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if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = []</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://oxford.academia.edu/FrancescaSoutherden","location":"/FrancescaSoutherden","scheme":"https","host":"oxford.academia.edu","port":null,"pathname":"/FrancescaSoutherden","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-1b0a834d-59b7-406d-8d6e-4c647a8cbc91"></div> <div id="ProfileCheckPaperUpdate-react-component-1b0a834d-59b7-406d-8d6e-4c647a8cbc91"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Francesca Southerden" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/307590/79282/12014091/s200_francesca.southerden.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Francesca Southerden</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://oxford.academia.edu/">University of Oxford</a>, <a class="u-tcGrayDarker" href="https://oxford.academia.edu/Departments/Medieval_and_Modern_Languages_sub_faculty_of_Italian_/Documents">Medieval and Modern Languages (sub faculty of Italian)</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Francesca" data-follow-user-id="307590" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="307590"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">208</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">139</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">9</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/FrancescaSoutherden/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">My main area of research is in medieval Italian literature (Dante and Petrarch), with a special interest also in lyric poetry and critical theory. My recent publications include, as author, Dante and Petrarch in the Garden of Language (Legenda, 2022) and as co-author with Manuele Gragnolati, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (ICI Berlin Press, 2021). With Manuele Gragnolati and Elena Lombardi, I co-edited The Oxford Handbook of Dante (Oxford University Press, 2021) and with Manuele Gragnolati, Elena Lombardi and Tristan Kay, Desire in Dante and the Middle Ages (Legenda, 2012). <br /><br />I am Professor of Italian at the University of Oxford, and Fellow of Somerville College. I previously held the post of Assistant Professor of Italian at Wellesley College, MA (2010-2016).<br /><b>Address: </b>Somerville College<br />Oxford<br />OX2 6HD<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uow.academia.edu/DanielDHutto"><img class="profile-avatar u-positionAbsolute" alt="Daniel D. 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data-section-name="Conferences-organized" data-toggle="tab" href="#conferencesorganized" role="tab" title="Conferences organized"><span>1</span> <span class="ds2-5-body-sm-bold">Conferences organized</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Francesca Southerden</h3></div><div class="js-work-strip profile--work_container" data-work-id="302788"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/302788/Desire_in_Dante_and_the_Middle_Ages_ed_by_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012_"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, ed. by Manuele Gragnolati, Tristan Kay, Elena Lombardi and Francesca Southerden (Oxford: Legenda, 2012)" class="work-thumbnail" src="https://attachments.academia-assets.com/11678299/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/302788/Desire_in_Dante_and_the_Middle_Ages_ed_by_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012_">Desire in Dante and the Middle Ages, ed. by Manuele Gragnolati, Tristan Kay, Elena Lombardi and Francesca Southerden (Oxford: Legenda, 2012)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nuova to the C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nuova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="652c59c2408fc2a0b3cdb2a393e3f2c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":11678299,"asset_id":302788,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/11678299/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="302788"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="302788"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 302788; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1491950"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/11684810/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012">Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages. <br /> <br />Contributors: Daniela Boccassini, Bill Burgwinkle, Fabio Camilletti, Peter Dent, Manuele Gragnolati, Tristan Kay, Giuseppe Ledda, Elena Lombardi, Jonathan Morton, Monika Otter, Francesca Southerden, Robert Sturges, Almut Suerbaum, Paola Ureni, Annette Volfing, Marguerite Waller</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba95dfb74e10784632f0e58d23714d32" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":11684810,"asset_id":1491950,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/11684810/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1491950"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1491950"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1491950; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1491950]").text(description); $(".js-view-count[data-work-id=1491950]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1491950; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1491950']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ba95dfb74e10784632f0e58d23714d32" } } $('.js-work-strip[data-work-id=1491950]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1491950,"title":"Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Francesca Southerden</h3></div><div class="js-work-strip profile--work_container" data-work-id="38442189"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn"><img alt="Research paper thumbnail of "Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn" class="work-thumbnail" src="https://attachments.academia-assets.com/58503848/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn">"Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) that