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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Chinese Art</h1><div class="u-tcGrayDark">16,265 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Chinese Art</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Chinese_Art">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Chinese_Art/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Chinese_Art/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Chinese_Art/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Chinese_Art">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_21302492" data-work_id="21302492" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/21302492/Eurasian_Steppe_Bronzes_Re_discovered">Eurasian Steppe Bronzes (Re)discovered</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Review of John Boardman, The Relief Plaques of Eastern Eurasia and China. The ‚Ordos Bronzes', Peter the Great's Treasure, and their kin. BAR S2146. Oxford: Archaeopress, 2010 and Ulf Jäger/Sascha Kahnsteiner. Ancient Metalwork from the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_21302492" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Review of John Boardman, The Relief Plaques of Eastern Eurasia and China. The ‚Ordos Bronzes', Peter the Great's Treasure, and their kin. BAR S2146. Oxford: Archaeopress, 2010 and Ulf Jäger/Sascha Kahnsteiner. Ancient Metalwork from the Black Sea to China in the Borowski Collection. Ruhpolding/Mainz: Franz Phillip Rutzen, 2011.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/21302492" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c707a64bd876d5c6b30ad6437a80bb66" rel="nofollow" data-download="{"attachment_id":41806899,"asset_id":21302492,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41806899/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="685493" href="https://au.academia.edu/CatrinKost">Catrin Kost</a><script data-card-contents-for-user="685493" type="text/json">{"id":685493,"first_name":"Catrin","last_name":"Kost","domain_name":"au","page_name":"CatrinKost","display_name":"Catrin Kost","profile_url":"https://au.academia.edu/CatrinKost?f_ri=8228","photo":"https://0.academia-photos.com/685493/289471/12748004/s65_catrin.kost.jpg"}</script></span></span></li><li class="js-paper-rank-work_21302492 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="21302492"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 21302492, container: ".js-paper-rank-work_21302492", }); 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$(".js-view-count[data-work-id=21302492]").text(description); $(".js-view-count-work_21302492").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_21302492").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="21302492"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8527" href="https://www.academia.edu/Documents/in/Metalwork_Archaeology_">Metalwork (Archaeology)</a>, <script data-card-contents-for-ri="8527" type="text/json">{"id":8527,"name":"Metalwork (Archaeology)","url":"https://www.academia.edu/Documents/in/Metalwork_Archaeology_?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24516" href="https://www.academia.edu/Documents/in/Chinese_archaeology">Chinese archaeology</a><script data-card-contents-for-ri="24516" type="text/json">{"id":24516,"name":"Chinese archaeology","url":"https://www.academia.edu/Documents/in/Chinese_archaeology?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=21302492]'), work: {"id":21302492,"title":"Eurasian Steppe Bronzes (Re)discovered","created_at":"2016-01-31T07:24:50.718-08:00","url":"https://www.academia.edu/21302492/Eurasian_Steppe_Bronzes_Re_discovered?f_ri=8228","dom_id":"work_21302492","summary":"Review of John Boardman, The Relief Plaques of Eastern Eurasia and China. The ‚Ordos Bronzes', Peter the Great's Treasure, and their kin. BAR S2146. Oxford: Archaeopress, 2010 and Ulf Jäger/Sascha Kahnsteiner. Ancient Metalwork from the Black Sea to China in the Borowski Collection. 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Readers will not be disappointed: China’s Terracotta Warriors is much more than yet another book about China’s most glorious excavation site"―Nancy Steinhardt, Orientations <br /> <br />"The extensively illustrated catalogue, one of the most detailed overviews of the Qin and the First Emperor yet published, is vital for anyone even remotely interested in this pivotal period in Chinese art, culture and history."―Martin Barnes Lorber, Asian Art <br /> <br />"The Minneapolis catalogue stands out as one of the most informative and groundbreaking in the mass of books on the terracotta warriors. Within the plethora of books about the First Emperor of China and the terracotta soldiers placed at his tomb, this volume is exceptional in its placing of the First Emperor in his context—a young ruler of a vassal state of questionable 'barbarian' influences forging an empire out of the ruins of an old world, a world he conquered with a invincible army and governed with an iron fist." —Chao-Hui Jenny Liu, China Review International <br /> <br />"This dazzling catalogue by Curator Liu Yang traces the development of the Qin state from the 9th century BCE to the reign of the First Emperor, through an array of sculpted works and architectural remains from Shaanxi province....Written by an internationally renowned cast of scholars, the volume features detailed chapters of manageable length, making it accessible to the undergraduates but also relevant to advanced researchers.....Overall, this is a much-needed update on a well-trodden subjects." —A.R.Miller, Choice</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29798025" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="410c8c22ded51afb4ea189346094ed75" rel="nofollow" data-download="{"attachment_id":50255115,"asset_id":29798025,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50255115/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25635675" href="https://independent.academia.edu/YangLiu627">Yang Liu</a><script data-card-contents-for-user="25635675" type="text/json">{"id":25635675,"first_name":"Yang","last_name":"Liu","domain_name":"independent","page_name":"YangLiu627","display_name":"Yang Liu","profile_url":"https://independent.academia.edu/YangLiu627?f_ri=8228","photo":"https://0.academia-photos.com/25635675/9744534/36289201/s65_yang.liu.jpg"}</script></span></span></li><li class="js-paper-rank-work_29798025 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29798025"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29798025, container: ".js-paper-rank-work_29798025", }); 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Readers will not be disappointed: China’s Terracotta Warriors is much more than yet another book about China’s most glorious excavation site\"―Nancy Steinhardt, Orientations \r\n\r\n\"The extensively illustrated catalogue, one of the most detailed overviews of the Qin and the First Emperor yet published, is vital for anyone even remotely interested in this pivotal period in Chinese art, culture and history.\"―Martin Barnes Lorber, Asian Art\r\n\r\n\"The Minneapolis catalogue stands out as one of the most informative and groundbreaking in the mass of books on the terracotta warriors. Within the plethora of books about the First Emperor of China and the terracotta soldiers placed at his tomb, this volume is exceptional in its placing of the First Emperor in his context—a young ruler of a vassal state of questionable 'barbarian' influences forging an empire out of the ruins of an old world, a world he conquered with a invincible army and governed with an iron fist.\" —Chao-Hui Jenny Liu, China Review International\r\n\r\n\"This dazzling catalogue by Curator Liu Yang traces the development of the Qin state from the 9th century BCE to the reign of the First Emperor, through an array of sculpted works and architectural remains from Shaanxi province....Written by an internationally renowned cast of scholars, the volume features detailed chapters of manageable length, making it accessible to the undergraduates but also relevant to advanced researchers.....Overall, this is a much-needed update on a well-trodden subjects.\" —A.R.Miller, Choice\r\n","downloadable_attachments":[{"id":50255115,"asset_id":29798025,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25635675,"first_name":"Yang","last_name":"Liu","domain_name":"independent","page_name":"YangLiu627","display_name":"Yang Liu","profile_url":"https://independent.academia.edu/YangLiu627?f_ri=8228","photo":"https://0.academia-photos.com/25635675/9744534/36289201/s65_yang.liu.jpg"}],"research_interests":[{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=8228","nofollow":false},{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false},{"id":24516,"name":"Chinese archaeology","url":"https://www.academia.edu/Documents/in/Chinese_archaeology?f_ri=8228"},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts?f_ri=8228"},{"id":26850,"name":"Chinese history (History)","url":"https://www.academia.edu/Documents/in/Chinese_history_History_?f_ri=8228"},{"id":56788,"name":"Pre-Qin Period in Chinese History","url":"https://www.academia.edu/Documents/in/Pre-Qin_Period_in_Chinese_History?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"},{"id":302582,"name":"Ancient Chinese Bronzes","url":"https://www.academia.edu/Documents/in/Ancient_Chinese_Bronzes?f_ri=8228"},{"id":389437,"name":"Qin dynasty","url":"https://www.academia.edu/Documents/in/Qin_dynasty?f_ri=8228"},{"id":544013,"name":"Terracotta Warriors","url":"https://www.academia.edu/Documents/in/Terracotta_Warriors?f_ri=8228"},{"id":826689,"name":"Traditional Chinese Martial Arts","url":"https://www.academia.edu/Documents/in/Traditional_Chinese_Martial_Arts?f_ri=8228"},{"id":1941305,"name":"First Emperor of Qin","url":"https://www.academia.edu/Documents/in/First_Emperor_of_Qin?f_ri=8228"},{"id":1966722,"name":"Archaeology First Emperor Tomb","url":"https://www.academia.edu/Documents/in/Archaeology_First_Emperor_Tomb?f_ri=8228"},{"id":3002833,"name":"ancient Chinese jade artifacts","url":"https://www.academia.edu/Documents/in/ancient_Chinese_jade_artifacts?f_ri=8228"},{"id":3251959,"name":"chinese tomb figures","url":"https://www.academia.edu/Documents/in/chinese_tomb_figures?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_200011" data-work_id="200011" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/200011/Lopes_R_O_2009_%E7%9A%87%E6%AC%8A%E9%8F%A1%E5%BD%B1_%E5%B0%8D_%E8%83%A4%E7%A6%9B%E8%A1%8C%E6%A8%82%E5%9C%96_%E5%86%8A%E7%9A%84%E8%8B%A5%E5%B9%B2%E8%A7%80%E5%AF%9F_%E7%BE%85%E5%8C%AF%E8%91%97_%E9%82%B1%E5%A3%AB%E8%8F%AF_Reflections_of_Sovereign_Power_Various_Observations_on_the_Painting_Volume_Entitled_Entertainments_of_Emperor_Yongzheng_National_Palace_Museum_Monthly_of_Chinese_Art_312_26_33">Lopes, R. O. (2009) 皇權鏡影：對〈胤禛行樂圖〉冊的若干觀察　羅匯著、邱士華 (Reflections of Sovereign Power: Various Observations on the Painting Volume Entitled ‘Entertainments of Emperor Yongzheng’). National Palace Museum Monthly of Chinese Art, 312, 26–33.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/200011" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="55762135d91a7342cddda2e68c96bf32" rel="nofollow" data-download="{"attachment_id":31201004,"asset_id":200011,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31201004/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="77041" href="https://ubd.academia.edu/RuiOliveiraLopes">Rui Oliveira Lopes</a><script data-card-contents-for-user="77041" type="text/json">{"id":77041,"first_name":"Rui","last_name":"Oliveira Lopes","domain_name":"ubd","page_name":"RuiOliveiraLopes","display_name":"Rui Oliveira Lopes","profile_url":"https://ubd.academia.edu/RuiOliveiraLopes?f_ri=8228","photo":"https://0.academia-photos.com/77041/21341/137241634/s65_rui.oliveira_lopes.jpg"}</script></span></span></li><li class="js-paper-rank-work_200011 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="200011"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 200011, container: ".js-paper-rank-work_200011", }); 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National Palace Museum Monthly of Chinese Art, 312, 26–33.","created_at":"2009-12-01T22:56:47.716-08:00","url":"https://www.academia.edu/200011/Lopes_R_O_2009_%E7%9A%87%E6%AC%8A%E9%8F%A1%E5%BD%B1_%E5%B0%8D_%E8%83%A4%E7%A6%9B%E8%A1%8C%E6%A8%82%E5%9C%96_%E5%86%8A%E7%9A%84%E8%8B%A5%E5%B9%B2%E8%A7%80%E5%AF%9F_%E7%BE%85%E5%8C%AF%E8%91%97_%E9%82%B1%E5%A3%AB%E8%8F%AF_Reflections_of_Sovereign_Power_Various_Observations_on_the_Painting_Volume_Entitled_Entertainments_of_Emperor_Yongzheng_National_Palace_Museum_Monthly_of_Chinese_Art_312_26_33?f_ri=8228","dom_id":"work_200011","summary":null,"downloadable_attachments":[{"id":31201004,"asset_id":200011,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":77041,"first_name":"Rui","last_name":"Oliveira Lopes","domain_name":"ubd","page_name":"RuiOliveiraLopes","display_name":"Rui Oliveira 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class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38599966" data-work_id="38599966" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38599966/Lessons_in_anti_perspective_from_China_and_Byzantium">Lessons in anti-perspective from China and Byzantium.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38599966" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div 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Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=8228","nofollow":false},{"id":3080,"name":"History of Perspective in Painting","url":"https://www.academia.edu/Documents/in/History_of_Perspective_in_Painting?f_ri=8228","nofollow":false},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228"},{"id":10503,"name":"Photography Theory","url":"https://www.academia.edu/Documents/in/Photography_Theory?f_ri=8228"},{"id":32644,"name":"Digital Theory and Culture","url":"https://www.academia.edu/Documents/in/Digital_Theory_and_Culture?f_ri=8228"},{"id":125431,"name":"Byzantine art","url":"https://www.academia.edu/Documents/in/Byzantine_art?f_ri=8228"},{"id":178329,"name":"Johannes Vermeer","url":"https://www.academia.edu/Documents/in/Johannes_Vermeer?f_ri=8228"},{"id":183426,"name":"Phenomenology (of Perception), Picture Theory, Photography","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Perception_Picture_Theory_Photography?f_ri=8228"},{"id":186338,"name":"Picture Theory","url":"https://www.academia.edu/Documents/in/Picture_Theory?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"},{"id":577620,"name":"Reversed perspective","url":"https://www.academia.edu/Documents/in/Reversed_perspective?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2445565" data-work_id="2445565" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2445565/Review_of_Craig_Clunas_Art_in_China_2009_">Review of Craig Clunas, Art in China (2009)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2445565" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0e8ca6dcbcd09f7db7bc026b79f9ee3f" rel="nofollow" data-download="{"attachment_id":30469294,"asset_id":2445565,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30469294/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i 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Reich","profile_url":"https://sju.academia.edu/AaronReich?f_ri=8228","photo":"https://0.academia-photos.com/1945241/1047186/31808574/s65_aaron.reich.jpg"}],"research_interests":[{"id":2399,"name":"Daoism","url":"https://www.academia.edu/Documents/in/Daoism?f_ri=8228","nofollow":false},{"id":2837,"name":"Chinese Religions","url":"https://www.academia.edu/Documents/in/Chinese_Religions?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36276759" data-work_id="36276759" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36276759/Le_th%C3%A9_Histoire_dun_art_de_vivre_La_collection_K_S_Lo_du_Flagstaff_House_Museum_of_Tea_Ware_2009">Le thé. Histoire d'un art de vivre. La collection K.S. Lo du Flagstaff House Museum of Tea Ware, 2009</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36276759" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eb4c60fad67f274253c83f501bcc56f2" rel="nofollow" data-download="{"attachment_id":56181646,"asset_id":36276759,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56181646/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="77380071" href="https://musee-mariemont.academia.edu/Mus%C3%A9eroyaldeMariemont">Musée royal de Mariemont</a><script data-card-contents-for-user="77380071" type="text/json">{"id":77380071,"first_name":"Musée royal","last_name":"de Mariemont","domain_name":"musee-mariemont","page_name":"MuséeroyaldeMariemont","display_name":"Musée royal de Mariemont","profile_url":"https://musee-mariemont.academia.edu/Mus%C3%A9eroyaldeMariemont?f_ri=8228","photo":"https://0.academia-photos.com/77380071/19142032/53764355/s65_mus_e_royal.de_mariemont.png"}</script></span></span></li><li class="js-paper-rank-work_36276759 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36276759"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36276759, container: ".js-paper-rank-work_36276759", }); 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$(".js-view-count[data-work-id=36276759]").text(description); $(".js-view-count-work_36276759").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36276759").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36276759"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9801" href="https://www.academia.edu/Documents/in/Chinese_Language_and_Culture">Chinese Language and Culture</a>, <script data-card-contents-for-ri="9801" type="text/json">{"id":9801,"name":"Chinese Language and Culture","url":"https://www.academia.edu/Documents/in/Chinese_Language_and_Culture?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="356975" href="https://www.academia.edu/Documents/in/Chinese_Ceramics">Chinese Ceramics</a><script data-card-contents-for-ri="356975" type="text/json">{"id":356975,"name":"Chinese Ceramics","url":"https://www.academia.edu/Documents/in/Chinese_Ceramics?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36276759]'), work: {"id":36276759,"title":"Le thé. Histoire d'un art de vivre. La collection K.S. Lo du Flagstaff House Museum of Tea Ware, 2009","created_at":"2018-03-28T06:11:21.377-07:00","url":"https://www.academia.edu/36276759/Le_th%C3%A9_Histoire_dun_art_de_vivre_La_collection_K_S_Lo_du_Flagstaff_House_Museum_of_Tea_Ware_2009?f_ri=8228","dom_id":"work_36276759","summary":null,"downloadable_attachments":[{"id":56181646,"asset_id":36276759,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":77380071,"first_name":"Musée royal","last_name":"de Mariemont","domain_name":"musee-mariemont","page_name":"MuséeroyaldeMariemont","display_name":"Musée royal de Mariemont","profile_url":"https://musee-mariemont.academia.edu/Mus%C3%A9eroyaldeMariemont?f_ri=8228","photo":"https://0.academia-photos.com/77380071/19142032/53764355/s65_mus_e_royal.de_mariemont.png"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":9801,"name":"Chinese Language and Culture","url":"https://www.academia.edu/Documents/in/Chinese_Language_and_Culture?f_ri=8228","nofollow":false},{"id":356975,"name":"Chinese Ceramics","url":"https://www.academia.edu/Documents/in/Chinese_Ceramics?