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data-dom-id="ProfileCheckPaperUpdate-react-component-5d06e185-befc-44dc-88c5-cd57fe227bfb"></div> <div id="ProfileCheckPaperUpdate-react-component-5d06e185-befc-44dc-88c5-cd57fe227bfb"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Manuele Gragnolati" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/576065/204980/167775778/s200_manuele.gragnolati.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Manuele Gragnolati</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://paris-sorbonne.academia.edu/">Université Paris-Sorbonne (Paris IV)</a>, <a class="u-tcGrayDarker" href="https://paris-sorbonne.academia.edu/Departments/U_F_R_d_Etudes_italiennes/Documents">U.F.R. d'Etudes italiennes</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://ici-berlin.academia.edu/">ICI Berlin Institute for Cultural Inquiry</a>, <a class="u-tcGrayDarker" href="https://ici-berlin.academia.edu/Departments/Research/Documents">Research</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Manuele" data-follow-user-id="576065" 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data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">61</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/ManueleGragnolati/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><a href="https://paris-sorbonne.academia.edu/ManueleGragnolati/Analytics"><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></a></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Manuele Gragnolati is Full Professor of Medieval Italian Literature at Sorbonne Université, Associate Director of the ICI Berlin Institute for Cultural Inquiry (http://www.ici-berlin.org), Senior Research Fellow at Somerville College, Oxford (http://www.some.ox.ac.uk), as well as Vice President of the Société Dantesque de France. He studied Classical Philology, Medieval Studies, and Italian Literature at the Universities of Pavia (BA and MA), Paris IV-Sorbonne (MA) and Columbia in NYC (PhD). Before joining the University of Paris-Sorbonne, he taught at Dartmouth College from 1999 to 2003 and from 2003 to 2015 at the University of Oxford, where he was Full Professor of Italian Literature. <br /><br />A significant part of his research, including his first monograph Experiencing the 'Afterlife: Soul and Body in Dante and Medieval Culture' (2005), focuses on Dante and medieval literature and culture, especially on the significance of corporeality in thirteenth- and fourteenth-century eschatology. He is also interested in the concept of linguistic subjectivity from Dante’s 'Vita Nova' to the present, in modern appropriations of medieval texts, and in feminist and queer theory. His second monograph 'Amor che move: Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante' (2013), offers a diffractive exploration of body, language, desire in Dante and two authors who have engaged with Dante’s oeuvre in the late twentieth century from a minor, ‘eccentric’ position. Lyric poetry is another of his interests and in this field he has collaborated on a substantial commentary on Dante’s Rime and published essays on medieval and modern authors as well as the volume 'Possibilities of Lyric : Reading Petrarch in Dialogue' (2020), which he coauthored with Francesca Southerden ad which explores the potential of the lyric mode through a comparative reading of Petrarch’s 'Canzoniere'.<br /><br />Manuele Gragnolati enjoys studying and teaching literature for its critical potential to challenge normative ways of thinking and is particularly interested in texts that propose different figurations of reality, whether in the past or in the present. He believes in an interdisciplinary approach to culture and in collaborating with colleagues with different intellectual histories and backgrounds. An example is the recent 'Oxford Handbook of Dante' (2021), which he conceived and edited with two colleagues and which includes 45 essays by scholars from all over the world and offers an updated, transnational, and plural take on Dante’s oeuvre. At the ICI Berlin and elsewhere he has run several interdisciplinary projects on Dante, Elsa Morante, Pier Paolo Pasolini, and other topics which have often resulted in collective volumes, including: 'Opennes in Medieval Europe' (2022); 'Petrolio 25 anni dopo. Biopolitica, eros e verità nell’ultimo romanzo di Pier Paolo Pasolini' (2020); 'Vita nova. Fiore. Epistola XIII' (2018); 'Aimer on ne pas aimer: une question, deux textes. Boccace; Elegia di madonna Fiammetta et Corbaccio' (2018);  'De/Constituting Wholes: Towards Partiality Without Parts' (2017); 'The Scandal of Self-Contradiction: Pier Paolo Pasolini’s Multistable Subjectivities, Traditions, Geographies' (2012); 'Desire in Dante and the Middle Ages' (2012); 'Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries' (2011); 'Dante’s Plurilingualism: Authority, Knowledge, Subjectivity' (2010); 'Aspects of the Performative in Medieval Culture' (2010); 'The Power of Disturbance: Elsa Morante’s Aracoeli' (2009).<br /><br />With Francesca Southerden he is currently working on a book project tentatively entitled "Ecologies of Affect: Unearthing the Posthuman in Dante, Petrarch, and Boccaccio".<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/ShamsKhattak1"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/ShamsKhattak1">Shams Khattak</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/PatrickSODonnell"><img class="profile-avatar u-positionAbsolute" alt="Patrick S. 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role="tab" style="border: none;"><span>1</span> Articles & Book Chapters </a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Conference-Presentations" data-toggle="tab" href="#conferencepresentations" role="tab" style="border: none;"><span>2</span> Conference Presentations</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="eBooks" data-toggle="tab" href="#ebooks" role="tab" style="border: none;"><span>1</span> eBooks</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Lectures,-Talks-&-Conferences" data-toggle="tab" href="#lecturestalksconferences" role="tab" style="border: none;"><span>1</span> Lectures, Talks & Conferences</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Online-Publications" data-toggle="tab" href="#onlinepublications" role="tab" style="border: none;"><span>2</span> Online Publications</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Manuele Gragnolati</h3></div><div class="js-work-strip profile--work_container" data-work-id="77459346"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/77459346/Openness_in_Medieval_Europe_ed_by_Manuele_Gragnolati_and_Almut_Suerbaum"><img alt="Research paper thumbnail of Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum" class="work-thumbnail" src="https://attachments.academia-assets.com/84795600/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/77459346/Openness_in_Medieval_Europe_ed_by_Manuele_Gragnolati_and_Almut_Suerbaum">Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/FrancescoGiusti">Francesco Giusti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxfordbrookes.academia.edu/BrianMcMahon">Brian McMahon</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/BenjaminThompson">Benjamin Thompson</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://eastanglia.academia.edu/OrenMargolis">Oren Margolis</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume challenges the persistent association of the Middle Ages with closure and fixity. Bri...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume challenges the persistent association of the Middle Ages with closure and fixity. Bringing together a range of disciplines and perspectives, it identifies and uncovers forms of openness which are often obscured by modern assumptions, and demonstrates how they coexist with, or even depend upon, enclosure and containment in paradoxical and unexpected ways. Explored through notions such as porosity, vulnerability, exposure, unfinishedness, and inclusivity, openness turns out to permeate medieval culture, unsettling boundaries, binaries, and clear-cut distinctions.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ee1004719e105cef12ac6a268a45704a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":84795600,"asset_id":77459346,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/84795600/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="77459346"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="77459346"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 77459346; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="47398827"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/47398827/The_Oxford_Handbook_of_Dante_ed_by_Manuele_Gragnolati_Elena_Lombardi_and_Francesca_Southerden_Oxford_Oxford_University_Press_2021_"><img alt="Research paper thumbnail of The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi and Francesca Southerden (Oxford: Oxford University Press, 2021)" class="work-thumbnail" src="https://attachments.academia-assets.com/66510310/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/47398827/The_Oxford_Handbook_of_Dante_ed_by_Manuele_Gragnolati_Elena_Lombardi_and_Francesca_Southerden_Oxford_Oxford_University_Press_2021_">The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi and Francesca Southerden (Oxford: Oxford University Press, 2021)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorou...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7c2c733609a0fc12ce592beae2bb412d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66510310,"asset_id":47398827,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66510310/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="47398827"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="47398827"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 47398827; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44614020"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44614020/Possibilities_of_lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Berlin_ICI_Berlin_Press_2020_"><img alt="Research paper thumbnail of Possibilities of lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda (Berlin: ICI Berlin Press, 2020)" class="work-thumbnail" src="https://attachments.academia-assets.com/65079408/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44614020/Possibilities_of_lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Berlin_ICI_Berlin_Press_2020_">Possibilities of lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda (Berlin: ICI Berlin Press, 2020)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Opening to passion as an unsettling, transformative force; extending desire to the text, expandin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Opening to passion as an unsettling, transformative force; extending desire to the text, expanding the self, and dissolving its boundaries; imagining pleasures outside the norm and intensifying them; overcoming loss and reaching beyond death; being loyal to oneself and defying productivity, resolution, and cohesion while embracing paradox, non-linearity, incompletion. These are some of the possibilities of lyric that this book explores by reading Petrarch’s vernacular poetry in dialogue with that of other poets, including Guido Cavalcanti, Dante, and Shakespeare. In the Epilogue, the poet Antonella Anedda Angioy engages with Ossip Mandel’štam and Paul Celan’s dialogue with Petrarch and extends it into the present.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2748e2a710daad197f39efccfb77e1e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65079408,"asset_id":44614020,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65079408/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44614020"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44614020"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44614020; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44614020]").text(description); $(".js-view-count[data-work-id=44614020]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44614020; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44614020']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2748e2a710daad197f39efccfb77e1e5" } } $('.js-work-strip[data-work-id=44614020]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44614020,"title":"Possibilities of lyric: Reading Petrarch in Dialogue. 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Edited by Christiane Frey, Manuele Gragnolati, Christoph Holzhey, and Arnd Wedemeyer. Translated from the French by Jennifer Rushworth (Berlin: ICI Berlin Press, 2020)" class="work-thumbnail" src="https://attachments.academia-assets.com/64510816/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44155018/Claude_Lefort_Dantes_Modernity_An_Introduction_to_the_Monarchia_with_an_essay_by_Judith_Revel_Edited_by_Christiane_Frey_Manuele_Gragnolati_Christoph_Holzhey_and_Arnd_Wedemeyer_Translated_from_the_French_by_Jennifer_Rushworth_Berlin_ICI_Berlin_Press_2020_">Claude Lefort, Dante's Modernity: An Introduction to the Monarchia, with an essay by Judith Revel. Edited by Christiane Frey, Manuele Gragnolati, Christoph Holzhey, and Arnd Wedemeyer. Translated from the French by Jennifer Rushworth (Berlin: ICI Berlin Press, 2020)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ArndWedemeyer">Arnd Wedemeyer</a></span></div><div class="wp-workCard_item"><span>Dante's Modernity.</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Claude Lefort, one of the most prominent political philosophers of the twentieth century, reads D...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Claude Lefort, one of the most prominent political philosophers of the twentieth century, reads Dante’s Monarchia and demonstrates the surprising relevance of this radical fourteenth-century treatise defending the necessity of a universal monarchy independent from the Church. Written to accompany a new French translation of Dante’s treatise in 1993 and appearing here for the first time in English, Lefort’s essay exemplifies his signature method of taking political philosophy in new directions by reframing key works from the history of political thought. Dante’s Monarchia was attacked early on by the Church, burned as heretical in 1329, and remained on the Vatican’s index of prohibited works until 1881. With trenchant insight and his characteristic attention to detail, Lefort pursues the often hidden influence of Dante’s long suppressed treatise on the politics and political thought of subsequent centuries. He also challenges us to explore its still unrealized potential by disentangling Dante’s notion of universal sovereignty from its historical links to imperialism and nationalism. Drawing out the provocation of Dante’s treatise for contemporary debates, Lefort’s essay presents readers of Dante with a remarkably fresh account of an oft-neglected yet crucial part of the author’s oeuvre.<br /><br />In her extensive interpretive essay, Judith Revel submits Lefort’s encounter with Dante to a transformative mis/reading and shows the importance of Dante’s text for Lefort’s conception of political philosophy. She carefully reconstructs its radical legacy, all too frequently reduced to a postmarxist turn or even mistaken for an affirmation of liberal democracy.<br /><br />The two essays are accompanied by a note from their translator, Jennifer Rushworth, and a preface by Christiane Frey.<br /><br />Available Open-Access at <a href="https://www.ici-berlin.org/oa/ci-16" rel="nofollow">https://www.ici-berlin.org/oa/ci-16</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2d326fcf302609dca1a265eabcafd469" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64510816,"asset_id":44155018,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64510816/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44155018"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44155018"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44155018; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44155018]").text(description); $(".js-view-count[data-work-id=44155018]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44155018; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44155018']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2d326fcf302609dca1a265eabcafd469" } } $('.js-work-strip[data-work-id=44155018]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44155018,"title":"Claude Lefort, Dante's Modernity: An Introduction to the Monarchia, with an essay by Judith Revel. 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Translated from the French by Jennifer Rushworth (Berlin: ICI Berlin Press, 2020)","internal_url":"https://www.academia.edu/44155018/Claude_Lefort_Dantes_Modernity_An_Introduction_to_the_Monarchia_with_an_essay_by_Judith_Revel_Edited_by_Christiane_Frey_Manuele_Gragnolati_Christoph_Holzhey_and_Arnd_Wedemeyer_Translated_from_the_French_by_Jennifer_Rushworth_Berlin_ICI_Berlin_Press_2020_","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":64510816,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64510816/thumbnails/1.jpg","file_name":"Lefort-2.pdf","download_url":"https://www.academia.edu/attachments/64510816/download_file","bulk_download_file_name":"Claude_Lefort_Dantes_Modernity_An_Introd.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64510816/Lefort-2-libre.pdf?1600949984=\u0026response-content-disposition=attachment%3B+filename%3DClaude_Lefort_Dantes_Modernity_An_Introd.pdf\u0026Expires=1740414055\u0026Signature=E8nUcBXi9Oc32DpL0wJ6fY~CFY9CW0Uw4Yqff4r~OVeDvQ1IDGf~2qJLr9GxN6lcpdJcpE~gcKIY8iaOOFtmbDql5B2HyMLJ4slSgEMdBqArLXUVXBGkOGA~0FPvMIL4xaGFKTHA-h1vD5GvXNfzlD9E~~Rn6gKYZbkpvhJXuMZQ5p-ymHmDeXlEMV-tz4ay1hxP8mG9i-BlHiXUwOQ6tP~TTZ~wJaUJpEB~CvHVtjZdVsQgeTFEekBHYZZ910OiAnX1P7tQ7HgvkxVn7Yqia6y8Dt5kLhHk~T4TN6dIFG7tL5ko4EDN-20zWSweTZqbWPiZPPET4XH9GHbaS9XWFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38326165"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII"><img alt="Research paper thumbnail of Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII" class="work-thumbnail" src="https://attachments.academia-assets.com/58376733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII">Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MarcelloCiccuto">Marcello Ciccuto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casad...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. <br />Il volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. <br />La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione <br />sui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. <br />I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento, <br />riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. <br />Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta. <br />Contributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d37e4688c6d23f217163bc701df06ad6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58376733,"asset_id":38326165,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58376733/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38326165"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38326165"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38326165; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38326165]").text(description); $(".js-view-count[data-work-id=38326165]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38326165; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38326165']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d37e4688c6d23f217163bc701df06ad6" } } $('.js-work-strip[data-work-id=38326165]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38326165,"title":"Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII","internal_url":"https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII","owner_id":9008486,"coauthors_can_edit":true,"owner":{"id":9008486,"first_name":"SISMEL","middle_initials":"","last_name":"Edizioni del Galluzzo","page_name":"SISMELEdizionidelGalluzzo","domain_name":"independent","created_at":"2014-02-10T00:43:41.094-08:00","display_name":"SISMEL Edizioni del Galluzzo","url":"https://independent.academia.edu/SISMELEdizionidelGalluzzo","email":"Rm11cE1NaGNYb2xzL1NWUUE1OVhtQ3dTZDN2Q1J4eVNsc0VGNjAyc3c3OGxKMUxCaHBQZzhUVEZ5RjNiTFBLaG8wdTBiQytrdVFRUUpLUW9tL3dTZWc9PS0tR0VSZGxRMG8yWENmQVV6c1gvMFlHUT09--d2b2dd9f4b5f55614670325b215b5e4be110fbb7"},"attachments":[{"id":58376733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58376733/thumbnails/1.jpg","file_name":"Atti_degli_incontri_sulle_opere_di_Dante._1._Vita_nova__Fiore__Epistola_XIII.pdf","download_url":"https://www.academia.edu/attachments/58376733/download_file","bulk_download_file_name":"Atti_degli_incontri_sulle_Opere_di_Dante.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58376733/Atti_degli_incontri_sulle_opere_di_Dante._1._Vita_nova__Fiore__Epistola_XIII-libre.pdf?1549889430=\u0026response-content-disposition=attachment%3B+filename%3DAtti_degli_incontri_sulle_Opere_di_Dante.pdf\u0026Expires=1740572426\u0026Signature=fRGALdqwQambbbzqzqz5a0uC~~jHq~dH10J~JK~lZoc6qz3cQCiSIjJfYFi-6ai~2lvW2kvc-t9fKTqPfICOgZ9hcfGpZuUohnT43obSTRS8m4S2f6fqZqiQftqblU2EN~XK00vHPsQE2cquBHzQ7fdPi72d6s1oWFz~G2w0zD4o1jm8NCeHUYI6adqLSQ04MKvCqzz449cshvRKA2XRxqFbBxg3T-nIR17VyHL3LOWnOt8cBdzANqzX2H7IpKABii95djWCXsbnhj8wfVlbnVZCiISv9RdbKQQGQsNzjYR1W2AVUFPH01x9XPXjzgvEV7Mr1AG4ojJhAWIvMK0F9Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37946273"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37946273/Vita_nova_Fiore_Epistola_XIII_ed_by_Manuele_Gragnolati_Luca_Carlo_Rossi_Paola_Allegretti_Natascia_Tonelli_Alberto_Casadei_Firenze_SISMEL_Edizioni_del_Galluzzo_2018"><img alt="Research paper thumbnail of Vita nova. Fiore. Epistola XIII, ed. by Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. Firenze: SISMEL – Edizioni del Galluzzo, 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/57960147/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37946273/Vita_nova_Fiore_Epistola_XIII_ed_by_Manuele_Gragnolati_Luca_Carlo_Rossi_Paola_Allegretti_Natascia_Tonelli_Alberto_Casadei_Firenze_SISMEL_Edizioni_del_Galluzzo_2018">Vita nova. Fiore. Epistola XIII, ed. by Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. Firenze: SISMEL – Edizioni del Galluzzo, 2018</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">M. Ciccuto, Prefazione. VITA NOVA a cura di M. Gragnolati e L. C. Rossi. M. Gragnolati - L. C. Ro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">M. Ciccuto, Prefazione. VITA NOVA a cura di M. Gragnolati e L. C. Rossi. M. Gragnolati - L. C. Rossi, Premessa. E. Ardissino, Vita nova. Il libro delle ‘transfigurazioni’ d’amore – F. Brugnolo, Conservare per trasformare. Il transfer lirico in Dante (Vita nuova e dintorni) – M. Gragnolati, Una performance senza gerarchia: la riscrittura bi-stabile della Vita nova – G. Ledda, L’ineffabilità nella Vita nova: retorica, mistica, narrativa – E. Lombardi, Il pensiero linguistico nella Vita nova – D. Pirovano, «La mia lingua parlò quasi come per se stesso mossa». Lettura di Donne ch’avete intelletto d’amore (VN XIX 4-14) – R. Rea, Cavalcanti nella Vita nuova: una proposta di rilettura – N. Tonelli, I tempi della poesia, il tempo della prosa: a proposito di alcune visioni della Vita nuova. FIORE. IL TESTO E IL COMMENTO a cura di P. Allegretti e N. Tonelli. P. Allegretti, Premessa: questioni vecchie e nuove intorno al Fiore – L. Formisano, L’attribuzione del Fiore: una questione aperta – L. C. Rossi, Un Fiore tra i commenti – P. Stoppelli, Paternità ed ecdotica del Fiore: aspetti indipendenti? – P. Allegretti, Il volgarizzamento alla luce del testimone. L’EPISTOLA A CANGRANDE: STATO DEGLI STUDI E NUOVE PROSPETTIVE a cura di A. Casadei. L. Pertile, Premessa – A. Casadei, Situazione dell’Epistola a Cangrande: una sintesi – P. De Ventura, Dante e Cangrande, Dupin e Salomone – G. Indizio, L’Epistola XIII: primi appunti per un approccio sistemico alle questioni attributive – M. Veglia, Dante e Cangrande tra Verona e Ravenna. Indici a cura di P. Allegretti - P. Pontari.