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mw-portlet mw-portlet-cactions emptyPortlet vector-has-collapsible-items" title="More options" > <div class="vector-menu-heading"> Actions </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-more-view" class="selected vector-more-collapsible-item mw-list-item"><a href="/wiki/Portal:Record_production"><span>Read</span></a></li><li id="ca-more-edit" class="vector-more-collapsible-item mw-list-item"><a href="/w/index.php?title=Portal:Record_production&action=edit" title="Edit this page [e]" accesskey="e"><span>Edit</span></a></li><li id="ca-more-history" class="vector-more-collapsible-item mw-list-item"><a href="/w/index.php?title=Portal:Record_production&action=history"><span>View history</span></a></li> </ul> </div> </div> <div id="p-tb" class="vector-menu mw-portlet mw-portlet-tb" > <div class="vector-menu-heading"> General </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="t-whatlinkshere" class="mw-list-item"><a href="/wiki/Special:WhatLinksHere/Portal:Record_production" title="List of all English Wikipedia pages containing links to this page [j]" accesskey="j"><span>What links here</span></a></li><li id="t-recentchangeslinked" class="mw-list-item"><a href="/wiki/Special:RecentChangesLinked/Portal:Record_production" rel="nofollow" title="Recent changes in pages linked from this page [k]" accesskey="k"><span>Related changes</span></a></li><li id="t-upload" class="mw-list-item"><a href="//en.wikipedia.org/wiki/Wikipedia:File_Upload_Wizard" title="Upload files [u]" accesskey="u"><span>Upload file</span></a></li><li id="t-permalink" class="mw-list-item"><a href="/w/index.php?title=Portal:Record_production&oldid=1232448669" title="Permanent link to this revision of this page"><span>Permanent link</span></a></li><li id="t-info" class="mw-list-item"><a href="/w/index.php?title=Portal:Record_production&action=info" title="More information about this page"><span>Page information</span></a></li><li id="t-urlshortener" class="mw-list-item"><a href="/w/index.php?title=Special:UrlShortener&url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FPortal%3ARecord_production"><span>Get shortened URL</span></a></li><li id="t-urlshortener-qrcode" class="mw-list-item"><a href="/w/index.php?title=Special:QrCode&url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FPortal%3ARecord_production"><span>Download QR code</span></a></li> </ul> </div> </div> <div id="p-coll-print_export" class="vector-menu mw-portlet mw-portlet-coll-print_export" > <div class="vector-menu-heading"> Print/export </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="coll-download-as-rl" class="mw-list-item"><a href="/w/index.php?title=Special:DownloadAsPdf&page=Portal%3ARecord_production&action=show-download-screen" title="Download this page as a PDF file"><span>Download as PDF</span></a></li><li id="t-print" class="mw-list-item"><a href="/w/index.php?title=Portal:Record_production&printable=yes" title="Printable version of this page [p]" accesskey="p"><span>Printable version</span></a></li> </ul> </div> </div> <div id="p-wikibase-otherprojects" class="vector-menu mw-portlet mw-portlet-wikibase-otherprojects emptyPortlet" > <div class="vector-menu-heading"> In other projects </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> </ul> </div> </div> </div> </div> </div> </div> </nav> </div> </div> </div> <div class="vector-column-end"> <div class="vector-sticky-pinned-container"> <nav class="vector-page-tools-landmark" aria-label="Page tools"> <div id="vector-page-tools-pinned-container" class="vector-pinned-container"> </div> </nav> <nav class="vector-appearance-landmark" aria-label="Appearance"> <div id="vector-appearance-pinned-container" class="vector-pinned-container"> <div id="vector-appearance" class="vector-appearance vector-pinnable-element"> <div class="vector-pinnable-header vector-appearance-pinnable-header vector-pinnable-header-pinned" data-feature-name="appearance-pinned" data-pinnable-element-id="vector-appearance" data-pinned-container-id="vector-appearance-pinned-container" data-unpinned-container-id="vector-appearance-unpinned-container" > <div class="vector-pinnable-header-label">Appearance</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-appearance.