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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Antoine Busnoys</h1><div class="u-tcGrayDark">13 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Antoine Busnoys</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Antoine_Busnoys/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Antoine_Busnoys/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Antoine_Busnoys/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Antoine_Busnoys">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42219358" data-work_id="42219358" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42219358/The_Berlin_Chansonnier_and_French_Song_in_Florence_1450_1490_A_New_Dating_and_Its_Implications">The Berlin Chansonnier and French Song in Florence, 1450-1490: A New Dating and Its Implications</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Owing to the loss of most 15th-century music manuscripts from France and Burgundy, chansonniers of Italian origin are of special significance for our knowledge of the French song repertory and its dissemination during the second half of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42219358" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Owing to the loss of most 15th-century music manuscripts from France and Burgundy, chansonniers of Italian origin are of special significance for our knowledge of the French song repertory and its dissemination during the second half of the century. Florence appears to have been a particularly important center of collecting, judging from a group of nine chansonniers copied there between the 1440s and the early 1490s. In recent decades the Berlin Chansonnier (Berlin, Staatliche Museen der Stiftung Preussischer Kulturbesitz, Kupferstichkabinett, MS 78.C.28) has held a special place among these Florentine sources, partly because it is the only one from before the 1490s for which there is external evidence that seemed to provide a precise dating, and partly because that evidence indicated that it was our only surviving Florentine music manuscript from the 1460s. More than 30 years ago Peter Reidemeister identified the two Florentine families whose impaled arms decorate the first chanson in the collection. These arms led him to propose that the manuscript was made in connection with a wedding involving these two families, which he claimed took place in 1465 or 1466, a dating that has been accepted as a terminus ad quem in subsequent scholarship. The manuscript thus appeared to pre-date by 15 or more years the next earliest sources in the Florentine group, and the significant repertorial differences between the Berlin manuscript and those of the early 1480s seemed to confirm this time gap.<br /> Documents in the Archivio di Stato in Florence change this picture considerably. New evidence calls for a series of crucial adjustments to the theories proposed by Reidemeister that together force a reassessment of the dating of the Berlin Chansonnier. This reassessment affects in turn its relation to several other manuscripts, both from Florence and elsewhere in Italy, and provides new insight into the repertory of songs (in particular those of Busnoys) that was circulating in Florence between the 1460s and the early 1480s.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42219358" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7330cf703b06a3c467350360c7be6660" rel="nofollow" data-download="{"attachment_id":62369051,"asset_id":42219358,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62369051/download_file?st=MTczMjcwMjk5OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="49349991" href="https://newenglandconservatory.academia.edu/SeanGallagher">Sean Gallagher</a><script data-card-contents-for-user="49349991" type="text/json">{"id":49349991,"first_name":"Sean","last_name":"Gallagher","domain_name":"newenglandconservatory","page_name":"SeanGallagher","display_name":"Sean Gallagher","profile_url":"https://newenglandconservatory.academia.edu/SeanGallagher?f_ri=14870","photo":"https://0.academia-photos.com/49349991/31472185/81193720/s65_sean.gallagher.jpg"}</script></span></span></li><li class="js-paper-rank-work_42219358 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42219358"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42219358, container: ".js-paper-rank-work_42219358", }); 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$(".js-view-count[data-work-id=42219358]").text(description); $(".js-view-count-work_42219358").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42219358").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42219358"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23599" href="https://www.academia.edu/Documents/in/Chanson">Chanson</a>, <script data-card-contents-for-ri="23599" type="text/json">{"id":23599,"name":"Chanson","url":"https://www.academia.edu/Documents/in/Chanson?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="270396" href="https://www.academia.edu/Documents/in/15th_Century_Florence">15th Century Florence</a><script data-card-contents-for-ri="270396" type="text/json">{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42219358]'), work: {"id":42219358,"title":"The Berlin Chansonnier and French Song in Florence, 1450-1490: A New Dating and Its Implications","created_at":"2020-03-14T19:25:30.802-07:00","url":"https://www.academia.edu/42219358/The_Berlin_Chansonnier_and_French_Song_in_Florence_1450_1490_A_New_Dating_and_Its_Implications?f_ri=14870","dom_id":"work_42219358","summary":"Owing to the loss of most 15th-century music manuscripts from France and Burgundy, chansonniers of Italian origin are of special significance for our knowledge of the French song repertory and its dissemination during the second half of the century. Florence appears to have been a particularly