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New York Dada - Wikipedia

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dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Regionalized artistic and cultural movement</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Francis_Picabia,_Ici,_c%27est_ici_Stieglitz,_foi_et_amour,_cover_of_291,_No1,_1915.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Francis_Picabia%2C_Ici%2C_c%27est_ici_Stieglitz%2C_foi_et_amour%2C_cover_of_291%2C_No1%2C_1915.jpg/220px-Francis_Picabia%2C_Ici%2C_c%27est_ici_Stieglitz%2C_foi_et_amour%2C_cover_of_291%2C_No1%2C_1915.jpg" decoding="async" width="220" height="311" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Francis_Picabia%2C_Ici%2C_c%27est_ici_Stieglitz%2C_foi_et_amour%2C_cover_of_291%2C_No1%2C_1915.jpg/330px-Francis_Picabia%2C_Ici%2C_c%27est_ici_Stieglitz%2C_foi_et_amour%2C_cover_of_291%2C_No1%2C_1915.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/30/Francis_Picabia%2C_Ici%2C_c%27est_ici_Stieglitz%2C_foi_et_amour%2C_cover_of_291%2C_No1%2C_1915.jpg/440px-Francis_Picabia%2C_Ici%2C_c%27est_ici_Stieglitz%2C_foi_et_amour%2C_cover_of_291%2C_No1%2C_1915.jpg 2x" data-file-width="1003" data-file-height="1418" /></a><figcaption><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a>, <i>Ici, c'est ici Stieglitz, foi et amour</i>, cover of <i>291</i>, No. 1, 1915</figcaption></figure> <p><b>New York Dada</b> was a regionalized extension of <a href="/wiki/Dada" title="Dada">Dada</a>, an artistic and cultural movement between the years 1913 and 1923. Usually considered to have been instigated by <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a>'s <i><a href="/wiki/Fountain_(Duchamp)" title="Fountain (Duchamp)">Fountain</a></i> exhibited at the first exhibition of the <a href="/wiki/Society_of_Independent_Artists" title="Society of Independent Artists">Society of Independent Artists</a> in 1917, and becoming a movement at the <a href="/wiki/Cabaret_Voltaire_(Z%C3%BCrich)" title="Cabaret Voltaire (Zürich)">Cabaret Voltaire</a> in February, 1916, in <a href="/wiki/Z%C3%BCrich" class="mw-redirect" title="Zürich">Zürich</a>, the Dadaism as a loose network of artists spread across Europe and other countries, with New York becoming the primary center of Dada in the United States. The very word Dada is notoriously difficult to define and its origins are disputed, particularly amongst the Dadaists themselves. </p><p>The Dada movement has had continuous reverberations in New York art culture and in the <a href="/wiki/Art_world" title="Art world">art world</a> generally ever since its inception, and it was a major influence on the <a href="/wiki/New_York_School_(art)" title="New York School (art)">New York School</a> and <a href="/wiki/Pop_Art" class="mw-redirect" title="Pop Art">Pop Art</a>. Nevertheless, any attempt to articulate solid links between Dada and these movements must be tenuous at best. Such an attempt must begin philosophically with an acknowledgement of the Dadaists' demand to create a new world and artistically with an examination of the techniques the Dadaists used to do so. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Overview">Overview</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=1" title="Edit section: Overview"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Francis_Picabia,_R%C3%A9veil_Matin_(Alarm_Clock),_Dada_4-5,_Number_5,_15_May_1919.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Francis_Picabia%2C_R%C3%A9veil_Matin_%28Alarm_Clock%29%2C_Dada_4-5%2C_Number_5%2C_15_May_1919.jpg/220px-Francis_Picabia%2C_R%C3%A9veil_Matin_%28Alarm_Clock%29%2C_Dada_4-5%2C_Number_5%2C_15_May_1919.jpg" decoding="async" width="220" height="334" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Francis_Picabia%2C_R%C3%A9veil_Matin_%28Alarm_Clock%29%2C_Dada_4-5%2C_Number_5%2C_15_May_1919.jpg/330px-Francis_Picabia%2C_R%C3%A9veil_Matin_%28Alarm_Clock%29%2C_Dada_4-5%2C_Number_5%2C_15_May_1919.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Francis_Picabia%2C_R%C3%A9veil_Matin_%28Alarm_Clock%29%2C_Dada_4-5%2C_Number_5%2C_15_May_1919.jpg/440px-Francis_Picabia%2C_R%C3%A9veil_Matin_%28Alarm_Clock%29%2C_Dada_4-5%2C_Number_5%2C_15_May_1919.jpg 2x" data-file-width="1208" data-file-height="1832" /></a><figcaption>Francis Picabia, <i>Réveil Matin</i> (<i>Alarm Clock</i>), Dada 4-5, Number 5, 15 May 1919</figcaption></figure> <p>"New York Dada" refers in general to the actions and principles of a group of loosely affiliated artists involved in the production, display, distribution, and criticism of art, being produced in the years 1913 to 1923 in New York City. The primary artists were <a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a>, <a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a>, <a href="/wiki/Man_Ray" title="Man Ray">Man Ray</a>, <a href="/wiki/Beatrice_Wood" title="Beatrice Wood">Beatrice Wood</a>, <a href="/wiki/Louise_Var%C3%A8se" title="Louise Varèse">Louise Norton</a>, <a href="/wiki/Elsa_von_Freytag-Loringhoven" title="Elsa von Freytag-Loringhoven">Elsa von Freytag-Loringhoven</a>, <a href="/wiki/Juliette_Roche" title="Juliette Roche">Juliette Roche Gleizes</a>, and <a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a>. Because of this groups philosophical orientation (with an anti-nationalistic, anti-war, and anti-bourgeois attitude featuring prominently), techniques of art production (from varieties of <a href="/wiki/Cubism" title="Cubism">Cubism</a> to collage as well as <a href="/wiki/Found_object" title="Found object">ready-mades</a>), critique of prior forms of art (in particular those forms identified with classical conceptions of mimetic representation, as well as those deemed tainted by affiliation with aristocratic or bourgeois values and or aristocratic or bourgeois patronage), self-pronounced allegiances (with each other as well as other avant-garde artists), and relation to other similar groups in Europe, they are referred to as Dada. "New York Dada" developed independently of Zürich Dada. According to <a href="/wiki/Hans_Richter_(artist)" title="Hans Richter (artist)">Hans Richter</a>, "We in Zurich remained unaware until 1917 or 1918 of a development which was taking place, quite independently, in New York."