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Tristan Kay | University of Bristol - Academia.edu

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if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = [{"id":29268053,"link":"https://twitter.com/tristanjkay","name":"Twitter","link_domain":"twitter.com","icon":"//www.google.com/s2/u/0/favicons?domain=twitter.com"},{"id":62005181,"link":"https://research-information.bris.ac.uk/en/persons/tristan-j-kay","name":"Homepage","link_domain":"research-information.bris.ac.uk","icon":"//www.google.com/s2/u/0/favicons?domain=research-information.bris.ac.uk"}]</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{&quot;inMailer&quot;:false,&quot;i18nLocale&quot;:&quot;en&quot;,&quot;i18nDefaultLocale&quot;:&quot;en&quot;,&quot;href&quot;:&quot;https://bristol.academia.edu/TristanKay&quot;,&quot;location&quot;:&quot;/TristanKay&quot;,&quot;scheme&quot;:&quot;https&quot;,&quot;host&quot;:&quot;bristol.academia.edu&quot;,&quot;port&quot;:null,&quot;pathname&quot;:&quot;/TristanKay&quot;,&quot;search&quot;:null,&quot;httpAcceptLanguage&quot;:null,&quot;serverSide&quot;:false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-59d2b551-120c-4a21-a951-626c87bc5ab7"></div> <div id="ProfileCheckPaperUpdate-react-component-59d2b551-120c-4a21-a951-626c87bc5ab7"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Tristan Kay" border="0" onerror="if (this.src != &#39;//a.academia-assets.com/images/s200_no_pic.png&#39;) this.src = &#39;//a.academia-assets.com/images/s200_no_pic.png&#39;;" width="200" height="200" src="https://0.academia-photos.com/5841/2260/115116750/s200_tristan.kay.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Tristan Kay</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://bristol.academia.edu/">University of Bristol</a>, <a class="u-tcGrayDarker" href="https://bristol.academia.edu/Departments/Italian/Documents">Italian</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Tristan" data-follow-user-id="5841" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="5841"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">378</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">106</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">8</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">I am a Senior Lecturer in Italian at the University of Bristol. <br /><br />My research so far has focused predominantly on medieval Italian literary culture, especially Dante and early Italian lyric poetry. My first book, Dante’s Lyric Redemption: Eros, Salvation, Vernacular Tradition (Oxford University Press, 2016), re-evaluates Dante’s relationship to his vernacular lyric heritage and his commitment to eros as a redemptive force. I have also published a number of articles that examine from different perspectives Dante’s complex and evolving notion of desire, in relation to both medieval and classical literary cultures, and have co-edited the volumes Desire in Dante and the Middle Ages (2012) and Dante in Oxford: The Paget Toynbee Lectures (2011). <br /><br />I have a growing interest in Dante&#39;s modern reception. I have worked on the use of Dante in the writing of Primo Levi and Cesare Pavese, and am now working on a monograph project entitled &#39;The Poet and the Nation: Dante and the Idea of Italy&#39;. As Italy today adopts a more nationalist brand of politics, this project explores the ways in which the figure of Dante has been used and exploited to construct and articulate different forms of Italian national identity since the process of unification in the nineteenth century. It examines how, through different phases of modern Italian history, cultural and political agents have appropriated and manipulated Dante&#39;s work to promote and legitimize their different visions of Italy. My monograph will explore the poet&#39;s place in the Risorgimento, under Fascism, in the modern Catholic Church, and in contemporary debates surrounding migration, Islam and Italian identity. I have recently been awarded a Fellowship by the Leverhulme Trust to support my work on this project from the start of 2020.<br /><span class="u-fw700">Phone:&nbsp;</span>(+44) 0117 928 7589<br /><b>Address:&nbsp;</b>School of Modern Languages <br />University of Bristol <br />17 Woodland Road, Clifton <br />Bristol, BS8 1TE, U.K.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="5841">View All (10)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="5841" href="https://www.academia.edu/Documents/in/Dante_Studies"><div id="js-react-on-rails-context" style="display:none" 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href="https://www.academia.edu/Documents/in/Medieval_Studies"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Medieval Studies&quot;]}" data-trace="false" data-dom-id="Pill-react-component-2a6686b3-8097-4c38-999b-43dadd60a40d"></div> <div id="Pill-react-component-2a6686b3-8097-4c38-999b-43dadd60a40d"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="5841" href="https://www.academia.edu/Documents/in/Italian_Studies"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Italian Studies&quot;]}" data-trace="false" data-dom-id="Pill-react-component-82644453-9905-4a7f-a1e7-c6c34b99ff6f"></div> <div id="Pill-react-component-82644453-9905-4a7f-a1e7-c6c34b99ff6f"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="5841" href="https://www.academia.edu/Documents/in/Troubadour_Studies"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Troubadour Studies&quot;]}" data-trace="false" data-dom-id="Pill-react-component-e7a83a4a-294d-45d8-9d02-c555f39e995c"></div> <div id="Pill-react-component-e7a83a4a-294d-45d8-9d02-c555f39e995c"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="5841" href="https://www.academia.edu/Documents/in/Lyric_poetry"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Lyric poetry&quot;]}" data-trace="false" data-dom-id="Pill-react-component-880505b7-e8c5-417b-b856-f6592de7fb18"></div> <div id="Pill-react-component-880505b7-e8c5-417b-b856-f6592de7fb18"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>4</span>&nbsp;<span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Articles" data-toggle="tab" href="#articles" role="tab" title="Articles"><span>12</span>&nbsp;<span class="ds2-5-body-sm-bold">Articles</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Book-Reviews" data-toggle="tab" href="#bookreviews" role="tab" title="Book Reviews"><span>6</span>&nbsp;<span class="ds2-5-body-sm-bold">Book Reviews</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Co-author-Duplicates" data-toggle="tab" href="#coauthorduplicates" role="tab" title="Co-author Duplicates"><span>5</span>&nbsp;<span class="ds2-5-body-sm-bold">Co-author Duplicates</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More&nbsp;&nbsp;<i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Online-Publications" data-toggle="tab" href="#onlinepublications" role="tab" style="border: none;"><span>1</span>&nbsp;Online Publications</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Announcements-of-events-and-seminars" data-toggle="tab" href="#announcementsofeventsandseminars" role="tab" style="border: none;"><span>1</span>&nbsp;Announcements of events and seminars</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Tristan Kay</h3></div><div class="js-work-strip profile--work_container" data-work-id="106844708"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/106844708/Dantes_Vita_Nova_A_Collaborative_Reading"><img