ends with an explicit textual return to the poet’s own RVF 23, the so-called canzone delle metamorfosi [canzone of the metamorphoses]. The incipit of canzone 23, ‘Nel dolce tempo de la prima etade’ [In the sweet time of my first age] forms the final line of canzone 70 and is the last in a series of quotations of the incipits of earlier poems (by the pseudo-Arnaut Daniel, Cavalcanti, Dante, and Cino da Pistoia), each of which closes one of the stanzas of Petrarch’s poem. The trend has been to read RVF 70 teleologically and as a palinode, in which the poet renounces errant desire and arrives at a new mode of loving and speaking by moving beyond the limitations of the previous tradition and his own earlier poetics, including the sensually-directed eros expounded in canzone 23. Instead this paper explores what happens if we take RVF 70 as a more literal return to RVF 23, which unsettles or resists the resolution of change proposed in the poem by keeping the question of desire more open and expressing a form of poetic subjectivity that paradoxically seeks to have it both ways – to recognize a fault in desire without renouncing it and to take pleasure in repeatedly giving itself over to what harms it. In this reading, the poet’s decision to end RVF 70 with a return to the beginning of his own RVF 23 not only destabilizes the narrative of conversion on which critics usually insist, but leads the poems to reenter themselves endlessly, making repetition and deferral the blueprint of Petrarch’s poetics.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5d8749a5ecc6040bcdd0a6f3461b5cb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58503848,"asset_id":38442189,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58503848/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38442189"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38442189"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38442189; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a5d8749a5ecc6040bcdd0a6f3461b5cb" } } $('.js-work-strip[data-work-id=38442189]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38442189,"title":"\"Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23\", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn","internal_url":"https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":58503848,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58503848/thumbnails/1.jpg","file_name":"Gragnolati-Southerden.pdf","download_url":"https://www.academia.edu/attachments/58503848/download_file","bulk_download_file_name":"Poetry_Without_End_Reiterating_Desire_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58503848/Gragnolati-Southerden-libre.pdf?1551198769=\u0026response-content-disposition=attachment%3B+filename%3DPoetry_Without_End_Reiterating_Desire_i.pdf\u0026Expires=1740414057\u0026Signature=fgIZtc6op8Yh8ckV2vJhXXv3iqEZEZ8YM1kHLUzLNmbMm5tDy7ohhMHic4tKUYG92YiXshMEKPxoG1GlVASDcQvM2g8EnVWI-hEWNSfjFoyhj7rW-aE6ysXXsdpXPxYO8ACQKq8YM6HH7N7xRtfdp~V6bMmTCuuxuo5n3S-VcOmOmc8MApptDDl8j4TztxMogFGqBZ0FGienWfbMLiF1krf~63acUINM09nTGFQQdV6PeZTeW6PArgpXHuCHjM9yvAcW1-7HOjudux1eZv9J-atlTjejvxUTxpKYQ4TdZ42BBOqMMNnCW6eiO1iQ3IM6qbmGz3BoUJaPByCiIEA9RQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35947652"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52"><img alt="Research paper thumbnail of “From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52" class="work-thumbnail" src="https://attachments.academia-assets.com/55830167/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52">“From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay brings Petrarch and Dante's poetry into dialogue in order to highlight some crucial te...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay brings Petrarch and Dante's poetry into dialogue in order to highlight some crucial tensions that have to do with the continuing presence of a fundamentally lyric component within the framework of Christian paradise. 'Lyric', in our analysis, stands for an aspect of identity bound up with the relation to the beloved and to a desire contained in the body and expressed in the longing for it. Our focus is on the different modes of textuality at play in Dante's Paradiso and Petrarch's Triumphus Eternitatis and the ways they express the " form of desire " informing each poet's work and especially his eschatological imagination. 1 Our approach draws on Manuele Gragnolati's reading of Dante's Paradiso in Amor che move: linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante (2013) and extends some of the questions raised there to Petrarch's Triumphus Eternitatis. In particular, we aim to examine the relationship between language and corporeality as explored in the concept of the resurrection of the body, which carries a relational sense of identity bound up with the individual's memory, desires, and history and both complicates and opens up an understanding of poetry and eschatology. Our point of departure are the shores of Dante's Purgatory, where the pilgrim encounters a shade who has also just arrived at the realm of purgation: the shade of Casella, an old friend from the times of youth when Dante had not yet been exiled from Florence. This episode rewrites the Virgilian motif of the failed embrace between a living and a dead person: the pilgrim and the shade of the old friend try to embrace each other but they cannot because – as the poet laments – shades in the otherworld are " vane " , empty (Purg. II, 79). 