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(DOC) Prostitution or Sex Work? Conflicting Depictions of the Sex Trade in Pantaleón y las visitadoras, Novel and Film | Maxim Dzero - Academia.edu
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"https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F7228078%2FProstitution_or_Sex_Work_Conflicting_Depictions_of_the_Sex_Trade_in_Pantale%25C3%25B3n_y_las_visitadoras_Novel_and_Film%3Fshow_translation%3Dtrue"; window.loswp.previewableAttachments = [{"id":33848725,"identifier":"Attachment_33848725","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":7228078,"created_at":"2014-06-01T22:24:56.510-07:00","from_world_paper_id":null,"updated_at":"2024-11-12T01:31:08.140-08:00","_data":{"grobid_abstract":"I examine the stigma of prostitution in Mario Vargas Llosa's novel Pantaleón y las visitadoras and its cinematic adaptation by Francisco Lombardi. The novel and the film recount the story of an army captain who must organize a prostitution service for soldiers and soon finds himself advocating prostitutes\" rights. He fails to convince society that prostitutes can be viewed as useful and legitimate employees. The novel explains that society's members marginalize prostitutes in order to feel normal, moral, and healthy. The novel undoes the dichotomies of worldly/spiritual and moral/lustful that define the stigma of prostitution. Its wives are naughty and its prostitutes are hardworking, plain-looking women for whom sex is just work, its highbrow priests and army generals secretly use prostitutes, and its pseudo-Christian preacher incites respectable matrons to human sacrifice. In contrast, the film returns to stereotypes: Its wives are modest, its men are moral, its prostitutes are silly and lustful fashion models. Moreover, the film explains the protagonist\"s advocacy of prostitutes\" rights by his love for one of the prostitutes, portraying both characters as fallen but redeemed by their love for each other. Thus, the novel\"s focus on the prostitution stigma vanishes in its cinematic adaptation.","grobid_abstract_attachment_id":"33848725"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Prostitution or Sex Work? Conflicting Depictions of the Sex Trade in Pantaleón y las visitadoras, Novel and Film","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [12569377]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":33848725,"attachmentType":"docx"}"><img alt="First page of “Prostitution or Sex Work? 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Conflicting Depictions of the Sex Trade in Pantaleón y las visitadoras, Novel and Film</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="12569377" href="https://kentstate.academia.edu/MaximDzero"><img alt="Profile image of Maxim Dzero" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/12569377/17362931/17461504/s65_maxim.dzero.jpg" />Maxim Dzero</a></div><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":33848725,"attachmentType":"docx","workUrl":"https://www.academia.edu/7228078/Prostitution_or_Sex_Work_Conflicting_Depictions_of_the_Sex_Trade_in_Pantale%C3%B3n_y_las_visitadoras_Novel_and_Film"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" 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href="https://www.academia.edu/106281500/A_Sinful_Reaction_to_Capitalist_Ethics_in_No_quiero_quedarme_sola_y_vac%C3%ADa_2006_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="36633055" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/36633055/The_Language_of_Pained_Bodies_History_Translation_and_Prostitution_in_Cristina_Rivera_Garzas_Nadie_me_ver%C3%A1_llorar_1999_">The Language of Pained Bodies: History, Translation, and Prostitution in Cristina Rivera Garza's Nadie me verá llorar (1999)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4227885" 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js-wsj-grid-card-view-pdf" href="https://www.academia.edu/36633055/The_Language_of_Pained_Bodies_History_Translation_and_Prostitution_in_Cristina_Rivera_Garzas_Nadie_me_ver%C3%A1_llorar_1999_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="105206619" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/105206619/Latin_American_Prototypes_of_Prostitutes_and_Wives_in_the_Miniseries_Amorteamo_Reinforced_Continuities_and_Rupture_Attempts">Latin American Prototypes of Prostitutes and Wives in the Miniseries "Amorteamo": Reinforced Continuities and Rupture Attempts</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5154259" href="https://chula.academia.edu/AndersonLopesdaSilva">Anderson Lopes da Silva</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revista del CESLA: International Latin American Studies Review, 2023</p><p class="ds-related-work--abstract ds2-5-body-sm">The article focuses on the Brazilian miniseries "Amorteamo" as its empirical object, discussing Latin American melodramatic prototypes of the prostitute and the wife. The main objective is to identify reinforced continuities and rupture attempts in the analyzed melodramatic images. The literature review and theoretical framework address studies on the representation of prostitutes and wives in television fiction, with a specific focus on the melodramatic prototypes discussed by Oroz and Cassano Iturri. The methodology adopts a multimethod perspective, examining descriptive and interpretive dimensions, as well as the visual and sound aspects of the analyzed scenes. The findings highlight the intrinsic contradictions of television melodrama, particularly evident in three characters: Dora, the prostitute (in her suicide as a reinforced continuity of moral punishment and the "deserved" fate in the world of prostitution), and Lena and Arlinda, the wives (in their symbolic attempts to break away from the traditional "happily ever after" theme that pervades their marital lives).