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Nanterre</span></a></span><h1 class="u-m0x u-fw300 u-fs24 u-displayInline">Cinéma documentaire et anthropologie visuelle</h1></div><div class="u-floatRight u-mt1x"></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline"><li class="u-floatLeft u-pr5x u-mr5x u-borderColorGrayLight u-borderRight1"><a href="https://u-paris10.academia.edu/"><span><i class="fa fa-arrow-left"></i>  All Departments</span></a></li><li class="u-floatLeft active"><a href="https://u-paris10.academia.edu/Departments/Cin%C3%A9ma_documentaire_et_anthropologie_visuelle/Documents">12 Papers</a></li><li class="u-floatLeft"><a href="https://u-paris10.academia.edu/Departments/Cin%C3%A9ma_documentaire_et_anthropologie_visuelle">1 Researchers</a></li></ul></div></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div 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u-tcGrayDarkest"><div class="summarized">Nous pensons forcément à de nombreuses personnes quand nous écrivons. Ces remerciements sont le moyen d'en nommer une partie. Je les remercie du fond du coeur de m'avoir aidé, soutenu et encouragé durant deux années de recherche. Ce sujet... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_60203365" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Nous pensons forcément à de nombreuses personnes quand nous écrivons. Ces remerciements sont le moyen d'en nommer une partie. Je les remercie du fond du coeur de m'avoir aidé, soutenu et encouragé durant deux années de recherche. Ce sujet m'a totalement fait corps, de la même manière que le steadicam s'agrippe à l'opérateur ou suit sans relâche les corps filmés. Je remercie mon directeur de recherche, Antoine Gaudin, pour m'avoir fait confiance, et m'avoir encouragé durant ces deux années. Je le remercie également pour ses conseils et ses mises en garde qui ont parsemé l'écriture de ce mémoire. Je remercie également ma seconde lectrice, Térésa Castro, pour ses précieux conseils. J'exprime ma gratitude aux cadreurs et cadreuses qui ont bien voulu m'accorder du temps, pour réaliser de longues discussions enrichissantes sur cet appareil : Lucie Fièvre, Fabienne Roussignol, Hannah Papacek Harper, Téva Vasseur et Valentin Monge. Merci du fond du coeur à mes amies Cécile Krys, Marion Durand et Pauline Saroul, pour leurs écoutes, leurs conseils et leurs relectures. Et enfin, à tous ceux qui m'ont aidé, partagé leur connaissance ou simplement soutenu, Emilie Casties,</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/60203365" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0ff68b173236a7acc8376a7eea707b9a" rel="nofollow" data-download="{"attachment_id":73751136,"asset_id":60203365,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/73751136/download_file?st=MTc0MTAyNzIzNyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29131376" href="https://u-paris10.academia.edu/TheoMichel">Théo Michel</a><script data-card-contents-for-user="29131376" type="text/json">{"id":29131376,"first_name":"Théo","last_name":"Michel","domain_name":"u-paris10","page_name":"TheoMichel","display_name":"Théo Michel","profile_url":"https://u-paris10.academia.edu/TheoMichel","photo":"https://0.academia-photos.com/29131376/25266792/24030950/s65_theo.michel.jpg"}</script></span></span></li><li class="js-paper-rank-work_60203365 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="60203365"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 60203365, container: ".js-paper-rank-work_60203365", }); 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href="https://www.academia.edu/101483522/1974_le_bapte_me_de_l_air_du_Steadicam_de_Garrett_Brown">1974 : le baptême de l’air du Steadicam de Garrett Brown</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">En 1974, Garrett Brown réalise une vidéo de démonstration intitulée les "trente plans impossibles" pour promouvoir l'appareil qu'il vient d'inventer : le Steadicam.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/101483522" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="292c6f0ec5bce595a22576b25061480a" rel="nofollow" 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