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7be5389ee00bdfecbd9d51b780f7bddc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57960147,"asset_id":37946273,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57960147/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37946273"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37946273"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37946273; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37946273]").text(description); $(".js-view-count[data-work-id=37946273]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37946273; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37946273']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7be5389ee00bdfecbd9d51b780f7bddc" } } $('.js-work-strip[data-work-id=37946273]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37946273,"title":"Vita nova. Fiore. Epistola XIII, ed. by Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. Firenze: SISMEL – Edizioni del Galluzzo, 2018","internal_url":"https://www.academia.edu/37946273/Vita_nova_Fiore_Epistola_XIII_ed_by_Manuele_Gragnolati_Luca_Carlo_Rossi_Paola_Allegretti_Natascia_Tonelli_Alberto_Casadei_Firenze_SISMEL_Edizioni_del_Galluzzo_2018","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":57960147,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57960147/thumbnails/1.jpg","file_name":"SISMEL.pdf","download_url":"https://www.academia.edu/attachments/57960147/download_file","bulk_download_file_name":"Vita_nova_Fiore_Epistola_XIII_ed_by_Manu.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57960147/SISMEL-libre.pdf?1544429648=\u0026response-content-disposition=attachment%3B+filename%3DVita_nova_Fiore_Epistola_XIII_ed_by_Manu.pdf\u0026Expires=1740414056\u0026Signature=WyFYiILyjcHRk6BCsB8SQT6~rgZbgibmoPuF9MIkNvageGQN4KxJdXUsOtx1AkZPxQyCJ7QqNw66unpCc9Q1zAxTVaW34Pj-oK1-E~rWVvQSVjJ9NsMSXnFt-wsGmqigkStdOMh6MXR~MMM~v--EFdnPJ~ngKJrjs8QNIg2MDddxLCi0JZVRX9LQUfTZekZSAC0pLka8L9loT5T2-CCE5A33TTvtY0FnrFuhKCZcb3WYWITJMIOpMZ4qul5735J7xAyIr909cIpEdMKmgQ~OcKGc8MH4HO4~OoVM8YXjR6hHerSa-8BBSw0ax-nSoxB014FGo84WXTuzLvSiyWwvMg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37663452"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37663452/Aimer_on_ne_pas_aimer_une_question_deux_textes_Boccace_Elegia_di_madonna_Fiammetta_et_Corbaccio_ed_by_Anna_Pia_Filotico_Manuele_Gragnolati_and_Philippe_Guerin_Paris_Presses_Sorbonne_Nouvelle_2018"><img alt="Research paper thumbnail of Aimer on ne pas aimer : une question, deux textes. Boccace, "Elegia di madonna Fiammetta" et "Corbaccio", ed. by Anna Pia Filotico, Manuele Gragnolati and Philippe Guerin. Paris : Presses Sorbonne Nouvelle, 2018." class="work-thumbnail" src="https://attachments.academia-assets.com/57651352/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37663452/Aimer_on_ne_pas_aimer_une_question_deux_textes_Boccace_Elegia_di_madonna_Fiammetta_et_Corbaccio_ed_by_Anna_Pia_Filotico_Manuele_Gragnolati_and_Philippe_Guerin_Paris_Presses_Sorbonne_Nouvelle_2018">Aimer on ne pas aimer : une question, deux textes. Boccace, "Elegia di madonna Fiammetta" et "Corbaccio", ed. by Anna Pia Filotico, Manuele Gragnolati and Philippe Guerin. Paris : Presses Sorbonne Nouvelle, 2018.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://urbinoc.academia.edu/IlariaTufano">Ilaria Tufano</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Boccace, «Elegia di madonna Fiammetta» et «Corbaccio», au programme de l’agrégation 2019, offrent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Boccace, «Elegia di madonna Fiammetta» et «Corbaccio», au programme de l’agrégation 2019, offrent un regard ‘décalé’ sur l’auteur du Décaméron, de part et d’autre des ‘Cent Nouvelles’. Il s’agit de deux œuvres ‘mineures’ et de prime abord antinomiques, chacune à sa manière féconde qui permettent de repenser la ‘question féminine’ au XIVe siècle : comment se présente-t-elle et se représente-t-elle ? Que dit de la passion amoureuse (amor hereos) sa féminisation ? Quel statut de la ‘lectrice’ ? Quel rapport entre regard masculin et auctorialité, et énonciation féminine, auctoriale à son tour. Ces oeuvres ont également une dimension réflexive importante : qu’est-ce qu’un ‘auteur’ au Trecento, si l’on est Boccace ? Comment jouer des, et avec les genres littéraires ? Quels pouvoirs pour la parole ‘artistique’, quelle fonction pour la littérature ? Boccace nous invite ainsi à actualiser la lecture de ses œuvres. Une actualisation jamais oublieuse toutefois de l’horizon propre des textes de leur auteur.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27e63595468f1da89cc8a007931c4e22" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57651352,"asset_id":37663452,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57651352/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37663452"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37663452"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37663452; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37663452]").text(description); $(".js-view-count[data-work-id=37663452]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37663452; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37663452']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27e63595468f1da89cc8a007931c4e22" } } $('.js-work-strip[data-work-id=37663452]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37663452,"title":"Aimer on ne pas aimer : une question, deux textes. 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Holzhey. Wien/Berlin: Turia+Kant, 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/51988284/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31656464/De_Constituting_Wholes_Towards_Partiality_Without_Parts_ed_by_Manuele_Gragnolati_and_Christoph_F_E_Holzhey_Wien_Berlin_Turia_Kant_2017">De/Constituting Wholes: Towards Partiality Without Parts, ed. by Manuele Gragnolati and Christoph F.E. Holzhey. Wien/Berlin: Turia+Kant, 2017</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ChristophHolzhey">Christoph Holzhey</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">How can the power of wholes be resisted without essentializing their parts? Drawing on different ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">How can the power of wholes be resisted without essentializing their parts? Drawing on different archives and methodologies, including aesthetics, history, biology, affect, race, and queer, the interventions in this volume explore different ways of troubling the consistency and stability of wholes, breaking up their closure and making them more dynamic. Doing so without necessarily presupposing or producing parts, an outside, or a teleological development, they indicate the critical potential of partiality without parts.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="341d10e1f377df0aa14f5ccbcad37c9a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51988284,"asset_id":31656464,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51988284/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31656464"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31656464"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31656464; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31656464]").text(description); $(".js-view-count[data-work-id=31656464]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31656464; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31656464']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "341d10e1f377df0aa14f5ccbcad37c9a" } } $('.js-work-strip[data-work-id=31656464]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31656464,"title":"De/Constituting Wholes: Towards Partiality Without Parts, ed. by Manuele Gragnolati and Christoph F.E. 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Holzhey, and Davide Luglio, LaRivista 4 (2015)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://obs-vlfr.academia.edu/PaoloDesogus">Paolo Desogus</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ChristophHolzhey">Christoph Holzhey</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b61b47e610b195424223591182bec017" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":46123606,"asset_id":25766693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/46123606/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="25766693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="25766693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25766693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25766693]").text(description); $(".js-view-count[data-work-id=25766693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 25766693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='25766693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b61b47e610b195424223591182bec017" } } $('.js-work-strip[data-work-id=25766693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":25766693,"title":"Pier Paolo Pasolini entre régression et échec, ed. by Paolo Desogus, Manuele Gragnolati, Christoph F.E. 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Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Milano: il Saggiatore, 2013" class="work-thumbnail" src="https://attachments.academia-assets.com/32091866/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4789281/Amor_che_move_Linguaggio_del_corpo_e_forma_del_desiderio_in_Dante_Pasolini_e_Morante_Milano_il_Saggiatore_2013">Amor che move. Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Milano: il Saggiatore, 2013</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78a5667eed591a8590b5ce89ccc261f5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32091866,"asset_id":4789281,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32091866/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4789281"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4789281"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4789281; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4789281]").text(description); $(".js-view-count[data-work-id=4789281]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4789281; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4789281']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78a5667eed591a8590b5ce89ccc261f5" } } $('.js-work-strip[data-work-id=4789281]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4789281,"title":"Amor che move. 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Berlin and Vienna: Turia + Kant, 2012. " class="work-thumbnail" src="https://attachments.academia-assets.com/29696408/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1492118/The_Scandal_of_Self_Contradiction_Pier_Paolo_Pasolini_s_Multistable_Subjectivities_Traditions_Geographies_ed_with_Luca_Di_Blasi_and_Christoph_Holzhey_Berlin_and_Vienna_Turia_Kant_2012">The Scandal of Self-Contradiction: Pier Paolo Pasolini’s Multistable Subjectivities, Traditions, Geographies, ed. with Luca Di Blasi and Christoph Holzhey. Berlin and Vienna: Turia + Kant, 2012. </a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ChristophHolzhey">Christoph Holzhey</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibe-ch.academia.edu/LucaDiBlasi">Luca Di Blasi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European cultur...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present. <br /> <br />Contributors: Alain Badiou, Bruno Besana, Astrid Deuber-Mankowsky, Francesca Cadel, Luca Di Blasi, Graziella Chiarcossi, Robert Gordon, Agnese Grieco, Bernhard Groß, Christoph Holzhey, Hervé Joubert-Laurencin, Silvia Mazzini, Claudia Peppel, Giovanna Trento"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cdbd9e5264d94b75204895f51c72f6fc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":29696408,"asset_id":1492118,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/29696408/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1492118"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1492118"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1492118; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1492118]").text(description); $(".js-view-count[data-work-id=1492118]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1492118; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1492118']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cdbd9e5264d94b75204895f51c72f6fc" } } $('.js-work-strip[data-work-id=1492118]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1492118,"title":"The Scandal of Self-Contradiction: Pier Paolo Pasolini’s Multistable Subjectivities, Traditions, Geographies, ed. with Luca Di Blasi and Christoph Holzhey. 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Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present. <br /> <br />Contributors: Bruno Besana, Francesca Cadel, Graziella Chiarcossi, Astrid Deuber-Mankowsky, Luca Di Blasi, Robert Gordon, Manuele Gragnolati, Agnese Grieco, Bernhard Groß, Christoph Holzhey, Hervé Joubert-Laurencin, Silvia Mazzini, Claudia Peppel, Giovanna Trento</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fbd38f5e148bb44397e2efc9f34e388d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":29708809,"asset_id":1496539,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/29708809/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1496539"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1496539"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1496539; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1491950"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/11684810/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012">Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages. <br /> <br />Contributors: Daniela Boccassini, Bill Burgwinkle, Fabio Camilletti, Peter Dent, Manuele Gragnolati, Tristan Kay, Giuseppe Ledda, Elena Lombardi, Jonathan Morton, Monika Otter, Francesca Southerden, Robert Sturges, Almut Suerbaum, Paola Ureni, Annette Volfing, Marguerite Waller</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba95dfb74e10784632f0e58d23714d32" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":11684810,"asset_id":1491950,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/11684810/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1491950"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1491950"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1491950; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1491950]").text(description); $(".js-view-count[data-work-id=1491950]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1491950; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1491950']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ba95dfb74e10784632f0e58d23714d32" } } $('.js-work-strip[data-work-id=1491950]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1491950,"title":"Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. 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Wien/Berlin: Turia+Kant, 2011" class="work-thumbnail" src="https://attachments.academia-assets.com/4419619/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761076/Metamorphosing_Dante_Appropriations_Manipulations_and_Rewritings_in_the_Twentieth_and_Twenty_First_Centuries_Eds_Manuele_Gragnolati_Fabio_Camilletti_and_Fabian_Lampart_Wien_Berlin_Turia_Kant_2011">Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries Eds Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. Wien/Berlin: Turia+Kant, 2011</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://warwick.academia.edu/FabioCamilletti">Fabio Camilletti</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After almost seven centuries, Dante endures and even seems to haunt the present. "Metamorphosing ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After almost seven centuries, Dante endures and even seems to haunt the present. "Metamorphosing Dante" explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include Samuel Beckett, Walter Benjamin, André Gide, Derek Jarman, LeRoi Jones/Amiri Baraka, James Joyce, Wolfgang Koeppen, Jacques Lacan, Thomas Mann, James Merrill, Eugenio Montale, Pier Paolo Pasolini, Cesare Pavese, Giorgio Pressburger, Robert Rauschenberg, Vittorio Sereni, Virginia Woolf. <br /> <br /> <br />CONTRIBUTORS: Erminia Ardissino, Piero Boitani, Fabio Camilletti, Antonella Francini, Nicola Gardini, Manuele Gragnolati, Rachel Jacoff, Nick Havely, Tristan Kay, Dennis Looney, Davide Luglio, Manuela Marchesini, Angela Merte-Rankin, James Miller, Federica Pich, Teresa Prudente, Ronald de Rooy, Francesca Southerden, Florian Trabert, Rebecca West</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="827a742fa8eb6aefdd3b82d78d9f7ac6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":4419619,"asset_id":761076,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/4419619/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761076"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761076"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761076; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761076]").text(description); $(".js-view-count[data-work-id=761076]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761076; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761076']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "827a742fa8eb6aefdd3b82d78d9f7ac6" } } $('.js-work-strip[data-work-id=761076]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761076,"title":"Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries Eds Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. 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Oxford: Legenda, 2010" class="work-thumbnail" src="https://attachments.academia-assets.com/4419352/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761072/Dantes_Plurilingualism_Authority_Knowledge_Subjectivity_eds_Sara_Fortuna_Manuele_Gragnolati_and_J%C3%BCrgen_Trabant_Oxford_Legenda_2010">Dante's Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant. Oxford: Legenda, 2010</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dante's conception of language is encompassed in all his works and can be understood in terms of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dante's conception of language is encompassed in all his works and can be understood in terms of a strenuous defence of the volgare in tension with the prestige of Latin. By bringing together different approaches, from literary studies to philosophy and history, from aesthetics to queer studies, from psychoanalysis to linguistics, this volume offers new critical insights on the question of Dante's language, engaging with both the philosophical works characterized by an original project of vulgarization, and the poetic works, which perform a new language in an innovative and self-reflexive way. In particular, "Dante's Plurilingualism" explores the rich and complex way in which Dante's linguistic theory and praxis both informs and reflects an original configuration of the relationship between authority, knowledge and identity that continues to be fascinated by an ideal of unity but is also imbued with a strong element of subjectivity and opens up towards multiplicity and modernity.<br /><br />Contributors: Zygmunt Baranski, Emma Bond, Gary Cestaro, Sara Fortuna, Stefano Gensini, Carlo Ginzburg, Manuele Gragnolati, Giulio Lepschy, Laura Lepschy, Bettina Lindorfer, Elena Lombardi, Franco Lo Piparo, Lino Pertile, Giorgio Pressburger, Irène Rosier-Catach, Francesca Southerden, Mirko Tavoni, Jürgen Trabant</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d3051dac2d9ce3eeca6d3bdc0dc1e58a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":4419352,"asset_id":761072,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/4419352/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761072"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761072"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761072; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761072]").text(description); $(".js-view-count[data-work-id=761072]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761072; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761072']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d3051dac2d9ce3eeca6d3bdc0dc1e58a" } } $('.js-work-strip[data-work-id=761072]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761072,"title":"Dante's Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant. 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Berlin-New York: de Gruyter, 2010" class="work-thumbnail" src="https://attachments.academia-assets.com/39247231/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761069/Aspects_of_the_Perfomative_in_Medieval_Culture_eds_Manuele_Gragnolati_and_Almut_Suerbaum_Berlin_New_York_de_Gruyter_2010">Aspects of the Perfomative in Medieval Culture, eds Manuele Gragnolati and Almut Suerbaum. Berlin-New York: de Gruyter, 2010</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The volume assesses performative structures within a variety of medieval forms of textuality, fro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume:  the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of  ‛voice’ in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20ce8515de7d154d4ab03e2e3946bfa0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39247231,"asset_id":761069,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39247231/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761069"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761069"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761069; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761069]").text(description); $(".js-view-count[data-work-id=761069]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761069; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761069']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20ce8515de7d154d4ab03e2e3946bfa0" } } $('.js-work-strip[data-work-id=761069]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761069,"title":"Aspects of the Perfomative in Medieval Culture, eds Manuele Gragnolati and Almut Suerbaum. 