</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Latin American Prototypes of Prostitutes and Wives in the Miniseries \"Amorteamo\": Reinforced Continuities and Rupture Attempts","attachmentId":104723888,"attachmentType":"pdf","work_url":"https://www.academia.edu/105206619/Latin_American_Prototypes_of_Prostitutes_and_Wives_in_the_Miniseries_Amorteamo_Reinforced_Continuities_and_Rupture_Attempts","alternativeTracking":true}"><span 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in Nieves García Benito's Por la vía de Tarifa</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3458108" href="https://ithaca.academia.edu/MariaDiFrancesco">Maria DiFrancesco</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Trafficking in Cultural Narratives, or Self and Other in Nieves García Benito's Por la vía de Tarifa","attachmentId":37754759,"attachmentType":"pdf","work_url":"https://www.academia.edu/12636238/Trafficking_in_Cultural_Narratives_or_Self_and_Other_in_Nieves_Garc%C3%ADa_Benitos_Por_la_v%C3%ADa_de_Tarifa","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/12636238/Trafficking_in_Cultural_Narratives_or_Self_and_Other_in_Nieves_Garc%C3%ADa_Benitos_Por_la_v%C3%ADa_de_Tarifa"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="432934" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/432934/Buscando_Para_Nuestros_Hijos_Utilizing_La_Llorona_for_Cultural_Critique">Buscando Para Nuestros Hijos: Utilizing La Llorona for Cultural Critique.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="323312" href="https://uoregon.academia.edu/BernadetteCalafell">Bernadette M Calafell</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2008</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Buscando Para Nuestros Hijos: Utilizing La Llorona for Cultural Critique.","attachmentId":58032698,"attachmentType":"pdf","work_url":"https://www.academia.edu/432934/Buscando_Para_Nuestros_Hijos_Utilizing_La_Llorona_for_Cultural_Critique","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/432934/Buscando_Para_Nuestros_Hijos_Utilizing_La_Llorona_for_Cultural_Critique"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="37986501" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37986501/2017_Intimacy_and_Distance_Domestic_Servants_in_Latin_American_Women_s_Cinema_La_mujer_sin_cabeza_The_Headless_Woman_Martel_2008_and_El_ni%C3%B1o_pez_The_Fish_Child_Puenzo_2009_published_in_Martin_and_Shaw_2017_">2017 - ‘Intimacy and Distance: Domestic Servants in Latin American Women’s Cinema: La mujer sin cabeza/The Headless Woman (Martel, 2008) and El niño pez/The Fish Child (Puenzo, 2009) published in Martin and Shaw (2017)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1130893" href="https://port.academia.edu/deborahshaw">deborah shaw</a></div><p class="ds-related-work--metadata ds2-5-body-xs"> Latin American Women Filmmakers: Production, Politics, Poetics, co-edited with Deborah Martin for the World Cinema Series at I.B.Tauris, 2017</p><p class="ds-related-work--abstract ds2-5-body-sm">There have been a number of Latin American feature films that have travelled through the transnational circuits of film exhibition and distribution with the relationship between mistresses, masters and servants at their centre. This focus allows cinephiles around the world a voyeuristic insight into the private spaces and fictional homes of far away protagonists (if viewed from foreign metropolises as the films often are). Both male and female Latin American directors are making films that comment on the power relations between the ruling and servant classes, and use this relationship to share their observations on wider social/national class paradigms. Nonetheless, this subject matter has been of particular interest to female directors, and it is significant that this has coincided with the rise in women filmmakers on the global stage, the focus of this collection. This relationship is central to Latin American social and class relations, and Shireen Ally draws attention to the discomforting presence of the maid for many feminists (2015: 40), as the liberation of one social group is often conditional on the subjugation of another. This is particularly pertinent in a region (Latin America and the Caribbean) 'with the largest proportion of domestic workers' in the world (Higman 2015: 33). Patricia White also draws attention to the rise in transnational</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"2017 - ‘Intimacy and Distance: Domestic Servants in Latin American Women’s Cinema: La mujer sin cabeza/The Headless Woman (Martel, 2008) and El niño pez/The Fish Child (Puenzo, 2009) published in Martin and Shaw (2017)","attachmentId":58004737,"attachmentType":"docx","work_url":"https://www.academia.edu/37986501/2017_Intimacy_and_Distance_Domestic_Servants_in_Latin_American_Women_s_Cinema_La_mujer_sin_cabeza_The_Headless_Woman_Martel_2008_and_El_ni%C3%B1o_pez_The_Fish_Child_Puenzo_2009_published_in_Martin_and_Shaw_2017_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37986501/2017_Intimacy_and_Distance_Domestic_Servants_in_Latin_American_Women_s_Cinema_La_mujer_sin_cabeza_The_Headless_Woman_Martel_2008_and_El_ni%C3%B1o_pez_The_Fish_Child_Puenzo_2009_published_in_Martin_and_Shaw_2017_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":33848725,"attachmentType":"docx","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":33848725,"attachmentType":"docx","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_33848725" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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