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Imagen fotográfica y arte contemporáneo en Colombia de Efrén Giraldo</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="643364" href="https://udea.academia.edu/CarlosVanegas"><img alt="Profile image of Carlos Vanegas" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/643364/12800087/147812360/s65_carlos.vanegas.jpeg" />Carlos Vanegas</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2013, Cuadernos De Musica Artes Visuales Y Artes Escenicas</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">5 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 76040854; 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Y, claramente, debe entenderse dicha utilización desde la perspectiva del usuario que se preocupa por las formas de consumo y utilización de lo fotográfico...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Los límites del índice: imagen fotográfica y arte contemporáneo en Colombia","attachmentId":40154360,"attachmentType":"pdf","work_url":"https://www.academia.edu/18607123/Los_l%C3%ADmites_del_%C3%ADndice_imagen_fotogr%C3%A1fica_y_arte_contempor%C3%A1neo_en_Colombia","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/18607123/Los_l%C3%ADmites_del_%C3%ADndice_imagen_fotogr%C3%A1fica_y_arte_contempor%C3%A1neo_en_Colombia"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="113486570" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/113486570/La_pulsi%C3%B3n_cartogr%C3%A1fica_en_el_arte_contempor%C3%A1neo_colombiano">La pulsión cartográfica en el arte contemporáneo colombiano</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="65311979" href="https://independent.academia.edu/BTJuan">Juan Bermúdez Tobón</a></div><p class="ds-related-work--metadata ds2-5-body-xs">La pulsión cartográfica en el arte contemporáneo colombiano- Reconocimientos a la crítica y el ensayo. Arte en Colombia/Universidad de los Andes y Ministerio de Cultura , 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">Este ensayo se concentra en reconstruir una tendencia importante del arte contemporáneo colombiano, que ha mostrado un evidente interés no solo por la cartografía en sí misma, sino también por levantar otras bien distintas de las convencionales, ya sea acentuando su registro flexible (mapas débiles, obligados a una constante actualización y/o conscientes de su condición de documento en tiempo real) o mediante aproximaciones que descomponen la convencional territorialización del espacio.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La pulsión cartográfica en el arte contemporáneo colombiano","attachmentId":110433247,"attachmentType":"pdf","work_url":"https://www.academia.edu/113486570/La_pulsi%C3%B3n_cartogr%C3%A1fica_en_el_arte_contempor%C3%A1neo_colombiano","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/113486570/La_pulsi%C3%B3n_cartogr%C3%A1fica_en_el_arte_contempor%C3%A1neo_colombiano"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="6612719" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/6612719/Entre_planos_abstracci%C3%B3n_y_paisaje_en_el_arte_colombiano">Entre planos: abstracción y paisaje en el arte colombiano</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4940459" href="https://independent.academia.edu/Nicol%C3%A1sG%C3%B3mez">Nicolás Gómez</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Entre planos: abstracción y paisaje en el arte colombiano","attachmentId":33354816,"attachmentType":"pdf","work_url":"https://www.academia.edu/6612719/Entre_planos_abstracci%C3%B3n_y_paisaje_en_el_arte_colombiano","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/6612719/Entre_planos_abstracci%C3%B3n_y_paisaje_en_el_arte_colombiano"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="95701296" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/95701296/M%C3%A1s_all%C3%A1_de_los_l%C3%ADmites_Latinoam%C3%A9rica_y_la_historia_de_la_fotograf%C3%ADa">Más allá de los límites. Latinoamérica y la historia de la fotografía</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5341166" href="https://independent.academia.edu/PilarMonroy">Pilar Monroy</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Anales del Instituto de Investigaciones Estéticas</p><p class="ds-related-work--abstract ds2-5-body-sm">La historia de la fotografía, tradicionalmente, la han escrito las naciones dominantes. En un principio, el enfoque fue, sobre todo, técnico y eurocéntrico, pero también estadounidense, a partir de la Historia de la fotografía de Newhall. El presente artículo revisa algunos textos que forman parte de la historiografía de la fotografía, y busca identificar cómo se formó el concepto de fotografía latinoamericana.