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Wikipedia portal for content related to record production</div> <div class="portal-maintenance-status" style="display:none;"> <style data-mw-deduplicate="TemplateStyles:r1238436933">.mw-parser-output .ombox{margin:4px 0;border-collapse:collapse;border:1px solid #a2a9b1;background-color:var(--background-color-neutral-subtle,#f8f9fa);box-sizing:border-box;color:var(--color-base,#202122)}.mw-parser-output .ombox.mbox-small{font-size:88%;line-height:1.25em}.mw-parser-output .ombox-speedy{border:2px solid #b32424;background-color:#fee7e6}.mw-parser-output .ombox-delete{border:2px solid #b32424}.mw-parser-output .ombox-content{border:1px solid #f28500}.mw-parser-output .ombox-style{border:1px solid #fc3}.mw-parser-output .ombox-move{border:1px solid #9932cc}.mw-parser-output .ombox-protection{border:2px solid #a2a9b1}.mw-parser-output .ombox .mbox-text{border:none;padding:0.25em 0.9em;width:100%}.mw-parser-output .ombox .mbox-image{border:none;padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .ombox .mbox-imageright{border:none;padding:2px 0.9em 2px 0;text-align:center}.mw-parser-output .ombox .mbox-empty-cell{border:none;padding:0;width:1px}.mw-parser-output .ombox .mbox-invalid-type{text-align:center}@media(min-width:720px){.mw-parser-output .ombox{margin:4px 10%}.mw-parser-output .ombox.mbox-small{clear:right;float:right;margin:4px 0 4px 1em;width:238px}}body.skin--responsive .mw-parser-output table.ombox img{max-width:none!important}@media screen{html.skin-theme-clientpref-night .mw-parser-output .ombox-speedy{background-color:#310402}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .ombox-speedy{background-color:#310402}}</style><table class="plainlinks ombox ombox-notice" role="presentation"><tbody><tr><td class="mbox-image"><span typeof="mw:File"><a href="/wiki/File:Darkgreen_flag_waving.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Darkgreen_flag_waving.svg/30px-Darkgreen_flag_waving.svg.png" decoding="async" width="30" height="32" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Darkgreen_flag_waving.svg/45px-Darkgreen_flag_waving.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Darkgreen_flag_waving.svg/60px-Darkgreen_flag_waving.svg.png 2x" data-file-width="249" data-file-height="268" /></a></span></td><td class="mbox-text"><span style="font-size:108%;"><b>Portal maintenance status:</b></span> <small>(November 2018)</small> <ul><li>This portal is <b>manually <a href="/wiki/Wikipedia:WikiProject_Portals#Specific_portal_maintainers" title="Wikipedia:WikiProject Portals">maintained</a></b> by <a href="/wiki/User:John_Cline" class="mw-redirect" title="User:John Cline">John Cline</a>. Please contact these user(s) when you plan to make significant changes.</li> <li>This portal has a <b>non-standard layout</b>.</li> <li>This portal's <a href="/wiki/Special:PrefixIndex/Portal:Record_production/" title="Special:PrefixIndex/Portal:Record production/">subpages</a> <b>have been checked</b> by an editor, and are needed.</li></ul> <span style="font-size:90%;">Please <a href="/wiki/Wikipedia:CAREFUL" class="mw-redirect" title="Wikipedia:CAREFUL">take care</a> when editing, especially if using <a href="/wiki/Wikipedia:ASSISTED" class="mw-redirect" title="Wikipedia:ASSISTED">automated editing software</a>, and seek <a href="/wiki/Wikipedia:Consensus" title="Wikipedia:Consensus">consensus</a> before making major changes. Learn how to <a href="/wiki/Template:Portal_maintenance_status#How_to_update_the_maintenance_information_for_a_portal" title="Template:Portal maintenance status">update the maintenance information here</a>.