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Oxford: Legenda, 2009" class="work-thumbnail" src="https://attachments.academia-assets.com/4419920/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761066/The_Power_of_Disturbance_Elsa_Morantes_Aracoeli_eds_Manuele_Gragnolati_and_Sara_Fortuna_Oxford_Legenda_2009">The Power of Disturbance: Elsa Morante's 'Aracoeli', eds Manuele Gragnolati and Sara Fortuna. Oxford: Legenda, 2009</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Aracoeli" (1982) was the last novel written by Elsa Morante (1912-85), one of the most significa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Aracoeli" (1982) was the last novel written by Elsa Morante (1912-85), one of the most significant Italian writers of the twentieth century. The journey, both geographical and memorial, of a homosexual son in search of his dead mother is a first-person narrative that has puzzled many critics for its darkness and despair. By combining scholars from different disciplines and cultural traditions, "The Power of Disturbance: Elsa Morante's Aracoeli" re-evaluates the esthetical and theoretical complexity of Morante's novel and argues that it engages with crucial philosophical and epistemological questions in an original and profound way. Contributors explore the manifold tensions staged by the novel in connection with contemporary philosophical discourse (from feminist/queer to political theory to psycho-analysis) and authors (such as Emilio Gadda, Pier Paolo Pasolini and Pedro Almodovar).<br /><br />"The Power of Disturbance" shows that by creating a 'hallucinatory' representation of the relationship between mother and child, "Aracoeli" questions the classical distinction between subject and object, and proposes an altogether new and subversive kind of writing.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="71d3ccf8afa6e1555f8be210ca959c55" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":4419920,"asset_id":761066,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/4419920/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761066"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761066"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761066; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761066]").text(description); $(".js-view-count[data-work-id=761066]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761066; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761066']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "71d3ccf8afa6e1555f8be210ca959c55" } } $('.js-work-strip[data-work-id=761066]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761066,"title":"The Power of Disturbance: Elsa Morante's 'Aracoeli', eds Manuele Gragnolati and Sara Fortuna. 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Notre Dame: Notre Dame University Press, 2005" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/761048/Experiencing_the_Afterlife_Soul_and_Body_in_Dante_and_Medieval_Culture_Notre_Dame_Notre_Dame_University_Press_2005">Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture. Notre Dame: Notre Dame University Press, 2005</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depiction...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depictions of the afterlife written in Italy before the Divine Comedy by authors such as Uguccione da Lodi, Giacomino da Verona, and Bonvesin da la Riva. Manuele Gragnolati uses his readings of these poets to provide a new interpretation of Dante's work. Combining elements from several disciplines, he investigates the richness of high medieval eschatology and the concept of personal identity it expresses. Gragnolati is particularly concerned with how the notions of body and pain characteristic of medieval spirituality and devotion inform the eschatological representations of the time, especially in their paradoxical urge to stress at once the physical experience of the separated soul and the final necessity of bodily resurrection.<br /><br />By integrating lesser known texts and scholarship from other disciplines into the specialized field of Dante studies, Gragnolati sheds new light on some of the most vigorously debated and crucial questions raised by the Divine Comedy, including the embryological discourse of Purgatorio 25, the relation between the soul's experience of pain in Purgatory and the devotion that late medieval culture expressed towards Christ's suffering, and the significance of the audacious vision of resurrected bodies that Dante the pilgrim enjoys at the end of his journey. At the same time, Gragnolati brings these questions back into contemporary discussions of medieval eschatology and opens new perspectives for current and future work on embodiment and identity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761048"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761048"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761048; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761048]").text(description); $(".js-view-count[data-work-id=761048]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761048; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761048']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=761048]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761048,"title":"Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10587755"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10587755/Il_corpo_glorioso_Il_riscatto_delluomo_nelle_teologie_e_nelle_rappresentazioni_della_resurrezione_Atti_del_II_Simposio_Internazionale_di_Studi_sulle_Arti_per_il_Sacro_Pontificia_Universit%C3%A0_Lateranense_6_7_maggio_2005_Pisa_Giardini_2006"><img alt="Research paper thumbnail of Il corpo glorioso. Il riscatto dell'uomo nelle teologie e nelle rappresentazioni della resurrezione, Atti del II Simposio Internazionale di Studi sulle Arti per il Sacro, Pontificia Università Lateranense, 6-7 maggio 2005, Pisa, Giardini, 2006." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10587755/Il_corpo_glorioso_Il_riscatto_delluomo_nelle_teologie_e_nelle_rappresentazioni_della_resurrezione_Atti_del_II_Simposio_Internazionale_di_Studi_sulle_Arti_per_il_Sacro_Pontificia_Universit%C3%A0_Lateranense_6_7_maggio_2005_Pisa_Giardini_2006">Il corpo glorioso. Il riscatto dell'uomo nelle teologie e nelle rappresentazioni della resurrezione, Atti del II Simposio Internazionale di Studi sulle Arti per il Sacro, Pontificia Università Lateranense, 6-7 maggio 2005, Pisa, Giardini, 2006.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unicatt.academia.edu/carlabino">Carla M Bino</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10587755"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10587755"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10587755; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10587755]").text(description); $(".js-view-count[data-work-id=10587755]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10587755; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10587755']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10587755]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10587755,"title":"Il corpo glorioso. Il riscatto dell'uomo nelle teologie e nelle rappresentazioni della resurrezione, Atti del II Simposio Internazionale di Studi sulle Arti per il Sacro, Pontificia Università Lateranense, 6-7 maggio 2005, Pisa, Giardini, 2006.","internal_url":"https://www.academia.edu/10587755/Il_corpo_glorioso_Il_riscatto_delluomo_nelle_teologie_e_nelle_rappresentazioni_della_resurrezione_Atti_del_II_Simposio_Internazionale_di_Studi_sulle_Arti_per_il_Sacro_Pontificia_Universit%C3%A0_Lateranense_6_7_maggio_2005_Pisa_Giardini_2006","owner_id":2335892,"coauthors_can_edit":true,"owner":{"id":2335892,"first_name":"Carla","middle_initials":"M","last_name":"Bino","page_name":"carlabino","domain_name":"unicatt","created_at":"2012-08-19T07:15:22.641-07:00","display_name":"Carla M Bino","url":"https://unicatt.academia.edu/carlabino"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="90305" id="books"><div class="js-work-strip profile--work_container" data-work-id="77459346"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/77459346/Openness_in_Medieval_Europe_ed_by_Manuele_Gragnolati_and_Almut_Suerbaum"><img alt="Research paper thumbnail of Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum" class="work-thumbnail" src="https://attachments.academia-assets.com/84795600/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/77459346/Openness_in_Medieval_Europe_ed_by_Manuele_Gragnolati_and_Almut_Suerbaum">Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/FrancescoGiusti">Francesco Giusti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxfordbrookes.academia.edu/BrianMcMahon">Brian McMahon</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/BenjaminThompson">Benjamin Thompson</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://eastanglia.academia.edu/OrenMargolis">Oren Margolis</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume challenges the persistent association of the Middle Ages with closure and fixity. Bri...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume challenges the persistent association of the Middle Ages with closure and fixity. Bringing together a range of disciplines and perspectives, it identifies and uncovers forms of openness which are often obscured by modern assumptions, and demonstrates how they coexist with, or even depend upon, enclosure and containment in paradoxical and unexpected ways. Explored through notions such as porosity, vulnerability, exposure, unfinishedness, and inclusivity, openness turns out to permeate medieval culture, unsettling boundaries, binaries, and clear-cut distinctions.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ee1004719e105cef12ac6a268a45704a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":84795600,"asset_id":77459346,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/84795600/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="77459346"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="77459346"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 77459346; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="47398827"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/47398827/The_Oxford_Handbook_of_Dante_ed_by_Manuele_Gragnolati_Elena_Lombardi_and_Francesca_Southerden_Oxford_Oxford_University_Press_2021_"><img alt="Research paper thumbnail of The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi and Francesca Southerden (Oxford: Oxford University Press, 2021)" class="work-thumbnail" src="https://attachments.academia-assets.com/66510310/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/47398827/The_Oxford_Handbook_of_Dante_ed_by_Manuele_Gragnolati_Elena_Lombardi_and_Francesca_Southerden_Oxford_Oxford_University_Press_2021_">The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi and Francesca Southerden (Oxford: Oxford University Press, 2021)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorou...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7c2c733609a0fc12ce592beae2bb412d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66510310,"asset_id":47398827,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66510310/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="47398827"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="47398827"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 47398827; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44614020"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44614020/Possibilities_of_lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Berlin_ICI_Berlin_Press_2020_"><img alt="Research paper thumbnail of Possibilities of lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda (Berlin: ICI Berlin Press, 2020)" class="work-thumbnail" src="https://attachments.academia-assets.com/65079408/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44614020/Possibilities_of_lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Berlin_ICI_Berlin_Press_2020_">Possibilities of lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda (Berlin: ICI Berlin Press, 2020)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Opening to passion as an unsettling, transformative force; extending desire to the text, expandin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Opening to passion as an unsettling, transformative force; extending desire to the text, expanding the self, and dissolving its boundaries; imagining pleasures outside the norm and intensifying them; overcoming loss and reaching beyond death; being loyal to oneself and defying productivity, resolution, and cohesion while embracing paradox, non-linearity, incompletion. These are some of the possibilities of lyric that this book explores by reading Petrarch’s vernacular poetry in dialogue with that of other poets, including Guido Cavalcanti, Dante, and Shakespeare. In the Epilogue, the poet Antonella Anedda Angioy engages with Ossip Mandel’štam and Paul Celan’s dialogue with Petrarch and extends it into the present.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2748e2a710daad197f39efccfb77e1e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65079408,"asset_id":44614020,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65079408/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44614020"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44614020"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44614020; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44614020]").text(description); $(".js-view-count[data-work-id=44614020]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44614020; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44614020']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2748e2a710daad197f39efccfb77e1e5" } } $('.js-work-strip[data-work-id=44614020]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44614020,"title":"Possibilities of lyric: Reading Petrarch in Dialogue. 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Edited by Christiane Frey, Manuele Gragnolati, Christoph Holzhey, and Arnd Wedemeyer. Translated from the French by Jennifer Rushworth (Berlin: ICI Berlin Press, 2020)" class="work-thumbnail" src="https://attachments.academia-assets.com/64510816/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44155018/Claude_Lefort_Dantes_Modernity_An_Introduction_to_the_Monarchia_with_an_essay_by_Judith_Revel_Edited_by_Christiane_Frey_Manuele_Gragnolati_Christoph_Holzhey_and_Arnd_Wedemeyer_Translated_from_the_French_by_Jennifer_Rushworth_Berlin_ICI_Berlin_Press_2020_">Claude Lefort, Dante's Modernity: An Introduction to the Monarchia, with an essay by Judith Revel. Edited by Christiane Frey, Manuele Gragnolati, Christoph Holzhey, and Arnd Wedemeyer. Translated from the French by Jennifer Rushworth (Berlin: ICI Berlin Press, 2020)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ArndWedemeyer">Arnd Wedemeyer</a></span></div><div class="wp-workCard_item"><span>Dante's Modernity.</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Claude Lefort, one of the most prominent political philosophers of the twentieth century, reads D...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Claude Lefort, one of the most prominent political philosophers of the twentieth century, reads Dante’s Monarchia and demonstrates the surprising relevance of this radical fourteenth-century treatise defending the necessity of a universal monarchy independent from the Church. Written to accompany a new French translation of Dante’s treatise in 1993 and appearing here for the first time in English, Lefort’s essay exemplifies his signature method of taking political philosophy in new directions by reframing key works from the history of political thought. Dante’s Monarchia was attacked early on by the Church, burned as heretical in 1329, and remained on the Vatican’s index of prohibited works until 1881. With trenchant insight and his characteristic attention to detail, Lefort pursues the often hidden influence of Dante’s long suppressed treatise on the politics and political thought of subsequent centuries. He also challenges us to explore its still unrealized potential by disentangling Dante’s notion of universal sovereignty from its historical links to imperialism and nationalism. Drawing out the provocation of Dante’s treatise for contemporary debates, Lefort’s essay presents readers of Dante with a remarkably fresh account of an oft-neglected yet crucial part of the author’s oeuvre.<br /><br />In her extensive interpretive essay, Judith Revel submits Lefort’s encounter with Dante to a transformative mis/reading and shows the importance of Dante’s text for Lefort’s conception of political philosophy. She carefully reconstructs its radical legacy, all too frequently reduced to a postmarxist turn or even mistaken for an affirmation of liberal democracy.<br /><br />The two essays are accompanied by a note from their translator, Jennifer Rushworth, and a preface by Christiane Frey.<br /><br />Available Open-Access at <a href="https://www.ici-berlin.org/oa/ci-16" rel="nofollow">https://www.ici-berlin.org/oa/ci-16</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2d326fcf302609dca1a265eabcafd469" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64510816,"asset_id":44155018,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64510816/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44155018"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44155018"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44155018; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44155018]").text(description); $(".js-view-count[data-work-id=44155018]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44155018; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44155018']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2d326fcf302609dca1a265eabcafd469" } } $('.js-work-strip[data-work-id=44155018]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44155018,"title":"Claude Lefort, Dante's Modernity: An Introduction to the Monarchia, with an essay by Judith Revel. 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Vita nova · Fiore · Epistola XIII" class="work-thumbnail" src="https://attachments.academia-assets.com/58376733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII">Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MarcelloCiccuto">Marcello Ciccuto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casad...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. <br />Il volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. <br />La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione <br />sui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. <br />I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento, <br />riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. <br />Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta. <br />Contributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d37e4688c6d23f217163bc701df06ad6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58376733,"asset_id":38326165,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58376733/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38326165"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38326165"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38326165; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38326165]").text(description); $(".js-view-count[data-work-id=38326165]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38326165; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38326165']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d37e4688c6d23f217163bc701df06ad6" } } $('.js-work-strip[data-work-id=38326165]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38326165,"title":"Atti degli incontri sulle Opere di Dante. 1. 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Fiore. Epistola XIII, ed. by Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. Firenze: SISMEL – Edizioni del Galluzzo, 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/57960147/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37946273/Vita_nova_Fiore_Epistola_XIII_ed_by_Manuele_Gragnolati_Luca_Carlo_Rossi_Paola_Allegretti_Natascia_Tonelli_Alberto_Casadei_Firenze_SISMEL_Edizioni_del_Galluzzo_2018">Vita nova. Fiore. Epistola XIII, ed. by Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. Firenze: SISMEL – Edizioni del Galluzzo, 2018</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">M. Ciccuto, Prefazione. VITA NOVA a cura di M. Gragnolati e L. C. Rossi. M. Gragnolati - L. C. Ro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">M. Ciccuto, Prefazione. VITA NOVA a cura di M. Gragnolati e L. C. Rossi. M. Gragnolati - L. C. Rossi, Premessa. E. Ardissino, Vita nova. Il libro delle ‘transfigurazioni’ d’amore – F. Brugnolo, Conservare per trasformare. Il transfer lirico in Dante (Vita nuova e dintorni) – M. Gragnolati, Una performance senza gerarchia: la riscrittura bi-stabile della Vita nova – G. Ledda, L’ineffabilità nella Vita nova: retorica, mistica, narrativa – E. Lombardi, Il pensiero linguistico nella Vita nova – D. Pirovano, «La mia lingua parlò quasi come per se stesso mossa». Lettura di Donne ch’avete intelletto d’amore (VN XIX 4-14) – R. Rea, Cavalcanti nella Vita nuova: una proposta di rilettura – N. Tonelli, I tempi della poesia, il tempo della prosa: a proposito di alcune visioni della Vita nuova. FIORE. IL TESTO E IL COMMENTO a cura di P. Allegretti e N. Tonelli. P. Allegretti, Premessa: questioni vecchie e nuove intorno al Fiore – L. Formisano, L’attribuzione del Fiore: una questione aperta – L. C. Rossi, Un Fiore tra i commenti – P. Stoppelli, Paternità ed ecdotica del Fiore: aspetti indipendenti? – P. Allegretti, Il volgarizzamento alla luce del testimone. L’EPISTOLA A CANGRANDE: STATO DEGLI STUDI E NUOVE PROSPETTIVE a cura di A. Casadei. L. Pertile, Premessa – A. Casadei, Situazione dell’Epistola a Cangrande: una sintesi – P. De Ventura, Dante e Cangrande, Dupin e Salomone – G. Indizio, L’Epistola XIII: primi appunti per un approccio sistemico alle questioni attributive – M. Veglia, Dante e Cangrande tra Verona e Ravenna. Indici a cura di P. Allegretti - P. Pontari.