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class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Terri Carney" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/284070/89356938/78069447/s200_terri.carney.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Terri Carney</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://butler.academia.edu/">Butler University</a>, <a class="u-tcGrayDarker" href="https://butler.academia.edu/Departments/Modern_Languages_Literatures_Cultures1/Documents">Modern Languages, Literatures & Cultures</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow 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data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">6</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-author</p><p class="data">1</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/TerriCarney/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Dr. Terri Carney (she, her, hers)Professor of Spanish, Modern Languages, Literatures<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://une-au.academia.edu/Fran%C3%A7oisSoyer"><img class="profile-avatar u-positionAbsolute" alt="François Soyer" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/35238/11604/80911983/s200_fran_ois.soyer.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://une-au.academia.edu/Fran%C3%A7oisSoyer">François Soyer</a><p class="suggested-user-card__user-info__subheader 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100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Terri Carney</h3></div><div class="js-work-strip profile--work_container" data-work-id="98669580"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/98669580/La_Chica_Rara_the_Flaneuse_and_Nationalism_in_Cristina_Fern%C3%A1ndez_Cubas_La_flor_de_Espa%C3%B1a_and_Pedro_Almod%C3%B3vars_Mujeres_al_borde_de_un_ataque_de_nervios"><img alt="Research paper thumbnail of La Chica Rara, the Flaneuse, and Nationalism in Cristina Fernández Cubas' La flor de España and Pedro Almodóvar's Mujeres al borde de un ataque de nervios" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/98669580/La_Chica_Rara_the_Flaneuse_and_Nationalism_in_Cristina_Fern%C3%A1ndez_Cubas_La_flor_de_Espa%C3%B1a_and_Pedro_Almod%C3%B3vars_Mujeres_al_borde_de_un_ataque_de_nervios">La Chica Rara, the Flaneuse, and Nationalism in Cristina Fernández Cubas' La flor de España and Pedro Almodóvar's Mujeres al borde de un ataque de nervios</a></div><div class="wp-workCard_item"><span>Revisiting Centres and Peripheries in Iberian Studies: Culture, History and Socio-economic Change, 2019, ISBN 978-1-5275-3689-0, págs. 105-113</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Like its predecessor and companion volume New Journeys in Iberian Studies, this volume gathers fr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Like its predecessor and companion volume New Journeys in Iberian Studies, this volume gathers fresh and emerging research in a range of sub-fields of Iberian studies from an international range of established academics and early career researchers. The book provides rich evidence of the breadth and depth of new research being carried out in the dynamic field of Iberian studies at present. As the title suggests, a strong thread running through the collection is concerned with investigating the multiple spaces of tension between the centre and periphery that comprise the Iberian cultural system. Topically, the current situation in Catalonia naturally comes to the fore in a number of chapters and from a range of perspectives. However, in the revisiting of a range of cultural products and historical processes undertaken by the contributors, it can be seen that transoceanic postcolonial relations are not neglected and concerns with history, memory and fiction also weave their way through their work</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="98669580"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="98669580"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 98669580; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="80569323"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/80569323/From_Here_to_In_u3cem_u3eFinnerty_u3c_em_u3e_Tony_Soprano_and_the_American_Way"><img alt="Research paper thumbnail of From Here to In\u3cem\u3eFinnerty\u3c/em\u3e: Tony Soprano and the American Way" class="work-thumbnail" src="https://attachments.academia-assets.com/86907833/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80569323/From_Here_to_In_u3cem_u3eFinnerty_u3c_em_u3e_Tony_Soprano_and_the_American_Way">From Here to In\u3cem\u3eFinnerty\u3c/em\u3e: Tony Soprano and the American Way</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">As fellow critics have pointed out in a myriad of published studies on the series, The Sopranos c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">As fellow critics have pointed out in a myriad of published studies on the series, The Sopranos challenges the traditional gangster genre formula and brings the mob closer to all of us: Tony and his gang inhabit a recognizable world of Starbucks, suburbia, and SUVs. They discuss issues of the day, the same ones we discuss when we turn off the TV after the episode. In short, they inhabit a quotidian reality that is continuous with our own, and we are prevented from drawing the neat lines that allow us a comfortable remove from the horror of the “criminal world,” as David Simon’s book Tony Soprano’s America convincingly demonstrates. 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The book provides rich evidence of the breadth and depth of new research being carried out in the dynamic field of Iberian studies at present. As the title suggests, a strong thread running through the collection is concerned with investigating the multiple spaces of tension between the centre and periphery that comprise the Iberian cultural system. Topically, the current situation in Catalonia naturally comes to the fore in a number of chapters and from a range of perspectives. 