2 Indeed, as the figure of Statius explains in Purgatorio XXV, shades in Dante's afterlife have an aerial body that gives them an appearance – " aspetto " – but no substantiality: " Ohi ombre vane, fuor che ne l'aspetto! / tre volte dietro a lei le mani avvinsi, / e tante mi tornai con esse al petto " [Oh empty shades, except in seeming! / Three times I clasped my hands behind him / only to find them clasped to my own chest]</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0e8362afa9af38f7ad9276a923b22d25" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55830167,"asset_id":35947652,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55830167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35947652"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35947652"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35947652; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35947652]").text(description); $(".js-view-count[data-work-id=35947652]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35947652; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35947652']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0e8362afa9af38f7ad9276a923b22d25" } } $('.js-work-strip[data-work-id=35947652]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35947652,"title":"“From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. 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Forme di temporalità non lineare nelle epifanie liriche di Cavalcanti, Dante e Petrarca", Chroniques italiennes web, 32 (1/2017), pp. 137-54" class="work-thumbnail" src="https://attachments.academia-assets.com/51880945/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31539433/_Dalla_perdita_al_possesso_Forme_di_temporalit%C3%A0_non_lineare_nelle_epifanie_liriche_di_Cavalcanti_Dante_e_Petrarca_Chroniques_italiennes_web_32_1_2017_pp_137_54">"Dalla perdita al possesso. Forme di temporalità non lineare nelle epifanie liriche di Cavalcanti, Dante e Petrarca", Chroniques italiennes web, 32 (1/2017), pp. 137-54</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Questo intervento propone una lettura di tre celebri sonetti di Cavalcanti, Dante e Petrarca, Chi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Questo intervento propone una lettura di tre celebri sonetti di Cavalcanti, Dante e Petrarca, Chi è questa che vèn, ch'og'om la mira, Tanto gentile e tanto onesta pare ed Erano i capei d'oro a l'aura sparsi, esplorando prima quale forma di temporalità venga articolata in ciascuno di essi, e poi quale tipo di desiderio le corrisponda 2 . In un certo senso, la temporalità è ciò che spiega non solo i differenti tipi di desiderio formulati nelle tre liriche ma anche, e soprattutto, il rapporto del poeta con l'assenza o la presenza dell'oggetto del desiderio e colle potenzialità soggettive e relazionali che esso comporta.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41f582ebcdf6c837e21f506c16b45172" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51880945,"asset_id":31539433,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51880945/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31539433"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31539433"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31539433; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31539433]").text(description); $(".js-view-count[data-work-id=31539433]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31539433; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31539433']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41f582ebcdf6c837e21f506c16b45172" } } $('.js-work-strip[data-work-id=31539433]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31539433,"title":"\"Dalla perdita al possesso. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Conferences organized" id="Conferences organized"><h3 class="profile--tab_heading_container">Conferences organized by Francesca Southerden</h3></div><div class="js-work-strip profile--work_container" data-work-id="38463219"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38463219/2018_2019_ISCAD_4_137th_DSA_Symposium_Plurilingualism_and_Visibile_Parlare_University_of_Toronto_May_4th_2019_pdf"><img alt="Research paper thumbnail of 2018-2019, ISCAD 4 / 137th DSA Symposium: Plurilingualism and "Visibile Parlare" (University of Toronto, May 4th, 2019).pdf" class="work-thumbnail" src="https://attachments.academia-assets.com/58527436/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38463219/2018_2019_ISCAD_4_137th_DSA_Symposium_Plurilingualism_and_Visibile_Parlare_University_of_Toronto_May_4th_2019_pdf">2018-2019, ISCAD 4 / 137th DSA Symposium: Plurilingualism and "Visibile Parlare" (University of Toronto, May 4th, 2019).pdf</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/ElisaBrilli">Elisa Brilli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/AlbertRussellAscoli">Albert Russell Ascoli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://georgetown.academia.edu/FrancescoCiabattoni">Francesco Ciabattoni</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://hamline.academia.edu/AidaAudeh">Aida Audeh</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://johnshopkins.academia.edu/ariellesaiber">arielle saiber</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/LucaFiorentini">Luca Fiorentini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Program: https://dante.medieval.utoronto.ca/iscad-4-dante-society-of-america-2019-annual-meeting-...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Program: <a href="https://dante.medieval.utoronto.ca/iscad-4-dante-society-of-america-2019-annual-meeting-and-symposium/" rel="nofollow">https://dante.medieval.utoronto.ca/iscad-4-dante-society-of-america-2019-annual-meeting-and-symposium/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="52963acbac38fabf662463ef1a93c69f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58527436,"asset_id":38463219,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58527436/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38463219"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38463219"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38463219; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="46608" id="books"><div class="js-work-strip profile--work_container" data-work-id="302788"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/302788/Desire_in_Dante_and_the_Middle_Ages_ed_by_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012_"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, ed. by Manuele Gragnolati, Tristan Kay, Elena Lombardi and Francesca Southerden (Oxford: Legenda, 