis_Vita_The_Life_of_a_Neoplatonic_Mannerist">Senses and Passions in Benvenuto Cellini's Vita: The Life of a Neoplatonic Mannerist</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This study is devoted to the emotional experience of the famous Renaissance sculptor, goldsmith, and writer, Benvenuto Cellini (1500–1571), as it is portrayed in his life writing, the Vita. Providing the variety of arguments on the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33573586" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This study is devoted to the emotional experience of the famous Renaissance sculptor, goldsmith, and writer, Benvenuto Cellini (1500–1571), as it is portrayed in his life writing, the Vita. Providing the variety of arguments on the connection between the artist and contemporary intellectuals, who attended the Florentine Academy (1540–1583) together, I demonstrate that Cellini’s literary production can be examined productively against the background of Neoplatonic thought. In particular, Marsilio Ficino’s On Love, first published in the vernacular Italian in 1544, helps to establish an explanation of what Cellini meant when he decided to play the cornet while falling in love simultaneously with a young boy and girl, or  how he justified kicking or punching his servants, or why he did not kill his adversary, the artist Baccio Bandinelli, when he had the chance. These cases of radical affectivity are inscribed into Ficino’s concept of the “melancholy genius” manifesting melancholic madness. In Cellini’s Vita, the latter can not only turn humans almost into beast, literally (for example, in a bat); but, properly tempered by the means of music and poetry, as well as of individual and collective magic, it elevates one’s soul “on high,” which corresponds to the Neoplatonic concept of divine madness.<br />___________________________________________________________________________________________________<br />Table of Contents<br />Introduction<br />Chapter 1.  Benvenuto Cellini and the Florentine Academy<br />1.1 Why did the Italian academies emerge?<br />1.2 Academic movement before the Florentine Academy<br />1.3 The Florentine Academy<br />1.4 Benvenuto Cellini’s writings in the context of the Florentine Academy<br />Chapter 2.  “Essendo io per natura malinconico”: Benvenuto Cellini and the Ficinian Legacy<br />2.1 “Grand theories” and “grounded” early-modern artists<br />2.2 Marsilio Ficino’s On Love<br />2.3 “Melancholy genius” concept<br />2.4 (Neo)Platonic love<br />Chapter 3.  “Tu ten sei gito a contemplar su ’n Cielo l’alto Fattore”: Benvenuto Cellini Ascending on High<br />3.1 Esoteric knowledge and censorship<br />3.2 “Furor divino” and “diabolico furore”<br />3.3 Different kinds of furor divino in the Vita<br />Conclusion</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33573586" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1a2fef3dca3b3f6d7c01741b5b47a690" rel="nofollow" data-download="{"attachment_id":53597372,"asset_id":33573586,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53597372/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1485430" href="https://independent.academia.edu/YuriRudnev">Yuri Rudnev</a><script data-card-contents-for-user="1485430" type="text/json">{"id":1485430,"first_name":"Yuri","last_name":"Rudnev","domain_name":"independent","page_name":"YuriRudnev","display_name":"Yuri Rudnev","profile_url":"https://independent.academia.edu/YuriRudnev?f_ri=270396","photo":"https://0.academia-photos.com/1485430/529720/9682154/s65_yuri.rudnev.jpg"}</script></span></span></li><li class="js-paper-rank-work_33573586 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33573586"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33573586, container: ".js-paper-rank-work_33573586", }); 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Providing the variety of arguments on the connection between the artist and contemporary intellectuals, who attended the Florentine Academy (1540–1583) together, I demonstrate that Cellini’s literary production can be examined productively against the background of Neoplatonic thought. In particular, Marsilio Ficino’s On Love, first published in the vernacular Italian in 1544, helps to establish an explanation of what Cellini meant when he decided to play the cornet while falling in love simultaneously with a young boy and girl, or how he justified kicking or punching his servants, or why he did not kill his adversary, the artist Baccio Bandinelli, when he had the chance. These cases of radical affectivity are inscribed into Ficino’s concept of the “melancholy genius” manifesting melancholic madness. In Cellini’s Vita, the latter can not only turn humans almost into beast, literally (for example, in a bat); but, properly tempered by the means of music and poetry, as well as of individual and collective magic, it elevates one’s soul “on high,” which corresponds to the Neoplatonic concept of divine madness.\n___________________________________________________________________________________________________\nTable of Contents\nIntroduction\nChapter 1. Benvenuto Cellini and the Florentine Academy\n1.1 Why did the Italian academies emerge?\n1.2 Academic movement before the Florentine Academy\n1.3 The Florentine Academy\n1.4 Benvenuto Cellini’s writings in the context of the Florentine Academy\nChapter 2. “Essendo io per natura malinconico”: Benvenuto Cellini and the Ficinian Legacy\n2.1 “Grand theories” and “grounded” early-modern artists\n2.2 Marsilio Ficino’s On Love\n2.3 “Melancholy genius” concept\n2.4 (Neo)Platonic love\nChapter 3. “Tu ten sei gito a contemplar su ’n Cielo l’alto Fattore”: Benvenuto Cellini Ascending on High\n3.1 Esoteric knowledge and censorship\n3.2 “Furor divino” and “diabolico furore”\n3.3 Different kinds of furor divino in the Vita\nConclusion","downloadable_attachments":[{"id":53597372,"asset_id":33573586,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1485430,"first_name":"Yuri","last_name":"Rudnev","domain_name":"independent","page_name":"YuriRudnev","display_name":"Yuri 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Girolamo Savonarola]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">On 23 May 1498 Girolamo Savonarola, one of the most spell-binding figures of the Italian Renaissance, was publicly burned at the stake on the main piazza of Florence on trumped-up charges of heresy and sedition. Thus ended the friar’s... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2001178" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">On 23 May 1498 Girolamo Savonarola, one of the most spell-binding figures of the Italian Renaissance, was publicly burned at the stake on the main piazza of Florence on trumped-up charges of heresy and sedition. Thus ended the friar’s meteoric rise to power and his unprecedented influence over Florentine society. Though his ashes were unceremoniously dumped into the River Arno the moment the cinders had died away, the fire of his teachings could not be extinguished, nor could Florentines forget the rivetting preacher from Ferrara who, in four short years, had turned their city upside down. Neither could Italians nor, more generally, European reformers, for they soon turned Savonarola into a prophet of renewal and into a symbol of the struggle against corruption. Whether he was one or the other or neither, is still very much under debate. <br /> <br />This collection of texts from Savonarola’s extensive body of works seeks to provide the English reader with a variety of entry points into this controversial figure. With samples from his letters to his poems, from his sermons to his pastoral works, it more than doubles the number of Savonarola’s works currently available in English. In so doing, it makes his teachings that much more accessible to wide range of scholars and students alike. <br /> <br />Includes: <br />Letters <br /> <br />    To his father explaining why he became a friar (25 Apr. 1476) <br />    To his mother explaining that a prophet is not listened to in his own country (25 Jan. 1490) <br />    To Elena Savonarola consoling her on the death of her brother Borso (5 Dec. 1485) <br />    To Giovanna Carafa Pico, congratulating her for wishing to die rather than sin (15 Dec. 1495) <br />    To Beatrice Savonarola with a copy of his lauda for St Mary Magdalene (3 Nov. 1496) <br />    To Giovanna Carafa Pico and Eleonora Pico della Mirandola telling them not to worry about venial sins (3 Apr. 1497) <br />    To Polissena Petrati and Lucrezia de’ Rana (?) congratulating them on entering a convent (24 May 1497) <br />    To Angela Sforza d’Este encouraging her to listen to God’s call (24 May 1497) <br />    To Caterina Sforza, duchess of Imola and Forlì, in answer to her request for advice (18 June 1497) <br />    To Giovanna Carafa Pico saying tribulations merely prepare the way to heaven (13 Aug. 1497) <br />    To the nuns of Annalena instructing them on how to read sacred texts (17 Oct. 1497) <br />    To Giovanna Carafa Pico advising her to set aside scruples of conscience and live more cheerfully (6 Nov. 1497) <br /> <br />Poems <br /> <br />    Canzone I. On the Ruin of the World <br />    Canzone II. On the Ruin of the Church <br />    Canzone III. Song to St Catherine of Bologna <br />    Sonnet I. On the Lord’s Ascension <br />    Sonnet II. On the Assumption of the Virgin Mary <br />    Sonnet III. to the Virgin <br />    Lauda I. Omnipotent God <br />    Lauda II. Song of Praise to the Crucifix <br />    Lauda III. My heart, why linger here? <br /> <br />Sermons <br /> <br />    On Haggai, Sermon No. 1 (1 Nov. 1494) `Do penance’ <br />    On the Psalms, Sermon No. 3 (13 Jan. 1495) `Behold the sword of the Lord’ <br />    On Ruth and Micah, Sermon 28 (2 Nov. 1496) `On the Art of Dying Well’ <br />    On Exodus, Sermon No. 1 (11 Feb. 1497) `Renovation Sermon’ <br /> <br />Pastoral Works <br /> <br />    Ten Rules to Observe in Time of Great Tribulations <br />    On the Prudent and Judicious Way of Living in the Order <br />    A Guide to Righteous Living <br />    The Book on the Life of the Widow <br />    Exposition on the Prayer to the Virgin</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2001178" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17873457495554520d36a9c9b134bf2c" rel="nofollow" data-download="{"attachment_id":45843064,"asset_id":2001178,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45843064/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="857581" href="https://utoronto.academia.edu/KonradEisenbichler">Konrad Eisenbichler</a><script data-card-contents-for-user="857581" type="text/json">{"id":857581,"first_name":"Konrad","last_name":"Eisenbichler","domain_name":"utoronto","page_name":"KonradEisenbichler","display_name":"Konrad Eisenbichler","profile_url":"https://utoronto.academia.edu/KonradEisenbichler?f_ri=270396","photo":"https://0.academia-photos.com/857581/824684/1025121/s65_konrad.eisenbichler.jpg"}</script></span></span></li><li class="js-paper-rank-work_2001178 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2001178"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2001178, container: ".js-paper-rank-work_2001178", }); 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$(".js-view-count[data-work-id=2001178]").text(description); $(".js-view-count-work_2001178").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2001178").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2001178"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">26</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1744" href="https://www.academia.edu/Documents/in/Italian_European_History_">Italian (European History)</a>, <script data-card-contents-for-ri="1744" type="text/json">{"id":1744,"name":"Italian (European History)","url":"https://www.academia.edu/Documents/in/Italian_European_History_?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5132" href="https://www.academia.edu/Documents/in/Reformation_History">Reformation History</a><script data-card-contents-for-ri="5132" type="text/json">{"id":5132,"name":"Reformation History","url":"https://www.academia.edu/Documents/in/Reformation_History?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2001178]'), work: {"id":2001178,"title":"A Guide to Righteous Living and other Works [by Girolamo Savonarola]","created_at":"2012-10-06T07:59:57.613-07:00","url":"https://www.academia.edu/2001178/A_Guide_to_Righteous_Living_and_other_Works_by_Girolamo_Savonarola_?f_ri=270396","dom_id":"work_2001178","summary":"On 23 May 1498 Girolamo Savonarola, one of the most spell-binding figures of the Italian Renaissance, was publicly burned at the stake on the main piazza of Florence on trumped-up charges of heresy and sedition. Thus ended the friar’s meteoric rise to power and his unprecedented influence over Florentine society. Though his ashes were unceremoniously dumped into the River Arno the moment the cinders had died away, the fire of his teachings could not be extinguished, nor could Florentines forget the rivetting preacher from Ferrara who, in four short years, had turned their city upside down. Neither could Italians nor, more generally, European reformers, for they soon turned Savonarola into a prophet of renewal and into a symbol of the struggle against corruption. Whether he was one or the other or neither, is still very much under debate.\r\n\r\nThis collection of texts from Savonarola’s extensive body of works seeks to provide the English reader with a variety of entry points into this controversial figure. With samples from his letters to his poems, from his sermons to his pastoral works, it more than doubles the number of Savonarola’s works currently available in English. In so doing, it makes his teachings that much more accessible to wide range of scholars and students alike.\r\n\r\nIncludes:\r\nLetters\r\n\r\n To his father explaining why he became a friar (25 Apr. 1476)\r\n To his mother explaining that a prophet is not listened to in his own country (25 Jan. 1490)\r\n To Elena Savonarola consoling her on the death of her brother Borso (5 Dec. 1485)\r\n To Giovanna Carafa Pico, congratulating her for wishing to die rather than sin (15 Dec. 1495)\r\n To Beatrice Savonarola with a copy of his lauda for St Mary Magdalene (3 Nov. 1496)\r\n To Giovanna Carafa Pico and Eleonora Pico della Mirandola telling them not to worry about venial sins (3 Apr. 1497)\r\n To Polissena Petrati and Lucrezia de’ Rana (?) congratulating them on entering a convent (24 May 1497)\r\n To Angela Sforza d’Este encouraging her to listen to God’s call (24 May 1497)\r\n To Caterina Sforza, duchess of Imola and Forlì, in answer to her request for advice (18 June 1497)\r\n To Giovanna Carafa Pico saying tribulations merely prepare the way to heaven (13 Aug. 1497)\r\n To the nuns of Annalena instructing them on how to read sacred texts (17 Oct. 1497)\r\n To Giovanna Carafa Pico advising her to set aside scruples of conscience and live more cheerfully (6 Nov. 1497)\r\n\r\nPoems\r\n\r\n Canzone I. On the Ruin of the World\r\n Canzone II. On the Ruin of the Church\r\n Canzone III. Song to St Catherine of Bologna\r\n Sonnet I. On the Lord’s Ascension\r\n Sonnet II. On the Assumption of the Virgin Mary\r\n Sonnet III. to the Virgin\r\n Lauda I. Omnipotent God\r\n Lauda II. Song of Praise to the Crucifix\r\n Lauda III. My heart, why linger here?\r\n\r\nSermons\r\n\r\n On Haggai, Sermon No. 1 (1 Nov. 1494) `Do penance’\r\n On the Psalms, Sermon No. 3 (13 Jan. 1495) `Behold the sword of the Lord’\r\n On Ruth and Micah, Sermon 28 (2 Nov. 1496) `On the Art of Dying Well’\r\n On Exodus, Sermon No. 1 (11 Feb. 1497) `Renovation Sermon’\r\n\r\nPastoral Works\r\n\r\n Ten Rules to Observe in Time of Great Tribulations\r\n On the Prudent and Judicious Way of Living in the Order\r\n A Guide to Righteous Living\r\n The Book on the Life of the Widow\r\n Exposition on the Prayer to the Virgin\r\n","downloadable_attachments":[{"id":45843064,"asset_id":2001178,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":857581,"first_name":"Konrad","last_name":"Eisenbichler","domain_name":"utoronto","page_name":"KonradEisenbichler","display_name":"Konrad Eisenbichler","profile_url":"https://utoronto.academia.edu/KonradEisenbichler?f_ri=270396","photo":"https://0.academia-photos.com/857581/824684/1025121/s65_konrad.eisenbichler.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=270396","nofollow":false},{"id":1744,"name":"Italian (European History)","url":"https://www.academia.edu/Documents/in/Italian_European_History_?f_ri=270396","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false},{"id":5132,"name":"Reformation History","url":"https://www.academia.edu/Documents/in/Reformation_History?f_ri=270396","nofollow":false},{"id":5133,"name":"Reformation Studies","url":"https://www.academia.edu/Documents/in/Reformation_Studies?f_ri=270396"},{"id":5156,"name":"Reformation Theology","url":"https://www.academia.edu/Documents/in/Reformation_Theology?f_ri=270396"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=270396"},{"id":10585,"name":"History of the Reformation","url":"https://www.academia.edu/Documents/in/History_of_the_Reformation?f_ri=270396"},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396"},{"id":11640,"name":"Reformation and Post-Reformation","url":"https://www.academia.edu/Documents/in/Reformation_and_Post-Reformation?f_ri=270396"},{"id":12405,"name":"Epistolary literature","url":"https://www.academia.edu/Documents/in/Epistolary_literature?f_ri=270396"},{"id":13855,"name":"Post-Reformation Catholicism","url":"https://www.academia.edu/Documents/in/Post-Reformation_Catholicism?f_ri=270396"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=270396"},{"id":40786,"name":"Early Modern Sermons","url":"https://www.academia.edu/Documents/in/Early_Modern_Sermons?f_ri=270396"},{"id":60131,"name":"Medieval Sermons","url":"https://www.academia.edu/Documents/in/Medieval_Sermons?f_ri=270396"},{"id":65129,"name":"Sermon Studies","url":"https://www.academia.edu/Documents/in/Sermon_Studies?f_ri=270396"},{"id":70462,"name":"Girolamo Savonarola","url":"https://www.academia.edu/Documents/in/Girolamo_Savonarola?f_ri=270396"},{"id":71074,"name":"Renaissance Ferrara","url":"https://www.academia.edu/Documents/in/Renaissance_Ferrara?f_ri=270396"},{"id":73287,"name":"Reformation","url":"https://www.academia.edu/Documents/in/Reformation?f_ri=270396"},{"id":98737,"name":"Italian Renaissance","url":"https://www.academia.edu/Documents/in/Italian_Renaissance?f_ri=270396"},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396"},{"id":161108,"name":"Italian Reformation","url":"https://www.academia.edu/Documents/in/Italian_Reformation?f_ri=270396"},{"id":166531,"name":"The Medici Effect, Florence, Renaissance Florence","url":"https://www.academia.edu/Documents/in/The_Medici_Effect_Florence_Renaissance_Florence?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":470040,"name":"Ferrara","url":"https://www.academia.edu/Documents/in/Ferrara?f_ri=270396"},{"id":1153429,"name":"Savonarolan Movement","url":"https://www.academia.edu/Documents/in/Savonarolan_Movement?