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=80569321]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":80569321,"title":"Solving the Crimes of Patriarchy: Meta-Lucidity and Middle-Aged Women in Happy Valley \u0026 Broadchurch","internal_url":"https://www.academia.edu/80569321/Solving_the_Crimes_of_Patriarchy_Meta_Lucidity_and_Middle_Aged_Women_in_Happy_Valley_and_Broadchurch","owner_id":284070,"coauthors_can_edit":true,"owner":{"id":284070,"first_name":"Terri","middle_initials":null,"last_name":"Carney","page_name":"TerriCarney","domain_name":"butler","created_at":"2010-11-21T02:09:55.735-08:00","display_name":"Terri Carney","url":"https://butler.academia.edu/TerriCarney"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="80569320"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/80569320/Luis_Goytisolo_u27s_Teor%C3%ADa_del_Conocimiento_As_Postmodern_Autobiography"><img alt="Research paper thumbnail of Luis Goytisolo\u27s Teoría del Conocimiento As Postmodern Autobiography" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/80569320/Luis_Goytisolo_u27s_Teor%C3%ADa_del_Conocimiento_As_Postmodern_Autobiography">Luis Goytisolo\u27s Teoría del Conocimiento As Postmodern Autobiography</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Teoría del conocimiento es la última novela de la famosa tetralogía de Goytisolo, Antagonía. En e...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Teoría del conocimiento es la última novela de la famosa tetralogía de Goytisolo, Antagonía. En este estudio trato la obra como autobiografía postmoderna. Repleto de referencias autobiográficas a la vida de Goytisolo y estructurada como bildungsroman, queda como exploración de autoría, subjetividad, y la posibilidad de agencia en una realidad post-totalitaria y postmoderna. Goytisolo cuidadosamente crea la ilusión de una autobiografía convencional solo para luego socavar la premisa de un sujeto plenario y la transparencia del lenguaje, dejando a los lectores con una versión alternative del ser y autor, encarnado en el personaje peculiar de El Viejo</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569320"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569320"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569320; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=80569320]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":80569320,"title":"Luis Goytisolo\\u27s Teoría del Conocimiento As Postmodern Autobiography","internal_url":"https://www.academia.edu/80569320/Luis_Goytisolo_u27s_Teor%C3%ADa_del_Conocimiento_As_Postmodern_Autobiography","owner_id":284070,"coauthors_can_edit":true,"owner":{"id":284070,"first_name":"Terri","middle_initials":null,"last_name":"Carney","page_name":"TerriCarney","domain_name":"butler","created_at":"2010-11-21T02:09:55.735-08:00","display_name":"Terri Carney","url":"https://butler.academia.edu/TerriCarney"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="80569319"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/80569319/Good_Intentions_Aren_u27t_Enough_Intellectuals_and_Violence_in_Luis_Goytisolo_u27s_u3cem_u3eMzungo_u3c_em_u3e"><img alt="Research paper thumbnail of Good Intentions Aren\u27t Enough: Intellectuals and Violence in Luis Goytisolo\u27s \u3cem\u3eMzungo\u3c/em\u3e" class="work-thumbnail" src="https://attachments.academia-assets.com/86907832/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80569319/Good_Intentions_Aren_u27t_Enough_Intellectuals_and_Violence_in_Luis_Goytisolo_u27s_u3cem_u3eMzungo_u3c_em_u3e">Good Intentions Aren\u27t Enough: Intellectuals and Violence in Luis Goytisolo\u27s \u3cem\u3eMzungo\u3c/em\u3e</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the 1990s Luis Goytisolo explores the possibilities of popular fiction, adapting various genre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the 1990s Luis Goytisolo explores the possibilities of popular fiction, adapting various genres (travel, mystery, erotic, historical) to accomodate his long-term project of unpacking Western Values. Indeed, Goytisolo’s flirtation with the best-selling genre fiction constitutes a postmodern gesture of “complicitous critique.”For example, in Escalera hacia el cielo (1999) Goytisolo exploits the erotic genre to challenge the traditional paradigm of the dominant male gaze and the objectified female body and to offer instead expressions of mutuality. In Mzungo (1996), Goytisolo engages the travel novel to undermine the culturally dominant position of the white European male who “discovers” an unknown culture/geography and explains it in terms of his own, which parades as universal. However, as opposed to the hopeful theme of mutuality we see in Escalera hacia el cielo, Mzungo offers a much darker vision of humanity and our potential for peaceful coexistence</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a363ac312e0f8d9d70ccbd9dc99358a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86907832,"asset_id":80569319,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86907832/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569319"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569319"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569319; 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I will investigate this unusual novel as a postmodern allegory, relying on Brian McHale’s assertion that postmodern allegory challenges the “unequivocalness of traditional allegories” by problematizing the naive assumption that abstract concepts can be communicated transparently through language (1987, 141). Luis Goytisolo populates his allegory with mythical, and historical characters that hail from a dizzying array of time periods, creating a heterotopic universe in which no one context of references serves as the key to interpretation. Characters are lifted out of familiar situations, and readers are prevented from making automatic associations and must read these characters and contexts without recourse to one absolute paradigm</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="839389d17053f345e34b2687652dacd7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86907797,"asset_id":80569272,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86907797/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569272; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74652806"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74652806/Luis_Goytisolo_s_La_paradoja_del_ave_migratoria_as_Postmodern_Allegory_A_Critique_of_Absolutism"><img