important center of collecting, judging from a group of nine chansonniers copied there between the 1440s and the early 1490s. In recent decades the Berlin Chansonnier (Berlin, Staatliche Museen der Stiftung Preussischer Kulturbesitz, Kupferstichkabinett, MS 78.C.28) has held a special place among these Florentine sources, partly because it is the only one from before the 1490s for which there is external evidence that seemed to provide a precise dating, and partly because that evidence indicated that it was our only surviving Florentine music manuscript from the 1460s. More than 30 years ago Peter Reidemeister identified the two Florentine families whose impaled arms decorate the first chanson in the collection. These arms led him to propose that the manuscript was made in connection with a wedding involving these two families, which he claimed took place in 1465 or 1466, a dating that has been accepted as a terminus ad quem in subsequent scholarship. The manuscript thus appeared to pre-date by 15 or more years the next earliest sources in the Florentine group, and the significant repertorial differences between the Berlin manuscript and those of the early 1480s seemed to confirm this time gap.\n\tDocuments in the Archivio di Stato in Florence change this picture considerably. New evidence calls for a series of crucial adjustments to the theories proposed by Reidemeister that together force a reassessment of the dating of the Berlin Chansonnier. This reassessment affects in turn its relation to several other manuscripts, both from Florence and elsewhere in Italy, and provides new insight into the repertory of songs (in particular those of Busnoys) that was circulating in Florence between the 1460s and the early 1480s.\n","downloadable_attachments":[{"id":62369051,"asset_id":42219358,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":49349991,"first_name":"Sean","last_name":"Gallagher","domain_name":"newenglandconservatory","page_name":"SeanGallagher","display_name":"Sean Gallagher","profile_url":"https://newenglandconservatory.academia.edu/SeanGallagher?f_ri=14870","photo":"https://0.academia-photos.com/49349991/31472185/81193720/s65_sean.gallagher.jpg"}],"research_interests":[{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=14870","nofollow":false},{"id":23599,"name":"Chanson","url":"https://www.academia.edu/Documents/in/Chanson?f_ri=14870","nofollow":false},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=14870","nofollow":false},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=14870"},{"id":643622,"name":"Chansonniers","url":"https://www.academia.edu/Documents/in/Chansonniers?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187643" data-work_id="187643" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187643/Busnoys_Busnois_Bunoys_de_Busnes_Antoine_Antonius_">Busnoys [Busnois, Bunoys, de Busnes], Antoine [Antonius]</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187643" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6f7734c07cad10ba0383619d2cf86cbf" rel="nofollow" data-download="{"attachment_id":55435590,"asset_id":187643,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button 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Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_187643 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="187643"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 187643, container: ".js-paper-rank-work_187643", }); });</script></li><li class="js-percentile-work_187643 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 187643; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_187643"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_187643 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="187643"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 187643; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=187643]").text(description); $(".js-view-count-work_187643").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_187643").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="187643"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a><script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187643]'), work: {"id":187643,"title":"Busnoys [Busnois, Bunoys, de Busnes], Antoine [Antonius]","created_at":"2009-08-16T01:43:45.995-07:00","url":"https://www.academia.edu/187643/Busnoys_Busnois_Bunoys_de_Busnes_Antoine_Antonius_?f_ri=14870","dom_id":"work_187643","summary":null,"downloadable_attachments":[{"id":55435590,"asset_id":187643,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187249" data-work_id="187249" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187249/Lamenting_Our_Master_and_Good_Father_Intertextuality_and_Creative_Patrilineage_in_Tributes_by_and_for_Johannes_Ockeghem">Lamenting ‘Our Master and Good Father’: Intertextuality and Creative Patrilineage in Tributes by and for Johannes Ockeghem</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187249" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b8c5e9f7ca9a8275bed631112281c43d" rel="nofollow" data-download="{"attachment_id":12867038,"asset_id":187249,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/12867038/download_file?st=MTczMjcwMjk5OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59222" href="https://royalholloway.academia.edu/PaulaHiggins">Paula Higgins</a><script data-card-contents-for-user="59222" type="text/json">{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_187249 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="187249"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 187249, container: ".js-paper-rank-work_187249", }); });</script></li><li class="js-percentile-work_187249 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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});</script></span><script>$(function() { $(".js-view-count-work_187249").