<sup id="cite_ref-FOOTNOTERichterBritt199781_1-0" class="reference"><a href="#cite_note-FOOTNOTERichterBritt199781-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> </p><p>The creations of Duchamp, Picabia, Man Ray, and others between the <a href="/wiki/Armory_Show" title="Armory Show">Armory Show</a> in 1913 and 1917 eluded the term Dada at the time, and "New York Dada" came to be seen as a post facto invention of Duchamp. At the outset of the 1920s the term Dada flourished in Europe with the help of Duchamp and Picabia, who had both returned from New York. Notwithstanding, Dadaists such as Tzara and Richter claimed European precedence. Art historian David Hopkins notes: </p> <blockquote><p>Ironically, though, Duchamp's late activities in New York, along with the machinations of Picabia, re-cast Dada's history. Dada's European chroniclers—primarily Richter, Tzara, and Huelsenbeck—would eventually become preoccupied with establishing the pre-eminence of Zürich and Berlin at the foundations of Dada, but it proved to be Duchamp who was most strategically brilliant in manipulating the genealogy of this avant-garde formation, deftly turning New York Dada from a late-comer into an originating force.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup></p></blockquote> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Marcel_Duchamp,_1917,_Fountain,_photograph_by_Alfred_Stieglitz.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Marcel_Duchamp%2C_1917%2C_Fountain%2C_photograph_by_Alfred_Stieglitz.jpg/220px-Marcel_Duchamp%2C_1917%2C_Fountain%2C_photograph_by_Alfred_Stieglitz.jpg" decoding="async" width="220" height="287" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Marcel_Duchamp%2C_1917%2C_Fountain%2C_photograph_by_Alfred_Stieglitz.jpg/330px-Marcel_Duchamp%2C_1917%2C_Fountain%2C_photograph_by_Alfred_Stieglitz.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Marcel_Duchamp%2C_1917%2C_Fountain%2C_photograph_by_Alfred_Stieglitz.jpg/440px-Marcel_Duchamp%2C_1917%2C_Fountain%2C_photograph_by_Alfred_Stieglitz.jpg 2x" data-file-width="1416" data-file-height="1849" /></a><figcaption><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a>, <i><a href="/wiki/Fountain_(Duchamp)" title="Fountain (Duchamp)">Fountain</a>,</i> 1917; photograph by <a href="/wiki/Alfred_Stieglitz" title="Alfred Stieglitz">Alfred Stieglitz</a></figcaption></figure> <p>Beginning with a showing of the work of Picabia at <a href="/wiki/291_(art_gallery)" title="291 (art gallery)">gallery 291</a> (if not the armory show in 1913 where a few of the works of Picabia and Duchamp set the stage for future endeavors), owned and operated by renowned and historically influential photographer <a href="/wiki/Alfred_Stieglitz" title="Alfred Stieglitz">Alfred Stieglitz</a>, this group began to take shape<sup id="cite_ref-FOOTNOTENaumann1994_3-0" class="reference"><a href="#cite_note-FOOTNOTENaumann1994-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup class="noprint Inline-Template" style="white-space:nowrap;">&#91;<i><a href="/wiki/Wikipedia:Citing_sources" title="Wikipedia:Citing sources"><span title="This citation requires a reference to the specific page or range of pages in which the material appears. (February 2018)">page&#160;needed</span></a></i>&#93;</sup> Coupled with Stieglitz’s gallery, the patronage, enthusiasm, and intellectual support of the Arsenbergs provided the economic conditions of possibility for the Dada artists to exist in New York at that time. The arche-typical city of modernity New York was an attractive destination for Duchamp as well as others because of the relative calm it offered in comparison to war plagued Europe (Duchamp once remarked, "I do not go to New York, I escape Paris."<sup id="cite_ref-FOOTNOTERichterBritt199734_4-0" class="reference"><a href="#cite_note-FOOTNOTERichterBritt199734-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup>) as well as its incredible energy. Speaking of a series of New York inspired paintings, Picabia once said that "they express the spirit of New York as I feel it, the crowded streets... their surging, their unrest, their commercialism, their atmospheric charm... You of New York should be quick to understand me and my fellow painters [because] your New York is the cubist, futurist city."<sup id="cite_ref-FOOTNOTENaumann199419_5-0" class="reference"><a href="#cite_note-FOOTNOTENaumann199419-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="People">People</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=2" title="Edit section: People"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Alfred_Stieglitz">Alfred Stieglitz</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=3" title="Edit section: Alfred Stieglitz"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Francis_Picabia,_1922c_-_Optophone.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Francis_Picabia%2C_1922c_-_Optophone.jpg/220px-Francis_Picabia%2C_1922c_-_Optophone.jpg" decoding="async" width="220" height="262" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Francis_Picabia%2C_1922c_-_Optophone.jpg/330px-Francis_Picabia%2C_1922c_-_Optophone.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/25/Francis_Picabia%2C_1922c_-_Optophone.jpg/440px-Francis_Picabia%2C_1922c_-_Optophone.jpg 2x" data-file-width="1522" data-file-height="1816" /></a><figcaption><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a>, c.1921-22, <i>Optophone I</i>, 72 x 60 cm. Reproduced in Galeries Dalmau, <i>Picabia</i>, exhibition catalogue, Barcelona, November 18 - December 8, 1922</figcaption></figure> <p>According to Naumann, <a href="/wiki/Alfred_Stieglitz" title="Alfred Stieglitz">Alfred Stieglitz</a> was unquestionably "the individual most responsible for the introduction of modern art to America."