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39706481" data-work_id="39706481" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39706481/CAO_Weihong_%E6%9B%B9%E8%A1%9B%E7%B4%85">CAO Weihong, 曹衛紅</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">These works of art by her are presented here to illustrate my research paper:<br />‘Soft Power: Chinese Women Artists & the Female Body’<br />软实力: 中国女艺术家和女身体</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39706481" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="49ae38be7969b81e5b2578ace04faa45" rel="nofollow" data-download="{"attachment_id":59878564,"asset_id":39706481,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59878564/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="676452" href="https://anu-au.academia.edu/RoyForward">Roy Forward</a><script data-card-contents-for-user="676452" type="text/json">{"id":676452,"first_name":"Roy","last_name":"Forward","domain_name":"anu-au","page_name":"RoyForward","display_name":"Roy Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}</script></span></span></li><li class="js-paper-rank-work_39706481 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39706481"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39706481, container: ".js-paper-rank-work_39706481", }); 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$(".js-view-count[data-work-id=39706481]").text(description); $(".js-view-count-work_39706481").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39706481").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39706481"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12108" href="https://www.academia.edu/Documents/in/China">China</a>, <script data-card-contents-for-ri="12108" type="text/json">{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16240" href="https://www.academia.edu/Documents/in/Chinese_Politics">Chinese Politics</a><script data-card-contents-for-ri="16240" type="text/json">{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39706481]'), work: {"id":39706481,"title":"CAO Weihong, 曹衛紅","created_at":"2019-06-26T23:24:26.129-07:00","url":"https://www.academia.edu/39706481/CAO_Weihong_%E6%9B%B9%E8%A1%9B%E7%B4%85?f_ri=8228","dom_id":"work_39706481","summary":"These works of art by her are presented here to illustrate my research paper:\n‘Soft Power: Chinese Women Artists \u0026 the Female Body’\n软实力: 中国女艺术家和女身体\n","downloadable_attachments":[{"id":59878564,"asset_id":39706481,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":676452,"first_name":"Roy","last_name":"Forward","domain_name":"anu-au","page_name":"RoyForward","display_name":"Roy Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}],"research_interests":[{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false},{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false},{"id":20602,"name":"China studies","url":"https://www.academia.edu/Documents/in/China_studies?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25977447" data-work_id="25977447" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25977447/The_Literati_the_Eunuch_and_a_Memorial_The_Nelson_Atkins_s_Red_Cliff_Handscroll_Revisited">The Literati, the Eunuch, and a Memorial: The Nelson-Atkins’s Red Cliff Handscroll Revisited</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Nelson-Atkins Museum of Art's Illustration to the Second Prose Poem on the Red Cliff, attributed to Qiao Zhongchang, has been long celebrated as a major achievement of early Chinese literati painting. Nevertheless, the lifelike... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25977447" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Nelson-Atkins Museum of Art's Illustration to the Second Prose Poem on the Red Cliff, attributed to Qiao Zhongchang, has been long celebrated as a major achievement of early Chinese literati painting. Nevertheless, the lifelike portraiture of Su Shi and the depiction of an actual site, as well as the contemporary colophons, all point to a memorial function for the scroll. The early provenance of this handscroll indicates that Liang Shicheng, the eunuch at Emperor Huizong's court, was the one who commissioned it. The painting bears witness to the appropriation of the Li Gonglin style in the late Northern Song court.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25977447" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="605252073c7c429112430094989621b3" rel="nofollow" data-download="{"attachment_id":46327980,"asset_id":25977447,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46327980/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8285403" href="https://oregonstate.academia.edu/LeiXue">Lei Xue</a><script data-card-contents-for-user="8285403" type="text/json">{"id":8285403,"first_name":"Lei","last_name":"Xue","domain_name":"oregonstate","page_name":"LeiXue","display_name":"Lei Xue","profile_url":"https://oregonstate.academia.edu/LeiXue?f_ri=8228","photo":"https://0.academia-photos.com/8285403/2991116/35579850/s65_lei.xue.jpg"}</script></span></span></li><li class="js-paper-rank-work_25977447 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25977447"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25977447, container: ".js-paper-rank-work_25977447", }); 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$(".js-view-count[data-work-id=25977447]").text(description); $(".js-view-count-work_25977447").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25977447").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25977447"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12743" href="https://www.academia.edu/Documents/in/Song_Dynasty">Song Dynasty</a><script data-card-contents-for-ri="12743" type="text/json">{"id":12743,"name":"Song Dynasty","url":"https://www.academia.edu/Documents/in/Song_Dynasty?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25977447]'), work: {"id":25977447,"title":"The Literati, the Eunuch, and a Memorial: The Nelson-Atkins’s Red Cliff Handscroll Revisited","created_at":"2016-06-07T20:57:24.107-07:00","url":"https://www.academia.edu/25977447/The_Literati_the_Eunuch_and_a_Memorial_The_Nelson_Atkins_s_Red_Cliff_Handscroll_Revisited?f_ri=8228","dom_id":"work_25977447","summary":"The Nelson-Atkins Museum of Art's Illustration to the Second Prose Poem on the Red Cliff, attributed to Qiao Zhongchang, has been long celebrated as a major achievement of early Chinese literati painting. Nevertheless, the lifelike portraiture of Su Shi and the depiction of an actual site, as well as the contemporary colophons, all point to a memorial function for the scroll. The early provenance of this handscroll indicates that Liang Shicheng, the eunuch at Emperor Huizong's court, was the one who commissioned it. The painting bears witness to the appropriation of the Li Gonglin style in the late Northern Song court.","downloadable_attachments":[{"id":46327980,"asset_id":25977447,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8285403,"first_name":"Lei","last_name":"Xue","domain_name":"oregonstate","page_name":"LeiXue","display_name":"Lei Xue","profile_url":"https://oregonstate.academia.edu/LeiXue?f_ri=8228","photo":"https://0.academia-photos.com/8285403/2991116/35579850/s65_lei.xue.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12743,"name":"Song Dynasty","url":"https://www.academia.edu/Documents/in/Song_Dynasty?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div 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u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">25</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="387" href="https://www.academia.edu/Documents/in/Japanese_Studies">Japanese Studies</a>, <script data-card-contents-for-ri="387" type="text/json">{"id":387,"name":"Japanese Studies","url":"https://www.academia.edu/Documents/in/Japanese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="863" href="https://www.academia.edu/Documents/in/Visual_Studies">Visual Studies</a>, <script data-card-contents-for-ri="863" type="text/json">{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a><script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32983552]'), work: {"id":32983552,"title":"Portraiture and Early Studio Photography in China and 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(especially late Qing and Republican history)","url":"https://www.academia.edu/Documents/in/Modern_China_especially_late_Qing_and_Republican_history_?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"},{"id":218216,"name":"Japanese photography","url":"https://www.academia.edu/Documents/in/Japanese_photography?f_ri=8228"},{"id":294352,"name":"History of Chinese Photography","url":"https://www.academia.edu/Documents/in/History_of_Chinese_Photography?f_ri=8228"},{"id":391068,"name":"Japanese Visual Culture","url":"https://www.academia.edu/Documents/in/Japanese_Visual_Culture?f_ri=8228"},{"id":462626,"name":"Theory of photography","url":"https://www.academia.edu/Documents/in/Theory_of_photography?f_ri=8228"},{"id":638969,"name":"History and Theory of Photography","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Photography?f_ri=8228"},{"id":673082,"name":"Modern Japanese Art and Architecture","url":"https://www.academia.edu/Documents/in/Modern_Japanese_Art_and_Architecture?f_ri=8228"},{"id":1235859,"name":"Arts of the Meiji Period","url":"https://www.academia.edu/Documents/in/Arts_of_the_Meiji_Period?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15211270" data-work_id="15211270" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15211270/Thesis_about_Surrealism_Language_in_Art_Movement_in_China_with_that_in_Korea_in_1980s_20%E4%B8%96%E7%BA%AA80%E5%B9%B4%E4%BB%A3%E4%B8%AD%E9%9F%A9%E7%BE%8E%E6%9C%AF%E8%BF%90%E5%8A%A8%E7%9A%84%E8%B6%85%E7%8E%B0%E5%AE%9E%E8%89%BA%E6%9C%AF%E8%AF%AD%E8%A8%80%E6%AF%94%E8%BE%83%E7%A0%94%E7%A9%B6">Thesis about Surrealism Language in Art Movement in China with that in Korea in 1980s | 20世纪80年代中韩美术运动的超现实艺术语言比较研究</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This thesis compares Art Movement (New Wave Art) in China with that in Korea in 1980s. Although both of them arise around the same time, there are huge differences between them in that Abstract Expressionism and Realism, and a ideological... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15211270" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This thesis compares Art Movement (New Wave Art) in China with that in Korea in 1980s. Although both of them arise around the same time, there are huge differences between them in that Abstract Expressionism and Realism, and a ideological emancipation and a pro-democracy movement.  <br />  Art movements of the two countries reflect reality and oppose to existing traditional art. Comparing character, space and time in work of a Chinese artist whose name is Wang Guangyi, Frozen North Pole No.1 and work of a Korean artist whose name is <br />Min Junggi, Conversation, it turns out that they have western surrealism language in common. <br />Surrealism language which is represented by Giorgio De Chirico, Rene Magritte and Salvador Dali is manifested by artists of China and Korea not only in expressions of character and space-time but also in application of collage. Focusing on this point, this paper deals with how surrealism could be absorbed and presented in painting of China and Korea, what the similarities and differences are and what roles of the times and surrealism language. <br />Artists of China and Korea intend to show the reality that is being faced by using surrealism language. They express their thought about reality, either directly or indirectly. Although aspect of visual language has changed, it is the result of following the stream of times. Artists who reflect reality into their works contribute to establish a basis of modernity of contemporary art. <br />This study examines whether the common denominator which is found in Art Movements of both countries in 1980s is certainly surrealism language, and finally ruminates on the  modern  essence of contemporary art through painting of Art Movement.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15211270" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a8b910f77509ac543003c205e4001052" rel="nofollow" data-download="{"attachment_id":38582271,"asset_id":15211270,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38582271/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="34269294" href="https://cafa.academia.edu/MijungJoo">Mijung Joo</a><script data-card-contents-for-user="34269294" type="text/json">{"id":34269294,"first_name":"Mijung","last_name":"Joo","domain_name":"cafa","page_name":"MijungJoo","display_name":"Mijung Joo","profile_url":"https://cafa.academia.edu/MijungJoo?f_ri=8228","photo":"https://0.academia-photos.com/34269294/10043396/11203235/s65_mijung.joo.jpg"}</script></span></span></li><li class="js-paper-rank-work_15211270 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15211270"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15211270, container: ".js-paper-rank-work_15211270", }); 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$(".js-view-count[data-work-id=15211270]").text(description); $(".js-view-count-work_15211270").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15211270").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15211270"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4951" href="https://www.academia.edu/Documents/in/Surrealism">Surrealism</a>, <script data-card-contents-for-ri="4951" type="text/json">{"id":4951,"name":"Surrealism","url":"https://www.academia.edu/Documents/in/Surrealism?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5081" href="https://www.academia.edu/Documents/in/Painting">Painting</a>, <script data-card-contents-for-ri="5081" type="text/json">{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a><script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15211270]'), work: {"id":15211270,"title":"Thesis about Surrealism Language in Art Movement in China with that in Korea in 1980s | 20世纪80年代中韩美术运动的超现实艺术语言比较研究","created_at":"2015-08-26T16:59:15.667-07:00","url":"https://www.academia.edu/15211270/Thesis_about_Surrealism_Language_in_Art_Movement_in_China_with_that_in_Korea_in_1980s_20%E4%B8%96%E7%BA%AA80%E5%B9%B4%E4%BB%A3%E4%B8%AD%E9%9F%A9%E7%BE%8E%E6%9C%AF%E8%BF%90%E5%8A%A8%E7%9A%84%E8%B6%85%E7%8E%B0%E5%AE%9E%E8%89%BA%E6%9C%AF%E8%AF%AD%E8%A8%80%E6%AF%94%E8%BE%83%E7%A0%94%E7%A9%B6?f_ri=8228","dom_id":"work_15211270","summary":"This thesis compares Art Movement (New Wave Art) in China with that in Korea in 1980s. Although both of them arise around the same time, there are huge differences between them in that Abstract Expressionism and Realism, and a ideological emancipation and a pro-democracy movement. \n Art movements of the two countries reflect reality and oppose to existing traditional art. Comparing character, space and time in work of a Chinese artist whose name is Wang Guangyi, Frozen North Pole No.1 and work of a Korean artist whose name is \nMin Junggi, Conversation, it turns out that they have western surrealism language in common. \nSurrealism language which is represented by Giorgio De Chirico, Rene Magritte and Salvador Dali is manifested by artists of China and Korea not only in expressions of character and space-time but also in application of collage. Focusing on this point, this paper deals with how surrealism could be absorbed and presented in painting of China and Korea, what the similarities and differences are and what roles of the times and surrealism language. \nArtists of China and Korea intend to show the reality that is being faced by using surrealism language. They express their thought about reality, either directly or indirectly. Although aspect of visual language has changed, it is the result of following the stream of times. Artists who reflect reality into their works contribute to establish a basis of modernity of contemporary art. \nThis study examines whether the common denominator which is found in Art Movements of both countries in 1980s is certainly surrealism language, and finally ruminates on the modern essence of contemporary art through painting of Art Movement.","downloadable_attachments":[{"id":38582271,"asset_id":15211270,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":34269294,"first_name":"Mijung","last_name":"Joo","domain_name":"cafa","page_name":"MijungJoo","display_name":"Mijung Joo","profile_url":"https://cafa.academia.edu/MijungJoo?f_ri=8228","photo":"https://0.academia-photos.com/34269294/10043396/11203235/s65_mijung.joo.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false},{"id":4951,"name":"Surrealism","url":"https://www.academia.edu/Documents/in/Surrealism?f_ri=8228","nofollow":false},{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":36217,"name":"Korean Art","url":"https://www.academia.edu/Documents/in/Korean_Art?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39202422" data-work_id="39202422" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39202422/Deified_Beauty_Yang_Guifei_s_Cultural_Legacy_and_Manifestation_as_Kannon_in_the_Sennyu_ji_Temple">Deified Beauty: Yang Guifei’s Cultural Legacy and Manifestation as Kannon in the Sennyu-ji Temple</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Meeting at the interstices of art historical, literary, gender and anthropological studies, this thesis investigates the Yokihi Kannon, a Song Chinese Buddhist statue of imperial consort Yang Guifei (Precious Consort Yang; Yokihi in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39202422" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Meeting at the interstices of art historical, literary, gender and anthropological studies, this thesis investigates the Yokihi Kannon, a Song Chinese Buddhist statue of imperial consort Yang Guifei (Precious Consort Yang; Yokihi in Japanese) as a manifestation of Kannon, Bodhisattva of Compassion, located in the Sennyu-ji Temple in Kyoto, Japan. More specifically, this paper situates the statue in a broad cultural and sociohistorical context to challenge prevailing assumptions about its original and composite identity. Relocated from China to Japan in the thirteenth century, the statue of Kannon gradually amassed a dual gender identity at Sennyu-ji, where it was repackaged and, arguably, popularized as the Yokihi Kannon during pre-modern and modern Japan. A general lack of textual documentation and scholarly attention given to this statue has prompted many researchers and temple-goers to gloss over the atypical pairing of Kannon with Yang Guifei, disregarding how the history, identity, and function of the statue has changed over time. Drawing on concepts of icon reconstitution and value transformation, as well as surveying Yang Guifei’s cultural legacy and deification in Japanese literature and Noh theater, this study will contribute not only a more unified narrative of the Yokihi Kannon’s past, but an interdisciplinary approach for addressing the present state of a relocated and reconstituted Buddhist statue.