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="187249"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12644" href="https://www.academia.edu/Documents/in/Commemoration_and_Memory">Commemoration and Memory</a>, <script data-card-contents-for-ri="12644" type="text/json">{"id":12644,"name":"Commemoration and Memory","url":"https://www.academia.edu/Documents/in/Commemoration_and_Memory?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14869" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a><script data-card-contents-for-ri="14869" type="text/json">{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187249]'), work: {"id":187249,"title":"Lamenting ‘Our Master and Good Father’: Intertextuality and Creative Patrilineage in Tributes by and for Johannes Ockeghem","created_at":"2009-08-10T03:57:19.842-07:00","url":"https://www.academia.edu/187249/Lamenting_Our_Master_and_Good_Father_Intertextuality_and_Creative_Patrilineage_in_Tributes_by_and_for_Johannes_Ockeghem?f_ri=14870","dom_id":"work_187249","summary":null,"downloadable_attachments":[{"id":12867038,"asset_id":187249,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false},{"id":12644,"name":"Commemoration and Memory","url":"https://www.academia.edu/Documents/in/Commemoration_and_Memory?f_ri=14870","nofollow":false},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870"},{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=14870"},{"id":19745,"name":"Book of Job","url":"https://www.academia.edu/Documents/in/Book_of_Job?f_ri=14870"},{"id":159218,"name":"Death, Grief, and Mourning","url":"https://www.academia.edu/Documents/in/Death_Grief_and_Mourning?f_ri=14870"},{"id":183694,"name":"Music and Death","url":"https://www.academia.edu/Documents/in/Music_and_Death?f_ri=14870"},{"id":444101,"name":"Intertextuality and Allusion","url":"https://www.academia.edu/Documents/in/Intertextuality_and_Allusion?f_ri=14870"},{"id":1321208,"name":"Office of the Dead","url":"https://www.academia.edu/Documents/in/Office_of_the_Dead?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187497" data-work_id="187497" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187497/_In_hydraulis_Revisited_New_Light_on_the_Career_of_Antoine_Busnois_Journal_of_the_American_Musicological_Society_39_1986_36_86_Recipient_of_the_Alfred_Einstein_Award_of_the_American_Musicological_Society_1987">"In hydraulis Revisited: New Light on the Career of Antoine Busnois," Journal of the American Musicological Society, 39 (1986), 36-86. Recipient of the Alfred Einstein Award of the American Musicological Society, 1987.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187497" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0c487e21d2937f6a9ba332ba8296bbd6" rel="nofollow" data-download="{"attachment_id":55401770,"asset_id":187497,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55401770/download_file?st=MTczMjcwMjk5OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59222" href="https://royalholloway.academia.edu/PaulaHiggins">Paula Higgins</a><script data-card-contents-for-user="59222" type="text/json">{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_187497 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="187497"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 187497, container: ".js-paper-rank-work_187497", }); 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$(".js-view-count[data-work-id=187497]").text(description); $(".js-view-count-work_187497").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_187497").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="187497"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14869" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a>, <script data-card-contents-for-ri="14869" type="text/json">{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a><script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187497]'), work: {"id":187497,"title":"\"In hydraulis Revisited: New Light on the Career of Antoine Busnois,\" Journal of the American Musicological Society, 39 (1986), 36-86. Recipient of the Alfred Einstein Award of the American Musicological Society, 1987.","created_at":"2009-08-13T05:36:40.428-07:00","url":"https://www.academia.edu/187497/_In_hydraulis_Revisited_New_Light_on_the_Career_of_Antoine_Busnois_Journal_of_the_American_Musicological_Society_39_1986_36_86_Recipient_of_the_Alfred_Einstein_Award_of_the_American_Musicological_Society_1987?f_ri=14870","dom_id":"work_187497","summary":null,"downloadable_attachments":[{"id":55401770,"asset_id":187497,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false},{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=14870"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=14870"},{"id":752711,"name":"Musical Chapels, Renaissance, Early Modern","url":"https://www.academia.edu/Documents/in/Musical_Chapels_Renaissance_Early_Modern?f_ri=14870"},{"id":1034522,"name":"French Royal Court","url":"https://www.academia.edu/Documents/in/French_Royal_Court?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_14124363" data-work_id="14124363" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/14124363/The_anonymous_mass_Dieu_quel_mariage_">The anonymous mass “Dieu quel mariage”</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The first piece in the Codex Speciálník (CZ-HKm II A 7) is an anonymous 3-part setting of the Ordinary of the Mass, based on the monophonic chanson “Dieu quel mariage”. Its music is of high quality, and its 5-part Benedictus (with... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_14124363" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The first piece in the Codex Speciálník (CZ-HKm II A 7) is an anonymous 3-part setting of the Ordinary of the Mass, based on the monophonic chanson “Dieu quel mariage”. Its music is of high quality, and its 5-part Benedictus (with simultaneous retrograde canon on the tenor) was probably a repurposed Agnus Dei III. The composer was probably a Westerner rather than Central European, familiar with the music of Busnoys, Hobrecht, and Basiron.