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42797124" data-work_id="42797124" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42797124/_Eum_pictum_portabat_Pittura_infamante_e_tradizioni_militari_alla_fine_del_medioevo">«Eum pictum portabat». Pittura infamante e tradizioni militari alla fine del medioevo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Through the analysis of some case-studies this paper aims to unveil an unknown genre of defamatory painting, which involved milites and condottieri. Contrary to common belief, city-states and urban lords were not the only ones to make use... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42797124" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Through the analysis of some case-studies this paper aims to unveil an unknown genre of defamatory painting, which involved milites and condottieri. Contrary to common belief, city-states and urban lords were not the only ones to make use of images to pillory people, since the military also resorted to “pittura infamante” to settle their accounts. This essay investigates the analogies and discrepancies between public (or official) rituals and military customs. In addition, it traces some regional differences, linking them to the diverse political context.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42797124" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3db6324790e8e15b6e639d9742817e9d" rel="nofollow" data-download="{"attachment_id":63024449,"asset_id":42797124,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63024449/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14799712" href="https://unimi.academia.edu/AGamberini">Andrea Gamberini</a><script data-card-contents-for-user="14799712" type="text/json">{"id":14799712,"first_name":"Andrea","last_name":"Gamberini","domain_name":"unimi","page_name":"AGamberini","display_name":"Andrea Gamberini","profile_url":"https://unimi.academia.edu/AGamberini?f_ri=270396","photo":"https://0.academia-photos.com/14799712/6241668/97097567/s65_andrea.gamberini.png"}</script></span></span></li><li class="js-paper-rank-work_42797124 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42797124"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42797124, container: ".js-paper-rank-work_42797124", }); 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$(".js-view-count[data-work-id=42797124]").text(description); $(".js-view-count-work_42797124").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42797124").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42797124"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="133" href="https://www.academia.edu/Documents/in/Military_History">Military History</a>, <script data-card-contents-for-ri="133" type="text/json">{"id":133,"name":"Military History","url":"https://www.academia.edu/Documents/in/Military_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a>, <script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a><script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42797124]'), work: {"id":42797124,"title":"«Eum pictum portabat». Pittura infamante e tradizioni militari alla fine del medioevo","created_at":"2020-04-20T07:39:38.934-07:00","url":"https://www.academia.edu/42797124/_Eum_pictum_portabat_Pittura_infamante_e_tradizioni_militari_alla_fine_del_medioevo?f_ri=270396","dom_id":"work_42797124","summary":"Through the analysis of some case-studies this paper aims to unveil an unknown genre of defamatory painting, which involved milites and condottieri. Contrary to common belief, city-states and urban lords were not the only ones to make use of images to pillory people, since the military also resorted to “pittura infamante” to settle their accounts. This essay investigates the analogies and discrepancies between public (or official) rituals and military customs. In addition, it traces some regional differences, linking them to the diverse political context.","downloadable_attachments":[{"id":63024449,"asset_id":42797124,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14799712,"first_name":"Andrea","last_name":"Gamberini","domain_name":"unimi","page_name":"AGamberini","display_name":"Andrea Gamberini","profile_url":"https://unimi.academia.edu/AGamberini?f_ri=270396","photo":"https://0.academia-photos.com/14799712/6241668/97097567/s65_andrea.gamberini.png"}],"research_interests":[{"id":133,"name":"Military History","url":"https://www.academia.edu/Documents/in/Military_History?f_ri=270396","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=270396","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396","nofollow":false},{"id":21133,"name":"The Italian communes and signories (1300-1450)","url":"https://www.academia.edu/Documents/in/The_Italian_communes_and_signories_1300-1450_?f_ri=270396"},{"id":26460,"name":"Medieval and Renaissance Studies","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Studies?f_ri=270396"},{"id":31870,"name":"Iconology","url":"https://www.academia.edu/Documents/in/Iconology?f_ri=270396"},{"id":45884,"name":"Mercenaries in Medieval and Rennaissance Italy","url":"https://www.academia.edu/Documents/in/Mercenaries_in_Medieval_and_Rennaissance_Italy?f_ri=270396"},{"id":53879,"name":"Medieval Art History","url":"https://www.academia.edu/Documents/in/Medieval_Art_History?f_ri=270396"},{"id":101654,"name":"Iconografia","url":"https://www.academia.edu/Documents/in/Iconografia?f_ri=270396"},{"id":171026,"name":"Condottiere","url":"https://www.academia.edu/Documents/in/Condottiere?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":421014,"name":"Italian communes","url":"https://www.academia.edu/Documents/in/Italian_communes?f_ri=270396"},{"id":425040,"name":"Ducato di Milano","url":"https://www.academia.edu/Documents/in/Ducato_di_Milano?f_ri=270396"},{"id":741463,"name":"MIlan under Visconti and Sforza","url":"https://www.academia.edu/Documents/in/MIlan_under_Visconti_and_Sforza?f_ri=270396"},{"id":1189758,"name":"Pittura Infamante","url":"https://www.academia.edu/Documents/in/Pittura_Infamante?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_68153140 coauthored" data-work_id="68153140" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/68153140/Nuova_Antologia_Militare_NAM_Issue_No_9_Medieval_Military_History">Nuova Antologia Militare NAM Issue No. 9 Medieval Military History</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">NAM, III, Issue No 9, January 2022, edited by Marco Merlo, Antonio Musarra, Fabio Romanoni and Peter Sposato. Articles by Sergio Masini, Sandro Tiberini, Marco Merlo, Massimo Corradi, Claudia Tacchella, Tucker Million, Nicolò Maggio,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_68153140" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">NAM, III, Issue No 9, January 2022, edited by Marco Merlo, Antonio Musarra, Fabio Romanoni and Peter Sposato. Articles by Sergio Masini, Sandro Tiberini, Marco Merlo, Massimo Corradi, Claudia Tacchella, Tucker Million, Nicolò Maggio, Riccardo Masini,  Mattia Caprioli, Federico Landini, Marco Franzoni, Giovanni Coppola, Francesco Angelini, Lorenzo Mercuri, Marco Conti, Nicolò Maggio, Sara Serenelli, Giovanni Mazzini, Emanuele Brun, Filippo Vaccaro, Andrea Raffaele Aquino    .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/68153140" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="025a137aa2d4b831c9c0411ccc6624ed" rel="nofollow" data-download="{"attachment_id":78730400,"asset_id":68153140,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/78730400/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3986331" href="https://cattolica.academia.edu/VirgilioIlari">Virgilio Ilari</a><script data-card-contents-for-user="3986331" type="text/json">{"id":3986331,"first_name":"Virgilio","last_name":"Ilari","domain_name":"cattolica","page_name":"VirgilioIlari","display_name":"Virgilio Ilari","profile_url":"https://cattolica.academia.edu/VirgilioIlari?f_ri=270396","photo":"https://0.academia-photos.com/3986331/2036546/77802111/s65_virgilio.ilari.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-68153140">+6</span><div class="hidden js-additional-users-68153140"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/MarcoMerlo">Marco Merlo</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/fabioromanoni">Fabio Romanoni</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://hammondschool.academia.edu/TuckerMillion">Tucker Million</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/MattiaCaprioli">Mattia Caprioli</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unibo.academia.edu/FedericoLandini">Federico Landini</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/SandroTiberini">Sandro Tiberini</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-68153140'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-68153140').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_68153140 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="68153140"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68153140; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68153140]").text(description); $(".js-view-count-work_68153140").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_68153140").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="68153140"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4066" href="https://www.academia.edu/Documents/in/Medievalism">Medievalism</a>, <script data-card-contents-for-ri="4066" type="text/json">{"id":4066,"name":"Medievalism","url":"https://www.academia.edu/Documents/in/Medievalism?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4068" href="https://www.academia.edu/Documents/in/Contemporary_Medievalism">Contemporary Medievalism</a>, <script data-card-contents-for-ri="4068" type="text/json">{"id":4068,"name":"Contemporary Medievalism","url":"https://www.academia.edu/Documents/in/Contemporary_Medievalism?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4069" href="https://www.academia.edu/Documents/in/19th-Century_Victorian_Medievalism">19th-Century/Victorian Medievalism</a><script data-card-contents-for-ri="4069" type="text/json">{"id":4069,"name":"19th-Century/Victorian Medievalism","url":"https://www.academia.edu/Documents/in/19th-Century_Victorian_Medievalism?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=68153140]'), work: {"id":68153140,"title":"Nuova Antologia Militare NAM Issue No. 9 Medieval Military History","created_at":"2022-01-14T11:11:26.774-08:00","url":"https://www.academia.edu/68153140/Nuova_Antologia_Militare_NAM_Issue_No_9_Medieval_Military_History?f_ri=270396","dom_id":"work_68153140","summary":"NAM, III, Issue No 9, January 2022, edited by Marco Merlo, Antonio Musarra, Fabio Romanoni and Peter Sposato. Articles by Sergio Masini, Sandro Tiberini, Marco Merlo, Massimo Corradi, Claudia Tacchella, Tucker Million, Nicolò Maggio, Riccardo Masini, Mattia Caprioli, Federico Landini, Marco Franzoni, Giovanni Coppola, Francesco Angelini, Lorenzo Mercuri, Marco Conti, Nicolò Maggio, Sara Serenelli, Giovanni Mazzini, Emanuele Brun, Filippo Vaccaro, Andrea Raffaele Aquino . ","downloadable_attachments":[{"id":78730400,"asset_id":68153140,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3986331,"first_name":"Virgilio","last_name":"Ilari","domain_name":"cattolica","page_name":"VirgilioIlari","display_name":"Virgilio Ilari","profile_url":"https://cattolica.academia.edu/VirgilioIlari?f_ri=270396","photo":"https://0.academia-photos.com/3986331/2036546/77802111/s65_virgilio.ilari.png"},{"id":21192810,"first_name":"Marco","last_name":"Merlo","domain_name":"independent","page_name":"MarcoMerlo","display_name":"Marco Merlo","profile_url":"https://independent.academia.edu/MarcoMerlo?f_ri=270396","photo":"https://0.academia-photos.com/21192810/10393163/11597599/s65_marco.merlo.jpg"},{"id":13402439,"first_name":"Fabio","last_name":"Romanoni","domain_name":"independent","page_name":"fabioromanoni","display_name":"Fabio Romanoni","profile_url":"https://independent.academia.edu/fabioromanoni?f_ri=270396","photo":"https://0.academia-photos.com/13402439/14419816/154751546/s65_fabio.romanoni.jpeg"},{"id":41805992,"first_name":"Tucker","last_name":"Million","domain_name":"hammondschool","page_name":"TuckerMillion","display_name":"Tucker Million","profile_url":"https://hammondschool.academia.edu/TuckerMillion?f_ri=270396","photo":"https://0.academia-photos.com/41805992/13951578/40675612/s65_tucker.million.jpeg"},{"id":4080329,"first_name":"Mattia","last_name":"Caprioli","domain_name":"independent","page_name":"MattiaCaprioli","display_name":"Mattia Caprioli","profile_url":"https://independent.academia.edu/MattiaCaprioli?f_ri=270396","photo":"https://0.academia-photos.com/4080329/1568466/129616245/s65_mattia.caprioli.jpg"},{"id":23642704,"first_name":"Federico","last_name":"Landini","domain_name":"unibo","page_name":"FedericoLandini","display_name":"Federico Landini","profile_url":"https://unibo.academia.edu/FedericoLandini?f_ri=270396","photo":"https://0.academia-photos.com/23642704/6408134/7248933/s65_federico.landini.jpg_oh_c2fbc2a8be7c29129201af296a71a813_oe_55401121___gda___1430549580_6f63ce45718d357ab85443909f01b356"},{"id":34049545,"first_name":"Sandro","last_name":"Tiberini","domain_name":"independent","page_name":"SandroTiberini","display_name":"Sandro Tiberini","profile_url":"https://independent.academia.edu/SandroTiberini?f_ri=270396","photo":"https://0.academia-photos.com/34049545/11310203/104523351/s65_sandro.tiberini.jpg"}],"research_interests":[{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=270396","nofollow":false},{"id":4066,"name":"Medievalism","url":"https://www.academia.edu/Documents/in/Medievalism?f_ri=270396","nofollow":false},{"id":4068,"name":"Contemporary Medievalism","url":"https://www.academia.edu/Documents/in/Contemporary_Medievalism?f_ri=270396","nofollow":false},{"id":4069,"name":"19th-Century/Victorian Medievalism","url":"https://www.academia.edu/Documents/in/19th-Century_Victorian_Medievalism?f_ri=270396","nofollow":false},{"id":7629,"name":"Early Medieval History","url":"https://www.academia.edu/Documents/in/Early_Medieval_History?f_ri=270396"},{"id":21824,"name":"Knights Templar","url":"https://www.academia.edu/Documents/in/Knights_Templar?f_ri=270396"},{"id":67861,"name":"Medieval Military History","url":"https://www.academia.edu/Documents/in/Medieval_Military_History?f_ri=270396"},{"id":83155,"name":"Medieval Fortifications","url":"https://www.academia.edu/Documents/in/Medieval_Fortifications?f_ri=270396"},{"id":229632,"name":"history of Bologna","url":"https://www.academia.edu/Documents/in/history_of_Bologna?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":343352,"name":"Medieval Castles and Fortresses","url":"https://www.academia.edu/Documents/in/Medieval_Castles_and_Fortresses?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42902548" data-work_id="42902548" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42902548/_Lorenzo_Ghiberti_and_Contested_Views_of_Perspectiva_in_Renaissance_Concepts_of_Space_Forthcoming_chapter_in_Vision_and_Theory_of_Perspective_edited_by_Agostino_Paravicini_Bagliani_Micrologus_2021_">‘Lorenzo Ghiberti and Contested Views of Perspectiva in Renaissance Concepts of Space’. Forthcoming chapter in Vision and Theory of Perspective, edited by Agostino Paravicini Bagliani (Micrologus, 2021)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In this paper I will revisit the debates surrounding Lorenzo Ghiberti’s approach to ‘perspectivist’ optics, with the aim of shedding new light on the complex intersections between the new developments in pictorial space and the traditions... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42902548" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In this paper I will revisit the debates surrounding Lorenzo Ghiberti’s approach to ‘perspectivist’ optics, with the aim of shedding new light on the complex intersections between the new developments in pictorial space and the traditions of Medieval optics in early fifteenth century Florence. My aim, however, is not to examine these influences in the context of the techniques and methods of pictorial construction, which have been done by others, but rather to consider broader cultural, artistic and theological issues underlying the relationships between perspectivus naturalis and perspectivus artificialis, that Ghiberti recognised and drew upon in his own work.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42902548" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="929d77fb3226f876c0fdf10b3f052f7a" rel="nofollow" data-download="{"attachment_id":63150744,"asset_id":42902548,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63150744/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2885215" href="https://thecass.academia.edu/NicholasTemple">Nicholas Temple</a><script data-card-contents-for-user="2885215" type="text/json">{"id":2885215,"first_name":"Nicholas","last_name":"Temple","domain_name":"thecass","page_name":"NicholasTemple","display_name":"Nicholas Temple","profile_url":"https://thecass.academia.edu/NicholasTemple?f_ri=270396","photo":"https://0.academia-photos.com/2885215/952991/34915670/s65_nicholas.temple.jpg"}</script></span></span></li><li class="js-paper-rank-work_42902548 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42902548"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42902548, container: ".js-paper-rank-work_42902548", }); 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$(".js-view-count[data-work-id=42902548]").text(description); $(".js-view-count-work_42902548").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42902548").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42902548"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="516" href="https://www.academia.edu/Documents/in/Optics">Optics</a>, <script data-card-contents-for-ri="516" type="text/json">{"id":516,"name":"Optics","url":"https://www.academia.edu/Documents/in/Optics?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11446" href="https://www.academia.edu/Documents/in/History_of_Florence">History of Florence</a>, <script data-card-contents-for-ri="11446" type="text/json">{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="34102" href="https://www.academia.edu/Documents/in/Nicholas_of_Cusa">Nicholas of Cusa</a><script data-card-contents-for-ri="34102" type="text/json">{"id":34102,"name":"Nicholas of Cusa","url":"https://www.academia.edu/Documents/in/Nicholas_of_Cusa?