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39202422" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5bcb8a4e2773442310f1d19383c3a42d" rel="nofollow" data-download="{"attachment_id":59331008,"asset_id":39202422,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59331008/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31872677" href="https://bowdoin.academia.edu/BowdoinJournalofArt">Bowdoin Journal of Art</a><script data-card-contents-for-user="31872677" type="text/json">{"id":31872677,"first_name":"Bowdoin Journal","last_name":"of Art","domain_name":"bowdoin","page_name":"BowdoinJournalofArt","display_name":"Bowdoin Journal of Art","profile_url":"https://bowdoin.academia.edu/BowdoinJournalofArt?f_ri=8228","photo":"https://0.academia-photos.com/31872677/9481798/10564603/s65_bowdoin_journal.of_art.jpg"}</script></span></span></li><li class="js-paper-rank-work_39202422 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39202422"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39202422, container: ".js-paper-rank-work_39202422", }); });</script></li><li class="js-percentile-work_39202422 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39202422; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39202422"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39202422 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39202422"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39202422; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39202422]").text(description); $(".js-view-count-work_39202422").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39202422").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39202422"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="43802" href="https://www.academia.edu/Documents/in/Buddhist_art_and_architecture">Buddhist art and architecture</a>, <script data-card-contents-for-ri="43802" type="text/json">{"id":43802,"name":"Buddhist art and architecture","url":"https://www.academia.edu/Documents/in/Buddhist_art_and_architecture?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2562075" href="https://www.academia.edu/Documents/in/Yang_Guifei">Yang Guifei</a><script data-card-contents-for-ri="2562075" type="text/json">{"id":2562075,"name":"Yang Guifei","url":"https://www.academia.edu/Documents/in/Yang_Guifei?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39202422]'), work: {"id":39202422,"title":"Deified Beauty: Yang Guifei’s Cultural Legacy and Manifestation as Kannon in the Sennyu-ji Temple","created_at":"2019-05-20T12:25:19.790-07:00","url":"https://www.academia.edu/39202422/Deified_Beauty_Yang_Guifei_s_Cultural_Legacy_and_Manifestation_as_Kannon_in_the_Sennyu_ji_Temple?f_ri=8228","dom_id":"work_39202422","summary":"Meeting at the interstices of art historical, literary, gender and anthropological studies, this thesis investigates the Yokihi Kannon, a Song Chinese Buddhist statue of imperial consort Yang Guifei (Precious Consort Yang; Yokihi in Japanese) as a manifestation of Kannon, Bodhisattva of Compassion, located in the Sennyu-ji Temple in Kyoto, Japan. More specifically, this paper situates the statue in a broad cultural and sociohistorical context to challenge prevailing assumptions about its original and composite identity. Relocated from China to Japan in the thirteenth century, the statue of Kannon gradually amassed a dual gender identity at Sennyu-ji, where it was repackaged and, arguably, popularized as the Yokihi Kannon during pre-modern and modern Japan. A general lack of textual documentation and scholarly attention given to this statue has prompted many researchers and temple-goers to gloss over the atypical pairing of Kannon with Yang Guifei, disregarding how the history, identity, and function of the statue has changed over time. Drawing on concepts of icon reconstitution and value transformation, as well as surveying Yang Guifei’s cultural legacy and deification in Japanese literature and Noh theater, this study will contribute not only a more unified narrative of the Yokihi Kannon’s past, but an interdisciplinary approach for addressing the present state of a relocated and reconstituted Buddhist statue.","downloadable_attachments":[{"id":59331008,"asset_id":39202422,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31872677,"first_name":"Bowdoin Journal","last_name":"of Art","domain_name":"bowdoin","page_name":"BowdoinJournalofArt","display_name":"Bowdoin Journal of Art","profile_url":"https://bowdoin.academia.edu/BowdoinJournalofArt?f_ri=8228","photo":"https://0.academia-photos.com/31872677/9481798/10564603/s65_bowdoin_journal.of_art.jpg"}],"research_interests":[{"id":915,"name":"Art 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Wang","profile_url":"https://harvard.academia.edu/EugeneWang?f_ri=8228","photo":"https://0.academia-photos.com/8666914/3275471/3961193/s65_eugene.wang.jpg"}],"research_interests":[{"id":2837,"name":"Chinese Religions","url":"https://www.academia.edu/Documents/in/Chinese_Religions?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":26850,"name":"Chinese history (History)","url":"https://www.academia.edu/Documents/in/Chinese_history_History_?f_ri=8228","nofollow":false},{"id":52853,"name":"Immortality","url":"https://www.academia.edu/Documents/in/Immortality?f_ri=8228","nofollow":false},{"id":563915,"name":"Daoist art","url":"https://www.academia.edu/Documents/in/Daoist_art?f_ri=8228"},{"id":953879,"name":"Carvings","url":"https://www.academia.edu/Documents/in/Carvings?f_ri=8228"},{"id":986062,"name":"Sarcophagus C","url":"https://www.academia.edu/Documents/in/Sarcophagus_C?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_14204249" data-work_id="14204249" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/14204249/Negotiating_spatial_politics_Site_responsive_urban_art_images_in_mainland_China">Negotiating spatial politics: Site-responsive urban art images in mainland China</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Abstract Shaped in the shadow of colonialism and post-colonialism, visual arts in Hong Kong have wrestled with issues of identity, locality, and international recognition. The lengthy process of the transfer of sovereignty, initiated in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_14204249" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Abstract<br />Shaped in the shadow of colonialism and post-colonialism, visual arts in Hong Kong have wrestled with issues of identity, locality, and international recognition. The lengthy process of the transfer of sovereignty, initiated in 1984 by the signing of the Joint Declaration, inspired contemporary artists in Hong Kong to assert their locality. In the 1990s in particular, since the trauma of the Tian’anmen Incident in 1989, ‘[a] psychic decolonization occurred which marked out a distance from both of these larger contexts [Western and Chinese art] without simply denying either’ (Clarke 2001: 8; also pp. 38‒69). The ideological struggles were visible in architecture and official public art too, which celebrated the reunion both during and after the Handover in 1997. It can also be argued that official public art in Hong Kong to a certain extent marks an ongoing cultural mainlandization of the urban space by the People’s Republic of China (PRC). But how do urban art images, such as street art and contemporary graffiti, survive the discourses of post-colonialism in its specific forms of de/recolonization and mainlandization, and debates of cultural heritage and indigenous identities? How do they engage with the complex situation?<br />I seek to explore these questions by modifying Henri Lefebvre’s (1991) definition of space as a continuous process in which the physical, mental, and social aspects of the space are intertwined. In this process of creating the space of urban art images, we need to consider the agency of the creators of urban art images as constructors of the space and its norms, the nationality/ethnicity of the creators, as well as the contextualized formal analysis of the images and the site-responsiveness. Based on intensive periods of fieldwork research in Hong Kong since 2012, extensive photographic documentation, and frequent meetings and in-depth interviews with more than sixty local and non-local creators of urban art images, my aim is to provide a different perspective to the usage and understanding of urban public space at the grassroots level. As I have come to understand, while following the creators throughout the alleys, streets, canals, rooftops, and abandoned buildings, the urban public space appears very different in the eyes of the creators of urban art images.<br /><br />Keywords: urban art images, contemporary graffiti, street art, mainlandization, urban public space</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14204249" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9cc336da0eb04547642bb87ce048532f" rel="nofollow" data-download="{"attachment_id":38235734,"asset_id":14204249,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38235734/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="962390" href="https://helsinki.academia.edu/MinnaValjakka">Minna Valjakka</a><script data-card-contents-for-user="962390" type="text/json">{"id":962390,"first_name":"Minna","last_name":"Valjakka","domain_name":"helsinki","page_name":"MinnaValjakka","display_name":"Minna Valjakka","profile_url":"https://helsinki.academia.edu/MinnaValjakka?f_ri=8228","photo":"https://0.academia-photos.com/962390/4061095/4737536/s65_minna.valjakka.jpg"}</script></span></span></li><li class="js-paper-rank-work_14204249 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14204249"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14204249, container: ".js-paper-rank-work_14204249", }); 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$(".js-view-count[data-work-id=14204249]").text(description); $(".js-view-count-work_14204249").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_14204249").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="14204249"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9801" href="https://www.academia.edu/Documents/in/Chinese_Language_and_Culture">Chinese Language and Culture</a>, <script data-card-contents-for-ri="9801" type="text/json">{"id":9801,"name":"Chinese Language and Culture","url":"https://www.academia.edu/Documents/in/Chinese_Language_and_Culture?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16892" href="https://www.academia.edu/Documents/in/Street_Art">Street Art</a>, <script data-card-contents-for-ri="16892" type="text/json">{"id":16892,"name":"Street Art","url":"https://www.academia.edu/Documents/in/Street_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21343" href="https://www.academia.edu/Documents/in/Urban_Graffiti">Urban Graffiti</a><script data-card-contents-for-ri="21343" type="text/json">{"id":21343,"name":"Urban Graffiti","url":"https://www.academia.edu/Documents/in/Urban_Graffiti?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=14204249]'), work: {"id":14204249,"title":"Negotiating spatial politics: Site-responsive urban art images in mainland China","created_at":"2015-07-20T03:15:19.100-07:00","url":"https://www.academia.edu/14204249/Negotiating_spatial_politics_Site_responsive_urban_art_images_in_mainland_China?f_ri=8228","dom_id":"work_14204249","summary":"Abstract\nShaped in the shadow of colonialism and post-colonialism, visual arts in Hong Kong have wrestled with issues of identity, locality, and international recognition. The lengthy process of the transfer of sovereignty, initiated in 1984 by the signing of the Joint Declaration, inspired contemporary artists in Hong Kong to assert their locality. In the 1990s in particular, since the trauma of the Tian’anmen Incident in 1989, ‘[a] psychic decolonization occurred which marked out a distance from both of these larger contexts [Western and Chinese art] without simply denying either’ (Clarke 2001: 8; also pp. 38‒69). The ideological struggles were visible in architecture and official public art too, which celebrated the reunion both during and after the Handover in 1997. It can also be argued that official public art in Hong Kong to a certain extent marks an ongoing cultural mainlandization of the urban space by the People’s Republic of China (PRC). But how do urban art images, such as street art and contemporary graffiti, survive the discourses of post-colonialism in its specific forms of de/recolonization and mainlandization, and debates of cultural heritage and indigenous identities? How do they engage with the complex situation?\nI seek to explore these questions by modifying Henri Lefebvre’s (1991) definition of space as a continuous process in which the physical, mental, and social aspects of the space are intertwined. In this process of creating the space of urban art images, we need to consider the agency of the creators of urban art images as constructors of the space and its norms, the nationality/ethnicity of the creators, as well as the contextualized formal analysis of the images and the site-responsiveness. Based on intensive periods of fieldwork research in Hong Kong since 2012, extensive photographic documentation, and frequent meetings and in-depth interviews with more than sixty local and non-local creators of urban art images, my aim is to provide a different perspective to the usage and understanding of urban public space at the grassroots level. As I have come to understand, while following the creators throughout the alleys, streets, canals, rooftops, and abandoned buildings, the urban public space appears very different in the eyes of the creators of urban art images.\n\nKeywords: urban art images, contemporary graffiti, street art, mainlandization, urban public space","downloadable_attachments":[{"id":38235734,"asset_id":14204249,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":962390,"first_name":"Minna","last_name":"Valjakka","domain_name":"helsinki","page_name":"MinnaValjakka","display_name":"Minna Valjakka","profile_url":"https://helsinki.academia.edu/MinnaValjakka?f_ri=8228","photo":"https://0.academia-photos.com/962390/4061095/4737536/s65_minna.valjakka.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":9801,"name":"Chinese Language and Culture","url":"https://www.academia.edu/Documents/in/Chinese_Language_and_Culture?f_ri=8228","nofollow":false},{"id":16892,"name":"Street Art","url":"https://www.academia.edu/Documents/in/Street_Art?f_ri=8228","nofollow":false},{"id":21343,"name":"Urban Graffiti","url":"https://www.academia.edu/Documents/in/Urban_Graffiti?f_ri=8228","nofollow":false},{"id":44161,"name":"Urban Art","url":"https://www.academia.edu/Documents/in/Urban_Art?f_ri=8228"},{"id":190296,"name":"Graffiti, Street Art and Writing","url":"https://www.academia.edu/Documents/in/Graffiti_Street_Art_and_Writing?f_ri=8228"},{"id":526852,"name":"Street Art and Revolution","url":"https://www.academia.edu/Documents/in/Street_Art_and_Revolution?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28890529" data-work_id="28890529" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28890529/Mongol_Art_in_Chinese_Land">Mongol Art in Chinese Land</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Book Review of Shane McCausland, The Mongol Century: Visual Cultures of Yuan China 1271-1368 (2015)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28890529" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e893fa484e2636804baf49631d4f4ab4" rel="nofollow" data-download="{"attachment_id":49322329,"asset_id":28890529,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49322329/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2825974" href="https://grinnell.academia.edu/EirenShea">Eiren Shea</a><script data-card-contents-for-user="2825974" type="text/json">{"id":2825974,"first_name":"Eiren","last_name":"Shea","domain_name":"grinnell","page_name":"EirenShea","display_name":"Eiren Shea","profile_url":"https://grinnell.academia.edu/EirenShea?f_ri=8228","photo":"https://0.academia-photos.com/2825974/924470/20232298/s65_eiren.shea.jpg"}</script></span></span></li><li class="js-paper-rank-work_28890529 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28890529"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28890529, container: ".js-paper-rank-work_28890529", }); });</script></li><li class="js-percentile-work_28890529 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28890529; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_28890529"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_28890529 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="28890529"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28890529; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28890529]").text(description); $(".js-view-count-work_28890529").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28890529").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28890529"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12745" href="https://www.academia.edu/Documents/in/Yuan_Dynasty">Yuan Dynasty</a>, <script data-card-contents-for-ri="12745" type="text/json">{"id":12745,"name":"Yuan Dynasty","url":"https://www.academia.edu/Documents/in/Yuan_Dynasty?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="467606" href="https://www.academia.edu/Documents/in/Art_of_the_Mongol_Empire">Art of the Mongol Empire</a><script data-card-contents-for-ri="467606" type="text/json">{"id":467606,"name":"Art of the Mongol Empire","url":"https://www.academia.edu/Documents/in/Art_of_the_Mongol_Empire?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28890529]'), work: {"id":28890529,"title":"Mongol Art in Chinese Land","created_at":"2016-10-03T10:28:31.511-07:00","url":"https://www.academia.edu/28890529/Mongol_Art_in_Chinese_Land?f_ri=8228","dom_id":"work_28890529","summary":"Book Review of Shane McCausland, The Mongol Century: Visual Cultures of Yuan China 1271-1368 (2015)","downloadable_attachments":[{"id":49322329,"asset_id":28890529,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2825974,"first_name":"Eiren","last_name":"Shea","domain_name":"grinnell","page_name":"EirenShea","display_name":"Eiren Shea","profile_url":"https://grinnell.academia.edu/EirenShea?f_ri=8228","photo":"https://0.academia-photos.com/2825974/924470/20232298/s65_eiren.shea.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12745,"name":"Yuan Dynasty","url":"https://www.academia.edu/Documents/in/Yuan_Dynasty?f_ri=8228","nofollow":false},{"id":467606,"name":"Art of the Mongol Empire","url":"https://www.academia.edu/Documents/in/Art_of_the_Mongol_Empire?