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Más allá de los límites. Latinoamérica y la historia de la fotografía","attachmentId":97810886,"attachmentType":"pdf","work_url":"https://www.academia.edu/95701296/M%C3%A1s_all%C3%A1_de_los_l%C3%ADmites_Latinoam%C3%A9rica_y_la_historia_de_la_fotograf%C3%ADa","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/95701296/M%C3%A1s_all%C3%A1_de_los_l%C3%ADmites_Latinoam%C3%A9rica_y_la_historia_de_la_fotograf%C3%ADa"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="50208693" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/50208693/La_fotograf%C3%ADa_dentro_de_la_investigaci%C3%B3n_de_los_oficios_del_Paisaje_Cultural_Cafetero_Colombiano">La fotografía dentro de la investigación de los oficios del Paisaje Cultural Cafetero Colombiano</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7539903" href="https://ucp-co.academia.edu/YaffaGomez">Yaffa N Gomez</a></div><p class="ds-related-work--metadata ds2-5-body-xs">A través del territorio, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">La fotografía se convierte en metodología y resultado dentro de la investigación de los oficios del paisaje cultural cafetero, de manera que en el capitulo se explica la orientación y aprovechamiento de este recurso.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La fotografía dentro de la investigación de los oficios del Paisaje Cultural Cafetero Colombiano","attachmentId":68279865,"attachmentType":"pdf","work_url":"https://www.academia.edu/50208693/La_fotograf%C3%ADa_dentro_de_la_investigaci%C3%B3n_de_los_oficios_del_Paisaje_Cultural_Cafetero_Colombiano","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/50208693/La_fotograf%C3%ADa_dentro_de_la_investigaci%C3%B3n_de_los_oficios_del_Paisaje_Cultural_Cafetero_Colombiano"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="107036678" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/107036678/_Im%C3%A1genes_viajeras_y_dogmas_en_definici%C3%B3n_Gregorio_Fern%C3%A1ndez_Luisa_de_la_Ascensi%C3%B3n_y_la_Inmaculada_Concepci%C3%B3n_En_Juli%C3%A1n_Hoyos_Alonso_y_Ma_Jos%C3%A9_Zapara%C3%ADn_Y%C3%A1%C3%B1ez_eds_Mujeres_arte_y_patrimonio_Hilos_de_oro_en_el_lienzo_del_tiempo_Trea_2023_pp_167_184">“Imágenes viajeras y dogmas en definición. Gregorio Fernández, Luisa de la Ascensión y la Inmaculada Concepción”. En Julián Hoyos Alonso y Mª José Zaparaín Yáñez (eds.), Mujeres, arte y patrimonio. Hilos de oro en el lienzo del tiempo. Trea, 2023, pp. 167-184</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="61364511" href="https://uva-es.academia.edu/Ram%C3%B3nP%C3%A9rezdeCastro">Ramón Pérez de Castro</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Mujeres, arte y patrimonio. Hilos de oro en el lienzo del tiempo, 2023</p><p class="ds-related-work--abstract ds2-5-body-sm">El trabajo estudia el origen y éxito del modelo escultórico de las Inmaculadas de Gregorio Fernández analizando el contexto social, religioso y político en el que se creó la imagen sagrada, el papel que en ello jugó la M. Luisa de la Ascensión y las conexiones e influencias con la Corte y con el proceso de definición del dogma durante el reinado de Felipe III. El estudio de la imagen y su pronta repercusión global (tanto en España como en América) a través de copias, réplicas y verdaderos retratos o los esfuerzos por crear un modelo icónico de referencia con base en lo sobrenatural destacan esta obra entre las salidas de la gubia del escultor barroco.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Imágenes viajeras y dogmas en definición. Gregorio Fernández, Luisa de la Ascensión y la Inmaculada Concepción”. En Julián Hoyos Alonso y Mª José Zaparaín Yáñez (eds.), Mujeres, arte y patrimonio. Hilos de oro en el lienzo del tiempo. Trea, 2023, pp. 167-184","attachmentId":105883270,"attachmentType":"pdf","work_url":"https://www.academia.edu/107036678/_Im%C3%A1genes_viajeras_y_dogmas_en_definici%C3%B3n_Gregorio_Fern%C3%A1ndez_Luisa_de_la_Ascensi%C3%B3n_y_la_Inmaculada_Concepci%C3%B3n_En_Juli%C3%A1n_Hoyos_Alonso_y_Ma_Jos%C3%A9_Zapara%C3%ADn_Y%C3%A1%C3%B1ez_eds_Mujeres_arte_y_patrimonio_Hilos_de_oro_en_el_lienzo_del_tiempo_Trea_2023_pp_167_184","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/107036678/_Im%C3%A1genes_viajeras_y_dogmas_en_definici%C3%B3n_Gregorio_Fern%C3%A1ndez_Luisa_de_la_Ascensi%C3%B3n_y_la_Inmaculada_Concepci%C3%B3n_En_Juli%C3%A1n_Hoyos_Alonso_y_Ma_Jos%C3%A9_Zapara%C3%ADn_Y%C3%A1%C3%B1ez_eds_Mujeres_arte_y_patrimonio_Hilos_de_oro_en_el_lienzo_del_tiempo_Trea_2023_pp_167_184"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="18292565" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/18292565/Tr%C3%A1nsitos_y_mudanzas_de_la_fotograf%C3%ADa_moderna_en_M%C3%A9xico">Tránsitos y mudanzas de la fotografía moderna en México</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6158873" href="https://unam1.academia.edu/LGONZALEZ">Laura Gonzalez-Flores</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tránsitos y mudanzas de la fotografía moderna en México","attachmentId":39977424,"attachmentType":"pdf","work_url":"https://www.academia.edu/18292565/Tr%C3%A1nsitos_y_mudanzas_de_la_fotograf%C3%ADa_moderna_en_M%C3%A9xico","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/18292565/Tr%C3%A1nsitos_y_mudanzas_de_la_fotograf%C3%ADa_moderna_en_M%C3%A9xico"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="44238670" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44238670/GARRIDO_Elisa_2020_La_construcci%C3%B3n_art%C3%ADstica_del_espacio_ind%C3%ADgena_y_los_paisajes_itinerantes_Eviterna_8_71_87">GARRIDO, Elisa (2020) «La construcción artística del espacio indígena y los paisajes itinerantes», Eviterna, 8, 71-87.