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42902548]'), work: {"id":42902548,"title":"‘Lorenzo Ghiberti and Contested Views of Perspectiva in Renaissance Concepts of Space’. Forthcoming chapter in Vision and Theory of Perspective, edited by Agostino Paravicini Bagliani (Micrologus, 2021)","created_at":"2020-04-30T10:38:54.514-07:00","url":"https://www.academia.edu/42902548/_Lorenzo_Ghiberti_and_Contested_Views_of_Perspectiva_in_Renaissance_Concepts_of_Space_Forthcoming_chapter_in_Vision_and_Theory_of_Perspective_edited_by_Agostino_Paravicini_Bagliani_Micrologus_2021_?f_ri=270396","dom_id":"work_42902548","summary":"In this paper I will revisit the debates surrounding Lorenzo Ghiberti’s approach to ‘perspectivist’ optics, with the aim of shedding new light on the complex intersections between the new developments in pictorial space and the traditions of Medieval optics in early fifteenth century Florence. My aim, however, is not to examine these influences in the context of the techniques and methods of pictorial construction, which have been done by others, but rather to consider broader cultural, artistic and theological issues underlying the relationships between perspectivus naturalis and perspectivus artificialis, that Ghiberti recognised and drew upon in his own work. ","downloadable_attachments":[{"id":63150744,"asset_id":42902548,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2885215,"first_name":"Nicholas","last_name":"Temple","domain_name":"thecass","page_name":"NicholasTemple","display_name":"Nicholas Temple","profile_url":"https://thecass.academia.edu/NicholasTemple?f_ri=270396","photo":"https://0.academia-photos.com/2885215/952991/34915670/s65_nicholas.temple.jpg"}],"research_interests":[{"id":516,"name":"Optics","url":"https://www.academia.edu/Documents/in/Optics?f_ri=270396","nofollow":false},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396","nofollow":false},{"id":34102,"name":"Nicholas of Cusa","url":"https://www.academia.edu/Documents/in/Nicholas_of_Cusa?f_ri=270396","nofollow":false},{"id":47780,"name":"Symbolism of Light","url":"https://www.academia.edu/Documents/in/Symbolism_of_Light?f_ri=270396"},{"id":71898,"name":"Perspective","url":"https://www.academia.edu/Documents/in/Perspective?f_ri=270396"},{"id":79737,"name":"15th century Italian humanism","url":"https://www.academia.edu/Documents/in/15th_century_Italian_humanism?f_ri=270396"},{"id":122027,"name":"Lorenzo Ghiberti","url":"https://www.academia.edu/Documents/in/Lorenzo_Ghiberti?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":346260,"name":"Perspectiva","url":"https://www.academia.edu/Documents/in/Perspectiva?f_ri=270396"},{"id":495024,"name":"Brunelleschi's Dome","url":"https://www.academia.edu/Documents/in/Brunelleschis_Dome?f_ri=270396"},{"id":786210,"name":"Filippo Brunelleschi","url":"https://www.academia.edu/Documents/in/Filippo_Brunelleschi?f_ri=270396"},{"id":1235623,"name":"Medieval Optics","url":"https://www.academia.edu/Documents/in/Medieval_Optics?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43891260" data-work_id="43891260" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43891260/_Jacopo_del_Sellaio_s_Stories_of_Vashti_and_Esther_in_Bulletin_du_Mus%C3%A9e_Hongrois_des_Beaux_Arts_no_124_2019_2020_pp_67_94">“Jacopo del Sellaio’s Stories of Vashti and Esther”, in Bulletin du Musée Hongrois des Beaux-Arts, no. 124, 2019 [2020], pp. 67–94.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The first part of this article presents technical information clarifying the original function of the scenes known as the Stories of Esther by Jacopo del Sellaio (Florence, ca. 1441/1442 – Florence, 1493). The five fragments, now divided... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43891260" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The first part of this article presents technical information clarifying the original function of the scenes known as the Stories of Esther by Jacopo del Sellaio (Florence, ca. 1441/1442 – Florence, 1493). The five fragments, now divided between Florence, Paris and Budapest, have long been recognised as belonging to the same ensemble, but there has been no consensus among scholars about their original arrangement and physical setting. The new technical results published here prove that all five paintings are fragments of two front panels from a pair of “cassoni” (wedding chests), rather than being parts of a frieze, a lettuccio (daybed) or a spalliera (painted backboard or wainscoting), as most researchers in the last thirty years have suggested. <br />The reconstruction of the two wedding chests also affects how the paintings are interpreted, for the fact that they once decorated two separate items of furniture that could be easily compared with each other accentuates the didactic message of the depictions. Iconographical analysis in the second part of the article suggests that this pair of wedding chests exploits the interpretative possibilities of the Old Testament story to present the bride with both a positive and a negative model of wifely conduct. <br />At present, the Florence–Paris–Budapest wedding chests seem unique in that the space allotted by the commissioner to Vashti’s story is equal to that given to Esther’s, and for this reason it would be more appropriate to call their subject the Stories of Vashti and Esther.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43891260" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4142c73c1c678e55f4928697537e6a2f" rel="nofollow" data-download="{"attachment_id":64214706,"asset_id":43891260,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64214706/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1150738" href="https://szepmuveszeti.academia.edu/dorasallay">Dóra Sallay</a><script data-card-contents-for-user="1150738" type="text/json">{"id":1150738,"first_name":"Dóra","last_name":"Sallay","domain_name":"szepmuveszeti","page_name":"dorasallay","display_name":"Dóra Sallay","profile_url":"https://szepmuveszeti.academia.edu/dorasallay?f_ri=270396","photo":"https://0.academia-photos.com/1150738/467667/11577460/s65_d_ra.sallay.jpg"}</script></span></span></li><li class="js-paper-rank-work_43891260 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43891260"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43891260, container: ".js-paper-rank-work_43891260", }); 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$(".js-view-count[data-work-id=43891260]").text(description); $(".js-view-count-work_43891260").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43891260").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43891260"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2272" href="https://www.academia.edu/Documents/in/Gender_History">Gender History</a>, <script data-card-contents-for-ri="2272" type="text/json">{"id":2272,"name":"Gender History","url":"https://www.academia.edu/Documents/in/Gender_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5124" href="https://www.academia.edu/Documents/in/Renaissance_Art">Renaissance Art</a>, <script data-card-contents-for-ri="5124" type="text/json">{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="33425" href="https://www.academia.edu/Documents/in/15th_Century_Italian_Art">15th Century Italian Art</a><script data-card-contents-for-ri="33425" type="text/json">{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43891260]'), work: {"id":43891260,"title":"“Jacopo del Sellaio’s Stories of Vashti and Esther”, in Bulletin du Musée Hongrois des Beaux-Arts, no. 124, 2019 [2020], pp. 67–94.","created_at":"2020-08-18T12:09:38.024-07:00","url":"https://www.academia.edu/43891260/_Jacopo_del_Sellaio_s_Stories_of_Vashti_and_Esther_in_Bulletin_du_Mus%C3%A9e_Hongrois_des_Beaux_Arts_no_124_2019_2020_pp_67_94?f_ri=270396","dom_id":"work_43891260","summary":"The first part of this article presents technical information clarifying the original function of the scenes known as the Stories of Esther by Jacopo del Sellaio (Florence, ca. 1441/1442 – Florence, 1493). The five fragments, now divided between Florence, Paris and Budapest, have long been recognised as belonging to the same ensemble, but there has been no consensus among scholars about their original arrangement and physical setting. The new technical results published here prove that all five paintings are fragments of two front panels from a pair of “cassoni” (wedding chests), rather than being parts of a frieze, a lettuccio (daybed) or a spalliera (painted backboard or wainscoting), as most researchers in the last thirty years have suggested. \nThe reconstruction of the two wedding chests also affects how the paintings are interpreted, for the fact that they once decorated two separate items of furniture that could be easily compared with each other accentuates the didactic message of the depictions. Iconographical analysis in the second part of the article suggests that this pair of wedding chests exploits the interpretative possibilities of the Old Testament story to present the bride with both a positive and a negative model of wifely conduct. \nAt present, the Florence–Paris–Budapest wedding chests seem unique in that the space allotted by the commissioner to Vashti’s story is equal to that given to Esther’s, and for this reason it would be more appropriate to call their subject the Stories of Vashti and Esther.","downloadable_attachments":[{"id":64214706,"asset_id":43891260,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1150738,"first_name":"Dóra","last_name":"Sallay","domain_name":"szepmuveszeti","page_name":"dorasallay","display_name":"Dóra Sallay","profile_url":"https://szepmuveszeti.academia.edu/dorasallay?f_ri=270396","photo":"https://0.academia-photos.com/1150738/467667/11577460/s65_d_ra.sallay.jpg"}],"research_interests":[{"id":2272,"name":"Gender History","url":"https://www.academia.edu/Documents/in/Gender_History?f_ri=270396","nofollow":false},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=270396","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396","nofollow":false},{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=270396","nofollow":false},{"id":74484,"name":"Book of Esther","url":"https://www.academia.edu/Documents/in/Book_of_Esther?f_ri=270396"},{"id":212150,"name":"Cassone","url":"https://www.academia.edu/Documents/in/Cassone?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":323448,"name":"Giovanni di Paolo","url":"https://www.academia.edu/Documents/in/Giovanni_di_Paolo?f_ri=270396"},{"id":489359,"name":"Filippino Lippi","url":"https://www.academia.edu/Documents/in/Filippino_Lippi?f_ri=270396"},{"id":565108,"name":"Mordecai","url":"https://www.academia.edu/Documents/in/Mordecai?f_ri=270396"},{"id":671144,"name":"Locks","url":"https://www.academia.edu/Documents/in/Locks?f_ri=270396"},{"id":1137775,"name":"Vashti","url":"https://www.academia.edu/Documents/in/Vashti?f_ri=270396"},{"id":2422321,"name":"Ahasuerus","url":"https://www.academia.edu/Documents/in/Ahasuerus?f_ri=270396"},{"id":2436557,"name":"Jacopo del Sellaio","url":"https://www.academia.edu/Documents/in/Jacopo_del_Sellaio?f_ri=270396"},{"id":2612397,"name":"Renaissance furniture","url":"https://www.academia.edu/Documents/in/Renaissance_furniture?f_ri=270396"},{"id":2705834,"name":"Queen Esther","url":"https://www.academia.edu/Documents/in/Queen_Esther?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16421417" data-work_id="16421417" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16421417/Classical_Interior_Architecture_The_History_of_Interior_Detail_in_Italy_France_and_Sweden_from_Vitruvius_to_1700_Klassicismens_interi%C3%B6rer_Inredningskonst_och_arkitekturprofiler_fr%C3%A5n_Vitruvius_till_Tessin_With_an_English_summary_Stockholm_2006">Classical Interior Architecture. The History of Interior Detail in Italy, France and Sweden from Vitruvius to 1700 – Klassicismens interiörer. Inredningskonst och arkitekturprofiler från Vitruvius till Tessin. With an English summary. Stockholm, 2006</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">THIS STUDY describes and analyses the design and theory of Classical interior detail from its Italian origins through its development into a shared European style around 1700. It presents a close study of some forty chosen interiors in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_16421417" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">THIS STUDY describes and analyses the design and theory of Classical interior detail from its Italian origins through its development into a shared European style around 1700. It presents a close study of some forty chosen interiors in Italy, France and Sweden dating from antiquity to the close of the seventeenth century. One point of departure is the text of the ancient architectural theoretician Vitruvius. The role of Vitruvian theory in the history of interior detail has previously received relatively little attention. The actual impact of Vitruvius on Classical interior details is investigated in comparing the interiors and their components with local tradition as well as with contemporaneous architectural theory and with Vitruvius’s rules. <br /> The study is divided into ten chapters. Chapter one develops a model which can be used to describe the relationship between interior detail and the Classical room as a whole. Chapter two deals with the ancient origins of architectural profiles. Chapter three systematises the ancient proportional system that came to be used for Classical interiors. Chapter four describes and compares the ancient vis-à-vis the Medieval frame profile. Chapters five to nine outline the development of interior detail from 1400 to 1700 as seen in a selection of the most renowned interiors in European architecture. Each chapter concludes with a summary of the principles and ideals behind the proportion and design of the rooms and their parts for the period in question. Chapter ten examines the treatment of mouldings in European architectural theory from 1450 to 1990. <br /> Interior detail is described here using two variables, on the one hand its factual form, and on the other the way it has been proportioned in relation to the structure of the room. The form of interior details as well as their heritage from antiquity are essential for the continuity of the Classical tradition. This thesis shows that small variations in the shape of architectural profiles provide new options for interplay between the building as a whole and the form of the room, walls and details within. This possibility has to a great extent been used to adapt Classical detail to the artistic language of different times and spirits. <br />ISBN 91-1-301624-5.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16421417" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fb75788de6a0281a3e41e54f9c63004a" rel="nofollow" data-download="{"attachment_id":50353942,"asset_id":16421417,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50353942/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33967654" href="https://kth.academia.edu/StefanG%C3%BCnther">Stefan Günther</a><script data-card-contents-for-user="33967654" type="text/json">{"id":33967654,"first_name":"Stefan","last_name":"Günther","domain_name":"kth","page_name":"StefanGünther","display_name":"Stefan Günther","profile_url":"https://kth.academia.edu/StefanG%C3%BCnther?f_ri=270396","photo":"https://0.academia-photos.com/33967654/9983208/11133636/s65_stefan.g_nther.jpg_oh_d703846a2f14f97bd2ba41ee14513bd7_oe_5672422d___gda___1450518610_4454a7f0af1d87588ea254b103a7cf09"}</script></span></span></li><li class="js-paper-rank-work_16421417 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16421417"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16421417, container: ".js-paper-rank-work_16421417", }); 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$(".js-view-count[data-work-id=16421417]").text(description); $(".js-view-count-work_16421417").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_16421417").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="16421417"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2809" href="https://www.academia.edu/Documents/in/Conservation">Conservation</a>, <script data-card-contents-for-ri="2809" type="text/json">{"id":2809,"name":"Conservation","url":"https://www.academia.edu/Documents/in/Conservation?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3524" href="https://www.academia.edu/Documents/in/Historiography">Historiography</a><script data-card-contents-for-ri="3524" type="text/json">{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=16421417]'), work: {"id":16421417,"title":"Classical Interior Architecture. The History of Interior Detail in Italy, France and Sweden from Vitruvius to 1700 – Klassicismens interiörer. Inredningskonst och arkitekturprofiler från Vitruvius till Tessin. With an English summary. Stockholm, 2006","created_at":"2015-10-03T03:42:18.299-07:00","url":"https://www.academia.edu/16421417/Classical_Interior_Architecture_The_History_of_Interior_Detail_in_Italy_France_and_Sweden_from_Vitruvius_to_1700_Klassicismens_interi%C3%B6rer_Inredningskonst_och_arkitekturprofiler_fr%C3%A5n_Vitruvius_till_Tessin_With_an_English_summary_Stockholm_2006?f_ri=270396","dom_id":"work_16421417","summary":"\r\nTHIS STUDY describes and analyses the design and theory of Classical interior detail from its Italian origins through its development into a shared European style around 1700. It presents a close study of some forty chosen interiors in Italy, France and Sweden dating from antiquity to the close of the seventeenth century. One point of departure is the text of the ancient architectural theoretician Vitruvius. The role of Vitruvian theory in the history of interior detail has previously received relatively little attention. The actual impact of Vitruvius on Classical interior details is investigated in comparing the interiors and their components with local tradition as well as with contemporaneous architectural theory and with Vitruvius’s rules.\r\n\tThe study is divided into ten chapters. Chapter one develops a model which can be used to describe the relationship between interior detail and the Classical room as a whole. Chapter two deals with the ancient origins of architectural profiles. Chapter three systematises the ancient proportional system that came to be used for Classical interiors. Chapter four describes and compares the ancient vis-à-vis the Medieval frame profile. Chapters five to nine outline the development of interior detail from 1400 to 1700 as seen in a selection of the most renowned interiors in European architecture. Each chapter concludes with a summary of the principles and ideals behind the proportion and design of the rooms and their parts for the period in question. Chapter ten examines the treatment of mouldings in European architectural theory from 1450 to 1990.\r\n\tInterior detail is described here using two variables, on the one hand its factual form, and on the other the way it has been proportioned in relation to the structure of the room. The form of interior details as well as their heritage from antiquity are essential for the continuity of the Classical tradition. This thesis shows that small variations in the shape of architectural profiles provide new options for interplay between the building as a whole and the form of the room, walls and details within. This possibility has to a great extent been used to adapt Classical detail to the artistic language of different times and spirits.\r\nISBN 91-1-301624-5.