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14124363" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2b4e1a4a58b60c81ea8a7fed22d35753" rel="nofollow" data-download="{"attachment_id":38207343,"asset_id":14124363,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38207343/download_file?st=MTczMjcwMjk5OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6786558" href="https://bcu.academia.edu/JeffreyDean">Jeffrey Dean</a><script data-card-contents-for-user="6786558" type="text/json">{"id":6786558,"first_name":"Jeffrey","last_name":"Dean","domain_name":"bcu","page_name":"JeffreyDean","display_name":"Jeffrey Dean","profile_url":"https://bcu.academia.edu/JeffreyDean?f_ri=14870","photo":"https://0.academia-photos.com/6786558/9827526/10951957/s65_jeffrey.dean.png"}</script></span></span></li><li class="js-paper-rank-work_14124363 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14124363"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14124363, container: ".js-paper-rank-work_14124363", }); 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$(".js-view-count[data-work-id=14124363]").text(description); $(".js-view-count-work_14124363").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_14124363").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="14124363"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="173189" href="https://www.academia.edu/Documents/in/15th_Century_Music">15th Century Music</a><script data-card-contents-for-ri="173189" type="text/json">{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=14124363]'), work: {"id":14124363,"title":"The anonymous mass “Dieu quel mariage”","created_at":"2015-07-16T11:39:18.959-07:00","url":"https://www.academia.edu/14124363/The_anonymous_mass_Dieu_quel_mariage_?f_ri=14870","dom_id":"work_14124363","summary":"The first piece in the Codex Speciálník (CZ-HKm II A 7) is an anonymous 3-part setting of the Ordinary of the Mass, based on the monophonic chanson “Dieu quel mariage”. Its music is of high quality, and its 5-part Benedictus (with simultaneous retrograde canon on the tenor) was probably a repurposed Agnus Dei III. The composer was probably a Westerner rather than Central European, familiar with the music of Busnoys, Hobrecht, and Basiron.","downloadable_attachments":[{"id":38207343,"asset_id":14124363,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6786558,"first_name":"Jeffrey","last_name":"Dean","domain_name":"bcu","page_name":"JeffreyDean","display_name":"Jeffrey Dean","profile_url":"https://bcu.academia.edu/JeffreyDean?f_ri=14870","photo":"https://0.academia-photos.com/6786558/9827526/10951957/s65_jeffrey.dean.png"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=14870","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=14870","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=14870","nofollow":false},{"id":553693,"name":"Philippe Basiron","url":"https://www.academia.edu/Documents/in/Philippe_Basiron?f_ri=14870"},{"id":1635741,"name":"Jacob Obrecht","url":"https://www.academia.edu/Documents/in/Jacob_Obrecht?f_ri=14870"},{"id":2001659,"name":"Codex Speciálník","url":"https://www.academia.edu/Documents/in/Codex_Speci%C3%A1ln%C3%ADk?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187584" data-work_id="187584" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187584/Parisian_Nobles_A_Scottish_Princess_and_the_Womans_Voice_in_Late_Medieval_Song">Parisian Nobles, A Scottish Princess, and the Woman's Voice in Late Medieval Song</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187584" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c9eeb6e6ecc17a526e74811a55bf03e0" rel="nofollow" data-download="{"attachment_id":50747185,"asset_id":187584,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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Women Writers","url":"https://www.academia.edu/Documents/in/Medieval_Women_Writers?f_ri=14870"},{"id":224676,"name":"Medieval song","url":"https://www.academia.edu/Documents/in/Medieval_song?f_ri=14870"},{"id":1034522,"name":"French Royal Court","url":"https://www.academia.edu/Documents/in/French_Royal_Court?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_75859302" data-work_id="75859302" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/75859302/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson">Evidence contrary to the a cappella hypothesis for the 15th-century chanson</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item 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data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="32414" href="https://www.academia.edu/Documents/in/Performance_Practice_Music_">Performance Practice (Music)</a>, <script data-card-contents-for-ri="32414" type="text/json">{"id":32414,"name":"Performance Practice (Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=75859302]'), work: {"id":75859302,"title":"Evidence contrary to the a cappella hypothesis for the 15th-century 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(Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=14870","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=14870","nofollow":false},{"id":452912,"name":"Oxford university","url":"https://www.academia.edu/Documents/in/Oxford_university?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7435359" data-work_id="7435359" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7435359/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson">Evidence contrary to the a cappella hypothesis for the 15th-century chanson</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">The authors determined that the contratenor 'voice' was in fact performed instrumentally in the 15th c. three-voice chanson, through arguments based on the linear, harmonic, and notational evidence.