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href="https://www.academia.edu/95701296/M%C3%A1s_all%C3%A1_de_los_l%C3%ADmites_Latinoam%C3%A9rica_y_la_historia_de_la_fotograf%C3%ADa"><img alt="Research paper thumbnail of M谩s all谩 de los l铆mites. Latinoam茅rica y la historia de la fotograf铆a" class="work-thumbnail" src="https://attachments.academia-assets.com/97810886/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95701296/M%C3%A1s_all%C3%A1_de_los_l%C3%ADmites_Latinoam%C3%A9rica_y_la_historia_de_la_fotograf%C3%ADa">M谩s all谩 de los l铆mites. Latinoam茅rica y la historia de la fotograf铆a</a></div><div class="wp-workCard_item"><span>Anales del Instituto de Investigaciones Est茅ticas</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La historia de la fotograf铆a, tradicionalmente, la han escrito las naciones dominantes. En un pri...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La historia de la fotograf铆a, tradicionalmente, la han escrito las naciones dominantes. En un principio, el enfoque fue, sobre todo, t茅cnico y euroc茅ntrico, pero tambi茅n estadounidense, a partir de la Historia de la fotograf铆a de Newhall. El presente art铆culo revisa algunos textos que forman parte de la historiograf铆a de la fotograf铆a, y busca identificar c贸mo se form贸 el concepto de fotograf铆a latinoamericana.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f95f12fe72e8cbf000d14c979e650304" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97810886,"asset_id":95701296,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97810886/download_file?st=MTczMjc5ODQ5NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95701296"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95701296"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95701296; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=95701296]").text(description); $(".js-view-count[data-work-id=95701296]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 95701296; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='95701296']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 95701296, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f95f12fe72e8cbf000d14c979e650304" } } $('.js-work-strip[data-work-id=95701296]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":95701296,"title":"M谩s all谩 de los l铆mites. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="95701292"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/95701292/Retrato_de_familia_estereotipo_y_extimidad"><img alt="Research paper thumbnail of Retrato de familia: estereotipo y extimidad" class="work-thumbnail" src="https://attachments.academia-assets.com/97810871/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95701292/Retrato_de_familia_estereotipo_y_extimidad">Retrato de familia: estereotipo y extimidad</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La imagen de familia se enfrenta a diversos fen贸menos: Due帽a de una tradici贸n ligada al deseo de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La imagen de familia se enfrenta a diversos fen贸menos: Due帽a de una tradici贸n ligada al deseo de auto representaci贸n y reconocimiento dentro de la sociedad, es tambi茅n el mejor ejemplo de imagen creada a partir de un sistema de representaci贸n estereotipado 驴Pero qu茅 es lo que se oculta tras 茅ste estereotipo? Viene a ser en la imagen donde se hace visible la extimidad; lo 茅xtimo es algo 铆ntimo, profundo, pero que permanece en el exterior (Miller, 2010). Si la fotograf铆a captura apariencias, esta idea de extimidad nos dar铆a la esperanza de encontrar algo profundo y esencial detr谩s de la superficie propia de la captura fotogr谩fica. La imagen revela lo que los sujetos ocultan, como una suerte de traici贸n desde la confianza. Requiere de qui茅n observa algo m谩s que la contemplaci贸n. Requiere atenci贸n; en 煤ltimas, tiempo para revelar sus secretos ocultos a plena vista.Abstract. The image of the family faces various phenomena: owner of a tradition linked to the desire for self-representation...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ed2f50754ed50be164271df21a7d7475" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97810871,"asset_id":95701292,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97810871/download_file?st=MTczMjc5ODQ5NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95701292"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95701292"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95701292; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=95701292]").text(description); $(".js-view-count[data-work-id=95701292]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 95701292; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='95701292']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 95701292, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ed2f50754ed50be164271df21a7d7475" } } $('.js-work-strip[data-work-id=95701292]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":95701292,"title":"Retrato de familia: estereotipo y extimidad","translated_title":"","metadata":{"abstract":"La imagen de familia se enfrenta a diversos fen贸menos: Due帽a de una tradici贸n ligada al deseo de auto representaci贸n y reconocimiento dentro de la sociedad, es tambi茅n el mejor ejemplo de imagen creada a partir de un sistema de representaci贸n estereotipado 驴Pero qu茅 es lo que se oculta tras 茅ste estereotipo? 