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7be5389ee00bdfecbd9d51b780f7bddc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57960147,"asset_id":37946273,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57960147/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37946273"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37946273"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37946273; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37946273]").text(description); $(".js-view-count[data-work-id=37946273]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37946273; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37946273']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7be5389ee00bdfecbd9d51b780f7bddc" } } $('.js-work-strip[data-work-id=37946273]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37946273,"title":"Vita nova. Fiore. Epistola XIII, ed. by Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. 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Boccace, "Elegia di madonna Fiammetta" et "Corbaccio", ed. by Anna Pia Filotico, Manuele Gragnolati and Philippe Guerin. Paris : Presses Sorbonne Nouvelle, 2018." class="work-thumbnail" src="https://attachments.academia-assets.com/57651352/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37663452/Aimer_on_ne_pas_aimer_une_question_deux_textes_Boccace_Elegia_di_madonna_Fiammetta_et_Corbaccio_ed_by_Anna_Pia_Filotico_Manuele_Gragnolati_and_Philippe_Guerin_Paris_Presses_Sorbonne_Nouvelle_2018">Aimer on ne pas aimer : une question, deux textes. Boccace, "Elegia di madonna Fiammetta" et "Corbaccio", ed. by Anna Pia Filotico, Manuele Gragnolati and Philippe Guerin. Paris : Presses Sorbonne Nouvelle, 2018.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://urbinoc.academia.edu/IlariaTufano">Ilaria Tufano</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Boccace, «Elegia di madonna Fiammetta» et «Corbaccio», au programme de l’agrégation 2019, offrent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Boccace, «Elegia di madonna Fiammetta» et «Corbaccio», au programme de l’agrégation 2019, offrent un regard ‘décalé’ sur l’auteur du Décaméron, de part et d’autre des ‘Cent Nouvelles’. Il s’agit de deux œuvres ‘mineures’ et de prime abord antinomiques, chacune à sa manière féconde qui permettent de repenser la ‘question féminine’ au XIVe siècle : comment se présente-t-elle et se représente-t-elle ? Que dit de la passion amoureuse (amor hereos) sa féminisation ? Quel statut de la ‘lectrice’ ? Quel rapport entre regard masculin et auctorialité, et énonciation féminine, auctoriale à son tour. Ces oeuvres ont également une dimension réflexive importante : qu’est-ce qu’un ‘auteur’ au Trecento, si l’on est Boccace ? Comment jouer des, et avec les genres littéraires ? Quels pouvoirs pour la parole ‘artistique’, quelle fonction pour la littérature ? Boccace nous invite ainsi à actualiser la lecture de ses œuvres. Une actualisation jamais oublieuse toutefois de l’horizon propre des textes de leur auteur.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="27e63595468f1da89cc8a007931c4e22" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57651352,"asset_id":37663452,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57651352/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37663452"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37663452"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37663452; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37663452]").text(description); $(".js-view-count[data-work-id=37663452]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37663452; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37663452']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "27e63595468f1da89cc8a007931c4e22" } } $('.js-work-strip[data-work-id=37663452]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37663452,"title":"Aimer on ne pas aimer : une question, deux textes. 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Holzhey. Wien/Berlin: Turia+Kant, 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/51988284/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/31656464/De_Constituting_Wholes_Towards_Partiality_Without_Parts_ed_by_Manuele_Gragnolati_and_Christoph_F_E_Holzhey_Wien_Berlin_Turia_Kant_2017">De/Constituting Wholes: Towards Partiality Without Parts, ed. by Manuele Gragnolati and Christoph F.E. Holzhey. Wien/Berlin: Turia+Kant, 2017</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ChristophHolzhey">Christoph Holzhey</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">How can the power of wholes be resisted without essentializing their parts? Drawing on different ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">How can the power of wholes be resisted without essentializing their parts? Drawing on different archives and methodologies, including aesthetics, history, biology, affect, race, and queer, the interventions in this volume explore different ways of troubling the consistency and stability of wholes, breaking up their closure and making them more dynamic. Doing so without necessarily presupposing or producing parts, an outside, or a teleological development, they indicate the critical potential of partiality without parts.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="341d10e1f377df0aa14f5ccbcad37c9a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51988284,"asset_id":31656464,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51988284/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31656464"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31656464"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31656464; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31656464]").text(description); $(".js-view-count[data-work-id=31656464]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31656464; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31656464']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "341d10e1f377df0aa14f5ccbcad37c9a" } } $('.js-work-strip[data-work-id=31656464]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31656464,"title":"De/Constituting Wholes: Towards Partiality Without Parts, ed. by Manuele Gragnolati and Christoph F.E. 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Holzhey, and Davide Luglio, LaRivista 4 (2015)" class="work-thumbnail" src="https://attachments.academia-assets.com/46123606/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/25766693/Pier_Paolo_Pasolini_entre_r%C3%A9gression_et_%C3%A9chec_ed_by_Paolo_Desogus_Manuele_Gragnolati_Christoph_F_E_Holzhey_and_Davide_Luglio_LaRivista_4_2015_">Pier Paolo Pasolini entre régression et échec, ed. by Paolo Desogus, Manuele Gragnolati, Christoph F.E. 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Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Milano: il Saggiatore, 2013" class="work-thumbnail" src="https://attachments.academia-assets.com/32091866/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/4789281/Amor_che_move_Linguaggio_del_corpo_e_forma_del_desiderio_in_Dante_Pasolini_e_Morante_Milano_il_Saggiatore_2013">Amor che move. Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Milano: il Saggiatore, 2013</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="78a5667eed591a8590b5ce89ccc261f5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32091866,"asset_id":4789281,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32091866/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4789281"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4789281"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4789281; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4789281]").text(description); $(".js-view-count[data-work-id=4789281]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4789281; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4789281']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "78a5667eed591a8590b5ce89ccc261f5" } } $('.js-work-strip[data-work-id=4789281]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4789281,"title":"Amor che move. 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Berlin and Vienna: Turia + Kant, 2012. " class="work-thumbnail" src="https://attachments.academia-assets.com/29696408/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1492118/The_Scandal_of_Self_Contradiction_Pier_Paolo_Pasolini_s_Multistable_Subjectivities_Traditions_Geographies_ed_with_Luca_Di_Blasi_and_Christoph_Holzhey_Berlin_and_Vienna_Turia_Kant_2012">The Scandal of Self-Contradiction: Pier Paolo Pasolini’s Multistable Subjectivities, Traditions, Geographies, ed. with Luca Di Blasi and Christoph Holzhey. Berlin and Vienna: Turia + Kant, 2012. </a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ChristophHolzhey">Christoph Holzhey</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibe-ch.academia.edu/LucaDiBlasi">Luca Di Blasi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European cultur...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present. <br /> <br />Contributors: Alain Badiou, Bruno Besana, Astrid Deuber-Mankowsky, Francesca Cadel, Luca Di Blasi, Graziella Chiarcossi, Robert Gordon, Agnese Grieco, Bernhard Groß, Christoph Holzhey, Hervé Joubert-Laurencin, Silvia Mazzini, Claudia Peppel, Giovanna Trento"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cdbd9e5264d94b75204895f51c72f6fc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":29696408,"asset_id":1492118,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/29696408/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1492118"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1492118"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1492118; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1492118]").text(description); $(".js-view-count[data-work-id=1492118]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1492118; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1492118']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cdbd9e5264d94b75204895f51c72f6fc" } } $('.js-work-strip[data-work-id=1492118]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1492118,"title":"The Scandal of Self-Contradiction: Pier Paolo Pasolini’s Multistable Subjectivities, Traditions, Geographies, ed. with Luca Di Blasi and Christoph Holzhey. 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Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present. <br /> <br />Contributors: Bruno Besana, Francesca Cadel, Graziella Chiarcossi, Astrid Deuber-Mankowsky, Luca Di Blasi, Robert Gordon, Manuele Gragnolati, Agnese Grieco, Bernhard Groß, Christoph Holzhey, Hervé Joubert-Laurencin, Silvia Mazzini, Claudia Peppel, Giovanna Trento</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fbd38f5e148bb44397e2efc9f34e388d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":29708809,"asset_id":1496539,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/29708809/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1496539"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1496539"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1496539; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1491950"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012"><img alt="Research paper thumbnail of Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/11684810/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1491950/Desire_in_Dante_and_the_Middle_Ages_eds_Manuele_Gragnolati_Tristan_Kay_Elena_Lombardi_and_Francesca_Southerden_Oxford_Legenda_2012">Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. Oxford: Legenda, 2012</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume takes Dante’s rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation. As well as offering several original contributions on this fundamental aspect of Dante’s work, it seeks to situate the Florentine writer more effectively within the broader spectrum of medieval culture and to establish greater intellectual exchange between Dante scholars and those from other disciplines. The volume is open to diverse critical and methodological approaches, and explores the extent to which modern theoretical paradigms can be used to shed light upon the Middle Ages. <br /> <br />Contributors: Daniela Boccassini, Bill Burgwinkle, Fabio Camilletti, Peter Dent, Manuele Gragnolati, Tristan Kay, Giuseppe Ledda, Elena Lombardi, Jonathan Morton, Monika Otter, Francesca Southerden, Robert Sturges, Almut Suerbaum, Paola Ureni, Annette Volfing, Marguerite Waller</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba95dfb74e10784632f0e58d23714d32" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":11684810,"asset_id":1491950,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/11684810/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1491950"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1491950"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1491950; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1491950]").text(description); $(".js-view-count[data-work-id=1491950]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1491950; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1491950']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ba95dfb74e10784632f0e58d23714d32" } } $('.js-work-strip[data-work-id=1491950]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1491950,"title":"Desire in Dante and the Middle Ages, eds Manuele Gragnolati, Tristan Kay, Elena Lombardi, and Francesca Southerden. 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Wien/Berlin: Turia+Kant, 2011" class="work-thumbnail" src="https://attachments.academia-assets.com/4419619/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761076/Metamorphosing_Dante_Appropriations_Manipulations_and_Rewritings_in_the_Twentieth_and_Twenty_First_Centuries_Eds_Manuele_Gragnolati_Fabio_Camilletti_and_Fabian_Lampart_Wien_Berlin_Turia_Kant_2011">Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries Eds Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. Wien/Berlin: Turia+Kant, 2011</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://warwick.academia.edu/FabioCamilletti">Fabio Camilletti</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After almost seven centuries, Dante endures and even seems to haunt the present. "Metamorphosing ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After almost seven centuries, Dante endures and even seems to haunt the present. "Metamorphosing Dante" explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include Samuel Beckett, Walter Benjamin, André Gide, Derek Jarman, LeRoi Jones/Amiri Baraka, James Joyce, Wolfgang Koeppen, Jacques Lacan, Thomas Mann, James Merrill, Eugenio Montale, Pier Paolo Pasolini, Cesare Pavese, Giorgio Pressburger, Robert Rauschenberg, Vittorio Sereni, Virginia Woolf. <br /> <br /> <br />CONTRIBUTORS: Erminia Ardissino, Piero Boitani, Fabio Camilletti, Antonella Francini, Nicola Gardini, Manuele Gragnolati, Rachel Jacoff, Nick Havely, Tristan Kay, Dennis Looney, Davide Luglio, Manuela Marchesini, Angela Merte-Rankin, James Miller, Federica Pich, Teresa Prudente, Ronald de Rooy, Francesca Southerden, Florian Trabert, Rebecca West</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="827a742fa8eb6aefdd3b82d78d9f7ac6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":4419619,"asset_id":761076,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/4419619/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761076"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761076"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761076; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761076]").text(description); $(".js-view-count[data-work-id=761076]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761076; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761076']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "827a742fa8eb6aefdd3b82d78d9f7ac6" } } $('.js-work-strip[data-work-id=761076]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761076,"title":"Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries Eds Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. 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Oxford: Legenda, 2010" class="work-thumbnail" src="https://attachments.academia-assets.com/4419352/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761072/Dantes_Plurilingualism_Authority_Knowledge_Subjectivity_eds_Sara_Fortuna_Manuele_Gragnolati_and_J%C3%BCrgen_Trabant_Oxford_Legenda_2010">Dante's Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant. Oxford: Legenda, 2010</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dante's conception of language is encompassed in all his works and can be understood in terms of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dante's conception of language is encompassed in all his works and can be understood in terms of a strenuous defence of the volgare in tension with the prestige of Latin. By bringing together different approaches, from literary studies to philosophy and history, from aesthetics to queer studies, from psychoanalysis to linguistics, this volume offers new critical insights on the question of Dante's language, engaging with both the philosophical works characterized by an original project of vulgarization, and the poetic works, which perform a new language in an innovative and self-reflexive way. In particular, "Dante's Plurilingualism" explores the rich and complex way in which Dante's linguistic theory and praxis both informs and reflects an original configuration of the relationship between authority, knowledge and identity that continues to be fascinated by an ideal of unity but is also imbued with a strong element of subjectivity and opens up towards multiplicity and modernity.<br /><br />Contributors: Zygmunt Baranski, Emma Bond, Gary Cestaro, Sara Fortuna, Stefano Gensini, Carlo Ginzburg, Manuele Gragnolati, Giulio Lepschy, Laura Lepschy, Bettina Lindorfer, Elena Lombardi, Franco Lo Piparo, Lino Pertile, Giorgio Pressburger, Irène Rosier-Catach, Francesca Southerden, Mirko Tavoni, Jürgen Trabant</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d3051dac2d9ce3eeca6d3bdc0dc1e58a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":4419352,"asset_id":761072,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/4419352/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761072"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761072"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761072; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761072]").text(description); $(".js-view-count[data-work-id=761072]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761072; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761072']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d3051dac2d9ce3eeca6d3bdc0dc1e58a" } } $('.js-work-strip[data-work-id=761072]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761072,"title":"Dante's Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant. 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Berlin-New York: de Gruyter, 2010" class="work-thumbnail" src="https://attachments.academia-assets.com/39247231/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761069/Aspects_of_the_Perfomative_in_Medieval_Culture_eds_Manuele_Gragnolati_and_Almut_Suerbaum_Berlin_New_York_de_Gruyter_2010">Aspects of the Perfomative in Medieval Culture, eds Manuele Gragnolati and Almut Suerbaum. Berlin-New York: de Gruyter, 2010</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The volume assesses performative structures within a variety of medieval forms of textuality, fro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume:  the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of  ‛voice’ in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20ce8515de7d154d4ab03e2e3946bfa0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39247231,"asset_id":761069,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39247231/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761069"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761069"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761069; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761069]").text(description); $(".js-view-count[data-work-id=761069]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761069; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761069']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20ce8515de7d154d4ab03e2e3946bfa0" } } $('.js-work-strip[data-work-id=761069]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761069,"title":"Aspects of the Perfomative in Medieval Culture, eds Manuele Gragnolati and Almut Suerbaum. 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Oxford: Legenda, 2009" class="work-thumbnail" src="https://attachments.academia-assets.com/4419920/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/761066/The_Power_of_Disturbance_Elsa_Morantes_Aracoeli_eds_Manuele_Gragnolati_and_Sara_Fortuna_Oxford_Legenda_2009">The Power of Disturbance: Elsa Morante's 'Aracoeli', eds Manuele Gragnolati and Sara Fortuna. Oxford: Legenda, 2009</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Aracoeli" (1982) was the last novel written by Elsa Morante (1912-85), one of the most significa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Aracoeli" (1982) was the last novel written by Elsa Morante (1912-85), one of the most significant Italian writers of the twentieth century. The journey, both geographical and memorial, of a homosexual son in search of his dead mother is a first-person narrative that has puzzled many critics for its darkness and despair. By combining scholars from different disciplines and cultural traditions, "The Power of Disturbance: Elsa Morante's Aracoeli" re-evaluates the esthetical and theoretical complexity of Morante's novel and argues that it engages with crucial philosophical and epistemological questions in an original and profound way. Contributors explore the manifold tensions staged by the novel in connection with contemporary philosophical discourse (from feminist/queer to political theory to psycho-analysis) and authors (such as Emilio Gadda, Pier Paolo Pasolini and Pedro Almodovar).<br /><br />"The Power of Disturbance" shows that by creating a 'hallucinatory' representation of the relationship between mother and child, "Aracoeli" questions the classical distinction between subject and object, and proposes an altogether new and subversive kind of writing.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="71d3ccf8afa6e1555f8be210ca959c55" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":4419920,"asset_id":761066,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/4419920/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761066"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761066"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761066; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761066]").text(description); $(".js-view-count[data-work-id=761066]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761066; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761066']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "71d3ccf8afa6e1555f8be210ca959c55" } } $('.js-work-strip[data-work-id=761066]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761066,"title":"The Power of Disturbance: Elsa Morante's 'Aracoeli', eds Manuele Gragnolati and Sara Fortuna. 