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7435359" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b531ec38d87678e49f180e28153074b1" rel="nofollow" data-download="{"attachment_id":34018470,"asset_id":7435359,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" 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(Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="199988" href="https://www.academia.edu/Documents/in/Renaissance_lute_music">Renaissance lute music</a><script data-card-contents-for-ri="199988" type="text/json">{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7435359]'), work: {"id":7435359,"title":"Evidence contrary to the a cappella hypothesis for the 15th-century chanson","created_at":"2014-06-23T08:24:07.846-07:00","url":"https://www.academia.edu/7435359/Evidence_contrary_to_the_a_cappella_hypothesis_for_the_15th_century_chanson?f_ri=14870","dom_id":"work_7435359","summary":"The authors determined that the contratenor 'voice' was in fact performed instrumentally in the 15th c. three-voice chanson, through arguments based on the linear, harmonic, and notational evidence.","downloadable_attachments":[{"id":34018470,"asset_id":7435359,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8844712,"first_name":"Peter","last_name":"Urquhart","domain_name":"unh","page_name":"PeterUrquhart","display_name":"Peter Urquhart","profile_url":"https://unh.academia.edu/PeterUrquhart?f_ri=14870","photo":"https://0.academia-photos.com/8844712/3716361/4354600/s65_peter.urquhart.jpg"}],"research_interests":[{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false},{"id":32414,"name":"Performance Practice (Music)","url":"https://www.academia.edu/Documents/in/Performance_Practice_Music_?f_ri=14870","nofollow":false},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=14870","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187495" data-work_id="187495" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187495/Love_and_Death_in_the_Fifteenth_Century_Motet_A_Reading_of_Busnoyss_Anima_mea_liquefacta_est_Stirps_Jesse">Love and Death in the Fifteenth-Century Motet: A Reading of Busnoys's Anima mea liquefacta est/Stirps Jesse</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">First given as a paper at the conference Hearing the Medieval Motet, Washington University, St. Louis, 13-14 February 1994, and subsequently at the Twenty-Second Annual Conference on Medieval and Renaissance Music, 11 July 1994,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_187495" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">First given as a paper at the conference Hearing the Medieval Motet, Washington University, St. Louis, 13-14 February 1994, and subsequently at the Twenty-Second Annual Conference on Medieval and Renaissance Music, 11 July 1994, University of Glasgow, UK.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187495" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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href="https://www.academia.edu/Documents/in/Womens_History">Women's History</a>, <script data-card-contents-for-ri="1726" type="text/json">{"id":1726,"name":"Women's History","url":"https://www.academia.edu/Documents/in/Womens_History?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7060" href="https://www.academia.edu/Documents/in/Medieval_Women">Medieval Women</a><script data-card-contents-for-ri="7060" type="text/json">{"id":7060,"name":"Medieval Women","url":"https://www.academia.edu/Documents/in/Medieval_Women?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187495]'), work: {"id":187495,"title":"Love and Death in the Fifteenth-Century Motet: A Reading of Busnoys's Anima mea liquefacta est/Stirps Jesse","created_at":"2009-08-13T05:12:14.148-07:00","url":"https://www.academia.edu/187495/Love_and_Death_in_the_Fifteenth_Century_Motet_A_Reading_of_Busnoyss_Anima_mea_liquefacta_est_Stirps_Jesse?f_ri=14870","dom_id":"work_187495","summary":"First given as a paper at the conference Hearing the Medieval Motet, Washington University, St. Louis, 13-14 February 1994, and subsequently at the Twenty-Second Annual Conference on Medieval and Renaissance Music, 11 July 1994, University of Glasgow, UK.","downloadable_attachments":[{"id":31142593,"asset_id":187495,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula 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Europe","url":"https://www.academia.edu/Documents/in/Queenship_in_Medieval_and_Early_Modern_Europe?f_ri=14870"},{"id":859304,"name":"Feminist Criticism of Old Testament/Hebrew Bible","url":"https://www.academia.edu/Documents/in/Feminist_Criticism_of_Old_Testament_Hebrew_Bible?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187248" data-work_id="187248" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187248/Musical_Parents_and_Their_Progeny_The_Discourse_of_Creative_Patriarchy_in_Early_Modern_Europe">Musical 'Parents' and Their 'Progeny': The Discourse of Creative Patriarchy in Early Modern Europe</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">First given as a paper at The Idea of the Renaissance in Our Time, National Meeting of the Renaissance Society of America, Duke University, USA, 11 April 1991, and subsequently at the Twenty-second Annual Conference on Medieval and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_187248" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">First given as a paper at The Idea of the Renaissance in Our Time, National Meeting of the Renaissance Society of America, Duke University, USA, 11 April 1991, and subsequently at the Twenty-second Annual Conference on Medieval and Renaissance Music, Glasgow, UK, 11 July 1994.