2012)" class="work-thumbnail" src="https://attachments.academia-assets.com/11678299/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/302788/Desire_in_Dante_and_the_Middle_Ages_ed_by_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012_">Desire in Dante and the Middle Ages, ed. by Manuele Gragnolati, Tristan Kay, Elena Lombardi and Francesca Southerden (Oxford: Legenda, 2012)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nuova to the C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nuova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="652c59c2408fc2a0b3cdb2a393e3f2c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":11678299,"asset_id":302788,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/11678299/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="302788"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="302788"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 302788; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1491950"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/11684810/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012">Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages. <br /> <br />Contributors: Daniela Boccassini, Bill Burgwinkle, Fabio Camilletti, Peter Dent, Manuele Gragnolati, Tristan Kay, Giuseppe Ledda, Elena Lombardi, Jonathan Morton, Monika Otter, Francesca Southerden, Robert Sturges, Almut Suerbaum, Paola Ureni, Annette Volfing, Marguerite Waller</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba95dfb74e10784632f0e58d23714d32" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":11684810,"asset_id":1491950,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/11684810/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1491950"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1491950"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1491950; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1491950]").text(description); $(".js-view-count[data-work-id=1491950]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1491950; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1491950']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ba95dfb74e10784632f0e58d23714d32" } } $('.js-work-strip[data-work-id=1491950]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1491950,"title":"Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="331028" id="papers"><div class="js-work-strip profile--work_container" data-work-id="38442189"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn"><img alt="Research paper thumbnail of "Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn" class="work-thumbnail" src="https://attachments.academia-assets.com/58503848/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn">"Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) that ends with an explicit textual return to the poet’s own RVF 23, the so-called canzone delle metamorfosi [canzone of the metamorphoses]. The incipit of canzone 23, ‘Nel dolce tempo de la prima etade’ [In the sweet time of my first age] forms the final line of canzone 70 and is the last in a series of quotations of the incipits of earlier poems (by the pseudo-Arnaut Daniel, Cavalcanti, Dante, and Cino da Pistoia), each of which closes one of the stanzas of Petrarch’s poem. The trend has been to read RVF 70 teleologically and as a palinode, in which the poet renounces errant desire and arrives at a new mode of loving and speaking by moving beyond the limitations of the previous tradition and his own earlier poetics, including the sensually-directed eros expounded in canzone 23. Instead this paper explores what happens if we take RVF 70 as a more literal return to RVF 23, which unsettles or resists the resolution of change proposed in the poem by keeping the question of desire more open and expressing a form of poetic subjectivity that paradoxically seeks to have it both ways – to recognize a fault in desire without renouncing it and to take pleasure in repeatedly giving itself over to what harms it. In this reading, the poet’s decision to end RVF 70 with a return to the beginning of his own RVF 23 not only destabilizes the narrative of conversion on which critics usually insist, but leads the poems to reenter themselves endlessly, making repetition and deferral the blueprint of Petrarch’s poetics.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5d8749a5ecc6040bcdd0a6f3461b5cb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58503848,"asset_id":38442189,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58503848/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38442189"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38442189"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38442189; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35947652"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52"><img alt="Research paper thumbnail of “From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52" class="work-thumbnail" src="https://attachments.academia-assets.com/55830167/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52">“From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay brings Petrarch and Dante's poetry into dialogue in order to highlight some crucial te...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay brings Petrarch and Dante's poetry into dialogue in order to highlight some crucial tensions that have to do with the continuing presence of a fundamentally lyric component within the framework of Christian paradise. 'Lyric', in our analysis, stands for an aspect of identity bound up with the relation to the beloved and to a desire contained in the body and expressed in the longing for it. Our focus is on the different modes of textuality at play in Dante's Paradiso and Petrarch's Triumphus Eternitatis and the ways they express the " form of desire " informing each poet's work and especially his eschatological imagination. 