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0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Giuseppe Ledda</h3></div><div class="js-work-strip profile--work_container" data-work-id="86216250"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86216250/Atti_degli_incontri_sulle_opere_di_Dante_V_Commedia_Inferno"><img alt="Research paper thumbnail of Atti degli incontri sulle opere di Dante. V. Commedia · Inferno" class="work-thumbnail" src="https://attachments.academia-assets.com/90721132/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86216250/Atti_degli_incontri_sulle_opere_di_Dante_V_Commedia_Inferno">Atti degli incontri sulle opere di Dante. V. Commedia · Inferno</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Paola Allegretti, Marcello Ciccuto, Giuseppe Ledda 🔗 https://bit.ly/3vPppkV Il volume...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Paola Allegretti, Marcello Ciccuto, Giuseppe Ledda <br />🔗 <a href="https://bit.ly/3vPppkV" rel="nofollow">https://bit.ly/3vPppkV</a> <br />Il volume raccoglie i testi di tre Workshop che si sono svolti a Firenze, nel Palagio dell’Arte della Lana, sede della Società Dantesca Italiana. Sotto la responsabilità del Consiglio Scientifico nell’anno 2019 si sono tenuti i seguenti incontri seminariali, con grande affluenza di studenti universitari e di studiosi: L’edizione critica della Commedia (ws 12, 2019), Inferno. Strutture, fonti, modelli (ws 13, 2019) e Inferno. Temi, episodi, personaggi (ws 14, 2019). Questi tre Workshop offrono qui un quadro polifonico di grande interesse, il cui valore è anche nel dialogo tra ricerche, scuole e discipline differenti. <br />📚 <br />L’EDIZIONE CRITICA DELLA COMMEDIA a cura di P. Allegretti e M. Ciccuto. M. Ciccuto, Premessa – P. Trovato, Qualche riflessione, qualche novità e qualche dubbio sulla resa formale della Commedia – F. Sanguineti, Additamenta per lo stemma codicum – G. Inglese, La Commedia: problemi di ecdotica – E. Tonello, Qualche scheda su Parm (3285), già codice di controllo nell’edizione della Commedia – E. Mandola, L’edizione Petrocchi «alla luce del più antico codice di sicura fiorentinità» - G. Inglese, Postilla. INFERNO a cura di M. Ciccuto e G. Ledda. G. Ledda, Premessa. I. INFERNO. STRUTTURE, FONTI, MODELLI. T. J. Cachey Jr., Mappe e strutture topografiche dell’Inferno dantesco – R. L. Martinez, La Bibbia e il sacro nell’Inferno di Dante: le presenze di Cristo – L. Pertile, L’Inferno tra cultura d’élite e cultura popolare – S. Vecchio, La teologia del peccato fra XII e XIII secolo e la struttura morale dell’Inferno dantesco - II. INFERNO. TEMI, PERSONAGGI, EPISODI. G. Frosini, Strumenti della parola e tradizioni culturali nell’Inferno: il canto di Pier delle Vigne – S. Diacciati, L’Inferno e la città partita: Dante tra le fazioni fiorentine – E. Ferrarini, Dante agiografo: i santi ‘all’Inferno’ – R. Bruscagli, Tornando a Brunetto – D. Canfora, Una «preghiera degna di molta loda»: Ulisse e il desiderio di conoscenza</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5d38eb547396c227c199a7a9f8f3cdf0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90721132,"asset_id":86216250,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90721132/download_file?st=MTczMjgxMTQ4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86216250"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86216250"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86216250; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86216250]").text(description); $(".js-view-count[data-work-id=86216250]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86216250; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86216250']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86216250, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5d38eb547396c227c199a7a9f8f3cdf0" } } $('.js-work-strip[data-work-id=86216250]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86216250,"title":"Atti degli incontri sulle opere di Dante. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74484096"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74484096/Dante_e_la_molteplicit%C3%A0_delle_culture_nellEuropa_medievale_a_cura_di_Giuseppe_Ledda_Bononia_University_Press_2022"><img alt="Research paper thumbnail of Dante e la molteplicità delle culture nell'Europa medievale, a cura di Giuseppe Ledda, Bononia University Press, 2022" class="work-thumbnail" src="https://attachments.academia-assets.com/82620743/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74484096/Dante_e_la_molteplicit%C3%A0_delle_culture_nellEuropa_medievale_a_cura_di_Giuseppe_Ledda_Bononia_University_Press_2022">Dante e la molteplicità delle culture nell'Europa medievale, a cura di Giuseppe Ledda, Bononia University Press, 2022</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://jagiellonian.academia.edu/MariaMaslankaSoro">Maria Maślanka-Soro</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ucm.academia.edu/CarlotaCattermole">Carlota Cattermole Ordóñez</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unicat.academia.edu/ValentinaRovere">Valentina Rovere</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume raccoglie contributi elaborati nell’ambito del progetto collettivo “Dante and the Multi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume raccoglie contributi elaborati nell’ambito del progetto collettivo “Dante and the Multiplicities of Cultures in Medieval Europe”, sostenuto da “Una Europa”, l’alleanza che raggruppa otto importanti università europee (Una Europa Seed Funding Project SF2019007).<br />I contributi qui raccolti esplorano alcuni caratteri della rappresentazione dantesca della molteplicità delle culture nell’Europa medievale. Nella Commedia, e più in generale nel corpus delle opere di Dante, si incontra, come è stato detto tante volte, una “summa” della civiltà europea medievale. Se il concetto di “summa” enfatizza la natura enciclopedica e unitaria dell’opera dantesca, questo volume ne valorizza invece il carattere aperto, molteplice, complesso, e soprattutto la disponibilità ad accogliere una pluralità di “culture”. <br />In questa chiave aperta e pluralistica, sono indagati alcuni aspetti dell’attivazione dialogica di diversi campi culturali, dalla politica alla teologia, dai saperi scientifici dell’astronomia, della medicina e della zoologia, spesso venati di simbolismo biblico, a quelli pseudoscientifici dell’alchimia, dalla geografia alla musica e alla linguistica. Si offre infine un affondo su un caso particolare della ricezione europa dell’opera di Dante.<br /><br />Contributi di Maria Maślanka-Soro, Giulia Gaimari, Andrea Robiglio, Carlota Cattermole, Juan Varela-Portas de Orduña, Anna Gabriella Chisena, Giuseppe Ledda, Valentina Rovere, Chiara Cappuccio, Davide Messina, Enrico Garavelli.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41041d6e24781b9da03aae76005f14fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82620743,"asset_id":74484096,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82620743/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74484096"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74484096"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74484096; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74484096]").text(description); $(".js-view-count[data-work-id=74484096]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74484096; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74484096']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 74484096, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41041d6e24781b9da03aae76005f14fe" } } $('.js-work-strip[data-work-id=74484096]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74484096,"title":"Dante e la molteplicità delle culture nell'Europa medievale, a cura di Giuseppe Ledda, Bononia University Press, 2022","translated_title":"","metadata":{"abstract":"Il volume raccoglie contributi elaborati nell’ambito del progetto collettivo “Dante and the Multiplicities of Cultures in Medieval Europe”, sostenuto da “Una Europa”, l’alleanza che raggruppa otto importanti università europee (Una Europa Seed Funding Project SF2019007).\nI contributi qui raccolti esplorano alcuni caratteri della rappresentazione dantesca della molteplicità delle culture nell’Europa medievale. 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49174447"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49174447/Biografia_e_memoria_poetica_Foscolo_e_Manzoni_lettori_di_Dante"><img alt="Research paper thumbnail of Biografia e memoria poetica. Foscolo e Manzoni lettori di Dante" class="work-thumbnail" src="https://attachments.academia-assets.com/67560409/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49174447/Biografia_e_memoria_poetica_Foscolo_e_Manzoni_lettori_di_Dante">Biografia e memoria poetica. Foscolo e Manzoni lettori di Dante</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unimi.academia.edu/DavideColombo">Davide Colombo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://wisc.academia.edu/AndreaQuaini">Andrea Quaini</a></span></div><div class="wp-workCard_item"><span>TAB</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Quali connessioni emergono tra Dante e due lettori d’eccezione del XIX secolo come Foscolo e Manz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Quali connessioni emergono tra Dante e due lettori d’eccezione del XIX secolo come Foscolo e Manzoni? Questo volumetto tratteggia alcuni aspetti del loro diverso rapporto con la Commedia. Le analisi degli autori mettono in luce come il primo incontro di Foscolo con Dante, all’inizio del frammento Della poesia lucreziana, sia riconducibile al magistero di Alfieri; delineano l’immagine di sé stesso come exul immeritus e alter Dante costruitasi da Foscolo; provano che in Manzoni, fino all’Adelchi, è attiva una memoria dei significanti danteschi indipendente dai significati e mostrano che le similitudini di origine dantesca nei Promessi sposi riproducono il contatto tra lussuria, violenza e politica, intesa questa come cupidigia-volontà di potenza. Curatela di: Maria Gabriella Riccobono. <br />Prefazione di: Giuseppe Ledda. Contributi di: Davide Colombo, Giovanni Fighera, Andrea Quaini, Maria Gabriella Riccobono.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a7771216079105baaaa93f38c73c594b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67560409,"asset_id":49174447,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67560409/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49174447"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49174447"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49174447; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49174447]").text(description); $(".js-view-count[data-work-id=49174447]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49174447; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49174447']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49174447, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a7771216079105baaaa93f38c73c594b" } } $('.js-work-strip[data-work-id=49174447]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49174447,"title":"Biografia e memoria poetica. 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Dalla selva al cielo, la natura in Dante, Roma, Gruppo GEDI - La Repubblica, 2021, pp. 176." class="work-thumbnail" src="https://attachments.academia-assets.com/66282961/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46908530/Giuseppe_Ledda_Diavoli_bestie_gigli_e_smeraldi_Dalla_selva_al_cielo_la_natura_in_Dante_Roma_Gruppo_GEDI_La_Repubblica_2021_pp_176">Giuseppe Ledda, Diavoli, bestie, gigli e smeraldi. Dalla selva al cielo, la natura in Dante, Roma, Gruppo GEDI - La Repubblica, 2021, pp. 176.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In edicola con "La Repubblica" dal 16 aprile 2021.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="677a6eb309dc526e7dfedaf264afacee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66282961,"asset_id":46908530,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66282961/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46908530"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46908530"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46908530; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46908530]").text(description); $(".js-view-count[data-work-id=46908530]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46908530; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46908530']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46908530, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "677a6eb309dc526e7dfedaf264afacee" } } $('.js-work-strip[data-work-id=46908530]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46908530,"title":"Giuseppe Ledda, Diavoli, bestie, gigli e smeraldi. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40348099"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40348099/Giuseppe_Ledda_Il_bestiario_dellaldil%C3%A0_Gli_animali_nella_Commedia_di_Dante_Ravenna_Longo_2019_pp_311"><img alt="Research paper thumbnail of Giuseppe Ledda, Il bestiario dell'aldilà. Gli animali nella «Commedia» di Dante, Ravenna, Longo, 2019, pp. 311." class="work-thumbnail" src="https://attachments.academia-assets.com/60593695/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40348099/Giuseppe_Ledda_Il_bestiario_dellaldil%C3%A0_Gli_animali_nella_Commedia_di_Dante_Ravenna_Longo_2019_pp_311">Giuseppe Ledda, Il bestiario dell'aldilà. Gli animali nella «Commedia» di Dante, Ravenna, Longo, 2019, pp. 311.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Una tra le presenze più sorprendenti nel poema dantesco è quella degli animali: una presenza cont...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Una tra le presenze più sorprendenti nel poema dantesco è quella degli animali: una presenza continua e variatissima, che si esprime soprattutto nelle similitudini. Si va dalle tre immagini usate in Inferno V per le anime dei lussuriosi, storni, gru e colombe, e si arriva sino alle api cui sono paragonati gli angeli nell'Empireo (Paradiso XXXI), passando per decine di occorrenze nelle tre cantiche. Non bisogna pensare infatti che la similitudine animale svolga esclusivamente una funzione di degradazione bestiale dei dannati, in quanto tali immagini sono frequenti anche nel Purgatorio e perfino nel Pa-radiso. Del resto, la cultura medievale conosce una vasta letteratura naturalistica: nei bestiari e nelle enciclopedie si elencavano le caratteristiche, reali o immagi-narie, degli animali e se ne offriva poi un'interpretazione simbolica, morale e allegorica. Così, le similitudini animali dantesche non sono semplici qua-dretti naturalistici, come sostenuto a lungo dalla tradizione critica. In esse agiscono invece complesse e rivelatorie strategie di costruzione del significato, attraverso l'attivazione dei valori simbolici attribuiti agli animali nella cultura medievale e la ripresa dei riferimenti in diversi punti del poema.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d665fde57bd0a5b8ee70972a8d3d0db6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60593695,"asset_id":40348099,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60593695/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40348099"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40348099"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40348099; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40348099]").text(description); $(".js-view-count[data-work-id=40348099]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40348099; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40348099']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40348099, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d665fde57bd0a5b8ee70972a8d3d0db6" } } $('.js-work-strip[data-work-id=40348099]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40348099,"title":"Giuseppe Ledda, Il bestiario dell'aldilà. 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Così, le similitudini animali dantesche non sono semplici qua-dretti naturalistici, come sostenuto a lungo dalla tradizione critica. In esse agiscono invece complesse e rivelatorie strategie di costruzione del significato, attraverso l'attivazione dei valori simbolici attribuiti agli animali nella cultura medievale e la ripresa dei riferimenti in diversi punti del poema. "},"translated_abstract":"Una tra le presenze più sorprendenti nel poema dantesco è quella degli animali: una presenza continua e variatissima, che si esprime soprattutto nelle similitudini. Si va dalle tre immagini usate in Inferno V per le anime dei lussuriosi, storni, gru e colombe, e si arriva sino alle api cui sono paragonati gli angeli nell'Empireo (Paradiso XXXI), passando per decine di occorrenze nelle tre cantiche. Non bisogna pensare infatti che la similitudine animale svolga esclusivamente una funzione di degradazione bestiale dei dannati, in quanto tali immagini sono frequenti anche nel Purgatorio e perfino nel Pa-radiso. Del resto, la cultura medievale conosce una vasta letteratura naturalistica: nei bestiari e nelle enciclopedie si elencavano le caratteristiche, reali o immagi-narie, degli animali e se ne offriva poi un'interpretazione simbolica, morale e allegorica. Così, le similitudini animali dantesche non sono semplici qua-dretti naturalistici, come sostenuto a lungo dalla tradizione critica. In esse agiscono invece complesse e rivelatorie strategie di costruzione del significato, attraverso l'attivazione dei valori simbolici attribuiti agli animali nella cultura medievale e la ripresa dei riferimenti in diversi punti del poema. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38326165"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII"><img alt="Research paper thumbnail of Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII" class="work-thumbnail" src="https://attachments.academia-assets.com/58376733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII">Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MarcelloCiccuto">Marcello Ciccuto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casad...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. <br />Il volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. <br />La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione <br />sui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. <br />I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento, <br />riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. <br />Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta. <br />Contributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce86d9502795434d640e61b7b8ba0008" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58376733,"asset_id":38326165,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58376733/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38326165"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38326165"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38326165; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38326165]").text(description); $(".js-view-count[data-work-id=38326165]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38326165; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38326165']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38326165, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce86d9502795434d640e61b7b8ba0008" } } $('.js-work-strip[data-work-id=38326165]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38326165,"title":"Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII","translated_title":"","metadata":{"abstract":"A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. \r\nIl volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche.\r\nLa «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione\r\nsui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano.\r\nI due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento,\r\nriduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante.\r\nSul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta. \r\nContributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia."},"translated_abstract":"A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. \r\nIl volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche.\r\nLa «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione\r\nsui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano.\r\nI due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento,\r\nriduzione, citazione e parodia sono tecniche magistralmente adoperate. 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src="https://attachments.academia-assets.com/55260867/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35400598/Vertical_Readings_in_Dantes_Comedy_Volume_2_Open_Book_Publishers_2016_">Vertical Readings in Dante's Comedy Volume 2 (Open Book Publishers, 2016)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="18eb43650709720ff1304e7f2323e628" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55260867,"asset_id":35400598,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55260867/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35400598"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span 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Ineffabilità, retorica e narrativa nella Commedia di Dante, Ravenna, Longo, 2002, pp.376." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/8419576/Giuseppe_Ledda_La_guerra_della_lingua_Ineffabilit%C3%A0_retorica_e_narrativa_nella_Commedia_di_Dante_Ravenna_Longo_2002_pp_376">Giuseppe Ledda, La guerra della lingua. Ineffabilità, retorica e narrativa nella Commedia di Dante, Ravenna, Longo, 2002, pp.376.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8419576"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8419576"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8419576; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8419576]").text(description); $(".js-view-count[data-work-id=8419576]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8419576; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8419576']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8419576, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=8419576]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8419576,"title":"Giuseppe Ledda, La guerra della lingua. 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Atti del Convegno internazionale (Bologna-Ravenna, 12-13 novembre 2021), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023." class="work-thumbnail" src="https://attachments.academia-assets.com/107364209/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109157599/Lesperienza_di_Dante_Atti_del_Convegno_internazionale_Bologna_Ravenna_12_13_novembre_2021_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023">L'esperienza di Dante. Atti del Convegno internazionale (Bologna-Ravenna, 12-13 novembre 2021), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Testo integrale del volume L'esperienza di Dante. In occasione del settimo centenario della mort...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Testo integrale del volume L'esperienza di Dante.<br /><br />In occasione del settimo centenario della morte di Dante Alighieri, il decimo convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna, in collaborazione con l’ Officina San Francesco Bologna, è dedicato al tema, complesso e affascinante, dell’esperienza di Dante, nel duplice senso della esperienza di cui Dante è soggetto e della esperienza di lettura del suo poema. Le relazioni qui raccolte esplorano dunque le esperienze biografiche, esistenziali, culturali e spirituali di Dante, nonché la rappresentazione dei temi dell’esperienza nella sua poesia, ma anche diversi aspetti della ricezione delle sue opere nel corso dei secoli.<br /><br />Sommario<br />FRANCESCA GALLI, «E però puote anche la stella parere turbata» («Conv.» III IX 14). La percezione visiva fra teoria, vissuto e rappresentazione - CECILIA PANTI, «Di là dal modo che ’n terra si vede». Dante, la luce e l’esperienza del vedere, aldiquà e aldilà del cielo - JUAN VARELA-PORTAS DE ORDUÑA,  Didattica dell’“esperienzia piena” - FRANCESCO SANTI, L’esperienza mistica come esperienza tattile in Dante, , rileggendo il canto XXXIII del «Paradiso» - DAVIDE CAPPI, Dante e le cronache medievali:  esperienze di lettura e tracce di memoria collettiva -  PAOLO PELLEGRINI, Dante e Riccobaldo da Ferrara. Appunti di lettura (con una nota sulla recente storiografia - ENRICA ZANIN,  «Tu saprai, per esperienza, quanto quell’arte pesa»: Boccaccio e l’esperienza di Dante - RINO MODONUTTI, Appunti per Giovanni Conversini da Ravenna lettore di Dante - GAIA TOMAZZOLI, «Giugnere a veder com’io rividi»: esperienza, memoria e linguaggio figurato nella «Commedia» -  PAOLA URENI, Teoria e pratica della medicina in Dante, qualche esempio - ERMINIA ARDISSINO, «E terza e nona». Dante e l’esperienza del pregare -  GIUSEPPE LEDDA, «A cui esperïenza grazia serba»: l’esperienza del lettore nella «Commedia» - MATTHIAS BÜRGEL,  Il «Pater», il «Credo», l’«Ave Maria» e i «Sacramenti»: la «Commedia» e la formazione religiosa dei laici attraverso i «pastoralia» - KRISTINA LANDA, Sull’esperienza di lettura di Dante nella cultura russa del Primo Novecento - GIUSEPPE SANGIRARDI,  2021, Dante mondial-popolare?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a492784896b1f48ffa980923fb7b3b67" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107364209,"asset_id":109157599,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107364209/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109157599"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109157599"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109157599; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109157599]").text(description); $(".js-view-count[data-work-id=109157599]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109157599; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109157599']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109157599, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a492784896b1f48ffa980923fb7b3b67" } } $('.js-work-strip[data-work-id=109157599]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109157599,"title":"L'esperienza di Dante. Atti del Convegno internazionale (Bologna-Ravenna, 12-13 novembre 2021), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023.","translated_title":"","metadata":{"abstract":"Testo integrale del volume L'esperienza di Dante.\n\nIn occasione del settimo centenario della morte di Dante Alighieri, il decimo convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna, in collaborazione con l’ Officina San Francesco Bologna, è dedicato al tema, complesso e affascinante, dell’esperienza di Dante, nel duplice senso della esperienza di cui Dante è soggetto e della esperienza di lettura del suo poema. Le relazioni qui raccolte esplorano dunque le esperienze biografiche, esistenziali, culturali e spirituali di Dante, nonché la rappresentazione dei temi dell’esperienza nella sua poesia, ma anche diversi aspetti della ricezione delle sue opere nel corso dei secoli.\n\nSommario\nFRANCESCA GALLI, «E però puote anche la stella parere turbata» («Conv.» III IX 14). La percezione visiva fra teoria, vissuto e rappresentazione - CECILIA PANTI, «Di là dal modo che ’n terra si vede». Dante, la luce e l’esperienza del vedere, aldiquà e aldilà del cielo - JUAN VARELA-PORTAS DE ORDUÑA, Didattica dell’“esperienzia piena” - FRANCESCO SANTI, L’esperienza mistica come esperienza tattile in Dante, , rileggendo il canto XXXIII del «Paradiso» - DAVIDE CAPPI, Dante e le cronache medievali: esperienze di lettura e tracce di memoria collettiva - PAOLO PELLEGRINI, Dante e Riccobaldo da Ferrara. Appunti di lettura (con una nota sulla recente storiografia - ENRICA ZANIN, «Tu saprai, per esperienza, quanto quell’arte pesa»: Boccaccio e l’esperienza di Dante - RINO MODONUTTI, Appunti per Giovanni Conversini da Ravenna lettore di Dante - GAIA TOMAZZOLI, «Giugnere a veder com’io rividi»: esperienza, memoria e linguaggio figurato nella «Commedia» - PAOLA URENI, Teoria e pratica della medicina in Dante, qualche esempio - ERMINIA ARDISSINO, «E terza e nona». Dante e l’esperienza del pregare - GIUSEPPE LEDDA, «A cui esperïenza grazia serba»: l’esperienza del lettore nella «Commedia» - MATTHIAS BÜRGEL, Il «Pater», il «Credo», l’«Ave Maria» e i «Sacramenti»: la «Commedia» e la formazione religiosa dei laici attraverso i «pastoralia» - KRISTINA LANDA, Sull’esperienza di lettura di Dante nella cultura russa del Primo Novecento - GIUSEPPE SANGIRARDI, 2021, Dante mondial-popolare?\n"},"translated_abstract":"Testo integrale del volume L'esperienza di Dante.