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" 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InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59222" href="https://royalholloway.academia.edu/PaulaHiggins">Paula Higgins</a><script data-card-contents-for-user="59222" type="text/json">{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_187248 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="187248"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 187248, 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=187248]").text(description); $(".js-view-count-work_187248").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_187248").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="187248"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a>, <script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14869" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a>, <script data-card-contents-for-ri="14869" type="text/json">{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a><script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187248]'), work: {"id":187248,"title":"Musical 'Parents' and Their 'Progeny': The Discourse of Creative Patriarchy in Early Modern Europe","created_at":"2009-08-10T03:50:43.828-07:00","url":"https://www.academia.edu/187248/Musical_Parents_and_Their_Progeny_The_Discourse_of_Creative_Patriarchy_in_Early_Modern_Europe?f_ri=14870","dom_id":"work_187248","summary":"First given as a paper at The Idea of the Renaissance in Our Time, National Meeting of the Renaissance Society of America, Duke University, USA, 11 April 1991, and subsequently at the Twenty-second Annual Conference on Medieval and Renaissance Music, Glasgow, UK, 11 July 1994.","downloadable_attachments":[{"id":316935,"asset_id":187248,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=14870","nofollow":false},{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=14870","nofollow":false},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false},{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=14870"},{"id":22092,"name":"Gilles Binchois","url":"https://www.academia.edu/Documents/in/Gilles_Binchois?f_ri=14870"},{"id":25089,"name":"Feminist Criticism","url":"https://www.academia.edu/Documents/in/Feminist_Criticism?f_ri=14870"},{"id":553693,"name":"Philippe Basiron","url":"https://www.academia.edu/Documents/in/Philippe_Basiron?f_ri=14870"},{"id":957077,"name":"Fictive Kinship","url":"https://www.academia.edu/Documents/in/Fictive_Kinship?f_ri=14870"},{"id":1147684,"name":"Women Composers","url":"https://www.academia.edu/Documents/in/Women_Composers?f_ri=14870"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45121953" data-work_id="45121953" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45121953/Review_of_Hearing_the_Motet_Essays_on_the_Motet_of_the_Middle_Ages_and_the_Renaissance_Ed_Dolores_Pesce_New_York_Oxford_University_Press_1997">Review of Hearing the Motet: Essays on the Motet of the Middle Ages and the Renaissance. Ed. Dolores Pesce. New York: Oxford University Press, 1997.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45121953" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ea0cd6597c4955bc7cbf6c4b8c4ccfe7" rel="nofollow" data-download="{"attachment_id":65689526,"asset_id":45121953,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65689526/download_file?st=MTczMjcwMjk5OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="49349991" href="https://newenglandconservatory.academia.edu/SeanGallagher">Sean Gallagher</a><script data-card-contents-for-user="49349991" type="text/json">{"id":49349991,"first_name":"Sean","last_name":"Gallagher","domain_name":"newenglandconservatory","page_name":"SeanGallagher","display_name":"Sean Gallagher","profile_url":"https://newenglandconservatory.academia.edu/SeanGallagher?f_ri=14870","photo":"https://0.academia-photos.com/49349991/31472185/81193720/s65_sean.gallagher.jpg"}</script></span></span></li><li class="js-paper-rank-work_45121953 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45121953"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45121953, container: ".js-paper-rank-work_45121953", }); 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Paper. 63rd Annual Meeting of the American Musicological Society,</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1667820" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eeb8e2db588190771834295a39899794" rel="nofollow" data-download="{"attachment_id":5475840,"asset_id":1667820,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/5475840/download_file?st=MTczMjcwMjk5OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59222" href="https://royalholloway.academia.edu/PaulaHiggins">Paula Higgins</a><script data-card-contents-for-user="59222" type="text/json">{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_1667820 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1667820"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1667820, container: ".js-paper-rank-work_1667820", }); 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u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187253/Musical_Politics_in_Late_Medieval_Poitiers_A_Tale_of_Two_Choirmasters">Musical Politics in Late Medieval Poitiers: A Tale of Two Choirmasters</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">First given as a paper at the Eighteenth Annual Conference on Medieval and Renaissance Music, 8 July 1990, Royal Holloway and Bedford New College, London, UK, and subsequently at the international conference Continuities and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_187253" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">First given as a paper at the Eighteenth Annual Conference on Medieval and Renaissance Music, 8 July 1990, Royal Holloway and Bedford New College, London, UK, and subsequently at the international conference Continuities and Transformations in Musical Culture, 1450-1500: Assessing the Legacy of Antoine Busnoys, University of Notre Dame, Notre Dame, IN, 10 November 1992.