1 Our approach draws on Manuele Gragnolati's reading of Dante's Paradiso in Amor che move: linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante (2013) and extends some of the questions raised there to Petrarch's Triumphus Eternitatis. In particular, we aim to examine the relationship between language and corporeality as explored in the concept of the resurrection of the body, which carries a relational sense of identity bound up with the individual's memory, desires, and history and both complicates and opens up an understanding of poetry and eschatology. Our point of departure are the shores of Dante's Purgatory, where the pilgrim encounters a shade who has also just arrived at the realm of purgation: the shade of Casella, an old friend from the times of youth when Dante had not yet been exiled from Florence. This episode rewrites the Virgilian motif of the failed embrace between a living and a dead person: the pilgrim and the shade of the old friend try to embrace each other but they cannot because – as the poet laments – shades in the otherworld are " vane " , empty (Purg. II, 79). 2 Indeed, as the figure of Statius explains in Purgatorio XXV, shades in Dante's afterlife have an aerial body that gives them an appearance – " aspetto " – but no substantiality: " Ohi ombre vane, fuor che ne l'aspetto! / tre volte dietro a lei le mani avvinsi, / e tante mi tornai con esse al petto " [Oh empty shades, except in seeming! / Three times I clasped my hands behind him / only to find them clasped to my own chest]</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0e8362afa9af38f7ad9276a923b22d25" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55830167,"asset_id":35947652,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55830167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35947652"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35947652"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35947652; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35947652]").text(description); $(".js-view-count[data-work-id=35947652]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35947652; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35947652']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0e8362afa9af38f7ad9276a923b22d25" } } $('.js-work-strip[data-work-id=35947652]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35947652,"title":"“From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52","internal_url":"https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":55830167,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55830167/thumbnails/1.jpg","file_name":"From_Paradox_to_Exclusivity_Dante_and_Petrarchs_Lyrical_Eschatologies.pdf","download_url":"https://www.academia.edu/attachments/55830167/download_file","bulk_download_file_name":"From_Paradox_to_Exclusivity_Dante_s_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55830167/From_Paradox_to_Exclusivity_Dante_and_Petrarchs_Lyrical_Eschatologies-libre.pdf?1518926415=\u0026response-content-disposition=attachment%3B+filename%3DFrom_Paradox_to_Exclusivity_Dante_s_and.pdf\u0026Expires=1740414057\u0026Signature=KRF39ymH5MAUZ9NMwvUFBoLtNQs2mbwx7cc1E5iKjpX48mkfeFN88eKiY49zIwkUIpmU4R8FMT3Vjr7JpTO~4M3cExFRSmpSzVws~RKm40c94OoJhVFFbrPF6LX-KhdLYKpPYlzNbLT3ifNDpnVvP9~G8QKcr5X1xDA7GYrzmAUM~UT67Dr-McVHd9mk9nmEu884FCmAPE8BrVWr8wqzzfAuWWhK-M03nGR7bhkkpOHlEmsbtIuoWjD3c6MvjufrTqJKdcg9PhweHP-BApp3YUWfUnnLhSxKqgBh4seBDP9Nf1ZR8CwLnbvaORfa9sCLu5I3poPAZ4~p3m-wNj1UHg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="31539433"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/31539433/_Dalla_perdita_al_possesso_Forme_di_temporalit%C3%A0_non_lineare_nelle_epifanie_liriche_di_Cavalcanti_Dante_e_Petrarca_Chroniques_italiennes_web_32_1_2017_pp_137_54"><img alt="Research paper thumbnail of "Dalla perdita al possesso. Forme di temporalità non lineare nelle epifanie liriche di Cavalcanti, Dante e Petrarca", Chroniques italiennes web, 32 (1/2017), pp. 137-54" class="work-thumbnail" src="https://attachments.academia-assets.com/51880945/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31539433/_Dalla_perdita_al_possesso_Forme_di_temporalit%C3%A0_non_lineare_nelle_epifanie_liriche_di_Cavalcanti_Dante_e_Petrarca_Chroniques_italiennes_web_32_1_2017_pp_137_54">"Dalla perdita al possesso. Forme di temporalità non lineare nelle epifanie liriche di Cavalcanti, Dante e Petrarca", Chroniques italiennes web, 32 (1/2017), pp. 137-54</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Questo intervento propone una lettura di tre celebri sonetti di Cavalcanti, Dante e Petrarca, Chi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Questo intervento propone una lettura di tre celebri sonetti di Cavalcanti, Dante e Petrarca, Chi è questa che vèn, ch'og'om la mira, Tanto gentile e tanto onesta pare ed Erano i capei d'oro a l'aura sparsi, esplorando prima quale forma di temporalità venga articolata in ciascuno di essi, e poi quale tipo di desiderio le corrisponda 2 . In un certo senso, la temporalità è ciò che spiega non solo i differenti tipi di desiderio formulati nelle tre liriche ma anche, e soprattutto, il rapporto del poeta con l'assenza o la presenza dell'oggetto del desiderio e colle potenzialità soggettive e relazionali che esso comporta.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41f582ebcdf6c837e21f506c16b45172" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51880945,"asset_id":31539433,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51880945/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31539433"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31539433"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31539433; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31539433]").text(description); $(".js-view-count[data-work-id=31539433]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31539433; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31539433']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41f582ebcdf6c837e21f506c16b45172" } } $('.js-work-strip[data-work-id=31539433]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31539433,"title":"\"Dalla perdita al possesso. 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