\n\nIn occasione del settimo centenario della morte di Dante Alighieri, il decimo convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna, in collaborazione con l’ Officina San Francesco Bologna, è dedicato al tema, complesso e affascinante, dell’esperienza di Dante, nel duplice senso della esperienza di cui Dante è soggetto e della esperienza di lettura del suo poema. Le relazioni qui raccolte esplorano dunque le esperienze biografiche, esistenziali, culturali e spirituali di Dante, nonché la rappresentazione dei temi dell’esperienza nella sua poesia, ma anche diversi aspetti della ricezione delle sue opere nel corso dei secoli.\n\nSommario\nFRANCESCA GALLI, «E però puote anche la stella parere turbata» («Conv.» III IX 14). La percezione visiva fra teoria, vissuto e rappresentazione - CECILIA PANTI, «Di là dal modo che ’n terra si vede». Dante, la luce e l’esperienza del vedere, aldiquà e aldilà del cielo - JUAN VARELA-PORTAS DE ORDUÑA, Didattica dell’“esperienzia piena” - FRANCESCO SANTI, L’esperienza mistica come esperienza tattile in Dante, , rileggendo il canto XXXIII del «Paradiso» - DAVIDE CAPPI, Dante e le cronache medievali: esperienze di lettura e tracce di memoria collettiva - PAOLO PELLEGRINI, Dante e Riccobaldo da Ferrara. Appunti di lettura (con una nota sulla recente storiografia - ENRICA ZANIN, «Tu saprai, per esperienza, quanto quell’arte pesa»: Boccaccio e l’esperienza di Dante - RINO MODONUTTI, Appunti per Giovanni Conversini da Ravenna lettore di Dante - GAIA TOMAZZOLI, «Giugnere a veder com’io rividi»: esperienza, memoria e linguaggio figurato nella «Commedia» - PAOLA URENI, Teoria e pratica della medicina in Dante, qualche esempio - ERMINIA ARDISSINO, «E terza e nona». Dante e l’esperienza del pregare - GIUSEPPE LEDDA, «A cui esperïenza grazia serba»: l’esperienza del lettore nella «Commedia» - MATTHIAS BÜRGEL, Il «Pater», il «Credo», l’«Ave Maria» e i «Sacramenti»: la «Commedia» e la formazione religiosa dei laici attraverso i «pastoralia» - KRISTINA LANDA, Sull’esperienza di lettura di Dante nella cultura russa del Primo Novecento - GIUSEPPE SANGIRARDI, 2021, Dante mondial-popolare?\n","internal_url":"https://www.academia.edu/109157599/Lesperienza_di_Dante_Atti_del_Convegno_internazionale_Bologna_Ravenna_12_13_novembre_2021_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023","translated_internal_url":"","created_at":"2023-11-14T04:19:49.477-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":17052345,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":107364209,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107364209/thumbnails/1.jpg","file_name":"Volume_Atti_2021_L_esperienza_di_Dante.pdf","download_url":"https://www.academia.edu/attachments/107364209/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lesperienza_di_Dante_Atti_del_Convegno_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107364209/Volume_Atti_2021_L_esperienza_di_Dante-libre.pdf?1699966061=\u0026response-content-disposition=attachment%3B+filename%3DLesperienza_di_Dante_Atti_del_Convegno_i.pdf\u0026Expires=1732792633\u0026Signature=Z7kNBBmJ0rSELKPEPtg7fyiv0r-La8UazMVIqguGKgXYUfdYI7OFD9~623EQ1HOciMYgqkABC03zZCY4vCYw5wKda~wLAFVn1rgqek094QwAuZJBh~7orEzjhu46PzGIZfOrU8s~KeX6QWk9RBUidQgXNCT~Wu5Sr~EHf7HwuAv3i7Vee7TWpw~6gKFo3H45H-IUMLt00CJldx26NfeUBHRhAsRIAdqGaT9dn9uKX~X-nUlJ2p3e07qnGSAEX8DdAOdraCqwjFticUo~O4VqlQ3G3l8Qcs418bO27M3z5ookaGQGgqZwCLxhwm7UXiCeIvTG5KkErWAbolOdjguVBw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Lesperienza_di_Dante_Atti_del_Convegno_internazionale_Bologna_Ravenna_12_13_novembre_2021_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023","translated_slug":"","page_count":352,"language":"it","content_type":"Work","owner":{"id":17052345,"first_name":"Giuseppe","middle_initials":null,"last_name":"Ledda","page_name":"GiuseppeLedda","domain_name":"unibo","created_at":"2014-09-21T02:02:50.208-07:00","display_name":"Giuseppe Ledda","url":"https://unibo.academia.edu/GiuseppeLedda"},"attachments":[{"id":107364209,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107364209/thumbnails/1.jpg","file_name":"Volume_Atti_2021_L_esperienza_di_Dante.pdf","download_url":"https://www.academia.edu/attachments/107364209/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lesperienza_di_Dante_Atti_del_Convegno_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107364209/Volume_Atti_2021_L_esperienza_di_Dante-libre.pdf?1699966061=\u0026response-content-disposition=attachment%3B+filename%3DLesperienza_di_Dante_Atti_del_Convegno_i.pdf\u0026Expires=1732792633\u0026Signature=Z7kNBBmJ0rSELKPEPtg7fyiv0r-La8UazMVIqguGKgXYUfdYI7OFD9~623EQ1HOciMYgqkABC03zZCY4vCYw5wKda~wLAFVn1rgqek094QwAuZJBh~7orEzjhu46PzGIZfOrU8s~KeX6QWk9RBUidQgXNCT~Wu5Sr~EHf7HwuAv3i7Vee7TWpw~6gKFo3H45H-IUMLt00CJldx26NfeUBHRhAsRIAdqGaT9dn9uKX~X-nUlJ2p3e07qnGSAEX8DdAOdraCqwjFticUo~O4VqlQ3G3l8Qcs418bO27M3z5ookaGQGgqZwCLxhwm7UXiCeIvTG5KkErWAbolOdjguVBw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature"},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies"},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca"},{"id":216151,"name":"Italian Medieval and Renaissance Theatre and Spectacle","url":"https://www.academia.edu/Documents/in/Italian_Medieval_and_Renaissance_Theatre_and_Spectacle"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":433716,"name":"Letteratura italiana medievale","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_medievale"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="96272995"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96272995/Dante_e_le_enciclopedie_medievali_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2019_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023"><img alt="Research paper thumbnail of Dante e le enciclopedie medievali. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2019), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023" class="work-thumbnail" src="https://attachments.academia-assets.com/98218097/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96272995/Dante_e_le_enciclopedie_medievali_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2019_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023">Dante e le enciclopedie medievali. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2019), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il nono convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il nono convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna indaga e discute i rapporti fra l’opera di Dante e l’enciclopedismo medievale, un aspetto rilevante e pervasivo della cultura del suo tempo, che si rivela vitale anche per il poeta fiorentino. Nelle relazioni qui raccolte tali rapporti sono indagati da molteplici punti di vista, coinvolgendo non solo la Commedia ma anche le altre opere di Dante. <br />Il file contiene il volume degli atti nella sua integralità, con i seguenti contributi:<br /><br />FRANZISKA MEIER, La svolta antropologica nell’enciclopedismo medievale: il caso di Restoro d’Arezzo, «La composizione del mondo» - SIMON GILSON, Qualche considerazione su Dante, l’enciclopedismo medievale e Servasanto da Faenza - FRANCESCO SANTI, Dante agiografo e l’enciclopedismo del XIII secolo - RICCARDO MACCHIORO, Sul contributo della lessicografia medievale al latino di Dante. Appunti di metodo e prospettive di ricerca - HEATHER WEBB, Dante e l’arte enciclopedica - NATASCIA TONELLI, L’«infertà rea» e l’autoritratto intellettuale di Dante - Anna Chisena, Le fonti enciclopiche dell’astronomia dantesca - GIUSEPPE LEDDA, Enciclopedie medievali e bestiario dantesco</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce7ffe91c8e0dcaf71b9a57ee6d2a72d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98218097,"asset_id":96272995,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98218097/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96272995"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96272995"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96272995; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96272995]").text(description); $(".js-view-count[data-work-id=96272995]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96272995; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='96272995']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 96272995, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce7ffe91c8e0dcaf71b9a57ee6d2a72d" } } $('.js-work-strip[data-work-id=96272995]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":96272995,"title":"Dante e le enciclopedie medievali. 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Atti del Convegno Internazionale di Studi (Ravenna, 11 novembre 2017), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2019." class="work-thumbnail" src="https://attachments.academia-assets.com/62104400/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41979581/Poesia_e_profezia_nellopera_di_Dante_Atti_del_Convegno_Internazionale_di_Studi_Ravenna_11_novembre_2017_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2019">Poesia e profezia nell'opera di Dante. Atti del Convegno Internazionale di Studi (Ravenna, 11 novembre 2017), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2019.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Si rende disponibile in forma integrale il volume degli atti dell'ottavo convegno della Sezione S...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Si rende disponibile in forma integrale il volume degli atti dell'ottavo convegno della Sezione Studi e Ricerche del Centro Dantesco di Ravenna, dedicato a un tema problematico quanto cruciale per la comprensione delle opere di Dante: la loro dimensione profetica.<br />Interventi di Sergio Cristaldi, Anna Rodolfi, Heather Webb, Francesco Santi, Paola Nasti, Luca Azzetta, Nicolò Maldina, Giuseppe Ledda.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2886e3fc0cb9d0fbff180e7489ab3a82" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62104400,"asset_id":41979581,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62104400/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41979581"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41979581"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41979581; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41979581]").text(description); $(".js-view-count[data-work-id=41979581]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41979581; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41979581']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41979581, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2886e3fc0cb9d0fbff180e7489ab3a82" } } $('.js-work-strip[data-work-id=41979581]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41979581,"title":"Poesia e profezia nell'opera di Dante. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38726541"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38726541/Dante_poeta_cristiano_e_la_cultura_religiosa_medievale_In_ricordo_di_Anna_Maria_Chiavacci_Leonardi_Atti_del_Convegno_internazionale_di_Studi_Ravenna_26_novembre_2015_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2018"><img alt="Research paper thumbnail of Dante poeta cristiano e la cultura religiosa medievale. In ricordo di Anna Maria Chiavacci Leonardi. Atti del Convegno internazionale di Studi (Ravenna, 26 novembre 2015), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/58811844/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38726541/Dante_poeta_cristiano_e_la_cultura_religiosa_medievale_In_ricordo_di_Anna_Maria_Chiavacci_Leonardi_Atti_del_Convegno_internazionale_di_Studi_Ravenna_26_novembre_2015_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2018">Dante poeta cristiano e la cultura religiosa medievale. In ricordo di Anna Maria Chiavacci Leonardi. Atti del Convegno internazionale di Studi (Ravenna, 26 novembre 2015), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2018</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://northwestern.academia.edu/PNasti">Paola Nasti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/ElisaBrilli">Elisa Brilli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al r...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al ricordo di Anna Maria Chiavacci Leonardi, fondatrice e presidente della Sezione stessa nonché promotrice dei convegni internazionali. Anche il titolo, “Dante poeta cristiano” vuol essere un omaggio al suo lavoro e all’impostazione dei suoi studi che ha ispirato e che ispira l’attività della Sezione.<br />Gli interventi presentati nel corso del convegno e ora raccolti in questo volume esplorano alcuni aspetti cruciali della cultura religiosa medievale e la loro presenza nella Commedia e in altre opere dantesche.<br /><br />FRANCESCO SANTI, Il contributo agli studi danteschi di Anna Maria Chiavacci Leonardi (Camerino 22 settembre 1927 - Firenze, 7 aprile 2014) - PAOLA NASTI,  Le stimmate d’amore del poverello d’Assisi: riscritture dantesche di un topos medievale - <br />ANNA PEGORETTI, «Civitas diaboli». Forme e fugure della religiosità laica nella Firenze di Dante - STEFANO PRANDI, «Ad intuitum supercelestium formarum»: Alain de Lille e la Commedia - THEODORE CACHEY, La verità (e l’imbarazzo) della Questio - ELISA BRILLI, Profeti, veri e falsi, e “quasi profeti”. Il profetismo (non solo dantesco) secondo Giovanni Villani - NICOLÒ MALDINA, Dante cortigiano e la retorica della verità - GIUSEPPE LEDDA, Poesia e agiografia nella Commedia - ZYGMUNT G. BARAŃSKI, Teologia degli affetti e della beatitudine nel Paradiso</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f011728deaad50241be43652ac4b8ee0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58811844,"asset_id":38726541,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58811844/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38726541"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38726541"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38726541; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38726541]").text(description); $(".js-view-count[data-work-id=38726541]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38726541; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38726541']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38726541, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f011728deaad50241be43652ac4b8ee0" } } $('.js-work-strip[data-work-id=38726541]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38726541,"title":"Dante poeta cristiano e la cultura religiosa medievale. In ricordo di Anna Maria Chiavacci Leonardi. Atti del Convegno internazionale di Studi (Ravenna, 26 novembre 2015), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2018","translated_title":"","metadata":{"abstract":"Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al ricordo di Anna Maria Chiavacci Leonardi, fondatrice e presidente della Sezione stessa nonché promotrice dei convegni internazionali. Anche il titolo, “Dante poeta cristiano” vuol essere un omaggio al suo lavoro e all’impostazione dei suoi studi che ha ispirato e che ispira l’attività della Sezione.\nGli interventi presentati nel corso del convegno e ora raccolti in questo volume esplorano alcuni aspetti cruciali della cultura religiosa medievale e la loro presenza nella Commedia e in altre opere dantesche.\n\nFRANCESCO SANTI, Il contributo agli studi danteschi di Anna Maria Chiavacci Leonardi (Camerino 22 settembre 1927 - Firenze, 7 aprile 2014) - PAOLA NASTI, Le stimmate d’amore del poverello d’Assisi: riscritture dantesche di un topos medievale - \nANNA PEGORETTI, «Civitas diaboli». Forme e fugure della religiosità laica nella Firenze di Dante - STEFANO PRANDI, «Ad intuitum supercelestium formarum»: Alain de Lille e la Commedia - THEODORE CACHEY, La verità (e l’imbarazzo) della Questio - ELISA BRILLI, Profeti, veri e falsi, e “quasi profeti”. Il profetismo (non solo dantesco) secondo Giovanni Villani - NICOLÒ MALDINA, Dante cortigiano e la retorica della verità - GIUSEPPE LEDDA, Poesia e agiografia nella Commedia - ZYGMUNT G. BARAŃSKI, Teologia degli affetti e della beatitudine nel Paradiso\n\n"},"translated_abstract":"Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al ricordo di Anna Maria Chiavacci Leonardi, fondatrice e presidente della Sezione stessa nonché promotrice dei convegni internazionali. Anche il titolo, “Dante poeta cristiano” vuol essere un omaggio al suo lavoro e all’impostazione dei suoi studi che ha ispirato e che ispira l’attività della Sezione.\nGli interventi presentati nel corso del convegno e ora raccolti in questo volume esplorano alcuni aspetti cruciali della cultura religiosa medievale e la loro presenza nella Commedia e in altre opere dantesche.\n\nFRANCESCO SANTI, Il contributo agli studi danteschi di Anna Maria Chiavacci Leonardi (Camerino 22 settembre 1927 - Firenze, 7 aprile 2014) - PAOLA NASTI, Le stimmate d’amore del poverello d’Assisi: riscritture dantesche di un topos medievale - \nANNA PEGORETTI, «Civitas diaboli». Forme e fugure della religiosità laica nella Firenze di Dante - STEFANO PRANDI, «Ad intuitum supercelestium formarum»: Alain de Lille e la Commedia - THEODORE CACHEY, La verità (e l’imbarazzo) della Questio - ELISA BRILLI, Profeti, veri e falsi, e “quasi profeti”. Il profetismo (non solo dantesco) secondo Giovanni Villani - NICOLÒ MALDINA, Dante cortigiano e la retorica della verità - GIUSEPPE LEDDA, Poesia e agiografia nella Commedia - ZYGMUNT G. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37356247"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017"><img alt="Research paper thumbnail of Sergio Atzeni e le voci della Sardegna, a cura di Giuseppe Ledda e Gigliola Sulis, Bologna, Bononia University Press, 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/57317006/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017">Sergio Atzeni e le voci della Sardegna, a cura di Giuseppe Ledda e Gigliola Sulis, Bologna, Bononia University Press, 2017</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://leeds.academia.edu/GigliolaSulis">Gigliola Sulis</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sono passati oltre vent’anni anni dalla scomparsa dello scrittore Sergio Atzeni (1952-1995), ma l...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Sono passati oltre vent’anni anni dalla scomparsa dello scrittore Sergio Atzeni (1952-1995), ma la sua opera, radicata profondamente nella tradizione sarda e insieme aperta all’innovazione e al dialogo con la cultura contemporanea internazionale, continua ad avere una fortissima presenza in Sardegna e a suscitare un ampio interesse in Italia e all’estero. <br />Questo volume, composto di quindici capitoli firmati da scrittori e da studiosi attivi in università italiane e straniere, indaga molti aspetti della scrittura di Atzeni: le relazioni con la letteratura e la politica sarda, con la tradizione letteraria italiana e con fenomeni culturali internazionali; il ricorso alle tecniche allegoriche e la riflessione sui rapporti fra storia e narrativa; i dialoghi con la musica e con il cinema; i caratteri tematici, strutturali e stilistici delle sue opere.<br />Emerge così il profilo multiforme di uno scrittore che ha anticipato fenomeni pienamente affermatisi dopo la sua scomparsa, sia nell’ambito della letteratura italiana, come l’attenzione per la “realtà” o il ricorso al romanzo storico, sia in una dimensione più ampia, come la prospettiva postcoloniale o la riflessione sulle identità nazionali sotto il profilo linguistico, culturale e politico. <br /><br />Contributi di Marcello Fois, Paola Soriga, Duilio Caocci, Paolo Maninchedda, Mauro Pala, Giuseppe Marci, Roberto Puggioni, Giulio Iacoli, Filippo Milani, Myriam Mereu, Birgit Wagner, Gigliola Sulis, Aldo Maria Morace, Ilaria Puggioni, Giuseppe Ledda.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9c0fd62ea103e0ad0bb20d813b5e5f04" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57317006,"asset_id":37356247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57317006/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37356247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37356247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37356247; 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Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2013), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2015, pp. 312" class="work-thumbnail" src="https://attachments.academia-assets.com/40823374/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19554740/Le_teologie_di_Dante_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2013_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2015_pp_312">Le teologie di Dante. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2013), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2015, pp. 312</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il sesto convegno promosso dalla Sezione Studi e ricerche del Centro Dantesco di Ravenna indaga s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il sesto convegno promosso dalla Sezione Studi e ricerche del Centro Dantesco di Ravenna indaga sotto diversi aspetti la teologia nell’opera di Dante: una presenza molteplice, complessa, di straordinaria rilevanza e pervasività. Sono studiati nella poesia dantesca alcuni temi strettamente teologici, come la mistica, la teologia della luce, i rapporti con la scolastica, la preghiera, il dialogo con la Bibbia, l’ineffabilità del divino. Ma anche i temi della morale, della politica, della riflessione sulla società rivelano in Dante una dimensione profondamente teologica.<br />Il volume raccoglie interventi di Giuseppe Mazzotta, Marco Ariani, Claire E. Honess, Francesco Santi, Simon A. Gilson, Mira Mocan, Christian Moevs, Susanna Barsella, Nicolò Maldina, Beatrice Priest, Giuseppe Ledda.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="50494221986be4d3cc42ceea04bbf745" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40823374,"asset_id":19554740,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40823374/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19554740"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19554740"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19554740; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19554740]").text(description); $(".js-view-count[data-work-id=19554740]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19554740; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19554740']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19554740, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "50494221986be4d3cc42ceea04bbf745" } } $('.js-work-strip[data-work-id=19554740]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19554740,"title":"Le teologie di Dante. 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Seminario dantesco 2013, a cura di Giuseppe Ledda e Filippo Zanini, Bologna, Alma Mater Studiorum, Università di Bologna, Dipartimento di Filologia classica e Italianistica - Edizioni Aspasia, 2015.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume raccoglie gli atti della prima edizione di AlmaDante - Seminario dantesco internazional...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume raccoglie gli atti della prima edizione di AlmaDante - Seminario dantesco internazionale per dottorandi, tenutasi all'Univesità di Bologna nel maggio 2013. <br />Premessa di Giuseppe Ledda; interventi di Elisa Maraldi, Maria Rita Traina, Silvia Tranfaglia, Leyla M.G. Livraghi, Andrea Manzi, Vera Ribaudo, Giuliana Ortu, Elena Gurioli, Anna Gabriella Chisena, Annarita Placella, David Bowe, Beatrice Priest, Luigi Martelli, Fabrizio Crasta, Filippo Zanini. <br />È il volume n. 7 della collana "Petali", diretta da Federica Rossi. <br />Si offre qui il testo integrale del volume.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d0b5967f60a40ce56db4a6d0ee9f2966" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38209873,"asset_id":14124283,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38209873/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="14124283"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="14124283"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 14124283; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=14124283]").text(description); $(".js-view-count[data-work-id=14124283]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 14124283; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='14124283']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 14124283, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d0b5967f60a40ce56db4a6d0ee9f2966" } } $('.js-work-strip[data-work-id=14124283]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":14124283,"title":"AlmaDante. 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Atti del Convegno internazionale di Studi (Ravenna, 12 novembre 2011), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2013, pp. 240" class="work-thumbnail" src="https://attachments.academia-assets.com/34853107/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8419645/Preghiera_e_liturgia_nella_Commedia_Atti_del_Convegno_internazionale_di_Studi_Ravenna_12_novembre_2011_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2013_pp_240">Preghiera e liturgia nella «Commedia». 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Esperienza mistica, profezia e teologia biblica in Dante. Atti del Convegno internazionale di Studi (Ravenna, 7 novembre 2009), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2011, pp. 256" class="work-thumbnail" src="https://attachments.academia-assets.com/34853085/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8419638/La_Bibbia_di_Dante_Esperienza_mistica_profezia_e_teologia_biblica_in_Dante_Atti_del_Convegno_internazionale_di_Studi_Ravenna_7_novembre_2009_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2011_pp_256">La Bibbia di Dante. Esperienza mistica, profezia e teologia biblica in Dante. Atti del Convegno internazionale di Studi (Ravenna, 7 novembre 2009), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2011, pp. 256</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3e9df90a66162d4da23f3eaddb631105" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":34853085,"asset_id":8419638,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/34853085/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8419638"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8419638"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8419638; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8419638]").text(description); $(".js-view-count[data-work-id=8419638]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8419638; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8419638']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8419638, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3e9df90a66162d4da23f3eaddb631105" } } $('.js-work-strip[data-work-id=8419638]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8419638,"title":"La Bibbia di Dante. 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V. Commedia · Inferno" class="work-thumbnail" src="https://attachments.academia-assets.com/90721132/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86216250/Atti_degli_incontri_sulle_opere_di_Dante_V_Commedia_Inferno">Atti degli incontri sulle opere di Dante. V. Commedia · Inferno</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Paola Allegretti, Marcello Ciccuto, Giuseppe Ledda 🔗 https://bit.ly/3vPppkV Il volume...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Paola Allegretti, Marcello Ciccuto, Giuseppe Ledda <br />🔗 <a href="https://bit.ly/3vPppkV" rel="nofollow">https://bit.ly/3vPppkV</a> <br />Il volume raccoglie i testi di tre Workshop che si sono svolti a Firenze, nel Palagio dell’Arte della Lana, sede della Società Dantesca Italiana. Sotto la responsabilità del Consiglio Scientifico nell’anno 2019 si sono tenuti i seguenti incontri seminariali, con grande affluenza di studenti universitari e di studiosi: L’edizione critica della Commedia (ws 12, 2019), Inferno. Strutture, fonti, modelli (ws 13, 2019) e Inferno. Temi, episodi, personaggi (ws 14, 2019). Questi tre Workshop offrono qui un quadro polifonico di grande interesse, il cui valore è anche nel dialogo tra ricerche, scuole e discipline differenti. <br />📚 <br />L’EDIZIONE CRITICA DELLA COMMEDIA a cura di P. Allegretti e M. Ciccuto. M. Ciccuto, Premessa – P. Trovato, Qualche riflessione, qualche novità e qualche dubbio sulla resa formale della Commedia – F. Sanguineti, Additamenta per lo stemma codicum – G. Inglese, La Commedia: problemi di ecdotica – E. Tonello, Qualche scheda su Parm (3285), già codice di controllo nell’edizione della Commedia – E. Mandola, L’edizione Petrocchi «alla luce del più antico codice di sicura fiorentinità» - G. Inglese, Postilla. INFERNO a cura di M. Ciccuto e G. Ledda. G. Ledda, Premessa. I. INFERNO. STRUTTURE, FONTI, MODELLI. T. J. Cachey Jr., Mappe e strutture topografiche dell’Inferno dantesco – R. L. Martinez, La Bibbia e il sacro nell’Inferno di Dante: le presenze di Cristo – L. Pertile, L’Inferno tra cultura d’élite e cultura popolare – S. Vecchio, La teologia del peccato fra XII e XIII secolo e la struttura morale dell’Inferno dantesco - II. INFERNO. TEMI, PERSONAGGI, EPISODI. G. Frosini, Strumenti della parola e tradizioni culturali nell’Inferno: il canto di Pier delle Vigne – S. Diacciati, L’Inferno e la città partita: Dante tra le fazioni fiorentine – E. Ferrarini, Dante agiografo: i santi ‘all’Inferno’ – R. Bruscagli, Tornando a Brunetto – D. Canfora, Una «preghiera degna di molta loda»: Ulisse e il desiderio di conoscenza</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5d38eb547396c227c199a7a9f8f3cdf0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90721132,"asset_id":86216250,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90721132/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86216250"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86216250"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86216250; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86216250]").text(description); $(".js-view-count[data-work-id=86216250]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86216250; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86216250']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86216250, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5d38eb547396c227c199a7a9f8f3cdf0" } } $('.js-work-strip[data-work-id=86216250]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86216250,"title":"Atti degli incontri sulle opere di Dante. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74484096"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74484096/Dante_e_la_molteplicit%C3%A0_delle_culture_nellEuropa_medievale_a_cura_di_Giuseppe_Ledda_Bononia_University_Press_2022"><img alt="Research paper thumbnail of Dante e la molteplicità delle culture nell'Europa medievale, a cura di Giuseppe Ledda, Bononia University Press, 2022" class="work-thumbnail" src="https://attachments.academia-assets.com/82620743/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74484096/Dante_e_la_molteplicit%C3%A0_delle_culture_nellEuropa_medievale_a_cura_di_Giuseppe_Ledda_Bononia_University_Press_2022">Dante e la molteplicità delle culture nell'Europa medievale, a cura di Giuseppe Ledda, Bononia University Press, 2022</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://jagiellonian.academia.edu/MariaMaslankaSoro">Maria Maślanka-Soro</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ucm.academia.edu/CarlotaCattermole">Carlota Cattermole Ordóñez</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unicat.academia.edu/ValentinaRovere">Valentina Rovere</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume raccoglie contributi elaborati nell’ambito del progetto collettivo “Dante and the Multi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume raccoglie contributi elaborati nell’ambito del progetto collettivo “Dante and the Multiplicities of Cultures in Medieval Europe”, sostenuto da “Una Europa”, l’alleanza che raggruppa otto importanti università europee (Una Europa Seed Funding Project SF2019007).<br />I contributi qui raccolti esplorano alcuni caratteri della rappresentazione dantesca della molteplicità delle culture nell’Europa medievale. Nella Commedia, e più in generale nel corpus delle opere di Dante, si incontra, come è stato detto tante volte, una “summa” della civiltà europea medievale. Se il concetto di “summa” enfatizza la natura enciclopedica e unitaria dell’opera dantesca, questo volume ne valorizza invece il carattere aperto, molteplice, complesso, e soprattutto la disponibilità ad accogliere una pluralità di “culture”. <br />In questa chiave aperta e pluralistica, sono indagati alcuni aspetti dell’attivazione dialogica di diversi campi culturali, dalla politica alla teologia, dai saperi scientifici dell’astronomia, della medicina e della zoologia, spesso venati di simbolismo biblico, a quelli pseudoscientifici dell’alchimia, dalla geografia alla musica e alla linguistica. Si offre infine un affondo su un caso particolare della ricezione europa dell’opera di Dante.<br /><br />Contributi di Maria Maślanka-Soro, Giulia Gaimari, Andrea Robiglio, Carlota Cattermole, Juan Varela-Portas de Orduña, Anna Gabriella Chisena, Giuseppe Ledda, Valentina Rovere, Chiara Cappuccio, Davide Messina, Enrico Garavelli.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41041d6e24781b9da03aae76005f14fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82620743,"asset_id":74484096,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82620743/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74484096"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74484096"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74484096; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74484096]").text(description); $(".js-view-count[data-work-id=74484096]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74484096; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74484096']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 74484096, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41041d6e24781b9da03aae76005f14fe" } } $('.js-work-strip[data-work-id=74484096]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74484096,"title":"Dante e la molteplicità delle culture nell'Europa medievale, a cura di Giuseppe Ledda, Bononia University Press, 2022","translated_title":"","metadata":{"abstract":"Il volume raccoglie contributi elaborati nell’ambito del progetto collettivo “Dante and the Multiplicities of Cultures in Medieval Europe”, sostenuto da “Una Europa”, l’alleanza che raggruppa otto importanti università europee (Una Europa Seed Funding Project SF2019007).\nI contributi qui raccolti esplorano alcuni caratteri della rappresentazione dantesca della molteplicità delle culture nell’Europa medievale. Nella Commedia, e più in generale nel corpus delle opere di Dante, si incontra, come è stato detto tante volte, una “summa” della civiltà europea medievale. Se il concetto di “summa” enfatizza la natura enciclopedica e unitaria dell’opera dantesca, questo volume ne valorizza invece il carattere aperto, molteplice, complesso, e soprattutto la disponibilità ad accogliere una pluralità di “culture”. \nIn questa chiave aperta e pluralistica, sono indagati alcuni aspetti dell’attivazione dialogica di diversi campi culturali, dalla politica alla teologia, dai saperi scientifici dell’astronomia, della medicina e della zoologia, spesso venati di simbolismo biblico, a quelli pseudoscientifici dell’alchimia, dalla geografia alla musica e alla linguistica. 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Se il concetto di “summa” enfatizza la natura enciclopedica e unitaria dell’opera dantesca, questo volume ne valorizza invece il carattere aperto, molteplice, complesso, e soprattutto la disponibilità ad accogliere una pluralità di “culture”. \nIn questa chiave aperta e pluralistica, sono indagati alcuni aspetti dell’attivazione dialogica di diversi campi culturali, dalla politica alla teologia, dai saperi scientifici dell’astronomia, della medicina e della zoologia, spesso venati di simbolismo biblico, a quelli pseudoscientifici dell’alchimia, dalla geografia alla musica e alla linguistica. 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49174447"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49174447/Biografia_e_memoria_poetica_Foscolo_e_Manzoni_lettori_di_Dante"><img alt="Research paper thumbnail of Biografia e memoria poetica. Foscolo e Manzoni lettori di Dante" class="work-thumbnail" src="https://attachments.academia-assets.com/67560409/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49174447/Biografia_e_memoria_poetica_Foscolo_e_Manzoni_lettori_di_Dante">Biografia e memoria poetica. Foscolo e Manzoni lettori di Dante</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unimi.academia.edu/DavideColombo">Davide Colombo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://wisc.academia.edu/AndreaQuaini">Andrea Quaini</a></span></div><div class="wp-workCard_item"><span>TAB</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Quali connessioni emergono tra Dante e due lettori d’eccezione del XIX secolo come Foscolo e Manz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Quali connessioni emergono tra Dante e due lettori d’eccezione del XIX secolo come Foscolo e Manzoni? Questo volumetto tratteggia alcuni aspetti del loro diverso rapporto con la Commedia. Le analisi degli autori mettono in luce come il primo incontro di Foscolo con Dante, all’inizio del frammento Della poesia lucreziana, sia riconducibile al magistero di Alfieri; delineano l’immagine di sé stesso come exul immeritus e alter Dante costruitasi da Foscolo; provano che in Manzoni, fino all’Adelchi, è attiva una memoria dei significanti danteschi indipendente dai significati e mostrano che le similitudini di origine dantesca nei Promessi sposi riproducono il contatto tra lussuria, violenza e politica, intesa questa come cupidigia-volontà di potenza. Curatela di: Maria Gabriella Riccobono. <br />Prefazione di: Giuseppe Ledda. Contributi di: Davide Colombo, Giovanni Fighera, Andrea Quaini, Maria Gabriella Riccobono.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a7771216079105baaaa93f38c73c594b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67560409,"asset_id":49174447,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67560409/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49174447"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49174447"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49174447; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49174447]").text(description); $(".js-view-count[data-work-id=49174447]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49174447; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49174447']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49174447, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a7771216079105baaaa93f38c73c594b" } } $('.js-work-strip[data-work-id=49174447]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49174447,"title":"Biografia e memoria poetica. Foscolo e Manzoni lettori di Dante","translated_title":"","metadata":{"abstract":"Quali connessioni emergono tra Dante e due lettori d’eccezione del XIX secolo come Foscolo e Manzoni? Questo volumetto tratteggia alcuni aspetti del loro diverso rapporto con la Commedia. Le analisi degli autori mettono in luce come il primo incontro di Foscolo con Dante, all’inizio del frammento Della poesia lucreziana, sia riconducibile al magistero di Alfieri; delineano l’immagine di sé stesso come exul immeritus e alter Dante costruitasi da Foscolo; provano che in Manzoni, fino all’Adelchi, è attiva una memoria dei significanti danteschi indipendente dai significati e mostrano che le similitudini di origine dantesca nei Promessi sposi riproducono il contatto tra lussuria, violenza e politica, intesa questa come cupidigia-volontà di potenza. Curatela di: Maria Gabriella Riccobono.\r\nPrefazione di: Giuseppe Ledda. Contributi di: Davide Colombo, Giovanni Fighera, Andrea Quaini, Maria Gabriella Riccobono. \r\n","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"TAB"},"translated_abstract":"Quali connessioni emergono tra Dante e due lettori d’eccezione del XIX secolo come Foscolo e Manzoni? Questo volumetto tratteggia alcuni aspetti del loro diverso rapporto con la Commedia. Le analisi degli autori mettono in luce come il primo incontro di Foscolo con Dante, all’inizio del frammento Della poesia lucreziana, sia riconducibile al magistero di Alfieri; delineano l’immagine di sé stesso come exul immeritus e alter Dante costruitasi da Foscolo; provano che in Manzoni, fino all’Adelchi, è attiva una memoria dei significanti danteschi indipendente dai significati e mostrano che le similitudini di origine dantesca nei Promessi sposi riproducono il contatto tra lussuria, violenza e politica, intesa questa come cupidigia-volontà di potenza. Curatela di: Maria Gabriella Riccobono.\r\nPrefazione di: Giuseppe Ledda. Contributi di: Davide Colombo, Giovanni Fighera, Andrea Quaini, Maria Gabriella Riccobono. \r\n","internal_url":"https://www.academia.edu/49174447/Biografia_e_memoria_poetica_Foscolo_e_Manzoni_lettori_di_Dante","translated_internal_url":"","created_at":"2021-06-08T11:51:49.254-07:00","preview_url":null,"current_user_can_edit":false,"current_user_is_owner":null,"owner_id":28457722,"coauthors_can_edit":false,"document_type":"book","co_author_tags":[{"id":36601906,"work_id":49174447,"tagging_user_id":28457722,"tagged_user_id":12863102,"co_author_invite_id":null,"email":"m***o@unimi.it","affiliation":"Università degli Studi di Milano - State University of Milan (Italy)","display_order":1,"name":"Maria Gabriella Riccobono","title":"Biografia e memoria poetica. 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Dalla selva al cielo, la natura in Dante, Roma, Gruppo GEDI - La Repubblica, 2021, pp. 176." class="work-thumbnail" src="https://attachments.academia-assets.com/66282961/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46908530/Giuseppe_Ledda_Diavoli_bestie_gigli_e_smeraldi_Dalla_selva_al_cielo_la_natura_in_Dante_Roma_Gruppo_GEDI_La_Repubblica_2021_pp_176">Giuseppe Ledda, Diavoli, bestie, gigli e smeraldi. Dalla selva al cielo, la natura in Dante, Roma, Gruppo GEDI - La Repubblica, 2021, pp. 176.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In edicola con "La Repubblica" dal 16 aprile 2021.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="677a6eb309dc526e7dfedaf264afacee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66282961,"asset_id":46908530,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66282961/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46908530"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46908530"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46908530; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46908530]").text(description); $(".js-view-count[data-work-id=46908530]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46908530; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46908530']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46908530, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "677a6eb309dc526e7dfedaf264afacee" } } $('.js-work-strip[data-work-id=46908530]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46908530,"title":"Giuseppe Ledda, Diavoli, bestie, gigli e smeraldi. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40348099"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40348099/Giuseppe_Ledda_Il_bestiario_dellaldil%C3%A0_Gli_animali_nella_Commedia_di_Dante_Ravenna_Longo_2019_pp_311"><img alt="Research paper thumbnail of Giuseppe Ledda, Il bestiario dell'aldilà. Gli animali nella «Commedia» di Dante, Ravenna, Longo, 2019, pp. 311." class="work-thumbnail" src="https://attachments.academia-assets.com/60593695/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40348099/Giuseppe_Ledda_Il_bestiario_dellaldil%C3%A0_Gli_animali_nella_Commedia_di_Dante_Ravenna_Longo_2019_pp_311">Giuseppe Ledda, Il bestiario dell'aldilà. Gli animali nella «Commedia» di Dante, Ravenna, Longo, 2019, pp. 311.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Una tra le presenze più sorprendenti nel poema dantesco è quella degli animali: una presenza cont...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Una tra le presenze più sorprendenti nel poema dantesco è quella degli animali: una presenza continua e variatissima, che si esprime soprattutto nelle similitudini. Si va dalle tre immagini usate in Inferno V per le anime dei lussuriosi, storni, gru e colombe, e si arriva sino alle api cui sono paragonati gli angeli nell'Empireo (Paradiso XXXI), passando per decine di occorrenze nelle tre cantiche. Non bisogna pensare infatti che la similitudine animale svolga esclusivamente una funzione di degradazione bestiale dei dannati, in quanto tali immagini sono frequenti anche nel Purgatorio e perfino nel Pa-radiso. Del resto, la cultura medievale conosce una vasta letteratura naturalistica: nei bestiari e nelle enciclopedie si elencavano le caratteristiche, reali o immagi-narie, degli animali e se ne offriva poi un'interpretazione simbolica, morale e allegorica. Così, le similitudini animali dantesche non sono semplici qua-dretti naturalistici, come sostenuto a lungo dalla tradizione critica. In esse agiscono invece complesse e rivelatorie strategie di costruzione del significato, attraverso l'attivazione dei valori simbolici attribuiti agli animali nella cultura medievale e la ripresa dei riferimenti in diversi punti del poema.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d665fde57bd0a5b8ee70972a8d3d0db6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60593695,"asset_id":40348099,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60593695/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40348099"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40348099"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40348099; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40348099]").text(description); $(".js-view-count[data-work-id=40348099]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40348099; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40348099']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40348099, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d665fde57bd0a5b8ee70972a8d3d0db6" } } $('.js-work-strip[data-work-id=40348099]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40348099,"title":"Giuseppe Ledda, Il bestiario dell'aldilà. 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Così, le similitudini animali dantesche non sono semplici qua-dretti naturalistici, come sostenuto a lungo dalla tradizione critica. In esse agiscono invece complesse e rivelatorie strategie di costruzione del significato, attraverso l'attivazione dei valori simbolici attribuiti agli animali nella cultura medievale e la ripresa dei riferimenti in diversi punti del poema. "},"translated_abstract":"Una tra le presenze più sorprendenti nel poema dantesco è quella degli animali: una presenza continua e variatissima, che si esprime soprattutto nelle similitudini. Si va dalle tre immagini usate in Inferno V per le anime dei lussuriosi, storni, gru e colombe, e si arriva sino alle api cui sono paragonati gli angeli nell'Empireo (Paradiso XXXI), passando per decine di occorrenze nelle tre cantiche. Non bisogna pensare infatti che la similitudine animale svolga esclusivamente una funzione di degradazione bestiale dei dannati, in quanto tali immagini sono frequenti anche nel Purgatorio e perfino nel Pa-radiso. Del resto, la cultura medievale conosce una vasta letteratura naturalistica: nei bestiari e nelle enciclopedie si elencavano le caratteristiche, reali o immagi-narie, degli animali e se ne offriva poi un'interpretazione simbolica, morale e allegorica. Così, le similitudini animali dantesche non sono semplici qua-dretti naturalistici, come sostenuto a lungo dalla tradizione critica. In esse agiscono invece complesse e rivelatorie strategie di costruzione del significato, attraverso l'attivazione dei valori simbolici attribuiti agli animali nella cultura medievale e la ripresa dei riferimenti in diversi punti del poema. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38326165"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII"><img alt="Research paper thumbnail of Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII" class="work-thumbnail" src="https://attachments.academia-assets.com/58376733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38326165/Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII">Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/MarcelloCiccuto">Marcello Ciccuto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casad...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. <br />Il volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. <br />La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione <br />sui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. <br />I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento, <br />riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. <br />Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta. <br />Contributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce86d9502795434d640e61b7b8ba0008" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58376733,"asset_id":38326165,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58376733/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38326165"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38326165"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38326165; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38326165]").text(description); $(".js-view-count[data-work-id=38326165]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38326165; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38326165']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38326165, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce86d9502795434d640e61b7b8ba0008" } } $('.js-work-strip[data-work-id=38326165]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38326165,"title":"Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII","translated_title":"","metadata":{"abstract":"A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. \r\nIl volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche.\r\nLa «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione\r\nsui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano.\r\nI due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento,\r\nriduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante.\r\nSul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta. \r\nContributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia."},"translated_abstract":"A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. \r\nIl volume raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche.\r\nLa «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinar io passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altr i poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione\r\nsui sensi retorici del linguagg io poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano.\r\nI due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lir ica duecentesca. Volgarizzamento,\r\nriduzione, citazione e parodia sono tecniche magistralmente adoperate. 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src="https://attachments.academia-assets.com/55260867/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35400598/Vertical_Readings_in_Dantes_Comedy_Volume_2_Open_Book_Publishers_2016_">Vertical Readings in Dante's Comedy Volume 2 (Open Book Publishers, 2016)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="18eb43650709720ff1304e7f2323e628" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55260867,"asset_id":35400598,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55260867/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35400598"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span 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Ineffabilità, retorica e narrativa nella Commedia di Dante, Ravenna, Longo, 2002, pp.376.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8419576"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8419576"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8419576; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8419576]").text(description); $(".js-view-count[data-work-id=8419576]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8419576; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8419576']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8419576, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=8419576]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8419576,"title":"Giuseppe Ledda, La guerra della lingua. 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Atti del Convegno internazionale (Bologna-Ravenna, 12-13 novembre 2021), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023." class="work-thumbnail" src="https://attachments.academia-assets.com/107364209/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109157599/Lesperienza_di_Dante_Atti_del_Convegno_internazionale_Bologna_Ravenna_12_13_novembre_2021_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023">L'esperienza di Dante. Atti del Convegno internazionale (Bologna-Ravenna, 12-13 novembre 2021), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Testo integrale del volume L'esperienza di Dante. In occasione del settimo centenario della mort...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Testo integrale del volume L'esperienza di Dante.<br /><br />In occasione del settimo centenario della morte di Dante Alighieri, il decimo convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna, in collaborazione con l’ Officina San Francesco Bologna, è dedicato al tema, complesso e affascinante, dell’esperienza di Dante, nel duplice senso della esperienza di cui Dante è soggetto e della esperienza di lettura del suo poema. Le relazioni qui raccolte esplorano dunque le esperienze biografiche, esistenziali, culturali e spirituali di Dante, nonché la rappresentazione dei temi dell’esperienza nella sua poesia, ma anche diversi aspetti della ricezione delle sue opere nel corso dei secoli.<br /><br />Sommario<br />FRANCESCA GALLI, «E però puote anche la stella parere turbata» («Conv.» III IX 14). La percezione visiva fra teoria, vissuto e rappresentazione - CECILIA PANTI, «Di là dal modo che ’n terra si vede». Dante, la luce e l’esperienza del vedere, aldiquà e aldilà del cielo - JUAN VARELA-PORTAS DE ORDUÑA,  Didattica dell’“esperienzia piena” - FRANCESCO SANTI, L’esperienza mistica come esperienza tattile in Dante, , rileggendo il canto XXXIII del «Paradiso» - DAVIDE CAPPI, Dante e le cronache medievali:  esperienze di lettura e tracce di memoria collettiva -  PAOLO PELLEGRINI, Dante e Riccobaldo da Ferrara. Appunti di lettura (con una nota sulla recente storiografia - ENRICA ZANIN,  «Tu saprai, per esperienza, quanto quell’arte pesa»: Boccaccio e l’esperienza di Dante - RINO MODONUTTI, Appunti per Giovanni Conversini da Ravenna lettore di Dante - GAIA TOMAZZOLI, «Giugnere a veder com’io rividi»: esperienza, memoria e linguaggio figurato nella «Commedia» -  PAOLA URENI, Teoria e pratica della medicina in Dante, qualche esempio - ERMINIA ARDISSINO, «E terza e nona». Dante e l’esperienza del pregare -  GIUSEPPE LEDDA, «A cui esperïenza grazia serba»: l’esperienza del lettore nella «Commedia» - MATTHIAS BÜRGEL,  Il «Pater», il «Credo», l’«Ave Maria» e i «Sacramenti»: la «Commedia» e la formazione religiosa dei laici attraverso i «pastoralia» - KRISTINA LANDA, Sull’esperienza di lettura di Dante nella cultura russa del Primo Novecento - GIUSEPPE SANGIRARDI,  2021, Dante mondial-popolare?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a492784896b1f48ffa980923fb7b3b67" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107364209,"asset_id":109157599,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107364209/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109157599"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109157599"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109157599; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109157599]").text(description); $(".js-view-count[data-work-id=109157599]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109157599; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109157599']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109157599, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a492784896b1f48ffa980923fb7b3b67" } } $('.js-work-strip[data-work-id=109157599]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109157599,"title":"L'esperienza di Dante. Atti del Convegno internazionale (Bologna-Ravenna, 12-13 novembre 2021), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023.","translated_title":"","metadata":{"abstract":"Testo integrale del volume L'esperienza di Dante.\n\nIn occasione del settimo centenario della morte di Dante Alighieri, il decimo convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna, in collaborazione con l’ Officina San Francesco Bologna, è dedicato al tema, complesso e affascinante, dell’esperienza di Dante, nel duplice senso della esperienza di cui Dante è soggetto e della esperienza di lettura del suo poema. Le relazioni qui raccolte esplorano dunque le esperienze biografiche, esistenziali, culturali e spirituali di Dante, nonché la rappresentazione dei temi dell’esperienza nella sua poesia, ma anche diversi aspetti della ricezione delle sue opere nel corso dei secoli.