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187253" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5fbc1d80be0e17a92227008b6b815987" rel="nofollow" data-download="{"attachment_id":31198467,"asset_id":187253,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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href="https://www.academia.edu/Documents/in/Medieval_Ecclesiastical_History">Medieval Ecclesiastical History</a>, <script data-card-contents-for-ri="7281" type="text/json">{"id":7281,"name":"Medieval Ecclesiastical History","url":"https://www.academia.edu/Documents/in/Medieval_Ecclesiastical_History?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a><script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187253]'), work: {"id":187253,"title":"Musical Politics in Late Medieval Poitiers: A Tale of Two 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work_6136735" data-work_id="6136735" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6136735/Three_Sample_Problems_of_Editorial_Accidentals_in_Chansons_by_Busnoys_and_Ockeghem">Three Sample Problems of Editorial Accidentals in Chansons by Busnoys and Ockeghem</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6136735" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a 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type="text/json">{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="447690" href="https://www.academia.edu/Documents/in/Musica_Ficta">Musica Ficta</a>, <script data-card-contents-for-ri="447690" type="text/json">{"id":447690,"name":"Musica Ficta","url":"https://www.academia.edu/Documents/in/Musica_Ficta?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681827" href="https://www.academia.edu/Documents/in/Cadence">Cadence</a><script data-card-contents-for-ri="681827" type="text/json">{"id":681827,"name":"Cadence","url":"https://www.academia.edu/Documents/in/Cadence?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6136735]'), work: {"id":6136735,"title":"Three Sample Problems of Editorial Accidentals in 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Ph.D. Dissertation. Princeton University, 1987. UMI-8714907</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3223112" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59222" href="https://royalholloway.academia.edu/PaulaHiggins">Paula Higgins</a><script data-card-contents-for-user="59222" type="text/json">{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_3223112 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3223112"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3223112, container: ".js-paper-rank-work_3223112", }); });</script></li><li class="js-percentile-work_3223112 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3223112; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3223112"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3223112 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3223112"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3223112; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3223112]").text(description); $(".js-view-count-work_3223112").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3223112").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3223112"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="14869" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a>, <script data-card-contents-for-ri="14869" type="text/json">{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14871" href="https://www.academia.edu/Documents/in/Johannes_Ockeghem">Johannes Ockeghem</a>, <script data-card-contents-for-ri="14871" type="text/json">{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24364" href="https://www.academia.edu/Documents/in/Historiography_of_Music">Historiography of Music</a><script data-card-contents-for-ri="24364" type="text/json">{"id":24364,"name":"Historiography of Music","url":"https://www.academia.edu/Documents/in/Historiography_of_Music?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3223112]'), work: {"id":3223112,"title":"Antoine Busnois and Musical Culture in Late Fifteenth-Century France and Burgundy. 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href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35456" href="https://www.academia.edu/Documents/in/15th_Century_Burgundy">15th Century Burgundy</a>, <script data-card-contents-for-ri="35456" type="text/json">{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="141529" href="https://www.academia.edu/Documents/in/Burgundian_Court">Burgundian Court</a><script data-card-contents-for-ri="141529" type="text/json">{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41822140]'), work: {"id":41822140,"title":"Busnoys, Burgundy, and the Song of Songs","created_at":"2020-02-01T20:33:24.425-08:00","url":"https://www.academia.edu/41822140/Busnoys_Burgundy_and_the_Song_of_Songs?f_ri=14870","dom_id":"work_41822140","summary":null,"downloadable_attachments":[{"id":61963644,"asset_id":41822140,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":49349991,"first_name":"Sean","last_name":"Gallagher","domain_name":"newenglandconservatory","page_name":"SeanGallagher","display_name":"Sean 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_187273" data-work_id="187273" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/187273/Antoine_Busnoys_Method_Meaning_and_Context_in_Late_Medieval_Music_Oxford_Clarendon_Press_1999_New_York_Oxford_University_Press_2000">Antoine Busnoys: Method, Meaning and Context in Late Medieval Music. Oxford: Clarendon Press, 1999; New York: Oxford University Press, 2000.