\r\n","downloadable_attachments":[{"id":50353942,"asset_id":16421417,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33967654,"first_name":"Stefan","last_name":"Günther","domain_name":"kth","page_name":"StefanGünther","display_name":"Stefan Günther","profile_url":"https://kth.academia.edu/StefanG%C3%BCnther?f_ri=270396","photo":"https://0.academia-photos.com/33967654/9983208/11133636/s65_stefan.g_nther.jpg_oh_d703846a2f14f97bd2ba41ee14513bd7_oe_5672422d___gda___1450518610_4454a7f0af1d87588ea254b103a7cf09"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=270396","nofollow":false},{"id":2809,"name":"Conservation","url":"https://www.academia.edu/Documents/in/Conservation?f_ri=270396","nofollow":false},{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=270396","nofollow":false},{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=270396"},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=270396"},{"id":8724,"name":"17th-Century Studies","url":"https://www.academia.edu/Documents/in/17th-Century_Studies?f_ri=270396"},{"id":13315,"name":"Vitruvius","url":"https://www.academia.edu/Documents/in/Vitruvius?f_ri=270396"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=270396"},{"id":22804,"name":"16th Century Italian Art","url":"https://www.academia.edu/Documents/in/16th_Century_Italian_Art?f_ri=270396"},{"id":27336,"name":"France","url":"https://www.academia.edu/Documents/in/France?f_ri=270396"},{"id":44814,"name":"Sweden","url":"https://www.academia.edu/Documents/in/Sweden?f_ri=270396"},{"id":45213,"name":"Italy","url":"https://www.academia.edu/Documents/in/Italy?f_ri=270396"},{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=270396"},{"id":69792,"name":"Ancient Rome","url":"https://www.academia.edu/Documents/in/Ancient_Rome?f_ri=270396"},{"id":84652,"name":"Classicism in Architecture","url":"https://www.academia.edu/Documents/in/Classicism_in_Architecture?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":343827,"name":"Interior Decoration","url":"https://www.academia.edu/Documents/in/Interior_Decoration?f_ri=270396"},{"id":351650,"name":"Mouldings","url":"https://www.academia.edu/Documents/in/Mouldings?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41658343" data-work_id="41658343" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41658343/Architecture_and_the_Language_Debate_Artistic_and_Linguistic_Exchanges_in_Early_Modern_Italy_Book_Routledge_Research_in_Architectural_History_Series_2020_">Architecture and the Language Debate: Artistic and Linguistic Exchanges in Early Modern Italy (Book: Routledge Research in Architectural History Series, 2020)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This book examines the inter-relationships between language and architecture in early modern Italy, from the early 15th to the early 18th centuries. Focusing on the linguistic debates and architectural/artistic activities in Florence and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41658343" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This book examines the inter-relationships between language and architecture in early modern Italy, from the early 15th to the early 18th centuries. Focusing on the linguistic debates and architectural/artistic activities in Florence and Rome, the book evidences the rich cross-fertilisation of ideas between both areas, and how humanists, theologians, philosophers, artists and architects recognised the importance of buildings and urban spaces as communicative settings for vocal and gestural exchanges that drew upon a legacy of ancient and medieval literature, from Cicero to Dante. The book is divided into four historical periods: early 15th century (Early Renaissance), late 16th century (Late Renaissance), 17th century (Baroque) and early 18th century (beginnings of Neo-Classicism).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41658343" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="edf657f1b22d8527ccabcdd35b0e3f2d" rel="nofollow" data-download="{"attachment_id":61823542,"asset_id":41658343,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61823542/download_file?st=MTczMjY5NDQwNiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2885215" href="https://thecass.academia.edu/NicholasTemple">Nicholas Temple</a><script data-card-contents-for-user="2885215" type="text/json">{"id":2885215,"first_name":"Nicholas","last_name":"Temple","domain_name":"thecass","page_name":"NicholasTemple","display_name":"Nicholas Temple","profile_url":"https://thecass.academia.edu/NicholasTemple?f_ri=270396","photo":"https://0.academia-photos.com/2885215/952991/34915670/s65_nicholas.temple.jpg"}</script></span></span></li><li class="js-paper-rank-work_41658343 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41658343"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41658343, container: ".js-paper-rank-work_41658343", }); 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$(".js-view-count[data-work-id=41658343]").text(description); $(".js-view-count-work_41658343").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41658343").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41658343"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1207" href="https://www.academia.edu/Documents/in/Historical_Linguistics">Historical Linguistics</a>, <script data-card-contents-for-ri="1207" type="text/json">{"id":1207,"name":"Historical Linguistics","url":"https://www.academia.edu/Documents/in/Historical_Linguistics?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1758" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3027" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a>, <script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8064" href="https://www.academia.edu/Documents/in/Giambattista_Vico">Giambattista Vico</a><script data-card-contents-for-ri="8064" type="text/json">{"id":8064,"name":"Giambattista Vico","url":"https://www.academia.edu/Documents/in/Giambattista_Vico?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41658343]'), work: {"id":41658343,"title":"Architecture and the Language Debate: Artistic and Linguistic Exchanges in Early Modern Italy (Book: Routledge Research in Architectural History Series, 2020)","created_at":"2020-01-17T02:11:57.253-08:00","url":"https://www.academia.edu/41658343/Architecture_and_the_Language_Debate_Artistic_and_Linguistic_Exchanges_in_Early_Modern_Italy_Book_Routledge_Research_in_Architectural_History_Series_2020_?f_ri=270396","dom_id":"work_41658343","summary":"This book examines the inter-relationships between language and architecture in early modern Italy, from the early 15th to the early 18th centuries. 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u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40208594/A_Verrocchio_Sculpture_as_a_Source_for_Leonardo_and_Raphael_the_Evidence_of_Drawings">A Verrocchio Sculpture as a Source for Leonardo and Raphael: the Evidence of Drawings</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Winner of the first annual Ricciardi Prize for best article by a young scholar under forty.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40208594" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a 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href="https://www.academia.edu/Documents/in/Leonardo_da_Vinci">Leonardo da Vinci</a>, <script data-card-contents-for-ri="36294" type="text/json">{"id":36294,"name":"Leonardo da Vinci","url":"https://www.academia.edu/Documents/in/Leonardo_da_Vinci?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="91569" href="https://www.academia.edu/Documents/in/Verrocchio">Verrocchio</a>, <script data-card-contents-for-ri="91569" type="text/json">{"id":91569,"name":"Verrocchio","url":"https://www.academia.edu/Documents/in/Verrocchio?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="206582" href="https://www.academia.edu/Documents/in/Italian_Renaissance_sculpture">Italian Renaissance sculpture</a><script data-card-contents-for-ri="206582" type="text/json">{"id":206582,"name":"Italian Renaissance 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u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32076977/_Periudha_Kalimtare_e_Humanismit_Histori_Bot%C3%ABrore_Mesjetare_shek_XII_XV_">"Periudha Kalimtare e Humanismit" (Histori Botërore Mesjetare shek. XII - XV)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ne kete punime seminarike per lenden Historia e Mesjetes gjat shekujve XIII-XV, ne shtrojme pyetjete dhe mundohemi te pergjigjme ne qeshtja e caktuare rrethe temes Periudha kalimtare e Humanizmit. Ku ne do zgjerohemi fillimisht ne... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32076977" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ne kete punime seminarike per lenden Historia e Mesjetes gjat shekujve XIII-XV, ne shtrojme pyetjete dhe mundohemi te pergjigjme ne qeshtja e caktuare rrethe temes Periudha kalimtare e Humanizmit. Ku ne do zgjerohemi  fillimisht ne konceptet qe ekzistonin per kohen kur po flasim, si fuqia e papatit, dopsimi i saje pergjate kesaj periudhe, me pase do flasim per sistemin feudal dhe fillet e rrenimit  te saj, ngritja e perandorve ne evrope, konfliktet e tyre me papatin, fuqizimi I mbreterve e princave lokale.  Do shqyrtojme lindjen e reformave politike, kulturore, sociale e religjioze ne evrope, ndikimi dhe rivaliteti I kishes ndaj ideve te reja qe u shfaqen gjate kesaj periudhe, ku ne do ndalemi ne thekse te veqante ne saqrimin e ndikimit te rolit te Humanizmit si ideologji dhe aspektin e saj historike si faze kalimtare mese dy periudhave historike, ku roli I saj ne fundin e mesjtes do jete nder qellimet kryesore te keti punimi seminarike. Ne punime seminarik do te shqyrtojme literaturate e ndryshme, te shkurara dhe gjithashtu nga internet te cilat do te jene burimet kryesore gjate punimit te seminarit. <br /><br />Fjale kyce: Humanismi, Mesjeta e vone, Evropa, Papati, Renesanca.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32076977" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9f16ce6c66f9c73624e837b81f1784bd" rel="nofollow" data-download="{"attachment_id":52332221,"asset_id":32076977,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52332221/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="45027793" href="https://uni-pr.academia.edu/QendrimMazreku">Qendrim Mazreku</a><script data-card-contents-for-user="45027793" type="text/json">{"id":45027793,"first_name":"Qendrim","last_name":"Mazreku","domain_name":"uni-pr","page_name":"QendrimMazreku","display_name":"Qendrim Mazreku","profile_url":"https://uni-pr.academia.edu/QendrimMazreku?f_ri=270396","photo":"https://0.academia-photos.com/45027793/12187913/13574228/s65_qendrim.mazreku.png"}</script></span></span></li><li class="js-paper-rank-work_32076977 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32076977"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32076977, container: ".js-paper-rank-work_32076977", }); 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Do shqyrtojme lindjen e reformave politike, kulturore, sociale e religjioze ne evrope, ndikimi dhe rivaliteti I kishes ndaj ideve te reja qe u shfaqen gjate kesaj periudhe, ku ne do ndalemi ne thekse te veqante ne saqrimin e ndikimit te rolit te Humanizmit si ideologji dhe aspektin e saj historike si faze kalimtare mese dy periudhave historike, ku roli I saj ne fundin e mesjtes do jete nder qellimet kryesore te keti punimi seminarike. Ne punime seminarik do te shqyrtojme literaturate e ndryshme, te shkurara dhe gjithashtu nga internet te cilat do te jene burimet kryesore gjate punimit te seminarit. \n\nFjale kyce: Humanismi, Mesjeta e vone, Evropa, Papati, Renesanca.","downloadable_attachments":[{"id":52332221,"asset_id":32076977,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":45027793,"first_name":"Qendrim","last_name":"Mazreku","domain_name":"uni-pr","page_name":"QendrimMazreku","display_name":"Qendrim Mazreku","profile_url":"https://uni-pr.academia.edu/QendrimMazreku?f_ri=270396","photo":"https://0.academia-photos.com/45027793/12187913/13574228/s65_qendrim.mazreku.png"}],"research_interests":[{"id":131,"name":"European History","url":"https://www.academia.edu/Documents/in/European_History?f_ri=270396","nofollow":false},{"id":1366,"name":"Late Middle Ages","url":"https://www.academia.edu/Documents/in/Late_Middle_Ages?f_ri=270396","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=270396","nofollow":false},{"id":7990,"name":"Italian Humanism","url":"https://www.academia.edu/Documents/in/Italian_Humanism?f_ri=270396","nofollow":false},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":1124932,"name":"Humanism (15th-17th c.)","url":"https://www.academia.edu/Documents/in/Humanism_15th-17th_c._?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1932627" data-work_id="1932627" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1932627/Pre_industrial_societies_and_strategies_for_the_exploitation_of_resources_A_theoretical_framework_for_understanding_why_some_settlements_are_resilient_and_some_settlements_are_vulnerable_to_crisis">Pre-industrial societies and strategies for the exploitation of resources. A theoretical framework for understanding why some settlements are resilient and some settlements are vulnerable to crisis.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1932627" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fd98dab7311a174d4819c76a2ff3633e" rel="nofollow" data-download="{"attachment_id":27779940,"asset_id":1932627,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/27779940/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2493885" href="https://eur.academia.edu/DanielCurtis">Daniel R Curtis</a><script data-card-contents-for-user="2493885" type="text/json">{"id":2493885,"first_name":"Daniel","last_name":"Curtis","domain_name":"eur","page_name":"DanielCurtis","display_name":"Daniel R Curtis","profile_url":"https://eur.academia.edu/DanielCurtis?f_ri=270396","photo":"https://0.academia-photos.com/2493885/779258/91738801/s65_daniel.curtis.jpg"}</script></span></span></li><li class="js-paper-rank-work_1932627 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1932627"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1932627, container: ".js-paper-rank-work_1932627", }); 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This study investigates the details of the commission, Castagno's fresco in the iconographic tradition of representations... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26414120" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This thesis analyzes Andrea del Castagno's fresco of the Last Supper in the refectory of Sant'Apollonia, Florence. This study investigates the details of the commission, Castagno's fresco in the iconographic tradition of representations of the Last Supper, the aspects which separate this Last Supper from previous examples in Florentine refectories, the fresco's purpose in relation to its conventual setting, and also the artist's use of both classicizing and contemporary elements and techniques. The central focus of my work is the significance of this fresco in terms of both the imagery Castagno employs and his possible sources. The purpose of this thesis is to recognize the innovative aspects of the fresco, as well as the role that Castagno played in the development of Florentine Renaissance art.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26414120" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="25313f7be7c594e1551dd85b65a1bce6" rel="nofollow" data-download="{"attachment_id":46712231,"asset_id":26414120,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46712231/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13333007" href="https://westga.academia.edu/MariaLundin">Maria Lundin</a><script data-card-contents-for-user="13333007" type="text/json">{"id":13333007,"first_name":"Maria","last_name":"Lundin","domain_name":"westga","page_name":"MariaLundin","display_name":"Maria Lundin","profile_url":"https://westga.academia.edu/MariaLundin?f_ri=270396","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_26414120 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26414120"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26414120, container: ".js-paper-rank-work_26414120", }); 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$(".js-view-count[data-work-id=26414120]").text(description); $(".js-view-count-work_26414120").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26414120").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26414120"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="69668" href="https://www.academia.edu/Documents/in/Iconografy_of_Last_Supper">Iconografy of Last Supper</a>, <script data-card-contents-for-ri="69668" type="text/json">{"id":69668,"name":"Iconografy of Last Supper","url":"https://www.academia.edu/Documents/in/Iconografy_of_Last_Supper?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="145966" href="https://www.academia.edu/Documents/in/Affreschi_Quattrocento">Affreschi Quattrocento</a>, <script data-card-contents-for-ri="145966" type="text/json">{"id":145966,"name":"Affreschi Quattrocento","url":"https://www.academia.edu/Documents/in/Affreschi_Quattrocento?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a>, <script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="312953" href="https://www.academia.edu/Documents/in/Renaissance_Florence">Renaissance Florence</a><script data-card-contents-for-ri="312953" type="text/json">{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26414120]'), work: {"id":26414120,"title":"ANDREA DEL CASTAGNO'S LAST SUPPER","created_at":"2016-06-22T11:15:31.654-07:00","url":"https://www.academia.edu/26414120/ANDREA_DEL_CASTAGNOS_LAST_SUPPER?f_ri=270396","dom_id":"work_26414120","summary":"This thesis analyzes Andrea del Castagno's fresco of the Last Supper in the refectory of Sant'Apollonia, Florence. This study investigates the details of the commission, Castagno's fresco in the iconographic tradition of representations of the Last Supper, the aspects which separate this Last Supper from previous examples in Florentine refectories, the fresco's purpose in relation to its conventual setting, and also the artist's use of both classicizing and contemporary elements and techniques. The central focus of my work is the significance of this fresco in terms of both the imagery Castagno employs and his possible sources. The purpose of this thesis is to recognize the innovative aspects of the fresco, as well as the role that Castagno played in the development of Florentine Renaissance art.","downloadable_attachments":[{"id":46712231,"asset_id":26414120,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13333007,"first_name":"Maria","last_name":"Lundin","domain_name":"westga","page_name":"MariaLundin","display_name":"Maria Lundin","profile_url":"https://westga.academia.edu/MariaLundin?f_ri=270396","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":69668,"name":"Iconografy of Last Supper","url":"https://www.academia.edu/Documents/in/Iconografy_of_Last_Supper?f_ri=270396","nofollow":false},{"id":145966,"name":"Affreschi Quattrocento","url":"https://www.academia.edu/Documents/in/Affreschi_Quattrocento?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false},{"id":399379,"name":"Frescoes","url":"https://www.academia.edu/Documents/in/Frescoes?f_ri=270396"},{"id":1111142,"name":"Florentine Painting","url":"https://www.academia.edu/Documents/in/Florentine_Painting?f_ri=270396"},{"id":1241193,"name":"Andrea Del Castagno","url":"https://www.academia.edu/Documents/in/Andrea_Del_Castagno?f_ri=270396"},{"id":1488512,"name":"Cenacolo","url":"https://www.academia.edu/Documents/in/Cenacolo?f_ri=270396"},{"id":1702502,"name":"Last Supper paintings","url":"https://www.academia.edu/Documents/in/Last_Supper_paintings?f_ri=270396"},{"id":1875889,"name":"Quattrocento italiano","url":"https://www.academia.edu/Documents/in/Quattrocento_italiano?