\n\nSommario\nFRANCESCA GALLI, «E però puote anche la stella parere turbata» («Conv.» III IX 14). La percezione visiva fra teoria, vissuto e rappresentazione - CECILIA PANTI, «Di là dal modo che ’n terra si vede». Dante, la luce e l’esperienza del vedere, aldiquà e aldilà del cielo - JUAN VARELA-PORTAS DE ORDUÑA, Didattica dell’“esperienzia piena” - FRANCESCO SANTI, L’esperienza mistica come esperienza tattile in Dante, , rileggendo il canto XXXIII del «Paradiso» - DAVIDE CAPPI, Dante e le cronache medievali: esperienze di lettura e tracce di memoria collettiva - PAOLO PELLEGRINI, Dante e Riccobaldo da Ferrara. Appunti di lettura (con una nota sulla recente storiografia - ENRICA ZANIN, «Tu saprai, per esperienza, quanto quell’arte pesa»: Boccaccio e l’esperienza di Dante - RINO MODONUTTI, Appunti per Giovanni Conversini da Ravenna lettore di Dante - GAIA TOMAZZOLI, «Giugnere a veder com’io rividi»: esperienza, memoria e linguaggio figurato nella «Commedia» - PAOLA URENI, Teoria e pratica della medicina in Dante, qualche esempio - ERMINIA ARDISSINO, «E terza e nona». Dante e l’esperienza del pregare - GIUSEPPE LEDDA, «A cui esperïenza grazia serba»: l’esperienza del lettore nella «Commedia» - MATTHIAS BÜRGEL, Il «Pater», il «Credo», l’«Ave Maria» e i «Sacramenti»: la «Commedia» e la formazione religiosa dei laici attraverso i «pastoralia» - KRISTINA LANDA, Sull’esperienza di lettura di Dante nella cultura russa del Primo Novecento - GIUSEPPE SANGIRARDI, 2021, Dante mondial-popolare?\n"},"translated_abstract":"Testo integrale del volume L'esperienza di Dante.\n\nIn occasione del settimo centenario della morte di Dante Alighieri, il decimo convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna, in collaborazione con l’ Officina San Francesco Bologna, è dedicato al tema, complesso e affascinante, dell’esperienza di Dante, nel duplice senso della esperienza di cui Dante è soggetto e della esperienza di lettura del suo poema. Le relazioni qui raccolte esplorano dunque le esperienze biografiche, esistenziali, culturali e spirituali di Dante, nonché la rappresentazione dei temi dell’esperienza nella sua poesia, ma anche diversi aspetti della ricezione delle sue opere nel corso dei secoli.\n\nSommario\nFRANCESCA GALLI, «E però puote anche la stella parere turbata» («Conv.» III IX 14). La percezione visiva fra teoria, vissuto e rappresentazione - CECILIA PANTI, «Di là dal modo che ’n terra si vede». Dante, la luce e l’esperienza del vedere, aldiquà e aldilà del cielo - JUAN VARELA-PORTAS DE ORDUÑA, Didattica dell’“esperienzia piena” - FRANCESCO SANTI, L’esperienza mistica come esperienza tattile in Dante, , rileggendo il canto XXXIII del «Paradiso» - DAVIDE CAPPI, Dante e le cronache medievali: esperienze di lettura e tracce di memoria collettiva - PAOLO PELLEGRINI, Dante e Riccobaldo da Ferrara. Appunti di lettura (con una nota sulla recente storiografia - ENRICA ZANIN, «Tu saprai, per esperienza, quanto quell’arte pesa»: Boccaccio e l’esperienza di Dante - RINO MODONUTTI, Appunti per Giovanni Conversini da Ravenna lettore di Dante - GAIA TOMAZZOLI, «Giugnere a veder com’io rividi»: esperienza, memoria e linguaggio figurato nella «Commedia» - PAOLA URENI, Teoria e pratica della medicina in Dante, qualche esempio - ERMINIA ARDISSINO, «E terza e nona». Dante e l’esperienza del pregare - GIUSEPPE LEDDA, «A cui esperïenza grazia serba»: l’esperienza del lettore nella «Commedia» - MATTHIAS BÜRGEL, Il «Pater», il «Credo», l’«Ave Maria» e i «Sacramenti»: la «Commedia» e la formazione religiosa dei laici attraverso i «pastoralia» - KRISTINA LANDA, Sull’esperienza di lettura di Dante nella cultura russa del Primo Novecento - GIUSEPPE SANGIRARDI, 2021, Dante mondial-popolare?\n","internal_url":"https://www.academia.edu/109157599/Lesperienza_di_Dante_Atti_del_Convegno_internazionale_Bologna_Ravenna_12_13_novembre_2021_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023","translated_internal_url":"","created_at":"2023-11-14T04:19:49.477-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":17052345,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":107364209,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107364209/thumbnails/1.jpg","file_name":"Volume_Atti_2021_L_esperienza_di_Dante.pdf","download_url":"https://www.academia.edu/attachments/107364209/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lesperienza_di_Dante_Atti_del_Convegno_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107364209/Volume_Atti_2021_L_esperienza_di_Dante-libre.pdf?1699966061=\u0026response-content-disposition=attachment%3B+filename%3DLesperienza_di_Dante_Atti_del_Convegno_i.pdf\u0026Expires=1732792633\u0026Signature=Z7kNBBmJ0rSELKPEPtg7fyiv0r-La8UazMVIqguGKgXYUfdYI7OFD9~623EQ1HOciMYgqkABC03zZCY4vCYw5wKda~wLAFVn1rgqek094QwAuZJBh~7orEzjhu46PzGIZfOrU8s~KeX6QWk9RBUidQgXNCT~Wu5Sr~EHf7HwuAv3i7Vee7TWpw~6gKFo3H45H-IUMLt00CJldx26NfeUBHRhAsRIAdqGaT9dn9uKX~X-nUlJ2p3e07qnGSAEX8DdAOdraCqwjFticUo~O4VqlQ3G3l8Qcs418bO27M3z5ookaGQGgqZwCLxhwm7UXiCeIvTG5KkErWAbolOdjguVBw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Lesperienza_di_Dante_Atti_del_Convegno_internazionale_Bologna_Ravenna_12_13_novembre_2021_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023","translated_slug":"","page_count":352,"language":"it","content_type":"Work","owner":{"id":17052345,"first_name":"Giuseppe","middle_initials":null,"last_name":"Ledda","page_name":"GiuseppeLedda","domain_name":"unibo","created_at":"2014-09-21T02:02:50.208-07:00","display_name":"Giuseppe Ledda","url":"https://unibo.academia.edu/GiuseppeLedda"},"attachments":[{"id":107364209,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107364209/thumbnails/1.jpg","file_name":"Volume_Atti_2021_L_esperienza_di_Dante.pdf","download_url":"https://www.academia.edu/attachments/107364209/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lesperienza_di_Dante_Atti_del_Convegno_i.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107364209/Volume_Atti_2021_L_esperienza_di_Dante-libre.pdf?1699966061=\u0026response-content-disposition=attachment%3B+filename%3DLesperienza_di_Dante_Atti_del_Convegno_i.pdf\u0026Expires=1732792633\u0026Signature=Z7kNBBmJ0rSELKPEPtg7fyiv0r-La8UazMVIqguGKgXYUfdYI7OFD9~623EQ1HOciMYgqkABC03zZCY4vCYw5wKda~wLAFVn1rgqek094QwAuZJBh~7orEzjhu46PzGIZfOrU8s~KeX6QWk9RBUidQgXNCT~Wu5Sr~EHf7HwuAv3i7Vee7TWpw~6gKFo3H45H-IUMLt00CJldx26NfeUBHRhAsRIAdqGaT9dn9uKX~X-nUlJ2p3e07qnGSAEX8DdAOdraCqwjFticUo~O4VqlQ3G3l8Qcs418bO27M3z5ookaGQGgqZwCLxhwm7UXiCeIvTG5KkErWAbolOdjguVBw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature"},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies"},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca"},{"id":216151,"name":"Italian Medieval and Renaissance Theatre and Spectacle","url":"https://www.academia.edu/Documents/in/Italian_Medieval_and_Renaissance_Theatre_and_Spectacle"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":433716,"name":"Letteratura italiana medievale","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_medievale"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="96272995"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96272995/Dante_e_le_enciclopedie_medievali_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2019_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023"><img alt="Research paper thumbnail of Dante e le enciclopedie medievali. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2019), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023" class="work-thumbnail" src="https://attachments.academia-assets.com/98218097/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96272995/Dante_e_le_enciclopedie_medievali_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2019_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2023">Dante e le enciclopedie medievali. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2019), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2023</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il nono convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il nono convegno internazionale organizzato dalla Sezione Studi e ricerche “Anna Maria Chiavacci Leonardi” del Centro Dantesco di Ravenna indaga e discute i rapporti fra l’opera di Dante e l’enciclopedismo medievale, un aspetto rilevante e pervasivo della cultura del suo tempo, che si rivela vitale anche per il poeta fiorentino. Nelle relazioni qui raccolte tali rapporti sono indagati da molteplici punti di vista, coinvolgendo non solo la Commedia ma anche le altre opere di Dante. <br />Il file contiene il volume degli atti nella sua integralità, con i seguenti contributi:<br /><br />FRANZISKA MEIER, La svolta antropologica nell’enciclopedismo medievale: il caso di Restoro d’Arezzo, «La composizione del mondo» - SIMON GILSON, Qualche considerazione su Dante, l’enciclopedismo medievale e Servasanto da Faenza - FRANCESCO SANTI, Dante agiografo e l’enciclopedismo del XIII secolo - RICCARDO MACCHIORO, Sul contributo della lessicografia medievale al latino di Dante. Appunti di metodo e prospettive di ricerca - HEATHER WEBB, Dante e l’arte enciclopedica - NATASCIA TONELLI, L’«infertà rea» e l’autoritratto intellettuale di Dante - Anna Chisena, Le fonti enciclopiche dell’astronomia dantesca - GIUSEPPE LEDDA, Enciclopedie medievali e bestiario dantesco</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce7ffe91c8e0dcaf71b9a57ee6d2a72d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98218097,"asset_id":96272995,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98218097/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96272995"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96272995"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96272995; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96272995]").text(description); $(".js-view-count[data-work-id=96272995]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96272995; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='96272995']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 96272995, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce7ffe91c8e0dcaf71b9a57ee6d2a72d" } } $('.js-work-strip[data-work-id=96272995]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":96272995,"title":"Dante e le enciclopedie medievali. 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Atti del Convegno Internazionale di Studi (Ravenna, 11 novembre 2017), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2019." class="work-thumbnail" src="https://attachments.academia-assets.com/62104400/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41979581/Poesia_e_profezia_nellopera_di_Dante_Atti_del_Convegno_Internazionale_di_Studi_Ravenna_11_novembre_2017_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2019">Poesia e profezia nell'opera di Dante. Atti del Convegno Internazionale di Studi (Ravenna, 11 novembre 2017), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2019.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Si rende disponibile in forma integrale il volume degli atti dell'ottavo convegno della Sezione S...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Si rende disponibile in forma integrale il volume degli atti dell'ottavo convegno della Sezione Studi e Ricerche del Centro Dantesco di Ravenna, dedicato a un tema problematico quanto cruciale per la comprensione delle opere di Dante: la loro dimensione profetica.<br />Interventi di Sergio Cristaldi, Anna Rodolfi, Heather Webb, Francesco Santi, Paola Nasti, Luca Azzetta, Nicolò Maldina, Giuseppe Ledda.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2886e3fc0cb9d0fbff180e7489ab3a82" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62104400,"asset_id":41979581,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62104400/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41979581"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41979581"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41979581; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41979581]").text(description); $(".js-view-count[data-work-id=41979581]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41979581; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41979581']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41979581, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2886e3fc0cb9d0fbff180e7489ab3a82" } } $('.js-work-strip[data-work-id=41979581]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41979581,"title":"Poesia e profezia nell'opera di Dante. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38726541"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38726541/Dante_poeta_cristiano_e_la_cultura_religiosa_medievale_In_ricordo_di_Anna_Maria_Chiavacci_Leonardi_Atti_del_Convegno_internazionale_di_Studi_Ravenna_26_novembre_2015_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2018"><img alt="Research paper thumbnail of Dante poeta cristiano e la cultura religiosa medievale. In ricordo di Anna Maria Chiavacci Leonardi. Atti del Convegno internazionale di Studi (Ravenna, 26 novembre 2015), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/58811844/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38726541/Dante_poeta_cristiano_e_la_cultura_religiosa_medievale_In_ricordo_di_Anna_Maria_Chiavacci_Leonardi_Atti_del_Convegno_internazionale_di_Studi_Ravenna_26_novembre_2015_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2018">Dante poeta cristiano e la cultura religiosa medievale. In ricordo di Anna Maria Chiavacci Leonardi. Atti del Convegno internazionale di Studi (Ravenna, 26 novembre 2015), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2018</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://northwestern.academia.edu/PNasti">Paola Nasti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/ElisaBrilli">Elisa Brilli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al r...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al ricordo di Anna Maria Chiavacci Leonardi, fondatrice e presidente della Sezione stessa nonché promotrice dei convegni internazionali. Anche il titolo, “Dante poeta cristiano” vuol essere un omaggio al suo lavoro e all’impostazione dei suoi studi che ha ispirato e che ispira l’attività della Sezione.<br />Gli interventi presentati nel corso del convegno e ora raccolti in questo volume esplorano alcuni aspetti cruciali della cultura religiosa medievale e la loro presenza nella Commedia e in altre opere dantesche.<br /><br />FRANCESCO SANTI, Il contributo agli studi danteschi di Anna Maria Chiavacci Leonardi (Camerino 22 settembre 1927 - Firenze, 7 aprile 2014) - PAOLA NASTI,  Le stimmate d’amore del poverello d’Assisi: riscritture dantesche di un topos medievale - <br />ANNA PEGORETTI, «Civitas diaboli». Forme e fugure della religiosità laica nella Firenze di Dante - STEFANO PRANDI, «Ad intuitum supercelestium formarum»: Alain de Lille e la Commedia - THEODORE CACHEY, La verità (e l’imbarazzo) della Questio - ELISA BRILLI, Profeti, veri e falsi, e “quasi profeti”. Il profetismo (non solo dantesco) secondo Giovanni Villani - NICOLÒ MALDINA, Dante cortigiano e la retorica della verità - GIUSEPPE LEDDA, Poesia e agiografia nella Commedia - ZYGMUNT G. BARAŃSKI, Teologia degli affetti e della beatitudine nel Paradiso</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f011728deaad50241be43652ac4b8ee0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58811844,"asset_id":38726541,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58811844/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38726541"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38726541"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38726541; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38726541]").text(description); $(".js-view-count[data-work-id=38726541]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38726541; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38726541']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38726541, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f011728deaad50241be43652ac4b8ee0" } } $('.js-work-strip[data-work-id=38726541]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38726541,"title":"Dante poeta cristiano e la cultura religiosa medievale. In ricordo di Anna Maria Chiavacci Leonardi. Atti del Convegno internazionale di Studi (Ravenna, 26 novembre 2015), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2018","translated_title":"","metadata":{"abstract":"Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al ricordo di Anna Maria Chiavacci Leonardi, fondatrice e presidente della Sezione stessa nonché promotrice dei convegni internazionali. Anche il titolo, “Dante poeta cristiano” vuol essere un omaggio al suo lavoro e all’impostazione dei suoi studi che ha ispirato e che ispira l’attività della Sezione.\nGli interventi presentati nel corso del convegno e ora raccolti in questo volume esplorano alcuni aspetti cruciali della cultura religiosa medievale e la loro presenza nella Commedia e in altre opere dantesche.\n\nFRANCESCO SANTI, Il contributo agli studi danteschi di Anna Maria Chiavacci Leonardi (Camerino 22 settembre 1927 - Firenze, 7 aprile 2014) - PAOLA NASTI, Le stimmate d’amore del poverello d’Assisi: riscritture dantesche di un topos medievale - \nANNA PEGORETTI, «Civitas diaboli». Forme e fugure della religiosità laica nella Firenze di Dante - STEFANO PRANDI, «Ad intuitum supercelestium formarum»: Alain de Lille e la Commedia - THEODORE CACHEY, La verità (e l’imbarazzo) della Questio - ELISA BRILLI, Profeti, veri e falsi, e “quasi profeti”. Il profetismo (non solo dantesco) secondo Giovanni Villani - NICOLÒ MALDINA, Dante cortigiano e la retorica della verità - GIUSEPPE LEDDA, Poesia e agiografia nella Commedia - ZYGMUNT G. BARAŃSKI, Teologia degli affetti e della beatitudine nel Paradiso\n\n"},"translated_abstract":"Il settimo convegno della Sezione Studi e ricerche del Centro Dantesco di Ravenna è dedicato al ricordo di Anna Maria Chiavacci Leonardi, fondatrice e presidente della Sezione stessa nonché promotrice dei convegni internazionali. Anche il titolo, “Dante poeta cristiano” vuol essere un omaggio al suo lavoro e all’impostazione dei suoi studi che ha ispirato e che ispira l’attività della Sezione.\nGli interventi presentati nel corso del convegno e ora raccolti in questo volume esplorano alcuni aspetti cruciali della cultura religiosa medievale e la loro presenza nella Commedia e in altre opere dantesche.\n\nFRANCESCO SANTI, Il contributo agli studi danteschi di Anna Maria Chiavacci Leonardi (Camerino 22 settembre 1927 - Firenze, 7 aprile 2014) - PAOLA NASTI, Le stimmate d’amore del poverello d’Assisi: riscritture dantesche di un topos medievale - \nANNA PEGORETTI, «Civitas diaboli». Forme e fugure della religiosità laica nella Firenze di Dante - STEFANO PRANDI, «Ad intuitum supercelestium formarum»: Alain de Lille e la Commedia - THEODORE CACHEY, La verità (e l’imbarazzo) della Questio - ELISA BRILLI, Profeti, veri e falsi, e “quasi profeti”. Il profetismo (non solo dantesco) secondo Giovanni Villani - NICOLÒ MALDINA, Dante cortigiano e la retorica della verità - GIUSEPPE LEDDA, Poesia e agiografia nella Commedia - ZYGMUNT G. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37356247"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017"><img alt="Research paper thumbnail of Sergio Atzeni e le voci della Sardegna, a cura di Giuseppe Ledda e Gigliola Sulis, Bologna, Bononia University Press, 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/57317006/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017">Sergio Atzeni e le voci della Sardegna, a cura di Giuseppe Ledda e Gigliola Sulis, Bologna, Bononia University Press, 2017</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://leeds.academia.edu/GigliolaSulis">Gigliola Sulis</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sono passati oltre vent’anni anni dalla scomparsa dello scrittore Sergio Atzeni (1952-1995), ma l...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Sono passati oltre vent’anni anni dalla scomparsa dello scrittore Sergio Atzeni (1952-1995), ma la sua opera, radicata profondamente nella tradizione sarda e insieme aperta all’innovazione e al dialogo con la cultura contemporanea internazionale, continua ad avere una fortissima presenza in Sardegna e a suscitare un ampio interesse in Italia e all’estero. <br />Questo volume, composto di quindici capitoli firmati da scrittori e da studiosi attivi in università italiane e straniere, indaga molti aspetti della scrittura di Atzeni: le relazioni con la letteratura e la politica sarda, con la tradizione letteraria italiana e con fenomeni culturali internazionali; il ricorso alle tecniche allegoriche e la riflessione sui rapporti fra storia e narrativa; i dialoghi con la musica e con il cinema; i caratteri tematici, strutturali e stilistici delle sue opere.<br />Emerge così il profilo multiforme di uno scrittore che ha anticipato fenomeni pienamente affermatisi dopo la sua scomparsa, sia nell’ambito della letteratura italiana, come l’attenzione per la “realtà” o il ricorso al romanzo storico, sia in una dimensione più ampia, come la prospettiva postcoloniale o la riflessione sulle identità nazionali sotto il profilo linguistico, culturale e politico. <br /><br />Contributi di Marcello Fois, Paola Soriga, Duilio Caocci, Paolo Maninchedda, Mauro Pala, Giuseppe Marci, Roberto Puggioni, Giulio Iacoli, Filippo Milani, Myriam Mereu, Birgit Wagner, Gigliola Sulis, Aldo Maria Morace, Ilaria Puggioni, Giuseppe Ledda.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9c0fd62ea103e0ad0bb20d813b5e5f04" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57317006,"asset_id":37356247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57317006/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37356247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37356247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37356247; 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Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2013), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2015, pp. 312" class="work-thumbnail" src="https://attachments.academia-assets.com/40823374/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19554740/Le_teologie_di_Dante_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2013_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2015_pp_312">Le teologie di Dante. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2013), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2015, pp. 312</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il sesto convegno promosso dalla Sezione Studi e ricerche del Centro Dantesco di Ravenna indaga s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il sesto convegno promosso dalla Sezione Studi e ricerche del Centro Dantesco di Ravenna indaga sotto diversi aspetti la teologia nell’opera di Dante: una presenza molteplice, complessa, di straordinaria rilevanza e pervasività. Sono studiati nella poesia dantesca alcuni temi strettamente teologici, come la mistica, la teologia della luce, i rapporti con la scolastica, la preghiera, il dialogo con la Bibbia, l’ineffabilità del divino. Ma anche i temi della morale, della politica, della riflessione sulla società rivelano in Dante una dimensione profondamente teologica.<br />Il volume raccoglie interventi di Giuseppe Mazzotta, Marco Ariani, Claire E. Honess, Francesco Santi, Simon A. Gilson, Mira Mocan, Christian Moevs, Susanna Barsella, Nicolò Maldina, Beatrice Priest, Giuseppe Ledda.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="50494221986be4d3cc42ceea04bbf745" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40823374,"asset_id":19554740,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40823374/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19554740"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19554740"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19554740; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19554740]").text(description); $(".js-view-count[data-work-id=19554740]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19554740; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19554740']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19554740, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "50494221986be4d3cc42ceea04bbf745" } } $('.js-work-strip[data-work-id=19554740]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19554740,"title":"Le teologie di Dante. 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Seminario dantesco 2013, a cura di Giuseppe Ledda e Filippo Zanini, Bologna, Alma Mater Studiorum, Università di Bologna, Dipartimento di Filologia classica e Italianistica - Edizioni Aspasia, 2015.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume raccoglie gli atti della prima edizione di AlmaDante - Seminario dantesco internazional...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume raccoglie gli atti della prima edizione di AlmaDante - Seminario dantesco internazionale per dottorandi, tenutasi all'Univesità di Bologna nel maggio 2013. <br />Premessa di Giuseppe Ledda; interventi di Elisa Maraldi, Maria Rita Traina, Silvia Tranfaglia, Leyla M.G. Livraghi, Andrea Manzi, Vera Ribaudo, Giuliana Ortu, Elena Gurioli, Anna Gabriella Chisena, Annarita Placella, David Bowe, Beatrice Priest, Luigi Martelli, Fabrizio Crasta, Filippo Zanini. <br />È il volume n. 7 della collana "Petali", diretta da Federica Rossi. <br />Si offre qui il testo integrale del volume.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d0b5967f60a40ce56db4a6d0ee9f2966" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38209873,"asset_id":14124283,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38209873/download_file?st=MTczMjgxMTQ4OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="14124283"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="14124283"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 14124283; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=14124283]").text(description); $(".js-view-count[data-work-id=14124283]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 14124283; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='14124283']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 14124283, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d0b5967f60a40ce56db4a6d0ee9f2966" } } $('.js-work-strip[data-work-id=14124283]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":14124283,"title":"AlmaDante. 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Atti del Convegno internazionale di Studi (Ravenna, 12 novembre 2011), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2013, pp. 240" class="work-thumbnail" src="https://attachments.academia-assets.com/34853107/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8419645/Preghiera_e_liturgia_nella_Commedia_Atti_del_Convegno_internazionale_di_Studi_Ravenna_12_novembre_2011_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2013_pp_240">Preghiera e liturgia nella «Commedia». 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Truth, Autobiography and the Poetry of Salvation</a></div><div class="wp-workCard_item"><span>Vertical Readings in Dante's Comedy: Volume 2</span><span>, 2016</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="64fb05060ac4486270ec91cae981977a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91266728,"asset_id":86919684,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91266728/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86919684"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86919684"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86919684; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86919684]").text(description); $(".js-view-count[data-work-id=86919684]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86919684; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86919684']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86919684, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "64fb05060ac4486270ec91cae981977a" } } $('.js-work-strip[data-work-id=86919684]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86919684,"title":"22. 