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44425408" data-work_id="44425408" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44425408/THE_MEANING_OF_THE_TAOTIE_A_discussion_on_the_theoretical_frameworks_around_the_enigmatic_Shang_bronze_vessels_d%C3%A9cor">THE MEANING OF THE TAOTIE A discussion on the theoretical frameworks around the enigmatic Shang bronze vessels décor</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper aims to highlight the influences of the colonial discourse in the discussion of ancient art form China, with particular regard to the taotie motif of Shang bronze ritual vessels. On this topic, two main opposite schools of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44425408" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper aims to highlight the influences of the colonial discourse in the discussion of ancient art form China, with particular regard to the taotie motif of Shang bronze ritual vessels. On this topic, two main opposite schools of thought developed in Western countries, specifically the anglophone ones. A third approach emerged among those scholars who conducted their studies mainly in the People Republic of China and Taiwan. The principal difference between these theories is the theoretical framework they are based on. Specifically, those developed in Western countries, namely the formalist-oriented theory and the iconographical approach, mostly rely on those Western art history theories implemented by Heinrich Wölfflin and Erwin Panofsky, respectively. Contrariwise, the third approach is deeply rooted in the Chinese Archaeological tradition of relying on written sources, such as historical records, oracle bones and literary sources. The primary issue with the formalism-oriented theory and the iconographical approach lies in the fact that, by relying on Western art theories to discuss non-Western art, they not only decontextualize the Shang bronzes, but also perpetuate colonial stereotypes and preconceptions on art from China. While the third approach does not take the objects of study out of context, nonetheless it relies on uncertain sources, as well as neglects one crucial aspect, namely the agency of the artists/craftsmen. Because all these perspectives tend to exclude one of the other possibilities, a mixed-method should be implemented in order to overcome the shortcomings of both Western-centric and historiography-based theories. In so doing, different fundamental elements can be highlighted to solve the mystery of the taotie.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44425408" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a9e3cb096a2fe55fa7f74a69ea4a7823" rel="nofollow" data-download="{"attachment_id":64841450,"asset_id":44425408,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64841450/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18189516" href="https://independent.academia.edu/EnricaMedugno">Enrica Medugno</a><script data-card-contents-for-user="18189516" type="text/json">{"id":18189516,"first_name":"Enrica","last_name":"Medugno","domain_name":"independent","page_name":"EnricaMedugno","display_name":"Enrica Medugno","profile_url":"https://independent.academia.edu/EnricaMedugno?f_ri=8228","photo":"https://0.academia-photos.com/18189516/5082837/18477571/s65_enrica.medugno.jpg"}</script></span></span></li><li class="js-paper-rank-work_44425408 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44425408"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44425408, container: ".js-paper-rank-work_44425408", }); });</script></li><li class="js-percentile-work_44425408 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44425408; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44425408"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44425408 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44425408"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44425408; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44425408]").text(description); $(".js-view-count-work_44425408").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44425408").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44425408"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6556" href="https://www.academia.edu/Documents/in/Colonialism">Colonialism</a>, <script data-card-contents-for-ri="6556" type="text/json">{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a><script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44425408]'), work: {"id":44425408,"title":"THE MEANING OF THE TAOTIE A discussion on the theoretical frameworks around the enigmatic Shang bronze vessels décor","created_at":"2020-11-03T03:55:48.792-08:00","url":"https://www.academia.edu/44425408/THE_MEANING_OF_THE_TAOTIE_A_discussion_on_the_theoretical_frameworks_around_the_enigmatic_Shang_bronze_vessels_d%C3%A9cor?f_ri=8228","dom_id":"work_44425408","summary":"This paper aims to highlight the influences of the colonial discourse in the discussion of ancient art form China, with particular regard to the taotie motif of Shang bronze ritual vessels. On this topic, two main opposite schools of thought developed in Western countries, specifically the anglophone ones. A third approach emerged among those scholars who conducted their studies mainly in the People Republic of China and Taiwan. The principal difference between these theories is the theoretical framework they are based on. Specifically, those developed in Western countries, namely the formalist-oriented theory and the iconographical approach, mostly rely on those Western art history theories implemented by Heinrich Wölfflin and Erwin Panofsky, respectively. Contrariwise, the third approach is deeply rooted in the Chinese Archaeological tradition of relying on written sources, such as historical records, oracle bones and literary sources. The primary issue with the formalism-oriented theory and the iconographical approach lies in the fact that, by relying on Western art theories to discuss non-Western art, they not only decontextualize the Shang bronzes, but also perpetuate colonial stereotypes and preconceptions on art from China. While the third approach does not take the objects of study out of context, nonetheless it relies on uncertain sources, as well as neglects one crucial aspect, namely the agency of the artists/craftsmen. Because all these perspectives tend to exclude one of the other possibilities, a mixed-method should be implemented in order to overcome the shortcomings of both Western-centric and historiography-based theories. In so doing, different fundamental elements can be highlighted to solve the mystery of the taotie.","downloadable_attachments":[{"id":64841450,"asset_id":44425408,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18189516,"first_name":"Enrica","last_name":"Medugno","domain_name":"independent","page_name":"EnricaMedugno","display_name":"Enrica Medugno","profile_url":"https://independent.academia.edu/EnricaMedugno?f_ri=8228","photo":"https://0.academia-photos.com/18189516/5082837/18477571/s65_enrica.medugno.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false},{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese 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Mueller Collection at the Indianapolis Museum of Art May 1-September 24, 2000 Curated by James Robinson and Shirley M. Mueller.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Chinese export porcelain was executed in China and exported to the West. When special orders were made, first by Europeans and later Americans, they were sometimes not understood by the Chinese artisans who shaped and decorated the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12070898" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Chinese export porcelain was executed in China and exported to the West.  When special orders were made, first by Europeans and later Americans, they were sometimes not understood by the Chinese artisans who shaped and decorated the ceramics.  This resulted in sometimes humorous or otherwise mistakes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12070898" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7a2eeb929c2c55e15186ec36ea04ada5" rel="nofollow" data-download="{"attachment_id":37394141,"asset_id":12070898,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37394141/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3170419" href="https://indiana.academia.edu/ShirleyMueller">Shirley M Mueller</a><script data-card-contents-for-user="3170419" type="text/json">{"id":3170419,"first_name":"Shirley","last_name":"Mueller","domain_name":"indiana","page_name":"ShirleyMueller","display_name":"Shirley M Mueller","profile_url":"https://indiana.academia.edu/ShirleyMueller?f_ri=8228","photo":"https://0.academia-photos.com/3170419/1042453/35196613/s65_shirley.mueller.png"}</script></span></span></li><li class="js-paper-rank-work_12070898 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12070898"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12070898, container: ".js-paper-rank-work_12070898", }); 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$(".js-view-count[data-work-id=41995881]").text(description); $(".js-view-count-work_41995881").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41995881").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41995881"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="107488" href="https://www.academia.edu/Documents/in/Chinese_Art_-_Calligraphy_and_Ink_Painting">Chinese Art - Calligraphy & Ink Painting</a><script data-card-contents-for-ri="107488" type="text/json">{"id":107488,"name":"Chinese Art - Calligraphy \u0026 Ink Painting","url":"https://www.academia.edu/Documents/in/Chinese_Art_-_Calligraphy_and_Ink_Painting?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41995881]'), work: {"id":41995881,"title":"Guan Yin","created_at":"2020-02-17T02:04:57.513-08:00","url":"https://www.academia.edu/41995881/Guan_Yin?f_ri=8228","dom_id":"work_41995881","summary":null,"downloadable_attachments":[{"id":62120000,"asset_id":41995881,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":68112468,"first_name":"Tjutju","last_name":"Widjaja","domain_name":"itb-ac","page_name":"TjutjuWidjaja","display_name":"Tjutju Widjaja","profile_url":"https://itb-ac.academia.edu/TjutjuWidjaja?f_ri=8228","photo":"https://0.academia-photos.com/68112468/21069802/20554065/s65_tjutju.widjaja.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":107488,"name":"Chinese Art - Calligraphy \u0026 Ink Painting","url":"https://www.academia.edu/Documents/in/Chinese_Art_-_Calligraphy_and_Ink_Painting?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27571018" data-work_id="27571018" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27571018/Viking_and_Chinese_Art_docx">Viking & Chinese Art .docx</a></div></div><div class="u-pb4x 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InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="27571018"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27571018; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27571018]").text(description); $(".js-view-count-work_27571018").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27571018").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27571018"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38420" href="https://www.academia.edu/Documents/in/Viking_Age_Scandinavia">Viking Age Scandinavia</a>, <script data-card-contents-for-ri="38420" type="text/json">{"id":38420,"name":"Viking Age Scandinavia","url":"https://www.academia.edu/Documents/in/Viking_Age_Scandinavia?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="503928" href="https://www.academia.edu/Documents/in/Viking_Age_Art">Viking Age Art</a><script data-card-contents-for-ri="503928" type="text/json">{"id":503928,"name":"Viking Age Art","url":"https://www.academia.edu/Documents/in/Viking_Age_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27571018]'), work: {"id":27571018,"title":"Viking \u0026 Chinese Art .docx","created_at":"2016-08-05T15:47:40.690-07:00","url":"https://www.academia.edu/27571018/Viking_and_Chinese_Art_docx?f_ri=8228","dom_id":"work_27571018","summary":null,"downloadable_attachments":[{"id":47825669,"asset_id":27571018,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":51742505,"first_name":"Zo","last_name":"Iona","domain_name":"independent","page_name":"ZoIona","display_name":"Zo Iona","profile_url":"https://independent.academia.edu/ZoIona?f_ri=8228","photo":"https://0.academia-photos.com/51742505/18691475/18648902/s65_zo.iona.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":38420,"name":"Viking Age Scandinavia","url":"https://www.academia.edu/Documents/in/Viking_Age_Scandinavia?f_ri=8228","nofollow":false},{"id":503928,"name":"Viking Age Art","url":"https://www.academia.edu/Documents/in/Viking_Age_Art?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_22242324" data-work_id="22242324" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/22242324/Antichi_Tappeti_Cinesi_catalogo_della_mostra_a_cura_di_N_Yachar_e_A_Donini_galleria_Nilufar_Milano_1996">Antichi Tappeti Cinesi, catalogo della mostra a cura di N.Yachar e A.Donini, galleria Nilufar, Milano 1996</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Catalogo della mostra in galleria di antichi tappeti cinesi, mongoli e tibetani del XIX secolo - Exhibition catalogue of XIX c. Chinese, Mongolian and Tibetan Carpets</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/22242324" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0c7b42b78c43aae8f8e9ec905ffc2c77" rel="nofollow" data-download="{"attachment_id":42893511,"asset_id":22242324,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/42893511/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2402913" href="https://unito.academia.edu/LucaBrancati">Luca Emilio Brancati</a><script data-card-contents-for-user="2402913" type="text/json">{"id":2402913,"first_name":"Luca Emilio","last_name":"Brancati","domain_name":"unito","page_name":"LucaBrancati","display_name":"Luca Emilio Brancati","profile_url":"https://unito.academia.edu/LucaBrancati?f_ri=8228","photo":"https://0.academia-photos.com/2402913/754668/17063902/s65_luca_emilio.brancati.jpg"}</script></span></span></li><li class="js-paper-rank-work_22242324 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="22242324"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 22242324, container: ".js-paper-rank-work_22242324", }); });</script></li><li class="js-percentile-work_22242324 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22242324; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_22242324"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_22242324 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="22242324"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22242324; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22242324]").text(description); $(".js-view-count-work_22242324").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_22242324").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="22242324"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="62231" href="https://www.academia.edu/Documents/in/Tibetan_Art">Tibetan Art</a>, <script data-card-contents-for-ri="62231" type="text/json">{"id":62231,"name":"Tibetan Art","url":"https://www.academia.edu/Documents/in/Tibetan_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="192263" href="https://www.academia.edu/Documents/in/Oriental_Rugs">Oriental Rugs</a>, <script data-card-contents-for-ri="192263" type="text/json">{"id":192263,"name":"Oriental Rugs","url":"https://www.academia.edu/Documents/in/Oriental_Rugs?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="290604" href="https://www.academia.edu/Documents/in/Art_Gallery">Art Gallery</a><script data-card-contents-for-ri="290604" type="text/json">{"id":290604,"name":"Art Gallery","url":"https://www.academia.edu/Documents/in/Art_Gallery?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=22242324]'), work: {"id":22242324,"title":"Antichi Tappeti Cinesi, catalogo della mostra a cura di N.Yachar e A.Donini, galleria Nilufar, Milano 1996","created_at":"2016-02-21T01:26:13.469-08:00","url":"https://www.academia.edu/22242324/Antichi_Tappeti_Cinesi_catalogo_della_mostra_a_cura_di_N_Yachar_e_A_Donini_galleria_Nilufar_Milano_1996?f_ri=8228","dom_id":"work_22242324","summary":"Catalogo della mostra in galleria di antichi tappeti cinesi, mongoli e tibetani del XIX secolo - Exhibition catalogue of XIX c. Chinese, Mongolian and Tibetan Carpets","downloadable_attachments":[{"id":42893511,"asset_id":22242324,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2402913,"first_name":"Luca Emilio","last_name":"Brancati","domain_name":"unito","page_name":"LucaBrancati","display_name":"Luca Emilio Brancati","profile_url":"https://unito.academia.edu/LucaBrancati?f_ri=8228","photo":"https://0.academia-photos.com/2402913/754668/17063902/s65_luca_emilio.brancati.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":62231,"name":"Tibetan Art","url":"https://www.academia.edu/Documents/in/Tibetan_Art?f_ri=8228","nofollow":false},{"id":192263,"name":"Oriental Rugs","url":"https://www.academia.edu/Documents/in/Oriental_Rugs?f_ri=8228","nofollow":false},{"id":290604,"name":"Art Gallery","url":"https://www.academia.edu/Documents/in/Art_Gallery?f_ri=8228","nofollow":false},{"id":593112,"name":"Texts and Textiles / Material Culture / Oriental Carpets / Textile Theory","url":"https://www.academia.edu/Documents/in/Texts_and_Textiles_Material_Culture_Oriental_Carpets_Textile_Theory?f_ri=8228"},{"id":1057423,"name":"Mongolian Art","url":"https://www.academia.edu/Documents/in/Mongolian_Art?f_ri=8228"},{"id":1276344,"name":"Carpets and Rugs","url":"https://www.academia.edu/Documents/in/Carpets_and_Rugs?