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Notre Dame: Notre Dame University Press, 2005" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/761048/Experiencing_the_Afterlife_Soul_and_Body_in_Dante_and_Medieval_Culture_Notre_Dame_Notre_Dame_University_Press_2005">Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture. Notre Dame: Notre Dame University Press, 2005</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depiction...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depictions of the afterlife written in Italy before the Divine Comedy by authors such as Uguccione da Lodi, Giacomino da Verona, and Bonvesin da la Riva. Manuele Gragnolati uses his readings of these poets to provide a new interpretation of Dante's work. Combining elements from several disciplines, he investigates the richness of high medieval eschatology and the concept of personal identity it expresses. Gragnolati is particularly concerned with how the notions of body and pain characteristic of medieval spirituality and devotion inform the eschatological representations of the time, especially in their paradoxical urge to stress at once the physical experience of the separated soul and the final necessity of bodily resurrection.<br /><br />By integrating lesser known texts and scholarship from other disciplines into the specialized field of Dante studies, Gragnolati sheds new light on some of the most vigorously debated and crucial questions raised by the Divine Comedy, including the embryological discourse of Purgatorio 25, the relation between the soul's experience of pain in Purgatory and the devotion that late medieval culture expressed towards Christ's suffering, and the significance of the audacious vision of resurrected bodies that Dante the pilgrim enjoys at the end of his journey. At the same time, Gragnolati brings these questions back into contemporary discussions of medieval eschatology and opens new perspectives for current and future work on embodiment and identity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="761048"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="761048"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 761048; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=761048]").text(description); $(".js-view-count[data-work-id=761048]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 761048; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='761048']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=761048]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":761048,"title":"Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture. 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=431381]").text(description); $(".js-view-count[data-work-id=431381]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 431381; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='431381']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10587755"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10587755/Il_corpo_glorioso_Il_riscatto_delluomo_nelle_teologie_e_nelle_rappresentazioni_della_resurrezione_Atti_del_II_Simposio_Internazionale_di_Studi_sulle_Arti_per_il_Sacro_Pontificia_Universit%C3%A0_Lateranense_6_7_maggio_2005_Pisa_Giardini_2006"><img alt="Research paper thumbnail of Il corpo glorioso. Il riscatto dell'uomo nelle teologie e nelle rappresentazioni della resurrezione, Atti del II Simposio Internazionale di Studi sulle Arti per il Sacro, Pontificia Università Lateranense, 6-7 maggio 2005, Pisa, Giardini, 2006." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10587755/Il_corpo_glorioso_Il_riscatto_delluomo_nelle_teologie_e_nelle_rappresentazioni_della_resurrezione_Atti_del_II_Simposio_Internazionale_di_Studi_sulle_Arti_per_il_Sacro_Pontificia_Universit%C3%A0_Lateranense_6_7_maggio_2005_Pisa_Giardini_2006">Il corpo glorioso. Il riscatto dell'uomo nelle teologie e nelle rappresentazioni della resurrezione, Atti del II Simposio Internazionale di Studi sulle Arti per il Sacro, Pontificia Università Lateranense, 6-7 maggio 2005, Pisa, Giardini, 2006.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unicatt.academia.edu/carlabino">Carla M Bino</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10587755"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10587755"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10587755; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10587755]").text(description); $(".js-view-count[data-work-id=10587755]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10587755; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10587755']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10587755]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10587755,"title":"Il corpo glorioso. Il riscatto dell'uomo nelle teologie e nelle rappresentazioni della resurrezione, Atti del II Simposio Internazionale di Studi sulle Arti per il Sacro, Pontificia Università Lateranense, 6-7 maggio 2005, Pisa, Giardini, 2006.","internal_url":"https://www.academia.edu/10587755/Il_corpo_glorioso_Il_riscatto_delluomo_nelle_teologie_e_nelle_rappresentazioni_della_resurrezione_Atti_del_II_Simposio_Internazionale_di_Studi_sulle_Arti_per_il_Sacro_Pontificia_Universit%C3%A0_Lateranense_6_7_maggio_2005_Pisa_Giardini_2006","owner_id":2335892,"coauthors_can_edit":true,"owner":{"id":2335892,"first_name":"Carla","middle_initials":"M","last_name":"Bino","page_name":"carlabino","domain_name":"unicatt","created_at":"2012-08-19T07:15:22.641-07:00","display_name":"Carla M Bino","url":"https://unicatt.academia.edu/carlabino"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="3305707" id="interviews"><div class="js-work-strip profile--work_container" data-work-id="14504096"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/14504096/Amor_che_move_Linguaggio_del_corpo_e_forma_del_desiderio_in_Dante_Pasolini_e_Morante_Una_discussione_con_Manuele_Gragnolati"><img alt="Research paper thumbnail of Amor che move. Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Una discussione con Manuele Gragnolati" class="work-thumbnail" src="https://attachments.academia-assets.com/38332787/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/14504096/Amor_che_move_Linguaggio_del_corpo_e_forma_del_desiderio_in_Dante_Pasolini_e_Morante_Una_discussione_con_Manuele_Gragnolati">Amor che move. Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante. Una discussione con Manuele Gragnolati</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unifi.academia.edu/FedericaBuongiorno">Federica Buongiorno</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma2.academia.edu/AmbrogioGarofano">Ambrogio Garofano</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Starting from his 2013 book about Dante, Pasolini and Morante, in this interview Manuele Gragnola...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Starting from his 2013 book about Dante, Pasolini and Morante, in this interview Manuele Gragnolati discusses his own interpretation of Dante’s work with the help of some leading concepts and categories taken from the queer theory, and suggests the possibility to re-think Dante’s writings in comparison to Pasolini and Morante, namely by a deep consideration of the role played by sexuality, body and desire.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dd8b184bbb1456adc1fe107327c78fcd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38332787,"asset_id":14504096,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38332787/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="14504096"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="14504096"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 14504096; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=14504096]").text(description); $(".js-view-count[data-work-id=14504096]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 14504096; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='14504096']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dd8b184bbb1456adc1fe107327c78fcd" } } $('.js-work-strip[data-work-id=14504096]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":14504096,"title":"Amor che move. 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Oxford: Oxford University Press, 2024" class="work-thumbnail" src="https://attachments.academia-assets.com/118405447/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124124487/_Petrarchan_Metamorphoses_Temporality_and_Desire_in_Tasso_Shakespeare_Sor_Juana_and_Khalvati_in_The_Oxford_Handbook_of_Italian_Literature_ed_by_Stefano_Jossa_Oxford_Oxford_University_Press_2024">"Petrarchan Metamorphoses: Temporality and Desire in Tasso, Shakespeare, Sor Juana, and Khalvati", in The Oxford Handbook of Italian Literature, ed. by Stefano Jossa. Oxford: Oxford University Press, 2024</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter analyzes the metamorphosis of a crucial Petrarchan motif, developing Teodolinda Baro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter analyzes the metamorphosis of a crucial Petrarchan motif, developing Teodolinda Barolini’s idea that even more than a poet of desire, Petrarch is fundamentally a poet of time. It explores how a range of texts, specifically sonnets, written by Torquato Tasso, William Shakespeare, Sor Juana Inés de la Cruz, and Mimi Khalvati, have appropriated and reimagined that motif centered on the beauty and mortality of the human body, declining it in original ways. The lyric sequence that the chapter creates through this comparative analysis demonstrates not only how the Petrarchan model travels across time and space but also how the texts resonate across the sequence and what they reveal about the lyric mode and the possibilities it opens to desire differently.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b2a4254da3303770628763fae2b73a0f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118405447,"asset_id":124124487,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118405447/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="124124487"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="124124487"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 124124487; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=124124487]").text(description); $(".js-view-count[data-work-id=124124487]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 124124487; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='124124487']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b2a4254da3303770628763fae2b73a0f" } } $('.js-work-strip[data-work-id=124124487]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":124124487,"title":"\"Petrarchan Metamorphoses: Temporality and Desire in Tasso, Shakespeare, Sor Juana, and Khalvati\", in The Oxford Handbook of Italian Literature, ed. by Stefano Jossa. 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Macerata: Quodlibet, 2020, pp. 63-77" class="work-thumbnail" src="https://attachments.academia-assets.com/116454267/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121620301/_L_estetica_queer_di_Petrolio_il_gioco_e_il_paradosso_dell_impegno_in_Petrolio_25_anni_dopo_a_cura_di_Carla_Benedetti_Manuele_Gragnolati_e_Davide_Luglio_Macerata_Quodlibet_2020_pp_63_77">"L’estetica queer di Petrolio, il gioco e il paradosso dell’impegno", in Petrolio » 25 anni dopo, a cura di Carla Benedetti, Manuele Gragnolati e Davide Luglio. 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With an Epilogue by Antonella Anedda Angioy, Cultural In- quiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 1–15" class="work-thumbnail" src="https://attachments.academia-assets.com/102456064/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102102735/_A_Miscellaneous_Enterprise_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Cultural_In_quiry_18_Berlin_ICI_Berlin_Press_2020_pp_1_15">‘A “Miscellaneous Enterprise”’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy, Cultural In- quiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 1–15</a></div><div class="wp-workCard_item"><span>‘A “Miscellaneous Enterprise”’, Introduction to Possibilities of Lyric: Reading Petrarch in Dialogue</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Introduction to the volume "Possibilities of Lyric: Reading Petrarch in Dialogue" (Berlin: ICI Be...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Introduction to the volume "Possibilities of Lyric: Reading Petrarch in Dialogue" (Berlin: ICI Berlin Press, 2020)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="365163a5a81f08650886f0bb29fd91f6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102456064,"asset_id":102102735,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102456064/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102102735"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102102735"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102102735; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102102735]").text(description); $(".js-view-count[data-work-id=102102735]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102102735; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102102735']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "365163a5a81f08650886f0bb29fd91f6" } } $('.js-work-strip[data-work-id=102102735]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102102735,"title":"‘A “Miscellaneous Enterprise”’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. 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Notre Dame: Notre Dame University Press, 2022, pp. 1-34." class="work-thumbnail" src="https://attachments.academia-assets.com/102437709/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102076265/_The_Lyric_Poetry_in_A_Companion_to_Dante_s_Other_Works_Assessments_and_Interpretations_ed_by_Zygmunt_Baranski_and_Theodore_Cachey_Notre_Dame_Notre_Dame_University_Press_2022_pp_1_34">“The Lyric Poetry”, in A Companion to Dante’s “Other” Works: Assessments and Interpretations, ed. by Zygmunt Baranski and Theodore Cachey. Notre Dame: Notre Dame University Press, 2022, pp. 1-34.</a></div><div class="wp-workCard_item"><span>Dante's Lyric Poetry</span><span>, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d541bdf0b863d0a9bca58a221238414f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102437709,"asset_id":102076265,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102437709/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102076265"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102076265"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102076265; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102076265]").text(description); $(".js-view-count[data-work-id=102076265]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102076265; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102076265']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d541bdf0b863d0a9bca58a221238414f" } } $('.js-work-strip[data-work-id=102076265]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102076265,"title":"“The Lyric Poetry”, in A Companion to Dante’s “Other” Works: Assessments and Interpretations, ed. by Zygmunt Baranski and Theodore Cachey. Notre Dame: Notre Dame University Press, 2022, pp. 1-34.","internal_url":"https://www.academia.edu/102076265/_The_Lyric_Poetry_in_A_Companion_to_Dante_s_Other_Works_Assessments_and_Interpretations_ed_by_Zygmunt_Baranski_and_Theodore_Cachey_Notre_Dame_Notre_Dame_University_Press_2022_pp_1_34","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":102437709,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102437709/thumbnails/1.jpg","file_name":"Gragnolati_Lyric_Poetry.pdf","download_url":"https://www.academia.edu/attachments/102437709/download_file","bulk_download_file_name":"The_Lyric_Poetry_in_A_Companion_to_Dant.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102437709/Gragnolati_Lyric_Poetry-libre.pdf?1684598911=\u0026response-content-disposition=attachment%3B+filename%3DThe_Lyric_Poetry_in_A_Companion_to_Dant.pdf\u0026Expires=1740414056\u0026Signature=Jr0UTzXyl5LxZhGYWe9t0lFowLi5dSlsur-6wl2UHFT-KM0KJGwE-0WCTPvi~ghwOE1iD4TVerOUYnEBFVzqfdI93QHUe1u4gShUkIloXFFlvApk5h0LZL8mZGo-OO1vxwNf2hr06S5v~OlEl4YUgYUQ4D7Xa0ldOqB2t8mctboZNS708ELrHSYmVE1DMDcjg9ApYbl68EGKAR-QSfsPQTWRovFdah8kSRhJvpHs8NGC1NdznMxHgwTt-GcQtXFiUfFk9VxpSundvvybHgS3vEMmmesjq5xxT-rlNPZBWBE8xSdaAuC-1pDpOLCbkds~u~W7t~DJZf5~2joxpYM9Jw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="102075087"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102075087/_Body_Dante_s_and_Petrarch_s_Lyric_Eschatologies_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_135_62"><img alt="Research paper thumbnail of ‘Body: Dante’s and Petrarch’s Lyric Eschatologies’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 135–62" class="work-thumbnail" src="https://attachments.academia-assets.com/102436989/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102075087/_Body_Dante_s_and_Petrarch_s_Lyric_Eschatologies_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_135_62">‘Body: Dante’s and Petrarch’s Lyric Eschatologies’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 135–62</a></div><div class="wp-workCard_item"><span>Body: Dante’s and Petrarch’s Lyric Eschatologies</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter investigates the intersection between lyric and eschatology and considers how a lyri...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter investigates the intersection between lyric and eschatology and considers how a lyric fervour continues to enrich two inherently eschatological texts by Dante and Petrarch that one would expect to stage a ‘conversion’ from erotic passion to Christian values. We bring Dante’s ‘Paradiso’ and Petrarch’s ‘Triumphus Eternitatis’ into dialogue in order to highlight some crucial tensions around the continuing presence of a fundamentally erotic component within the imagination of Christian paradise. In our analysis, ‘lyric’ stands for an aspect of subjectivity bound up with the relation to the beloved and to a desire contained in the body and expressed in the longing for it. In particular, we aim to examine the different ways in which Dante and Petrarch reimagine the doctrine of the resurrection of the body as conveying a relational sense of identity bound up with the individual’s memory, desires, and history that both complicates and opens up their understanding of poetry and ultimate happiness.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d157db65de41911ff4f06d1d13bf6143" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102436989,"asset_id":102075087,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102436989/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102075087"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102075087"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102075087; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102075087]").text(description); $(".js-view-count[data-work-id=102075087]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102075087; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102075087']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d157db65de41911ff4f06d1d13bf6143" } } $('.js-work-strip[data-work-id=102075087]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102075087,"title":"‘Body: Dante’s and Petrarch’s Lyric Eschatologies’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 135–62","internal_url":"https://www.academia.edu/102075087/_Body_Dante_s_and_Petrarch_s_Lyric_Eschatologies_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_135_62","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":102436989,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102436989/thumbnails/1.jpg","file_name":"body_3.pdf","download_url":"https://www.academia.edu/attachments/102436989/download_file","bulk_download_file_name":"Body_Dante_s_and_Petrarch_s_Lyric_Escha.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102436989/body_3-libre.pdf?1684594294=\u0026response-content-disposition=attachment%3B+filename%3DBody_Dante_s_and_Petrarch_s_Lyric_Escha.pdf\u0026Expires=1740449620\u0026Signature=TQaYc2kWDMNRX3ONsqBhgg0tj5Nh0NXPSRvEdS-qsY8DGH3KDW8jVw7H-REFZMTHnRY3-iNw2amy~rdYHDCkqSgv0TsZYKu24Qeh6i-iVPOxLRIeqS6YkwfjKmBY72zeC4ZVkeK4zwDd6N77rsa9bu9m9KUfYhkY8anO9aUkPzEg~0GC6nNJMOIbZwP4JlR~Or2-NmotkK96NNrBDfEgV3fJNMGyNcPJ0tKDk-mNHqViKv~c0f4NgPxigFhpH-FH7LOHH-kTNMV3sFNkSAbHzi~oupz638x9TqBsLkTWI1ifuHzv7vn0ADLYGPU1n8akgS5fvgkCsfBqjK8F8G8ktQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="102074700"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102074700/_Extension_Reaching_the_Beloved_in_Cavalcanti_Dante_and_Petrarch_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_111_33"><img alt="Research paper thumbnail of ‘Extension: Reaching the Beloved in Cavalcanti, Dante, and Petrarch’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 111–33" class="work-thumbnail" src="https://attachments.academia-assets.com/102436687/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102074700/_Extension_Reaching_the_Beloved_in_Cavalcanti_Dante_and_Petrarch_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_111_33">‘Extension: Reaching the Beloved in Cavalcanti, Dante, and Petrarch’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 111–33</a></div><div class="wp-workCard_item"><span>Extension: Reaching the Beloved in Cavalcanti, Dante, and Petrarch</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter explores three poems by Cavalcanti, Dante, and Petrarch that have to do with the enc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter explores three poems by Cavalcanti, Dante, and Petrarch that have to do with the encounter with the beloved and its effects on the lover: the ballata ‘Perch’i’ no spero di tornar giammai’ and the sonnets ‘Oltra la spera che più larga gira’ and ‘Levòmmi il mio penser in parte ov’era’ (Rvf 302). In these poems, the modality of the encounter is that of the poet-lover moving towards the beloved and thereby bridging an initial separation or filling an absence. Notably, Cavalcanti’s ‘Perch’i’ no spero’ belongs to the traditional genre of the ballata of separation, common in the Romance tradition, and the distance that separates the poet-lover from the beloved is geographical. In contrast, the distance in Dante’s ‘Oltra la spera’ and Petrarch’s ‘Levòmmi il mio penser’ is metaphysical insofar as the beloved has died, and the poet continues to love her on earth. While in all three cases there is a strong sense of movement towards the beloved, of bridging the gap and reaching her in a post-mortem encounter modelled upon the beatific vision, this chapter explores the different ways in which the sonnets by Cavalcanti, Dante, and Petrarch also endow poetry with a particular role in extending desire into pleasure.