alt="Research paper thumbnail of Luis Goytisolo’s La paradoja del ave migratoria as Postmodern Allegory: A Critique of Absolutism" class="work-thumbnail" src="https://attachments.academia-assets.com/82728312/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74652806/Luis_Goytisolo_s_La_paradoja_del_ave_migratoria_as_Postmodern_Allegory_A_Critique_of_Absolutism">Luis Goytisolo’s La paradoja del ave migratoria as Postmodern Allegory: A Critique of Absolutism</a></div><div class="wp-workCard_item"><span>Romance Languages Annual</span><span>, 2000</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Luis Goytisolo's short work of fiction, La paradoja del ave migratoria, was published in 1987 in ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Luis Goytisolo's short work of fiction, La paradoja del ave migratoria, was published in 1987 in a Post-Franco Spain and a Postmodern world. I will investigate this unusual novel as a postmodern allegory, relying on Brian McHale's assertion that postmodern allegory challenges the "unequivocalness of traditional allegories" by problematizing the naive assumption that abstract concepts can be communicated transparently through language (1987, 141). Luis</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="58adb4698fb899400f2901c3fa1f3e95" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82728312,"asset_id":74652806,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82728312/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74652806"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74652806"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74652806; 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When the family and the department become powerful arbiters of cultural values, women and feminist academics by and large suffer: they either accept a diminished role or are pushed to compete in a system they recognize as antithetical to the foundational values of feminist priorities of social justice. Collaborative work to nurture diversity and interdisciplinarity does not register as individual accomplishment. This paper considers the necessity of this type of academic work to further the vision of a society committed to the collective values espoused by feminism and other areas in social justice. ! ! ! ! 1 See Nancy Frasier's (2013) recent article on the complicated and ambivalent entanglement of feminism with 1 neoliberalism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d084b79a92f639927a5fa1fb15b66022" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82728321,"asset_id":74652803,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82728321/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74652803"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74652803"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74652803; 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</script> <div class="js-work-strip profile--work_container" data-work-id="67301881"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67301881/Luis_Goytisolos_Teor%C3%ADa_del_conocimiento_as_Postmodern_Autobiography"><img alt="Research paper thumbnail of Luis Goytisolo's Teoría del conocimiento as Postmodern Autobiography" class="work-thumbnail" src="https://attachments.academia-assets.com/78169054/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67301881/Luis_Goytisolos_Teor%C3%ADa_del_conocimiento_as_Postmodern_Autobiography">Luis Goytisolo's Teoría del conocimiento as Postmodern Autobiography</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Teoria del conocimiento is the culminating novel in Goytisolo’s famous tetralogy Antagonia. In th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Teoria del conocimiento is the culminating novel in Goytisolo’s famous tetralogy Antagonia. In this study I read the novel as a postmodern autobiography. Replete with autobiographical references to Goytisolo’s life and structured as a bildungsroman, it is clearly an exploration of authorship, subjectivity, and the possibility of agency in a post-totalitarian, postmodern reality. Goytisolo carefully creates the illusion of conventional autobiography only to undermine the premise of a plenary subject and the transparency of language, leaving readers with an alternative version of self and authorship, embodied in the quirky character of the Old Man. 1 La Dra. Terri Carney es Jefa del Departamento de Idiomas, Literaturas & Culturas Modernas en la Universidad de Butler, en Indianapolis, Indiana, donde ensena y escribe sobre una variedad de topicos que incluyen literatura espanola, mujeres en la academia, el servicio aprendizaje, y la cultura popular. 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The book provides rich evidence of the breadth and depth of new research being carried out in the dynamic field of Iberian studies at present. As the title suggests, a strong thread running through the collection is concerned with investigating the multiple spaces of tension between the centre and periphery that comprise the Iberian cultural system. Topically, the current situation in Catalonia naturally comes to the fore in a number of chapters and from a range of perspectives. However, in the revisiting of a range of cultural products and historical processes undertaken by the contributors, it can be seen that transoceanic postcolonial relations are not neglected and concerns with history, memory and fiction also weave their way through their work</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="98669580"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="98669580"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 98669580; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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They discuss issues of the day, the same ones we discuss when we turn off the TV after the episode. In short, they inhabit a quotidian reality that is continuous with our own, and