alt="Research paper thumbnail of Dante&#39;s Vita Nova: A Collaborative Reading" class="work-thumbnail" src="https://attachments.academia-assets.com/113353581/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/106844708/Dantes_Vita_Nova_A_Collaborative_Reading">Dante&#39;s Vita Nova: A Collaborative Reading</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span>Dante&#39;s Vita Nova: A Collaborative Reading</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Co-edited with Zygmunt Baranski and a team of section editors, this groundbreaking volume represe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Co-edited with Zygmunt Baranski and a team of section editors, this groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="853637"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/853637/Dantes_Lyric_Redemption_Eros_Salvation_Vernacular_Tradition_Oxford_Oxford_University_Press_2016_"><img alt="Research paper thumbnail of Dante&#39;s Lyric Redemption: Eros, Salvation, Vernacular Tradition (Oxford: Oxford University Press, 2016)" class="work-thumbnail" src="https://attachments.academia-assets.com/50917153/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/853637/Dantes_Lyric_Redemption_Eros_Salvation_Vernacular_Tradition_Oxford_Oxford_University_Press_2016_">Dante&#39;s Lyric Redemption: Eros, Salvation, Vernacular Tradition (Oxford: Oxford University Press, 2016)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dante’s Lyric Redemption offers a re-examination of two strongly interrelated aspects of the poet...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dante’s Lyric Redemption offers a re-examination of two strongly interrelated aspects of the poet’s work: the role and value he ascribes to earthly love and his relationship to the Romance lyric tradition of his time. It argues that an account of Dante’s poetic journey that posits a stark division between earthly and divine love, and between the secular lyric poet and the Christian auctor, does little justice to his highly distinctive and often polemical handling of these categories. The book firstly contextualizes, traces, and accounts for Dante’s intriguing commitment to love poetry, from the ‘minor works’ to the Commedia. It highlights his attempts, especially in his masterpiece, to overcome normative oppositions in formulating a uniquely redemptive vernacular poetics, one oriented towards the eternal while rooted in his affective, and indeed erotic, past. It then examines how this matter is at stake in Dante’s treatment of three important lyric predecessors: Guittone d’Arezzo, Arnaut Daniel, and Folco of Marseilles. Through a detailed reading of Dante’s engagement with these poets, the book illuminates his careful departure from a dualistic model of love and conversion and shows his erotic commitment to be at the heart of his claims to pre-eminence as a vernacular author.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="75996e7358989d96e93bd77991ee093a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:50917153,&quot;asset_id&quot;:853637,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/50917153/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="853637"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="853637"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 853637; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=853637]").text(description); $(".js-view-count[data-work-id=853637]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 853637; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='853637']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 853637, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "75996e7358989d96e93bd77991ee093a" } } $('.js-work-strip[data-work-id=853637]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":853637,"title":"Dante's Lyric Redemption: Eros, Salvation, Vernacular Tradition (Oxford: Oxford University Press, 2016)","translated_title":"","metadata":{"abstract":"Dante’s Lyric Redemption offers a re-examination of two strongly interrelated aspects of the poet’s work: the role and value he ascribes to earthly love and his relationship to the Romance lyric tradition of his time. 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1491950"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/11684810/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012">Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages. <br /> <br />Contributors: Daniela Boccassini, Bill Burgwinkle, Fabio Camilletti, Peter Dent, Manuele Gragnolati, Tristan Kay, Giuseppe Ledda, Elena Lombardi, Jonathan Morton, Monika Otter, Francesca Southerden, Robert Sturges, Almut Suerbaum, Paola Ureni, Annette Volfing, Marguerite Waller</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1016712ccc408613ec832f449d096d38" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:11684810,&quot;asset_id&quot;:1491950,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/11684810/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1491950"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1491950"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1491950; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1491950]").text(description); $(".js-view-count[data-work-id=1491950]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1491950; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1491950']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1491950, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1016712ccc408613ec832f449d096d38" } } $('.js-work-strip[data-work-id=1491950]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1491950,"title":"Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="236045"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/236045/Dante_in_Oxford_The_Paget_Toynbee_Lectures_ed_by_Tristan_Kay_Martin_McLaughlin_and_Michelangelo_Zaccarello_Oxford_Legenda_2011_"><img alt="Research paper thumbnail of Dante in Oxford: The Paget Toynbee Lectures, ed. by Tristan Kay, Martin McLaughlin and Michelangelo Zaccarello (Oxford: Legenda, 2011)" class="work-thumbnail" src="https://attachments.academia-assets.com/1954296/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/236045/Dante_in_Oxford_The_Paget_Toynbee_Lectures_ed_by_Tristan_Kay_Martin_McLaughlin_and_Michelangelo_Zaccarello_Oxford_Legenda_2011_">Dante in Oxford: The Paget Toynbee Lectures, ed. by Tristan Kay, Martin McLaughlin and Michelangelo Zaccarello (Oxford: Legenda, 2011)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Oxford University&#39;s Paget Toynbee Fund has sponsored a number of significant initiatives on Dante...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Oxford University&#39;s Paget Toynbee Fund has sponsored a number of significant initiatives on Dante in recent years, first a series of Lectures starting in the mid-1990s, and more recently a number of conferences. This volume gathers together some of the most important Paget Toynbee Lectures. Named after the great medieval scholar of the first half of the twentieth century, they were delivered by major Dante experts of our time, such as John Barnes, Peter Hawkins, Lino Leonardi, Emilio Pasquini, and the late Michelangelo Picone and Peter Armour. The topics range from Armour&#39;s trilogy of lectures on the topics of exile, friendship and poverty in Dante to key questions such as Dante and Ovid, Dante and history, and Dante and evil.