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="24bf1714b784dd1cc270d68983fe81a0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102436687,"asset_id":102074700,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102436687/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102074700"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102074700"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102074700; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102074700]").text(description); $(".js-view-count[data-work-id=102074700]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102074700; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102074700']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "24bf1714b784dd1cc270d68983fe81a0" } } $('.js-work-strip[data-work-id=102074700]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102074700,"title":"‘Extension: Reaching the Beloved in Cavalcanti, Dante, and Petrarch’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 111–33","internal_url":"https://www.academia.edu/102074700/_Extension_Reaching_the_Beloved_in_Cavalcanti_Dante_and_Petrarch_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_111_33","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":102436687,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102436687/thumbnails/1.jpg","file_name":"extension.pdf","download_url":"https://www.academia.edu/attachments/102436687/download_file","bulk_download_file_name":"Extension_Reaching_the_Beloved_in_Caval.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102436687/extension-libre.pdf?1684594361=\u0026response-content-disposition=attachment%3B+filename%3DExtension_Reaching_the_Beloved_in_Caval.pdf\u0026Expires=1740414056\u0026Signature=XFH4o5TANSe5B3O5WYx8jg4js089nT0dwrRwNq3tsw4g8T3ljpYR7ZjNfwERlJ~09ijeFgZdz0TzrqwPSmqMti9GSlax-in~sfmgvJ3draFPaRIs2-mblwVwJt21rxav3CK9OMb4VQPNlRSs3RxTQp2euzo1TFHlvFvnZ6vWzWrYer5BXhELn~25hJ5AY9nbGIEKOFOBbzY2E7aASf-nCPEYaD8LsXv~genlrKxafVRcKKVyr4bfjUhDUvre07zfXsepSf4N~n~gDjtcTuikNhOtLdsBdBz602NHqA24m-du6M7omabFrEoXPxNYiGvpdJfiXV3YgtwzvdS5SHWeiA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="102074187"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102074187/Manuele_Gragnolati_and_Francesca_Southerden_Lust_in_Action_Control_and_Abandon_in_Dante_Petrarch_and_Shakespeare_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_Berlin_ICI_Berlin_Press_2020_pp_65_84"><img alt="Research paper thumbnail of Manuele Gragnolati and Francesca Southerden, ‘“Lust in Action”: Control and Abandon in Dante, Petrarch, and Shakespeare’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue (Berlin: ICI Berlin Press, 2020), pp. 65–84" class="work-thumbnail" src="https://attachments.academia-assets.com/102436351/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102074187/Manuele_Gragnolati_and_Francesca_Southerden_Lust_in_Action_Control_and_Abandon_in_Dante_Petrarch_and_Shakespeare_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_Berlin_ICI_Berlin_Press_2020_pp_65_84">Manuele Gragnolati and Francesca Southerden, ‘“Lust in Action”: Control and Abandon in Dante, Petrarch, and Shakespeare’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue (Berlin: ICI Berlin Press, 2020), pp. 65–84</a></div><div class="wp-workCard_item"><span>“Lust in Action”: Control and Abandon in Dante, Petrarch, and Shakespeare</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter proposes a reading of three sonnets that explore the relationship between will, know...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter proposes a reading of three sonnets that explore the relationship between will, knowledge, and desire: Dante’s ‘Io sono stato con Amore insieme’, Petrarch’s ‘S’amor non è, che dunque è quel ch’io sento?’ (Rvf 132), and Shakespeare’s ‘Th’expense of spirit in a waste of shame’ (sonnet 129). Our decision to read these three texts together derives from the fact that they are all ‘mini-treatises’ on passion in the sonnet form that analyse desire from a physiological perspective and define it as a sensual force overcoming the will and rendering the subject passive. Pivotal to our reading is an attention to poetic form, specifically the way in which each poet appropriates — or transgresses — the constraints of the sonnet form in order to express or even master the uncontrollable nature of desire by exhibiting differing degrees of control in or over his texts.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1b4e81620322e24269e930b031751abb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102436351,"asset_id":102074187,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102436351/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102074187"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102074187"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102074187; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="102073365"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102073365/_Openness_and_Intensity_Petrarch_s_Becoming_Laurel_in_Rvf_23_and_Rvf_228_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_45_63"><img alt="Research paper thumbnail of ‘Openness and Intensity: Petrarch’s Becoming Laurel in Rvf 23 and Rvf 228’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 45–63" class="work-thumbnail" src="https://attachments.academia-assets.com/102435724/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102073365/_Openness_and_Intensity_Petrarch_s_Becoming_Laurel_in_Rvf_23_and_Rvf_228_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Berlin_ICI_Berlin_Press_2020_pp_45_63">‘Openness and Intensity: Petrarch’s Becoming Laurel in Rvf 23 and Rvf 228’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), pp. 45–63</a></div><div class="wp-workCard_item"><span>Possibilities of Lyric: Reading Petrarch in Dialogue. </span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter explores the relationship between Petrarch, poet of the 'Rerum vulgarium fragmenta',...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter explores the relationship between Petrarch, poet of the 'Rerum vulgarium fragmenta', and the laurel tree, a symbol that usually stands for the poet’s beloved Laura, but in the two poems we look at comes to be connected also with the lyric ‘I’. In other words, while the laurel is a pervasive symbol in Petrarch’s 'Rerum vulgarium fragmenta', in keeping with the Ovidian myth of Apollo and Daphne, it is the beloved who is usually transformed into the laurel, frustrating the poet’s desire to possess her and making that frustration the root of poetry. Instead, in these texts the Petrarchan subject becomes the laurel tree in Rvf 23 and has the laurel implanted into him in Rvf 228, then proceeding to beautify it with his tears and sighs. In looking at Rvf 23 and Rvf 228, we are interested in the kind of subjectivity and desire — or even sexuality — that might correspond to Petrarch’s ‘becoming’ a laurel tree and that we might locate in relation to the plant world more broadly. Our reading, which is shaped in dialogue with writers who have thought about plants and their modes of existence and have thereby suggested new ways to think about subject, suggests that the ‘becoming tree’ entails a loss of self, a kind of dispossession and opening to the outside that conveys a sense of desire not as lack but as intensity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1182e03b754132fbadeca93a15999863" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102435724,"asset_id":102073365,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102435724/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102073365"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102073365"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102073365; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102073365]").text(description); $(".js-view-count[data-work-id=102073365]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102073365; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102073365']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1182e03b754132fbadeca93a15999863" } } $('.js-work-strip[data-work-id=102073365]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102073365,"title":"‘Openness and Intensity: Petrarch’s Becoming Laurel in Rvf 23 and Rvf 228’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. 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With an Epilogue by Antonella Anedda Angioy, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 17–44" class="work-thumbnail" src="https://attachments.academia-assets.com/102435524/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102073074/_The_Shape_of_Desire_Metamorphosis_and_Hybridity_in_Rvf_23_and_Rvf_70_in_Manuele_Gragnolati_and_Francesca_Southerden_Possibilities_of_Lyric_Reading_Petrarch_in_Dialogue_With_an_Epilogue_by_Antonella_Anedda_Angioy_Cultural_Inquiry_18_Berlin_ICI_Berlin_Press_2020_pp_17_44">‘The Shape of Desire: Metamorphosis and Hybridity in Rvf 23 and Rvf 70’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 17–44</a></div><div class="wp-workCard_item"><span>Possibilities of Lyric: Reading Petrarch in Dialogue</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter explores lyric textuality as a privileged space for articulating a particular form o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter explores lyric textuality as a privileged space for articulating a particular form of desire and subjectivity. It focuses on two canzoni from Petrarch’s lyric sequence, ‘Nel dolce tempo de la prima etade’ (Rvf 23) and ‘Lasso me, ch’io non so in qual parte pieghi’ (Rvf 70).1 By reading them together, it investigates how they blur the distinction between transformation and return and between beginnings and ends, and how, defying conclusion, they give shape to a paradoxical form of pleasure.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="47e331dbc70b8111950057f77b07be8c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102435524,"asset_id":102073074,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102435524/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102073074"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102073074"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102073074; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102073074]").text(description); $(".js-view-count[data-work-id=102073074]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102073074; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102073074']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "47e331dbc70b8111950057f77b07be8c" } } $('.js-work-strip[data-work-id=102073074]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102073074,"title":"‘The Shape of Desire: Metamorphosis and Hybridity in Rvf 23 and Rvf 70’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. 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E. Holzhey and Arnd Wedemeyer (Berlin: Berlin ICI Press, 2020), Cultural Inquiry, 17</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The essay investigates the meteorological phenomena represented in Dante Alighieri's Commedia and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The essay investigates the meteorological phenomena represented in Dante Alighieri's Commedia and their interrelation with the subjectivity of the dead in Hell, Purgatory, and Heaven. Examining how the dead weather the afterlife and how the elements affect them, in turn, the essay takes the complex enantiosemy of the word 'weather-ing' as a conceptual guiding thread for the exploration of dynamics of exposure (Inferno), vulnerability (Purgatorio), and receptivity (Para-diso).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b2fca89b14489c02e7e3e61225edb988" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64668301,"asset_id":44287158,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64668301/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44287158"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44287158"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44287158; 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Riflessioni sull'inconsistenza nella 'Commedia' di Dante', in 'Passages, seuils, sauts : du dernier cercle de l’Enfer à la première terrasse du Purgatoire (Enf. XXXII – Purg. XII)', Études réunies par Manuele Gragnolati & Philippe Guérin" class="work-thumbnail" src="https://attachments.academia-assets.com/64000281/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43696054/Ombre_e_abbracci_Riflessioni_sullinconsistenza_nella_Commedia_di_Dante_in_Passages_seuils_sauts_du_dernier_cercle_de_l_Enfer_%C3%A0_la_premi%C3%A8re_terrasse_du_Purgatoire_Enf_XXXII_Purg_XII_%C3%89tudes_r%C3%A9unies_par_Manuele_Gragnolati_and_Philippe_Gu%C3%A9rin">'Ombre e abbracci. Riflessioni sull'inconsistenza nella 'Commedia' di Dante', in 'Passages, seuils, sauts : du dernier cercle de l’Enfer à la première terrasse du Purgatoire (Enf. XXXII – Purg. XII)', Études réunies par Manuele Gragnolati & Philippe Guérin</a></div><div class="wp-workCard_item"><span> Chroniques Italiennes web </span><span>, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dcdf015746115c04d660b6706c2991c3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64000281,"asset_id":43696054,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64000281/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43696054"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43696054"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43696054; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43696054]").text(description); $(".js-view-count[data-work-id=43696054]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43696054; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43696054']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "dcdf015746115c04d660b6706c2991c3" } } $('.js-work-strip[data-work-id=43696054]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43696054,"title":"'Ombre e abbracci. 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La complessità di Dante e lo spirito critico" class="work-thumbnail" src="https://attachments.academia-assets.com/62044579/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41920198/Insegnare_con_un_classico_La_complessit%C3%A0_di_Dante_e_lo_spirito_critico">Insegnare con un classico. La complessità di Dante e lo spirito critico</a></div><div class="wp-workCard_item"><span>‘Insegnare con un classico. La complessità di Dante e lo spirito critico’, in In cattedra. 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E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012)</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a4c5da26832fa0c2e924c592d574d1b3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61951679,"asset_id":41804390,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61951679/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41804390"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41804390"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41804390; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39774565"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39774565/_Autobiografia_dautore_in_Forum_Dante_and_Biography_edited_by_Elisa_Brilli_Dante_Studies_136_2018_pp_143_160"><img alt="Research paper thumbnail of "Autobiografia d'autore", in Forum: Dante and Biography, edited by Elisa Brilli, Dante Studies 136 (2018), pp. 143-160" class="work-thumbnail" src="https://attachments.academia-assets.com/59958324/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39774565/_Autobiografia_dautore_in_Forum_Dante_and_Biography_edited_by_Elisa_Brilli_Dante_Studies_136_2018_pp_143_160">"Autobiografia d'autore", in Forum: Dante and Biography, edited by Elisa Brilli, Dante Studies 136 (2018), pp. 143-160</a></div><div class="wp-workCard_item"><span>Dante Studies</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Within the current debate on biography, we would like to highlight the issues of "author's identi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Within the current debate on biography, we would like to highlight the issues of "author's identity" and "performance," with an emphasis on the workings and power of textuality. We shall mostly enter into dialogue with a constellation of points that make up the first question posited by Elisa Brilli in her Ouverture–the status of Dante's autobiographical statements with respect to the truth and the constant refunctionalization of such statements in Dante's different works or even, as Brilli has shown, within the same work. The central questions of our contribution are whether and how the autobiographical information from within Dante's texts can help reconstruct his biography and how his clever intertwining of autobiography and authorship comes about.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e6ea0e90249ab792e817aaa14ef4198c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59958324,"asset_id":39774565,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59958324/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39774565"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39774565"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39774565; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39662511"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39662511/In_cattedra_Il_docente_universitario_in_otto_autoritratti"><img alt="Research paper thumbnail of In cattedra. Il docente universitario in otto autoritratti" class="work-thumbnail" src="https://attachments.academia-assets.com/59828692/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39662511/In_cattedra_Il_docente_universitario_in_otto_autoritratti">In cattedra. Il docente universitario in otto autoritratti</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unimi.academia.edu/ccappelletto">chiara cappelletto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unisr.academia.edu/GianlucaBriguglia">Gianluca Briguglia</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unimi.academia.edu/sromani">silvia romani</a></span></div><div class="wp-workCard_item"><span>Cortina</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In cattedra è un libro sui docenti universitari, che escono dalle aule e si presentano al lettore...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In cattedra è un libro sui docenti universitari, che escono dalle aule e si presentano al lettore. Chi sono, come insegnano e perché lo fanno? Rispondono otto studiosi di scienze umane che in Italia, in Europa e negli Stati Uniti discutono ogni giorno con i loro più giovani concittadini di contesti e fonti, di identità, alterità e potere, di libertà, ricerca e istituzioni. Non saggi di pedagogia, ma autobiografi e al lavoro. Otto voci italiane di una medesima generazione fanno tesoro della loro storia personale e intellettuale, e raccontano in prima persona cosa vogliono trasmettere a studentesse e studenti sempre diversi, esplicitando ambizioni e preoccupazioni, e come cambiano al cambiare delle persone cui si rivolgono, delle lingue che parlano, dei luoghi che li ospitano. Testimonianze e rifl essioni sono raccolte qui senza tecnicismi e con una forte tensione ideale, muovendosi tra Dante e Netflix. <br /><br />Chiara Cappelletto insegna Retorica ed Estetica contemporanea presso il dipartimento di Filosofi a dell'Università degli Studi di Milano ed è membro associato del CRAL (Centre de Recherches sur les Arts et le Langage) presso l'EHESS di Parigi. Tra i suoi volumi, Neuroestetica. L'arte del cervello (Laterza 2012).<br /><br />Scritti di Giovanna Borradori, Gianluca Briguglia, Marco Formisano, Manuele Gragnolati,<br />Antonio Montefusco, Silvia Romani, Miriam Ronzoni, Stefano Simonetta.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20d2535272f5d32c219cb11a1c3a6412" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59828692,"asset_id":39662511,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59828692/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39662511"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39662511"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39662511; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39662511]").text(description); $(".js-view-count[data-work-id=39662511]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39662511; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39662511']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20d2535272f5d32c219cb11a1c3a6412" } } $('.js-work-strip[data-work-id=39662511]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39662511,"title":"In cattedra. 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Chi sono, come insegnano e perché lo fanno? Rispondono otto studiosi di scienze umane che in Italia, in Europa e negli Stati Uniti discutono ogni giorno con i loro più giovani concittadini di contesti e fonti, di identità, alterità e potere, di libertà, ricerca e istituzioni. Non saggi di pedagogia, ma autobiografi e al lavoro. Otto voci italiane di una medesima generazione fanno tesoro della loro storia personale e intellettuale, e raccontano in prima persona cosa vogliono trasmettere a studentesse e studenti sempre diversi, esplicitando ambizioni e preoccupazioni, e come cambiano al cambiare delle persone cui si rivolgono, delle lingue che parlano, dei luoghi che li ospitano. Testimonianze e rifl essioni sono raccolte qui senza tecnicismi e con una forte tensione ideale, muovendosi tra Dante e Netfl ix. Chiara Cappelletto insegna Retorica ed Estetica contemporanea presso il dipartimento di Filosofi a dell'Università degli Studi di Milano ed è membro associato del CRAL (Centre de Recherches sur les Arts et le Langage) presso l'EHESS di Parigi. Tra i suoi volumi, Neuroestetica. L'arte del cervello (Laterza 2012).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e61177b8b9cd52da6ccab3003d3a57e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59830528,"asset_id":39664341,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59830528/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39664341"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39664341"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39664341; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38442189"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn"><img alt="Research paper thumbnail of "Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn" class="work-thumbnail" src="https://attachments.academia-assets.com/58503848/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn">"Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) that ends with an explicit textual return to the poet’s own RVF 23, the so-called canzone delle metamorfosi [canzone of the metamorphoses]. The incipit of canzone 23, ‘Nel dolce tempo de la prima etade’ [In the sweet time of my first age] forms the final line of canzone 70 and is the last in a series of quotations of the incipits of earlier poems (by the pseudo-Arnaut Daniel, Cavalcanti, Dante, and Cino da Pistoia), each of which closes one of the stanzas of Petrarch’s poem. The trend has been to read RVF 70 teleologically and as a palinode, in which the poet renounces errant desire and arrives at a new mode of loving and speaking by moving beyond the limitations of the previous tradition and his own earlier poetics, including the sensually-directed eros expounded in canzone 23. Instead this paper explores what happens if we take RVF 70 as a more literal return to RVF 23, which unsettles or resists the resolution of change proposed in the poem by keeping the question of desire more open and expressing a form of poetic subjectivity that paradoxically seeks to have it both ways – to recognize a fault in desire without renouncing it and to take pleasure in repeatedly giving itself over to what harms it. In this reading, the poet’s decision to end RVF 70 with a return to the beginning of his own RVF 23 not only destabilizes the narrative of conversion on which critics usually insist, but leads the poems to reenter themselves endlessly, making repetition and deferral the blueprint of Petrarch’s poetics.