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Isidro Fabela, una mirada en torno a la Revolución mexicana. México: Biblioteca Mexiquense del Bicentenario/Banco de México/Gobierno del Estado de México-Fideicomiso Isidro Fabela del Gobierno del Estado de México, 2010" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121918349/Castillo_Troncoso_Alberto_del_Isidro_Fabela_una_mirada_en_torno_a_la_Revoluci%C3%B3n_mexicana_M%C3%A9xico_Biblioteca_Mexiquense_del_Bicentenario_Banco_de_M%C3%A9xico_Gobierno_del_Estado_de_M%C3%A9xico_Fideicomiso_Isidro_Fabela_del_Gobierno_del_Estado_de_M%C3%A9xico_2010">Castillo Troncoso, Alberto del . Isidro Fabela, una mirada en torno a la Revolución mexicana. México: Biblioteca Mexiquense del Bicentenario/Banco de México/Gobierno del Estado de México-Fideicomiso Isidro Fabela del Gobierno del Estado de México, 2010</a></div><div class="wp-workCard_item"><span>Anales del Instituto de Investigaciones Estéticas - UNAM</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="121918349"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="121918349"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 121918349; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=121918349]").text(description); $(".js-view-count[data-work-id=121918349]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 121918349; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='121918349']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 121918349, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=121918349]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":121918349,"title":"Castillo Troncoso, Alberto del . Isidro Fabela, una mirada en torno a la Revolución mexicana. 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Ya que este es, en México, un año de multifestejos de guerra y lucha, es necesario enfatizar qué fue lo que en su momento parecía prometer la revolución de 1910, sobre todo como inicio de una nueva etapa. Creo que los sueños de un mejor futuro en la posrevolución quedan plasmados de manera muy peculiar en una pequeña novela llamada Eugenia. Escrita por un médico yucateco de origen cubano en 1919, Eugenia es el relato de una sociedad convertida en una máquina perfecta de autopreservación. 1 En ella, el Dr. Eduardo Urzaiz nos plantea la existencia de un estado que esteriliza a los seres indeseables y responsabiliza a los que tienen cuerpos sanos y hermosos de encargarse de la labor que implica la propagación de la progenie. En resumen, esta novela nos ofrece una utopía de costumbres futuras, regidas por los principios de la eugenesia ya en boga desde finales del siglo xix, y los efectos que estos cambios podrían tener en el sistema tradicional de género y clases sociales. Lo que nos arrima es una mirada a ese \"hombre nuevo\", producto de la revolución, pero también de la utopía de los sobrevivientes de la primera gran guerra. 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Isidro Fabela, una mirada en torno a la Revolución mexicana. México: Biblioteca Mexiquense del Bicentenario/Banco de México/Gobierno del Estado de México-Fideicomiso Isidro Fabela del Gobierno del Estado de México, 2010" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121918349/Castillo_Troncoso_Alberto_del_Isidro_Fabela_una_mirada_en_torno_a_la_Revoluci%C3%B3n_mexicana_M%C3%A9xico_Biblioteca_Mexiquense_del_Bicentenario_Banco_de_M%C3%A9xico_Gobierno_del_Estado_de_M%C3%A9xico_Fideicomiso_Isidro_Fabela_del_Gobierno_del_Estado_de_M%C3%A9xico_2010">Castillo Troncoso, Alberto del . Isidro Fabela, una mirada en torno a la Revolución mexicana. México: Biblioteca Mexiquense del Bicentenario/Banco de México/Gobierno del Estado de México-Fideicomiso Isidro Fabela del Gobierno del Estado de México, 2010</a></div><div class="wp-workCard_item"><span>Anales del Instituto de Investigaciones Estéticas - UNAM</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="121918349"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="121918349"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 121918349; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=121918349]").text(description); $(".js-view-count[data-work-id=121918349]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 121918349; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='121918349']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 121918349, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=121918349]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":121918349,"title":"Castillo Troncoso, Alberto del . Isidro Fabela, una mirada en torno a la Revolución mexicana. 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Ya que este es, en México, un año de multifestejos de guerra y lucha, es necesario enfatizar qué fue lo que en su momento parecía prometer la revolución de 1910, sobre todo como inicio de una nueva etapa. Creo que los sueños de un mejor futuro en la posrevolución quedan plasmados de manera muy peculiar en una pequeña novela llamada Eugenia. Escrita por un médico yucateco de origen cubano en 1919, Eugenia es el relato de una sociedad convertida en una máquina perfecta de autopreservación. 