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34730838" data-work_id="34730838" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34730838/WONDER_WOMEN_SOFONISBA_ANGUISSOLA_LAVINIA_FONTANA_AND_ARTEMISIA_GENTILESCHI_A_CRITICAL_ANALYSIS_OF_RENAISSANCE_AND_BAROQUE_SELF_PORTRAIT_PAINTING_BY_FEMALE_ARTISTS">WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS by Rosa Lena Reed Robinson Submitted in partial fulfillment of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34730838" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI<br />A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS<br /><br />by Rosa Lena Reed Robinson<br /><br />Submitted in partial fulfillment of the requirements<br />for the degree of<br />Master of Arts in Art History at<br />Studio Art Centers International<br />Florence, Italy<br /><br />2017<br /><br /><br />This  thesis is focused on the self-portrait painting practice by three female artists from the Renaissance and the Baroque periods: Sofonisba Anguissola, Lavinia Fontana, and Artemisia Gentileschi. Chapter I introduces the self-portrait as it developed specific to the Renaissance and in relation to a Greco-Roman classical ideal. The chapter focuses on Renaissance concepts of art and the very role of the artist. Chapter II studies the numerous self-portraits of Sofonisba Anguissola, the first great Renaissance female artist to have an international career. The artist’s self-portraits both became a foundation for those of later female artists and self-consciously expressed the new elite status achieved by this Lombard artist of noble lineage who worked as court portraitist for the Spanish monarchy. Chapter III examines the self-portraits and innovative identity self-portraiture of Lavinia Fontana of Bologna. It is demonstrated how her two early self-portraits built on the precedent established by Sofonisba, and yet, are of somewhat greater iconographic complexity. While in her maturity the artist developed self-portraiture into the identity self-portrait through the subject of Judith and Holofernes. Within her treatments of the theme in some examples she put herself into the figure of Judith and in others into Judith’s maid Abra. Lavinia Fontana’s final masterpiece, the improbable painting Minerva Dressing done at the end of her extensive career was likewise arguably an identity self-portrait. Minerva Dressing constitutes the first female fully nude figure painted by a female artist. Chapter IV focuses on Artemisia Gentileschi. This thesis designates the artist’s Pommersfelden Susanna and the Elders as both Artemisia’s first exact self-portrait and the first female full-length nude self-portrait painted by a female artist. The work is also an identity self-portrait. This chapter continues with a discussion of both versions of Artemisia’s infamous Judith and Holofernes (Capodimonte/Uffizi). Both works are arguably exact self-portrait paintings and identity self-portraits. Artemisia’s Allegory of Painting in London, often referred to as a self-portrait in scholarship, is suggested a perhaps better understood as an ideal identity self-portrait rather than a literal self-representation. The Allegory of Painting is considered together with other attributed self-portraits and portraits of the artist. A major theme in Chapter IV is the transition from literal self-representation to allegorical and ideal portrayal of the self. This thesis suggests that, as the artist’s career advanced, Artemisia Gentileschi did continue to paint both the exact and the ideal self-portrait. Finally, in the Conclusion, the legacy of the self-portraits of the Wonder Women, to adopt a phrase from Giorgio Vasari, is considered in reference to future female artists such as Elisabetta Sirani, Angelica Kauffmann, Elisabeth Vigée Le-Brun and Paula Modersohn-Becker.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34730838" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2ceffbe15c1444c051956629a1027e33" rel="nofollow" data-download="{"attachment_id":54587648,"asset_id":34730838,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54587648/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="62518474" href="https://saci-florence.academia.edu/BorgiaINC">Rosa Lena Reed Robinson</a><script data-card-contents-for-user="62518474" type="text/json">{"id":62518474,"first_name":"Rosa Lena Reed","last_name":"Robinson","domain_name":"saci-florence","page_name":"BorgiaINC","display_name":"Rosa Lena Reed Robinson","profile_url":"https://saci-florence.academia.edu/BorgiaINC?f_ri=270396","photo":"https://0.academia-photos.com/62518474/16216003/16641208/s65_rosa_lena_reed.robinson.png"}</script></span></span></li><li class="js-paper-rank-work_34730838 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34730838"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34730838, container: ".js-paper-rank-work_34730838", }); });</script></li><li class="js-percentile-work_34730838 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34730838; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34730838"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34730838 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34730838"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34730838; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34730838]").text(description); $(".js-view-count-work_34730838").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34730838").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34730838"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">85</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1192" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1386" href="https://www.academia.edu/Documents/in/Art_Theory">Art Theory</a>, <script data-card-contents-for-ri="1386" type="text/json">{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a><script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34730838]'), work: {"id":34730838,"title":"WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS","created_at":"2017-09-30T20:43:55.442-07:00","url":"https://www.academia.edu/34730838/WONDER_WOMEN_SOFONISBA_ANGUISSOLA_LAVINIA_FONTANA_AND_ARTEMISIA_GENTILESCHI_A_CRITICAL_ANALYSIS_OF_RENAISSANCE_AND_BAROQUE_SELF_PORTRAIT_PAINTING_BY_FEMALE_ARTISTS?f_ri=270396","dom_id":"work_34730838","summary":"WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI\nA CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS\n\nby Rosa Lena Reed Robinson\n\nSubmitted in partial fulfillment of the requirements\nfor the degree of\nMaster of Arts in Art History at\nStudio Art Centers International\nFlorence, Italy\n\n2017\n\n\nThis thesis is focused on the self-portrait painting practice by three female artists from the Renaissance and the Baroque periods: Sofonisba Anguissola, Lavinia Fontana, and Artemisia Gentileschi. Chapter I introduces the self-portrait as it developed specific to the Renaissance and in relation to a Greco-Roman classical ideal. The chapter focuses on Renaissance concepts of art and the very role of the artist. Chapter II studies the numerous self-portraits of Sofonisba Anguissola, the first great Renaissance female artist to have an international career. The artist’s self-portraits both became a foundation for those of later female artists and self-consciously expressed the new elite status achieved by this Lombard artist of noble lineage who worked as court portraitist for the Spanish monarchy. Chapter III examines the self-portraits and innovative identity self-portraiture of Lavinia Fontana of Bologna. It is demonstrated how her two early self-portraits built on the precedent established by Sofonisba, and yet, are of somewhat greater iconographic complexity. While in her maturity the artist developed self-portraiture into the identity self-portrait through the subject of Judith and Holofernes. Within her treatments of the theme in some examples she put herself into the figure of Judith and in others into Judith’s maid Abra. Lavinia Fontana’s final masterpiece, the improbable painting Minerva Dressing done at the end of her extensive career was likewise arguably an identity self-portrait. Minerva Dressing constitutes the first female fully nude figure painted by a female artist. Chapter IV focuses on Artemisia Gentileschi. This thesis designates the artist’s Pommersfelden Susanna and the Elders as both Artemisia’s first exact self-portrait and the first female full-length nude self-portrait painted by a female artist. The work is also an identity self-portrait. This chapter continues with a discussion of both versions of Artemisia’s infamous Judith and Holofernes (Capodimonte/Uffizi). Both works are arguably exact self-portrait paintings and identity self-portraits. Artemisia’s Allegory of Painting in London, often referred to as a self-portrait in scholarship, is suggested a perhaps better understood as an ideal identity self-portrait rather than a literal self-representation. The Allegory of Painting is considered together with other attributed self-portraits and portraits of the artist. A major theme in Chapter IV is the transition from literal self-representation to allegorical and ideal portrayal of the self. This thesis suggests that, as the artist’s career advanced, Artemisia Gentileschi did continue to paint both the exact and the ideal self-portrait. Finally, in the Conclusion, the legacy of the self-portraits of the Wonder Women, to adopt a phrase from Giorgio Vasari, is considered in reference to future female artists such as Elisabetta Sirani, Angelica Kauffmann, Elisabeth Vigée Le-Brun and Paula Modersohn-Becker.","downloadable_attachments":[{"id":54587648,"asset_id":34730838,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":62518474,"first_name":"Rosa Lena Reed","last_name":"Robinson","domain_name":"saci-florence","page_name":"BorgiaINC","display_name":"Rosa Lena Reed Robinson","profile_url":"https://saci-florence.academia.edu/BorgiaINC?f_ri=270396","photo":"https://0.academia-photos.com/62518474/16216003/16641208/s65_rosa_lena_reed.robinson.png"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":1192,"name":"Feminist 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Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=270396","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=270396","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396"},{"id":39073,"name":"Reception of Antiquity","url":"https://www.academia.edu/Documents/in/Reception_of_Antiquity?f_ri=270396"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=270396"},{"id":67161,"name":"Renaissance magic and astrology","url":"https://www.academia.edu/Documents/in/Renaissance_magic_and_astrology?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":741463,"name":"MIlan under Visconti and Sforza","url":"https://www.academia.edu/Documents/in/MIlan_under_Visconti_and_Sforza?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10093649" data-work_id="10093649" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10093649/_Habemus_paulum_Reconstructing_the_Florentine_Church_of_San_Paolino_Annual_Meeting_of_the_Renaissance_Society_of_America_Berlin_March_2015_">"'Habemus paulum': Reconstructing the Florentine Church of San Paolino", Annual Meeting of the Renaissance Society of America (Berlin, March 2015)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Scholars of Botticelli's Munich Pietà, which is known to have come from the Florentine church of San Paolino, often noted the lack of information concerning the fabric of the church prior to its destruction in the second half of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10093649" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Scholars of Botticelli's Munich Pietà, which is known to have come from the Florentine church of San Paolino, often noted the lack of information concerning the fabric of the church prior to its destruction in the second half of the seventeenth century. In light of Poliziano's and Lorenzo de' Medici's active involvement, this lacuna has been particularly regrettable. Based on newly discovered archival documents, this paper will reconstruct this important Florentine priory. Investigating the architecture, interior decoration and patronage networks, it will reinstate San Paolino within its urban context and shed new light on the setting of the high altarpiece.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10093649" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ae864e36670c83f831676d47153c543c" rel="nofollow" data-download="{"attachment_id":50079757,"asset_id":10093649,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50079757/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="500956" href="https://courtauld.academia.edu/AlexanderR%C3%B6stel">Alexander Röstel</a><script data-card-contents-for-user="500956" type="text/json">{"id":500956,"first_name":"Alexander","last_name":"Röstel","domain_name":"courtauld","page_name":"AlexanderRöstel","display_name":"Alexander Röstel","profile_url":"https://courtauld.academia.edu/AlexanderR%C3%B6stel?f_ri=270396","photo":"https://0.academia-photos.com/500956/172712/38506132/s65_alexander.r_stel.png"}</script></span></span></li><li class="js-paper-rank-work_10093649 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10093649"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10093649, container: ".js-paper-rank-work_10093649", }); 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$(".js-view-count[data-work-id=10093649]").text(description); $(".js-view-count-work_10093649").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10093649").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10093649"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11446" href="https://www.academia.edu/Documents/in/History_of_Florence">History of Florence</a>, <script data-card-contents-for-ri="11446" type="text/json">{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38042" href="https://www.academia.edu/Documents/in/Angelo_Poliziano">Angelo Poliziano</a>, <script data-card-contents-for-ri="38042" type="text/json">{"id":38042,"name":"Angelo Poliziano","url":"https://www.academia.edu/Documents/in/Angelo_Poliziano?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="45408" href="https://www.academia.edu/Documents/in/History_of_architecture">History of architecture</a><script data-card-contents-for-ri="45408" type="text/json">{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10093649]'), work: {"id":10093649,"title":"\"'Habemus paulum': Reconstructing the Florentine Church of San Paolino\", Annual Meeting of the Renaissance Society of America (Berlin, March 2015)","created_at":"2015-01-09T17:17:18.994-08:00","url":"https://www.academia.edu/10093649/_Habemus_paulum_Reconstructing_the_Florentine_Church_of_San_Paolino_Annual_Meeting_of_the_Renaissance_Society_of_America_Berlin_March_2015_?f_ri=270396","dom_id":"work_10093649","summary":"Scholars of Botticelli's Munich Pietà, which is known to have come from the Florentine church of San Paolino, often noted the lack of information concerning the fabric of the church prior to its destruction in the second half of the seventeenth century. In light of Poliziano's and Lorenzo de' Medici's active involvement, this lacuna has been particularly regrettable. Based on newly discovered archival documents, this paper will reconstruct this important Florentine priory. Investigating the architecture, interior decoration and patronage networks, it will reinstate San Paolino within its urban context and shed new light on the setting of the high altarpiece.","downloadable_attachments":[{"id":50079757,"asset_id":10093649,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":500956,"first_name":"Alexander","last_name":"Röstel","domain_name":"courtauld","page_name":"AlexanderRöstel","display_name":"Alexander Röstel","profile_url":"https://courtauld.academia.edu/AlexanderR%C3%B6stel?f_ri=270396","photo":"https://0.academia-photos.com/500956/172712/38506132/s65_alexander.r_stel.png"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false},{"id":38042,"name":"Angelo Poliziano","url":"https://www.academia.edu/Documents/in/Angelo_Poliziano?f_ri=270396","nofollow":false},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=270396","nofollow":false},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396"},{"id":150687,"name":"Sandro Botticelli","url":"https://www.academia.edu/Documents/in/Sandro_Botticelli?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":314032,"name":"Lorenzo de' Medici","url":"https://www.academia.edu/Documents/in/Lorenzo_de_Medici?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27863502" data-work_id="27863502" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27863502/Figure_di_seta_La_produzione_tessile_e_a_ricamo_a_carattere_figurativo_nella_Firenze_del_Quattrocento_modelli_committenze_manifatture_in_Revista_Di%C3%A1logos_Mediterr%C3%A2nicos_Dossi%C3%AA_Imagens_e_Hist%C3%B3ria_na_Arte_Antiga_e_Medieval_10_2016_Universidade_Federal_do_Paran%C3%A1_Brasil_ISSN_2237_6585">Figure di seta. La produzione tessile e a ricamo a carattere figurativo nella Firenze del Quattrocento: modelli, committenze, manifatture in "Revista Diálogos Mediterrânicos" - Dossiê "Imagens e História na Arte Antiga e Medieval" , 10 (2016), Universidade Federal do Paraná (Brasil), ISSN 2237-6585</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper, which was first presented at the Colóquio de História da Arte e da Cultura do Renascimento, Museo de Arte de São Paulo Masp (16-17 May 2016), illustrates the social and art-historical context of the production of embroideries... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27863502" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper, which was first presented at the Colóquio de História da Arte e da Cultura do Renascimento, Museo de Arte de São Paulo Masp (16-17 May 2016), illustrates the social and art-historical context of the production of embroideries and figurative textiles in Florence in the fifteenth century. Besides being one the most flourishing activities of Florentine economy, silk industry was a sector particularly receptive of contemporary art tendencies, both through the direct involvement of the most innovative artists of the time, like Botticelli and Antonio Pollaiolo, and through the reiteration and contamination of successful pictorial and sculptural models. It is possible to distinguish various kinds of objects, among embroideries as well as figurative fabrics: from those made after specific commissions through cartoons realized by the great masters, up to serial production based on models created in weavers' and embroiderers' workshops, which reelaborated compositions by then become part of the artistic repertoire and widespread also through woodcuts and prints. In the composite Florentine art world operated, and at times cooperated leading and secondary artists, weavers, printers, embroiderers, cloth-designers, engravers. The paper reconstructs the vivacious interrelations between artists' and embroiderers' workshops, and female convents with their specialized laboratories.