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5d8749a5ecc6040bcdd0a6f3461b5cb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58503848,"asset_id":38442189,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58503848/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38442189"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38442189"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38442189; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a5d8749a5ecc6040bcdd0a6f3461b5cb" } } $('.js-work-strip[data-work-id=38442189]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38442189,"title":"\"Poetry Without End : Reiterating Desire in Petrarch’s RVF 70 and 23\", California Italian Studies, 8, n. 1 (2018), p. 1-13: https://escholarship.org/uc/item/5996x6qn","internal_url":"https://www.academia.edu/38442189/_Poetry_Without_End_Reiterating_Desire_in_Petrarch_s_RVF_70_and_23_California_Italian_Studies_8_n_1_2018_p_1_13_https_escholarship_org_uc_item_5996x6qn","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":58503848,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58503848/thumbnails/1.jpg","file_name":"Gragnolati-Southerden.pdf","download_url":"https://www.academia.edu/attachments/58503848/download_file","bulk_download_file_name":"Poetry_Without_End_Reiterating_Desire_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58503848/Gragnolati-Southerden-libre.pdf?1551198769=\u0026response-content-disposition=attachment%3B+filename%3DPoetry_Without_End_Reiterating_Desire_i.pdf\u0026Expires=1740414057\u0026Signature=fgIZtc6op8Yh8ckV2vJhXXv3iqEZEZ8YM1kHLUzLNmbMm5tDy7ohhMHic4tKUYG92YiXshMEKPxoG1GlVASDcQvM2g8EnVWI-hEWNSfjFoyhj7rW-aE6ysXXsdpXPxYO8ACQKq8YM6HH7N7xRtfdp~V6bMmTCuuxuo5n3S-VcOmOmc8MApptDDl8j4TztxMogFGqBZ0FGienWfbMLiF1krf~63acUINM09nTGFQQdV6PeZTeW6PArgpXHuCHjM9yvAcW1-7HOjudux1eZv9J-atlTjejvxUTxpKYQ4TdZ42BBOqMMNnCW6eiO1iQ3IM6qbmGz3BoUJaPByCiIEA9RQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37844723"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37844723/_Petrarca_e_la_forma_del_desiderio_tra_metamorfosi_e_soggettivit%C3%A0_ibrida_in_Rvf_70_e_23_Per_Leggere_18_n_35_2018_pp_27_41"><img alt="Research paper thumbnail of "Petrarca e la forma del desiderio: tra metamorfosi e soggettività ibrida in Rvf 70 e 23", Per Leggere, 18, n. 35 (2018), pp. 27-41." class="work-thumbnail" src="https://attachments.academia-assets.com/57848313/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37844723/_Petrarca_e_la_forma_del_desiderio_tra_metamorfosi_e_soggettivit%C3%A0_ibrida_in_Rvf_70_e_23_Per_Leggere_18_n_35_2018_pp_27_41">"Petrarca e la forma del desiderio: tra metamorfosi e soggettività ibrida in Rvf 70 e 23", Per Leggere, 18, n. 35 (2018), pp. 27-41.</a></div><div class="wp-workCard_item"><span>Per leggere</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Petrarca e la forma del desiderio: tra metamorfosi e soggettività ibrida in Rvf 70 e 23 _________...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Petrarca e la forma del desiderio: tra metamorfosi e soggettività ibrida in Rvf 70 e 23 _______________ Desire and its form between metamorphoses and hybrid subjectivity in Petrarch's Rvf 70 and 23 ABSTRACT Questa lettura offre una nuova interpretazione di Rvf 70, una canzone ricca di intertesti che termina con un ritorno esplicito a Rvf 23, la cosiddetta 'canzone delle metamorfosi'. L'incipit della canzone 23, infatti, forma il verso finale della canzone 70 ed è l'ultimo di una serie di citazioni di incipit di liriche (dello pseudo Arnaut Daniel, Cavalcanti, Dante e Cino da Pistoia) con le quali si chiude ognuna delle altre stanze della canzone petrarchesca.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f9d9ad234d8563d4553fdf0338e11243" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57848313,"asset_id":37844723,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57848313/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37844723"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37844723"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37844723; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37652154"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37652154/Zwischen_Unsterblichkeit_und_Auferstehung_das_k%C3%B6rperliche_Jenseits_der_G%C3%B6ttlichen_Kom%C3%B6die_Deutsches_Dante_Jahrbuch_93_2018_pp_57_73"><img alt="Research paper thumbnail of Zwischen Unsterblichkeit und Auferstehung das körperliche Jenseits der Göttlichen Komödie, "Deutsches Dante-Jahrbuch", 93 (2018), pp. 57-73" class="work-thumbnail" src="https://attachments.academia-assets.com/57638954/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37652154/Zwischen_Unsterblichkeit_und_Auferstehung_das_k%C3%B6rperliche_Jenseits_der_G%C3%B6ttlichen_Kom%C3%B6die_Deutsches_Dante_Jahrbuch_93_2018_pp_57_73">Zwischen Unsterblichkeit und Auferstehung das körperliche Jenseits der Göttlichen Komödie, "Deutsches Dante-Jahrbuch", 93 (2018), pp. 57-73</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ziel dieses Beitrags ist es, dem Konzept der »eschatologischen Anthropologie« in der Commedia nac...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ziel dieses Beitrags ist es, dem Konzept der »eschatologischen Anthropologie« in der Commedia nachzugehen, also der Frage, welches Menschenbild Dantes Jenseitsdarstellung vermittelt. Die Entscheidung, sich auf eine Jenseitsreise zu beziehen, um etwas über diesseitige Identitätskonzepte herauszufinden, mag zunächst überraschen. Doch wird sich zeigen, dass ausgerechnet die Darstellung eines Jenseits als Raumes des Überlebens nach dem Tod einen interessanten Ausgangs. <br />Manuele Gragnolati (Paris)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="261e5fb05cb5e48debd4130eda162d51" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57638954,"asset_id":37652154,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57638954/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37652154"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37652154"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37652154; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35947652"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52"><img alt="Research paper thumbnail of “From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52" class="work-thumbnail" src="https://attachments.academia-assets.com/55830167/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52">“From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/FrancescaSoutherden">Francesca Southerden</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay brings Petrarch and Dante's poetry into dialogue in order to highlight some crucial te...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay brings Petrarch and Dante's poetry into dialogue in order to highlight some crucial tensions that have to do with the continuing presence of a fundamentally lyric component within the framework of Christian paradise. 'Lyric', in our analysis, stands for an aspect of identity bound up with the relation to the beloved and to a desire contained in the body and expressed in the longing for it. Our focus is on the different modes of textuality at play in Dante's Paradiso and Petrarch's Triumphus Eternitatis and the ways they express the " form of desire " informing each poet's work and especially his eschatological imagination. 1 Our approach draws on Manuele Gragnolati's reading of Dante's Paradiso in Amor che move: linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante (2013) and extends some of the questions raised there to Petrarch's Triumphus Eternitatis. In particular, we aim to examine the relationship between language and corporeality as explored in the concept of the resurrection of the body, which carries a relational sense of identity bound up with the individual's memory, desires, and history and both complicates and opens up an understanding of poetry and eschatology. Our point of departure are the shores of Dante's Purgatory, where the pilgrim encounters a shade who has also just arrived at the realm of purgation: the shade of Casella, an old friend from the times of youth when Dante had not yet been exiled from Florence. This episode rewrites the Virgilian motif of the failed embrace between a living and a dead person: the pilgrim and the shade of the old friend try to embrace each other but they cannot because – as the poet laments – shades in the otherworld are " vane " , empty (Purg. II, 79). 2 Indeed, as the figure of Statius explains in Purgatorio XXV, shades in Dante's afterlife have an aerial body that gives them an appearance – " aspetto " – but no substantiality: " Ohi ombre vane, fuor che ne l'aspetto! / tre volte dietro a lei le mani avvinsi, / e tante mi tornai con esse al petto " [Oh empty shades, except in seeming! / Three times I clasped my hands behind him / only to find them clasped to my own chest]</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0e8362afa9af38f7ad9276a923b22d25" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55830167,"asset_id":35947652,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55830167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35947652"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35947652"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35947652; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35947652]").text(description); $(".js-view-count[data-work-id=35947652]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35947652; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35947652']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0e8362afa9af38f7ad9276a923b22d25" } } $('.js-work-strip[data-work-id=35947652]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35947652,"title":"“From Paradox to Exclusivity: Dante’s and Petrarch’s Lyrical Eschatologies”, in The Unity of Knowledge in Pre-modern World: Petrarca and Boccaccio between Middle Ages and Early Renaissance, ed. by Igor Candido. Berlin: De Gruyter, 2018, pp. 129-52","internal_url":"https://www.academia.edu/35947652/_From_Paradox_to_Exclusivity_Dante_s_and_Petrarch_s_Lyrical_Eschatologies_in_The_Unity_of_Knowledge_in_Pre_modern_World_Petrarca_and_Boccaccio_between_Middle_Ages_and_Early_Renaissance_ed_by_Igor_Candido_Berlin_De_Gruyter_2018_pp_129_52","owner_id":576065,"coauthors_can_edit":true,"owner":{"id":576065,"first_name":"Manuele","middle_initials":null,"last_name":"Gragnolati","page_name":"ManueleGragnolati","domain_name":"paris-sorbonne","created_at":"2011-07-19T18:13:12.897-07:00","display_name":"Manuele Gragnolati","url":"https://paris-sorbonne.academia.edu/ManueleGragnolati"},"attachments":[{"id":55830167,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55830167/thumbnails/1.jpg","file_name":"From_Paradox_to_Exclusivity_Dante_and_Petrarchs_Lyrical_Eschatologies.pdf","download_url":"https://www.academia.edu/attachments/55830167/download_file","bulk_download_file_name":"From_Paradox_to_Exclusivity_Dante_s_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55830167/From_Paradox_to_Exclusivity_Dante_and_Petrarchs_Lyrical_Eschatologies-libre.pdf?1518926415=\u0026response-content-disposition=attachment%3B+filename%3DFrom_Paradox_to_Exclusivity_Dante_s_and.pdf\u0026Expires=1740414057\u0026Signature=KRF39ymH5MAUZ9NMwvUFBoLtNQs2mbwx7cc1E5iKjpX48mkfeFN88eKiY49zIwkUIpmU4R8FMT3Vjr7JpTO~4M3cExFRSmpSzVws~RKm40c94OoJhVFFbrPF6LX-KhdLYKpPYlzNbLT3ifNDpnVvP9~G8QKcr5X1xDA7GYrzmAUM~UT67Dr-McVHd9mk9nmEu884FCmAPE8BrVWr8wqzzfAuWWhK-M03nGR7bhkkpOHlEmsbtIuoWjD3c6MvjufrTqJKdcg9PhweHP-BApp3YUWfUnnLhSxKqgBh4seBDP9Nf1ZR8CwLnbvaORfa9sCLu5I3poPAZ4~p3m-wNj1UHg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="3650377" id="eventsconvened"><div class="js-work-strip profile--work_container" data-work-id="16325576"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/16325576/Dantes_Body_Images_SIS_Biennial_Conference_28_30_September_2015_"><img alt="Research paper thumbnail of Dante's Body Images (SIS Biennial Conference, 28-30 September, 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/16325576/Dantes_Body_Images_SIS_Biennial_Conference_28_30_September_2015_">Dante's Body Images (SIS Biennial Conference, 28-30 September, 2015)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucc-ie.academia.edu/DavidBowe">David Bowe</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://cambridge.academia.edu/NicoloCrisafi">Nicolò Crisafi</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Speakers: Heather Webb (Selwyn College, Cambridge), Nicolò Crisafi (Lady Margaret Hall, Oxford), ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Speakers: Heather Webb (Selwyn College, Cambridge), Nicolò Crisafi (Lady Margaret Hall, Oxford), David Bowe (University of Oxford)<br />Chair: Manuele Gragnolati (Somerville College, Oxford)<br /><br />This panel will explore the intersections of physicality, materiality and strategies of representation in the works of Dante. From the rhetorical garments in the Vita Nova, via the rhetorics of physical bodies and their penances in Purgatorio, to the corporeality of faces and forms of presence in the Paradiso, the speakers will explore the manners in which the material and the matter of the text interact.<br />Beginning with the pre-Commedia works, David Bowe’s paper, ‘Writing as bodies as writing’, will explore the notion that garments, written words, and bodies exist in a creative tension fundamental to Dantean textuality. In the Vita nova the ‘sacrificial’ red of Beatrice’s garments (Cervigni) intersects with the red ink of rubrication and ordinatio in the libello. This, in turn activates the images of poetic writing as dressing the (female) body of intendimento in VN XXV in the specific context of Dante’s textual and poetic practice. By examining these intersections this paper will shed light on the sort of material concern for the body as text which later resurface in Dante’s Convivio and Commedia.<br />Nicolò Crisafi’s paper, ‘Spiritual fires and literal bodies: the rhetorics of corporal punishment’, will then proceed to Purgatorio to chart the relationship between secular rhetorics of corporal punishment and the Commedia’s own rhetorical treatment of the bodies of sinners in Dante’s otherworld. The rhetorics of corporal punishment in medieval secular justice often charged literal bodies with a symbolic meaning. The Commedia responds to these rhetorics of corporal punishment and stages its own. Focussing largely on Dante’s treatment of sexual sinners, this paper will look at the interplay between the literal and the metaphorical when it comes to the body and its otherworldly punishments, by providing a close reading of the rhetorical figures at play in Dante’s poetic text.<br />Ascending to the third realm of Dante’s afterlife, Heather Webb’s paper, ‘On the Materiality of the Face in Dante’s Paradiso’ begins from the assertion that faces in Paradiso do what bodies do in Inferno and Purgatorio. As David Ruzicka points out, we have long assumed that all those references to Beatrice's eyes and mouth mean that she is decorporealised. But bodies remain crucial in Paradiso; if, as Robin Kirkpatrick suggests, bodies in Purgatorio are ‘all face’, then we might argue that faces in Paradiso are bodies. This paper focusses on the materiality of the Veronica, the physicality of Beatrice’s face, and modes of personal presence in Paradiso.<br />Spanning a range of Dante’s works, this panel will offer a broad overview of the textual representations of physical bodies and material cultures.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16325576"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16325576"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16325576; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=16325576]").text(description); $(".js-view-count[data-work-id=16325576]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 16325576; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='16325576']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=16325576]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":16325576,"title":"Dante's Body Images (SIS Biennial Conference, 28-30 September, 2015)","internal_url":"https://www.academia.edu/16325576/Dantes_Body_Images_SIS_Biennial_Conference_28_30_September_2015_","owner_id":378021,"coauthors_can_edit":true,"owner":{"id":378021,"first_name":"David","middle_initials":"","last_name":"Bowe","page_name":"DavidBowe","domain_name":"ucc-ie","created_at":"2011-03-27T00:17:36.008-07:00","display_name":"David Bowe","url":"https://ucc-ie.academia.edu/DavidBowe"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4236026" id="issues"><div class="js-work-strip profile--work_container" data-work-id="19516939"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/19516939/Pier_Paolo_Pasolini_Dissidenze_resistenze_ibridazioni_XIX_2015_III_"><img alt="Research paper thumbnail of Pier Paolo Pasolini: Dissidenze, resistenze, ibridazioni. [XIX, 2015 (III)]" class="work-thumbnail" src="https://attachments.academia-assets.com/40666823/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19516939/Pier_Paolo_Pasolini_Dissidenze_resistenze_ibridazioni_XIX_2015_III_">Pier Paolo Pasolini: Dissidenze, resistenze, ibridazioni. [XIX, 2015 (III)]</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unito.academia.edu/AntonioLucci">Antonio Lucci</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/AlisonSmith30">Alison Smith</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/HansKammerer">Hans Kammerer</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ValeriaMontebello">Valeria Montebello</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://losguardo.academia.edu/LoSguardoRivistadiFilosofia">Lo Sguardo - Rivista di Filosofia</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unical.academia.edu/MarcoGatto">Marco Gatto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/RAntoniani">Riccardo Antoniani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ici-berlin.academia.edu/ChristophHolzhey">Christoph Holzhey</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ufpr.academia.edu/Vin%C3%ADciusNicastroHonesko">Vinícius Nicastro Honesko</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/GiuliaCigna">Giulia Cigna</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unil.academia.edu/DelphineWehrli">Delphine Wehrli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/PelosoLuca">Luca Peloso</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sito web: www.losguardo.net Contatti: redazione@losguardo.net "Lo Sguardo" è una rivista elettron...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Sito web: <a href="http://www.losguardo.net" rel="nofollow">www.losguardo.net</a> Contatti: <a href="mailto:redazione@losguardo.net" rel="nofollow">redazione@losguardo.net</a> "Lo Sguardo" è una rivista elettronica di filosofia open access pubblicata da Edizioni di Storia e Letteratura. A partire dal 2010 la rivista pubblica con cadenza quadrimestrale numeri esclusivamente monotematici costituiti da articoli scientifici inediti, saggi-intervista, traduzioni di estratti da opere scientifiche significative e di recente pubblicazione o articoli rilevanti per la comunità scientifica, recensioni di libri ed eventi culturali.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="686e07eec66f6ba4212dd47c3f869bdb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40666823,"asset_id":19516939,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40666823/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19516939"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19516939"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19516939; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19516939]").text(description); $(".js-view-count[data-work-id=19516939]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19516939; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19516939']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "686e07eec66f6ba4212dd47c3f869bdb" } } $('.js-work-strip[data-work-id=19516939]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19516939,"title":"Pier Paolo Pasolini: Dissidenze, resistenze, ibridazioni. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8981360" id="conferenceorganization"><div class="js-work-strip profile--work_container" data-work-id="39756385"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39756385/Dantes_Political_Modernities_Claude_Lefort_Reads_the_Monarchia_ICI_Berlin_6_July_2019"><img alt="Research paper thumbnail of Dante's Political Modernities: Claude Lefort Reads the Monarchia. ICI Berlin, 6 July 2019" class="work-thumbnail" src="https://attachments.academia-assets.com/59937566/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39756385/Dantes_Political_Modernities_Claude_Lefort_Reads_the_Monarchia_ICI_Berlin_6_July_2019">Dante's Political Modernities: Claude Lefort Reads the Monarchia. ICI Berlin, 6 July 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://nyu.academia.edu/URL">Christiane Frey</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the second decade of the fourteenth century, Dante wrote the Monarchia, a treatise of politica...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the second decade of the fourteenth century, Dante wrote the Monarchia, a treatise of political theology deeply rooted in the philosophy of his time, yet conspicuously original in its treatment of secular and ecclesiastical authority. Immediately attacked by the Church, and later banned until 1881, the treatise was long relegated to the margins of the history of political theory. In 1993, Claude Lefort re-established the importance and contemporary relevance of the treatise in an extensive introduction, entitled ‘La modernité de Dante’, for a French translation of the Monarchia.