<sup id="cite_ref-FOOTNOTENaumann199412_6-0" class="reference"><a href="#cite_note-FOOTNOTENaumann199412-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> An active artist, primarily a photographer, as well as activist in the service of modern art, Stieglitz provided an avenue for the thought and work of the proto-Dada artists as well as the Dada artists with <a href="/wiki/291_(magazine)" title="291 (magazine)">his journal</a> and gallery, both named 291. Stieglitz first made contact with the (soon to be) Dadaists at the notorious Armory show of 1913 where Picabia and Duchamp exhibited paintings that caused an uproar in the New York art scene. Duchamp's <i><a href="/wiki/Nude_Descending_a_Staircase" class="mw-redirect" title="Nude Descending a Staircase">Nude Descending a Staircase</a></i> and Picabia's <i>Dances at the Spring</i> featured prominently at the show and caught the eye of Stieglitz, they proved to be just a taste of what was to come. According to Richter, "Stieglitz was a man of lively perception, intensely interested in everything that was new and revolutionary,"<sup id="cite_ref-FOOTNOTERichterBritt199781_1-1" class="reference"><a href="#cite_note-FOOTNOTERichterBritt199781-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> undoubtedly this demeanor and demand to seek new forms of artistic expression made him a perfect match for the European's coming ashore. </p> <div class="mw-heading mw-heading3"><h3 id="The_Arensbergs">The Arensbergs</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=4" title="Edit section: The Arensbergs"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Walter_Conrad_Arensberg" title="Walter Conrad Arensberg">Walter Conrad Arensberg</a> and his wife Louise were eccentric collectors of modern art and some of the earliest backers of the Dada artists. Without their support it is unlikely that any of the European Dadaists would have been able to live comfortably in New York and produce their art. They frequently hosted parties, exhibitions, and every other conceivable form of gathering at their large and very minimalist apartment on the <a href="/wiki/Upper_West_Side" title="Upper West Side">Upper West Side</a> of Manhattan. Beginning with the Armory show of 1913 Walter was "hit between wind and water."<sup id="cite_ref-FOOTNOTENaumann199425_7-0" class="reference"><a href="#cite_note-FOOTNOTENaumann199425-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> With an apartment filled with art pieces that now adorn the walls of major museums (particularly the Philadelphia Museum of Art) the Arensbergs built a hive for the intellectual debates and creative juices of the Dadaists; "Over the course of five years – from 1915 through 1921 – they created a literary and artistic salon that could be ranked in importance with the circle that had formed around Gertrude Stein and her brothers in Paris a few years earlier."<sup id="cite_ref-FOOTNOTENaumann199427_8-0" class="reference"><a href="#cite_note-FOOTNOTENaumann199427-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Francis_Picabia,_1915,_New_York..jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Francis_Picabia%2C_1915%2C_New_York..jpg/400px-Francis_Picabia%2C_1915%2C_New_York..jpg" decoding="async" width="400" height="202" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Francis_Picabia%2C_1915%2C_New_York..jpg/600px-Francis_Picabia%2C_1915%2C_New_York..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Francis_Picabia%2C_1915%2C_New_York..jpg/800px-Francis_Picabia%2C_1915%2C_New_York..jpg 2x" data-file-width="1733" data-file-height="876" /></a><figcaption><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a>, (Left) <i>Le saint des saints c'est de moi qu'il s'agit dans ce portrait</i>, 1 July 1915; (center) <i>Portrait d'une jeune fille americaine dans l'état de nudité</i>, 5 July 1915: (right) <i>J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin</i>, New York, 1915</figcaption></figure> <div class="mw-heading mw-heading3"><h3 id="Francis_Picabia">Francis Picabia</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=5" title="Edit section: Francis Picabia"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a> was arguably the first of the "New York Dadaists." According to Hans Richter, Picabia was driven by "an absolute lack of respect for all values, a freedom from all social and moral constraints, a compulsive urge to destroy everything that had hitherto been given the name of art."<sup id="cite_ref-FOOTNOTERichterBritt199785_9-0" class="reference"><a href="#cite_note-FOOTNOTERichterBritt199785-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> As with Duchamp, Picabia was escaping the first World War, but he was also attempting to find an avenue for his artistic philosophy that utilized the achievements of early modern art in France while simultaneously distancing himself from them. For Picabia, New York was liberating in this regard. During his time in New York Picabia participated in riotous orgies of sex and drugs, while attempting to iron out his (anti-)artistic style.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> While in New York, "he gave up the Cubist style completely and began to produce the images of satiric, machine like contrivances that are his chief contribution to Dadaism."<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Marcel_Duchamp">Marcel Duchamp</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=6" title="Edit section: Marcel Duchamp"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a> is considered one of the most influential artists of the 20th century. Beginning with his "Nude Descending a Staircase" which was exhibited at the famous Armory show of 1913, his work became well known and controversial across the New York, as well as American in general, art scene. His personality was equally intoxicating as his art; according to Richter, "Duchamp's attitude is that life is a melancholy joke, an indecipherable non-sense, not worth the trouble of investigating. To his superior intelligence the total absurdity of life, the contingent nature of a world denuded of all values, are logical consequences of Descartes' Cogito ergo sum."