</span></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r888483065">.mw-parser-output .portal-column-left{float:left;width:50%}.mw-parser-output .portal-column-right{float:right;width:49%}.mw-parser-output .portal-column-left-wide{float:left;width:60%}.mw-parser-output .portal-column-right-narrow{float:right;width:39%}.mw-parser-output .portal-column-left-extra-wide{float:left;width:70%}.mw-parser-output .portal-column-right-extra-narrow{float:right;width:29%}@media only screen and (max-width:800px){.mw-parser-output .portal-column-left,.mw-parser-output .portal-column-right,.mw-parser-output .portal-column-left-wide,.mw-parser-output .portal-column-right-narrow,.mw-parser-output .portal-column-left-extra-wide,.mw-parser-output .portal-column-right-extra-narrow{float:inherit;width:inherit}}</style> <div style="font-size:85%;"><span class="anchor" id="portals-browsebar"></span><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist noprint" style="text-align: center"> <dl><dt><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portal topics</a></dt> <dd><a href="/wiki/Wikipedia:Contents/Portals#Human_activities" title="Wikipedia:Contents/Portals">Activities</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Culture_and_the_arts" title="Wikipedia:Contents/Portals">Culture</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Geography_and_places" title="Wikipedia:Contents/Portals">Geography</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Health_and_fitness" title="Wikipedia:Contents/Portals">Health</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#History_and_events" title="Wikipedia:Contents/Portals">History</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Mathematics_and_logic" title="Wikipedia:Contents/Portals">Mathematics</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Natural_and_physical_sciences" title="Wikipedia:Contents/Portals">Nature</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#People_and_self" title="Wikipedia:Contents/Portals">People</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Philosophy_and_thinking" title="Wikipedia:Contents/Portals">Philosophy</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Religion_and_belief_systems" title="Wikipedia:Contents/Portals">Religion</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Society_and_social_sciences" title="Wikipedia:Contents/Portals">Society</a></dd> <dd><a href="/wiki/Wikipedia:Contents/Portals#Technology_and_applied_sciences" title="Wikipedia:Contents/Portals">Technology</a></dd> <dd><a href="/wiki/Special:RandomInCategory/All_portals" title="Special:RandomInCategory/All portals">Random portal</a></dd></dl> </div></div> <div style="clear:both; width:100%"> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="The_Record_Production_Portal" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em"><big>The Record Production Portal</big></h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <figure class="mw-halign-right" typeof="mw:File"><a href="/wiki/File:RogStudioLongshot.jpg" class="mw-file-description" title="Noted audio engineer Roger Nichols at a vintage Neve recording console"><img alt="Noted audio engineer Roger Nichols at a vintage Neve recording console" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/RogStudioLongshot.jpg/200px-RogStudioLongshot.jpg" decoding="async" width="200" height="133" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/RogStudioLongshot.jpg/300px-RogStudioLongshot.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/RogStudioLongshot.jpg/400px-RogStudioLongshot.jpg 2x" data-file-width="604" data-file-height="402" /></a><figcaption>Noted audio engineer Roger Nichols at a vintage Neve recording console</figcaption></figure> <figure class="mw-halign-left" typeof="mw:File"><a href="/wiki/File:Treble_a.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/57/Treble_a.svg/80px-Treble_a.svg.png" decoding="async" width="80" height="49" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/57/Treble_a.svg/120px-Treble_a.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/57/Treble_a.svg/160px-Treble_a.svg.png 2x" data-file-width="78" data-file-height="48" /></a><figcaption></figcaption></figure> <style data-mw-deduplicate="TemplateStyles:r1252059228">.mw-parser-output .module-shortcutboxplain{float:right;margin:0 0 0 1em;border:1px solid var(--border-color-base,#a2a9b1);background-color:var(--background-color-base,#fff);padding:0.3em 0.6em 0.2em 0.6em;text-align:center;font-size:85%}.mw-parser-output .module-shortcutboxleft{float:left;margin:0 1em 0 0}.mw-parser-output .module-shortcutlist{display:inline-block;border-bottom:1px solid var(--border-color-base,#a2a9b1);margin-bottom:0.2em}.mw-parser-output .module-shortcutboxplain ul{font-weight:bold}.mw-parser-output .module-shortcutanchordiv{position:relative;top:-3em}.mw-parser-output li .module-shortcutanchordiv{float:right}.mw-parser-output .mbox-imageright .module-shortcutboxplain{padding:0.4em 1em 0.4em 1em;line-height:1.3;margin:0}</style><div class="module-shortcutanchordiv"><span id="P:RECORD"></span></div><div class="module-shortcutboxplain noprint" role="note"><div class="module-shortcutlist"><a href="/wiki/Wikipedia:Shortcut" title="Wikipedia:Shortcut">Shortcut</a></div><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><span class="plainlinks"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=P:RECORD&redirect=no">P:RECORD</a></span></li></ul></div></div> <p>This portal is focused on <a href="/wiki/Music_production" class="mw-redirect" title="Music production">music production</a> within the era of written records through <a href="/wiki/Sound_recording" class="mw-redirect" title="Sound recording">sound recordings</a>, <a href="/wiki/Music_download" title="Music download">digital downloads</a>, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the <i>production element</i>. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The <a href="/wiki/Record_producer" title="Record producer">record producer</a> conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. <b>(<a href="/wiki/Record_producer" title="Record producer">Read more</a>)</b> </p><p>The <a href="/wiki/Music_industry" title="Music industry">music industry</a> consists of the individuals and organizations that earn money by writing <a href="/wiki/Song" title="Song">songs</a> and <a href="/wiki/Musical_composition" title="Musical composition">musical compositions</a>, creating and selling <a href="/wiki/Sound_recording_and_reproduction" title="Sound recording and reproduction">recorded music</a> and <a href="/wiki/Sheet_music" title="Sheet music">sheet music</a>, presenting <a href="/wiki/Live_music" class="mw-redirect" title="Live music">concerts</a>, as well as the organizations that aid, train, represent and supply <a href="/wiki/Music" title="Music">music</a> creators. Among the many individuals and organizations that operate in the industry are: the <a href="/wiki/Songwriter" title="Songwriter">songwriters</a> and <a href="/wiki/Composer" title="Composer">composers</a> who write songs and musical compositions; the <a href="/wiki/Singer" class="mw-redirect" title="Singer">singers</a>, <a href="/wiki/Musician" title="Musician">musicians</a>, <a href="/wiki/Conducting" title="Conducting">conductors</a>, and <a href="/wiki/Bandleader" title="Bandleader">bandleaders</a> who perform the music; the <a href="/wiki/Record_label" title="Record label">record labels</a>, <a href="/wiki/Music_publisher" title="Music publisher">music publishers</a>, <a href="/wiki/Recording_studios" class="mw-redirect" title="Recording studios">recording studios</a>, <a href="/wiki/Record_producer" title="Record producer">music producers</a>, <a href="/wiki/Audio_engineer" title="Audio engineer">audio engineers</a>, retail and <a href="/wiki/Digital_music_store" title="Digital music store">digital music stores</a>, and <a href="/wiki/Performance_rights_organization" class="mw-redirect" title="Performance rights organization">performance rights organizations</a> who create and sell recorded music and sheet music; and the <a href="/wiki/Talent_agent" title="Talent agent">booking agents</a>, <a href="/wiki/Promoter_(entertainment)" title="Promoter (entertainment)">promoters</a>, <a href="/wiki/Music_venue" title="Music venue">music venues</a>, <a href="/wiki/Road_crew" title="Road crew">road crew</a>, and audio engineers who help organize and sell concerts. <b>(<a href="/wiki/Music_industry" title="Music industry">Read more</a>)</b> </p> <hr /> <div style="text-align:center; margin:0.25em auto 0.75em"><span class="noprint plainlinks purgelink"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Portal:Record_production&action=purge"><span title="Purge this page"><b>Refresh with new selections below (purge)</b></span></a></span></div> <div style="clear:both;" class=""></div></div> </div> <style data-mw-deduplicate="TemplateStyles:r996214246">.mw-parser-output .flex-columns-container{clear:both;width:100%;display:flex;flex-wrap:wrap}.mw-parser-output .flex-columns-container>.flex-columns-column{float:left;width:50%;min-width:360px;padding:0 0.5em;box-sizing:border-box;flex:1;display:flex;flex-direction:column}@media screen and (max-width:393px){.mw-parser-output .flex-columns-container>.flex-columns-column{min-width:0}}.mw-parser-output .flex-columns-container>.flex-columns-column:first-child{padding-left:0}.mw-parser-output .flex-columns-container>.flex-columns-column:last-child{padding-right:0}@media screen and (max-width:720px){.mw-parser-output .flex-columns-container>.flex-columns-column{padding:0;width:100%}.mw-parser-output .flex-columns-container{display:block}}.mw-parser-output .flex-columns-container>.flex-columns-column>div{flex:1 0 auto}.mw-parser-output .flex-columns-container>.flex-columns-column>div.flex-columns-noflex{flex:0}</style><div class="flex-columns-container"><div class="flex-columns-column"> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="Featured_articles_-_load_new_batch" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em"><span typeof="mw:File"><a href="/wiki/File:Cscr-featured.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Cscr-featured.png/23px-Cscr-featured.png" decoding="async" width="23" height="22" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Cscr-featured.png/35px-Cscr-featured.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Cscr-featured.png/46px-Cscr-featured.png 2x" data-file-width="167" data-file-height="158" /></a></span> Featured articles - <span class="noprint plainlinks purgelink"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Portal:Record_production&action=purge"><span title="Purge this page"><small><style data-mw-deduplicate="TemplateStyles:r1239334494">@media screen{html.skin-theme-clientpref-night .mw-parser-output div:not(.notheme)>.tmp-color,html.skin-theme-clientpref-night .mw-parser-output p>.tmp-color,html.skin-theme-clientpref-night .mw-parser-output table:not(.notheme) .tmp-color{color:inherit!important}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output div:not(.notheme)>.tmp-color,html.skin-theme-clientpref-os .mw-parser-output p>.tmp-color,html.skin-theme-clientpref-os .mw-parser-output table:not(.notheme) .tmp-color{color:inherit!important}}</style><span class="tmp-color" style="color:darkblue"><i>load new batch</i></span></small></span></a></span></h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <div class="center" style="width:auto; margin-left:auto; margin-right:auto;"><i><small><a href="/wiki/Wikipedia:FA" class="mw-redirect" title="Wikipedia:FA">Featured articles</a> are displayed here, which represent some of the best content on English Wikipedia.</small></i></div> <hr /> <div style="font-size:105%;"> <style data-mw-deduplicate="TemplateStyles:r987512734">.mw-parser-output div.excerptSlideshow-container>ul.gallery.mw-gallery-slideshow>li.gallerycarousel>div>div>div>span:nth-child(2){display:none}.mw-parser-output div.excerptSlideshow-container>ul.gallery.mw-gallery-slideshow>li.gallerycarousel>div>div:nth-child(2){display:none}.mw-parser-output div.excerptSlideshow-container>ul.gallery.mw-gallery-slideshow>li.gallerycarousel>div>div:nth-child(1){padding-top:0.3em;padding-bottom:0}.mw-parser-output div.excerptSlideshow-container>ul.gallery.mw-gallery-slideshow>li:nth-child(n/**/+2){display:none}.mw-parser-output div.excerptSlideshow-container .gallery .gallerybox,.mw-parser-output div.excerptSlideshow-container .gallery .gallerybox div{width:100%!important;max-width:100%}.mw-parser-output div.excerptSlideshow-container>ul.gallery.mw-gallery-slideshow>li:not(.gallerycarousel)>div>div:nth-child(1){display:none}</style><style data-mw-deduplicate="TemplateStyles:r1021884966">.mw-parser-output .randomSlideshow-container>.gallery.mw-gallery-slideshow>.gallerycarousel>div>div>div>span:nth-child(2){display:none}.mw-parser-output .randomSlideshow-container .randomSlideshow-sr-only{display:block;width:1px;height:1px;text-indent:-999px;overflow:hidden}.mw-parser-output .randomSlideshow-container ul.gallery:first-child label{display:inline-block!important;padding:0.2em 0.3em}.mw-parser-output .randomSlideshow-container ul.gallery:first-child label,.mw-parser-output .randomSlideshow-container ul.gallery:first-child input{vertical-align:middle}.mw-parser-output .randomSlideshow-container ul.gallery:first-child input{transform:scale(1.4)}.mw-parser-output .randomSlideshow-container ul.gallery:first-child label:last-child{display:none!important}.