<br />The symposium takes its cue from Lefort’s suggestive invitation to reconsider Dante’s endorsement of a ‘temporal monarchy’, that is, a secular order restricted to humankind’s common pursuit of earthly happiness and hence fully independent from the Church. Lefort sketches the political reception of Dante’s treatise, referenced by humanist advisors of princes, jurists of absolutist rule, and historians of nation-states alike, which, for him, testifies to a profound historical eccentricity of Dante’s conception rather than a teleology inherent to the modern history of the West. For Lefort, ‘the past always interrogates our present’.<br />But how can a text of many context-bound contestations such as the Monarchia interrogate present political circumstance? Can Lefort’s reading serve as a model of a historically reflected political philosophy? How to account for historical efficacy without risking a reamalgamation of history and ideas into a redemptive philosophy of history? How to make sense of the entanglement the Monarchia posits between knowledge, happiness, and politics? What is Dante’s conception of the common, what its relation to an essentially collective knowledge that can only be pursued in universal peace?<br />The symposium brings together scholars from different fields in order to reconsider the Monarchia in dialogue with Lefort’s suggestions and discuss its potentials and limits for imagining politics today.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="572fef43af9a7efcb833b9fd3acc2a03" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59937566,"asset_id":39756385,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59937566/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39756385"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39756385"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39756385; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39756385]").text(description); $(".js-view-count[data-work-id=39756385]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39756385; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39756385']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "572fef43af9a7efcb833b9fd3acc2a03" } } $('.js-work-strip[data-work-id=39756385]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39756385,"title":"Dante's Political Modernities: Claude Lefort Reads the Monarchia. 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These conceptualizations of openness in the period have had profound influence in a wide array of disciplines such as literature, material culture , hermeneutics, religion, linguistics, history, and history of art. What does it mean to speak of an open text, an open body, an open mind, an open cosmos in the period? What kind of creative tension was there between the privileged spaces of the monastic cloister, the walled city, the moated castle, and their environ-ments? What role did images of fluidity play in conceptualizing non-binary frames of reference? How did high medieval literature negotiate the exclusive experiences of the court, mystical excess, and sexuality with rhetorical strategies of inclusion toward a broader audience? How did manuscript culture and scholastic hermeneutics contribute to opening up texts to interpretation? How did texts themselves welcome uncertainty, open-endedness, and unfinishedness in their materiality and form? Interdisciplinary conversations will aim to open up channels of communication between the Middle Ages and present discourse. Can such present ideas as open source, open access, open education, open society, and open relationship be brought into productive dialogue with conceptualizations and practices of Medieval Studies? Can openness be constituted as critical method?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3ab09fd4f9f65782ae2388c611e83b00" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59545608,"asset_id":39401572,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59545608/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39401572"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39401572"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39401572; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39401572]").text(description); $(".js-view-count[data-work-id=39401572]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39401572; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39401572']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="33461935"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33461935/On_Conversion_ICI_Berlin_11_July_2017_Workshop_organized_by_Francesco_Giusti_Manuele_Gragnolati_and_Daniel_Reeve"><img alt="Research paper thumbnail of On Conversion (ICI Berlin, 11 July 2017) - Workshop organized by Francesco Giusti, Manuele Gragnolati, and Daniel Reeve" class="work-thumbnail" src="https://attachments.academia-assets.com/53697603/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33461935/On_Conversion_ICI_Berlin_11_July_2017_Workshop_organized_by_Francesco_Giusti_Manuele_Gragnolati_and_Daniel_Reeve">On Conversion (ICI Berlin, 11 July 2017) - Workshop organized by Francesco Giusti, Manuele Gragnolati, and Daniel Reeve</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uni-frankfurt.academia.edu/FrancescoGiusti">Francesco Giusti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ucsb.academia.edu/DanielReeve">Daniel Reeve</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Conversion – from the Latin 'conversio' – implies a (re)turn and a change of direction. In the Ch...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Conversion – from the Latin 'conversio' – implies a (re)turn and a change of direction. In the Christian tradition, it is normative and teleological, accompanied by repentance and/or longing for rebirth. The convert’s soul turns towards goodness and renounces evil in order to enter a new and true life. Conversion can be presented as a return to the self, or rather as the very constitution of self-identity: in these cases, it represents a solution to inner conflict, providing a divided ‘I’ with a feeling of coherence and integrity. In Western conversion narratives, for which Augustine’s "Confessions" are the paradigm, the narrating self must be radically and definitively different from, and yet in continuity with, the unconverted self whose story is told. This complex temporality is one of the core tensions of conversion: is it an event which befalls the inner self, or a lifelong process which will be fully accomplished after death?<br /><br />How can one think of the relationship between the definitiveness of conversion, the teleological reconstruction of the past, and the integrity of the self? What are the implications in terms of subjectivity, gender, and desire? Is conversion a process that can be narrated or rather something constituted through the performance of narration itself? Can the paradox that conversion appears as both the condition and the performative product of self-narration be resolved through conversion’s teleological temporal structure? To what extent is an irreducibly complex experience reduced by being unfolded in such a linear temporality and at what cost for the self and for others? And finally, if Western paradigms not only of autobiography but of narration as such have arguably become inextricably bound up with conversion and its temporality, how can one think of (narrative and textual) forms that propose other articulations of time and subjectivity?<br /><br />This workshop will problematize the concept of conversion by looking at the interactions between theological discussions and literary re/presentations. It will also question conversion’s temporal structure by considering contemporary critiques of teleology, normativity, and futurity.<br /><br />With<br />Phil Knox (Cambridge)<br />Jonathan Morton (KCL)<br />Francesca Southerden (Oxford)<br />Elizabeth Eva Leach (Oxford)<br />Jennifer Rushworth (Oxford)<br />Irene Fantappiè (HU Berlin)<br />Laura Ashe (Oxford)<br />Marco Nievergelt (Warwick)<br />Daniel Barber (Pace U)<br />Marisa Galvez (Stanford)<br />Christoph Holzhey (ICI Berlin)<br />Almut Suerbaum (Oxford)<br />David Bowe (Oxford)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5698d6736757ef716f8def96288fd953" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53697603,"asset_id":33461935,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53697603/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33461935"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33461935"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33461935; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9493943" id="articlesbookchapters"><div class="js-work-strip profile--work_container" data-work-id="39891598"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39891598/E_Brilli_ed_Forum_Dante_and_Biography_with_M_Gragnolati_G_Inglese_E_Lombardi_G_Milani_P_Pellegrini_M_Tavoni_J_Cl_Schmitt_D_Wallace_in_Dante_Studies_136_2018_133_231"><img alt="Research paper thumbnail of E. Brilli (ed.), Forum Dante and Biography, with M. Gragnolati, G. Inglese, E. Lombardi, G. Milani, P. Pellegrini, M. Tavoni, J.-Cl. Schmitt, D. Wallace, in: Dante Studies 136 (2018), 133-231." class="work-thumbnail" src="https://attachments.academia-assets.com/60077174/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39891598/E_Brilli_ed_Forum_Dante_and_Biography_with_M_Gragnolati_G_Inglese_E_Lombardi_G_Milani_P_Pellegrini_M_Tavoni_J_Cl_Schmitt_D_Wallace_in_Dante_Studies_136_2018_133_231">E. Brilli (ed.), Forum Dante and Biography, with M. Gragnolati, G. Inglese, E. Lombardi, G. Milani, P. Pellegrini, M. Tavoni, J.-Cl. Schmitt, D. Wallace, in: Dante Studies 136 (2018), 133-231.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/ElisaBrilli">Elisa Brilli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/MirkoTavoni">Mirko Tavoni</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/GiorgioInglese">Giorgio Inglese</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://upenn.academia.edu/DavidWallace">David Wallace</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/PaoloPellegrini">Paolo Pellegrini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a></span></div><div class="wp-workCard_item"><span>Dante Studies</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The 136th issue of Dante Studies (2018) hosts a new section, the Forum, devoted to new research t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The 136th issue of Dante Studies (2018) hosts a new section, the Forum, devoted to new research trends in the field. This first Forum, coordinated by Elisa Brilli, explores the questions of Biography and new Historical Studies in current research on Dante. <br />Brilli’s opening piece on "Dante’s Biographies and Historical Studies" draws a cross-disciplinary state of the art over the last decade and raises five major questions (pp. 133-142: 10.1353/das.2018.0004). The answers tackle all or some of these questions from different angles and traditions of studies. <br />Manuele Gragnolatiand Elena Lombardi focus on Dante’s textual constructions and storytelling ("Autobiografia d’autore," pp. 143-169: 10.1353/das.2018.0005). <br />Giorgio Inglese reflects on his biography (Dante. Una biografia possible) in a new contribution entitled "Una biografia impossibile" (pp. 161-166: 10.1353/das.2018.0006). <br />Giuliano Milani develops a methodological reflection on the possibility of writing "La vita di Dante iuxta propria principia" (pp. 167-175: 10.1353/das.2018.0007). <br />Paolo Pellegrini engages the discussion with the new trend and declares the "De profundis per l’Instant Book" (pp. 176-186: 10.1353/das.2018.0008). <br />Jean-Claude Schmitt challenges Dante Studies by analyzing Dante’s Vita Nova with the approach of historical anthropology ("Dante en rêveur médiéval : « Memoria » funéraire et récit autobiographique, pp. 187-200: 10.1353/das.2018.0009). <br />Mirko Tavoni’s "Dante e il ‘paradigma critico dellacontingenza’" (pp. 201-212: 10.1353/das.2018.0010) offers a theoretical reflection on Tavoni’s critical approach. <br />Finally, David Wallace compares the situation in Dante studies with other research fields, and asks the most uncomfortable question: "Lives of Dante: Why Now?"  (pp. 213-222: 10.1353/das.2018.0011). <br />A Bibliography completes the Forum (pp. 223-231: 10.1353/das.2018.0012). <br /><br />This issue also includes the essays by Luca Fiorentini, "Archaeology of the Tre Corone: Dante, Petrarca, and Boccaccio in Benvenuto da Imola's Commentary on the Divine Comedy" (pp. 1-21), Ronald L. Martinez, "Dante 'buon sartore' (Paradiso 32.140): Textile Arts, Rhetoric, and Metapoetics at the End of the Commedia" (pp. 22-61), Barbara Newman, "The Seven-StoreyMountain: Mechthild of Hackeborn and Dante's Matelda" (pp. 62-92) and Matthew Collins, "The Forgotten Morgan Dante Drawings, Their Influence on the Marcolini Commedia of 1544, and Their Place within a Visually-Driven Discourse on Dante's Poem" (pp. 93-132). <br /><br />Dante Studies is available on print and online on Project Muse. Access to Dante Studies is a primary benefit of membership in the Dante Society of America (<a href="https://www.dantesociety.org/" rel="nofollow">https://www.dantesociety.org/</a>). Current members receive both print copies and electronic access to current and recent issues. Individual subscriptions are available only through membership in the Society (<a href="https://www.dantesociety.org/membership-and-benefits#Joining_or_Renewing" rel="nofollow">https://www.dantesociety.org/membership-and-benefits#Joining_or_Renewing</a>). Institutions that wish to subscribe to Dante Studies may place their order online via the JHUP journals website (<a href="https://www.press.jhu.edu/journals" rel="nofollow">https://www.press.jhu.edu/journals</a>).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="51deb923e187138c839cd9168b36b19f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60077174,"asset_id":39891598,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60077174/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39891598"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39891598"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39891598; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39891598]").text(description); $(".js-view-count[data-work-id=39891598]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39891598; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39891598']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "51deb923e187138c839cd9168b36b19f" } } $('.js-work-strip[data-work-id=39891598]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39891598,"title":"E. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40493372"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/40493372/Weathering_the_Afterlife_Language_subjectivity_and_tempo_through_Dante_s_Commedia_ICI_Berlin_30th_September_1st_October_2019_"><img alt="Research paper thumbnail of Weathering the Afterlife: Language, subjectivity, and 'tempo' through Dante’s 'Commedia' (ICI Berlin, 30th September-1st October 2019)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/40493372/Weathering_the_Afterlife_Language_subjectivity_and_tempo_through_Dante_s_Commedia_ICI_Berlin_30th_September_1st_October_2019_">Weathering the Afterlife: Language, subjectivity, and 'tempo' through Dante’s 'Commedia' (ICI Berlin, 30th September-1st October 2019)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cambridge.academia.edu/NicoloCrisafi">Nicolò Crisafi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Part of the workshop On Weathering at ICI Berlin This paper studies the kinds of weathering tha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Part of the workshop On Weathering at ICI Berlin <br /><br />This paper studies the kinds of weathering that are specific to the very different weathers and environments of earth and the three realms of the afterlife, as represented in Dante’s Commedia. It explores different kinds of weathering in Dante’s poem, in their relationship with language, the environment, time, and subjectivity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40493372"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40493372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40493372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40493372]").text(description); $(".js-view-count[data-work-id=40493372]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40493372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40493372']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=40493372]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40493372,"title":"Weathering the Afterlife: Language, subjectivity, and 'tempo' through Dante’s 'Commedia' (ICI Berlin, 30th September-1st October 2019)","internal_url":"https://www.academia.edu/40493372/Weathering_the_Afterlife_Language_subjectivity_and_tempo_through_Dante_s_Commedia_ICI_Berlin_30th_September_1st_October_2019_","owner_id":38873368,"coauthors_can_edit":true,"owner":{"id":38873368,"first_name":"Nicolò","middle_initials":null,"last_name":"Crisafi","page_name":"NicoloCrisafi","domain_name":"cambridge","created_at":"2015-11-22T03:17:11.721-08:00","display_name":"Nicolò Crisafi","url":"https://cambridge.academia.edu/NicoloCrisafi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9846671" id="ebooks"><div class="js-work-strip profile--work_container" data-work-id="40796247"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40796247/eBook_Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII"><img alt="Research paper thumbnail of eBook - Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII" class="work-thumbnail" src="https://attachments.academia-assets.com/61078618/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40796247/eBook_Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII">eBook - Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibg.academia.edu/LucaCarloRossi">Luca Carlo Rossi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/natasciatonelli">natascia tonelli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casad...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. 🔗 <a href="https://bit.ly/2JCe5kG" rel="nofollow">https://bit.ly/2JCe5kG</a>. Il volume, qui in formato PDF, raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinario passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altri poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione  sui sensi retorici del linguaggio poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lirica duecentesca. Volgarizzamento,riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta.<br />Contributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.<br />PDF: <a href="https://www.hoepli.it/ebook/atti-degli-incontri-sulle-opere-di-dante-i-vita-nova-fiore-epistola-xiii/9788884509413.html" rel="nofollow">https://www.hoepli.it/ebook/atti-degli-incontri-sulle-opere-di-dante-i-vita-nova-fiore-epistola-xiii/9788884509413.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9176f366d954d28fca42e1c34815d7c3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61078618,"asset_id":40796247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61078618/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40796247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40796247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40796247; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40796247]").text(description); $(".js-view-count[data-work-id=40796247]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40796247; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40796247']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9176f366d954d28fca42e1c34815d7c3" } } $('.js-work-strip[data-work-id=40796247]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40796247,"title":"eBook - Atti degli incontri sulle Opere di Dante. 1. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="58872982"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/58872982/Modern_Lovers_Evanescence_and_the_Act_in_Dante_Arnaut_and_Sordello"><img alt="Research paper thumbnail of Modern Lovers: Evanescence and the Act in Dante, Arnaut, and Sordello" class="work-thumbnail" src="https://attachments.academia-assets.com/73073133/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/58872982/Modern_Lovers_Evanescence_and_the_Act_in_Dante_Arnaut_and_Sordello">Modern Lovers: Evanescence and the Act in Dante, Arnaut, and Sordello</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cambridge.academia.edu/BBurgwinkle">Bill Burgwinkle</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span>Desire in Dante and the Middle Ages </span><span>, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The question of Dante's notion of desire, at least as it pertains to his own case as a lover and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The question of Dante's notion of desire, at least as it pertains to his own case as a lover and author, can only really be approached at a bias: firstly, because he tells us so much and yet so little about his own erotic history; and secondly, because what he does tell us comes almost always filtered through the figure of Beatrice and his imaginary relations with her. Beatrice, the purported object of desire in life, becomes in Dante's retrospective and touched-up vision: an inspiration, a bait, a mask, a pair of spectacles, a view-scope, an illusion, a holograph, a film image, a mother, a child, a nurse, a visionary, a fortune teller, a knight, a protector and possibly even a father. 2 How he moves from one of these fantasies-in which he is the active instigator and follower of his own desire, seeking her out for purposes of scopophilic gratification-to the other-in which he is the relative beneficiary of her superior wisdom, purity and privileged relation to the Divine-is, I suppose, the story of the interplay between the Vita Nuova and the Commedia, the two principle texts in which he sketches his views on desire and its importance to the development of subjectivity. Following Teodolinda Barolini's initiative, 3 then, my aim is to de-theologize this topic-not by denying that there is theology in the foreground and background of Dante's work, but by emphasising just how frequently that theological base is</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="460eb78bf36860dd4c06ea46f232f3a0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":73073133,"asset_id":58872982,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/73073133/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="58872982"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="58872982"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 58872982; 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