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f26d930113028816d73290afd6692caf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:1954296,&quot;asset_id&quot;:236045,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/1954296/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="236045"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="236045"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 236045; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=236045]").text(description); $(".js-view-count[data-work-id=236045]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 236045; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='236045']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 236045, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f26d930113028816d73290afd6692caf" } } $('.js-work-strip[data-work-id=236045]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":236045,"title":"Dante in Oxford: The Paget Toynbee Lectures, ed. by Tristan Kay, Martin McLaughlin and Michelangelo Zaccarello (Oxford: Legenda, 2011)","translated_title":"","metadata":{"abstract":"Oxford University's Paget Toynbee Fund has sponsored a number of significant initiatives on Dante in recent years, first a series of Lectures starting in the mid-1990s, and more recently a number of conferences. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Articles" id="Articles"><h3 class="profile--tab_heading_container">Articles by Tristan Kay</h3></div><div class="js-work-strip profile--work_container" data-work-id="68422642"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/68422642/Primo_Levi_Dante_and_Language_in_Auschwitz_Modern_Language_Review_117_2022_67_100"><img alt="Research paper thumbnail of &#39;Primo Levi, Dante, and Language in Auschwitz&#39;, Modern Language Review, 117 (2022), 67-100" class="work-thumbnail" src="https://attachments.academia-assets.com/78902282/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/68422642/Primo_Levi_Dante_and_Language_in_Auschwitz_Modern_Language_Review_117_2022_67_100">&#39;Primo Levi, Dante, and Language in Auschwitz&#39;, Modern Language Review, 117 (2022), 67-100</a></div><div class="wp-workCard_item"><span>Modern Language Review</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditation on language in describing his confinement at Auschwitz and reflecting upon its later representation. Firstly, it establishes the importance of Dante as an ‘infernal’ model for Levi. It then identifies some suggestive parallels between the linguistic and auditory dimensions of Levi’s Se questo è un uomo and Dante’s Inferno, and the degradation of language associated with these two infernal realms. The essay then highlights each writer’s concern with the limitations of human language in describing a place that it is understood as sub-linguistic. The article contends, by highlighting a number of precise textual parallels, that Levi’s reflections on this sub-linguistic essence of the Lager are substantially informed by the closing cantos of the Inferno. The essay concludes by considering how Dante represents a productive communicative model for Levi as well as carrying associations with unattainable notions of justice and salvation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="687efbf4af67198e430105f0acbec4b8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:78902282,&quot;asset_id&quot;:68422642,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/78902282/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68422642"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68422642"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68422642; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68422642]").text(description); $(".js-view-count[data-work-id=68422642]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68422642; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68422642']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 68422642, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "687efbf4af67198e430105f0acbec4b8" } } $('.js-work-strip[data-work-id=68422642]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68422642,"title":"'Primo Levi, Dante, and Language in Auschwitz', Modern Language Review, 117 (2022), 67-100","translated_title":"","metadata":{"issue":"1","volume":"117","abstract":"This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditation on language in describing his confinement at Auschwitz and reflecting upon its later representation. 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The article contends, by highlighting a number of precise textual parallels, that Levi’s reflections on this sub-linguistic essence of the Lager are substantially informed by the closing cantos of the Inferno. The essay concludes by considering how Dante represents a productive communicative model for Levi as well as carrying associations with unattainable notions of justice and salvation. 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Gragnolati, E. Lombardi and F. Southerden (Oxford: Oxford University Press, 2021), pp. 270-86" class="work-thumbnail" src="https://attachments.academia-assets.com/78902792/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/68423520/_Politics_in_The_Oxford_Handbook_of_Dante_ed_by_M_Gragnolati_E_Lombardi_and_F_Southerden_Oxford_Oxford_University_Press_2021_pp_270_86">‘Politics’, in The Oxford Handbook of Dante, ed. by M. Gragnolati, E. Lombardi and F. Southerden (Oxford: Oxford University Press, 2021), pp. 270-86</a></div><div class="wp-workCard_item"><span>The Oxford Handbook of Dante</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter addresses key aspects of Dante&#39;s political thought in its cultural, biographical, an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter addresses key aspects of Dante&#39;s political thought in its cultural, biographical, and intellectual context. Its opening section stresses that Dante&#39;s political theory responds to his lived experience of the volatility of fourteenth-century Italy. The chapter then questions the generic parameters of Dante&#39;s &#39;political writings&#39; and draws attention to some of the intellectual currents that inform them. The following two sections use passages from the Commedia and Monarchia, in particular, to illuminate key tenets of Dante&#39;s theologized political philosophy: firstly, the institutions of papacy and empire and their respective functions and responsibilities; and secondly, the importance of cities, and specifically factional medieval Florence and imperial Rome, in the Commedia&#39;s political imaginary. The final part of the chapter argues that, while critics sometimes address politics as a vital but intellectually isolated branch of Dante&#39;s work, we should emphasize the ways in which he brings political ideas into fruitful contact with diverse forms of expression and knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cbe5a47701146512e4c9b49db614e019" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:78902792,&quot;asset_id&quot;:68423520,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/78902792/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68423520"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68423520"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68423520; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68423520]").text(description); $(".js-view-count[data-work-id=68423520]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68423520; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68423520']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 68423520, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cbe5a47701146512e4c9b49db614e019" } } $('.js-work-strip[data-work-id=68423520]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68423520,"title":"‘Politics’, in The Oxford Handbook of Dante, ed. by M. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41840180"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41840180/_Dante_s_Poetics_of_the_Subhuman_A_Reading_of_Inferno_XXXII_L_Alighieri_54_2_2019_99_115"><img alt="Research paper thumbnail of ‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115" class="work-thumbnail" src="https://attachments.academia-assets.com/61976408/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41840180/_Dante_s_Poetics_of_the_Subhuman_A_Reading_of_Inferno_XXXII_L_Alighieri_54_2_2019_99_115">‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115</a></div><div class="wp-workCard_item"><span>L&#39;Alighieri</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This reading of Inferno XXXII pays close attention to its meditation on language and representati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This reading of Inferno XXXII pays close attention to its meditation on language and representation. It argues that in this canto, which features an unusual concentration of bestial imagery and instances of human language collapsing into animal sound, Dante formulates a “negative” poetics in order to render the pilgrim’s journey through this bleak realm of subhumanity, a poetics that stands in opposition to the poetics of &quot;trasumanar&quot; we find in the Paradiso. Nonetheless, it takes seriously Dante’s claims that the horrors of Cocytus are ultimately beyond the expressive reach of even the most uncompromising poetry and it considers whether – in Dante’s understanding – any human language confers an improper dignity onto this part of Hell. The essay also places an emphasis on Statius’s Thebaid and Dante’s own &quot;rime petrose&quot; as important intertextual models for mediating the “subhuman” experience of Cocytus, as well as tracing the theme of contemporary political factionalism that runs through this canto of treachery.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d339686517662f769eb92a445eb86811" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:61976408,&quot;asset_id&quot;:41840180,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/61976408/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41840180"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41840180"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41840180; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41840180]").text(description); $(".js-view-count[data-work-id=41840180]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41840180; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41840180']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41840180, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d339686517662f769eb92a445eb86811" } } $('.js-work-strip[data-work-id=41840180]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41840180,"title":"‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115","translated_title":"","metadata":{"abstract":"This reading of Inferno XXXII pays close attention to its meditation on language and representation. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Reviews" id="Book Reviews"><h3 class="profile--tab_heading_container">Book Reviews by Tristan Kay</h3></div><div class="js-work-strip profile--work_container" data-work-id="315672"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/315672/Review_of_Z_G_Baranski_and_T_J_Cachey_Jr_eds_Petrarch_and_Dante_Anti_Dantism_Metaphysics_Tradition_Notre_Dame_Notre_Dame_University_Press_2009_"><img alt="Research paper thumbnail of Review of Z. G. Baranski and T. J. Cachey Jr, eds, Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition (Notre Dame: Notre Dame University Press, 2009)" class="work-thumbnail" src="https://attachments.academia-assets.com/15242844/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/315672/Review_of_Z_G_Baranski_and_T_J_Cachey_Jr_eds_Petrarch_and_Dante_Anti_Dantism_Metaphysics_Tradition_Notre_Dame_Notre_Dame_University_Press_2009_">Review of Z. G. Baranski and T. J. 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By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e823c0518e2f57e46d9f2cff9af80d3c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:113353581,&quot;asset_id&quot;:106844708,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/113353581/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="106844708"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="106844708"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 106844708; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=106844708]").text(description); $(".js-view-count[data-work-id=106844708]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 106844708; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='106844708']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 106844708, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e823c0518e2f57e46d9f2cff9af80d3c" } } $('.js-work-strip[data-work-id=106844708]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":106844708,"title":"Dante's Vita Nova: A Collaborative Reading","translated_title":"","metadata":{"abstract":"Co-edited with Zygmunt Baranski and a team of section editors, this groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. 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It argues that an account of Dante’s poetic journey that posits a stark division between earthly and divine love, and between the secular lyric poet and the Christian auctor, does little justice to his highly distinctive and often polemical handling of these categories. The book firstly contextualizes, traces, and accounts for Dante’s intriguing commitment to love poetry, from the ‘minor works’ to the Commedia. It highlights his attempts, especially in his masterpiece, to overcome normative oppositions in formulating a uniquely redemptive vernacular poetics, one oriented towards the eternal while rooted in his affective, and indeed erotic, past. It then examines how this matter is at stake in Dante’s treatment of three important lyric predecessors: Guittone d’Arezzo, Arnaut Daniel, and Folco of Marseilles. Through a detailed reading of Dante’s engagement with these poets, the book illuminates his careful departure from a dualistic model of love and conversion and shows his erotic commitment to be at the heart of his claims to pre-eminence as a vernacular author.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="75996e7358989d96e93bd77991ee093a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:50917153,&quot;asset_id&quot;:853637,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/50917153/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="853637"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="853637"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 853637; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=853637]").text(description); $(".js-view-count[data-work-id=853637]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 853637; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='853637']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 853637, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "75996e7358989d96e93bd77991ee093a" } } $('.js-work-strip[data-work-id=853637]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":853637,"title":"Dante's Lyric Redemption: Eros, Salvation, Vernacular Tradition (Oxford: Oxford University Press, 2016)","translated_title":"","metadata":{"abstract":"Dante’s Lyric Redemption offers a re-examination of two strongly interrelated aspects of the poet’s work: the role and value he ascribes to earthly love and his relationship to the Romance lyric tradition of his time. 