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Roberta Wue | University of California, Irvine - Academia.edu
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</a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books-and-catalogues" data-toggle="tab" href="#booksandcatalogues" role="tab" title="Books and catalogues"><span>4</span> <span class="ds2-5-body-sm-bold">Books and catalogues</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Essays" data-toggle="tab" 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/32983552/Portraiture_and_Early_Studio_Photography_in_China_and_Japan"><img alt="Research paper thumbnail of Portraiture and Early Studio Photography in China and Japan" class="work-thumbnail" src="https://attachments.academia-assets.com/53104110/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/32983552/Portraiture_and_Early_Studio_Photography_in_China_and_Japan">Portraiture and Early Studio Photography in China and Japan</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://st-andrews.academia.edu/LukeGartlan">Luke Gartlan</a> 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Essays" id="Essays"><h3 class="profile--tab_heading_container">Essays by Roberta Wue</h3></div><div class="js-work-strip profile--work_container" data-work-id="33758047"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33758047/_China_in_the_World_On_Photography_Montages_and_the_Magic_Lantern_History_of_Photography_XLI_2_2017_171_187"><img alt="Research paper thumbnail of "China in the World: On Photography, Montages, and the Magic Lantern," History of Photography, XLI/2 (2017), 171-187" class="work-thumbnail" src="https://attachments.academia-assets.com/55471936/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33758047/_China_in_the_World_On_Photography_Montages_and_the_Magic_Lantern_History_of_Photography_XLI_2_2017_171_187">"China in the World: On Photography, Montages, and the Magic Lantern," History of Photography, XLI/2 (2017), 171-187</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="70448e5b3cecb582054cf97205469e50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55471936,"asset_id":33758047,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55471936/download_file?st=MTczMjQ2ODk1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33758047"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33758047"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33758047; 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Tsiang, eds., Body and Face in Chinese Visual Culture (Cambridge, MA: Harvard University Asia Center, 2005), 257-280</a></div><div class="wp-workCard_item"><span>HARVARD EAST ASIAN …</span><span>, Jan 1, 2005</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c6616eb52ee35d79693db600f8b875ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31001638,"asset_id":1428377,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31001638/download_file?st=MTczMjQ2ODk1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1428377"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1428377"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1428377; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1428377]").text(description); $(".js-view-count[data-work-id=1428377]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1428377; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1428377']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1428377, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c6616eb52ee35d79693db600f8b875ac" } } $('.js-work-strip[data-work-id=1428377]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1428377,"title":"\"Essentially Chinese: The Chinese Portrait Subject in Nineteenth-century Photography,\" in Wu Hung and Katherine R. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Ars Orientalis" id="Ars Orientalis"><h3 class="profile--tab_heading_container">Ars Orientalis by Roberta Wue</h3></div><div class="js-work-strip profile--work_container" data-work-id="40919810"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40919810/Imperial_Portrait_Photography_Across_Asia"><img alt="Research paper thumbnail of Imperial Portrait Photography Across Asia" class="work-thumbnail" src="https://attachments.academia-assets.com/61208513/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40919810/Imperial_Portrait_Photography_Across_Asia">Imperial Portrait Photography Across Asia</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://si.academia.edu/NancyMicklewright">Nancy Micklewright</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://sydney.academia.edu/MaryRoberts">Mary Roberts</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://nus.academia.edu/MaurizioPeleggi">Maurizio Peleggi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://leeds.academia.edu/MakiFukuoka">Maki Fukuoka</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uci.academia.edu/RobertaWue">Roberta Wue</a></span></div><div class="wp-workCard_item"><span>Ars Orientalis Volume 43</span><span>, 2013</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6641d73db1eda117090c146af886a837" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61208513,"asset_id":40919810,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61208513/download_file?st=MTczMjQ2ODk1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40919810"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40919810"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40919810; 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The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with \"traditional\" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness-its producers, subjects, viewers, and pictorial forms-and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. 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Tsiang, eds., Body and Face in Chinese Visual Culture (Cambridge, MA: Harvard University Asia Center, 2005), 257-280</a></div><div class="wp-workCard_item"><span>HARVARD EAST ASIAN …</span><span>, Jan 1, 2005</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c6616eb52ee35d79693db600f8b875ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31001638,"asset_id":1428377,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31001638/download_file?st=MTczMjQ2ODk1Niw4LjIyMi4yMDguMTQ2&st=MTczMjQ2ODk1Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1428377"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1428377"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1428377; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1428377]").text(description); $(".js-view-count[data-work-id=1428377]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1428377; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1428377']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1428377, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c6616eb52ee35d79693db600f8b875ac" } } $('.js-work-strip[data-work-id=1428377]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1428377,"title":"\"Essentially Chinese: The Chinese Portrait Subject in Nineteenth-century Photography,\" in Wu Hung and Katherine R. 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