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="160807630" href="https://uma.academia.edu/RevistaEviterna">Revista Eviterna - Universidad de Málaga</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1212487" href="https://uam.academia.edu/ElisaGarrido">Elisa Garrido</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Eviterna, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">There is a gap regarding the Spanish American pre-colonial context from the landscape studies point of view, conceived in a cultural sense. Literature directly refers us to Alexander von Humboldt as the main developer and to the Hudson River school as the greatest exponent. However, a critical study in cultural landscape before the visual production of scientific voyages and expeditions, could result in a new approach to the landscape genre and the mapping of nature. This paper proposes an approach to those previous representations, when landscape was not yet a landscape.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"GARRIDO, Elisa (2020) «La construcción artística del espacio indígena y los paisajes itinerantes», Eviterna, 8, 71-87.","attachmentId":64609249,"attachmentType":"pdf","work_url":"https://www.academia.edu/44238670/GARRIDO_Elisa_2020_La_construcci%C3%B3n_art%C3%ADstica_del_espacio_ind%C3%ADgena_y_los_paisajes_itinerantes_Eviterna_8_71_87","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44238670/GARRIDO_Elisa_2020_La_construcci%C3%B3n_art%C3%ADstica_del_espacio_ind%C3%ADgena_y_los_paisajes_itinerantes_Eviterna_8_71_87"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="9302112" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/9302112/Las_im%C3%A1genes_de_viajeros_en_el_siglo_XIX_El_caso_de_los_grabados_de_Charles_Saffray_sobre_Colombia">Las imágenes de viajeros en el siglo XIX. El caso de los grabados de Charles Saffray sobre Colombia</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="219951" href="https://utexas.academia.edu/SantiagoMu%C3%B1ozArbel%C3%A1ez">Santiago Muñoz-Arbeláez</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Publicado en: Historia y Grafía, No. 34, 2010, pp. 165-197</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Las imágenes de viajeros en el siglo XIX. El caso de los grabados de Charles Saffray sobre Colombia","attachmentId":35563004,"attachmentType":"pdf","work_url":"https://www.academia.edu/9302112/Las_im%C3%A1genes_de_viajeros_en_el_siglo_XIX_El_caso_de_los_grabados_de_Charles_Saffray_sobre_Colombia","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/9302112/Las_im%C3%A1genes_de_viajeros_en_el_siglo_XIX_El_caso_de_los_grabados_de_Charles_Saffray_sobre_Colombia"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="123401784" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/123401784/Ex_situ_el_artista_viajero_en_el_arte_contempor%C3%A1neo_colombiano">Ex-situ: el artista viajero en el arte contemporáneo colombiano</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="308364341" href="https://unibac.academia.edu/CesarGutierrez">Cesar Gutierrez</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2017</p><p class="ds-related-work--abstract ds2-5-body-sm">Ex-situ, a concept from Biology, that refers to the maintenance of some components of biodiversity outside their natural habitats. Practices that occur when humans are faced to a change of a habitable geography and/or displacement to another living place. As a relational being he must adapt himself to the new environment’s customs, with different traditions from his place of origin. Many artists, from this perspective, have proposed to go to unknown places to understand a new environment from the subjectiveness, criticizing the work of cultural tourism and relating to a new way of walking as atypical travelers. The present article aims to analyze the work of these artists who from their city or outside, become agents promoting discourses of resistance and social dialogue based on art; pursuing to reflect on their works, the evaluation instances of the same and the concept from which they leave; understanding what are the discursive limits of their work and the repercussions they hav...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Ex-situ: el artista viajero en el arte contemporáneo colombiano","attachmentId":117841829,"attachmentType":"pdf","work_url":"https://www.academia.edu/123401784/Ex_situ_el_artista_viajero_en_el_arte_contempor%C3%A1neo_colombiano","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/123401784/Ex_situ_el_artista_viajero_en_el_arte_contempor%C3%A1neo_colombiano"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":83725399,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":83725399,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_83725399" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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"Reseña. Rodrigo Gutiérrez Viñuales. Rómulo Rozo. Tallando la patria: Una coleccion de fotografia". Ensayos: Historia y teoría del arte, Bogotá, Universidad Nacional de Colombia, vol. 18, Nº 26, 2014, pp. 107-109.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8130234" href="https://granada.academia.edu/RodrigoGuti%C3%A9rrezVi%C3%B1uales">Rodrigo Gutiérrez Viñuales</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Marta Fajardo de Rueda. \"Reseña. Rodrigo Gutiérrez Viñuales. Rómulo Rozo. Tallando la patria: Una coleccion de fotografia\". 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