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4735703" data-work_id="4735703" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4735703/_Spirit_Objects_m%C3%ADngq%C3%AC_%E6%98%8E%E5%99%A8_Prestige_and_Cultural_Continuity_in_Early_China">“Spirit Objects” (míngqì 明器), Prestige and Cultural Continuity in Early China</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">"In my study "Prestigegüter entlang der Seidenstraße? Archäologische und historische Untersuchungen zu Chinas Beziehungen zu Kulturen des Tarimbeckens vom zweiten bis frühen fünften Jahrhundert nach Christus (Wiesbaden: Harrassowitz,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4735703" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"In my study "Prestigegüter entlang der Seidenstraße? Archäologische und historische Untersuchungen zu Chinas Beziehungen zu Kulturen des Tarimbeckens vom zweiten bis frühen fünften Jahrhundert nach Christus (Wiesbaden: Harrassowitz, 2010)," I developed a method to identify genuine prestige goods in the context of burials. Whenever members of social groups were unable to obtain desired artifacts – be it on account of insufficient financial means or because they were prohibited to acquire them –, they resorted to a rather simple solution: imitations. <br /> As early as the 8th century BCE, people in China began to emulate ritual bronzes. These were the ultimate status symbols at the time and possession of such valuable bronze objects clearly was restricted to the social élite. Various types of bronze vessels and bells constituted a so-called ritual set; the more different objects and the more specimens of each single type of object an individual could call his (sometimes her) own, the higher his / her social rank. At least this much we learn from several prescriptive texts dating from the 2nd through 1st centuries BCE. The ritual bronzes were an integral part of ritual ceremonies held at the ancestral shrines of one’s lineage. They were, however, not only employed to demonstrate one’s social achievements to the ancestors, but ultimately found their way into tombs and hoards where ritual sets are a common sight. <br /> This paper is going to show how sumptuary rules grew less rigid with the factual decline of the Zhou. Earlier, expressing ones social rank through ritual bronzes was the prerogative of dignitaries with close ties to the royal house. Now, even politically rather insignificant local potentates made use of (substandard) replicas in attempts to signal their social position. The prestige of authentic ritual bronzes finally fostered the diffusion of an initially extremely elitist phenomenon. How strongly the association of ritual bronzes with social rank penetrated ancient Chinese thought and practices – that is to say, Chinese culture – is obvious in the fact that imitations of ritual bronzes remained a staple in tomb assemblages at least until the 2nd century CE."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4735703" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0c489183fa7083fcbda6f8ba26265cbe" rel="nofollow" data-download="{"attachment_id":32896969,"asset_id":4735703,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32896969/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4976441" href="https://lmu-munich.academia.edu/ArminSelbitschka">Armin Selbitschka</a><script data-card-contents-for-user="4976441" type="text/json">{"id":4976441,"first_name":"Armin","last_name":"Selbitschka","domain_name":"lmu-munich","page_name":"ArminSelbitschka","display_name":"Armin Selbitschka","profile_url":"https://lmu-munich.academia.edu/ArminSelbitschka?f_ri=8228","photo":"https://0.academia-photos.com/4976441/3778239/10958312/s65_armin.selbitschka.jpg"}</script></span></span></li><li class="js-paper-rank-work_4735703 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4735703"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4735703, container: ".js-paper-rank-work_4735703", }); });</script></li><li class="js-percentile-work_4735703 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4735703; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4735703"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4735703 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4735703"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4735703; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4735703]").text(description); $(".js-view-count-work_4735703").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4735703").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4735703"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1020" href="https://www.academia.edu/Documents/in/Chinese_Philosophy">Chinese Philosophy</a>, <script data-card-contents-for-ri="1020" type="text/json">{"id":1020,"name":"Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Chinese_Philosophy?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2837" href="https://www.academia.edu/Documents/in/Chinese_Religions">Chinese Religions</a><script data-card-contents-for-ri="2837" type="text/json">{"id":2837,"name":"Chinese Religions","url":"https://www.academia.edu/Documents/in/Chinese_Religions?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4735703]'), work: {"id":4735703,"title":"“Spirit Objects” (míngqì 明器), Prestige and Cultural Continuity in Early China","created_at":"2013-10-10T04:11:14.617-07:00","url":"https://www.academia.edu/4735703/_Spirit_Objects_m%C3%ADngq%C3%AC_%E6%98%8E%E5%99%A8_Prestige_and_Cultural_Continuity_in_Early_China?f_ri=8228","dom_id":"work_4735703","summary":"\"In my study \"Prestigegüter entlang der Seidenstraße? Archäologische und historische Untersuchungen zu Chinas Beziehungen zu Kulturen des Tarimbeckens vom zweiten bis frühen fünften Jahrhundert nach Christus (Wiesbaden: Harrassowitz, 2010),\" I developed a method to identify genuine prestige goods in the context of burials. Whenever members of social groups were unable to obtain desired artifacts – be it on account of insufficient financial means or because they were prohibited to acquire them –, they resorted to a rather simple solution: imitations. \r\n\tAs early as the 8th century BCE, people in China began to emulate ritual bronzes. These were the ultimate status symbols at the time and possession of such valuable bronze objects clearly was restricted to the social élite. Various types of bronze vessels and bells constituted a so-called ritual set; the more different objects and the more specimens of each single type of object an individual could call his (sometimes her) own, the higher his / her social rank. At least this much we learn from several prescriptive texts dating from the 2nd through 1st centuries BCE. The ritual bronzes were an integral part of ritual ceremonies held at the ancestral shrines of one’s lineage. They were, however, not only employed to demonstrate one’s social achievements to the ancestors, but ultimately found their way into tombs and hoards where ritual sets are a common sight.\r\n\tThis paper is going to show how sumptuary rules grew less rigid with the factual decline of the Zhou. Earlier, expressing ones social rank through ritual bronzes was the prerogative of dignitaries with close ties to the royal house. Now, even politically rather insignificant local potentates made use of (substandard) replicas in attempts to signal their social position. The prestige of authentic ritual bronzes finally fostered the diffusion of an initially extremely elitist phenomenon. How strongly the association of ritual bronzes with social rank penetrated ancient Chinese thought and practices – that is to say, Chinese culture – is obvious in the fact that imitations of ritual bronzes remained a staple in tomb assemblages at least until the 2nd century CE.\"","downloadable_attachments":[{"id":32896969,"asset_id":4735703,"asset_type":"Work","always_allow_download":false},{"id":32897006,"asset_id":4735703,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4976441,"first_name":"Armin","last_name":"Selbitschka","domain_name":"lmu-munich","page_name":"ArminSelbitschka","display_name":"Armin Selbitschka","profile_url":"https://lmu-munich.academia.edu/ArminSelbitschka?f_ri=8228","photo":"https://0.academia-photos.com/4976441/3778239/10958312/s65_armin.selbitschka.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=8228","nofollow":false},{"id":1020,"name":"Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Chinese_Philosophy?f_ri=8228","nofollow":false},{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":2837,"name":"Chinese Religions","url":"https://www.academia.edu/Documents/in/Chinese_Religions?f_ri=8228","nofollow":false},{"id":2839,"name":"Sinology","url":"https://www.academia.edu/Documents/in/Sinology?f_ri=8228"},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228"},{"id":13509,"name":"Bronze Age Archaeology","url":"https://www.academia.edu/Documents/in/Bronze_Age_Archaeology?f_ri=8228"},{"id":16358,"name":"Confucian Philosophy","url":"https://www.academia.edu/Documents/in/Confucian_Philosophy?f_ri=8228"},{"id":21666,"name":"Chinese Historiography (Archaeology)","url":"https://www.academia.edu/Documents/in/Chinese_Historiography_Archaeology_?f_ri=8228"},{"id":24516,"name":"Chinese archaeology","url":"https://www.academia.edu/Documents/in/Chinese_archaeology?f_ri=8228"},{"id":26850,"name":"Chinese history (History)","url":"https://www.academia.edu/Documents/in/Chinese_history_History_?f_ri=8228"},{"id":27165,"name":"Confucianism","url":"https://www.academia.edu/Documents/in/Confucianism?f_ri=8228"},{"id":32131,"name":"Confucius","url":"https://www.academia.edu/Documents/in/Confucius?f_ri=8228"},{"id":44921,"name":"Classical Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Classical_Chinese_Philosophy?f_ri=8228"},{"id":95895,"name":"Sinologie","url":"https://www.academia.edu/Documents/in/Sinologie?f_ri=8228"},{"id":143887,"name":"Chinese and Southeast Asian Art History and Archaeology","url":"https://www.academia.edu/Documents/in/Chinese_and_Southeast_Asian_Art_History_and_Archaeology?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"},{"id":232930,"name":"Early Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Early_Chinese_Philosophy?f_ri=8228"},{"id":302582,"name":"Ancient Chinese Bronzes","url":"https://www.academia.edu/Documents/in/Ancient_Chinese_Bronzes?f_ri=8228"},{"id":611633,"name":"Ancient Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Ancient_Chinese_Philosophy?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35530335" data-work_id="35530335" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35530335/La_presse_officielle_chinoise_%C3%A0_l%C3%A8re_des_nouveaux_m%C3%A9dias">La presse officielle chinoise à l'ère des nouveaux médias</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Les médias officiels chinois sont contraints par les réseaux sociaux à s’adapter et à jouer un jeu concurrentiel auquel ils ne sont pas habitués. Amenés par de nouvelles règles du jeu à descendre dans une arène qui n’est pas la leur, ils... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35530335" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Les médias officiels chinois sont contraints par les réseaux sociaux à s’adapter et à jouer un jeu concurrentiel auquel ils ne sont pas habitués. Amenés par de nouvelles règles du jeu à descendre dans une arène qui n’est pas la leur, ils sont souvent distancés par des opérateurs privés. S’ils bénéficient des subventions de l’État pour affronter dans de bonnes conditions la concurrence, la nécessité d’être encadrée par les directives qui régissent l’action des médias officiels constitue un obstacle dans cette lutte acharnée pour séduire les internautes chinois. La notion de « nouvelles faussées » devient un enjeu pour les médias officiels pour reprendre l’avantage et restaurer leur autorité menacée.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35530335" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="73cfcc07df32f07482a0c7b9667c44c4" rel="nofollow" data-download="{"attachment_id":55395465,"asset_id":35530335,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55395465/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5835315" href="https://independent.academia.edu/QianHe2">Qian He</a><script data-card-contents-for-user="5835315" type="text/json">{"id":5835315,"first_name":"Qian","last_name":"He","domain_name":"independent","page_name":"QianHe2","display_name":"Qian He","profile_url":"https://independent.academia.edu/QianHe2?f_ri=8228","photo":"https://0.academia-photos.com/5835315/2505397/2909067/s65_qian.he.jpg"}</script></span></span></li><li class="js-paper-rank-work_35530335 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35530335"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35530335, container: ".js-paper-rank-work_35530335", }); });</script></li><li class="js-percentile-work_35530335 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35530335; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35530335"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35530335 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35530335"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35530335; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35530335]").text(description); $(".js-view-count-work_35530335").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35530335").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35530335"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="928" href="https://www.academia.edu/Documents/in/Media_Studies">Media Studies</a>, <script data-card-contents-for-ri="928" type="text/json">{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2869" href="https://www.academia.edu/Documents/in/Digital_Media">Digital Media</a>, <script data-card-contents-for-ri="2869" type="text/json">{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a><script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35530335]'), work: {"id":35530335,"title":"La presse officielle chinoise à l'ère des nouveaux médias","created_at":"2017-12-28T12:38:39.017-08:00","url":"https://www.academia.edu/35530335/La_presse_officielle_chinoise_%C3%A0_l%C3%A8re_des_nouveaux_m%C3%A9dias?f_ri=8228","dom_id":"work_35530335","summary":"Les médias officiels chinois sont contraints par les réseaux sociaux à s’adapter et à jouer un jeu concurrentiel auquel ils ne sont pas habitués. Amenés par de nouvelles règles du jeu à descendre dans une arène qui n’est pas la leur, ils sont souvent distancés par des opérateurs privés. S’ils bénéficient des subventions de l’État pour affronter dans de bonnes conditions la concurrence, la nécessité d’être encadrée par les directives qui régissent l’action des médias officiels constitue un obstacle dans cette lutte acharnée pour séduire les internautes chinois. La notion de « nouvelles faussées » devient un enjeu pour les médias officiels pour reprendre l’avantage et restaurer leur autorité menacée.","downloadable_attachments":[{"id":55395465,"asset_id":35530335,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5835315,"first_name":"Qian","last_name":"He","domain_name":"independent","page_name":"QianHe2","display_name":"Qian He","profile_url":"https://independent.academia.edu/QianHe2?f_ri=8228","photo":"https://0.academia-photos.com/5835315/2505397/2909067/s65_qian.he.jpg"}],"research_interests":[{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=8228","nofollow":false},{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":9246,"name":"Social Media","url":"https://www.academia.edu/Documents/in/Social_Media?f_ri=8228"},{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228"},{"id":20602,"name":"China studies","url":"https://www.academia.edu/Documents/in/China_studies?f_ri=8228"},{"id":24550,"name":"Contemporary China","url":"https://www.academia.edu/Documents/in/Contemporary_China?f_ri=8228"},{"id":45036,"name":"Mass media","url":"https://www.academia.edu/Documents/in/Mass_media?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12314271" data-work_id="12314271" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12314271/Indian_Inputs_to_Chinese_Art">Indian Inputs to Chinese Art</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Throughout history, cultures situated geographically close to each other have had relationships of cultural and material exchange. Over the centuries one factor that has been very prominent is the abstraction of ideas and forms in art.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12314271" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Throughout history, cultures situated geographically close to each other have had relationships of cultural and material exchange. Over the centuries one factor that has been very prominent is the abstraction of ideas and forms in art. India and China, like many neighboring regions have shared rivers, travelers, information, religion, among much else. This paper deals with the understanding of religious and metaphysical traditions of the two civilizations, social structures, openness to new intellectual thoughts, priorities of the rulers and the elite, and last but not the least a comparison of Oriental with Occidental in order to understand the similarities and differences between Indian and Chinese Art. It finally explains the immense role that Buddhism played in increasing contacts between the two regions, as well as the distortion and alteration of Buddhist cultural symbols as they crossed boundaries.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12314271" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="79832ed84e41d34604bb73407c73bdb6" rel="nofollow" data-download="{"attachment_id":37592064,"asset_id":12314271,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37592064/download_file?st=MTczMjQ1OTM3NSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30662682" href="https://independent.academia.edu/PraptiMittal">Prapti Mittal</a><script data-card-contents-for-user="30662682" type="text/json">{"id":30662682,"first_name":"Prapti","last_name":"Mittal","domain_name":"independent","page_name":"PraptiMittal","display_name":"Prapti Mittal","profile_url":"https://independent.academia.edu/PraptiMittal?f_ri=8228","photo":"https://0.academia-photos.com/30662682/8928237/9964013/s65_prapti.mittal.jpg"}</script></span></span></li><li class="js-paper-rank-work_12314271 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12314271"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12314271, container: ".js-paper-rank-work_12314271", }); 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$(".js-view-count[data-work-id=12314271]").text(description); $(".js-view-count-work_12314271").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12314271").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12314271"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2906" href="https://www.academia.edu/Documents/in/Buddhist_Studies">Buddhist Studies</a>, <script data-card-contents-for-ri="2906" type="text/json">{"id":2906,"name":"Buddhist Studies","url":"https://www.academia.edu/Documents/in/Buddhist_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12108" href="https://www.academia.edu/Documents/in/China">China</a><script data-card-contents-for-ri="12108" type="text/json">{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12314271]'), work: {"id":12314271,"title":"Indian Inputs to Chinese Art","created_at":"2015-05-09T22:59:53.487-07:00","url":"https://www.academia.edu/12314271/Indian_Inputs_to_Chinese_Art?f_ri=8228","dom_id":"work_12314271","summary":"Throughout history, cultures situated geographically close to each other have had relationships of cultural and material exchange. Over the centuries one factor that has been very prominent is the abstraction of ideas and forms in art. India and China, like many neighboring regions have shared rivers, travelers, information, religion, among much else. This paper deals with the understanding of religious and metaphysical traditions of the two civilizations, social structures, openness to new intellectual thoughts, priorities of the rulers and the elite, and last but not the least a comparison of Oriental with Occidental in order to understand the similarities and differences between Indian and Chinese Art. It finally explains the immense role that Buddhism played in increasing contacts between the two regions, as well as the distortion and alteration of Buddhist cultural symbols as they crossed boundaries.","downloadable_attachments":[{"id":37592064,"asset_id":12314271,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30662682,"first_name":"Prapti","last_name":"Mittal","domain_name":"independent","page_name":"PraptiMittal","display_name":"Prapti Mittal","profile_url":"https://independent.academia.edu/PraptiMittal?f_ri=8228","photo":"https://0.academia-photos.com/30662682/8928237/9964013/s65_prapti.mittal.