we are prevented from drawing the neat lines that allow us a comfortable remove from the horror of the “criminal world,” as David Simon’s book Tony Soprano’s America convincingly demonstrates. Indeed, the series is an allegory that shows how the workings of the Italian American Mafia are not so different from the latest incarnation of the American way crystallized in the contemporary, corporate, middle-class consumer culture of the baby boomers, or what David Brooks has deemed “bobo culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4e2b87a04901a6041a151a16c8c349ff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86907833,"asset_id":80569323,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86907833/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569323"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569323"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569323; 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The book provides rich evidence of the breadth and depth of new research being carried out in the dynamic field of Iberian studies at present. As the title suggests, a strong thread running through the collection is concerned with investigating the multiple spaces of tension between the centre and periphery that comprise the Iberian cultural system. Topically, the current situation in Catalonia naturally comes to the fore in a number of chapters and from a range of perspectives. 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En e...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Teoría del conocimiento es la última novela de la famosa tetralogía de Goytisolo, Antagonía. En este estudio trato la obra como autobiografía postmoderna. Repleto de referencias autobiográficas a la vida de Goytisolo y estructurada como bildungsroman, queda como exploración de autoría, subjetividad, y la posibilidad de agencia en una realidad post-totalitaria y postmoderna. Goytisolo cuidadosamente crea la ilusión de una autobiografía convencional solo para luego socavar la premisa de un sujeto plenario y la transparencia del lenguaje, dejando a los lectores con una versión alternative del ser y autor, encarnado en el personaje peculiar de El Viejo</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569320"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569320"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569320; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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Indeed, Goytisolo’s flirtation with the best-selling genre fiction constitutes a postmodern gesture of “complicitous critique.”For example, in Escalera hacia el cielo (1999) Goytisolo exploits the erotic genre to challenge the traditional paradigm of the dominant male gaze and the objectified female body and to offer instead expressions of mutuality. In Mzungo (1996), Goytisolo engages the travel novel to undermine the culturally dominant position of the white European male who “discovers” an unknown culture/geography and explains it in terms of his own, which parades as universal. However, as opposed to the hopeful theme of mutuality we see in Escalera hacia el cielo, Mzungo offers a much darker vision of humanity and our potential for peaceful coexistence</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a363ac312e0f8d9d70ccbd9dc99358a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86907832,"asset_id":80569319,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86907832/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569319"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569319"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569319; 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I will investigate this unusual novel as a postmodern allegory, relying on Brian McHale’s assertion that postmodern allegory challenges the “unequivocalness of traditional allegories” by problematizing the naive assumption that abstract concepts can be communicated transparently through language (1987, 141). Luis Goytisolo populates his allegory with mythical, and historical characters that hail from a dizzying array of time periods, creating a heterotopic universe in which no one context of references serves as the key to interpretation. Characters are lifted out of familiar situations, and readers are prevented from making automatic associations and must read these characters and contexts without recourse to one absolute paradigm</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="839389d17053f345e34b2687652dacd7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86907797,"asset_id":80569272,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86907797/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80569272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80569272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80569272; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74652806"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74652806/Luis_Goytisolo_s_La_paradoja_del_ave_migratoria_as_Postmodern_Allegory_A_Critique_of_Absolutism"><img alt="Research paper thumbnail of Luis Goytisolo’s La paradoja del ave migratoria as Postmodern Allegory: A Critique of Absolutism" class="work-thumbnail" src="https://attachments.academia-assets.com/82728312/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74652806/Luis_Goytisolo_s_La_paradoja_del_ave_migratoria_as_Postmodern_Allegory_A_Critique_of_Absolutism">Luis Goytisolo’s La paradoja del ave migratoria as Postmodern Allegory: A Critique of Absolutism</a></div><div class="wp-workCard_item"><span>Romance Languages Annual</span><span>, 2000</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Luis Goytisolo's short work of fiction, La paradoja del ave migratoria, was published in 1987 in ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Luis Goytisolo's short work of fiction, La paradoja del ave migratoria, was published in 1987 in a Post-Franco Spain and a Postmodern world. I will investigate this unusual novel as a postmodern allegory, relying on Brian McHale's assertion that postmodern allegory challenges the "unequivocalness of traditional