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pensieri e ricordi" class="work-thumbnail" src="https://attachments.academia-assets.com/72953606/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/58642327/Una_giornata_per_Emilio_Pasquini_scritti_pensieri_e_ricordi">Una giornata per Emilio Pasquini scritti, pensieri e ricordi</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ArmandoAntonelli">Armando Antonelli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/LauraPasquini">Laura Pasquini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mercoledì 3 novembre 2021 - ore 16.00 Accademia delle Scienze dell’Istituto di Bologna - Sala Uli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mercoledì 3 novembre 2021 - ore 16.00<br />Accademia delle Scienze dell’Istituto di Bologna - Sala Ulisse<br /><br />Coordina Gino Ruozzi<br /><br />Saluti Walter Tega – Presidente dell'Accademia delle Scienze dell'Istituto di Bologna e Vittorio Roda<br /><br />Interventi<br />La Commedia di Scripta Maneant – Giuseppe Ledda<br />Botta e risposta di Massimo Campieri ed Emilio Pasquini – Angelo Mangini<br />Intellettuale ironico, sobrio e passionale - Elio Garzillo<br />Il Bollettino dantesco – Alfredo Cottignoli<br />Dante, Bologna e lo «Studium» (Pozzi Editore) - Armando Antonelli<br />L’ultima edizione della Commedia Garzanti – Fabio Marri<br /><br />Pensieri e ricordi di allievi e amici Bruno Bentivogli, Andrea Campana, Alessandra Curti, Sebastiana Nobili, Daniela Shalom Vagata, Paola Vecchi, Marco Veglia e di tutti coloro che vorranno intervenire<br /><br />Collegamento Zoom al link:<br /><a href="https://us06web.zoom.us/j/89792212480?pwd=N1NmeUFNQXoxTzFkUUpOZUhVZGgwUT09" rel="nofollow">https://us06web.zoom.us/j/89792212480?pwd=N1NmeUFNQXoxTzFkUUpOZUhVZGgwUT09</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0e908f238971ba26269246e4b4c4410c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":72953606,"asset_id":58642327,"asset_type":"Work","button_location":"profile"}" 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dell'Istituto di Bologna e Vittorio Roda\n\nInterventi\nLa Commedia di Scripta Maneant – Giuseppe Ledda\nBotta e risposta di Massimo Campieri ed Emilio Pasquini – Angelo Mangini\nIntellettuale ironico, sobrio e passionale - Elio Garzillo\nIl Bollettino dantesco – Alfredo Cottignoli\nDante, Bologna e lo «Studium» (Pozzi Editore) - Armando Antonelli\nL’ultima edizione della Commedia Garzanti – Fabio Marri\n\nPensieri e ricordi di allievi e amici Bruno Bentivogli, Andrea Campana, Alessandra Curti, Sebastiana Nobili, Daniela Shalom Vagata, Paola Vecchi, Marco Veglia e di tutti coloro che vorranno intervenire\n\nCollegamento Zoom al link:\nhttps://us06web.zoom.us/j/89792212480?pwd=N1NmeUFNQXoxTzFkUUpOZUhVZGgwUT09"},"translated_abstract":"Mercoledì 3 novembre 2021 - ore 16.00\nAccademia delle Scienze dell’Istituto di Bologna - Sala Ulisse\n\nCoordina Gino Ruozzi\n\nSaluti Walter Tega – Presidente dell'Accademia delle Scienze dell'Istituto di Bologna e Vittorio Roda\n\nInterventi\nLa Commedia 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Battistini, Bologna, Il Mulino, 2016, pp. 117-123." class="work-thumbnail" src="https://attachments.academia-assets.com/62430239/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42277513/Osservazioni_sul_contributo_di_Ezio_Raimondi_agli_studi_danteschi_bilanci_e_prospettive_in_Ezio_Raimondi_lettore_inquieto_a_cura_di_A_Battistini_Bologna_Il_Mulino_2016_pp_117_123">Osservazioni sul contributo di Ezio Raimondi agli studi danteschi: bilanci e prospettive, in Ezio Raimondi lettore inquieto, a cura di A. Battistini, Bologna, Il Mulino, 2016, pp. 117-123.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'attenzione critica di Ezio Raimondi per Dante è durata tutta la vita e anche gli interventi in ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'attenzione critica di Ezio Raimondi per Dante è durata tutta la vita e anche gli interventi in cui ne ha presentato i risultati sono distribuiti per un lunghissimo lasso di tempo, dai primi anni Sessanta agli anni Duemila. Essa si è esercitata in tutte le forme critiche, dalle lecturae di canti ad analisi di singole immagini, da ricostruzioni di percorsi tematici a esplorazioni di rap-porti intertestuali, da saggi esclusivamente dedicati a Dante a indagini più ampio raggio sulla tradizione letteraria.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fa0dff8ac0dfb288bbee1a6f8d4ff6d9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62430239,"asset_id":42277513,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62430239/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42277513"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42277513"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42277513; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42277513]").text(description); $(".js-view-count[data-work-id=42277513]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42277513; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42277513']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42277513, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fa0dff8ac0dfb288bbee1a6f8d4ff6d9" } } $('.js-work-strip[data-work-id=42277513]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42277513,"title":"Osservazioni sul contributo di Ezio Raimondi agli studi danteschi: bilanci e prospettive, in Ezio Raimondi lettore inquieto, a cura di A. 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Valerio, A. Cotugno e R. Palmieri, Foggia, Edizioni del Rosone, 2016, pp. 105-121." class="work-thumbnail" src="https://attachments.academia-assets.com/62430148/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42277409/La_cultura_religiosa_medievale_negli_studi_danteschi_di_Nicola_Zingarelli_in_Nicola_Zingarelli_e_gli_studi_danteschi_a_cura_di_S_Valerio_A_Cotugno_e_R_Palmieri_Foggia_Edizioni_del_Rosone_2016_pp_105_121">La cultura religiosa medievale negli studi danteschi di Nicola Zingarelli, in Nicola Zingarelli e gli studi danteschi, a cura di S. Valerio, A. Cotugno e R. Palmieri, Foggia, Edizioni del Rosone, 2016, pp. 105-121.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Negli ultimi decenni del secolo scorso dominava gli studi danteschi un paradigma critico che sald...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Negli ultimi decenni del secolo scorso dominava gli studi danteschi un paradigma critico che saldava alcuni aspetti della lezione di Auerbach a quella di Contini. Perciò le parole d'ordine erano da una parte il realismo, dall'altra il pluristilismo e lo sperimentalismo. La dimensione religiosa veniva regolarmente negata. Io mi sono invece trovato, in parte per la lezione del mio maestro Ezio Raimondi, in parte per le suggestioni degli studi danteschi americani, a sviluppare una lettura della Commedia sempre più attenta alla ripresa di modelli biblici e religiosi. Partecipare a questo convegno su Nicola Zingarelli mi dà la possibilità di verificare la posizione di un grande e influente maestro degli studi danteschi prima che si imponesse, nel dopoguerra, il paradigma che ho approssimativamente ricordato. In particolare il mio intento è quello di verificare, attraverso la lettura della monumentale opera di Zingarelli, La vita, i tempi e le opere di Dante, l'atteggiamento di uno studioso di questo livello nei confronti della cultura religiosa medievale e le modalità in cui vi fa riferimento nella sua interpretazione di Dante.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="43d72884e662e002da4693918ee22b4f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62430148,"asset_id":42277409,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62430148/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42277409"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42277409"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42277409; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42277409]").text(description); $(".js-view-count[data-work-id=42277409]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42277409; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42277409']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42277409, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "43d72884e662e002da4693918ee22b4f" } } $('.js-work-strip[data-work-id=42277409]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42277409,"title":"La cultura religiosa medievale negli studi danteschi di Nicola Zingarelli, in Nicola Zingarelli e gli studi danteschi, a cura di S. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="27940735"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/27940735/Agiografia_e_autoagiografia_nel_Paradiso_in_Atti_dell_Accademia_di_Scienze_Arti_e_Lettere_di_Modena_Memorie_Scientifiche_Giuridiche_Letterarie_Serie_VIII_vol_XVIII_2015_fasc_I_pp_309_333"><img alt="Research paper thumbnail of Agiografia e autoagiografia nel «Paradiso», in «Atti dell’Accademia di Scienze Arti e Lettere di Modena. Memorie Scientifiche, Giuridiche, Letterarie», Serie VIII, vol. XVIII (2015), fasc. I., pp. 309-333" class="work-thumbnail" src="https://attachments.academia-assets.com/48234073/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/27940735/Agiografia_e_autoagiografia_nel_Paradiso_in_Atti_dell_Accademia_di_Scienze_Arti_e_Lettere_di_Modena_Memorie_Scientifiche_Giuridiche_Letterarie_Serie_VIII_vol_XVIII_2015_fasc_I_pp_309_333">Agiografia e autoagiografia nel «Paradiso», in «Atti dell’Accademia di Scienze Arti e Lettere di Modena. Memorie Scientifiche, Giuridiche, Letterarie», Serie VIII, vol. XVIII (2015), fasc. I., pp. 309-333</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the multiple and encyclopaedic poem of the Commedia, all literary genres are present. Together...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the multiple and encyclopaedic poem of the Commedia, all literary genres are present. Together with a series of other models, hagiography is also used; it acquires a brand new space in the cantos of the Heaven of the Sun, with the hagiographic diptych consecrated to the founding saints of the mendicant orders, Francis and Dominic. On the other hand, in the Heaven of Saturn, Dante meets the contemplating spirits, namely a new couple of saints, Pier Damiani and Benedict of Norcia, who corresponds to the previous diptych. The structural importance of this double hagiographic sequence invites us to look for other traces of hagiographic interventions in the poem, but also to explore the presence of other hagiographic models in the most " autobiographical " cantos of the Paradiso: the XVII.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bec97a4576f01692e70816e207787227" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48234073,"asset_id":27940735,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48234073/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="27940735"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="27940735"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27940735; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27940735]").text(description); $(".js-view-count[data-work-id=27940735]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27940735; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='27940735']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 27940735, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bec97a4576f01692e70816e207787227" } } $('.js-work-strip[data-work-id=27940735]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":27940735,"title":"Agiografia e autoagiografia nel «Paradiso», in «Atti dell’Accademia di Scienze Arti e Lettere di Modena. 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Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2013), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2015, pp. 261-292." class="work-thumbnail" src="https://attachments.academia-assets.com/40694365/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19554678/Teologia_e_retorica_dell_ineffabilit%C3%A0_nella_Commedia_in_Le_teologie_di_Dante_Atti_del_Convegno_internazionale_di_Studi_Ravenna_9_novembre_2013_a_cura_di_Giuseppe_Ledda_Ravenna_Centro_Dantesco_dei_Frati_Minori_Conventuali_2015_pp_261_292">Teologia e retorica dell’ineffabilità nella «Commedia», in Le teologie di Dante. Atti del Convegno internazionale di Studi (Ravenna, 9 novembre 2013), a cura di Giuseppe Ledda, Ravenna, Centro Dantesco dei Frati Minori Conventuali, 2015, pp. 261-292.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="58a9513970df084f274bd20bf762e33f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40694365,"asset_id":19554678,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40694365/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19554678"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19554678"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19554678; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19554678]").text(description); $(".js-view-count[data-work-id=19554678]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19554678; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19554678']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19554678, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "58a9513970df084f274bd20bf762e33f" } } $('.js-work-strip[data-work-id=19554678]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19554678,"title":"Teologia e retorica dell’ineffabilità nella «Commedia», in Le teologie di Dante. 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href="https://www.academia.edu/19554627/Un_bestiario_politico_nelle_Epistole_di_Dante_in_Italianistica_XLIV_2_2015_pp_161_179"><img alt="Research paper thumbnail of Un bestiario politico nelle «Epistole» di Dante, in «Italianistica», XLIV / 2 (2015), pp. 161-179." class="work-thumbnail" src="https://attachments.academia-assets.com/62364063/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19554627/Un_bestiario_politico_nelle_Epistole_di_Dante_in_Italianistica_XLIV_2_2015_pp_161_179">Un bestiario politico nelle «Epistole» di Dante, in «Italianistica», XLIV / 2 (2015), pp. 161-179.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gli studi recenti sulle immagini animali nella Commedia hanno messo in luce come il poeta attivi ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gli studi recenti sulle immagini animali nella Commedia hanno messo in luce come il poeta attivi nella memoria del lettore i valori simbolici attribuiti agli animali dalla tradizione medievale o sfrutti in modi nuovi tali meccanismi di allegorizzazione. <br />Anche alcune delle Epistole dantesche (5, 6, 7, 11) sono ricche di riferimenti agli animali: questo articolo si propone di studiarli in modo sistematico, tenendo presenti le tradizioni bibliche, classiche e medievali relative.<br />Si passano così in rassegna le immagini di regalità riferite all’imperatore Arrigo nelle Epistole 5 e 6, il leone e l’aquila, quest’ultima anche in relazione ai pulcini di corvo. L’Epistola 7 presenta un terribile bestiario di Firenze, con l’idra, la vipera, la volpe, la pecora infetta. Infine, nell’Epistola 11 le immagini animali contribuiscono alla rappresentazione profetica dell’autore (la pecora, l’asina di Balaam) e a quella negativa dei cardinali (le figlie della sanguisuga).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="358e51228a5ef89b7e4b3ab63acab8c6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62364063,"asset_id":19554627,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62364063/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19554627"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19554627"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19554627; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19554627]").text(description); $(".js-view-count[data-work-id=19554627]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19554627; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19554627']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 19554627, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "358e51228a5ef89b7e4b3ab63acab8c6" } } $('.js-work-strip[data-work-id=19554627]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19554627,"title":"Un bestiario politico nelle «Epistole» di Dante, in «Italianistica», XLIV / 2 (2015), pp. 161-179.","translated_title":"","metadata":{"abstract":"Gli studi recenti sulle immagini animali nella Commedia hanno messo in luce come il poeta attivi nella memoria del lettore i valori simbolici attribuiti agli animali dalla tradizione medievale o sfrutti in modi nuovi tali meccanismi di allegorizzazione. \nAnche alcune delle Epistole dantesche (5, 6, 7, 11) sono ricche di riferimenti agli animali: questo articolo si propone di studiarli in modo sistematico, tenendo presenti le tradizioni bibliche, classiche e medievali relative.\nSi passano così in rassegna le immagini di regalità riferite all’imperatore Arrigo nelle Epistole 5 e 6, il leone e l’aquila, quest’ultima anche in relazione ai pulcini di corvo. 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L’Epistola 7 presenta un terribile bestiario di Firenze, con l’idra, la vipera, la volpe, la pecora infetta. Infine, nell’Epistola 11 le immagini animali contribuiscono alla rappresentazione profetica dell’autore (la pecora, l’asina di Balaam) e a quella negativa dei cardinali (le figlie della 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/103770660/Scuola_estiva_internazionale_in_Studi_danteschi_2023"><img alt="Research paper thumbnail of Scuola estiva internazionale in Studi danteschi 2023" class="work-thumbnail" src="https://attachments.academia-assets.com/103686273/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/103770660/Scuola_estiva_internazionale_in_Studi_danteschi_2023">Scuola estiva internazionale in Studi danteschi 2023</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unicat.academia.edu/EmilianoBertin">Emiliano Bertin</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Programma della XVII Scuola estiva internazionale in Studi danteschi (Ravenna-Verona, 23-29 agost...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Programma della XVII Scuola estiva internazionale in Studi danteschi (Ravenna-Verona, 23-29 agosto 2023)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3aa64c94575d668a0d46da702fd83c18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" 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href="https://jagiellonian.academia.edu/MariaMaslankaSoro">Maria Maślanka-Soro</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ucm.academia.edu/CarlotaCattermole">Carlota Cattermole Ordóñez</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Incontro conclusivo del progetto e presentazione del volume Dante e la molteplicità delle culture...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Incontro conclusivo del progetto e presentazione del volume Dante e la molteplicità delle culture nell'Europa medievale</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e486f6eefda32d8d666582f4f40e597f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82467398,"asset_id":74252578,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82467398/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74252578"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span 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In ricordo del professor Pasquini</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://muni.academia.edu/DanielaShalomVagata">Daniela Shalom Vagata</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/LauraPasquini">Laura Pasquini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://harvard.academia.edu/linopertile">lino pertile</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Simposio online organizzato dalla Masarykova Univerzita, curato e coordinato da Daniela Shalom Va...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Simposio online organizzato dalla Masarykova Univerzita, curato e coordinato da Daniela Shalom Vagata, il 24 maggio dalle 15:00 (CEST). Interventi di Laura Pasquini, Giuseppe Ledda, Lino Pertile, Daniela Shalom Vagata, Armando Antonelli, Matteo Belli e Margherita Pasquini.<br /><br /><a href="https://cesnet.zoom.us/j/98021016884" rel="nofollow">https://cesnet.zoom.us/j/98021016884</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e5557d4d49e260d2902cedd5740b2336" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67404653,"asset_id":49018172,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67404653/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49018172"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49018172"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49018172; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49018172]").text(description); $(".js-view-count[data-work-id=49018172]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49018172; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49018172']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 49018172, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e5557d4d49e260d2902cedd5740b2336" } } $('.js-work-strip[data-work-id=49018172]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49018172,"title":"Sulla Commedia di Dante. 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I contenuti registrati saranno fruibili dal 13 luglio al 25 settembre 2020. 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href="https://unicat.academia.edu/EmilianoBertin">Emiliano Bertin</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/LauraPasquini">Laura Pasquini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/PaoloPellegrini">Paolo Pellegrini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Programma breve della XIV Scuola Estiva internazionale in Studi danteschi (Ravenna-San Leo-Verona...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Programma breve della XIV Scuola Estiva internazionale in Studi danteschi (Ravenna-San Leo-Verona, 23-29 agosto 2020).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6639c9f01d1c3f2a3d7f65c8e4ab9f23" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61605436,"asset_id":41423198,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61605436/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41423198"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span 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(Ravenna-Verona, 26 agosto-1 settem...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Programma in breve della XII Summer School in Studi danteschi (Ravenna-Verona, 26 agosto-1 settembre 2018), curata da Università Cattolica di Milano, Centro Dantesco OFM Conv., Università di Verona.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0bbc58620fbb12f59c4eb73a677dd1c8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55381975,"asset_id":35516675,"asset_type":"Work","button_location":"profile"}" 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Recenti prospettive (Bologna, Dipartimento di Filologia classica e Italianistica, 24 febbraio 2017)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unifi.academia.edu/FrancescoBausi">Francesco Bausi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unive.academia.edu/ElisaCurti">Elisa Curti</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Per informazioni: Elisa Curti (elisa.curti3@unibo.it) e Giuseppe Ledda (giuseppe.ledda@unibo.it)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2e251416c750014d191aafff1f271626" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51506738,"asset_id":31072498,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51506738/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31072498"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31072498"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31072498; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31072498]").text(description); $(".js-view-count[data-work-id=31072498]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31072498; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31072498']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 31072498, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2e251416c750014d191aafff1f271626" } } $('.js-work-strip[data-work-id=31072498]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31072498,"title":"Giornata di studi sul Poliziano volgare. 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Convegno internazionale \"Cino da Pistoia nella storia della poesia italiana\". Barcellona 2-3 ottobre 2014","translated_title":"","metadata":{"grobid_abstract":"La topica dell'ineffabilità nelle sue molteplici varianti è uno degli elementi della tradizione lirica italiana, fin da un testo seminale come Madonna dir vo voglio di Giacomo da Lentini. Nei poeti dello stilnovo il ricorso alla topica dello scacco espressivo e/o cognitivo variamente subito dal poeta assume caratteri particolari, e in Cavalcanti e Dante diviene oggetto poetico su cui si esercita l'analisi e la riflessione teorica. Data la centralità del topos, risulta degno di interesse studiare le modalità della sua presenza nel vasto corpus poetico di Cino da Pistoia. In generale egli si mostra piuttosto refrattario. Per esempio è frequente l'uso di strutture sintattiche consecutive funzionali alla retorica dell'iperbole, che spesso in altri poeti preludono alla dichiarazione dell'ineffabilità, ma ciò in Cino non avviene quasi mai: l'oltranza dell'oggetto rappresentato non provoca uno scacco cognitivo o espressivo, ma sempre uno scacco emotivopatetico-vitale. In particolare colpiscono una serie di sonetti costruiti su uno dei motivi più tipici dello stilnovo, quello dell'apparizione miracolosa della donna e dei suoi effetti. Se nei sonetti cavalcantiani e danteschi di questa tipologia ha grande evidenza e sviluppo il tema dell'ineffabilità, in Cino esso è assente, pur in presenza di tutti gli altri motivi (vedi II, III, IV). Più che il ricorso alla dichiarazione di ineffabilità, Cino sembra preferire l'iperbole contraria, cioè la rivendicazione dell'abbondanza espressiva, della piena manifestazione del canto (V, CLI, CLX, CIII ecc.). Solo in qualche caso si trova qualche traccia del tema dell'ineffabilità, ma privo di particolari sviluppi (X; XXIX; XCII; CVIII). Una delle varianti di maggiore interesse della topica dell'ineffabilità è quella che si può fissare con la formula dantesca \"intender non lo può chi non lo prova\". Il riuso ciniano (XXXIX; CI) è interessante e innovativo, pur depotenziato e privato della sua valenza mistica. Anche altrove appare la volontà di differenziarsi dallo stile dantesco della loda relativamente all'ineffabilità (CV). Un altro indizio dell'atteggiamento di distacco se non di programmatico rovesciamento con il quale Cino si rapporta alla topica dell'ineffabilità è la trasformazione in senso positivo della formula interdiscorsiva ma di origine lentiniana «cor non lo penseria né diria lingua» (XVI). Anche il motivo analogo dell'insostenibilità dello sguardo della donna è totalmente rovesciato nell'uso di Cino (XV; LXXI; LXXVII; LXXXI). Naturalmente ci sono anche casi in cui la topica dell'ineffabilità è presente con modalità più vicine a quelle della tradizione lirica e agli esiti degli altri stilnovisti (XXXVIII; XLVI; LVI; LXXIV), ma sempre con significativi spostamenti. Così anche per i casi di afasia (XII; XLIX; LII; CXV; XCVI; CXLIII). Sulla base dell'analisi del riuso ciniano di questi topoi può essere riesaminata anche la questione della paternità di alcuni testi considerati \"dubbi\" (Questa donna; Io non domando).","grobid_abstract_attachment_id":34992204},"translated_abstract":null,"internal_url":"https://www.academia.edu/8629689/Lineffabilit%C3%A0_in_Cino_da_Pistoia_Convegno_internazionale_Cino_da_Pistoia_nella_storia_della_poesia_italiana_Barcellona_2_3_ottobre_2014","translated_internal_url":"","created_at":"2014-10-04T00:38:05.476-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":17052345,"coauthors_can_edit":true,"document_type":"conference_presentation","co_author_tags":[],"downloadable_attachments":[{"id":34992204,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/34992204/thumbnails/1.jpg","file_name":"Cino_ineffabilita_Abstract.pdf","download_url":"https://www.academia.edu/attachments/34992204/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lineffabilita_in_Cino_da_Pistoia_Convegn.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/34992204/Cino_ineffabilita_Abstract-libre.pdf?1412408107=\u0026response-content-disposition=attachment%3B+filename%3DLineffabilita_in_Cino_da_Pistoia_Convegn.pdf\u0026Expires=1732792642\u0026Signature=BcC9wBcdBUe~gCqizBRMcwSG2pqwmCjS4V~Om5uqxx~J9c4sMCYq7Ms05mljLlS3NHVGJzE3DxgAPFvx4UIji98vvKiCpXZwtxsGYjPRwV0VSp2Rb-sT~WtZ9CbFCzUHY7rM~08HOdMpooSbnvLWOCJzJg0n5lchC3T3EchmTVTj4MlkAYBu-L2q80WLOWxFgGr~mecMYQm3iQjbpEl9wVA5WwBK5nVRJYtNRuEdnbrOXKYfR~m7xBFAcZ94qCBEjcx~2JVxRd4AQMeT8WlpBkkCOQ5aACbhXRBh~o-wniY1Je8zJHb6wJCK1dRNJ0GH-koyrENstBrWVfOYxWnJzg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Lineffabilità_in_Cino_da_Pistoia_Convegno_internazionale_Cino_da_Pistoia_nella_storia_della_poesia_italiana_Barcellona_2_3_ottobre_2014","translated_slug":"","page_count":1,"language":"it","content_type":"Work","owner":{"id":17052345,"first_name":"Giuseppe","middle_initials":null,"last_name":"Ledda","page_name":"GiuseppeLedda","domain_name":"unibo","created_at":"2014-09-21T02:02:50.208-07:00","display_name":"Giuseppe Ledda","url":"https://unibo.academia.edu/GiuseppeLedda"},"attachments":[{"id":34992204,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/34992204/thumbnails/1.jpg","file_name":"Cino_ineffabilita_Abstract.pdf","download_url":"https://www.academia.edu/attachments/34992204/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lineffabilita_in_Cino_da_Pistoia_Convegn.