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false},{"id":2906,"name":"Buddhist Studies","url":"https://www.academia.edu/Documents/in/Buddhist_Studies?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=8228"},{"id":24047,"name":"Indian Art","url":"https://www.academia.edu/Documents/in/Indian_Art?f_ri=8228"},{"id":26850,"name":"Chinese history (History)","url":"https://www.academia.edu/Documents/in/Chinese_history_History_?f_ri=8228"},{"id":43838,"name":"India","url":"https://www.academia.edu/Documents/in/India?f_ri=8228"},{"id":75814,"name":"Indian History","url":"https://www.academia.edu/Documents/in/Indian_History?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10210936" data-work_id="10210936" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10210936/_George_Eumorfopoulos_Collector_Song_Pottery_and_twenty_two_catalogue_entries_2004">‘George Eumorfopoulos: Collector,’ ‘Song Pottery’ and twenty-two catalogue entries 2004</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10210936" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be61bd30cb31fd1d81ccf63a5495c004" rel="nofollow" data-download="{"attachment_id":40152812,"asset_id":10210936,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40152812/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="372741" href="https://benaki.academia.edu/GeorgeManginis">George Manginis</a><script data-card-contents-for-user="372741" type="text/json">{"id":372741,"first_name":"George","last_name":"Manginis","domain_name":"benaki","page_name":"GeorgeManginis","display_name":"George Manginis","profile_url":"https://benaki.academia.edu/GeorgeManginis?f_ri=8228","photo":"https://0.academia-photos.com/372741/114937/35911071/s65_george.manginis.jpg"}</script></span></span></li><li class="js-paper-rank-work_10210936 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10210936"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10210936, container: ".js-paper-rank-work_10210936", }); });</script></li><li class="js-percentile-work_10210936 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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}); });</script></span><script>$(function() { $(".js-view-count-work_10210936").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10210936"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">24</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2882" href="https://www.academia.edu/Documents/in/Chinese_Buddhism">Chinese Buddhism</a>, <script data-card-contents-for-ri="2882" type="text/json">{"id":2882,"name":"Chinese Buddhism","url":"https://www.academia.edu/Documents/in/Chinese_Buddhism?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7242" href="https://www.academia.edu/Documents/in/Tang_Dynasty">Tang Dynasty</a>, <script data-card-contents-for-ri="7242" type="text/json">{"id":7242,"name":"Tang Dynasty","url":"https://www.academia.edu/Documents/in/Tang_Dynasty?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a><script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10210936]'), work: {"id":10210936,"title":"‘George Eumorfopoulos: Collector,’ ‘Song Pottery’ and twenty-two catalogue entries 2004","created_at":"2015-01-17T15:21:18.110-08:00","url":"https://www.academia.edu/10210936/_George_Eumorfopoulos_Collector_Song_Pottery_and_twenty_two_catalogue_entries_2004?f_ri=8228","dom_id":"work_10210936","summary":null,"downloadable_attachments":[{"id":40152812,"asset_id":10210936,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":372741,"first_name":"George","last_name":"Manginis","domain_name":"benaki","page_name":"GeorgeManginis","display_name":"George Manginis","profile_url":"https://benaki.academia.edu/GeorgeManginis?f_ri=8228","photo":"https://0.academia-photos.com/372741/114937/35911071/s65_george.manginis.jpg"}],"research_interests":[{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":2882,"name":"Chinese Buddhism","url":"https://www.academia.edu/Documents/in/Chinese_Buddhism?f_ri=8228","nofollow":false},{"id":7242,"name":"Tang Dynasty","url":"https://www.academia.edu/Documents/in/Tang_Dynasty?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12743,"name":"Song Dynasty","url":"https://www.academia.edu/Documents/in/Song_Dynasty?f_ri=8228"},{"id":12746,"name":"Ming Dynasty","url":"https://www.academia.edu/Documents/in/Ming_Dynasty?f_ri=8228"},{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=8228"},{"id":23333,"name":"Collecting and Collections","url":"https://www.academia.edu/Documents/in/Collecting_and_Collections?f_ri=8228"},{"id":24516,"name":"Chinese archaeology","url":"https://www.academia.edu/Documents/in/Chinese_archaeology?f_ri=8228"},{"id":32412,"name":"Art Song","url":"https://www.academia.edu/Documents/in/Art_Song?f_ri=8228"},{"id":33766,"name":"China Tang~Song Dynasties","url":"https://www.academia.edu/Documents/in/China_Tang_Song_Dynasties?f_ri=8228"},{"id":68911,"name":"Early Chinese History","url":"https://www.academia.edu/Documents/in/Early_Chinese_History?f_ri=8228"},{"id":73530,"name":"Han Dynasty","url":"https://www.academia.edu/Documents/in/Han_Dynasty?f_ri=8228"},{"id":180370,"name":"Chinese Pottery","url":"https://www.academia.edu/Documents/in/Chinese_Pottery?f_ri=8228"},{"id":285258,"name":"Ming-Qing History","url":"https://www.academia.edu/Documents/in/Ming-Qing_History?f_ri=8228"},{"id":288195,"name":"Qing Dynasty","url":"https://www.academia.edu/Documents/in/Qing_Dynasty?f_ri=8228"},{"id":356975,"name":"Chinese Ceramics","url":"https://www.academia.edu/Documents/in/Chinese_Ceramics?f_ri=8228"},{"id":377762,"name":"Western Han dynasty, China","url":"https://www.academia.edu/Documents/in/Western_Han_dynasty_China?f_ri=8228"},{"id":444917,"name":"Chinese History /Han Dynasty/Archaeology","url":"https://www.academia.edu/Documents/in/Chinese_History_Han_Dynasty_Archaeology?f_ri=8228"},{"id":447845,"name":"Qing Court Art","url":"https://www.academia.edu/Documents/in/Qing_Court_Art?f_ri=8228"},{"id":767467,"name":"China Neolithic","url":"https://www.academia.edu/Documents/in/China_Neolithic?f_ri=8228"},{"id":1006148,"name":"Ming and Qing China","url":"https://www.academia.edu/Documents/in/Ming_and_Qing_China?f_ri=8228"},{"id":1112343,"name":"Eastern Han Dynasty","url":"https://www.academia.edu/Documents/in/Eastern_Han_Dynasty?f_ri=8228"},{"id":1161449,"name":"Chinese Neolithic Archaeology","url":"https://www.academia.edu/Documents/in/Chinese_Neolithic_Archaeology?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35171367" data-work_id="35171367" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35171367/The_Peircean_Order_of_Signification_and_Its_Encoding_System_in_Chinese_Landscape_Painting">The Peircean Order of Signification and Its Encoding System in Chinese Landscape Painting</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Applying Peirce's semiotics to the study of art history, this essay explores the order of signification in the Peircean theory and the visual order in Chinese landscape painting. Since the purpose of Chinese landscape painting is not to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35171367" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Applying Peirce's semiotics to the study of art history, this essay explores the order of signification in the Peircean theory and the visual order in Chinese landscape painting. Since the purpose of Chinese landscape painting is not to simply represent the beauty of scenery but to encode and manifest the philosophy of Tao, then, the author argues that the establishment of the encoding mechanism in Chinese landscape painting signifies the origination, development, and establishment of this genre in Chinese art history. In this essay, the Peircean order of signification is described as a T-shaped structure, consisting of a horizontal dimension of signs (icon, index, and symbol) and a vertical dimension of the signification process (representamen, interpretant, and object). Correspondingly, the visual order in Chinese landscape painting is also described as a T-shaped structure as well: the horizontal dimension at the formal level consists of three signs (mountain path, flowing water, and floating air, the three constitute a compound sign), whilst the vertical dimension at the ideological level consists of three concepts (the way in nature, the metaphysical Way of nature, and the Tao). The significance of this order is found in re-interpreting the formation of landscape painting in Chinese art history.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35171367" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7e38deb653c210139f1214b858f45733" rel="nofollow" data-download="{"attachment_id":55033105,"asset_id":35171367,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55033105/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10524415" href="https://concordia.academia.edu/LianDuan">Lian Duan</a><script data-card-contents-for-user="10524415" type="text/json">{"id":10524415,"first_name":"Lian","last_name":"Duan","domain_name":"concordia","page_name":"LianDuan","display_name":"Lian Duan","profile_url":"https://concordia.academia.edu/LianDuan?f_ri=8228","photo":"https://0.academia-photos.com/10524415/3187308/23275546/s65_lian.duan.jpg"}</script></span></span></li><li class="js-paper-rank-work_35171367 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35171367"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35171367, container: ".js-paper-rank-work_35171367", }); 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$(".js-view-count[data-work-id=35171367]").text(description); $(".js-view-count-work_35171367").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35171367").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35171367"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="98" href="https://www.academia.edu/Documents/in/Semiotics">Semiotics</a>, <script data-card-contents-for-ri="98" type="text/json">{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3225" href="https://www.academia.edu/Documents/in/Visual_Culture">Visual Culture</a>, <script data-card-contents-for-ri="3225" type="text/json">{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a><script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35171367]'), work: {"id":35171367,"title":"The Peircean Order of Signification and Its Encoding System in Chinese Landscape Painting","created_at":"2017-11-17T05:37:57.138-08:00","url":"https://www.academia.edu/35171367/The_Peircean_Order_of_Signification_and_Its_Encoding_System_in_Chinese_Landscape_Painting?f_ri=8228","dom_id":"work_35171367","summary":"Applying Peirce's semiotics to the study of art history, this essay explores the order of signification in the Peircean theory and the visual order in Chinese landscape painting. Since the purpose of Chinese landscape painting is not to simply represent the beauty of scenery but to encode and manifest the philosophy of Tao, then, the author argues that the establishment of the encoding mechanism in Chinese landscape painting signifies the origination, development, and establishment of this genre in Chinese art history. In this essay, the Peircean order of signification is described as a T-shaped structure, consisting of a horizontal dimension of signs (icon, index, and symbol) and a vertical dimension of the signification process (representamen, interpretant, and object). Correspondingly, the visual order in Chinese landscape painting is also described as a T-shaped structure as well: the horizontal dimension at the formal level consists of three signs (mountain path, flowing water, and floating air, the three constitute a compound sign), whilst the vertical dimension at the ideological level consists of three concepts (the way in nature, the metaphysical Way of nature, and the Tao). The significance of this order is found in re-interpreting the formation of landscape painting in Chinese art history.","downloadable_attachments":[{"id":55033105,"asset_id":35171367,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10524415,"first_name":"Lian","last_name":"Duan","domain_name":"concordia","page_name":"LianDuan","display_name":"Lian Duan","profile_url":"https://concordia.academia.edu/LianDuan?f_ri=8228","photo":"https://0.academia-photos.com/10524415/3187308/23275546/s65_lian.duan.jpg"}],"research_interests":[{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics?f_ri=8228","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8228","nofollow":false},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44554425" data-work_id="44554425" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44554425/Exhibiting_and_Auctioning_Yuanmingyuan_Summer_Palace_Loot_in_1860s_and_1870s_London_The_Elgin_and_Negroni_Collections">Exhibiting and Auctioning Yuanmingyuan ("Summer Palace") Loot in 1860s and 1870s London: The Elgin and Negroni Collections</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article examines the exhibitions and sales of Yuanmingyuan (or "Summer Palace") loot taken from China in October 1860 by two soldiers in the Anglo-French armies-James Bruce, 8th Earl of Elgin (1811-1863) and Captain Jean-Louis de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44554425" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article examines the exhibitions and sales of Yuanmingyuan (or "Summer Palace") loot taken from China in October 1860 by two soldiers in the Anglo-French armies-James Bruce, 8th Earl of Elgin (1811-1863) and Captain Jean-Louis de Negroni (b.1820). Both men displayed their collections before auctioning them-the former in the prestigious South Kensington Museum (now the V&A) in 1862; the latter in a well known exhibitionary site, the Crystal Palace in Sydenham in 1865. Such displays and public exhibitions were used as a device for enhancing the value of collections destined for the art market. This paper focuses on the commercial and exhibitionary practices at play in the dispersal of Elgin's and Negroni's collections of Summer Palace loot. It examines how these objects became enmeshed in the interacting system of auction, dealer and exhibitionary sphere, emphasising the role of auction houses, the significance of British press coverage in confirming the quality and value of collections, and the interrelationships with prominent sites of public display in 1860s and 1870s London.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44554425" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="80c0a1c0d30ab999e5e808592c66c470" rel="nofollow" data-download="{"attachment_id":65005111,"asset_id":44554425,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65005111/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="179309773" href="https://soas.academia.edu/LouiseTythacott">Louise Tythacott</a><script data-card-contents-for-user="179309773" type="text/json">{"id":179309773,"first_name":"Louise","last_name":"Tythacott","domain_name":"soas","page_name":"LouiseTythacott","display_name":"Louise Tythacott","profile_url":"https://soas.academia.edu/LouiseTythacott?f_ri=8228","photo":"https://0.academia-photos.com/179309773/49668212/57812529/s65_louise.tythacott.jpg"}</script></span></span></li><li class="js-paper-rank-work_44554425 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44554425"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44554425, container: ".js-paper-rank-work_44554425", }); });</script></li><li class="js-percentile-work_44554425 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44554425; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44554425"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44554425 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44554425"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44554425; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44554425]").text(description); $(".js-view-count-work_44554425").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44554425").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44554425"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23333" href="https://www.academia.edu/Documents/in/Collecting_and_Collections">Collecting and Collections</a>, <script data-card-contents-for-ri="23333" type="text/json">{"id":23333,"name":"Collecting and Collections","url":"https://www.academia.edu/Documents/in/Collecting_and_Collections?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="52072" href="https://www.academia.edu/Documents/in/History_of_Collecting">History of Collecting</a>, <script data-card-contents-for-ri="52072" type="text/json">{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="517242" href="https://www.academia.edu/Documents/in/Art_Collecting">Art Collecting</a><script data-card-contents-for-ri="517242" type="text/json">{"id":517242,"name":"Art Collecting","url":"https://www.academia.edu/Documents/in/Art_Collecting?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44554425]'), work: {"id":44554425,"title":"Exhibiting and Auctioning Yuanmingyuan (\"Summer Palace\") Loot in 1860s and 1870s London: The Elgin and Negroni Collections","created_at":"2020-11-22T11:20:14.653-08:00","url":"https://www.academia.edu/44554425/Exhibiting_and_Auctioning_Yuanmingyuan_Summer_Palace_Loot_in_1860s_and_1870s_London_The_Elgin_and_Negroni_Collections?f_ri=8228","dom_id":"work_44554425","summary":"This article examines the exhibitions and sales of Yuanmingyuan (or \"Summer Palace\") loot taken from China in October 1860 by two soldiers in the Anglo-French armies-James Bruce, 8th Earl of Elgin (1811-1863) and Captain Jean-Louis de Negroni (b.1820). Both men displayed their collections before auctioning them-the former in the prestigious South Kensington Museum (now the V\u0026A) in 1862; the latter in a well known exhibitionary site, the Crystal Palace in Sydenham in 1865. Such displays and public exhibitions were used as a device for enhancing the value of collections destined for the art market. This paper focuses on the commercial and exhibitionary practices at play in the dispersal of Elgin's and Negroni's collections of Summer Palace loot. It examines how these objects became enmeshed in the interacting system of auction, dealer and exhibitionary sphere, emphasising the role of auction houses, the significance of British press coverage in confirming the quality and value of collections, and the interrelationships with prominent sites of public display in 1860s and 1870s London.","downloadable_attachments":[{"id":65005111,"asset_id":44554425,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":179309773,"first_name":"Louise","last_name":"Tythacott","domain_name":"soas","page_name":"LouiseTythacott","display_name":"Louise Tythacott","profile_url":"https://soas.academia.edu/LouiseTythacott?f_ri=8228","photo":"https://0.academia-photos.com/179309773/49668212/57812529/s65_louise.tythacott.