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27863502" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="214bf446d40fd6e13fae21ae01a12276" rel="nofollow" data-download="{"attachment_id":48612290,"asset_id":27863502,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48612290/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3348933" href="https://firenze.academia.edu/CristinaBorgioli">Cristina Borgioli</a><script data-card-contents-for-user="3348933" type="text/json">{"id":3348933,"first_name":"Cristina","last_name":"Borgioli","domain_name":"firenze","page_name":"CristinaBorgioli","display_name":"Cristina Borgioli","profile_url":"https://firenze.academia.edu/CristinaBorgioli?f_ri=270396","photo":"https://0.academia-photos.com/3348933/1122191/20776733/s65_cristina.borgioli.jpg"}</script></span></span></li><li class="js-paper-rank-work_27863502 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27863502"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27863502, container: ".js-paper-rank-work_27863502", }); });</script></li><li class="js-percentile-work_27863502 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27863502; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_27863502"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_27863502 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="27863502"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27863502; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27863502]").text(description); $(".js-view-count-work_27863502").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27863502").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27863502"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2320" href="https://www.academia.edu/Documents/in/Textiles">Textiles</a>, <script data-card-contents-for-ri="2320" type="text/json">{"id":2320,"name":"Textiles","url":"https://www.academia.edu/Documents/in/Textiles?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9071" href="https://www.academia.edu/Documents/in/Embroidery">Embroidery</a>, <script data-card-contents-for-ri="9071" type="text/json">{"id":9071,"name":"Embroidery","url":"https://www.academia.edu/Documents/in/Embroidery?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9074" href="https://www.academia.edu/Documents/in/Embroidered_Textiles">Embroidered Textiles</a>, <script data-card-contents-for-ri="9074" type="text/json">{"id":9074,"name":"Embroidered Textiles","url":"https://www.academia.edu/Documents/in/Embroidered_Textiles?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="33425" href="https://www.academia.edu/Documents/in/15th_Century_Italian_Art">15th Century Italian Art</a><script data-card-contents-for-ri="33425" type="text/json">{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27863502]'), work: {"id":27863502,"title":"Figure di seta. La produzione tessile e a ricamo a carattere figurativo nella Firenze del Quattrocento: modelli, committenze, manifatture in \"Revista Diálogos Mediterrânicos\" - Dossiê \"Imagens e História na Arte Antiga e Medieval\" , 10 (2016), Universidade Federal do Paraná (Brasil), ISSN 2237-6585","created_at":"2016-08-18T06:32:01.945-07:00","url":"https://www.academia.edu/27863502/Figure_di_seta_La_produzione_tessile_e_a_ricamo_a_carattere_figurativo_nella_Firenze_del_Quattrocento_modelli_committenze_manifatture_in_Revista_Di%C3%A1logos_Mediterr%C3%A2nicos_Dossi%C3%AA_Imagens_e_Hist%C3%B3ria_na_Arte_Antiga_e_Medieval_10_2016_Universidade_Federal_do_Paran%C3%A1_Brasil_ISSN_2237_6585?f_ri=270396","dom_id":"work_27863502","summary":"This paper, which was first presented at the Colóquio de História da Arte e da Cultura do Renascimento, Museo de Arte de São Paulo Masp (16-17 May 2016), illustrates the social and art-historical context of the production of embroideries and figurative textiles in Florence in the fifteenth century. Besides being one the most flourishing activities of Florentine economy, silk industry was a sector particularly receptive of contemporary art tendencies, both through the direct involvement of the most innovative artists of the time, like Botticelli and Antonio Pollaiolo, and through the reiteration and contamination of successful pictorial and sculptural models. It is possible to distinguish various kinds of objects, among embroideries as well as figurative fabrics: from those made after specific commissions through cartoons realized by the great masters, up to serial production based on models created in weavers' and embroiderers' workshops, which reelaborated compositions by then become part of the artistic repertoire and widespread also through woodcuts and prints. In the composite Florentine art world operated, and at times cooperated leading and secondary artists, weavers, printers, embroiderers, cloth-designers, engravers. The paper reconstructs the vivacious interrelations between artists' and embroiderers' workshops, and female convents with their specialized laboratories. ","downloadable_attachments":[{"id":48612290,"asset_id":27863502,"asset_type":"Work","always_allow_download":false},{"id":48612337,"asset_id":27863502,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3348933,"first_name":"Cristina","last_name":"Borgioli","domain_name":"firenze","page_name":"CristinaBorgioli","display_name":"Cristina Borgioli","profile_url":"https://firenze.academia.edu/CristinaBorgioli?f_ri=270396","photo":"https://0.academia-photos.com/3348933/1122191/20776733/s65_cristina.borgioli.jpg"}],"research_interests":[{"id":2320,"name":"Textiles","url":"https://www.academia.edu/Documents/in/Textiles?f_ri=270396","nofollow":false},{"id":9071,"name":"Embroidery","url":"https://www.academia.edu/Documents/in/Embroidery?f_ri=270396","nofollow":false},{"id":9074,"name":"Embroidered Textiles","url":"https://www.academia.edu/Documents/in/Embroidered_Textiles?f_ri=270396","nofollow":false},{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=270396","nofollow":false},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=270396"},{"id":150371,"name":"Quattrocento","url":"https://www.academia.edu/Documents/in/Quattrocento?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":1028409,"name":"Ricami","url":"https://www.academia.edu/Documents/in/Ricami?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1132277" data-work_id="1132277" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1132277/Apollo_and_Marsyas_on_engraved_gems_and_medals">Apollo and Marsyas on engraved gems and medals</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The famous "Seal of Nero, a Roman intaglio depicting Apollo, Marsyas and Olympus, was once in the collection of Lorenzo il Magnifico and is now in the National Museum of Naples. Two gems related to that "Seal of Nero" are published here... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1132277" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The famous "Seal of Nero, a Roman intaglio depicting Apollo, Marsyas and Olympus, was once in the collection of Lorenzo il Magnifico and is now in the National Museum of Naples. Two gems related to that "Seal of Nero" are published here for the first time: one, a severely damaged intaglio kept in the Musée des Beaux-Arts de Lyon, is supposed to date from the third quarter of the first century BC. Another gem with a similar motif, a refined Renaissance cameo, recentlya ppeared in Oxfordshire and is now in a private collection in London. It is presumed that this perfectly preserved piece originally was in the possession of the Medici. The author considers a possible attribution of this work to the young Michelangelo Buonarroti and discusses a copy shown in a portrait painting by Botticelli now in the Städel Museum in Frankfurt on the Main. (summary by Matthias Barth)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1132277" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ed3b80cf39e416cc66eace7e8826aab1" rel="nofollow" data-download="{"attachment_id":7894271,"asset_id":1132277,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/7894271/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="275221" href="https://univ-lille.academia.edu/HadrienRambach">Hadrien J Rambach</a><script data-card-contents-for-user="275221" type="text/json">{"id":275221,"first_name":"Hadrien","last_name":"Rambach","domain_name":"univ-lille","page_name":"HadrienRambach","display_name":"Hadrien J Rambach","profile_url":"https://univ-lille.academia.edu/HadrienRambach?f_ri=270396","photo":"https://0.academia-photos.com/275221/60116/35235431/s65_hadrien.rambach.jpg"}</script></span></span></li><li class="js-paper-rank-work_1132277 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1132277"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1132277, container: ".js-paper-rank-work_1132277", }); });</script></li><li class="js-percentile-work_1132277 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1132277; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1132277"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1132277 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1132277"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1132277; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1132277]").text(description); $(".js-view-count-work_1132277").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1132277").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1132277"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">54</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11446" href="https://www.academia.edu/Documents/in/History_of_Florence">History of Florence</a><script data-card-contents-for-ri="11446" type="text/json">{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1132277]'), work: {"id":1132277,"title":"Apollo and Marsyas on engraved gems and medals","created_at":"2011-12-03T00:13:22.993-08:00","url":"https://www.academia.edu/1132277/Apollo_and_Marsyas_on_engraved_gems_and_medals?f_ri=270396","dom_id":"work_1132277","summary":"The famous \"Seal of Nero, a Roman intaglio depicting Apollo, Marsyas and Olympus, was once in the collection of Lorenzo il Magnifico and is now in the National Museum of Naples. Two gems related to that \"Seal of Nero\" are published here for the first time: one, a severely damaged intaglio kept in the Musée des Beaux-Arts de Lyon, is supposed to date from the third quarter of the first century BC. Another gem with a similar motif, a refined Renaissance cameo, recentlya ppeared in Oxfordshire and is now in a private collection in London. It is presumed that this perfectly preserved piece originally was in the possession of the Medici. The author considers a possible attribution of this work to the young Michelangelo Buonarroti and discusses a copy shown in a portrait painting by Botticelli now in the Städel Museum in Frankfurt on the Main. (summary by Matthias Barth)","downloadable_attachments":[{"id":7894271,"asset_id":1132277,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":275221,"first_name":"Hadrien","last_name":"Rambach","domain_name":"univ-lille","page_name":"HadrienRambach","display_name":"Hadrien J Rambach","profile_url":"https://univ-lille.academia.edu/HadrienRambach?f_ri=270396","photo":"https://0.academia-photos.com/275221/60116/35235431/s65_hadrien.rambach.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=270396","nofollow":false},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=270396","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=270396","nofollow":false},{"id":11446,"name":"History of 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coins","url":"https://www.academia.edu/Documents/in/Iconography_of_ancient_coins?f_ri=270396"},{"id":61290,"name":"Apollo and Marsyas","url":"https://www.academia.edu/Documents/in/Apollo_and_Marsyas?f_ri=270396"},{"id":61308,"name":"Michelangelo Buonarroti","url":"https://www.academia.edu/Documents/in/Michelangelo_Buonarroti?f_ri=270396"},{"id":62365,"name":"Greek and Roman Antiquities","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Antiquities?f_ri=270396"},{"id":66598,"name":"Patronage and collecting","url":"https://www.academia.edu/Documents/in/Patronage_and_collecting?f_ri=270396"},{"id":69756,"name":"Jewels and precious stones","url":"https://www.academia.edu/Documents/in/Jewels_and_precious_stones?f_ri=270396"},{"id":69983,"name":"Antiquarianism in the sixteenth century","url":"https://www.academia.edu/Documents/in/Antiquarianism_in_the_sixteenth_century?f_ri=270396"},{"id":70077,"name":"History of Antiquarianism","url":"https://www.academia.edu/Documents/in/History_of_Antiquarianism?f_ri=270396"},{"id":72323,"name":"Historical medals","url":"https://www.academia.edu/Documents/in/Historical_medals?f_ri=270396"},{"id":94728,"name":"Antiquities Market","url":"https://www.academia.edu/Documents/in/Antiquities_Market?f_ri=270396"},{"id":110766,"name":"History of Jewelry","url":"https://www.academia.edu/Documents/in/History_of_Jewelry?f_ri=270396"},{"id":116502,"name":"Intaglios","url":"https://www.academia.edu/Documents/in/Intaglios?f_ri=270396"},{"id":116959,"name":"History of Collecting and Antiquarianism","url":"https://www.academia.edu/Documents/in/History_of_Collecting_and_Antiquarianism?f_ri=270396"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=270396"},{"id":152173,"name":"Art History, Jewellery History","url":"https://www.academia.edu/Documents/in/Art_History_Jewellery_History?f_ri=270396"},{"id":183631,"name":"Coins","url":"https://www.academia.edu/Documents/in/Coins?f_ri=270396"},{"id":202392,"name":"Jewelry","url":"https://www.academia.edu/Documents/in/Jewelry?f_ri=270396"},{"id":235320,"name":"Renaissance Coins and Medals","url":"https://www.academia.edu/Documents/in/Renaissance_Coins_and_Medals?f_ri=270396"},{"id":258910,"name":"Michelangelo","url":"https://www.academia.edu/Documents/in/Michelangelo?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":293329,"name":"Antiquities","url":"https://www.academia.edu/Documents/in/Antiquities?f_ri=270396"},{"id":314032,"name":"Lorenzo de' Medici","url":"https://www.academia.edu/Documents/in/Lorenzo_de_Medici?f_ri=270396"},{"id":317698,"name":"16th Century Florence","url":"https://www.academia.edu/Documents/in/16th_Century_Florence?f_ri=270396"},{"id":424862,"name":"Gemme Incise","url":"https://www.academia.edu/Documents/in/Gemme_Incise?f_ri=270396"},{"id":506171,"name":"History of the jewellery","url":"https://www.academia.edu/Documents/in/History_of_the_jewellery?f_ri=270396"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=270396"},{"id":690822,"name":"Gemmen","url":"https://www.academia.edu/Documents/in/Gemmen?f_ri=270396"},{"id":1381386,"name":"Jewellery History","url":"https://www.academia.edu/Documents/in/Jewellery_History?f_ri=270396"},{"id":1785327,"name":"Ancient Intaglios","url":"https://www.academia.edu/Documents/in/Ancient_Intaglios?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44921547" data-work_id="44921547" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44921547/_Divinely_Painted_On_the_Origins_and_Meaning_of_the_Madonna_and_Child_in_Italian_Painting_of_the_15th_Century">“Divinely Painted” – On the Origins and Meaning of the Madonna and Child in Italian Painting of the 15th Century</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Essay preview, p. 64-66</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44921547" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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data-has-card-for-ri="5081" href="https://www.academia.edu/Documents/in/Painting">Painting</a>, <script data-card-contents-for-ri="5081" type="text/json">{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10695" href="https://www.academia.edu/Documents/in/Catholic_Theology">Catholic Theology</a>, <script data-card-contents-for-ri="10695" type="text/json">{"id":10695,"name":"Catholic Theology","url":"https://www.academia.edu/Documents/in/Catholic_Theology?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a><script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance 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Mary","url":"https://www.academia.edu/Documents/in/Virgin_Mary?f_ri=270396"},{"id":117575,"name":"Jesus Christ","url":"https://www.academia.edu/Documents/in/Jesus_Christ?f_ri=270396"},{"id":128073,"name":"Medieval Devotional Culture","url":"https://www.academia.edu/Documents/in/Medieval_Devotional_Culture?f_ri=270396"},{"id":150687,"name":"Sandro Botticelli","url":"https://www.academia.edu/Documents/in/Sandro_Botticelli?f_ri=270396"},{"id":209416,"name":"Andrea Mantegna","url":"https://www.academia.edu/Documents/in/Andrea_Mantegna?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":348037,"name":"Raphael","url":"https://www.academia.edu/Documents/in/Raphael?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30660058" data-work_id="30660058" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30660058/La_mutatio_vitae_di_Poggio_Bracciolini_Ricerche_sul_De_avaritia">La 'mutatio vitae' di Poggio Bracciolini. Ricerche sul 'De avaritia'</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30660058" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ceaf9fb32664c2827d71d8a5ef422b98" rel="nofollow" data-download="{"attachment_id":51103091,"asset_id":30660058,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51103091/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9376420" href="https://unifi.academia.edu/FrancescoBausi">Francesco Bausi</a><script data-card-contents-for-user="9376420" type="text/json">{"id":9376420,"first_name":"Francesco","last_name":"Bausi","domain_name":"unifi","page_name":"FrancescoBausi","display_name":"Francesco Bausi","profile_url":"https://unifi.academia.edu/FrancescoBausi?f_ri=270396","photo":"https://0.academia-photos.com/9376420/2992550/3513095/s65_francesco.bausi.jpg"}</script></span></span></li><li class="js-paper-rank-work_30660058 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30660058"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30660058, container: ".js-paper-rank-work_30660058", }); 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Ricerche sul 'De avaritia'","created_at":"2016-12-29T02:16:34.337-08:00","url":"https://www.academia.edu/30660058/La_mutatio_vitae_di_Poggio_Bracciolini_Ricerche_sul_De_avaritia?f_ri=270396","dom_id":"work_30660058","summary":null,"downloadable_attachments":[{"id":51103091,"asset_id":30660058,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9376420,"first_name":"Francesco","last_name":"Bausi","domain_name":"unifi","page_name":"FrancescoBausi","display_name":"Francesco Bausi","profile_url":"https://unifi.academia.edu/FrancescoBausi?f_ri=270396","photo":"https://0.academia-photos.com/9376420/2992550/3513095/s65_francesco.bausi.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=270396","nofollow":false},{"id":4686,"name":"Renaissance Philosophy","url":"https://www.academia.edu/Documents/in/Renaissance_Philosophy?f_ri=270396","nofollow":false},{"id":7990,"name":"Italian 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Italiana","url":"https://www.academia.edu/Documents/in/Filologia_Italiana?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":752299,"name":"Letteratura umanistica","url":"https://www.academia.edu/Documents/in/Letteratura_umanistica?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_22989460" data-work_id="22989460" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/22989460/_Influenze_del_mito_egizio_nel_Rinascimento_e_nelle_opere_di_Piero_di_Cosimo_">“Influenze del mito egizio nel Rinascimento e nelle opere di Piero di Cosimo”.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il presente seminario si propone sia di analizzare brevemente le influenze che il mito egizio esercitò sull'ambiente culturale della Toscana rinascimentale sia di stabilire alcuni collegamenti tra queste suggestioni e le opere del pittore... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_22989460" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il presente seminario si propone sia di analizzare brevemente le influenze che il mito egizio esercitò sull'ambiente culturale della Toscana rinascimentale sia di stabilire alcuni collegamenti tra queste suggestioni e le opere del pittore fiorentino Piero di Cosimo</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" 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InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27522007" href="https://unipi.academia.edu/SerenaNello">Serena Nello</a><script data-card-contents-for-user="27522007" type="text/json">{"id":27522007,"first_name":"Serena","last_name":"Nello","domain_name":"unipi","page_name":"SerenaNello","display_name":"Serena Nello","profile_url":"https://unipi.academia.edu/SerenaNello?f_ri=270396","photo":"https://0.academia-photos.com/27522007/7832856/81920124/s65_serena.nello.jpeg"}</script></span></span></li><li class="js-paper-rank-work_22989460 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="22989460"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 22989460, container: 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Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a>, <script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="312953" href="https://www.academia.edu/Documents/in/Renaissance_Florence">Renaissance Florence</a>, <script data-card-contents-for-ri="312953" type="text/json">{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="812388" href="https://www.academia.edu/Documents/in/History_of_Art_Italian_Renaissance_painting_Florence">History of Art, Italian Renaissance painting, Florence</a><script data-card-contents-for-ri="812388" type="text/json">{"id":812388,"name":"History of Art, Italian Renaissance painting, Florence","url":"https://www.academia.edu/Documents/in/History_of_Art_Italian_Renaissance_painting_Florence?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=22989460]'), work: {"id":22989460,"title":"“Influenze del mito egizio nel Rinascimento e nelle opere di Piero di Cosimo”.","created_at":"2016-03-08T07:05:54.836-08:00","url":"https://www.academia.edu/22989460/_Influenze_del_mito_egizio_nel_Rinascimento_e_nelle_opere_di_Piero_di_Cosimo_?f_ri=270396","dom_id":"work_22989460","summary":"Il presente seminario si propone sia di analizzare brevemente le influenze che il mito egizio esercitò sull'ambiente culturale della Toscana rinascimentale sia di stabilire alcuni collegamenti tra queste suggestioni e le opere del pittore fiorentino Piero di Cosimo","downloadable_attachments":[{"id":43506646,"asset_id":22989460,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27522007,"first_name":"Serena","last_name":"Nello","domain_name":"unipi","page_name":"SerenaNello","display_name":"Serena Nello","profile_url":"https://unipi.academia.edu/SerenaNello?f_ri=270396","photo":"https://0.academia-photos.com/27522007/7832856/81920124/s65_serena.nello.jpeg"}],"research_interests":[{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false},{"id":812388,"name":"History of Art, Italian Renaissance painting, Florence","url":"https://www.academia.edu/Documents/in/History_of_Art_Italian_Renaissance_painting_Florence?f_ri=270396","nofollow":false},{"id":1165007,"name":"Piero Di Cosimo","url":"https://www.academia.edu/Documents/in/Piero_Di_Cosimo?f_ri=270396"},{"id":1505903,"name":"Italian Reinassence","url":"https://www.academia.edu/Documents/in/Italian_Reinassence?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27815956" data-work_id="27815956" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27815956/_Andrea_Sansovino_and_the_Role_of_Artistic_Patronage_Networks_in_Renaissance_Florence_Sixteenth_Century_Society_Conference_Bruges_August_2016_">"Andrea Sansovino and the Role of Artistic Patronage Networks in Renaissance Florence", Sixteenth Century Society Conference (Bruges, August 2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper offers an art historical approach to the study of cultural networks. Specifically, it examines the extent to which they influenced the early career of the Italian Renaissance sculptor Andrea Sansovino. Building on the work of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27815956" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper offers an art historical approach to the study of cultural networks. Specifically, it examines the extent to which they influenced the early career of the Italian Renaissance sculptor Andrea Sansovino. Building on the work of Pierre Bourdieu, it focuses on the dynamic ways in which network connections were transformed into durable relationships. Ongoing archival research, it sheds light on connections that all too often elude scholarly attention.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27815956" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aabab585ae7389314f73fbc0658e66ac" rel="nofollow" data-download="{"attachment_id":48098088,"asset_id":27815956,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48098088/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="500956" href="https://courtauld.academia.edu/AlexanderR%C3%B6stel">Alexander Röstel</a><script data-card-contents-for-user="500956" type="text/json">{"id":500956,"first_name":"Alexander","last_name":"Röstel","domain_name":"courtauld","page_name":"AlexanderRöstel","display_name":"Alexander Röstel","profile_url":"https://courtauld.academia.edu/AlexanderR%C3%B6stel?f_ri=270396","photo":"https://0.academia-photos.com/500956/172712/38506132/s65_alexander.r_stel.png"}</script></span></span></li><li class="js-paper-rank-work_27815956 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27815956"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27815956, container: ".js-paper-rank-work_27815956", }); 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$(".js-view-count[data-work-id=27815956]").text(description); $(".js-view-count-work_27815956").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27815956").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27815956"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2553" href="https://www.academia.edu/Documents/in/Social_Networking">Social Networking</a>, <script data-card-contents-for-ri="2553" type="text/json">{"id":2553,"name":"Social Networking","url":"https://www.academia.edu/Documents/in/Social_Networking?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13340" href="https://www.academia.edu/Documents/in/Pierre_Bourdieu">Pierre Bourdieu</a>, <script data-card-contents-for-ri="13340" type="text/json">{"id":13340,"name":"Pierre Bourdieu","url":"https://www.academia.edu/Documents/in/Pierre_Bourdieu?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13379" href="https://www.academia.edu/Documents/in/Sculpture">Sculpture</a><script data-card-contents-for-ri="13379" type="text/json">{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27815956]'), work: {"id":27815956,"title":"\"Andrea Sansovino and the Role of Artistic Patronage Networks in Renaissance Florence\", Sixteenth Century Society Conference (Bruges, August 2016)","created_at":"2016-08-16T11:34:47.546-07:00","url":"https://www.academia.edu/27815956/_Andrea_Sansovino_and_the_Role_of_Artistic_Patronage_Networks_in_Renaissance_Florence_Sixteenth_Century_Society_Conference_Bruges_August_2016_?f_ri=270396","dom_id":"work_27815956","summary":"This paper offers an art historical approach to the study of cultural networks. Specifically, it examines the extent to which they influenced the early career of the Italian Renaissance sculptor Andrea Sansovino. Building on the work of Pierre Bourdieu, it focuses on the dynamic ways in which network connections were transformed into durable relationships. Ongoing archival research, it sheds light on connections that all too often elude scholarly attention.\n\n","downloadable_attachments":[{"id":48098088,"asset_id":27815956,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":500956,"first_name":"Alexander","last_name":"Röstel","domain_name":"courtauld","page_name":"AlexanderRöstel","display_name":"Alexander Röstel","profile_url":"https://courtauld.academia.edu/AlexanderR%C3%B6stel?f_ri=270396","photo":"https://0.academia-photos.com/500956/172712/38506132/s65_alexander.r_stel.png"}],"research_interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=270396","nofollow":false},{"id":2553,"name":"Social Networking","url":"https://www.academia.edu/Documents/in/Social_Networking?f_ri=270396","nofollow":false},{"id":13340,"name":"Pierre Bourdieu","url":"https://www.academia.edu/Documents/in/Pierre_Bourdieu?f_ri=270396","nofollow":false},{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=270396","nofollow":false},{"id":13739,"name":"Social Network Analysis (SNA)","url":"https://www.academia.edu/Documents/in/Social_Network_Analysis_SNA_?f_ri=270396"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=270396"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=270396"},{"id":61308,"name":"Michelangelo Buonarroti","url":"https://www.academia.edu/Documents/in/Michelangelo_Buonarroti?f_ri=270396"},{"id":66598,"name":"Patronage and collecting","url":"https://www.academia.edu/Documents/in/Patronage_and_collecting?f_ri=270396"},{"id":107100,"name":"Florentine Art","url":"https://www.academia.edu/Documents/in/Florentine_Art?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":1651270,"name":"Andrea Sansovino","url":"https://www.academia.edu/Documents/in/Andrea_Sansovino?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26304602" data-work_id="26304602" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26304602/Feste_e_politica_a_Firenze_sotto_Lorenzo_il_Magnifico">Feste e politica a Firenze sotto Lorenzo il Magnifico</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">"Quaderni medievali", 24, 1987, pp. 25-55. Tradotto dal francese da Vito Sivo.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26304602" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d97d9e836c7b05b233e7f4e0f6399583" rel="nofollow" data-download="{"attachment_id":46618096,"asset_id":26304602,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46618096/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27484868" href="https://independent.academia.edu/NicoleLebrunCarewReid">Nicole Lebrun Carew-Reid</a><script data-card-contents-for-user="27484868" type="text/json">{"id":27484868,"first_name":"Nicole","last_name":"Lebrun Carew-Reid","domain_name":"independent","page_name":"NicoleLebrunCarewReid","display_name":"Nicole Lebrun Carew-Reid","profile_url":"https://independent.academia.edu/NicoleLebrunCarewReid?f_ri=270396","photo":"https://0.academia-photos.com/27484868/9420989/10498346/s65_nicole.lebrun_carew-reid.jpg"}</script></span></span></li><li class="js-paper-rank-work_26304602 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26304602"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26304602, container: ".js-paper-rank-work_26304602", }); 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$(".js-view-count[data-work-id=26304602]").text(description); $(".js-view-count-work_26304602").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26304602").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26304602"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="11446" href="https://www.academia.edu/Documents/in/History_of_Florence">History of Florence</a>, <script data-card-contents-for-ri="11446" type="text/json">{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a>, <script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="312953" href="https://www.academia.edu/Documents/in/Renaissance_Florence">Renaissance Florence</a>, <script data-card-contents-for-ri="312953" type="text/json">{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="595808" href="https://www.academia.edu/Documents/in/The_Medici_family">The Medici family</a><script data-card-contents-for-ri="595808" type="text/json">{"id":595808,"name":"The Medici family","url":"https://www.academia.edu/Documents/in/The_Medici_family?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26304602]'), work: {"id":26304602,"title":"Feste e politica a Firenze sotto Lorenzo il Magnifico","created_at":"2016-06-19T08:04:36.678-07:00","url":"https://www.academia.edu/26304602/Feste_e_politica_a_Firenze_sotto_Lorenzo_il_Magnifico?f_ri=270396","dom_id":"work_26304602","summary":"\"Quaderni medievali\", 24, 1987, pp. 25-55. Tradotto dal francese da Vito Sivo.","downloadable_attachments":[{"id":46618096,"asset_id":26304602,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27484868,"first_name":"Nicole","last_name":"Lebrun Carew-Reid","domain_name":"independent","page_name":"NicoleLebrunCarewReid","display_name":"Nicole Lebrun Carew-Reid","profile_url":"https://independent.academia.edu/NicoleLebrunCarewReid?f_ri=270396","photo":"https://0.academia-photos.com/27484868/9420989/10498346/s65_nicole.lebrun_carew-reid.jpg"}],"research_interests":[{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396","nofollow":false},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396","nofollow":false},{"id":595808,"name":"The Medici family","url":"https://www.academia.edu/Documents/in/The_Medici_family?f_ri=270396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11342970 coauthored" data-work_id="11342970" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11342970/Firenze_e_la_musica_Fonti_protagonisti_committenza_Scritti_in_ricordo_di_Maria_Adelaide_Bartoli_Bacherini_a_cura_di_Cecilia_Bacherini_Giacomo_Sciommeri_e_Agostino_Ziino_Roma_Istituto_Italiano_per_la_Storia_della_Musica_2014_ISBN_978_88_95349_15_2_">Firenze e la musica. Fonti, protagonisti, committenza. Scritti in ricordo di Maria Adelaide Bartoli Bacherini, a cura di Cecilia Bacherini, Giacomo Sciommeri e Agostino Ziino, Roma, Istituto Italiano per la Storia della Musica, 2014 - [ISBN: 978-88-95349-15-2]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ricordo di Maria Adelaide di Raffaello Monterosso e Anna Maria Monterosso Vacchelli Una lettera interrotta e mai inviata di Maria Adelaide Bacherini Bartoli FEDERICO BARDAZZI Musiche per la Divina Commedia STEFANO CAMPAGNOLO... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_11342970" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ricordo di Maria Adelaide <br /> di Raffaello Monterosso e Anna Maria Monterosso Vacchelli <br /> <br />Una lettera interrotta e mai inviata <br />di Maria Adelaide Bacherini Bartoli <br /> <br />FEDERICO BARDAZZI <br />Musiche per la Divina Commedia <br /> <br />STEFANO CAMPAGNOLO <br />Nota sul «più antico polifonista italiano del secolo XIV» <br /> <br />GIANLUCA D’AGOSTINO <br />Ancora su Musica e Umanesimo: spigolature braccioliniane <br /> <br />JOHN NÁDAS <br />Some New Documentary Evidence Regarding Heinrich Isaac’s Career in Florence <br /> <br />PEDRO MEMELSDORFF <br />John Hothby, Lorenzo il Magnifico e Robert Morton in una nuova fonte manoscritta a Mantova <br /> <br />BLAKE WILSON <br />Jannes, Jean Japart, and Florence <br /> <br />ANTHONY M. CUMMINGS <br />The Semiotics of Ceremonial Space and Sound in Pope Leo X’s Rome <br /> <br />LAURA MELOSI <br />Fasti medicei in una raccolta di nuptialia <br /> <br />JOHN WALTER HILL <br />Francesca Caccini and Jacopo Peri: New Ascriptions <br /> <br />ALBERTO MAMMARELLA <br />Echi cacciniani e ‘stile antico’ nel Prato di sacri fiori musicali di Antonio Brunelli (1612) <br /> <br />PIERO GARGIULO <br />Da «favola» a «opera». Musica per il teatro da Euridice (1600) a Poppea (1643) <br /> <br />TERESA M. GIALDRONI <br />Una nuova fonte per Uccialì: da Roma a Firenze, fra storia e mito <br /> <br />AGOSTINO ZIINO <br />“Canzon da me ti parti, che non ti può dar vita altri, ch’il Sarti”: un omaggio poetico di Romolo Bertini a Domenico Sarti <br /> <br />ANTONELLA D’OVIDIO <br />Sul mecenatismo musicale di Vittoria della Rovere, granduchessa di Toscana: alcune considerazioni <br /> <br />GIULIA GIOVANI <br />Tra mondanità e ufficialità. Ancora sulla prima visita a Venezia del Gran Principe Ferdinando de’ Medici <br /> <br />GIOVANNI CARLI BALLOLA <br />Le opere italiane di Cherubini <br /> <br />GREGORIO NARDI <br />Il giovane Luigi Ferdinando Casamorata: spunti per un approfondimento sul primo Romanticismo a Firenze <br /> <br />ANTONIO CAROCCIA <br />Un’amicizia epistolare: Mabellini e Florimo <br /> <br />MARCELLO DE ANGELIS <br />Giovanni Rosadi interlocutore di Puccini e Mascagni e… la gelosia di Elvira <br /> <br />PAOLA GIBBIN <br />La Sala Musica prima della Sala Musica. <br />Vicende alle origini delle collezioni musicali della Biblioteca Nazionale Centrale di Firenze <br /> <br />JOHANNES STREICHER <br />Le corrispondenze fiorentine di Arnaldo Bonaventura per la rivista «Musica» (1907-1912) <br /> <br />MILA DE SANTIS  <br />Presenze di Don Giovanni di Mozart nella drammaturgia musicale di Dallapiccola <br /> <br />Elenco delle pubblicazioni di Maria Adelaide Bartoli Bacherini <br /> <br />Indice dei nomi</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11342970" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ce6026c74efe8a11f067c4948a9cdc52" rel="nofollow" data-download="{"attachment_id":36914667,"asset_id":11342970,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36914667/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1491285" href="https://uniroma2.academia.edu/GiacomoSciommeri">Giacomo Sciommeri</a><script data-card-contents-for-user="1491285" type="text/json">{"id":1491285,"first_name":"Giacomo","last_name":"Sciommeri","domain_name":"uniroma2","page_name":"GiacomoSciommeri","display_name":"Giacomo Sciommeri","profile_url":"https://uniroma2.academia.edu/GiacomoSciommeri?f_ri=270396","photo":"/images/s65_no_pic.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-11342970">+1</span><div class="hidden js-additional-users-11342970"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/AgostinoZiino">Agostino Ziino</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-11342970'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-11342970').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_11342970 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="11342970"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11342970; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11342970]").text(description); $(".js-view-count-work_11342970").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_11342970").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="11342970"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4709" href="https://www.academia.edu/Documents/in/Academic_Libraries">Academic Libraries</a><script data-card-contents-for-ri="4709" type="text/json">{"id":4709,"name":"Academic Libraries","url":"https://www.academia.edu/Documents/in/Academic_Libraries?