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/34992204/Cino_ineffabilita_Abstract-libre.pdf?1412408107=\u0026response-content-disposition=attachment%3B+filename%3DLineffabilita_in_Cino_da_Pistoia_Convegn.pdf\u0026Expires=1732792642\u0026Signature=BcC9wBcdBUe~gCqizBRMcwSG2pqwmCjS4V~Om5uqxx~J9c4sMCYq7Ms05mljLlS3NHVGJzE3DxgAPFvx4UIji98vvKiCpXZwtxsGYjPRwV0VSp2Rb-sT~WtZ9CbFCzUHY7rM~08HOdMpooSbnvLWOCJzJg0n5lchC3T3EchmTVTj4MlkAYBu-L2q80WLOWxFgGr~mecMYQm3iQjbpEl9wVA5WwBK5nVRJYtNRuEdnbrOXKYfR~m7xBFAcZ94qCBEjcx~2JVxRd4AQMeT8WlpBkkCOQ5aACbhXRBh~o-wniY1Je8zJHb6wJCK1dRNJ0GH-koyrENstBrWVfOYxWnJzg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature"},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":11839,"name":"Ineffability","url":"https://www.academia.edu/Documents/in/Ineffability"},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature"},{"id":110249,"name":"Medieval Lyric Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Lyric_Poetry"},{"id":1029430,"name":"Ineffable","url":"https://www.academia.edu/Documents/in/Ineffable"},{"id":1121004,"name":"Cino Da Pistoia","url":"https://www.academia.edu/Documents/in/Cino_Da_Pistoia"}],"urls":[]}, dispatcherData: dispatcherData }); 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8741891]").text(description); $(".js-view-count[data-work-id=8741891]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8741891; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8741891']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 8741891, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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Nella poesia molteplice ed enciclopedica della Commedia tutti i generi letterari sembrano essere presenti, inclusi e gerarchizzati nell'edificio summatico del poema. Insieme a una pluralità di altri generi, con modalità e spazi particolarmente rilevanti, è assunta anche l'agiografia, che si esprimeva nella cultura medievale in una varietà di forme e di sottogeneri. L'incontro con le anime dell'aldilà apre lo spazio narrativo a racconti di secondo livello, alcuni dei quali hanno i caratteri di vere \"biografie\", per quanto brevi ed essenziali. In alcuni casi esse sono relative a santi canonizzati, su cui esiste una tradizione agiografica, e alcune di queste sezioni agiografiche inserite nel poema hanno un grande rilievo strutturale. Ciononostante nell'Enciclopedia dantesca la voce dedicata all'agiografia è breve e deludente, mentre anche la ricerca sui repertori bibliografici danteschi dà risultati esigui. Mi propongo perciò di tentare una prima schedatura ragionata di alcune tra le principali tracce di scritture agiografiche nel poema, di proporne una prima interpretazione complessiva e infine di tornare indietro, alla Vita nova, per verificare presenza e funzione di elementi agiografici già in tale opera.","grobid_abstract_attachment_id":35094059},"translated_abstract":null,"internal_url":"https://www.academia.edu/8741891/Modelli_agiografici_nella_formazione_intellettuale_e_religiosa_e_nell_opera_di_Dante_relazione_presentata_al_Seminario_internazionale_Dante_s_Intellectual_Formation_University_of_Notre_Dame_Notre_Dame_in_Rome_Roma_13_14_marzo_2014","translated_internal_url":"","created_at":"2014-10-12T03:16:02.395-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":17052345,"coauthors_can_edit":true,"document_type":"conference_presentation","co_author_tags":[],"downloadable_attachments":[{"id":35094059,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/35094059/thumbnails/1.jpg","file_name":"Ledda_Agiografia_Roma_2014.pdf","download_url":"https://www.academia.edu/attachments/35094059/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Modelli_agiografici_nella_formazione_int.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/35094059/Ledda_Agiografia_Roma_2014-libre.pdf?1413108650=\u0026response-content-disposition=attachment%3B+filename%3DModelli_agiografici_nella_formazione_int.pdf\u0026Expires=1732792643\u0026Signature=DppWLC0R~Htleuytg5NO05IYbOWLShoEAfNPsGD1QoTaaqUBiNJ6TFtcNGhlRfxN233k9w8Q16495aoQ2H1QSU2T7KSe2vgIeEv~7upDO00SLetWGajW7k9C4QfibhMHbX~2YlY-CNNqf35J-gWJOZMe0aIeHBbNdUXBFmt6LLbctV0ea3AnOnPxmOXkyp28395-s~jNzAx6XAZRvy-Tjm~vMsoRIbZrgoD2A62A6eF09XsJS7q0~1cB12l1Koz091YdtlhOuekf7-nDbDYHUDjE74nNzpxAAvaJHmD-jxCu5mDxqRl993tpuc-OCjCi2-O7zF7oFagk7vgja1nCTw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Modelli_agiografici_nella_formazione_intellettuale_e_religiosa_e_nell_opera_di_Dante_relazione_presentata_al_Seminario_internazionale_Dante_s_Intellectual_Formation_University_of_Notre_Dame_Notre_Dame_in_Rome_Roma_13_14_marzo_2014","translated_slug":"","page_count":22,"language":"it","content_type":"Work","owner":{"id":17052345,"first_name":"Giuseppe","middle_initials":null,"last_name":"Ledda","page_name":"GiuseppeLedda","domain_name":"unibo","created_at":"2014-09-21T02:02:50.208-07:00","display_name":"Giuseppe Ledda","url":"https://unibo.academia.edu/GiuseppeLedda"},"attachments":[{"id":35094059,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/35094059/thumbnails/1.jpg","file_name":"Ledda_Agiografia_Roma_2014.pdf","download_url":"https://www.academia.edu/attachments/35094059/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Modelli_agiografici_nella_formazione_int.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/35094059/Ledda_Agiografia_Roma_2014-libre.pdf?1413108650=\u0026response-content-disposition=attachment%3B+filename%3DModelli_agiografici_nella_formazione_int.pdf\u0026Expires=1732792643\u0026Signature=DppWLC0R~Htleuytg5NO05IYbOWLShoEAfNPsGD1QoTaaqUBiNJ6TFtcNGhlRfxN233k9w8Q16495aoQ2H1QSU2T7KSe2vgIeEv~7upDO00SLetWGajW7k9C4QfibhMHbX~2YlY-CNNqf35J-gWJOZMe0aIeHBbNdUXBFmt6LLbctV0ea3AnOnPxmOXkyp28395-s~jNzAx6XAZRvy-Tjm~vMsoRIbZrgoD2A62A6eF09XsJS7q0~1cB12l1Koz091YdtlhOuekf7-nDbDYHUDjE74nNzpxAAvaJHmD-jxCu5mDxqRl993tpuc-OCjCi2-O7zF7oFagk7vgja1nCTw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature"},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri"},{"id":60131,"name":"Medieval Sermons","url":"https://www.academia.edu/Documents/in/Medieval_Sermons"},{"id":79476,"name":"Agiography - agiology","url":"https://www.academia.edu/Documents/in/Agiography_-_agiology"},{"id":90812,"name":"Medieval Agiografy, Social and Cultural History","url":"https://www.academia.edu/Documents/in/Medieval_Agiografy_Social_and_Cultural_History"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":523386,"name":"Agiografia","url":"https://www.academia.edu/Documents/in/Agiografia"}],"urls":[]}, dispatcherData: dispatcherData }); 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Paper presented at "Dante’s Theology. International Summer Seminar" - Tantur Ecumenical Institute - University of Notre Dame, Jerusalem, June 17-28, 2013" class="work-thumbnail" src="https://attachments.academia-assets.com/35671670/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9429351/Ineffability_Paper_presented_at_Dante_s_Theology_International_Summer_Seminar_Tantur_Ecumenical_Institute_University_of_Notre_Dame_Jerusalem_June_17_28_2013">Ineffability. Paper presented at "Dante’s Theology. 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Convegno internazionale del Centro dantesco, Ravenna 18 novembre 2023</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unigre.academia.edu/AlessandraBartolomeiRomagnoli">Alessandra Bartolomei Romagnoli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bristol.academia.edu/TristanKay">Tristan Kay</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">I convegni internazionali promossi ogni due anni, a partire dal 2003, dalla Sezione studi e ricer...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">I convegni internazionali promossi ogni due anni, a partire dal 2003, dalla Sezione studi e ricerche del Centro Dantesco dei Frati Minori Conventuali di Ravenna, sezione ora intitolata alla sua fondatrice Anna Maria Chiavacci Leonardi, vantano ormai una lunga tradizione, tanto da essere giunti quest’anno alla undicesima edizione. Nel corso del tempo hanno radunato a Ravenna alcuni dei massimi studiosi internazionali di Dante per affrontare una serie di temi rilevanti della nella sua opera, con particolare ma non esclusiva attenzione alla dimensione religiosa, spirituale e teologica. <br />Il tema scelto quest’anno, l’amore, è centrale nella cultura del Medioevo dove è attivo a ogni livello, in ambito sacro e profano. <br />Un tema così importante, molteplice e complesso nella cultura del suo tempo, come anche del nostro, non può che essere cruciale per Dante, che infatti svolge tutta la sua attività letteraria come poeta d’amore, celebrando sin dalla Vita nova e poi perfezionando nella Commedia l’idea innovativa di un amore capace di condurre chi ama non solo a una nobilitazione morale ma a un vero percorso di elevazione spirituale che giunge sino alla conoscenza del divino. <br />Per svolgere questo tema, Dante mobilita tutti i modelli della letteratura precedente, dai miti antichi alla lirica medievale, e soprattutto inserisce la riflessione sull’amore umano in una nuova prospettiva teologica e mistica, cantando un amore terreno capace di elevare al cielo e di portare a Dio. <br />Intervengono: Alessandra Bartolomei Romagnoli, Mira Mocan, Sonia Gentili, Roberto Rea, Donato Pirovano, Catherine Keen, Heather Webb, Giuseppe Ledda, Tristan Kay, Francesco sabti</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6498b8f61b1bd6f0a150756c88030846" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106903299,"asset_id":108530260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106903299/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108530260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108530260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108530260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108530260]").text(description); $(".js-view-count[data-work-id=108530260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108530260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108530260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 108530260, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6498b8f61b1bd6f0a150756c88030846" } } $('.js-work-strip[data-work-id=108530260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108530260,"title":"POESIA E TEOLOGIA DELL'AMORE IN DANTE. 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data-click-track="profile-work-strip-title" href="https://www.academia.edu/106449196/Congresso_Dantesco_Internazionale_Alma_Dante_2023_Programma_delle_sessioni_di_recupero">Congresso Dantesco Internazionale - Alma Dante 2023 - Programma delle sessioni di recupero</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dopo l'interruzione del Congresso Dantesco Internazionale a causa della tragica alluvione che ha ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dopo l'interruzione del Congresso Dantesco Internazionale a causa della tragica alluvione che ha colpito Ravenna e la Romagna, le sessioni previste per il 19 e 20 maggio saranno recuperate, esclusivamente a distanza, nei giorni venerdì 29 e sabato 30 settembre 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href="https://www.academia.edu/89695974/Congresso_Dantesco_Internazionale_2023_Annuncio">Congresso Dantesco Internazionale 2023 Annuncio</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/sebastiananobili">sebastiana nobili</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La quarta edizione del Congresso Dantesco Internazionale / International Dante Conference - Alma ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La quarta edizione del Congresso Dantesco Internazionale / International Dante Conference - Alma Dante 2023 si terrà a Ravenna dal 17 al 20 maggio 2023.<br />Nell'annunciare le date del Congresso, si offrono alcune informazioni preliminari, mentre il bando per l'invio delle proposte di partecipazione sarà pubblicato a gennaio 2023.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2f5b42381823dd29b8a319525832bfb2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100129563,"asset_id":89695974,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100129563/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper 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href="https://www.academia.edu/81235632/Alma_Dante_Seminario_Dantesco_2022_Universit%C3%A0_di_Bologna_22_24_giugno">Alma Dante - Seminario Dantesco 2022 - Università di Bologna, 22-24 giugno</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Programma completo del Seminario dantesco per dottorandi Alma Dante 2022, che si terrà all'Unive...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Programma completo del Seminario dantesco per dottorandi Alma Dante  2022, che si terrà all'Università di Bologna nei giorni 22-24 giugno.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4fc66dc7db7a8b34b00a544ded6d73de" class="wp-workCard--action" 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Fonti, strutture, modelli - 4 giugno 2021, ore 15-19 - Società Dantesca Italiana - Online</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/ChiaraColuccia">Chiara Coluccia</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/LauraPasquini">Laura Pasquini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://xn--uni-gttingen-8ib.academia.edu/FranziskaMeier">Franziska Meier</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il 17° seminario delle serie lopereseguite, organizzato dalla Società Dantesca Italiana, sarà ded...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il 17° seminario delle serie lopereseguite, organizzato dalla Società Dantesca Italiana, sarà dedicato a "Paradiso. 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Gli scrittori contemporanei rileggono la Divina Commedia - Bologna 5 maggio 2021" class="work-thumbnail" src="https://attachments.academia-assets.com/66957657/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/48260690/Nel_nome_di_Dante_Gli_scrittori_contemporanei_rileggono_la_Divina_Commedia_Bologna_5_maggio_2021">Nel nome di Dante. Gli scrittori contemporanei rileggono la Divina Commedia - Bologna 5 maggio 2021</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nell’ambito delle iniziative per le celebrazioni del settimo centenario della morte di Dante, l’A...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nell’ambito delle iniziative per le celebrazioni del settimo centenario della morte di Dante, l’ADI – Associazione degli Italianisti, partire da maggio 2021, sotto il titolo generale “Nel nome di Dante. Gli scrittori contemporanei rileggono la Divina Commedia”, organizza una serie di incontri con narratori italiani e stranieri che, partendo da uno spunto dantesco o riflettendo sul proprio rapporto con Dante, affronteranno temi che hanno uno spazio speciale nella loro scrittura e nella loro identità.  <br />Nell’ambito di questo ciclo, il Dipartimento di Filologia Classica e Italianistica organizza a Bologna un incontro in cui interverranno i narratori Marcello Fois e Alessandra Sarchi e i poeti Alberto Bertoni e Maria Luisa Vezzali.<br />Intorduce Gino Ruozzi. 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class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/47851157/LECTURA_DANTIS_BONONIENSIS_2021_Paradiso_25_29">LECTURA DANTIS BONONIENSIS 2021 - Paradiso 25-29</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ucm.academia.edu/JUANIGNACIOVARELAPORTASORDU%C3%91A">JUAN VARELA-PORTAS ORDUÑA</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Le lecturae del ciclo primaverile 2021 dellaLectura Dantis Bononiensis si terranno in modalità a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Le lecturae del ciclo primaverile 2021 dellaLectura Dantis Bononiensis si terranno in modalità a distanza sulla piattaforma Teams. <br />Saranno letti i canti 25-28 del Paradiso.. <br />Interverranno Juan Varela-Portas de Orduña, Nicolò Maldina, Sergio Cristaldi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e0c7e1a8f176e659f29a56ec01146145" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67396351,"asset_id":47851157,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67396351/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i 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class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45602624/Alma_Dantedi_2021_Universit%C3%A0_di_Bologna_25_marzo_2021">Alma Dantedi 2021 - Università di Bologna, 25 marzo 2021</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Lo scorso anno il 25 marzo aveva visto la prima celebrazione del Dantedì, una giornata dedicata a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Lo scorso anno il 25 marzo aveva visto la prima celebrazione del Dantedì, una giornata dedicata al poeta fiorentino, centrale nel patrimonio e nell’identità culturale degli italiani ma ben presente anche nel canone occidentale e ormai in quello globale, sia nella cultura alta sia in quella popolare. Anche la nostra università aveva voluto organizzare un evento per celebrare tale occasione. Erano ancora le prime settimane di questa terribile situazione che ancora si prolunga ed era stata una delle prime opportunità per organizzare l’incontro a distanza, sulla piattaforma Teams che allora stamo imparando a conoscere e a usare. <br />Si era voluto chiamare  questo evento “Alma Dantedì”, per segnalare la continuità con la serie di iniziative dantesche che la nostra Università promuove da anni sotto il nome di “Alma Dante”, dai seminari danteschi internazionali per dottorandi al Congresso Dantesco Internazionale / International Dante Conference di Ravenna.<br />Quest’anno il Dantedì sarà particolarmente ricco e solenne, con moltissime iniziative organizzate in tutto il mondo, anche se ancora, purtroppo, quasi tutte avranno carattere virtuale e a distanza. E anche quest’anno il nostro Alma Dantedì avrà un suo accento particolare, quello della lettura critica e dell’interpretazione dei suoi versi. <br />Così si susseguiranno una serie di brevissime Lecturae Dantis, di cinque minuti ciascuna, e ognuna cercherà di raccontare un verso o una terzina della Commedia, secondo l’ordine di apparizione nel testo. Sarà un modo per riattraversare insieme l’intero poema in poco più di due ore, guidati da studiosi legati al nostro Ateneo o perché vi insegnano o perché qui si sono formati.<br />Sarà anche l’occasione per ricordare e risentire la voce di due grandi maestri degli studi danteschi e dell’Università di Bologna, scomparsi purtroppo lo scorso autunno, Andrea Battistini ed Emilio Pasquini. Di Pasquini sarà presentato un video in cui il grande studioso racconta in pochi minuti le origini della Commedia. Di Battistini sarà invece letta una pagina da un suo saggio ancora inedito sulle albe e i tramonti del Purgatorio.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cbd6bcd2de8a49c2db9062dd15477471" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66086858,"asset_id":45602624,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66086858/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45602624"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45602624"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45602624; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45602624]").text(description); $(".js-view-count[data-work-id=45602624]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45602624; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45602624']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45602624, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cbd6bcd2de8a49c2db9062dd15477471" } } $('.js-work-strip[data-work-id=45602624]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45602624,"title":"Alma Dantedi 2021 - Università di Bologna, 25 marzo 2021","translated_title":"","metadata":{"abstract":"Lo scorso anno il 25 marzo aveva visto la prima celebrazione del Dantedì, una giornata dedicata al poeta fiorentino, centrale nel patrimonio e nell’identità culturale degli italiani ma ben presente anche nel canone occidentale e ormai in quello globale, sia nella cultura alta sia in quella popolare. 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Temi, personaggi, episodi - Società Dantesca italiana 3 dicembre 2020 - Seminario in diretta You Tube" class="work-thumbnail" src="https://attachments.academia-assets.com/65084764/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44618348/Purgatorio_Temi_personaggi_episodi_Societ%C3%A0_Dantesca_italiana_3_dicembre_2020_Seminario_in_diretta_You_Tube">Purgatorio. Temi, personaggi, episodi - Società Dantesca italiana 3 dicembre 2020 - Seminario in diretta You Tube</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unifi.academia.edu/EnricoFaini">Enrico Faini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/MirkoTavoni">Mirko Tavoni</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il secondo seminario sul Purgatorio organizzato dalla Società Dantesca Italiana nell'ambito del c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il secondo seminario sul Purgatorio organizzato dalla Società Dantesca Italiana nell'ambito del ciclo "Lopereseguite" si terrà giovedì 3 dicembre dalle 15 alle 19 e sarà trasmesso in diretta streaming sul canale You Tube della SDI:<br /><a href="https://youtu.be/Q3T7VOln2b0" rel="nofollow">https://youtu.be/Q3T7VOln2b0</a><br />Introduce Marcello Ciccuto. Intervengono Luigi Canetti, Alison Cornish, Enrico Faini, Sebastiana Nobili, Mirko Tavoni. Coordina Giuseppe Ledda</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="213364939cd2e72e5bf14ab797d90c27" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65084764,"asset_id":44618348,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65084764/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44618348"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44618348"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44618348; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44618348]").text(description); $(".js-view-count[data-work-id=44618348]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44618348; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44618348']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44618348, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "213364939cd2e72e5bf14ab797d90c27" } } $('.js-work-strip[data-work-id=44618348]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44618348,"title":"Purgatorio. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44536876"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44536876/Cinquantanni_di_Letture_classensi_lingua_storia_e_modernit%C3%A0_di_Dante_Sabato_21_e_28_novembre_5_e_12_dicembre_2020"><img alt="Research paper thumbnail of Cinquant'anni di «Letture classensi»: lingua, storia e modernità di Dante Sabato 21 e 28 novembre 5 e 12 dicembre 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/64983859/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44536876/Cinquantanni_di_Letture_classensi_lingua_storia_e_modernit%C3%A0_di_Dante_Sabato_21_e_28_novembre_5_e_12_dicembre_2020">Cinquant'anni di «Letture classensi»: lingua, storia e modernità di Dante Sabato 21 e 28 novembre 5 e 12 dicembre 2020</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/natasciatonelli">natascia tonelli</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il ciclo 2020 delle Letture classensi in diretta streaming. Il ricorrere dei cinquant’anni dall’a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il ciclo 2020 delle Letture classensi in diretta streaming.<br />Il ricorrere dei cinquant’anni dall’avvio della pubblicazione delle Letture Classensi, punto di riferimento fondamentale nella bibliografia dantesca internazionale, invita a celebrare e a rinnovare questa esperienza tanto importante per Ravenna e per gli studi danteschi nel mondo.<br />In tale prospettiva si muove il ciclo di quest’anno, coordinato da Giuseppe Ledda.<br />Interventi di Giuseppe Ledda, Luca Serianni, Natascia Tonelli, Elisa Brilli.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a 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class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://oxford.academia.edu/SimonGilson">Simon Gilson</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/pantaleopalmieri">pantaleo palmieri</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Le lecturae del ciclo autunnale 2020 della Lectura Dantis Bononiensis si terranno in modalità a d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Le lecturae del ciclo autunnale 2020 della Lectura Dantis Bononiensis si terranno in modalità a distanza sulla piattaforma Teams.<br />Lecturae dei canti 22-25 del Paradiso.<br />Interventi di Giuseppe Ledda, Simon Gilson, Pantaleo Palmieri, Juan Varela-Portas de Orduña.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="daea1a5eb51beca94b8949e72602377e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64769878,"asset_id":44266332,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64769878/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44266332"><a 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43988472"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43988472/Lectura_Dantis_Bononienis_Settembre_2020_Paradiso_18_21"><img alt="Research paper thumbnail of Lectura Dantis Bononienis - Settembre 2020 - Paradiso 18-21" class="work-thumbnail" src="https://attachments.academia-assets.com/64540000/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43988472/Lectura_Dantis_Bononienis_Settembre_2020_Paradiso_18_21">Lectura Dantis Bononienis - Settembre 2020 - Paradiso 18-21</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://xn--uni-gttingen-8ib.academia.edu/FranziskaMeier">Franziska Meier</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gli incontri della Lectura Dantis Bononiensis previsti per la primavera 2020 e rinviati per l’eme...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gli incontri della Lectura Dantis Bononiensis previsti per la primavera 2020 e rinviati per l’emergenza sanitaria si terranno nel mese di settembre 2020 in modalità a distanza.<br />Interverranno: Valeria Giannantonio, Franziska Meier, Alfredo Cottignoli, Lino Pertile. Saranno commentati i canti 18, 19, 20 e 21 del Paradiso.<br />In allegato il programma completo con le istruzioni per la connessione.<br />La partecipazione a distanza è libera e siete tutti invitati.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4a99c19fddc5ee59688ab0cb61e494ec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64540000,"asset_id":43988472,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64540000/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43988472"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43988472"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43988472; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43988472]").text(description); $(".js-view-count[data-work-id=43988472]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43988472; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43988472']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43988472, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4a99c19fddc5ee59688ab0cb61e494ec" } } $('.js-work-strip[data-work-id=43988472]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43988472,"title":"Lectura Dantis Bononienis - Settembre 2020 - Paradiso 18-21","translated_title":"","metadata":{"abstract":"Gli incontri della Lectura Dantis Bononiensis previsti per la primavera 2020 e rinviati per l’emergenza sanitaria si terranno nel mese di settembre 2020 in modalità a distanza.\nInterverranno: Valeria Giannantonio, Franziska Meier, Alfredo Cottignoli, Lino Pertile. 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L'edizione di quest'a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Programma definitivo del seminario dantesco internazionale AlmaDante 2020. <br />L'edizione di quest'anno si svolgerà nei giorni 23-24-25 giugno, in modalità telematica. Chi desidera seguire i lavori del seminario è pregato di scrivere una e-mail all’indirizzo <a href="mailto:almadante2020@unibo.it" rel="nofollow">almadante2020@unibo.it</a>.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3b21dd96147af87fe88f40e3e13b7e5b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63654485,"asset_id":43364822,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63654485/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43364822"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43364822"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43364822; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43364822]").text(description); $(".js-view-count[data-work-id=43364822]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43364822; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43364822']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43364822, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3b21dd96147af87fe88f40e3e13b7e5b" } } $('.js-work-strip[data-work-id=43364822]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43364822,"title":"AlmaDante 2020 - Seminario dantesco internazionale - Edizione online 23-24-25 giugno 2020 - Programma","translated_title":"","metadata":{"abstract":"Programma definitivo del seminario dantesco internazionale AlmaDante 2020. \nL'edizione di quest'anno si svolgerà nei giorni 23-24-25 giugno, in modalità telematica. 