<sup id="cite_ref-FOOTNOTERichterBritt199787_12-0" class="reference"><a href="#cite_note-FOOTNOTERichterBritt199787-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> Most famous amongst the works created by Duchamp in the New York period were his ready-mades, particularly the piece entitled <i><a href="/wiki/Fountain_(Duchamp)" title="Fountain (Duchamp)">Fountain</a></i>. During his time in New York he maintained very close connections with both Stieglitz and the Arensbergs and was able to work on his mammoth project entitled "Large Glass". </p> <div class="mw-heading mw-heading3"><h3 id="Man_Ray">Man Ray</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=7" title="Edit section: Man Ray"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Man_Ray,_1920,_The_coat-stand_(Porte_manteau).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/c/c1/Man_Ray%2C_1920%2C_The_coat-stand_%28Porte_manteau%29.jpg/220px-Man_Ray%2C_1920%2C_The_coat-stand_%28Porte_manteau%29.jpg" decoding="async" width="220" height="329" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/c/c1/Man_Ray%2C_1920%2C_The_coat-stand_%28Porte_manteau%29.jpg/330px-Man_Ray%2C_1920%2C_The_coat-stand_%28Porte_manteau%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/c/c1/Man_Ray%2C_1920%2C_The_coat-stand_%28Porte_manteau%29.jpg/440px-Man_Ray%2C_1920%2C_The_coat-stand_%28Porte_manteau%29.jpg 2x" data-file-width="535" data-file-height="800" /></a><figcaption>Man Ray, 1920, <i>The Coat-Stand</i> (<i>Porte manteau</i>), reproduced in New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup></figcaption></figure> <p>The most prominent of all the American Dadaists, <a href="/wiki/Man_Ray" title="Man Ray">Man Ray</a> was a highly capable and innovative artist in a number of different mediums. Born in Philadelphia, he is the most prominent native artist amongst the New York Dadaists. Man Ray's style can be said to be something of a merger of mediums; his paintings, sculptures, photographs, and various constructions appear to be intertwined manifestations of all of these mediums in one. One of the ways that he managed to achieve this effect was with a purposefully careless looking way that he constructed his art.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Politics">Politics</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=8" title="Edit section: Politics"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Discussing the politics of Dada is often as contentious as the very politics under discussion. One of the major debates revolves around the question of art/anti-art (which inevitably leads to debates around the essence of "art" itself). It is fair to say that the Dadaists, and again it is important to reiterate that the Dadaists were only aligned in their rejection of alignment. "If 'Dada' had any attraction for them, it was taken as a call for freeing themselves of any movement, and not as a label for yet another movement.".<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> They were "anti-art," if we take art to be a historically identifiable sociological category of human creative activity. In other words, they were against the bourgeois epoch of "art," as well as those epochs that failed to achieve the frenzied critical representation of society that the Dadaists fed off of and built themselves. Therefore, it is no contradiction to say (or it is a productive contradiction in a dialectical sense) that New York Dada was Anti-Art-Art; their art was an anti-"art" (that is, the art they attempted to overcome). It is evident from the question of art as it appeared to the Dadaists and as their manifesto's described, that art is inherently a political concept, that the creation of art must be a critical practice. This is why the <a href="/wiki/Ready-mades" class="mw-redirect" title="Ready-mades">ready-mades</a> were so baffling, they manage to contain the entire critical contradictory thrust of Dada in one fell prefabricated swoop. </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=9" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-FOOTNOTERichterBritt199781-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERichterBritt199781_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERichterBritt199781_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRichterBritt1997">Richter &amp; Britt 1997</a>, p.&#160;81.</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.fr/books?isbn=1118476182">Hopkins, David, <i>A Companion to Dada and Surrealism</i></a>, Volume 10 of Blackwell Companions to Art History, John Wiley &amp; Sons, May 2, 2016, p. 83, <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/1118476182" title="Special:BookSources/1118476182">1118476182</a></span> </li> <li id="cite_note-FOOTNOTENaumann1994-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENaumann1994_3-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNaumann1994">Naumann 1994</a>.</span> </li> <li id="cite_note-FOOTNOTERichterBritt199734-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERichterBritt199734_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRichterBritt1997">Richter &amp; Britt 1997</a>, p.&#160;34.</span> </li> <li id="cite_note-FOOTNOTENaumann199419-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENaumann199419_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNaumann1994">Naumann 1994</a>, p.&#160;19.</span> </li> <li id="cite_note-FOOTNOTENaumann199412-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENaumann199412_6-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNaumann1994">Naumann 1994</a>, p.&#160;12.