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1491950"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/11684810/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012">Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="236045"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/236045/Dante_in_Oxford_The_Paget_Toynbee_Lectures_ed_by_Tristan_Kay_Martin_McLaughlin_and_Michelangelo_Zaccarello_Oxford_Legenda_2011_"><img alt="Research paper thumbnail of Dante in Oxford: The Paget Toynbee Lectures, ed. by Tristan Kay, Martin McLaughlin and Michelangelo Zaccarello (Oxford: Legenda, 2011)" class="work-thumbnail" src="https://attachments.academia-assets.com/1954296/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/236045/Dante_in_Oxford_The_Paget_Toynbee_Lectures_ed_by_Tristan_Kay_Martin_McLaughlin_and_Michelangelo_Zaccarello_Oxford_Legenda_2011_">Dante in Oxford: The Paget Toynbee Lectures, ed. by Tristan Kay, Martin McLaughlin and Michelangelo Zaccarello (Oxford: Legenda, 2011)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Oxford University&#39;s Paget Toynbee Fund has sponsored a number of significant initiatives on Dante...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Oxford University&#39;s Paget Toynbee Fund has sponsored a number of significant initiatives on Dante in recent years, first a series of Lectures starting in the mid-1990s, and more recently a number of conferences. This volume gathers together some of the most important Paget Toynbee Lectures. Named after the great medieval scholar of the first half of the twentieth century, they were delivered by major Dante experts of our time, such as John Barnes, Peter Hawkins, Lino Leonardi, Emilio Pasquini, and the late Michelangelo Picone and Peter Armour. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10973" id="articles"><div class="js-work-strip profile--work_container" data-work-id="68422642"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/68422642/Primo_Levi_Dante_and_Language_in_Auschwitz_Modern_Language_Review_117_2022_67_100"><img alt="Research paper thumbnail of &#39;Primo Levi, Dante, and Language in Auschwitz&#39;, Modern Language Review, 117 (2022), 67-100" class="work-thumbnail" src="https://attachments.academia-assets.com/78902282/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/68422642/Primo_Levi_Dante_and_Language_in_Auschwitz_Modern_Language_Review_117_2022_67_100">&#39;Primo Levi, Dante, and Language in Auschwitz&#39;, Modern Language Review, 117 (2022), 67-100</a></div><div class="wp-workCard_item"><span>Modern Language Review</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditation on language in describing his confinement at Auschwitz and reflecting upon its later representation. Firstly, it establishes the importance of Dante as an ‘infernal’ model for Levi. It then identifies some suggestive parallels between the linguistic and auditory dimensions of Levi’s Se questo è un uomo and Dante’s Inferno, and the degradation of language associated with these two infernal realms. The essay then highlights each writer’s concern with the limitations of human language in describing a place that it is understood as sub-linguistic. The article contends, by highlighting a number of precise textual parallels, that Levi’s reflections on this sub-linguistic essence of the Lager are substantially informed by the closing cantos of the Inferno. The essay concludes by considering how Dante represents a productive communicative model for Levi as well as carrying associations with unattainable notions of justice and salvation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="687efbf4af67198e430105f0acbec4b8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:78902282,&quot;asset_id&quot;:68422642,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/78902282/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68422642"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68422642"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68422642; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68422642]").text(description); $(".js-view-count[data-work-id=68422642]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68422642; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68422642']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 68422642, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "687efbf4af67198e430105f0acbec4b8" } } $('.js-work-strip[data-work-id=68422642]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68422642,"title":"'Primo Levi, Dante, and Language in Auschwitz', Modern Language Review, 117 (2022), 67-100","translated_title":"","metadata":{"issue":"1","volume":"117","abstract":"This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditation on language in describing his confinement at Auschwitz and reflecting upon its later representation. 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","page_numbers":"67-100","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Modern Language Review"},"translated_abstract":"This article examines Primo Levi’s engagement with the work of Dante, focusing on Levi’s meditation on language in describing his confinement at Auschwitz and reflecting upon its later representation. Firstly, it establishes the importance of Dante as an ‘infernal’ model for Levi. It then identifies some suggestive parallels between the linguistic and auditory dimensions of Levi’s Se questo è un uomo and Dante’s Inferno, and the degradation of language associated with these two infernal realms. The essay then highlights each writer’s concern with the limitations of human language in describing a place that it is understood as sub-linguistic. 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Gragnolati, E. Lombardi and F. Southerden (Oxford: Oxford University Press, 2021), pp. 270-86" class="work-thumbnail" src="https://attachments.academia-assets.com/78902792/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/68423520/_Politics_in_The_Oxford_Handbook_of_Dante_ed_by_M_Gragnolati_E_Lombardi_and_F_Southerden_Oxford_Oxford_University_Press_2021_pp_270_86">‘Politics’, in The Oxford Handbook of Dante, ed. by M. Gragnolati, E. Lombardi and F. Southerden (Oxford: Oxford University Press, 2021), pp. 270-86</a></div><div class="wp-workCard_item"><span>The Oxford Handbook of Dante</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter addresses key aspects of Dante&#39;s political thought in its cultural, biographical, an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter addresses key aspects of Dante&#39;s political thought in its cultural, biographical, and intellectual context. Its opening section stresses that Dante&#39;s political theory responds to his lived experience of the volatility of fourteenth-century Italy. The chapter then questions the generic parameters of Dante&#39;s &#39;political writings&#39; and draws attention to some of the intellectual