allegories" by problematizing the naive assumption that abstract concepts can be communicated transparently through language (1987, 141). Luis</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="58adb4698fb899400f2901c3fa1f3e95" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82728312,"asset_id":74652806,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82728312/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74652806"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74652806"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74652806; 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74652804]").text(description); $(".js-view-count[data-work-id=74652804]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74652804; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74652804']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=74652804]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74652804,"title":"El intelectual satirizado en dos novelas de Luis Goytisolo","internal_url":"https://www.academia.edu/74652804/El_intelectual_satirizado_en_dos_novelas_de_Luis_Goytisolo","owner_id":284070,"coauthors_can_edit":true,"owner":{"id":284070,"first_name":"Terri","middle_initials":null,"last_name":"Carney","page_name":"TerriCarney","domain_name":"butler","created_at":"2010-11-21T02:09:55.735-08:00","display_name":"Terri Carney","url":"https://butler.academia.edu/TerriCarney"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74652803"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74652803/Diversity_in_times_of_austerity_documenting_resistance_in_the_academy"><img alt="Research paper thumbnail of Diversity in times of austerity: documenting resistance in the academy" class="work-thumbnail" src="https://attachments.academia-assets.com/82728321/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74652803/Diversity_in_times_of_austerity_documenting_resistance_in_the_academy">Diversity in times of austerity: documenting resistance in the academy</a></div><div class="wp-workCard_item"><span>Journal of Gender Studies</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">What happens to feminism in the university is parallel to what happens to feminism in other venue...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">What happens to feminism in the university is parallel to what happens to feminism in other venues under economic restructuring: while the impoverished nation is forced to cut social services and thereby send women back to the hierarchy of the family, the academy likewise reduces its footprint in interdisciplinary structures and contains academic feminists back to the hierarchy of departments and disciplines. When the family and the department become powerful arbiters of cultural values, women and feminist academics by and large suffer: they either accept a diminished role or are pushed to compete in a system they recognize as antithetical to the foundational values of feminist priorities of social justice. Collaborative work to nurture diversity and interdisciplinarity does not register as individual accomplishment. This paper considers the necessity of this type of academic work to further the vision of a society committed to the collective values espoused by feminism and other areas in social justice. ! ! ! ! 1 See Nancy Frasier's (2013) recent article on the complicated and ambivalent entanglement of feminism with 1 neoliberalism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d084b79a92f639927a5fa1fb15b66022" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82728321,"asset_id":74652803,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82728321/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74652803"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74652803"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74652803; 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</script> <div class="js-work-strip profile--work_container" data-work-id="67301881"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67301881/Luis_Goytisolos_Teor%C3%ADa_del_conocimiento_as_Postmodern_Autobiography"><img alt="Research paper thumbnail of Luis Goytisolo's Teoría del conocimiento as Postmodern Autobiography" class="work-thumbnail" src="https://attachments.academia-assets.com/78169054/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67301881/Luis_Goytisolos_Teor%C3%ADa_del_conocimiento_as_Postmodern_Autobiography">Luis Goytisolo's Teoría del conocimiento as Postmodern Autobiography</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Teoria del conocimiento is the culminating novel in Goytisolo’s famous tetralogy Antagonia. In th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Teoria del conocimiento is the culminating novel in Goytisolo’s famous tetralogy Antagonia. In this study I read the novel as a postmodern autobiography. Replete with autobiographical references to Goytisolo’s life and structured as a bildungsroman, it is clearly an exploration of authorship, subjectivity, and the possibility of agency in a post-totalitarian, postmodern reality. Goytisolo carefully creates the illusion of conventional autobiography only to undermine the premise of a plenary subject and the transparency of language, leaving readers with an alternative version of self and authorship, embodied in the quirky character of the Old Man. 1 La Dra. Terri Carney es Jefa del Departamento de Idiomas, Literaturas & Culturas Modernas en la Universidad de Butler, en Indianapolis, Indiana, donde ensena y escribe sobre una variedad de topicos que incluyen literatura espanola, mujeres en la academia, el servicio aprendizaje, y la cultura popular. Ha publicado articulos academicos sob...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="64c65ec7d91951c604e234130cf9d9b1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78169054,"asset_id":67301881,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78169054/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67301881"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67301881"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67301881; 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