</span> </li> <li id="cite_note-FOOTNOTENaumann199425-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENaumann199425_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNaumann1994">Naumann 1994</a>, p.&#160;25.</span> </li> <li id="cite_note-FOOTNOTENaumann199427-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENaumann199427_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNaumann1994">Naumann 1994</a>, p.&#160;27.</span> </li> <li id="cite_note-FOOTNOTERichterBritt199785-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERichterBritt199785_9-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRichterBritt1997">Richter &amp; Britt 1997</a>, p.&#160;85.</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Jones, Amelia. 2004. Irrational modernism: a neurasthenic history of New York Dada. Cambridge, Mass: MIT Press.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.dadart.com/dadaism/dada/011-dada-francis-picabia.html">Francis Picabia 1879–1953, dadart</a></span> </li> <li id="cite_note-FOOTNOTERichterBritt199787-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERichterBritt199787_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRichterBritt1997">Richter &amp; Britt 1997</a>, p.&#160;87.</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=incipio&amp;OUTPUT=PORTAL&amp;DOCID=0473982&amp;DOCBASE=CGPP">New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921</a>, Bibliothèque Kandinsky, Centre Pompidou</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Belz, Carl. 1964. "Man Ray and New York Dada". <i><a href="/wiki/Art_Journal_(College_Art_Association_journal)" title="Art Journal (College Art Association journal)">Art Journal</a></i>. 23 (3): 207–213. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F774473">10.2307/774473</a> <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/774473">774473</a></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Kuenzli, Rudolf E. 1986. <i>New York Dada</i>. New York: Willis Locker &amp; Owens. p. 5.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=10" title="Edit section: Sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNaumann1994" class="citation book cs1">Naumann, Francis M. (1994). <i>New York Dada, 1915–23</i>. New York: Abrams.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=New+York+Dada%2C+1915%E2%80%9323&amp;rft.place=New+York&amp;rft.pub=Abrams&amp;rft.date=1994&amp;rft.aulast=Naumann&amp;rft.aufirst=Francis+M.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ANew+York+Dada" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRichterBritt1997" class="citation book cs1"><a href="/wiki/Hans_Richter_(artist)" title="Hans Richter (artist)">Richter, Hans</a>; Britt, David (1997). <i>Dada, Art and Anti-art</i>. New York, New York: Thames and Hudson.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Dada%2C+Art+and+Anti-art&amp;rft.place=New+York%2C+New+York&amp;rft.pub=Thames+and+Hudson&amp;rft.date=1997&amp;rft.aulast=Richter&amp;rft.aufirst=Hans&amp;rft.au=Britt%2C+David&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ANew+York+Dada" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=New_York_Dada&amp;action=edit&amp;section=11" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDuchampRay1921" class="citation web cs1">Duchamp, Marcel; Ray, Man (April 1921). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220319073019/https://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=incipio&amp;OUTPUT=PORTAL&amp;DOCID=0473982&amp;DOCBASE=CGPP">"New York dada &#91;REVUE&#93;"</a>. <i>Bibliothèque Kandinsky, Centre Pompidou</i>. Archived from <a rel="nofollow" class="external text" href="http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=incipio&amp;OUTPUT=PORTAL&amp;DOCID=0473982&amp;DOCBASE=CGPP">the original</a> on 19 March 2022.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Biblioth%C3%A8que+Kandinsky%2C+Centre+Pompidou&amp;rft.atitle=New+York+dada+%5BREVUE%5D&amp;rft.date=1921-04&amp;rft.aulast=Duchamp&amp;rft.aufirst=Marcel&amp;rft.au=Ray%2C+Man&amp;rft_id=http%3A%2F%2Fbibliothequekandinsky.centrepompidou.fr%2FclientBookline%2Fservice%2Freference.asp%3FINSTANCE%3Dincipio%26OUTPUT%3DPORTAL%26DOCID%3D0473982%26DOCBASE%3DCGPP&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ANew+York+Dada" class="Z3988"></span></li> <li><a rel="nofollow" class="external text" href="https://books.google.fr/books?isbn=1118476182">Hopkins, David, <i>A Companion to Dada and Surrealism</i></a>, Volume 10 of Blackwell Companions to Art History, John Wiley &amp; Sons, May 2, 2016, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/1118476182" title="Special:BookSources/1118476182">1118476182</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output 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aria-labelledby="Marcel_Duchamp" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="3"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini 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title="Edit this template">e</abbr></a></li></ul></div><div id="Marcel_Duchamp" style="font-size:114%;margin:0 4em"><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artworks</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_works_by_Marcel_Duchamp" title="List of works by Marcel Duchamp">List of works by Marcel Duchamp</a></li> <li><i><a href="/wiki/Portrait_of_Dr._Dumouchel" title="Portrait of Dr. Dumouchel">Portrait of Dr. Dumouchel</a></i> (1910)</li> <li><i><a href="/wiki/The_Bush_(Duchamp)" title="The Bush (Duchamp)">The Bush</a></i> (1910–11)</li> <li><i><a href="/wiki/Yvonne_and_Magdeleine_Torn_in_Tatters" title="Yvonne and Magdeleine Torn in Tatters">Yvonne and Magdeleine Torn in Tatters</a></i> (1911)</li> <li><i><a href="/wiki/Nude_Descending_a_Staircase,_No._2" title="Nude Descending a Staircase, No. 2">Nude Descending a Staircase, No. 2</a></i> (1912)</li> <li><i><a href="/wiki/Bicycle_Wheel" title="Bicycle Wheel">Bicycle Wheel</a></i> (1913)</li> <li><i><a href="/wiki/Bottle_Rack" title="Bottle Rack">Bottle Rack</a></i> (1914)</li> <li><i><a href="/wiki/In_Advance_of_the_Broken_Arm" title="In Advance of the Broken Arm">In Advance of the Broken Arm</a></i> (1915)</li> <li><i><a href="/wiki/The_Bride_Stripped_Bare_by_Her_Bachelors,_Even" title="The Bride Stripped Bare by Her Bachelors, Even">The Bride Stripped Bare by Her Bachelors, Even</a></i> (1915–1923)</li> <li><i><a href="/wiki/Apolin%C3%A8re_Enameled" title="Apolinère Enameled">Apolinère Enameled</a></i> (c. 1916)</li> <li><i><a href="/wiki/Tulip_Hysteria_Co-ordinating" title="Tulip Hysteria Co-ordinating">Tulip Hysteria Co-ordinating</a></i> (1917)</li> <li><i><a href="/wiki/Fountain_(Duchamp)" title="Fountain (Duchamp)">Fountain</a></i> (1917)</li> <li><i><a href="/wiki/L.H.O.O.Q." title="L.H.O.O.Q.">L.H.O.O.Q.