currents that inform them. The following two sections use passages from the Commedia and Monarchia, in particular, to illuminate key tenets of Dante&#39;s theologized political philosophy: firstly, the institutions of papacy and empire and their respective functions and responsibilities; and secondly, the importance of cities, and specifically factional medieval Florence and imperial Rome, in the Commedia&#39;s political imaginary. The final part of the chapter argues that, while critics sometimes address politics as a vital but intellectually isolated branch of Dante&#39;s work, we should emphasize the ways in which he brings political ideas into fruitful contact with diverse forms of expression and knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cbe5a47701146512e4c9b49db614e019" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:78902792,&quot;asset_id&quot;:68423520,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/78902792/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68423520"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68423520"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68423520; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68423520]").text(description); $(".js-view-count[data-work-id=68423520]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68423520; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68423520']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 68423520, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cbe5a47701146512e4c9b49db614e019" } } $('.js-work-strip[data-work-id=68423520]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68423520,"title":"‘Politics’, in The Oxford Handbook of Dante, ed. by M. 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The following two sections use passages from the Commedia and Monarchia, in particular, to illuminate key tenets of Dante's theologized political philosophy: firstly, the institutions of papacy and empire and their respective functions and responsibilities; and secondly, the importance of cities, and specifically factional medieval Florence and imperial Rome, in the Commedia's political imaginary. The final part of the chapter argues that, while critics sometimes address politics as a vital but intellectually isolated branch of Dante's work, we should emphasize the ways in which he brings political ideas into fruitful contact with diverse forms of expression and knowledge.","page_numbers":"270-86","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"The Oxford Handbook of Dante"},"translated_abstract":"This chapter addresses key aspects of Dante's political thought in its cultural, biographical, and intellectual context. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41840180"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41840180/_Dante_s_Poetics_of_the_Subhuman_A_Reading_of_Inferno_XXXII_L_Alighieri_54_2_2019_99_115"><img alt="Research paper thumbnail of ‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115" class="work-thumbnail" src="https://attachments.academia-assets.com/61976408/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41840180/_Dante_s_Poetics_of_the_Subhuman_A_Reading_of_Inferno_XXXII_L_Alighieri_54_2_2019_99_115">‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115</a></div><div class="wp-workCard_item"><span>L&#39;Alighieri</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This reading of Inferno XXXII pays close attention to its meditation on language and representati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This reading of Inferno XXXII pays close attention to its meditation on language and representation. It argues that in this canto, which features an unusual concentration of bestial imagery and instances of human language collapsing into animal sound, Dante formulates a “negative” poetics in order to render the pilgrim’s journey through this bleak realm of subhumanity, a poetics that stands in opposition to the poetics of &quot;trasumanar&quot; we find in the Paradiso. Nonetheless, it takes seriously Dante’s claims that the horrors of Cocytus are ultimately beyond the expressive reach of even the most uncompromising poetry and it considers whether – in Dante’s understanding – any human language confers an improper dignity onto this part of Hell. The essay also places an emphasis on Statius’s Thebaid and Dante’s own &quot;rime petrose&quot; as important intertextual models for mediating the “subhuman” experience of Cocytus, as well as tracing the theme of contemporary political factionalism that runs through this canto of treachery.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d339686517662f769eb92a445eb86811" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:61976408,&quot;asset_id&quot;:41840180,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/61976408/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41840180"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41840180"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41840180; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41840180]").text(description); $(".js-view-count[data-work-id=41840180]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41840180; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41840180']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41840180, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d339686517662f769eb92a445eb86811" } } $('.js-work-strip[data-work-id=41840180]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41840180,"title":"‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115","translated_title":"","metadata":{"abstract":"This reading of Inferno XXXII pays close attention to its meditation on language and representation. 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The essay also places an emphasis on Statius’s Thebaid and Dante’s own \"rime petrose\" as important intertextual models for mediating the “subhuman” experience of Cocytus, as well as tracing the theme of contemporary political factionalism that runs through this canto of treachery.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"L'Alighieri"},"translated_abstract":"This reading of Inferno XXXII pays close attention to its meditation on language and representation. It argues that in this canto, which features an unusual concentration of bestial imagery and instances of human language collapsing into animal sound, Dante formulates a “negative” poetics in order to render the pilgrim’s journey through this bleak realm of subhumanity, a poetics that stands in opposition to the poetics of \"trasumanar\" we find in the Paradiso. 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As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f4ee24122891c1421e9a27429a1509df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:11678299,&quot;asset_id&quot;:302788,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/11678299/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="302788"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="302788"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 302788; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=302788]").text(description); $(".js-view-count[data-work-id=302788]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 302788; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='302788']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 302788, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f4ee24122891c1421e9a27429a1509df" } } $('.js-work-strip[data-work-id=302788]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":302788,"title":"Desire in Dante and the Middle Ages, ed. by Manuele Gragnolati, Tristan Kay, Elena Lombardi and Francesca Southerden (Oxford: Legenda, 2012)","translated_title":"","metadata":{"abstract":"This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nuova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. 