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11342970]'), work: {"id":11342970,"title":"Firenze e la musica. Fonti, protagonisti, committenza. Scritti in ricordo di Maria Adelaide Bartoli Bacherini, a cura di Cecilia Bacherini, Giacomo Sciommeri e Agostino Ziino, Roma, Istituto Italiano per la Storia della Musica, 2014 - [ISBN: 978-88-95349-15-2]","created_at":"2015-03-09T13:35:52.211-07:00","url":"https://www.academia.edu/11342970/Firenze_e_la_musica_Fonti_protagonisti_committenza_Scritti_in_ricordo_di_Maria_Adelaide_Bartoli_Bacherini_a_cura_di_Cecilia_Bacherini_Giacomo_Sciommeri_e_Agostino_Ziino_Roma_Istituto_Italiano_per_la_Storia_della_Musica_2014_ISBN_978_88_95349_15_2_?f_ri=270396","dom_id":"work_11342970","summary":"Ricordo di Maria Adelaide\r\n di Raffaello Monterosso e Anna Maria Monterosso Vacchelli\r\n\r\nUna lettera interrotta e mai inviata\r\ndi Maria Adelaide Bacherini Bartoli\r\n\r\nFEDERICO BARDAZZI\r\nMusiche per la Divina Commedia\r\n\r\nSTEFANO CAMPAGNOLO\r\nNota sul «più antico polifonista italiano del secolo XIV»\r\n\r\nGIANLUCA D’AGOSTINO\r\nAncora su Musica e Umanesimo: spigolature braccioliniane\r\n\r\nJOHN NÁDAS\r\nSome New Documentary Evidence Regarding Heinrich Isaac’s Career in Florence\r\n\r\nPEDRO MEMELSDORFF\r\nJohn Hothby, Lorenzo il Magnifico e Robert Morton in una nuova fonte manoscritta a Mantova\r\n\r\nBLAKE WILSON\r\nJannes, Jean Japart, and Florence\r\n\r\nANTHONY M. CUMMINGS\r\nThe Semiotics of Ceremonial Space and Sound in Pope Leo X’s Rome\r\n\r\nLAURA MELOSI\r\nFasti medicei in una raccolta di nuptialia\r\n\r\nJOHN WALTER HILL\r\nFrancesca Caccini and Jacopo Peri: New Ascriptions\r\n\r\nALBERTO MAMMARELLA\r\nEchi cacciniani e ‘stile antico’ nel Prato di sacri fiori musicali di Antonio Brunelli (1612)\r\n\r\nPIERO GARGIULO\r\nDa «favola» a «opera». Musica per il teatro da Euridice (1600) a Poppea (1643)\r\n\r\nTERESA M. GIALDRONI\r\nUna nuova fonte per Uccialì: da Roma a Firenze, fra storia e mito\r\n\r\nAGOSTINO ZIINO\r\n“Canzon da me ti parti, che non ti può dar vita altri, ch’il Sarti”: un omaggio poetico di Romolo Bertini a Domenico Sarti\r\n\r\nANTONELLA D’OVIDIO\r\nSul mecenatismo musicale di Vittoria della Rovere, granduchessa di Toscana: alcune considerazioni\r\n\r\nGIULIA GIOVANI\r\nTra mondanità e ufficialità. Ancora sulla prima visita a Venezia del Gran Principe Ferdinando de’ Medici\r\n\r\nGIOVANNI CARLI BALLOLA\r\nLe opere italiane di Cherubini\r\n\r\nGREGORIO NARDI\r\nIl giovane Luigi Ferdinando Casamorata: spunti per un approfondimento sul primo Romanticismo a Firenze\r\n\r\nANTONIO CAROCCIA\r\nUn’amicizia epistolare: Mabellini e Florimo\r\n\r\nMARCELLO DE ANGELIS\r\nGiovanni Rosadi interlocutore di Puccini e Mascagni e… la gelosia di Elvira\r\n\r\nPAOLA GIBBIN\r\nLa Sala Musica prima della Sala Musica.\r\nVicende alle origini delle collezioni musicali della Biblioteca Nazionale Centrale di Firenze\r\n\r\nJOHANNES STREICHER\r\nLe corrispondenze fiorentine di Arnaldo Bonaventura per la rivista «Musica» (1907-1912)\r\n\r\nMILA DE SANTIS \r\nPresenze di Don Giovanni di Mozart nella drammaturgia musicale di Dallapiccola\r\n\r\nElenco delle pubblicazioni di Maria Adelaide Bartoli Bacherini\r\n\r\nIndice dei nomi","downloadable_attachments":[{"id":36914667,"asset_id":11342970,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1491285,"first_name":"Giacomo","last_name":"Sciommeri","domain_name":"uniroma2","page_name":"GiacomoSciommeri","display_name":"Giacomo Sciommeri","profile_url":"https://uniroma2.academia.edu/GiacomoSciommeri?f_ri=270396","photo":"/images/s65_no_pic.png"},{"id":60628699,"first_name":"Agostino","last_name":"Ziino","domain_name":"independent","page_name":"AgostinoZiino","display_name":"Agostino Ziino","profile_url":"https://independent.academia.edu/AgostinoZiino?f_ri=270396","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=270396","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=270396","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=270396","nofollow":false},{"id":4709,"name":"Academic Libraries","url":"https://www.academia.edu/Documents/in/Academic_Libraries?f_ri=270396","nofollow":false},{"id":8047,"name":"Codicology","url":"https://www.academia.edu/Documents/in/Codicology?f_ri=270396"},{"id":10439,"name":"Academia Research","url":"https://www.academia.edu/Documents/in/Academia_Research?f_ri=270396"},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=270396"},{"id":48200,"name":"Digital Library","url":"https://www.academia.edu/Documents/in/Digital_Library?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":337886,"name":"Pietro Santi Bartoli","url":"https://www.academia.edu/Documents/in/Pietro_Santi_Bartoli?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36227586 coauthored" data-work_id="36227586" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36227586/Hermanas_Relaciones_entre_la_pen%C3%ADnsula_ib%C3%A9rica_y_la_pen%C3%ADnsula_it%C3%A1lica_de_la_Edad_Media_a_la_Moderna">Hermanas. Relaciones entre la península ibérica y la península itálica, de la Edad Media a la Moderna</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Monographic issue in eHumanista (38, 2018): Sisters. Relations between the Iberian and the Italian Peninsulae, from the Middle Ages to Modern Times.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36227586" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="42b7ff2865f98c9d3ffa401a8f1c11e7" rel="nofollow" data-download="{"attachment_id":56130756,"asset_id":36227586,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56130756/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="261759" href="https://granada.academia.edu/Ra%C3%BAlGonz%C3%A1lezAr%C3%A9valo">Raúl González Arévalo</a><script data-card-contents-for-user="261759" type="text/json">{"id":261759,"first_name":"Raúl","last_name":"González Arévalo","domain_name":"granada","page_name":"RaúlGonzálezArévalo","display_name":"Raúl González Arévalo","profile_url":"https://granada.academia.edu/Ra%C3%BAlGonz%C3%A1lezAr%C3%A9valo?f_ri=270396","photo":"https://0.academia-photos.com/261759/4804864/132270914/s65_ra_l.gonz_lez_ar_valo.jpeg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-36227586">+6</span><div class="hidden js-additional-users-36227586"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unifi.academia.edu/FrancescoGuidiBruscoli">Francesco Guidi Bruscoli</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unica.academia.edu/SergioTognetti">Sergio Tognetti</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unito.academia.edu/IsabellaLazzarini">Isabella Lazzarini</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://uniud.academia.edu/ElisabettaScarton">Elisabetta Scarton</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://uco-es.academia.edu/RafaelMGir%C3%B3nPascual">Rafael M. Girón Pascual</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/IsabelLobatoFranco">Isabel Lobato Franco</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-36227586'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-36227586').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_36227586 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36227586"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36227586, container: ".js-paper-rank-work_36227586", }); });</script></li><li class="js-percentile-work_36227586 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36227586; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36227586"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36227586 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36227586"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36227586; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36227586]").text(description); $(".js-view-count-work_36227586").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36227586").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36227586"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">67</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="134" href="https://www.academia.edu/Documents/in/Modern_History">Modern History</a>, <script data-card-contents-for-ri="134" type="text/json">{"id":134,"name":"Modern History","url":"https://www.academia.edu/Documents/in/Modern_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="797" href="https://www.academia.edu/Documents/in/International_Relations">International Relations</a>, <script data-card-contents-for-ri="797" type="text/json">{"id":797,"name":"International Relations","url":"https://www.academia.edu/Documents/in/International_Relations?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a>, <script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a><script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36227586]'), work: {"id":36227586,"title":"Hermanas. 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Ward</a><script data-card-contents-for-user="3333392" type="text/json">{"id":3333392,"first_name":"James","last_name":"Ward","domain_name":"berkeley","page_name":"JamesWard","display_name":"James O . 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Buonarroti","url":"https://www.academia.edu/Documents/in/Michelangelo_Buonarroti?f_ri=270396"},{"id":65465,"name":"Dissenting culture and education","url":"https://www.academia.edu/Documents/in/Dissenting_culture_and_education?f_ri=270396"},{"id":99448,"name":"History of Dissent","url":"https://www.academia.edu/Documents/in/History_of_Dissent?f_ri=270396"},{"id":108417,"name":"Vasari at the Medici court","url":"https://www.academia.edu/Documents/in/Vasari_at_the_Medici_court?f_ri=270396"},{"id":146352,"name":"Giorgio Vasari","url":"https://www.academia.edu/Documents/in/Giorgio_Vasari?f_ri=270396"},{"id":166531,"name":"The Medici Effect, Florence, Renaissance Florence","url":"https://www.academia.edu/Documents/in/The_Medici_Effect_Florence_Renaissance_Florence?f_ri=270396"},{"id":258910,"name":"Michelangelo","url":"https://www.academia.edu/Documents/in/Michelangelo?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":317698,"name":"16th Century Florence","url":"https://www.academia.edu/Documents/in/16th_Century_Florence?f_ri=270396"},{"id":318425,"name":"Benedetto Varchi","url":"https://www.academia.edu/Documents/in/Benedetto_Varchi?f_ri=270396"},{"id":380991,"name":"Michelangelo Medici Chapel","url":"https://www.academia.edu/Documents/in/Michelangelo_Medici_Chapel?f_ri=270396"},{"id":399548,"name":"religious dissent in Early modern Europe","url":"https://www.academia.edu/Documents/in/religious_dissent_in_Early_modern_Europe?f_ri=270396"},{"id":531877,"name":"Political dissent","url":"https://www.academia.edu/Documents/in/Political_dissent?f_ri=270396"},{"id":542493,"name":"Religious Dissent","url":"https://www.academia.edu/Documents/in/Religious_Dissent?f_ri=270396"},{"id":624286,"name":"Titian, Raphael, Michelangelo","url":"https://www.academia.edu/Documents/in/Titian_Raphael_Michelangelo?f_ri=270396"},{"id":675893,"name":"Giorgio Vasari and art historiography","url":"https://www.academia.edu/Documents/in/Giorgio_Vasari_and_art_historiography?f_ri=270396"},{"id":675896,"name":"Giorgio Vasari, Biography and the concept of the Renaissance","url":"https://www.academia.edu/Documents/in/Giorgio_Vasari_Biography_and_the_concept_of_the_Renaissance?f_ri=270396"},{"id":1574880,"name":"Machiavelli, Civic Humanism, Politics of Virtue","url":"https://www.academia.edu/Documents/in/Machiavelli_Civic_Humanism_Politics_of_Virtue?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20173532" data-work_id="20173532" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20173532/Machiavelli_s_Agathocles_from_criminal_example_to_princely_exemplum_">Machiavelli’s Agathocles: from criminal example to princely *exemplum*</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20173532" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4d33275699cf4e366eb8e1e4b21f3b51" rel="nofollow" data-download="{"attachment_id":41047420,"asset_id":20173532,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button 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McCormick","profile_url":"https://chicago.academia.edu/JohnMcCormick?f_ri=270396","photo":"https://0.academia-photos.com/40363070/11030984/14766493/s65_john.mccormick.png"}</script></span></span></li><li class="js-paper-rank-work_20173532 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20173532"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20173532, container: ".js-paper-rank-work_20173532", }); });</script></li><li class="js-percentile-work_20173532 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20173532; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_20173532"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_20173532 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="20173532"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20173532; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20173532]").text(description); $(".js-view-count-work_20173532").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20173532").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20173532"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">25</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="135" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="813" href="https://www.academia.edu/Documents/in/Political_Philosophy">Political Philosophy</a>, <script data-card-contents-for-ri="813" type="text/json">{"id":813,"name":"Political Philosophy","url":"https://www.academia.edu/Documents/in/Political_Philosophy?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1053" href="https://www.academia.edu/Documents/in/History_of_Ideas">History of Ideas</a>, <script data-card-contents-for-ri="1053" type="text/json">{"id":1053,"name":"History of Ideas","url":"https://www.academia.edu/Documents/in/History_of_Ideas?f_ri=270396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1696" href="https://www.academia.edu/Documents/in/Political_Theory">Political Theory</a><script data-card-contents-for-ri="1696" type="text/json">{"id":1696,"name":"Political Theory","url":"https://www.academia.edu/Documents/in/Political_Theory?f_ri=270396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20173532]'), work: {"id":20173532,"title":"Machiavelli’s Agathocles: from criminal example to princely 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history","url":"https://www.academia.edu/Documents/in/Intellectual_and_cultural_history?f_ri=270396"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=270396"},{"id":22599,"name":"Classical Reception Studies","url":"https://www.academia.edu/Documents/in/Classical_Reception_Studies?f_ri=270396"},{"id":24559,"name":"Machiavelli","url":"https://www.academia.edu/Documents/in/Machiavelli?f_ri=270396"},{"id":36737,"name":"Niccolò Machiavelli","url":"https://www.academia.edu/Documents/in/Niccol%C3%B2_Machiavelli?f_ri=270396"},{"id":60999,"name":"Machiavellism","url":"https://www.academia.edu/Documents/in/Machiavellism?f_ri=270396"},{"id":78547,"name":"Machiavellianism","url":"https://www.academia.edu/Documents/in/Machiavellianism?f_ri=270396"},{"id":146291,"name":"Greek Tyranny","url":"https://www.academia.edu/Documents/in/Greek_Tyranny?f_ri=270396"},{"id":146292,"name":"Classical Greek Tyranny","url":"https://www.academia.edu/Documents/in/Classical_Greek_Tyranny?f_ri=270396"},{"id":226663,"name":"Reason of State from Machiavelli to Botero","url":"https://www.academia.edu/Documents/in/Reason_of_State_from_Machiavelli_to_Botero?f_ri=270396"},{"id":249643,"name":"Tyranny","url":"https://www.academia.edu/Documents/in/Tyranny?f_ri=270396"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=270396"},{"id":303006,"name":"Exemplarity","url":"https://www.academia.edu/Documents/in/Exemplarity?f_ri=270396"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=270396"},{"id":1007024,"name":"Exemplarity In the Ancient World","url":"https://www.academia.edu/Documents/in/Exemplarity_In_the_Ancient_World?f_ri=270396"},{"id":1574880,"name":"Machiavelli, Civic Humanism, Politics of Virtue","url":"https://www.academia.edu/Documents/in/Machiavelli_Civic_Humanism_Politics_of_Virtue?f_ri=270396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1932557" data-work_id="1932557" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1932557/Florence_and_its_hinterlands_in_the_late_Middle_Ages_contrasting_fortunes_in_the_Tuscan_countryside_1300_1500">Florence and its hinterlands in the late Middle Ages: contrasting fortunes in the Tuscan countryside, 1300-1500 </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A key strand of research for social and economic historians of the pre-industrial period is the relationship between city and countryside. Sometimes urban and rural environments enjoyed mutually beneficial relationships, though in other... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1932557" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A key strand of research for social and economic historians of the pre-industrial period is the relationship between city and countryside. Sometimes urban and rural environments enjoyed mutually beneficial relationships, though in other cases cities reduced their rural hinterlands to poverty and decay – the question is, why? By focusing on late-medieval Florence and Tuscany, this paper moves away from approaching this question through an ‘urban bias’, and suggests the answers can be found within the structural configuration of rural societies themselves. Essentially, some rural regions were well set up to repel urban predatory tendencies, while other societies were susceptible to exploitation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1932557" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6fca31fb860fe9b303c7e897a0f92cb3" rel="nofollow" data-download="{"attachment_id":27779504,"asset_id":1932557,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/27779504/download_file?st=MTczMjY5NDQwNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2493885" href="https://eur.academia.edu/DanielCurtis">Daniel R Curtis</a><script data-card-contents-for-user="2493885" type="text/json">{"id":2493885,"first_name":"Daniel","last_name":"Curtis","domain_name":"eur","page_name":"DanielCurtis","display_name":"Daniel R Curtis","profile_url":"https://eur.academia.edu/DanielCurtis?f_ri=270396","photo":"https://0.academia-photos.com/2493885/779258/91738801/s65_daniel.curtis.jpg"}</script></span></span></li><li class="js-paper-rank-work_1932557 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1932557"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1932557, container: ".js-paper-rank-work_1932557", }); 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Sometimes urban and rural environments enjoyed mutually beneficial relationships, though in other cases cities reduced their rural hinterlands to poverty and decay – the question is, why? By focusing on late-medieval Florence and Tuscany, this paper moves away from approaching this question through an ‘urban bias’, and suggests the answers can be found within the structural configuration of rural societies themselves. Essentially, some rural regions were well set up to repel urban predatory tendencies, while other societies were susceptible to exploitation.","downloadable_attachments":[{"id":27779504,"asset_id":1932557,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2493885,"first_name":"Daniel","last_name":"Curtis","domain_name":"eur","page_name":"DanielCurtis","display_name":"Daniel R Curtis","profile_url":"https://eur.academia.edu/DanielCurtis?f_ri=270396","photo":"https://0.academia-photos.com/2493885/779258/91738801/s65_daniel.curtis.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=270396","nofollow":false},{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=270396","nofollow":false},{"id":1366,"name":"Late Middle Ages","url":"https://www.academia.edu/Documents/in/Late_Middle_Ages?f_ri=270396","nofollow":false},{"id":1446,"name":"Medieval 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