</a></i> (1919)</li> <li><i><a href="/wiki/Belle_Haleine,_Eau_de_Voilette" title="Belle Haleine, Eau de Voilette">Belle Haleine, Eau de Voilette</a></i> (1920–21)</li> <li><i><a href="/wiki/Why_Not_Sneeze,_Rose_S%C3%A9lavy%3F" title="Why Not Sneeze, Rose Sélavy?">Why Not Sneeze, Rose Sélavy?</a></i> (1921)</li> <li><i><a href="/wiki/Monte_Carlo_Bonds" title="Monte Carlo Bonds">Monte Carlo Bonds</a></i> (1924)</li> <li><i><a href="/wiki/De_ou_par_Marcel_Duchamp_ou_Rrose_S%C3%A9lavy_(La_Bo%C3%AEte-en-valise)" title="De ou par Marcel Duchamp ou Rrose Sélavy (La Boîte-en-valise)">La Boîte-en-valise</a></i> (1934–1966)</li> <li><i><a href="/wiki/%C3%89tant_donn%C3%A9s" title="Étant donnés">Étant donnés</a></i> (1946–1966)</li></ul> </div></td><td class="noviewer navbox-image" rowspan="3" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Man_Ray,_1920-21,_Portrait_of_Marcel_Duchamp,_gelatin_silver_print,_Yale_University_Art_Gallery.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/3/34/Man_Ray%2C_1920-21%2C_Portrait_of_Marcel_Duchamp%2C_gelatin_silver_print%2C_Yale_University_Art_Gallery.jpg/100px-Man_Ray%2C_1920-21%2C_Portrait_of_Marcel_Duchamp%2C_gelatin_silver_print%2C_Yale_University_Art_Gallery.jpg" decoding="async" width="100" height="127" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/3/34/Man_Ray%2C_1920-21%2C_Portrait_of_Marcel_Duchamp%2C_gelatin_silver_print%2C_Yale_University_Art_Gallery.jpg/150px-Man_Ray%2C_1920-21%2C_Portrait_of_Marcel_Duchamp%2C_gelatin_silver_print%2C_Yale_University_Art_Gallery.jpg 1.5x, 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0.25em"> <ul><li><a href="/wiki/Readymades_of_Marcel_Duchamp" title="Readymades of Marcel Duchamp">Readymades of Marcel Duchamp</a> <ul><li><a href="/wiki/Anti-art" title="Anti-art">Anti-art</a></li> <li><a href="/wiki/Dada" title="Dada">Dada</a></li></ul></li> <li><a class="mw-selflink selflink">New York Dada</a></li> <li><i><a href="/wiki/The_Blind_Man" title="The Blind Man">The Blind Man</a></i></li> <li><i><a href="/wiki/Fountain_Archive" title="Fountain Archive">Fountain Archive</a></i></li> <li><i><a href="/wiki/Portrait_of_Marcel_Duchamp" title="Portrait of Marcel Duchamp">Portrait of Marcel Duchamp</a></i></li> <li><a href="/wiki/Alexina_Duchamp" title="Alexina Duchamp">Alexina Duchamp (wife)</a></li> <li><a href="/wiki/Jacques_Villon" title="Jacques Villon">Jacques Villon (brother)</a></li> <li><a href="/wiki/Raymond_Duchamp-Villon" title="Raymond Duchamp-Villon">Raymond Duchamp-Villon (brother)</a></li> <li><a href="/wiki/Suzanne_Duchamp" title="Suzanne Duchamp">Suzanne Duchamp (sister)</a></li> <li><a href="/wiki/Marcel_Duchamp_Prize" title="Marcel Duchamp Prize">Marcel Duchamp Prize</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Dada" style="padding:3px"><table class="nowraplinks hlist mw-collapsible expanded navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="3"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Dada" title="Template:Dada"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Dada" title="Template talk:Dada"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Dada" title="Special:EditPage/Template:Dada"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Dada" style="font-size:114%;margin:0 4em"><a href="/wiki/Dada" title="Dada">Dada</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a class="mw-selflink selflink">New York Dada</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a></li> <li><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a></li> <li><a href="/wiki/Man_Ray" title="Man Ray">Man Ray</a></li> <li><a href="/wiki/Beatrice_Wood" title="Beatrice Wood">Beatrice Wood</a></li> <li><a href="/wiki/Louise_Var%C3%A8se" title="Louise Varèse">Louise Norton</a></li> <li><a href="/wiki/Elsa_von_Freytag-Loringhoven" title="Elsa von Freytag-Loringhoven">Elsa von Freytag-Loringhoven</a></li> <li><a href="/wiki/Juliette_Roche" title="Juliette Roche">Juliette Roche Gleizes</a></li> <li><a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a></li></ul> </div></td><td class="noviewer navbox-image" rowspan="7" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Theo_van_Doesburg_Dadamatin%C3%A9e.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/50/Theo_van_Doesburg_Dadamatin%C3%A9e.jpg/100px-Theo_van_Doesburg_Dadamatin%C3%A9e.jpg" decoding="async" width="100" height="72" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/50/Theo_van_Doesburg_Dadamatin%C3%A9e.jpg/150px-Theo_van_Doesburg_Dadamatin%C3%A9e.