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The Paget Toynbee Lectures" class="work-thumbnail" src="https://attachments.academia-assets.com/44623339/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24289012/Dante_in_Oxford_The_Paget_Toynbee_Lectures">Dante in Oxford. The Paget Toynbee Lectures</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://bdfinance.academia.edu/MichelangeloZaccarello">Michelangelo Zaccarello</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Although Dante Alighieri never came to Britain, the Italian poet has for the last century and a q...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Although Dante Alighieri never came to Britain, the Italian poet has for the last century and a quarter been a prominent<br />presence in Oxford. This book contains the written up versions of nine lectures from the Paget Toynbee series, held at the University of Oxford: they range in subject matter from a philological study of Dante’s rime to major themes of the Comedy such as exile, friendship, and evil, as well as John Barnes&#39; analysis of Dante’s knowledge of Florentine history and Emilio Pasquini&#39;s concluding chapter which contrasts Dantism and Petrarchism. The one theme that emerges most distinctly in this collection — appropriately enough for a volume entitled &quot;Dante in Oxford&quot; — is the theme of Dante’s exile, in both the &quot;Rime&quot; and the &quot;Commedia&quot;. The volume also contains some of the last Dante essays by two major Dantists of recent times: Peter Armour, and Michelangelo Picone, to whose memory the book is dedicated.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d719646c77455575b3c4ff42270f0c28" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:44623339,&quot;asset_id&quot;:24289012,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/44623339/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24289012"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24289012"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24289012; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24289012]").text(description); $(".js-view-count[data-work-id=24289012]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24289012; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24289012']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 24289012, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d719646c77455575b3c4ff42270f0c28" } } $('.js-work-strip[data-work-id=24289012]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24289012,"title":"Dante in Oxford. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="12609191" id="onlinepublications"><div class="js-work-strip profile--work_container" data-work-id="58872982"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/58872982/Modern_Lovers_Evanescence_and_the_Act_in_Dante_Arnaut_and_Sordello"><img alt="Research paper thumbnail of Modern Lovers: Evanescence and the Act in Dante, Arnaut, and Sordello" class="work-thumbnail" src="https://attachments.academia-assets.com/73073133/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/58872982/Modern_Lovers_Evanescence_and_the_Act_in_Dante_Arnaut_and_Sordello">Modern Lovers: Evanescence and the Act in Dante, Arnaut, and Sordello</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cambridge.academia.edu/BBurgwinkle">Bill Burgwinkle</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span>Desire in Dante and the Middle Ages </span><span>, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The question of Dante&#39;s notion of desire, at least as it pertains to his own case as a lover and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The question of Dante&#39;s notion of desire, at least as it pertains to his own case as a lover and author, can only really be approached at a bias: firstly, because he tells us so much and yet so little about his own erotic history; and secondly, because what he does tell us comes almost always filtered through the figure of Beatrice and his imaginary relations with her. Beatrice, the purported object of desire in life, becomes in Dante&#39;s retrospective and touched-up vision: an inspiration, a bait, a mask, a pair of spectacles, a view-scope, an illusion, a holograph, a film image, a mother, a child, a nurse, a visionary, a fortune teller, a knight, a protector and possibly even a father. 2 How he moves from one of these fantasies-in which he is the active instigator and follower of his own desire, seeking her out for purposes of scopophilic gratification-to the other-in which he is the relative beneficiary of her superior wisdom, purity and privileged relation to the Divine-is, I suppose, the story of the interplay between the Vita Nuova and the Commedia, the two principle texts in which he sketches his views on desire and its importance to the development of subjectivity. Following Teodolinda Barolini&#39;s initiative, 3 then, my aim is to de-theologize this topic-not by denying that there is theology in the foreground and background of Dante&#39;s work, but by emphasising just how frequently that theological base is</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2aee795273628374c291a90438c2b9c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:73073133,&quot;asset_id&quot;:58872982,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/73073133/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="58872982"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="58872982"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 58872982; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=58872982]").text(description); $(".js-view-count[data-work-id=58872982]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 58872982; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='58872982']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 58872982, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2aee795273628374c291a90438c2b9c4" } } $('.js-work-strip[data-work-id=58872982]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":58872982,"title":"Modern Lovers: Evanescence and the Act in Dante, Arnaut, and Sordello","translated_title":"","metadata":{"abstract":"The question of Dante's notion of desire, at least as it pertains to his own case as a lover and author, can only really be approached at a bias: firstly, because he tells us so much and yet so little about his own erotic history; and secondly, because what he does tell us comes almost always filtered through the figure of Beatrice and his imaginary relations with her. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="18727201" id="announcementsofeventsandseminars"><div class="js-work-strip profile--work_container" data-work-id="108530260"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108530260/POESIA_E_TEOLOGIA_DELLAMORE_IN_DANTE_Convegno_internazionale_del_Centro_dantesco_Ravenna_18_novembre_2023"><img alt="Research paper thumbnail of POESIA E TEOLOGIA DELL&#39;AMORE IN DANTE. Convegno internazionale del Centro dantesco, Ravenna 18 novembre 2023" class="work-thumbnail" src="https://attachments.academia-assets.com/106903299/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108530260/POESIA_E_TEOLOGIA_DELLAMORE_IN_DANTE_Convegno_internazionale_del_Centro_dantesco_Ravenna_18_novembre_2023">POESIA E TEOLOGIA DELL&#39;AMORE IN DANTE. Convegno internazionale del Centro dantesco, Ravenna 18 novembre 2023</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unigre.academia.edu/AlessandraBartolomeiRomagnoli">Alessandra Bartolomei Romagnoli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">I convegni internazionali promossi ogni due anni, a partire dal 2003, dalla Sezione studi e ricer...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">I convegni internazionali promossi ogni due anni, a partire dal 2003, dalla Sezione studi e ricerche del Centro Dantesco dei Frati Minori Conventuali di Ravenna, sezione ora intitolata alla sua fondatrice Anna Maria Chiavacci Leonardi, vantano ormai una lunga tradizione, tanto da essere giunti quest’anno alla undicesima edizione. Nel corso del tempo hanno radunato a Ravenna alcuni dei massimi studiosi internazionali di Dante per affrontare una serie di temi rilevanti della nella sua opera, con particolare ma non esclusiva attenzione alla dimensione religiosa, spirituale e teologica. <br />Il tema scelto quest’anno, l’amore, è centrale nella cultura del Medioevo dove è attivo a ogni livello, in ambito sacro e profano. <br />Un tema così importante, molteplice e complesso nella cultura del suo tempo, come anche del nostro, non può che essere cruciale per Dante, che infatti svolge tutta la sua attività letteraria come poeta d’amore, celebrando sin dalla Vita nova e poi perfezionando nella Commedia l’idea innovativa di un amore capace di condurre chi ama non solo a una nobilitazione morale ma a un vero percorso di elevazione spirituale che giunge sino alla conoscenza del divino. <br />Per svolgere questo tema, Dante mobilita tutti i modelli della letteratura precedente, dai miti antichi alla lirica medievale, e soprattutto inserisce la riflessione sull’amore umano in una nuova prospettiva teologica e mistica, cantando un amore terreno capace di elevare al cielo e di portare a Dio. <br />Intervengono: Alessandra Bartolomei Romagnoli, Mira Mocan, Sonia Gentili, Roberto Rea, Donato Pirovano, Catherine Keen, Heather Webb, Giuseppe Ledda, Tristan Kay, Francesco sabti</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a3a9941fef0a75a443118a039d7d1fda" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:106903299,&quot;asset_id&quot;:108530260,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/106903299/download_file?st=MTczMjgwMjM1OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108530260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108530260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108530260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108530260]").text(description); $(".js-view-count[data-work-id=108530260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108530260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108530260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 108530260, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a3a9941fef0a75a443118a039d7d1fda" } } $('.js-work-strip[data-work-id=108530260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108530260,"title":"POESIA E TEOLOGIA DELL'AMORE IN DANTE. 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Nel corso del tempo hanno radunato a Ravenna alcuni dei massimi studiosi internazionali di Dante per affrontare una serie di temi rilevanti della nella sua opera, con particolare ma non esclusiva attenzione alla dimensione religiosa, spirituale e teologica.\r\nIl tema scelto quest’anno, l’amore, è centrale nella cultura del Medioevo dove è attivo a ogni livello, in ambito sacro e profano.\r\nUn tema così importante, molteplice e complesso nella cultura del suo tempo, come anche del nostro, non può che essere cruciale per Dante, che infatti svolge tutta la sua attività letteraria come poeta d’amore, celebrando sin dalla Vita nova e poi perfezionando nella Commedia l’idea innovativa di un amore capace di condurre chi ama non solo a una nobilitazione morale ma a un vero percorso di elevazione spirituale che giunge sino alla conoscenza del divino. \r\nPer svolgere questo tema, Dante mobilita tutti i modelli della letteratura precedente, dai miti antichi alla lirica medievale, e soprattutto inserisce la riflessione sull’amore umano in una nuova prospettiva teologica e mistica, cantando un amore terreno capace di elevare al cielo e di portare a Dio. \r\nIntervengono: Alessandra Bartolomei Romagnoli, Mira Mocan, Sonia Gentili, Roberto Rea, Donato Pirovano, Catherine Keen, Heather Webb, Giuseppe Ledda, Tristan Kay, Francesco sabti"},"translated_abstract":"I convegni internazionali promossi ogni due anni, a partire dal 2003, dalla Sezione studi e ricerche del Centro Dantesco dei Frati Minori Conventuali di Ravenna, sezione ora intitolata alla sua fondatrice Anna Maria Chiavacci Leonardi, vantano ormai una lunga tradizione, tanto da essere giunti quest’anno alla undicesima edizione. Nel corso del tempo hanno radunato a Ravenna alcuni dei massimi studiosi internazionali di Dante per affrontare una serie di temi rilevanti della nella sua opera, con particolare ma non esclusiva attenzione alla dimensione religiosa, spirituale e teologica.\r\nIl tema scelto quest’anno, l’amore, è centrale nella cultura del Medioevo dove è attivo a ogni livello, in ambito sacro e profano.\r\nUn tema così importante, molteplice e complesso nella cultura del suo tempo, come anche del nostro, non può che essere cruciale per Dante, che infatti svolge tutta la sua attività letteraria come poeta d’amore, celebrando sin dalla Vita nova e poi perfezionando nella Commedia l’idea innovativa di un amore capace di condurre chi ama non solo a una nobilitazione morale ma a un vero percorso di elevazione spirituale che giunge sino alla conoscenza del divino. \r\nPer svolgere questo tema, Dante mobilita tutti i modelli della letteratura precedente, dai miti antichi alla lirica medievale, e soprattutto inserisce la riflessione sull’amore umano in una nuova prospettiva teologica e mistica, cantando un amore terreno capace di elevare al cielo e di portare a Dio. \r\nIntervengono: Alessandra Bartolomei Romagnoli, Mira Mocan, Sonia Gentili, Roberto Rea, Donato Pirovano, Catherine Keen, Heather Webb, Giuseppe Ledda, Tristan Kay, Francesco sabti","internal_url":"https://www.academia.edu/108530260/POESIA_E_TEOLOGIA_DELLAMORE_IN_DANTE_Convegno_internazionale_del_Centro_dantesco_Ravenna_18_novembre_2023","translated_internal_url":"","created_at":"2023-10-24T01:32:15.650-07:00","section":"Announcements of events and seminars","preview_url":null,"current_user_can_edit":{"authorship":{"id":114312311,"created_at":"2023-11-18T06:08:59.308-08:00","section_id":18811982,"updated_at":"2023-11-18T06:08:59.308-08:00","user_id":7666908,"work_id":108530260,"display_order":0,"is_owner":false}},"current_user_is_owner":false,"owner_id":17052345,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":40472828,"work_id":108530260,"tagging_user_id":17052345,"tagged_user_id":7666908,"co_author_invite_id":null,"email":"b***i@unigre.it","affiliation":"Pontifical Gregorian University","display_order":1,"name":"Alessandra Bartolomei Romagnoli","title":"POESIA E TEOLOGIA DELL'AMORE IN DANTE. 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