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src="https://attachments.academia-assets.com/60176972/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39984911/Congresso_Dantesco_Internazionale_International_Dante_Conference_2021_Annuncio_date">Congresso Dantesco Internazionale / International Dante Conference 2021: Annuncio date</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Care Colleghe e cari Colleghi, abbiamo il piacere di annunciarvi le date in cui si svolgerà la p...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Care Colleghe e cari Colleghi,<br /><br />abbiamo il piacere di annunciarvi le date in cui si svolgerà la prossima edizione del Congresso Dantesco Internazionale: 26-29 maggio 2021.<br /><br />Segnatele fin d'ora sulla vostra agenda!<br /><br />La sede sarà naturalmente come sempre Ravenna e speriamo di incontrarvi in tale occasione per celebrare insieme il Centenario dantesco!<br /><br />Un saluto cordialissimo e a presto,<br /><br />Giuseppe Ledda, Angelo Mangini, Sebastiana Nobili, Marco Veglia<br />(Comitato scientifico del Congresso Dantesco Internazionale Alma Dante 2021)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2100de2983bc99cee8e78d2c2bd78299" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60176972,"asset_id":39984911,"asset_type":"Work","button_location":"profile"}" 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href="https://www.academia.edu/39115212/Congresso_Dantesco_Internazionale_International_Dante_Conference_2019_Ravenna_29_maggio_1_giugno_2019_Programma_delle_sessioni_parallele"><img alt="Research paper thumbnail of Congresso Dantesco Internazionale / International Dante Conference 2019 - Ravenna 29 maggio - 1 giugno 2019 - Programma delle sessioni parallele" class="work-thumbnail" src="https://attachments.academia-assets.com/59235274/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39115212/Congresso_Dantesco_Internazionale_International_Dante_Conference_2019_Ravenna_29_maggio_1_giugno_2019_Programma_delle_sessioni_parallele">Congresso Dantesco Internazionale / International Dante Conference 2019 - Ravenna 29 maggio - 1 giugno 2019 - Programma delle sessioni parallele</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il programma completo e definitivo delle sessioni parallele che si svolgeranno nell'ambito del Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il programma completo e definitivo delle sessioni parallele che si svolgeranno nell'ambito del Congresso Dantesco Internazionale / International Dante Conference Alma Dante 2019: 55 panel con la partecipazione di oltre 220 studiosi provenienti dalle università di tutto il mondo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c9692513fb703ed9db7c108586f50784" class="wp-workCard--action" rel="nofollow" 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href="https://www.academia.edu/41194556/Scuola_estiva_internazionale_in_studi_danteschi_Tredicesima_edizione_Comitato_scientifico_Simona_Brambilla_Giuseppe_Frasso_Direttore_Alessandro_Ghisalberti_Giuseppe_Ledda_Paolo_Pellegrini_Ravenna_Verona_25_31_agosto_2019_"><img alt="Research paper thumbnail of Scuola estiva internazionale in studi danteschi, Tredicesima edizione, Comitato scientifico: Simona Brambilla, Giuseppe Frasso (Direttore), Alessandro Ghisalberti, Giuseppe Ledda, Paolo Pellegrini (Ravenna-Verona 25-31 agosto 2019)" class="work-thumbnail" src="https://attachments.academia-assets.com/61433695/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41194556/Scuola_estiva_internazionale_in_studi_danteschi_Tredicesima_edizione_Comitato_scientifico_Simona_Brambilla_Giuseppe_Frasso_Direttore_Alessandro_Ghisalberti_Giuseppe_Ledda_Paolo_Pellegrini_Ravenna_Verona_25_31_agosto_2019_">Scuola estiva internazionale in studi danteschi, Tredicesima edizione, Comitato scientifico: Simona Brambilla, Giuseppe Frasso (Direttore), Alessandro Ghisalberti, Giuseppe Ledda, Paolo Pellegrini (Ravenna-Verona 25-31 agosto 2019)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://sns.academia.edu/ClaudioCiociola">Claudio Ciociola</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unicat.academia.edu/EmilianoBertin">Emiliano Bertin</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">vd. anche https://www.academia.edu/44478375/Sandro_Morachioli_Ugolino_e_gli_artisti_Da_Botticelli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">vd. anche <a href="https://www.academia.edu/44478375/Sandro_Morachioli_Ugolino_e_gli_artisti_Da_Botticelli_a_Rodin_Premessa_di_Stefano_Carrai_Pisa_ETS_2020_Nella_torre_di_Ugolino_1_Serie_diretta_da_Claudio_Ciociola_" rel="nofollow">https://www.academia.edu/44478375/Sandro_Morachioli_Ugolino_e_gli_artisti_Da_Botticelli_a_Rodin_Premessa_di_Stefano_Carrai_Pisa_ETS_2020_Nella_torre_di_Ugolino_1_Serie_diretta_da_Claudio_Ciociola_</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span 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Gli animali nella "Commedia" di Dante. Intervista alla rivista on line "Letture.org"" class="work-thumbnail" src="https://attachments.academia-assets.com/61118629/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40833890/Il_bestiario_dellaldil%C3%A0_Gli_animali_nella_Commedia_di_Dante_Intervista_alla_rivista_on_line_Letture_org_">Il bestiario dell'aldilà. Gli animali nella "Commedia" di Dante. Intervista alla rivista on line "Letture.org"</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Intervista rilasciata alla rivista on line "Letture.org" sul volume "Il bestiario dell'aldilà. Gl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Intervista rilasciata alla rivista on line "Letture.org" sul volume "Il bestiario dell'aldilà. Gli animali nella 'Commedia' di Dante".</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce2737205b63af65359923348148c493" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61118629,"asset_id":40833890,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61118629/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40833890"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40833890"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40833890; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40833890]").text(description); $(".js-view-count[data-work-id=40833890]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40833890; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40833890']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40833890, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce2737205b63af65359923348148c493" } } $('.js-work-strip[data-work-id=40833890]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40833890,"title":"Il bestiario dell'aldilà. 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Dante: "Vita Nuova" e "Rime"»" class="work-thumbnail" src="https://attachments.academia-assets.com/61005000/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40718710/Convegno_internazionale_Per_rima_per_prosa_Dante_Vita_Nuova_e_Rime_">Convegno internazionale «Per rima, per prosa. Dante: "Vita Nuova" e "Rime"»</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unict.academia.edu/PietroCagni">Pietro Cagni</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/natasciatonelli">natascia tonelli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/MarcoGrimaldi">Marco Grimaldi</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/CasadeiAlberto">Casadei Alberto</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Catania, Monastero dei Benedettini, , 15-16 novembre 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5a13b9092d9a9777c220a00ab2161f2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61005000,"asset_id":40718710,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61005000/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40718710"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40718710"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40718710; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40718710]").text(description); $(".js-view-count[data-work-id=40718710]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40718710; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40718710']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40718710, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a5a13b9092d9a9777c220a00ab2161f2" } } $('.js-work-strip[data-work-id=40718710]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40718710,"title":"Convegno internazionale «Per rima, per prosa. 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data-work-id="110369385"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110369385/CALL_FOR_PAPERS_CONVEGNO_INTERNAZIONALE_LA_MONDIALIZZAZIONE_DI_DANTE_II_AREE_EXTRAEUROPEE_Nancy_10_11ottobre_2024_Bologna_Ravenna_22_23_novembre_2024"><img alt="Research paper thumbnail of CALL FOR PAPERS CONVEGNO INTERNAZIONALE LA MONDIALIZZAZIONE DI DANTE II: AREE EXTRAEUROPEE Nancy, 10-11ottobre 2024 - Bologna/Ravenna, 22-23 novembre 2024" class="work-thumbnail" src="https://attachments.academia-assets.com/112463234/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110369385/CALL_FOR_PAPERS_CONVEGNO_INTERNAZIONALE_LA_MONDIALIZZAZIONE_DI_DANTE_II_AREE_EXTRAEUROPEE_Nancy_10_11ottobre_2024_Bologna_Ravenna_22_23_novembre_2024">CALL FOR PAPERS CONVEGNO INTERNAZIONALE LA MONDIALIZZAZIONE DI DANTE II: AREE EXTRAEUROPEE Nancy, 10-11ottobre 2024 - Bologna/Ravenna, 22-23 novembre 2024</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Call for Papers per il CONVEGNO INTERNAZIONALE LA MONDIALIZZAZIONE DI DANTE II: AREE EXTRAEUROP...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Call for Papers per il CONVEGNO INTERNAZIONALE  LA MONDIALIZZAZIONE DI DANTE II: AREE EXTRAEUROPEE<br /><br />Il convegno si svolgerà in due tappe: la prima all’Università di Lorena 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class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/77258440/Alma_Dante_Seminario_dantesco_2022_Call_for_papers">Alma Dante - Seminario dantesco 2022 - Call for papers</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/GiuliaGaimari">Giulia Gaimari</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alma Dante - Seminario dantesco, giunto quest'anno alla settima edizione, è un convegno internazi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Alma Dante - Seminario dantesco, giunto quest'anno alla settima edizione, è un convegno internazionale i cui relatori sono studenti di dottorato, provenienti da università italiane e straniere, attualmente impegnati in progetti di ricerca di argomento dantesco. <br />L'edizione di quest'anno si svolgerà nei giorni 23-24 giugno 2022 presso l'Università di Bologna. <br />Il cfp contiene tutte le informazioni per l'invio delle proposte di partecipazione.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b4ef496adbaf2babc612c86ea9be5043" class="wp-workCard--action" 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class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44315169/Congresso_Dantesco_Internazionale_International_Dante_Conference_Alma_Dante_2021_Ravenna_15_18_settembre_2021_Bando_per_proposte_di_partecipazione_Call_for_Papers">Congresso Dantesco Internazionale / International Dante Conference "Alma Dante 2021" - Ravenna 15-18 settembre 2021 - Bando per proposte di partecipazione / Call for Papers</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dal 15 al 18 maggio 2021 si terrà a Ravenna la terza edizione del Congresso Dantesco Internaziona...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dal 15 al 18 maggio 2021 si terrà a Ravenna la terza edizione del Congresso Dantesco Internazionale / International Dante Conference "Alma Dante 2021", promossa dall'Università di Bologna in collaborazione con il Comune di Ravenna e con il patrocinio delle maggiori società scientifiche, letterarie e linguistiche interessate allo studio e alla divulgazione delle opere di Dante. Il fine del Congresso, che ha cadenza biennale, è quello di offrire a tutti gli studiosi di Dante e della sua fortuna la possibilità di incontrarsi, di presentare e discutere le proprie ricerche, di venire a conoscenza delle ricerche degli altri studiosi. La sede del congresso sarà la città di Ravenna, da sempre impegnata a promuovere lo studio e la lettura di Dante. <br />Sarà possibile partecipare anche da remoto. <br />Nel file allegato tutte le informazioni per l'iscrizione al Congresso.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="49991b16e5a7d91409f1e080cfbe0aca" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67500487,"asset_id":44315169,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67500487/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44315169"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44315169"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44315169; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44315169]").text(description); $(".js-view-count[data-work-id=44315169]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44315169; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44315169']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44315169, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "49991b16e5a7d91409f1e080cfbe0aca" } } $('.js-work-strip[data-work-id=44315169]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44315169,"title":"Congresso Dantesco Internazionale / International Dante Conference \"Alma Dante 2021\" - Ravenna 15-18 settembre 2021 - Bando per proposte di partecipazione / Call for Papers","translated_title":"","metadata":{"abstract":"Dal 15 al 18 maggio 2021 si terrà a Ravenna la terza edizione del Congresso Dantesco Internazionale / International Dante Conference \"Alma Dante 2021\", promossa dall'Università di Bologna in collaborazione con il Comune di Ravenna e con il patrocinio delle maggiori società scientifiche, letterarie e linguistiche interessate allo studio e alla divulgazione delle opere di Dante. 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data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42087131/Cfp_Alma_Dante_Seminario_dantesco_2020_Universit%C3%A0_di_Bologna_23_24_giugno_2020"><img alt="Research paper thumbnail of Cfp: Alma Dante - Seminario dantesco 2020 - Università di Bologna 23-24 giugno 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/62216552/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42087131/Cfp_Alma_Dante_Seminario_dantesco_2020_Universit%C3%A0_di_Bologna_23_24_giugno_2020">Cfp: Alma Dante - Seminario dantesco 2020 - Università di Bologna 23-24 giugno 2020</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unibg.academia.edu/AlessandraForte">Alessandra Forte</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">AlmaDante-Seminario dantesco, giunto quest'anno alla sesta edizione, è un convegno internazionale...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">AlmaDante-Seminario dantesco, giunto quest'anno alla sesta edizione, è un convegno internazionale i cui relatori sono studenti di dottorato, provenienti da università italiane e straniere, attualmente impegnati in progetti di ricerca di argomento dantesco. L'idea degli organizzatori nasce dal desiderio di dare ai giovani studiosi un'occasione per presentare alcuni tra i risultati più originali delle loro ricerche e discuterli con altri dottorandi e con studiosi più esperti. Possono partecipare al seminario studenti di dottorato attualmente in corso e dottori di ricerca che abbiano discusso la tesi nel 2019 o nei primi mesi del 2020. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37586385"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37586385/Congresso_Dantesco_Internazionale_International_Dante_Conference_Ravenna_29_maggio_1_giugno_2019_Bando_per_proposte_di_partecipazione_Call_for_papers"><img alt="Research paper thumbnail of Congresso Dantesco Internazionale / International Dante Conference, Ravenna 29 maggio - 1° giugno 2019 - Bando per proposte di partecipazione / Call for papers" class="work-thumbnail" src="https://attachments.academia-assets.com/58615969/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37586385/Congresso_Dantesco_Internazionale_International_Dante_Conference_Ravenna_29_maggio_1_giugno_2019_Bando_per_proposte_di_partecipazione_Call_for_papers">Congresso Dantesco Internazionale / International Dante Conference, Ravenna 29 maggio - 1° giugno 2019 - Bando per proposte di partecipazione / Call for papers</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Segnaliamo che mancano ormai pochi giorni alla scadenza del bando per l'invio di proposte di part...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Segnaliamo che mancano ormai pochi giorni alla scadenza del bando per l'invio di proposte di partecipazione al Congresso Dantesco Internazionale, fissata per il 25 marzo 2019. <br /> <br />Dal 29 maggio al 1° giugno 2019 si terrà a Ravenna la seconda edizione del Congresso Dantesco Internazionale / International Dante Conference “Alma Dante 2019”, promossa dall’Università di Bologna in collaborazione con il Comune di Ravenna e con il patrocinio delle maggiori società scientifiche, letterarie e linguistiche interessate allo studio e alla divulgazione delle opere di Dante. <br /> <br />Il fine del Congresso, che ha cadenza biennale, è quello di offrire a tutti gli studiosi di Dante e della sua fortuna la possibilità di incontrarsi, di presentare e discutere le proprie ricerche, di venire a conoscenza delle ricerche degli altri studiosi. <br /> <br />In allegato il bando con tutte le informazione per l'invio di una proposta di partecipazione.  <br />The second edition of the biennial Congresso Dantesco Internazionale / International Dante Conference “Alma Dante” will be held in Ravenna, 29 May – 1 June 2019, with the support of the University of Bologna, the City of Ravenna, and the major scientific, literary, and linguistic associations committed to the study and promotion of Dante’s works. <br />The conference offers all scholars of Dante’s works and reception an opportunity to meet, to present and discuss their own research, and to learn about others’. <br /> <br />Please find attached the call for papers.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2ddfffa6eb4594f8c8730bdf3fd41ed9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58615969,"asset_id":37586385,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58615969/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action 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href="https://www.academia.edu/36080996/Call_for_papers_AlmaDante_Seminario_dantesco_2018_Universit%C3%A0_di_Bologna_20_21_giugno_2018"><img alt="Research paper thumbnail of Call for papers: AlmaDante - Seminario dantesco 2018, Università di Bologna 20-21 giugno 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/56226341/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36080996/Call_for_papers_AlmaDante_Seminario_dantesco_2018_Universit%C3%A0_di_Bologna_20_21_giugno_2018">Call for papers: AlmaDante - Seminario dantesco 2018, Università di Bologna 20-21 giugno 2018</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibg.academia.edu/AlessandraForte">Alessandra Forte</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/GiuliaGaimari">Giulia Gaimari</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nei giorni 20 e 21 giugno si terrà, presso il Dipartimento di Filologia classica e Italianistica ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nei giorni 20 e 21 giugno si terrà, presso il Dipartimento di Filologia classica e Italianistica dell’Università di Bologna, AlmaDante - Seminario dantesco 2018. Possono partecipare al seminario studenti di dottorato attualmente in corso e dottori di ricerca che abbiano discusso la tesi nel 2017 o nei primi mesi del 2018. <br />The international postgraduate conference AlmaDante – Seminario Dantesco 2018 will be held on the 20th and 21st June 2018 at the Department of Classic Philology and Italian Studies of the University of Bologna. Current PhD candidates and those who have been awarded their PhD in 2017 or in the first months of 2018 are entitled to apply. Contributions both in Italian and English are welcomed.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="491e673cf031a229888dc910f9ef40af" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56226341,"asset_id":36080996,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56226341/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36080996"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36080996"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36080996; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36080996]").text(description); $(".js-view-count[data-work-id=36080996]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36080996; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36080996']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36080996, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "491e673cf031a229888dc910f9ef40af" } } $('.js-work-strip[data-work-id=36080996]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36080996,"title":"Call for papers: AlmaDante - Seminario dantesco 2018, Università di Bologna 20-21 giugno 2018","translated_title":"","metadata":{"abstract":"Nei giorni 20 e 21 giugno si terrà, presso il Dipartimento di Filologia classica e Italianistica dell’Università di Bologna, AlmaDante - Seminario dantesco 2018. 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International Dante Conference "Alma Dante 2017" - Ravenna, 24-27 maggio 2017 - Call for papers - Italiano / English" class="work-thumbnail" src="https://attachments.academia-assets.com/52191791/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/31557394/Congresso_Dantesco_Internazionale_International_Dante_Conference_Alma_Dante_2017_Ravenna_24_27_maggio_2017_Call_for_papers_Italiano_English">Congresso Dantesco Internazionale - International Dante Conference "Alma Dante 2017" - Ravenna, 24-27 maggio 2017 - Call for papers - Italiano / English</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dal 24 al 27 maggio 2017 si terrà a Ravenna la prima edizione del Congresso Dantesco Internaziona...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dal 24 al 27 maggio 2017 si terrà a Ravenna la prima edizione del Congresso Dantesco Internazionale / International Dante Conference " Alma Dante 2017 " , promossa dall'Università di Bologna in collaborazione con il Comune di Ravenna e con il patrocinio delle maggiori società scientifiche, letterarie e linguistiche interessate allo studio e alla divulgazione delle opere di Dante. Il fine del Congresso, che avrà cadenza biennale, è quello di offrire a tutti gli studiosi di Dante e della sua fortuna la possibilità di incontrarsi, di presentare e discutere le proprie ricerche, di venire a conoscenza delle ricerche degli altri studiosi. La sede del congresso sarà la città di Ravenna, da sempre impegnata a promuovere lo studio e la lettura di Dante.<br />In allegato il call for papers con tutte le informazioni.<br /><br />The inaugural conference of the Congresso Dantesco Internazionale / International Dante Conference “Alma Dante” will be held in Ravenna, 24-27 May 2017, with the support of the University of Bologna, the City of Ravenna, and the major scientific, literary, and linguistic associations committed to the study and promotion of Dante’s works.<br />This biennial conference will offer all scholars of Dante’s works and reception an opportunity to meet, to present and discuss their own research, and to learn about others’.<br />The seat of the conference will be Ravenna, a city long dedicated to supporting Dante scholarship and readership.<br />Please find attached the call for papers with all the information.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5dc3549e75f0a75f84ecd7900f53e6ff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52191791,"asset_id":31557394,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52191791/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31557394"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31557394"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31557394; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31557394]").text(description); $(".js-view-count[data-work-id=31557394]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31557394; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31557394']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 31557394, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5dc3549e75f0a75f84ecd7900f53e6ff" } } $('.js-work-strip[data-work-id=31557394]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31557394,"title":"Congresso Dantesco Internazionale - International Dante Conference \"Alma Dante 2017\" - Ravenna, 24-27 maggio 2017 - Call for papers - Italiano / English","translated_title":"","metadata":{"abstract":"Dal 24 al 27 maggio 2017 si terrà a Ravenna la prima edizione del Congresso Dantesco Internazionale / International Dante Conference \" Alma Dante 2017 \" , promossa dall'Università di Bologna in collaborazione con il Comune di Ravenna e con il patrocinio delle maggiori società scientifiche, letterarie e linguistiche interessate allo studio e alla divulgazione delle opere di Dante. Il fine del Congresso, che avrà cadenza biennale, è quello di offrire a tutti gli studiosi di Dante e della sua fortuna la possibilità di incontrarsi, di presentare e discutere le proprie ricerche, di venire a conoscenza delle ricerche degli altri studiosi. 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data-work-id="24427885"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/24427885/Le_culture_di_Dante_2016_"><img alt="Research paper thumbnail of Le culture di Dante (2016)" class="work-thumbnail" src="https://attachments.academia-assets.com/44757919/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24427885/Le_culture_di_Dante_2016_">Le culture di Dante (2016)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/LorenzoGeri">Lorenzo Geri</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/MarcoGrimaldi">Marco Grimaldi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/LucaLombardo">Luca Lombardo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniromatre.academia.edu/VeronicaAlbi">Veronica Albi</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://dicospe.academia.edu/MiraMocan">Mira Mocan</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il seminario si propone di affrontare il problema, complesso e articolato, del vario apporto di d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il seminario si propone di affrontare il problema, complesso e articolato, del vario apporto di diversi ambiti della cultura medievale nella formazione intellettuale di Dante e nella definizione della sua poetica: dalla cultura classica a quella romanza, da quella mediolatina a quella religiosa. Inserendosi nel vivo di uno dei filoni più proficui della dantistica recente, quello dell’indagine della formazione della cultura di Dante e del portato di diversi ambiti culturali alla poetica enciclopedica della Commedia, l’incontro si propone di presentare e concretamente discutere alcuni specifici casi di studio al fine di offrire una panoramica più completa possibile e di favorire il dibattito su questo nodo degli attuali studi danteschi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="524cf7f5e558af62782ec3e7bd80315d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44757919,"asset_id":24427885,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44757919/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24427885"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24427885"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24427885; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24427885]").text(description); $(".js-view-count[data-work-id=24427885]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24427885; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24427885']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 24427885, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "524cf7f5e558af62782ec3e7bd80315d" } } $('.js-work-strip[data-work-id=24427885]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24427885,"title":"Le culture di Dante (2016)","translated_title":"","metadata":{"time":{"end_hour":19,"start_hour":15,"errors":{}},"abstract":"Il seminario si propone di affrontare il problema, complesso e articolato, del vario apporto di diversi ambiti della cultura medievale nella formazione intellettuale di Dante e nella definizione della sua poetica: dalla cultura classica a quella romanza, da quella mediolatina a quella religiosa. 