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Latinoam茅rica y la historia de la fotograf铆a" class="work-thumbnail" src="https://attachments.academia-assets.com/97810886/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95701296/M%C3%A1s_all%C3%A1_de_los_l%C3%ADmites_Latinoam%C3%A9rica_y_la_historia_de_la_fotograf%C3%ADa">M谩s all谩 de los l铆mites. Latinoam茅rica y la historia de la fotograf铆a</a></div><div class="wp-workCard_item"><span>Anales del Instituto de Investigaciones Est茅ticas</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La historia de la fotograf铆a, tradicionalmente, la han escrito las naciones dominantes. En un pri...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La historia de la fotograf铆a, tradicionalmente, la han escrito las naciones dominantes. En un principio, el enfoque fue, sobre todo, t茅cnico y euroc茅ntrico, pero tambi茅n estadounidense, a partir de la Historia de la fotograf铆a de Newhall. El presente art铆culo revisa algunos textos que forman parte de la historiograf铆a de la fotograf铆a, y busca identificar c贸mo se form贸 el concepto de fotograf铆a latinoamericana.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f95f12fe72e8cbf000d14c979e650304" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97810886,"asset_id":95701296,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97810886/download_file?st=MTczMjc5ODQ5NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95701296"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95701296"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95701296; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=95701296]").text(description); $(".js-view-count[data-work-id=95701296]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 95701296; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='95701296']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 95701296, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f95f12fe72e8cbf000d14c979e650304" } } $('.js-work-strip[data-work-id=95701296]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":95701296,"title":"M谩s all谩 de los l铆mites. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="95701292"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/95701292/Retrato_de_familia_estereotipo_y_extimidad"><img alt="Research paper thumbnail of Retrato de familia: estereotipo y extimidad" class="work-thumbnail" src="https://attachments.academia-assets.com/97810871/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95701292/Retrato_de_familia_estereotipo_y_extimidad">Retrato de familia: estereotipo y extimidad</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La imagen de familia se enfrenta a diversos fen贸menos: Due帽a de una tradici贸n ligada al deseo de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La imagen de familia se enfrenta a diversos fen贸menos: Due帽a de una tradici贸n ligada al deseo de auto representaci贸n y reconocimiento dentro de la sociedad, es tambi茅n el mejor ejemplo de imagen creada a partir de un sistema de representaci贸n estereotipado 驴Pero qu茅 es lo que se oculta tras 茅ste estereotipo? Viene a ser en la imagen donde se hace visible la extimidad; lo 茅xtimo es algo 铆ntimo, profundo, pero que permanece en el exterior (Miller, 2010). Si la fotograf铆a captura apariencias, esta idea de extimidad nos dar铆a la esperanza de encontrar algo profundo y esencial detr谩s de la superficie propia de la captura fotogr谩fica. La imagen revela lo que los sujetos ocultan, como una suerte de traici贸n desde la confianza. Requiere de qui茅n observa algo m谩s que la contemplaci贸n. Requiere atenci贸n; en 煤ltimas, tiempo para revelar sus secretos ocultos a plena vista.Abstract. The image of the family faces various phenomena: owner of a tradition linked to the desire for self-representation...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ed2f50754ed50be164271df21a7d7475" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97810871,"asset_id":95701292,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97810871/download_file?st=MTczMjc5ODQ5NCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95701292"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95701292"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95701292; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=95701292]").text(description); $(".js-view-count[data-work-id=95701292]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 95701292; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='95701292']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 95701292, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ed2f50754ed50be164271df21a7d7475" } } $('.js-work-strip[data-work-id=95701292]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":95701292,"title":"Retrato de familia: estereotipo y extimidad","translated_title":"","metadata":{"abstract":"La imagen de familia se enfrenta a diversos fen贸menos: Due帽a de una tradici贸n ligada al deseo de auto representaci贸n y reconocimiento dentro de la sociedad, es tambi茅n el mejor ejemplo de imagen creada a partir de un sistema de representaci贸n estereotipado 驴Pero qu茅 es lo que se oculta tras 茅ste estereotipo? Viene a ser en la imagen donde se hace visible la extimidad; lo 茅xtimo es algo 铆ntimo, profundo, pero que permanece en el exterior (Miller, 2010). Si la fotograf铆a captura apariencias, esta idea de extimidad nos dar铆a la esperanza de encontrar algo profundo y esencial detr谩s de la superficie propia de la captura fotogr谩fica. La imagen revela lo que los sujetos ocultan, como una suerte de traici贸n desde la confianza. Requiere de qui茅n observa algo m谩s que la contemplaci贸n. Requiere atenci贸n; en 煤ltimas, tiempo para revelar sus secretos ocultos a plena vista.Abstract. 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