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/50/Theo_van_Doesburg_Dadamatin%C3%A9e.jpg/200px-Theo_van_Doesburg_Dadamatin%C3%A9e.jpg 2x" data-file-width="727" data-file-height="525" /></a></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">European Dada</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Dragan_Aleksi%C4%87" title="Dragan Aleksić">Dragan Aleksić</a></li> <li><a href="/wiki/Louis_Aragon" title="Louis Aragon">Louis Aragon</a></li> <li><a href="/wiki/Jean_Arp" title="Jean Arp">Jean Arp</a></li> <li><a href="/wiki/Johannes_Baader" title="Johannes Baader">Johannes Baader</a></li> <li><a href="/wiki/Alice_Bailly" title="Alice Bailly">Alice Bailly</a></li> <li><a href="/wiki/Hugo_Ball" title="Hugo Ball">Hugo Ball</a></li> <li><a href="/wiki/Andr%C3%A9_Breton" title="André Breton">André Breton</a></li> <li><a href="/wiki/Gabri%C3%A8le_Buffet-Picabia" title="Gabrièle Buffet-Picabia">Gabrièle Buffet-Picabia</a></li> <li><a href="/wiki/Serge_Charchoune" title="Serge Charchoune">Serge Charchoune</a></li> <li><a href="/wiki/Arthur_Cravan" title="Arthur Cravan">Arthur Cravan</a></li> <li><a href="/wiki/Jean_Crotti" title="Jean Crotti">Jean Crotti</a></li> <li><a href="/wiki/Otto_Dix" title="Otto Dix">Otto Dix</a></li> <li><a href="/wiki/Theo_van_Doesburg" title="Theo van Doesburg">Theo van Doesburg</a></li> <li><a href="/wiki/Marcel_Duchamp" title="Marcel Duchamp">Marcel Duchamp</a></li> <li><a href="/wiki/Suzanne_Duchamp" title="Suzanne Duchamp">Suzanne Duchamp</a></li> <li><a href="/wiki/Paul_%C3%89luard" title="Paul Éluard">Paul Éluard</a></li> <li><a href="/wiki/Max_Ernst" title="Max Ernst">Max Ernst</a></li> <li><a href="/wiki/Julius_Evola" title="Julius Evola">Julius Evola</a></li> <li><a href="/wiki/George_Grosz" title="George Grosz">George Grosz</a></li> <li><a href="/wiki/Raoul_Hausmann" title="Raoul Hausmann">Raoul Hausmann</a></li> <li><a href="/wiki/John_Heartfield" title="John Heartfield">John Heartfield</a></li> <li><a href="/wiki/Emmy_Hennings" title="Emmy Hennings">Emmy Hennings</a></li> <li><a href="/wiki/Hannah_H%C3%B6ch" title="Hannah Höch">Hannah Höch</a></li> <li><a href="/wiki/Richard_Huelsenbeck" title="Richard Huelsenbeck">Richard Huelsenbeck</a></li> <li><a href="/wiki/Ilya_Zdanevich" class="mw-redirect" title="Ilya Zdanevich">Iliazd</a></li> <li><a href="/wiki/Marcel_Janco" title="Marcel Janco">Marcel Janco</a></li> <li><a href="/wiki/Elsa_von_Freytag-Loringhoven" title="Elsa von Freytag-Loringhoven">Elsa von Freytag-Loringhoven</a></li> <li><a href="/wiki/Cl%C3%A9ment_Pansaers" title="Clément Pansaers">Clément Pansaers</a></li> <li><a href="/wiki/Francis_Picabia" title="Francis Picabia">Francis Picabia</a></li> <li><a href="/wiki/Man_Ray" title="Man Ray">Man Ray</a></li> <li><a href="/wiki/Georges_Ribemont-Dessaignes" title="Georges Ribemont-Dessaignes">Georges Ribemont-Dessaignes</a></li> <li><a href="/wiki/Jacques_Rigaut" title="Jacques Rigaut">Jacques Rigaut</a></li> <li><a href="/wiki/Henri-Pierre_Roch%C3%A9" title="Henri-Pierre Roché">Henri-Pierre Roché</a></li> <li><a href="/wiki/Kurt_Schwitters" title="Kurt Schwitters">Kurt Schwitters</a></li> <li><a href="/wiki/Walter_Serner" title="Walter Serner">Walter Serner</a></li> <li><a href="/wiki/Philippe_Soupault" title="Philippe Soupault">Philippe Soupault</a></li> <li><a href="/wiki/Sophie_Taeuber-Arp" title="Sophie Taeuber-Arp">Sophie Taeuber-Arp</a></li> <li><a href="/wiki/Julien_Torma" title="Julien Torma">Julien Torma</a></li> <li><a href="/wiki/Tristan_Tzara" title="Tristan Tzara">Tristan Tzara</a></li> <li><a href="/wiki/Jacques_Vach%C3%A9" title="Jacques Vaché">Jacques Vaché</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Works</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Bicycle_Wheel" title="Bicycle Wheel">Bicycle Wheel</a></i></li> <li><i><a href="/wiki/Bottle_Rack" title="Bottle Rack">Bottle Rack</a></i></li> <li><i><a href="/wiki/Fountain_(Duchamp)" title="Fountain (Duchamp)">Fountain</a></i></li> <li><i><a href="/wiki/Dada-Review" title="Dada-Review">Dada-Review</a></i></li> <li><i><a href="/wiki/Prelude_to_a_Broken_Arm" class="mw-redirect" title="Prelude to a Broken Arm">Prelude to a Broken Arm</a></i></li> <li><i><a href="/wiki/Why_Not_Sneeze,_Rose_S%C3%A9lavy%3F" title="Why Not Sneeze, Rose Sélavy?">Why Not Sneeze, Rose Sélavy?</a></i></li> <li><i><a href="/wiki/L.H.O.O.Q." title="L.H.O.O.Q.">L.H.O.O.Q.</a></i></li> <li><i><a href="/wiki/Tulip_Hysteria_Co-ordinating" title="Tulip Hysteria Co-ordinating">Tulip Hysteria Co-ordinating</a></i></li> <li><a href="/wiki/Rrose_S%C3%A9lavy" class="mw-redirect" title="Rrose Sélavy">Rrose Sélavy</a></li> <li><a href="/wiki/Readymades_of_Marcel_Duchamp" title="Readymades of Marcel Duchamp">Readymades of Marcel Duchamp</a></li> <li><i><a href="/wiki/The_Gas_Heart" title="The Gas Heart">The Gas Heart</a></i> (1921 play)</li> <li><i><a href="/wiki/Handkerchief_of_Clouds" title="Handkerchief of Clouds">Handkerchief of Clouds</a></i> (1924 play)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Publications</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Dada_Manifesto" title="Dada Manifesto">Dada Manifesto</a></li> <li><a href="/wiki/291_(magazine)" title="291 (magazine)"><i>291</i> (magazine)</a></li> <li><a href="/wiki/391_(magazine)" title="391 (magazine)"><i>391</i> (magazine)</a></li> <li><i><a href="/wiki/The_Blind_Man" title="The Blind Man">The Blind Man</a></i> (magazine)</li> <li><i><a href="/wiki/Dadaglobe" title="Dadaglobe">Dadaglobe</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Influences</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Alfred_Jarry" title="Alfred Jarry">Alfred Jarry</a></li> <li><a href="/wiki/Incoherents" title="Incoherents">Incoherents</a></li> <li><a href="https://fr.wikipedia.org/wiki/Eug%C3%A8ne_Bataille" class="extiw" title="fr:Eugène Bataille">Eugène Bataille</a> (aka Sapeck)</li> <li><a href="/wiki/Parade_(ballet)" title="Parade (ballet)"><i>Parade</i> (ballet)</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Influenced</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Conceptual_art" title="Conceptual art">Conceptual art</a></li> <li><a href="/wiki/Surrealism" title="Surrealism">Surrealism</a></li> <li><a href="/wiki/Nouveau_r%C3%A9alisme" title="Nouveau réalisme">Nouveau réalisme</a></li> <li><a href="/wiki/Pop_art" title="Pop art">Pop art</a></li> <li><a href="/wiki/Fluxus" title="Fluxus">Fluxus</a></li> <li><a href="/wiki/Monochrome_painting" title="Monochrome painting">Monochrome painting</a></li> <li><a href="/wiki/Downtown_music" title="Downtown music">Downtown