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data-work-id="35758411"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35758411/Bibliografia_Dantesca_Internazionale_International_Dante_Bibliography"><img alt="Research paper thumbnail of Bibliografia Dantesca Internazionale - International Dante Bibliography" class="work-thumbnail" src="https://attachments.academia-assets.com/55634117/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35758411/Bibliografia_Dantesca_Internazionale_International_Dante_Bibliography">Bibliografia Dantesca Internazionale - International Dante Bibliography</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/ElisaBrilli">Elisa Brilli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/DanteSocietyofAmerica">Dante Society of America</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Official announcement - January 2018. 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Via Paradiso 12, Aula B, ore 10. Giornata di studio "La genealogia e lo stemma dei 500 manoscritti tosco-fiorentini della Commedia" (Belloni, Ledda, Mazzucchi su Tonello)" class="work-thumbnail" src="https://attachments.academia-assets.com/57769943/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37774134/Ferrara_11_dicembre_2018_Via_Paradiso_12_Aula_B_ore_10_Giornata_di_studio_La_genealogia_e_lo_stemma_dei_500_manoscritti_tosco_fiorentini_della_Commedia_Belloni_Ledda_Mazzucchi_su_Tonello_">Ferrara, 11 dicembre 2018. Via Paradiso 12, Aula B, ore 10. Giornata di studio "La genealogia e lo stemma dei 500 manoscritti tosco-fiorentini della Commedia" (Belloni, Ledda, Mazzucchi su Tonello)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ferrara.academia.edu/PaoloTrovato">Paolo Trovato</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unisa.academia.edu/ElisabettaTonello">Elisabetta Tonello</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Presentazione di E. Tonello, Sulla tradizione tosco-fiorentina della Commedia di Dante (secoli XI...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Presentazione di E. Tonello, Sulla tradizione tosco-fiorentina della Commedia di Dante (secoli XIV-XV), Padova, libreriauniversitaria.it., 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="28252778959b75a19ea07213dc2c6275" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57769943,"asset_id":37774134,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57769943/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37774134"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37774134"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37774134; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37774134]").text(description); $(".js-view-count[data-work-id=37774134]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37774134; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37774134']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37774134, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "28252778959b75a19ea07213dc2c6275" } } $('.js-work-strip[data-work-id=37774134]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37774134,"title":"Ferrara, 11 dicembre 2018. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9702316" id="annaliditalianistica"><div class="js-work-strip profile--work_container" data-work-id="40374289"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40374289/CALL_FOR_PAPERS_DANTE_2021_UNHOLY_AND_HOLY_VIOLENCE_SILENCE_NAMES_WORDS_Annali_dItalianistica_39_2021_"><img alt="Research paper thumbnail of CALL FOR PAPERS: DANTE 2021: UNHOLY AND HOLY VIOLENCE, SILENCE, NAMES, WORDS «Annali d'Italianistica», 39 (2021)" class="work-thumbnail" src="https://attachments.academia-assets.com/64376515/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40374289/CALL_FOR_PAPERS_DANTE_2021_UNHOLY_AND_HOLY_VIOLENCE_SILENCE_NAMES_WORDS_Annali_dItalianistica_39_2021_">CALL FOR PAPERS: DANTE 2021: UNHOLY AND HOLY VIOLENCE, SILENCE, NAMES, WORDS «Annali d'Italianistica», 39 (2021)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://olemiss.academia.edu/ValerioCappozzo">Valerio Cappozzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://yale.academia.edu/HeatherWebb">Heather Webb</a></span></div><div class="wp-workCard_item"><span>Annali d'Italianistica</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">To celebrate the seventh centenary of Dante’s death in 2021, AdI plans to devote its 39th monogra...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">To celebrate the seventh centenary of Dante’s death in 2021, AdI plans to devote its 39th monographic volume to the connections between Christ’s violent sacrifice—the sine qua non for Everyman’s salvation—and the poetic rendering of the Pilgrim’s journey from Hell to Purgatory and Paradise. To this purpose, the editors of the volume plan to organize several sessions at national and international conventions on the volume’s topic and welcomes paper proposals on the following issues: the torments of the damned in Inferno as a parody of Christ’s salvific sacrifice; the sufferings of the purgatorial souls, who, contrary to those in Hell, shed no blood, as the manifestation of their full acceptance of Christ’s Redemption; and the singing, dancing, and splendor of the blessed in Heaven as the glorification of Christ’s redemptive death. Although not sharing in the torments of the souls in Hell, the Pilgrim actively participates in the purifications of Purgatory and in the joy of the blessed. Dante the Poet plies his poetic craft to describe appropriately the spiritual condition of the souls and the Pilgrim’s journey in the afterlife. Dante the Poet does not eschew—in fact, he embraces it realistically and/or metaphorically—the language of violence needed to narrate the experience of the souls and of the Pilgrim in his threefold journey. Thus, for instance, the two terms which Capaneus employs to describe realistically his own defeat by Jove, folgore and percuotere, are the same that Dante the Poet uses to describe metaphorically the Pilgrim’s vision of the Triune God in Paradise. Also, word(s) and silence(s) characterize the souls’ experiences and the Pilgrim’s voyage. Thus, Dante’s name—which, like Christ’s, is never written or uttered in Inferno—is pronounced once only, by Beatrice, in an accusatory manner in Purgatorio, and never in Paradiso, where his name is known to all the blessed and loved by them, thus becoming synonymous with the Augustinian definition of verbum: “cum amore notitia” (“knowledge with love,” De Trinitate 9: 10.15).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4829c6309707200fd85af810ae5c1633" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64376515,"asset_id":40374289,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64376515/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40374289"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40374289"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40374289; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40374289]").text(description); $(".js-view-count[data-work-id=40374289]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40374289; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40374289']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40374289, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4829c6309707200fd85af810ae5c1633" } } $('.js-work-strip[data-work-id=40374289]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40374289,"title":"CALL FOR PAPERS: DANTE 2021: UNHOLY AND HOLY VIOLENCE, SILENCE, NAMES, WORDS «Annali d'Italianistica», 39 (2021)","translated_title":"","metadata":{"abstract":"To celebrate the seventh centenary of Dante’s death in 2021, AdI plans to devote its 39th monographic volume to the connections between Christ’s violent sacrifice—the sine qua non for Everyman’s salvation—and the poetic rendering of the Pilgrim’s journey from Hell to Purgatory and Paradise. To this purpose, the editors of the volume plan to organize several sessions at national and international conventions on the volume’s topic and welcomes paper proposals on the following issues: the torments of the damned in Inferno as a parody of Christ’s salvific sacrifice; the sufferings of the purgatorial souls, who, contrary to those in Hell, shed no blood, as the manifestation of their full acceptance of Christ’s Redemption; and the singing, dancing, and splendor of the blessed in Heaven as the glorification of Christ’s redemptive death. Although not sharing in the torments of the souls in Hell, the Pilgrim actively participates in the purifications of Purgatory and in the joy of the blessed. Dante the Poet plies his poetic craft to describe appropriately the spiritual condition of the souls and the Pilgrim’s journey in the afterlife. 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autoritadi». il contesto di formazione e diffusione culturale del Poema dantesco. Firenze, Società Dantesca Italiana / Pisa, Scuola Normale Superiore, 29-31 ottobre 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/63309541/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43050331/_Per_intelletto_umano_e_Per_autoritadi_il_contesto_di_formazione_e_diffusione_culturale_del_Poema_dantesco_Firenze_Societ%C3%A0_Dantesca_Italiana_Pisa_Scuola_Normale_Superiore_29_31_ottobre_2020">«Per intelletto umano / e Per autoritadi». il contesto di formazione e diffusione culturale del Poema dantesco. Firenze, Società Dantesca Italiana / Pisa, Scuola Normale Superiore, 29-31 ottobre 2020</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://bdfinance.academia.edu/MichelangeloZaccarello">Michelangelo Zaccarello</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/MirkoTavoni">Mirko Tavoni</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/RaffaelePinto">Raffaele Pinto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://durham.academia.edu/LorenzoDellOso">Lorenzo Dell’Oso</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/GaiaTomazzoli">Gaia Tomazzoli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://pisa.academia.edu/LeylaLivraghi">Leyla Livraghi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Fra i settori degli studi danteschi che hanno conosciuto un maggiore progresso negli ultimi anni,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fra i settori degli studi danteschi che hanno conosciuto un maggiore progresso negli ultimi anni, un posto di rilievo spetta alle ricerche sul contesto sociale e culturale in cui il Poeta si è formato, fra gli ambienti fiorentini delle grandi biblioteche, come S. Croce e S. M. Novella, e quelli bolognesi delle disputationes laiche o religiose. Prima ancora dell'apporto decisivo degli ambienti e dei contatti dell'esilio, Dante aveva immagazzinato, grazie anche alla prodigiosa memoria, uno straordinario bagaglio di auctoritates che lo accompagnerà per tutta la vita, nella complessa stratigrafia del poema come nelle opere minori. Grazie a una nuova mappatura digitale della conoscenza dantesca espressa dal secolare commento, il progetto Hypermedia Dante Network-finanziato nell'ambito del PRIN 2017, settore SH5-permette di estendere e integrare l'analisi della multiforme cultura dantesca, dalle fonti classiche alle compilazioni scientifiche, dalle raccolte sapienziali ai cicli cavallereschi romanzi, con nuove indagini basate sugli standard del Semantic Web. Attraverso un bilancio delle più recenti acquisizioni in questo campo, il presente convegno intende offrire una panoramica delle attuali direzioni di ricerca relative a quest'importante settore degli studi danteschi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8367b2a67544d0d158513aef80a86676" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63309541,"asset_id":43050331,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63309541/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43050331"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43050331"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43050331; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43050331]").text(description); $(".js-view-count[data-work-id=43050331]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43050331; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43050331']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43050331, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8367b2a67544d0d158513aef80a86676" } } $('.js-work-strip[data-work-id=43050331]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43050331,"title":"«Per intelletto umano / e Per autoritadi». il contesto di formazione e diffusione culturale del Poema dantesco. 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Vita nova · Fiore · Epistola XIII" class="work-thumbnail" src="https://attachments.academia-assets.com/61078618/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40796247/eBook_Atti_degli_incontri_sulle_Opere_di_Dante_1_Vita_nova_Fiore_Epistola_XIII">eBook - Atti degli incontri sulle Opere di Dante. 1. Vita nova · Fiore · Epistola XIII</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://paris-sorbonne.academia.edu/ManueleGragnolati">Manuele Gragnolati</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibg.academia.edu/LucaCarloRossi">Luca Carlo Rossi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unisi.academia.edu/natasciatonelli">natascia tonelli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casad...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. 🔗 <a href="https://bit.ly/2JCe5kG" rel="nofollow">https://bit.ly/2JCe5kG</a>. Il volume, qui in formato PDF, raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinario passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altri poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione  sui sensi retorici del linguaggio poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lirica duecentesca. Volgarizzamento,riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta.<br />Contributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.<br />PDF: <a href="https://www.hoepli.it/ebook/atti-degli-incontri-sulle-opere-di-dante-i-vita-nova-fiore-epistola-xiii/9788884509413.html" rel="nofollow">https://www.hoepli.it/ebook/atti-degli-incontri-sulle-opere-di-dante-i-vita-nova-fiore-epistola-xiii/9788884509413.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="01b170f7c1dbd8cfc08bbd1f869a2940" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61078618,"asset_id":40796247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61078618/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40796247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40796247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40796247; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40796247]").text(description); $(".js-view-count[data-work-id=40796247]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40796247; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40796247']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40796247, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "01b170f7c1dbd8cfc08bbd1f869a2940" } } $('.js-work-strip[data-work-id=40796247]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40796247,"title":"eBook - Atti degli incontri sulle Opere di Dante. 1. 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L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altri poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione sui sensi retorici del linguaggio poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lirica duecentesca. Volgarizzamento,riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. Sul versante attributivo, una tra le opere dantesche più problematiche e discusse è certamente l’Epistola XIII a Cangrande della Scala: il dibattito è sempre più sottile, assestato com’è su un terreno cronologicamente molto vicino alla data di mor te del Poeta.\nContributi di: Paola Allegretti, Erminia Ardissino, Furio Brugnolo, Alberto Casadei, Marcello Ciccuto, Paolo De Ventura, Luciano Formisano, Manuele Gragnolati, Giuseppe Indizio, Giuseppe Ledda, Elena Lombardi, Lino Pertile, Donato Pirovano, Roberto Rea, Luca Carlo Rossi, Pasquale Stoppelli, Natascia Tonelli, Marco Veglia.\nPDF: https://www.hoepli.it/ebook/atti-degli-incontri-sulle-opere-di-dante-i-vita-nova-fiore-epistola-xiii/9788884509413.html"},"translated_abstract":"A cura di Manuele Gragnolati, Luca Carlo Rossi, Paola Allegretti, Natascia Tonelli, Alberto Casadei. 🔗 https://bit.ly/2JCe5kG. Il volume, qui in formato PDF, raccoglie i testi di quattro Workshop tenuti a Firenze, presso la Società Dantesca Italiana: i due dedicati alla «Vita nova» progettati da Manuele Gragnolati e Luca Carlo Rossi (WS 4-5, 2015), quello dedicato al «Fiore» progettato da Natascia Tonelli (WS 2, 2014), e quello dedicato all’«Epistola XIII» progettato da Alberto Casadei (WS 1, 2013). La ricchezza del risultato è anche nella pluralità dei punti di vista, dei metodi e dei problemi. Punto di arrivo di studi decennali e base di partenza per future ricerche. La «Vita nova», una delle più dense e seducenti opere dantesche, è una complessa riorganizzazione di uno straordinario passato poetico. L’autoesegesi in prosa si affianca alla riscrittura delle rime, al dialogo con altri poeti, al discorso filosofico, all’ineffabile mistico, alla riflessione sui sensi retorici del linguaggio poetico e sulla semantica salvifica delle parole, dei numeri e dei nomi. Il libello si organizza e prende forma parallelamente al suo autore. Le geniali strategie della costruzione di modelli complessi (testo, autore e storia dell’autore) procedono con modifiche e adattamenti puntualmente e sagacemente analizzati negli studi che qui si presentano. I due poemetti anepigrafi, noti con i nomi moderni di Fiore e Detto d’Amore, sono opera di un autore genialmente attento alla riscrittura del modello, il Roman de la Rose, e molto aggiornato sui contenuti e sulle forme metriche della lirica duecentesca. Volgarizzamento,riduzione, citazione e parodia sono tecniche magistralmente adoperate. Tra i contributi, le ultime documentatissime discussioni pro e contra la paternità dantesca e, per la prima volta, un esame dello statuto scientifico dell’attribuzione tardo-trecentesca a Dante. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10694904" id="conferenceorganisation"><div class="js-work-strip profile--work_container" data-work-id="44252518"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44252518/_Per_intelletto_umano_e_Per_autoritadi_il_contesto_di_formazione_e_diffusione_culturale_del_Poema_dantesco"><img alt="Research paper thumbnail of «Per intelletto umano / e Per autoritadi». il contesto di formazione e diffusione culturale del Poema dantesco" class="work-thumbnail" src="https://attachments.academia-assets.com/64625693/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44252518/_Per_intelletto_umano_e_Per_autoritadi_il_contesto_di_formazione_e_diffusione_culturale_del_Poema_dantesco">«Per intelletto umano / e Per autoritadi». il contesto di formazione e diffusione culturale del Poema dantesco</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://bdfinance.academia.edu/MichelangeloZaccarello">Michelangelo Zaccarello</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://pisa.academia.edu/LeylaLivraghi">Leyla Livraghi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://univ-gustave-eiffel.academia.edu/GiulianoMilani">Giuliano Milani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unive.academia.edu/AntonioMontefusco">Antonio Montefusco</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ub.academia.edu/RaffaelePinto">Raffaele Pinto</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/GaiaTomazzoli">Gaia Tomazzoli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ferrara.academia.edu/SandroBertelli">Sandro Bertelli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://durham.academia.edu/LorenzoDellOso">Lorenzo Dell’Oso</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/MirkoTavoni">Mirko Tavoni</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://vocabolario.academia.edu/LeonardoCanova">Leonardo Canova</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mi.academia.edu/DonatoPirovano">Donato Pirovano</a></span></div><div class="wp-workCard_item"><span>Convegno internazionale di Firenze-Pisa</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Fra i settori degli studi danteschi che hanno conosciuto un maggiore progresso negli ultimi anni,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fra i settori degli studi danteschi che hanno conosciuto un maggiore progresso negli ultimi anni, un posto di rilievo spetta alle ricerche sul contesto sociale e culturale in cui il Poeta si è formato, fra gli ambienti fiorentini delle grandi biblioteche, come S. Croce e S. M. Novella, e quelli bolognesi delle disputationes laiche o religiose. Prima ancora dell'apporto decisivo degli ambienti e dei contatti dell'esilio, Dante aveva immagazzinato, grazie anche alla prodigiosa memoria, uno straordinario bagaglio di auctoritates che lo accompagnerà per tutta la vita, nella complessa stratigrafia del poema come nelle opere minori. Grazie a una nuova mappatura digitale della conoscenza dantesca espressa dal secolare commento, il progetto Hypermedia Dante Network-finanziato nell'ambito del PRIN 2017, settore SH5-permette di estendere e integrare l'analisi della multiforme cultura dantesca, dalle fonti classiche alle compilazioni scientifiche, dalle raccolte sapienziali ai cicli cavallereschi romanzi, con nuove indagini basate sugli standard del Semantic Web. Attraverso un bilancio delle più recenti acquisizioni in questo campo, il presente convegno intende offrire una panoramica delle attuali direzioni di ricerca relative a quest'importante settore degli studi danteschi. INTERVERRANNO Photo credits: IMAGO. La nobiltà del facsimile (<a href="https://imagosrl.eu/" rel="nofollow">https://imagosrl.eu/</a>)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7a8353509d3ea2ddd264c9e9129a2993" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64625693,"asset_id":44252518,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64625693/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44252518"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44252518"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44252518; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44252518]").text(description); $(".js-view-count[data-work-id=44252518]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44252518; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44252518']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44252518, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7a8353509d3ea2ddd264c9e9129a2993" } } $('.js-work-strip[data-work-id=44252518]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44252518,"title":"«Per intelletto umano / e Per autoritadi». il contesto di formazione e diffusione culturale del Poema dantesco","translated_title":"","metadata":{"abstract":"Fra i settori degli studi danteschi che hanno conosciuto un maggiore progresso negli ultimi anni, un posto di rilievo spetta alle ricerche sul contesto sociale e culturale in cui il Poeta si è formato, fra gli ambienti fiorentini delle grandi biblioteche, come S. Croce e S. M. Novella, e quelli bolognesi delle disputationes laiche o religiose. Prima ancora dell'apporto decisivo degli ambienti e dei contatti dell'esilio, Dante aveva immagazzinato, grazie anche alla prodigiosa memoria, uno straordinario bagaglio di auctoritates che lo accompagnerà per tutta la vita, nella complessa stratigrafia del poema come nelle opere minori. Grazie a una nuova mappatura digitale della conoscenza dantesca espressa dal secolare commento, il progetto Hypermedia Dante Network-finanziato nell'ambito del PRIN 2017, settore SH5-permette di estendere e integrare l'analisi della multiforme cultura dantesca, dalle fonti classiche alle compilazioni scientifiche, dalle raccolte sapienziali ai cicli cavallereschi romanzi, con nuove indagini basate sugli standard del Semantic Web. Attraverso un bilancio delle più recenti acquisizioni in questo campo, il presente convegno intende offrire una panoramica delle attuali direzioni di ricerca relative a quest'importante settore degli studi danteschi. INTERVERRANNO Photo credits: IMAGO. La nobiltà del facsimile (https://imagosrl.eu/)","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Convegno internazionale di Firenze-Pisa"},"translated_abstract":"Fra i settori degli studi danteschi che hanno conosciuto un maggiore progresso negli ultimi anni, un posto di rilievo spetta alle ricerche sul contesto sociale e culturale in cui il Poeta si è formato, fra gli ambienti fiorentini delle grandi biblioteche, come S. Croce e S. M. Novella, e quelli bolognesi delle disputationes laiche o religiose. 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Come ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Registrazione via email a <a href="mailto:bernhard.huss@fu-berlin.de" rel="nofollow">bernhard.huss@fu-berlin.de</a><br /><br />Il bestiario del Purgatorio dantesco.<br />Come in tutto il poema, anche nel Purgatorio la presenza dei riferimenti agli animali ha uno spazio ampio e importante. Attivando i valori simbolici attribuiti agli animali nella cultura medievale si disegna un percorso poetico coerente che contribuisce in modo decisivo a rappresentare il significato della condizione purgatoriale.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d8fd9080685585c4b4ca095994e5b7fa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66227031,"asset_id":46466570,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66227031/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46466570"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46466570"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46466570; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46466570]").text(description); $(".js-view-count[data-work-id=46466570]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46466570; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46466570']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46466570, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d8fd9080685585c4b4ca095994e5b7fa" } } $('.js-work-strip[data-work-id=46466570]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46466570,"title":"Presentazione online: Giuseppe LEDDA, \"Il bestiario del Purgatorio dantesco\", FU Berlin / Italienzentrum, 28.06.21, 18:15 CET","translated_title":"","metadata":{"abstract":"Registrazione via email a bernhard.huss@fu-berlin.de\n\nIl bestiario del Purgatorio dantesco.\nCome in tutto il poema, anche nel Purgatorio la presenza dei riferimenti agli animali ha uno spazio ampio e importante. 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Ein Aufstieg auf den Läuterungsberg. Mit GASTAUFTRITTEN Candido, Ciccuto, Ledda, Regn, Tavoni" class="work-thumbnail" src="https://attachments.academia-assets.com/66096782/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45610339/Ab_12_04_immer_Mo_18_20_%C3%B6ffentliche_Vorlesung_SALIRE_AL_PARADISO_Ein_Aufstieg_auf_den_L%C3%A4uterungsberg_Mit_GASTAUFTRITTEN_Candido_Ciccuto_Ledda_Regn_Tavoni">Ab 12.04, immer Mo 18-20: öffentliche Vorlesung "SALIRE AL PARADISO". Ein Aufstieg auf den Läuterungsberg. Mit GASTAUFTRITTEN Candido, Ciccuto, Ledda, Regn, Tavoni</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://fu-berlin.academia.edu/BernhardHuss">Bernhard Huss</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://tcd.academia.edu/IgorCandido">Igor Candido</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/MirkoTavoni">Mirko Tavoni</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">a partire dal 12 aprile, sempre lunedì 18-20: corso pubblico "SALIRE AL PARADISO". Lecturae del P...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">a partire dal 12 aprile, sempre lunedì 18-20: corso pubblico "SALIRE AL PARADISO". Lecturae del Purgatorio, con ospiti (Candido, Ciccuto, Ledda, Regn, Tavoni)<br /><br />Anmeldung/Registrazione: <a href="mailto:bernhard.huss@fu-berlin.de" rel="nofollow">bernhard.huss@fu-berlin.de</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="26e9aadaefd6cf92728bdc4c83d0cf8b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66096782,"asset_id":45610339,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66096782/download_file?st=MTczMjgxMTQ5MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45610339"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45610339"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45610339; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45610339]").text(description); $(".js-view-count[data-work-id=45610339]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45610339; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45610339']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45610339, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "26e9aadaefd6cf92728bdc4c83d0cf8b" } } $('.js-work-strip[data-work-id=45610339]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45610339,"title":"Ab 12.04, immer Mo 18-20: öffentliche Vorlesung \"SALIRE AL PARADISO\". 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