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":23333,"name":"Collecting and Collections","url":"https://www.academia.edu/Documents/in/Collecting_and_Collections?f_ri=8228","nofollow":false},{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=8228","nofollow":false},{"id":517242,"name":"Art Collecting","url":"https://www.academia.edu/Documents/in/Art_Collecting?f_ri=8228","nofollow":false},{"id":1702238,"name":"Auction Houses","url":"https://www.academia.edu/Documents/in/Auction_Houses?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44481793" data-work_id="44481793" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44481793/%D0%91%D0%B8_%D0%A7%D0%B6%D0%B8%D1%87%D1%8D%D0%BD_%D0%9F%D0%B0%D0%BB%D0%B0%D0%B3%D1%83%D1%82%D0%B0_%D0%98_%D0%92_%D0%A0%D0%B5%D0%BB%D1%8C%D0%B5%D1%84%D1%8B_%D0%B3%D1%80%D0%BE%D0%B1%D0%BD%D0%B8%D1%86_%D1%8D%D0%BF%D0%BE%D1%85%D0%B8_%D0%A5%D0%B0%D0%BD%D1%8C_%D0%BF%D1%80%D0%BE%D0%B2%D0%B8%D0%BD%D1%86%D0%B8%D0%B8_%D0%A8%D0%B0%D0%BD%D1%8C%D0%B4%D1%83%D0%BD_%D0%B2_%D0%BA%D0%BE%D0%BD%D1%82%D0%B5%D0%BA%D1%81%D1%82%D0%B5_%D1%81%D0%B2%D1%8F%D0%B7%D0%B5%D0%B9_%D0%92%D0%BE%D1%81%D1%82%D0%BE%D0%BA_%D0%97%D0%B0%D0%BF%D0%B0%D0%B4_%D0%9C%D0%B5%D0%B6%D0%B4%D1%83%D0%BD%D0%B0%D1%80%D0%BE%D0%B4%D0%BD%D0%B0%D1%8F_%D0%BA%D0%BE%D0%BD%D1%84_%D0%94%D1%80%D0%B5%D0%B2%D0%BD%D0%B8%D0%B5_%D0%B8_%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D1%8B%D0%B5_%D0%BA%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D1%8B_%D0%A6%D0%B5%D0%BD%D1%82%D1%80%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B9_%D0%90%D0%B7%D0%B8%D0%B8_%D1%81%D1%82%D0%B0%D0%BD%D0%BE%D0%B2%D0%BB%D0%B5%D0%BD%D0%B8%D0%B5_%D1%80%D0%B0%D0%B7%D0%B2%D0%B8%D1%82%D0%B8%D0%B5_%D0%B8_%D0%B2%D0%B7%D0%B0%D0%B8%D0%BC%D0%BE%D0%B4%D0%B5%D0%B9%D1%81%D1%82%D0%B2%D0%B8%D0%B5_%D1%83%D1%80%D0%B1%D0%B0%D0%BD%D0%B8%D0%B7%D0%B8%D1%80%D0%BE%D0%B2%D0%B0%D0%BD%D0%BD%D1%8B%D1%85_%D0%B8_%D1%81%D0%BA%D0%BE%D1%82%D0%BE%D0%B2%D0%BE%D0%B4%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D1%85_%D0%BE%D0%B1%D1%89%D0%B5%D1%81%D1%82%D0%B2_%D0%A1%D0%B0%D0%BD%D0%BA%D1%82_%D0%9F%D0%B5%D1%82%D0%B5%D1%80%D0%B1%D1%83%D1%80%D0%B3_%D0%98%D0%98%D0%9C%D0%9A_%D0%A0%D0%90%D0%9D_10_12_11_2020">Би Чжичэн , Палагута И.В. Рельефы гробниц эпохи Хань провинции Шаньдун в контексте связей Восток-Запад // Международная конф. Древние и средневековые культуры Центральной Азии (становление, развитие и взаимодействие урбанизированных и скотоводческих обществ). Санкт-Петербург, ИИМК РАН, 10–12.11.2020</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44481793" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="29557f3d59285bf3c8d74f7119266df2" rel="nofollow" data-download="{"attachment_id":64912941,"asset_id":44481793,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64912941/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="966291" href="https://ghpa.academia.edu/IlyaPalaguta">Ilia Palaguta</a><script data-card-contents-for-user="966291" type="text/json">{"id":966291,"first_name":"Ilia","last_name":"Palaguta","domain_name":"ghpa","page_name":"IlyaPalaguta","display_name":"Ilia Palaguta","profile_url":"https://ghpa.academia.edu/IlyaPalaguta?f_ri=8228","photo":"https://0.academia-photos.com/966291/356993/18096810/s65_ilia.palaguta.jpg"}</script></span></span></li><li class="js-paper-rank-work_44481793 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44481793"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44481793, container: ".js-paper-rank-work_44481793", }); 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data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9801" href="https://www.academia.edu/Documents/in/Chinese_Language_and_Culture">Chinese Language and Culture</a>, <script data-card-contents-for-ri="9801" type="text/json">{"id":9801,"name":"Chinese Language and 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u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30164265/Huang_Yong_Ping_and_the_Power_of_Zoomorphic_Ambiguity">Huang Yong Ping and the Power of Zoomorphic Ambiguity</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30164265" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="94f15b9992bead4bb05c540599792483" rel="nofollow" data-download="{"attachment_id":54952264,"asset_id":30164265,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" 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Kleutghen","profile_url":"https://wustl.academia.edu/KristinaKleutghen?f_ri=8228","photo":"https://0.academia-photos.com/2639902/4808432/25905656/s65_kristina.kleutghen.jpg"}</script></span></span></li><li class="js-paper-rank-work_30164265 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30164265"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30164265, container: ".js-paper-rank-work_30164265", }); });</script></li><li class="js-percentile-work_30164265 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30164265; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30164265"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30164265 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30164265"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30164265; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30164265]").text(description); $(".js-view-count-work_30164265").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30164265").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" 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href="https://www.academia.edu/Documents/in/Contemporary_Chinese_Literature">Contemporary Chinese Literature</a>, <script data-card-contents-for-ri="22480" type="text/json">{"id":22480,"name":"Contemporary Chinese Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Chinese_Literature?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="43804" href="https://www.academia.edu/Documents/in/Chinese_contemporary_art">Chinese contemporary art</a><script data-card-contents-for-ri="43804" type="text/json">{"id":43804,"name":"Chinese contemporary art","url":"https://www.academia.edu/Documents/in/Chinese_contemporary_art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30164265]'), work: {"id":30164265,"title":"Huang Yong Ping and the Power of Zoomorphic 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Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Chinese_Literature?f_ri=8228","nofollow":false},{"id":43804,"name":"Chinese contemporary art","url":"https://www.academia.edu/Documents/in/Chinese_contemporary_art?f_ri=8228","nofollow":false},{"id":51321,"name":"Modern and Contemporary Art History and Theory, Contemporary Asian Art, Art and Globalization, Post-Colonialism","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Art_History_and_Theory_Contemporary_Asian_Art_Art_and_Globalization_Post?f_ri=8228"},{"id":202559,"name":"Art and Globalization","url":"https://www.academia.edu/Documents/in/Art_and_Globalization?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"},{"id":347412,"name":"Globalization and Contemporary Art","url":"https://www.academia.edu/Documents/in/Globalization_and_Contemporary_Art?f_ri=8228"},{"id":416979,"name":"Global Art History","url":"https://www.academia.edu/Documents/in/Global_Art_History?f_ri=8228"},{"id":675173,"name":"Contemporary Chinese Art","url":"https://www.academia.edu/Documents/in/Contemporary_Chinese_Art?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39714215" data-work_id="39714215" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39714215/FANG_Junbi_or_Fang_Tchunpi_%E6%96%B9%E5%90%9B%E7%92%A7">FANG Junbi (or Fang Tchunpi), 方君璧</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">These works of art by her are presented here to illustrate my research paper:<br />‘Soft Power: Chinese Women Artists & the Female Body’<br />软实力: 中国女艺术家和女身体</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39714215" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e5faeb381c7e4bfdf07b16261c05cddc" rel="nofollow" data-download="{"attachment_id":59888122,"asset_id":39714215,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59888122/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span 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InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39714215"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39714215; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39714215]").text(description); $(".js-view-count-work_39714215").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39714215").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39714215"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12108" href="https://www.academia.edu/Documents/in/China">China</a>, <script data-card-contents-for-ri="12108" type="text/json">{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16240" href="https://www.academia.edu/Documents/in/Chinese_Politics">Chinese Politics</a><script data-card-contents-for-ri="16240" type="text/json">{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39714215]'), work: {"id":39714215,"title":"FANG Junbi (or Fang Tchunpi), 方君璧","created_at":"2019-06-28T02:50:08.802-07:00","url":"https://www.academia.edu/39714215/FANG_Junbi_or_Fang_Tchunpi_%E6%96%B9%E5%90%9B%E7%92%A7?f_ri=8228","dom_id":"work_39714215","summary":"These works of art by her are presented here to illustrate my research paper:\n‘Soft Power: Chinese Women Artists \u0026 the Female Body’\n软实力: 中国女艺术家和女身体","downloadable_attachments":[{"id":59888122,"asset_id":39714215,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":676452,"first_name":"Roy","last_name":"Forward","domain_name":"anu-au","page_name":"RoyForward","display_name":"Roy Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}],"research_interests":[{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false},{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false},{"id":20602,"name":"China 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Fraser, Mio Wakita, and Lianming Wang, pp. 132–144. Heidelberg: arthistoricum.net. (Open Access)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/72538088" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15855644" href="https://khiflorenz.academia.edu/FengSchoeneweiss">Feng Schöneweiß 何峰</a><script data-card-contents-for-user="15855644" type="text/json">{"id":15855644,"first_name":"Feng","last_name":"Schöneweiß 何峰","domain_name":"khiflorenz","page_name":"FengSchoeneweiss","display_name":"Feng Schöneweiß 何峰","profile_url":"https://khiflorenz.academia.edu/FengSchoeneweiss?f_ri=8228","photo":"https://0.academia-photos.com/15855644/4283503/114952667/s65_feng.sch_newei_.jpeg"}</script></span></span></li><li class="js-paper-rank-work_72538088 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="72538088"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 72538088, container: ".js-paper-rank-work_72538088", }); 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$(".js-view-count[data-work-id=72538088]").text(description); $(".js-view-count-work_72538088").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_72538088").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="72538088"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17471" href="https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_">Qing Dynasty (Ch'ing Dynasty)</a>, <script data-card-contents-for-ri="17471" type="text/json">{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="47749" href="https://www.academia.edu/Documents/in/Porcelain">Porcelain</a><script data-card-contents-for-ri="47749" type="text/json">{"id":47749,"name":"Porcelain","url":"https://www.academia.edu/Documents/in/Porcelain?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=72538088]'), work: {"id":72538088,"title":"(2022) Theatricality and Trans-Media Motif of Early Qing Narrative Porcelain","created_at":"2022-02-27T06:21:29.863-08:00","url":"https://www.academia.edu/72538088/_2022_Theatricality_and_Trans_Media_Motif_of_Early_Qing_Narrative_Porcelain?f_ri=8228","dom_id":"work_72538088","summary":"Edited by Sarah E. Fraser, Mio Wakita, and Lianming Wang, pp. 132–144. Heidelberg: arthistoricum.net. (Open Access)","downloadable_attachments":[],"ordered_authors":[{"id":15855644,"first_name":"Feng","last_name":"Schöneweiß 何峰","domain_name":"khiflorenz","page_name":"FengSchoeneweiss","display_name":"Feng Schöneweiß 何峰","profile_url":"https://khiflorenz.academia.edu/FengSchoeneweiss?f_ri=8228","photo":"https://0.academia-photos.com/15855644/4283503/114952667/s65_feng.sch_newei_.jpeg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=8228","nofollow":false},{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=8228","nofollow":false},{"id":47749,"name":"Porcelain","url":"https://www.academia.edu/Documents/in/Porcelain?f_ri=8228","nofollow":false},{"id":59536,"name":"Dresden","url":"https://www.academia.edu/Documents/in/Dresden?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"},{"id":258248,"name":"Chinese Porcelain in Foreign Countries","url":"https://www.academia.edu/Documents/in/Chinese_Porcelain_in_Foreign_Countries?f_ri=8228"},{"id":557026,"name":"Chinese Porcelain","url":"https://www.academia.edu/Documents/in/Chinese_Porcelain?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20075692" data-work_id="20075692" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20075692/The_Other_Kang_Youwei_Calligrapher_Art_Activist_and_Aesthetic_Reformer_in_Modern_China_Leiden_Brill_2016_">The Other Kang Youwei: Calligrapher, Art Activist, and Aesthetic Reformer in Modern China (Leiden: Brill, 2016)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20075692" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fd5cb3396a75aeaa6accb3bef37273e2" rel="nofollow" data-download="{"attachment_id":40992647,"asset_id":20075692,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40992647/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20745388" href="https://brandeis.academia.edu/AidaWong">Aida Y Wong</a><script data-card-contents-for-user="20745388" type="text/json">{"id":20745388,"first_name":"Aida","last_name":"Wong","domain_name":"brandeis","page_name":"AidaWong","display_name":"Aida Y Wong","profile_url":"https://brandeis.academia.edu/AidaWong?f_ri=8228","photo":"https://0.academia-photos.com/20745388/8752847/26953202/s65_aida.wong.png"}</script></span></span></li><li class="js-paper-rank-work_20075692 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20075692"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20075692, container: ".js-paper-rank-work_20075692", }); });</script></li><li class="js-percentile-work_20075692 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20075692; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_20075692"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_20075692 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="20075692"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20075692; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20075692]").text(description); $(".js-view-count-work_20075692").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20075692").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20075692"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31153" href="https://www.academia.edu/Documents/in/Chinese_Calligraphy">Chinese Calligraphy</a>, <script data-card-contents-for-ri="31153" type="text/json">{"id":31153,"name":"Chinese Calligraphy","url":"https://www.academia.edu/Documents/in/Chinese_Calligraphy?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="107488" href="https://www.academia.edu/Documents/in/Chinese_Art_-_Calligraphy_and_Ink_Painting">Chinese Art - Calligraphy & Ink Painting</a>, <script data-card-contents-for-ri="107488" type="text/json">{"id":107488,"name":"Chinese Art - Calligraphy \u0026 Ink Painting","url":"https://www.academia.edu/Documents/in/Chinese_Art_-_Calligraphy_and_Ink_Painting?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="121744" href="https://www.academia.edu/Documents/in/Modern_East_Asian_Art">Modern East Asian Art</a><script data-card-contents-for-ri="121744" type="text/json">{"id":121744,"name":"Modern East Asian Art","url":"https://www.academia.edu/Documents/in/Modern_East_Asian_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20075692]'), work: {"id":20075692,"title":"The Other Kang Youwei: Calligrapher, Art Activist, and Aesthetic Reformer in Modern China (Leiden: Brill, 2016)","created_at":"2016-01-07T01:54:17.652-08:00","url":"https://www.academia.edu/20075692/The_Other_Kang_Youwei_Calligrapher_Art_Activist_and_Aesthetic_Reformer_in_Modern_China_Leiden_Brill_2016_?f_ri=8228","dom_id":"work_20075692","summary":null,"downloadable_attachments":[{"id":40992647,"asset_id":20075692,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":20745388,"first_name":"Aida","last_name":"Wong","domain_name":"brandeis","page_name":"AidaWong","display_name":"Aida Y Wong","profile_url":"https://brandeis.academia.edu/AidaWong?f_ri=8228","photo":"https://0.academia-photos.com/20745388/8752847/26953202/s65_aida.wong.png"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":31153,"name":"Chinese Calligraphy","url":"https://www.academia.edu/Documents/in/Chinese_Calligraphy?f_ri=8228","nofollow":false},{"id":107488,"name":"Chinese Art - Calligraphy \u0026 Ink Painting","url":"https://www.academia.edu/Documents/in/Chinese_Art_-_Calligraphy_and_Ink_Painting?f_ri=8228","nofollow":false},{"id":121744,"name":"Modern East Asian Art","url":"https://www.academia.edu/Documents/in/Modern_East_Asian_Art?f_ri=8228","nofollow":false},{"id":770778,"name":"Sino-Japanese Artistic Exchanges","url":"https://www.academia.edu/Documents/in/Sino-Japanese_Artistic_Exchanges?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_46522431" data-work_id="46522431" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/46522431/Imitation_or_Appropriation_Intermediality_in_Qing_Imperial_Art_and_Culture_13_15_May_2021">Imitation or Appropriation: Intermediality in Qing Imperial Art and Culture, 13-15 May 2021</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">[Free Virtual Conference at SOAS] The Eventbrite registration link and the conference programme will be available soon next week! Keep eye on it. Contact <a href="mailto:intermediality2021@gmail.com" rel="nofollow">intermediality2021@gmail.com</a> if you would like to be put on the mailing list.