music</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Alfred_Stieglitz" title="Alfred Stieglitz">Alfred Stieglitz</a> (photographer, art promoter)</li> <li><a href="/wiki/Walter_Conrad_Arensberg" title="Walter Conrad Arensberg">Walter Conrad Arensberg</a> (art collector)</li> <li><a href="/wiki/291_(art_gallery)" title="291 (art gallery)">291 (art gallery)</a></li> <li><a href="/wiki/Galeries_Dalmau" title="Galeries Dalmau">Galeries Dalmau</a></li> <li><a href="/wiki/Found_object" title="Found object">Found object</a></li> <li><a href="/wiki/Anti-art" title="Anti-art">Anti-art</a></li> <li><a href="/wiki/Anarchism_and_the_arts" title="Anarchism and the arts">Anarchism and the arts</a></li> <li><a href="/wiki/Anti-anti-art" class="mw-redirect" title="Anti-anti-art">Anti-anti-art</a></li> <li><a href="/wiki/Anti-poetry" title="Anti-poetry">Anti-poetry</a></li> <li><a href="/wiki/Appropriation_(art)" title="Appropriation (art)">Appropriation (art)</a></li> <li><a href="/wiki/Art_intervention" title="Art intervention">Art intervention</a></li> <li><a href="/wiki/Cabaret_Voltaire_(Z%C3%BCrich)" title="Cabaret Voltaire (Zürich)">Cabaret Voltaire</a></li> <li><a href="/wiki/Noise_music" title="Noise music">Noise music</a></li> <li><a href="/wiki/%C3%89pater_la_bourgeoisie" title="Épater la bourgeoisie">Épater la bourgeoisie</a></li> <li><a href="/wiki/Shock_art" title="Shock art">Shock art</a></li> <li><i><a href="/wiki/Beatrice_Wood:_Mama_of_Dada" title="Beatrice Wood: Mama of Dada">Beatrice Wood: Mama of Dada</a></i> (1993 documentary)</li> <li><i><a href="/wiki/Man_and_Boy:_Dada" title="Man and Boy: Dada">Man and Boy: Dada</a></i> (2006 opera)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Alfred_Stieglitz" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Alfred_Stieglitz" title="Template:Alfred Stieglitz"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Alfred_Stieglitz" title="Template talk:Alfred Stieglitz"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Alfred_Stieglitz" title="Special:EditPage/Template:Alfred Stieglitz"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Alfred_Stieglitz" style="font-size:114%;margin:0 4em"><a href="/wiki/Alfred_Stieglitz" title="Alfred Stieglitz">Alfred Stieglitz</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Photographs</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Last_Joke,_Bellagio" title="The Last Joke, Bellagio">The Last Joke, Bellagio</a></i> (1887)</li> <li><i><a href="/wiki/Winter,_Fifth_Avenue" title="Winter, Fifth Avenue">Winter, Fifth Avenue</a></i> (1893)</li> <li><i><a href="/wiki/The_Terminal_(photograph)" title="The Terminal (photograph)">The Terminal</a></i> (1893)</li> <li><i><a href="/wiki/Spring_Showers,_the_Coach" title="Spring Showers, the Coach">Spring Showers, the Coach</a></i> (1899–1900)</li> <li><i><a href="/wiki/The_Hand_of_Man" title="The Hand of Man">The Hand of Man</a></i> (1902)</li> <li><i><a href="/wiki/The_Steerage" title="The Steerage">The Steerage</a></i> (1907)</li> <li><i><a href="/wiki/From_the_Back_Window_%E2%80%93_291" title="From the Back Window – 291">From the Back Window – 291</a></i> (1915)</li> <li><a href="/wiki/Fountain_(Duchamp)" title="Fountain (Duchamp)"><i>Fountain</i> (Duchamp)</a> (1917)</li> <li><i><a href="/wiki/Georgia_O%27Keeffe_%E2%80%93_Torso" title="Georgia O&#39;Keeffe – Torso">Georgia O'Keeffe – Torso</a></i> (1918)</li> <li><i><a href="/wiki/Georgia_O%27Keeffe_%E2%80%93_Hands" title="Georgia O&#39;Keeffe – Hands">Georgia O'Keeffe – Hands</a></i> (1919)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Photography series</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Equivalents" title="Equivalents">Equivalents</a></i> (1925–1934)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Family and<br />relationships</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Alice_Boughton" title="Alice Boughton">Alice Boughton</a></li> <li><a href="/wiki/Paul_Haviland" title="Paul Haviland">Paul Haviland</a></li> <li><a href="/wiki/Gertrude_K%C3%A4sebier" title="Gertrude Käsebier">Gertrude Käsebier</a></li> <li><a href="/wiki/Dorothy_Norman" title="Dorothy Norman">Dorothy Norman</a></li> <li><a href="/wiki/Georgia_O%27Keeffe" title="Georgia O&#39;Keeffe">Georgia O'Keeffe</a></li> <li><a href="/wiki/Katharine_Rhoades" title="Katharine Rhoades">Katharine Rhoades</a></li> <li><a href="/wiki/Katherine_Stieglitz" title="Katherine Stieglitz">Katherine Stieglitz</a></li> <li><a href="/wiki/Clarence_Hudson_White" title="Clarence Hudson White">Clarence Hudson White</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Camera_Notes" title="Camera Notes">Camera Notes</a></i> (1897–1903)</li> <li><i><a href="/wiki/Camera_Work" title="Camera Work">Camera Work</a></i> (1903–1917)</li> <li><a class="mw-selflink selflink">New York Dada</a></li> <li><a href="/wiki/Nude_photography_(art)" title="Nude photography (art)">Nude photography (art)</a></li> <li><a href="/wiki/Photo-Secession" title="Photo-Secession">Photo-Secession</a></li> <li><a href="/wiki/Pictorialism" title="Pictorialism">Pictorialism</a></li> <li><a href="/wiki/Readymades_of_Marcel_Duchamp" title="Readymades of Marcel Duchamp">Readymades of Marcel Duchamp</a></li> <li><a href="/wiki/Straight_photography" title="Straight photography">Straight photography</a></li> <li><a href="/wiki/The_Linked_Ring" title="The Linked Ring">The Linked Ring</a></li> <li><a href="/wiki/291_(art_gallery)" title="291 (art gallery)">291 (art gallery)</a></li></ul> </div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐5dc468848‐qxxlk Cached time: 20241124064214 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.355 seconds Real time usage: 0.514 seconds Preprocessor visited node count: 1961/1000000 Post‐expand include size: 44941/2097152 bytes Template argument size: 2185/2097152 bytes Highest expansion depth: 17/100 Expensive parser function count: 2/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 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