1 En ella, el Dr. Eduardo Urzaiz nos plantea la existencia de un estado que esteriliza a los seres indeseables y responsabiliza a los que tienen cuerpos sanos y hermosos de encargarse de la labor que implica la propagación de la progenie. En resumen, esta novela nos ofrece una utopía de costumbres futuras, regidas por los principios de la eugenesia ya en boga desde finales del siglo xix, y los efectos que estos cambios podrían tener en el sistema tradicional de género y clases sociales. Lo que nos arrima es una mirada a ese \"hombre nuevo\", producto de la revolución, pero también de la utopía de los sobrevivientes de la primera gran guerra. 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El gesto de Fotografiar</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este es un libro sobre fotografías casi inéditas de Mariana Yampolsky. Colaboramos David Fajardo,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este es un libro sobre fotografías casi inéditas de Mariana Yampolsky. Colaboramos David Fajardo, Eugenia Macías, Ana Elena Mallet, Valeria Sánchez Michel, Abigail Pasillas y yo con un texto sobre unas fotos de una grabación d euna película documental de Juan Francisco Urrusti y Ana Piño Sandoval. El prólogo y la coordinación así como el trabajo editorial son míos. 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class="js-work-more-abstract-truncated">CULTURAS VISUALES DESDE AMÉRICA LATINA recopila artículos sobre temas y problemas asociados a las...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">CULTURAS VISUALES DESDE AMÉRICA LATINA recopila artículos sobre temas y problemas asociados a las imágenes que buscan renovar la historia del arte latinoamericano con el análisis de los estudios de la cultura visual. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38465121"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38465121/Viaje_de_Sombras_Fotograf%C3%ADas_del_Desierto_de_la_Soledad_y_los_indios_lacandones_en_los_a%C3%B1os_cuarenta"><img alt="Research paper thumbnail of Viaje de Sombras.Fotografías del Desierto de la Soledad y los indios lacandones en los años cuarenta" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38465121/Viaje_de_Sombras_Fotograf%C3%ADas_del_Desierto_de_la_Soledad_y_los_indios_lacandones_en_los_a%C3%B1os_cuarenta">Viaje de Sombras.Fotografías del Desierto de la Soledad y los indios lacandones en los años cuarenta</a></div><div class="wp-workCard_item"><span>Viaje de sombras. Fotografías del Desierto de la Soledad y los indios lacandones en los años cuarenta</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este libro parte del potencial de la fotografía de prensa como forma de “crear mundos”. Una de su...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este libro parte del potencial de la fotografía de prensa como forma de “crear mundos”. Una de sus ideas centrales es que la imagen de la selva Lacandona y los indios lacandones —arraigada desde el siglo XX en nuestra imaginación colectiva— proviene de la proliferación de fotografías que sobre esa región se realizaron en especial en la década de 1940. El pre-texto es un fotorreportaje en cuatro entregas publicado por la revista ilustrada Mañana en 1944, para el que dos periodistas —Ricardo López Toraya y Antonio Rodríguez— viajaron comisionados al Desierto de la Soledad acompañando a una expedición financiada por Petróleos Mexicanos. Se trata de un viaje de sombras que se iluminan y parecen desvanecerse en diversos instantes fotográficos que nos guían en una reflexión sobre la constructibilidad narrativa del paisaje, las identidades y las políticas culturales en México casi a mediados del siglo XX. En el camino, emergen de las sombras cosas menos diáfanas, como el marcado racismo, las ideas eugenésicas, las prácticas biotipológicas y otros monstruos menos amables que habitan nuestras prácticas culturales y concepciones del territorio nacional y los pueblos indígenas con quienes lo compartimos.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38465121"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38465121"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38465121; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38465121]").text(description); $(".js-view-count[data-work-id=38465121]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38465121; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38465121']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38465121, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=38465121]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38465121,"title":"Viaje de Sombras.Fotografías del Desierto de la Soledad y los indios lacandones en los años cuarenta","translated_title":"","metadata":{"abstract":"Este libro parte del potencial de la fotografía de prensa como forma de “crear mundos”. 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