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_46522431" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">[Free Virtual Conference at SOAS] The Eventbrite registration link and the conference programme will be available soon next week! Keep eye on it. Contact <a href="mailto:intermediality2021@gmail.com" rel="nofollow">intermediality2021@gmail.com</a> if you would like to be put on the mailing list.<br /><br />Register via: <a href="https://www.eventbrite.co.uk/e/imitation-or-appropriation-intermediality-in-qing-imperial-art-and-culture-tickets-150024442145?internal_ref=login" rel="nofollow">https://www.eventbrite.co.uk/e/imitation-or-appropriation-intermediality-in-qing-imperial-art-and-culture-tickets-150024442145?internal_ref=login</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/46522431" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a9f3f471dafed6b58ccccec0c876c8dc" rel="nofollow" data-download="{"attachment_id":66230324,"asset_id":46522431,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66230324/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="69563139" href="https://utoronto.academia.edu/ChihEnChen%E9%99%B3%E4%B9%8B%E6%81%A9T%C3%A2nTsiun">Chih-En Chen 陳之恩 (Tân Tsi-un)</a><script data-card-contents-for-user="69563139" type="text/json">{"id":69563139,"first_name":"Chih-En","last_name":"Chen 陳之恩 (Tân Tsi-un)","domain_name":"utoronto","page_name":"ChihEnChen陳之恩TânTsiun","display_name":"Chih-En Chen 陳之恩 (Tân Tsi-un)","profile_url":"https://utoronto.academia.edu/ChihEnChen%E9%99%B3%E4%B9%8B%E6%81%A9T%C3%A2nTsiun?f_ri=8228","photo":"https://0.academia-photos.com/69563139/37367904/39700980/s65_chih-en.chen_t_n_tsi-un_.jpg"}</script></span></span></li><li class="js-paper-rank-work_46522431 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="46522431"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 46522431, container: ".js-paper-rank-work_46522431", }); 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$(".js-view-count[data-work-id=46522431]").text(description); $(".js-view-count-work_46522431").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_46522431").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="46522431"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8223" href="https://www.academia.edu/Documents/in/East_Asian_Studies">East Asian Studies</a>, <script data-card-contents-for-ri="8223" type="text/json">{"id":8223,"name":"East Asian Studies","url":"https://www.academia.edu/Documents/in/East_Asian_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17471" href="https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_">Qing Dynasty (Ch'ing Dynasty)</a>, <script data-card-contents-for-ri="17471" type="text/json">{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="348188" href="https://www.academia.edu/Documents/in/Asian_Art">Asian Art</a><script data-card-contents-for-ri="348188" type="text/json">{"id":348188,"name":"Asian Art","url":"https://www.academia.edu/Documents/in/Asian_Art?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=46522431]'), work: {"id":46522431,"title":"Imitation or Appropriation: Intermediality in Qing Imperial Art and Culture, 13-15 May 2021","created_at":"2021-04-10T13:30:18.389-07:00","url":"https://www.academia.edu/46522431/Imitation_or_Appropriation_Intermediality_in_Qing_Imperial_Art_and_Culture_13_15_May_2021?f_ri=8228","dom_id":"work_46522431","summary":"[Free Virtual Conference at SOAS] The Eventbrite registration link and the conference programme will be available soon next week! Keep eye on it. Contact intermediality2021@gmail.com if you would like to be put on the mailing list.\n\nRegister via: https://www.eventbrite.co.uk/e/imitation-or-appropriation-intermediality-in-qing-imperial-art-and-culture-tickets-150024442145?internal_ref=login","downloadable_attachments":[{"id":66230324,"asset_id":46522431,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":69563139,"first_name":"Chih-En","last_name":"Chen 陳之恩 (Tân Tsi-un)","domain_name":"utoronto","page_name":"ChihEnChen陳之恩TânTsiun","display_name":"Chih-En Chen 陳之恩 (Tân Tsi-un)","profile_url":"https://utoronto.academia.edu/ChihEnChen%E9%99%B3%E4%B9%8B%E6%81%A9T%C3%A2nTsiun?f_ri=8228","photo":"https://0.academia-photos.com/69563139/37367904/39700980/s65_chih-en.chen_t_n_tsi-un_.jpg"}],"research_interests":[{"id":8223,"name":"East Asian Studies","url":"https://www.academia.edu/Documents/in/East_Asian_Studies?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=8228","nofollow":false},{"id":348188,"name":"Asian Art","url":"https://www.academia.edu/Documents/in/Asian_Art?f_ri=8228","nofollow":false},{"id":356975,"name":"Chinese Ceramics","url":"https://www.academia.edu/Documents/in/Chinese_Ceramics?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40105306" data-work_id="40105306" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40105306/GAO_Ling_%E9%AB%98%E7%81%B5">GAO Ling, 高灵</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">These works of art by her are presented here to illustrate my research paper:<br />‘Soft Power: Chinese Women Artists & the Female Body’<br />软实力: 中国女艺术家和女身体</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40105306" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="68647240ae097dfe12640fcbb1d51801" rel="nofollow" data-download="{"attachment_id":60316523,"asset_id":40105306,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen 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Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}</script></span></span></li><li class="js-paper-rank-work_40105306 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40105306"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40105306, container: ".js-paper-rank-work_40105306", }); });</script></li><li class="js-percentile-work_40105306 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40105306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = 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style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40105306"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12108" href="https://www.academia.edu/Documents/in/China">China</a>, <script data-card-contents-for-ri="12108" type="text/json">{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16240" href="https://www.academia.edu/Documents/in/Chinese_Politics">Chinese Politics</a><script data-card-contents-for-ri="16240" type="text/json">{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40105306]'), work: {"id":40105306,"title":"GAO Ling, 高灵","created_at":"2019-08-17T04:09:47.674-07:00","url":"https://www.academia.edu/40105306/GAO_Ling_%E9%AB%98%E7%81%B5?f_ri=8228","dom_id":"work_40105306","summary":"These works of art by her are presented here to illustrate my research paper:\n‘Soft Power: Chinese Women Artists \u0026 the Female Body’\n软实力: 中国女艺术家和女身体\n","downloadable_attachments":[{"id":60316523,"asset_id":40105306,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":676452,"first_name":"Roy","last_name":"Forward","domain_name":"anu-au","page_name":"RoyForward","display_name":"Roy Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false},{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19003420" data-work_id="19003420" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19003420/Fantastic_Mountains_Chinese_Landscape_Painting_from_the_Shanghai_Museum">Fantastic Mountains: Chinese Landscape Painting from the Shanghai Museum</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19003420" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a672a1ae964e888d2b98136110ea91ef" rel="nofollow" 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$(".js-view-count-work_19003420").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19003420"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1020" href="https://www.academia.edu/Documents/in/Chinese_Philosophy">Chinese Philosophy</a>, <script data-card-contents-for-ri="1020" type="text/json">{"id":1020,"name":"Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Chinese_Philosophy?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2190" href="https://www.academia.edu/Documents/in/Chinese_Studies">Chinese Studies</a>, <script data-card-contents-for-ri="2190" type="text/json">{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2837" href="https://www.academia.edu/Documents/in/Chinese_Religions">Chinese Religions</a>, <script data-card-contents-for-ri="2837" type="text/json">{"id":2837,"name":"Chinese Religions","url":"https://www.academia.edu/Documents/in/Chinese_Religions?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5081" href="https://www.academia.edu/Documents/in/Painting">Painting</a><script data-card-contents-for-ri="5081" type="text/json">{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19003420]'), work: {"id":19003420,"title":"Fantastic Mountains: Chinese Landscape Painting from the Shanghai 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painting","url":"https://www.academia.edu/Documents/in/Chinese_painting?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40386639" data-work_id="40386639" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40386639/DEDRON">DEDRON</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">These works of art by her are presented here to illustrate my research paper:<br />‘Soft Power: Chinese Women Artists & the Female Body’<br />软实力: 中国女艺术家和女身体</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" 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InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="676452" href="https://anu-au.academia.edu/RoyForward">Roy Forward</a><script data-card-contents-for-user="676452" type="text/json">{"id":676452,"first_name":"Roy","last_name":"Forward","domain_name":"anu-au","page_name":"RoyForward","display_name":"Roy Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}</script></span></span></li><li class="js-paper-rank-work_40386639 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40386639"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40386639, container: 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40386639]").text(description); $(".js-view-count-work_40386639").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40386639").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40386639"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8228" href="https://www.academia.edu/Documents/in/Chinese_Art">Chinese Art</a>, <script data-card-contents-for-ri="8228" type="text/json">{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12108" href="https://www.academia.edu/Documents/in/China">China</a>, <script data-card-contents-for-ri="12108" type="text/json">{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16240" href="https://www.academia.edu/Documents/in/Chinese_Politics">Chinese Politics</a><script data-card-contents-for-ri="16240" type="text/json">{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40386639]'), work: {"id":40386639,"title":"DEDRON","created_at":"2019-09-18T14:11:11.882-07:00","url":"https://www.academia.edu/40386639/DEDRON?f_ri=8228","dom_id":"work_40386639","summary":"These works of art by her are presented here to illustrate my research paper:\n‘Soft Power: Chinese Women Artists \u0026 the Female Body’\n软实力: 中国女艺术家和女身体\n","downloadable_attachments":[{"id":60637331,"asset_id":40386639,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":676452,"first_name":"Roy","last_name":"Forward","domain_name":"anu-au","page_name":"RoyForward","display_name":"Roy Forward","profile_url":"https://anu-au.academia.edu/RoyForward?f_ri=8228","photo":"https://0.academia-photos.com/676452/235313/3613992/s65_roy.forward.jpg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=8228","nofollow":false},{"id":16240,"name":"Chinese Politics","url":"https://www.academia.edu/Documents/in/Chinese_Politics?f_ri=8228","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45160654" data-work_id="45160654" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45160654/PATCHES_OF_CLOUDS_Wu_Bins_Ten_Views_of_a_Lingbi_Rock_%E7%89%87%E9%9B%B2_%E5%90%B3%E5%BD%AC%E7%9A%84%E5%8D%81%E9%9D%A2%E9%9D%88%E5%A3%81_">PATCHES OF CLOUDS: Wu Bin's Ten Views of a Lingbi Rock 《片雲:吳彬的十面靈壁》</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Publisher, SYLPH EDITIONS, 2020. ISBN, 1909631361<br /><br />《片雲》的翻譯工作由徐曉雯和陳之恩共同完成。徐曉雯為英屬哥倫比亞大學（UBC）漢語應用語言學的助理教授，主要教授中國語言文學與中英翻譯相關課程，有多部譯作。陳之恩是倫敦大學亞非學院（SOAS）的藝術史與考古系博士候選人。  </div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45160654" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e1474c05a89a8b6199b7aeda68d51c20" rel="nofollow" data-download="{"attachment_id":65738181,"asset_id":45160654,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65738181/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="69563139" href="https://utoronto.academia.edu/ChihEnChen%E9%99%B3%E4%B9%8B%E6%81%A9T%C3%A2nTsiun">Chih-En Chen 陳之恩 (Tân Tsi-un)</a><script data-card-contents-for-user="69563139" type="text/json">{"id":69563139,"first_name":"Chih-En","last_name":"Chen 陳之恩 (Tân Tsi-un)","domain_name":"utoronto","page_name":"ChihEnChen陳之恩TânTsiun","display_name":"Chih-En Chen 陳之恩 (Tân Tsi-un)","profile_url":"https://utoronto.academia.edu/ChihEnChen%E9%99%B3%E4%B9%8B%E6%81%A9T%C3%A2nTsiun?f_ri=8228","photo":"https://0.academia-photos.com/69563139/37367904/39700980/s65_chih-en.chen_t_n_tsi-un_.jpg"}</script></span></span></li><li class="js-paper-rank-work_45160654 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45160654"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45160654, container: ".js-paper-rank-work_45160654", }); 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ISBN, 1909631361\n\n《片雲》的翻譯工作由徐曉雯和陳之恩共同完成。徐曉雯為英屬哥倫比亞大學（UBC）漢語應用語言學的助理教授，主要教授中國語言文學與中英翻譯相關課程，有多部譯作。陳之恩是倫敦大學亞非學院（SOAS）的藝術史與考古系博士候選人。 ","downloadable_attachments":[{"id":65738181,"asset_id":45160654,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":69563139,"first_name":"Chih-En","last_name":"Chen 陳之恩 (Tân Tsi-un)","domain_name":"utoronto","page_name":"ChihEnChen陳之恩TânTsiun","display_name":"Chih-En Chen 陳之恩 (Tân Tsi-un)","profile_url":"https://utoronto.academia.edu/ChihEnChen%E9%99%B3%E4%B9%8B%E6%81%A9T%C3%A2nTsiun?f_ri=8228","photo":"https://0.academia-photos.com/69563139/37367904/39700980/s65_chih-en.chen_t_n_tsi-un_.jpg"}],"research_interests":[{"id":8223,"name":"East Asian Studies","url":"https://www.academia.edu/Documents/in/East_Asian_Studies?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":12746,"name":"Ming Dynasty","url":"https://www.academia.edu/Documents/in/Ming_Dynasty?f_ri=8228","nofollow":false},{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=8228","nofollow":false},{"id":53571,"name":"Ming-Qing China; Modern Chinese literature and cinema; translation studies","url":"https://www.academia.edu/Documents/in/Ming-Qing_China_Modern_Chinese_literature_and_cinema_translation_studies?f_ri=8228"},{"id":285258,"name":"Ming-Qing History","url":"https://www.academia.edu/Documents/in/Ming-Qing_History?f_ri=8228"},{"id":348188,"name":"Asian Art","url":"https://www.academia.edu/Documents/in/Asian_Art?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44286274" data-work_id="44286274" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44286274/Intermediary_Moments_Framing_and_Scrolling_Devices_Across_Painting_Print_and_Film_in_Chinese_Visual_Narratives">Intermediary Moments: Framing and Scrolling Devices Across Painting, Print and Film in Chinese Visual Narratives</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Paper given at a conference, Bild. Erzählung. Kontext. Visuelle Narration in Kulturen und Gesellschaften der Alten Welt (Image. Narrative. Context. Visual Narration in Cultures and Societies of the Old World), held at Freiburg Institute... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44286274" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Paper given at a conference, Bild. Erzählung. Kontext. Visuelle Narration in Kulturen und Gesellschaften der Alten Welt (Image. Narrative. Context. Visual Narration in Cultures and Societies of the Old World), held at Freiburg Institute for Advanced Studies.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44286274" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1a19c29a4b6241c36b35a8be59da0267" rel="nofollow" data-download="{"attachment_id":64667198,"asset_id":44286274,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64667198/download_file?st=MTczMjQ1OTM3Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="233721" href="https://soas.academia.edu/ShaneMcCausland">Shane McCausland</a><script data-card-contents-for-user="233721" type="text/json">{"id":233721,"first_name":"Shane","last_name":"McCausland","domain_name":"soas","page_name":"ShaneMcCausland","display_name":"Shane McCausland","profile_url":"https://soas.academia.edu/ShaneMcCausland?f_ri=8228","photo":"https://0.academia-photos.com/233721/9795101/14477984/s65_shane.mccausland.jpg"}</script></span></span></li><li class="js-paper-rank-work_44286274 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44286274"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44286274, container: ".js-paper-rank-work_44286274", }); 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Erzählung. Kontext. Visuelle Narration in Kulturen und Gesellschaften der Alten Welt (Image. Narrative. Context. Visual Narration in Cultures and Societies of the Old World), held at Freiburg Institute for Advanced Studies.","downloadable_attachments":[{"id":64667198,"asset_id":44286274,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":233721,"first_name":"Shane","last_name":"McCausland","domain_name":"soas","page_name":"ShaneMcCausland","display_name":"Shane McCausland","profile_url":"https://soas.academia.edu/ShaneMcCausland?f_ri=8228","photo":"https://0.academia-photos.com/233721/9795101/14477984/s65_shane.mccausland.jpg"}],"research_interests":[{"id":366,"name":"Recursion Theory","url":"https://www.academia.edu/Documents/in/Recursion_Theory?f_ri=8228","nofollow":false},{"id":3934,"name":"Visual Narrative","url":"https://www.academia.edu/Documents/in/Visual_Narrative?f_ri=8228","nofollow":false},{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=8228","nofollow":false},{"id":23505,"name":"Visual Narratology","url":"https://www.academia.edu/Documents/in/Visual_Narratology?f_ri=8228","nofollow":false},{"id":34169,"name":"Narrative Art","url":"https://www.academia.edu/Documents/in/Narrative_Art?f_ri=8228"},{"id":113147,"name":"Visual Narratives, Scroll Painting Traditions, Visual Anthropology","url":"https://www.academia.edu/Documents/in/Visual_Narratives_Scroll_Painting_Traditions_Visual_Anthropology?f_ri=8228"},{"id":152778,"name":"Recursion","url":"https://www.academia.edu/Documents/in/Recursion?f_ri=8228"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=8228"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43837867" data-work_id="43837867" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest 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