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Reviews: 1. Fabrice Fitch, “Busnoys the Bruiser,” Early Music, 28 (2000), 283-84 <a href="http://em.oxfordjournals.org/cgi/reprint/XXI/2/330.pdf" rel="nofollow">http://em.oxfordjournals.org/cgi/reprint/XXI/2/330.pdf</a> 2. David N. Klausner, American Recorder, 41/5 (November 2000), 20-22.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_187273" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Reviews:<br /><br />1. Fabrice Fitch, “Busnoys the Bruiser,” Early Music, 28 (2000), 283-84<br /><a href="http://em.oxfordjournals.org/cgi/reprint/XXI/2/330.pdf" rel="nofollow">http://em.oxfordjournals.org/cgi/reprint/XXI/2/330.pdf</a><br /><br />2. David N. Klausner, American Recorder, 41/5 (November 2000), 20-22.<br /><a href="http://www.americanrecorder.org/membership/pubs/magazine/2000/nov00/arnov00body.pdf" rel="nofollow">http://www.americanrecorder.org/membership/pubs/magazine/2000/nov00/arnov00body.pdf</a><br /><br />3. Susan Forcher Weiss, Notes, (2001), 888-91<br /><a href="http://muse.jhu.edu/journals/notes/v057/57.4weiss.html" rel="nofollow">http://muse.jhu.edu/journals/notes/v057/57.4weiss.html</a><br /><br />4. Maria Caraci Vela, Philomusica, 1 (2001-2002)<br /><a href="http://philomusica.unipv.it/annate/2001-2/intro.html" rel="nofollow">http://philomusica.unipv.it/annate/2001-2/intro.html</a><br /><br />5. Cl. Lemaire, Scriptorium, 24/5 (2001), 319-21.<br /><br />6. Jeffrey Dean, Tijdschrift van de Kongelige Vereniging voor Nederlandse Muziekgeschiedenis, 51 (2001), 149-55.<br /><a href="http://www.jstor.org/stable/939194" rel="nofollow">http://www.jstor.org/stable/939194</a><br /><br />7. Elizabeth Eva Leach, Music & Letters, 83 (2002), 443-47<br /><a href="http://ml.oxfordjournals.org/cgi/reprint/83/3/443.pdf" rel="nofollow">http://ml.oxfordjournals.org/cgi/reprint/83/3/443.pdf</a><br /><br />8. Mitchell Brauner, Journal of the American Musicological Society, 55 (2002), 337-45.<br /><a href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2002.55.2.337?journalCode=jams" rel="nofollow">http://caliber.ucpress.net/doi/abs/10.1525/jams.2002.55.2.337?journalCode=jams</a><br /><br />9. Henri Vanhulst, Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 56, (2002), 309-310.<br /><a href="http://www.jstor.org/stable/3687021" rel="nofollow">http://www.jstor.org/stable/3687021</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/187273" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59222" href="https://royalholloway.academia.edu/PaulaHiggins">Paula Higgins</a><script data-card-contents-for-user="59222" type="text/json">{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}</script></span></span></li><li class="js-paper-rank-work_187273 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="187273"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 187273, container: ".js-paper-rank-work_187273", }); 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$(".js-view-count[data-work-id=187273]").text(description); $(".js-view-count-work_187273").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_187273").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="187273"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14870" href="https://www.academia.edu/Documents/in/Antoine_Busnoys">Antoine Busnoys</a>, <script data-card-contents-for-ri="14870" type="text/json">{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14871" href="https://www.academia.edu/Documents/in/Johannes_Ockeghem">Johannes Ockeghem</a><script data-card-contents-for-ri="14871" type="text/json">{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=14870","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=187273]'), work: {"id":187273,"title":"Antoine Busnoys: Method, Meaning and Context in Late Medieval Music. Oxford: Clarendon Press, 1999; New York: Oxford University Press, 2000.","created_at":"2009-08-10T14:37:30.962-07:00","url":"https://www.academia.edu/187273/Antoine_Busnoys_Method_Meaning_and_Context_in_Late_Medieval_Music_Oxford_Clarendon_Press_1999_New_York_Oxford_University_Press_2000?f_ri=14870","dom_id":"work_187273","summary":"Reviews:\n\n1. Fabrice Fitch, “Busnoys the Bruiser,” Early Music, 28 (2000), 283-84\nhttp://em.oxfordjournals.org/cgi/reprint/XXI/2/330.pdf\n\n2. David N. Klausner, American Recorder, 41/5 (November 2000), 20-22.\nhttp://www.americanrecorder.org/membership/pubs/magazine/2000/nov00/arnov00body.pdf\n\n3. Susan Forcher Weiss, Notes, (2001), 888-91\nhttp://muse.jhu.edu/journals/notes/v057/57.4weiss.html\n\n4. Maria Caraci Vela, Philomusica, 1 (2001-2002)\nhttp://philomusica.unipv.it/annate/2001-2/intro.html\n\n5. Cl. Lemaire, Scriptorium, 24/5 (2001), 319-21.\n\n6. Jeffrey Dean, Tijdschrift van de Kongelige Vereniging voor Nederlandse Muziekgeschiedenis, 51 (2001), 149-55.\nhttp://www.jstor.org/stable/939194\n\n7. Elizabeth Eva Leach, Music \u0026 Letters, 83 (2002), 443-47\nhttp://ml.oxfordjournals.org/cgi/reprint/83/3/443.pdf\n\n8. Mitchell Brauner, Journal of the American Musicological Society, 55 (2002), 337-45.\nhttp://caliber.ucpress.net/doi/abs/10.1525/jams.2002.55.2.337?journalCode=jams\n\n9. Henri Vanhulst, Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 56, (2002), 309-310.\nhttp://www.jstor.org/stable/3687021","downloadable_attachments":[],"ordered_authors":[{"id":59222,"first_name":"Paula","last_name":"Higgins","domain_name":"royalholloway","page_name":"PaulaHiggins","display_name":"Paula Higgins","profile_url":"https://royalholloway.academia.edu/PaulaHiggins?f_ri=14870","photo":"https://0.academia-photos.com/59222/17198/143629564/s65_paula.higgins.jpg"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=14870","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=14870","nofollow":false},{"id":14870,"name":"Antoine Busnoys","url":"https://www.academia.edu/Documents/in/Antoine_Busnoys?f_ri=14870","nofollow":false},{"id":14871,"name":"Johannes 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