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox{display:block;margin:auto}.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox li,.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox div,.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox p{padding-top:0;padding-bottom:0;margin:0}.mw-parser-output .randomSlideshow-container ul.gallery.mw-gallery-slideshow:first-child{position:relative;left:50%;transform:translateX(-50%);display:inline-block;text-align:center;display:flex;flex-wrap:wrap;justify-content:center}.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox{order:99999;flex-shrink:0}.mw-parser-output .randomSlideshow-container ul.gallery:first-child label{flex:0 0}.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox{width:100%!important}.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox>div,.mw-parser-output .randomSlideshow-container ul.gallery:first-child .gallerybox>div>div{width:inherit!important;max-width:100%;text-align:center}.mw-parser-output .randomSlideshow-container .nomobile+ul label{display:none!important}</style><div class="randomSlideshow-container excerptSlideshow-container" style="max-width:100%; margin:-4em auto;"><div class="nomobile"></div><ul class="gallery mw-gallery-slideshow switcher-container"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 1 Johnston performing in 2008 Andrew Johnston (born 23 September 1994) is a Scottish singer who rose to fame when he appeared as a boy soprano on the second series of the UK television talent show Britain's Got Talent in 2008. Although he did not win the competition, he received a contract to record with Syco Music, a label owned by the Britain's Got Talent judge Simon Cowell. Johnston's debut album, One Voice, was released in September of the same year, and reached number four on the UK Albums Chart. Although Johnston originally performed as a treble, his voice has since matured to baritone, and he is now a member of the National Youth Choir. Johnston was born in Dumfries, Scotland, and his parents separated when he was an infant. He and his mother moved to Carlisle, where they lived in "poverty". He became head chorister at Carlisle Cathedral, and was bullied at school because of his love of classical music. While some journalists have argued Britain's Got Talent producers took advantage of Johnston's background, others have hailed his story as inspirational. In 2009, he graduated from Trinity School. Johnston now studies full-time at the Royal Northern College of Music. (Full article...)"><img alt="Image 1 Johnston performing in 2008 Andrew Johnston (born 23 September 1994) is a Scottish singer who rose to fame when he appeared as a boy soprano on the second series of the UK television talent show Britain's Got Talent in 2008. Although he did not win the competition, he received a contract to record with Syco Music, a label owned by the Britain's Got Talent judge Simon Cowell. Johnston's debut album, One Voice, was released in September of the same year, and reached number four on the UK Albums Chart. Although Johnston originally performed as a treble, his voice has since matured to baritone, and he is now a member of the National Youth Choir. Johnston was born in Dumfries, Scotland, and his parents separated when he was an infant. He and his mother moved to Carlisle, where they lived in "poverty". He became head chorister at Carlisle Cathedral, and was bullied at school because of his love of classical music. While some journalists have argued Britain's Got Talent producers took advantage of Johnston's background, others have hailed his story as inspirational. In 2009, he graduated from Trinity School. Johnston now studies full-time at the Royal Northern College of Music. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 1</span></span><div style="text-align:left;"><div class="thumb tleft" style="overflow:hidden;width:auto;max-width:308px"><div class="thumbinner"><div class="noresize" style="width:auto;overflow:auto;"><div style="white-space:normal"><br /><figure class="mw-default-size mw-halign-none" typeof="mw:File/Frameless"><a href="/wiki/File:Andrew_Johnston_crop_2.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0f/Andrew_Johnston_crop_2.jpg/220px-Andrew_Johnston_crop_2.jpg" decoding="async" width="220" height="372" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/0/0f/Andrew_Johnston_crop_2.jpg 1.5x" data-file-width="229" data-file-height="387" /></a><figcaption></figcaption></figure></div></div><div class="thumbcaption"><div class="center">Johnston performing in 2008</div></div></div></div><br /><b><a href="/wiki/Andrew_Johnston_(singer)" title="Andrew Johnston (singer)">Andrew Johnston</a></b> (born 23 September 1994) is a Scottish singer who rose to fame when he appeared as a <a href="/wiki/Boy_soprano" title="Boy soprano">boy soprano</a> on the second series of the UK television talent show <i><a href="/wiki/Britain%27s_Got_Talent" title="Britain's Got Talent">Britain's Got Talent</a></i> in 2008. Although he did not win the competition, he received a contract to record with <a href="/wiki/Syco_Music" title="Syco Music">Syco Music</a>, a label owned by the <i>Britain's Got Talent</i> judge <a href="/wiki/Simon_Cowell" title="Simon Cowell">Simon Cowell</a>. Johnston's debut album, <i><a href="/wiki/One_Voice_(Andrew_Johnston_album)" title="One Voice (Andrew Johnston album)">One Voice</a></i>, was released in September of the same year, and reached number four on the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>. Although Johnston originally performed as a treble, his voice has since matured to <a href="/wiki/Baritone" title="Baritone">baritone</a>, and he is now a member of the <a href="/wiki/National_Youth_Choir" title="National Youth Choir">National Youth Choir</a>.<br /><br />Johnston was born in Dumfries, Scotland, and his parents separated when he was an infant. He and his mother moved to Carlisle, where they lived in "poverty". He became head chorister at Carlisle Cathedral, and was <a href="/wiki/Bullying" title="Bullying">bullied</a> at school because of his love of classical music. While some journalists have argued <i>Britain's Got Talent</i> producers took advantage of Johnston's background, others have hailed his story as inspirational. In 2009, he graduated from <a href="/wiki/Trinity_School_(Carlisle)" class="mw-redirect" title="Trinity School (Carlisle)">Trinity School</a>. Johnston now studies full-time at the <a href="/wiki/Royal_Northern_College_of_Music" title="Royal Northern College of Music">Royal Northern College of Music</a>. (<b><a href="/wiki/Andrew_Johnston_(singer)" title="Andrew Johnston (singer)">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 2 The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs. The work was commissioned by Sveriges Radio Radioteatern, the radio drama department of Sweden's national radio broadcaster. First released in the Swedish broadcast version in August 2009, with an English-language version following in November 2009, it features a cast of Swedish and American actors and a variety of musical styles ranging from opera to vaudeville and pop. The album's recording was a collaborative effort – while the music and English vocals were recorded by Sparks in the United States, the album's Swedish vocals were recorded by Sveriges Radio in Stockholm, and then sent to the Maels via an FTP server. The album and its ambitious dramatic concept received favourable reviews and spawned both a live show and plans to turn it into a film. (Full article...)"><img alt="Image 2 The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs. The work was commissioned by Sveriges Radio Radioteatern, the radio drama department of Sweden's national radio broadcaster. First released in the Swedish broadcast version in August 2009, with an English-language version following in November 2009, it features a cast of Swedish and American actors and a variety of musical styles ranging from opera to vaudeville and pop. The album's recording was a collaborative effort – while the music and English vocals were recorded by Sparks in the United States, the album's Swedish vocals were recorded by Sveriges Radio in Stockholm, and then sent to the Maels via an FTP server. The album and its ambitious dramatic concept received favourable reviews and spawned both a live show and plans to turn it into a film. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 2</span></span><div style="text-align:left;"><i><b><a href="/wiki/The_Seduction_of_Ingmar_Bergman" title="The Seduction of Ingmar Bergman">The Seduction of Ingmar Bergman</a></b></i> is the 22nd album by American <a href="/wiki/Rock_music" title="Rock music">rock</a> group <a href="/wiki/Sparks_(band)" title="Sparks (band)">Sparks</a>, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a> by Swedish film director <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a> in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs.<br /><br />The work was commissioned by <a href="/wiki/Sveriges_Radio" title="Sveriges Radio">Sveriges Radio</a> Radioteatern, the <a href="/wiki/Radio_drama" title="Radio drama">radio drama</a> department of Sweden's national radio broadcaster. First released in the Swedish broadcast version in August 2009, with an English-language version following in November 2009, it features a cast of Swedish and American actors and a variety of musical styles ranging from <a href="/wiki/Opera" title="Opera">opera</a> to <a href="/wiki/Vaudeville" title="Vaudeville">vaudeville</a> and <a href="/wiki/Pop_music" title="Pop music">pop</a>. The album's recording was a collaborative effort – while the music and English vocals were recorded by Sparks in the United States, the album's Swedish vocals were recorded by Sveriges Radio in Stockholm, and then sent to the Maels via an <a href="/wiki/FTP_server" title="FTP server">FTP server</a>. The album and its ambitious dramatic concept received favourable reviews and spawned both a live show and plans to turn it into a film. (<b><a href="/wiki/The_Seduction_of_Ingmar_Bergman" title="The Seduction of Ingmar Bergman">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 3 Doolittle is the second studio album by the American alternative rock band Pixies, released on April 17, 1989, on 4AD. The album was an instant critical success and became the band's breakthrough album. Doolittle was especially well received in Europe, where the British music weeklies Melody Maker and Sounds named it their album of the year. Pixies' main songwriter and lead vocalist Black Francis wrote the idiosyncratic lyrics, which allude to surrealist imagery, biblical violence, and descriptions of torture and death. The album is praised for its "quiet/loud" dynamic, which was achieved through subdued verses that are founded on Kim Deal's bass patterns and David Lovering's drums. The peaks in tone and volume were achieved through the addition of distorted guitars by Francis and Joey Santiago. This technique influenced the development of early-1990s grunge music; Kurt Cobain said Doolittle was one of his favorite records and that its songs heavily influenced Nirvana's song "Smells Like Teen Spirit". (Full article...)"><img alt="Image 3 Doolittle is the second studio album by the American alternative rock band Pixies, released on April 17, 1989, on 4AD. The album was an instant critical success and became the band's breakthrough album. Doolittle was especially well received in Europe, where the British music weeklies Melody Maker and Sounds named it their album of the year. Pixies' main songwriter and lead vocalist Black Francis wrote the idiosyncratic lyrics, which allude to surrealist imagery, biblical violence, and descriptions of torture and death. The album is praised for its "quiet/loud" dynamic, which was achieved through subdued verses that are founded on Kim Deal's bass patterns and David Lovering's drums. The peaks in tone and volume were achieved through the addition of distorted guitars by Francis and Joey Santiago. This technique influenced the development of early-1990s grunge music; Kurt Cobain said Doolittle was one of his favorite records and that its songs heavily influenced Nirvana's song "Smells Like Teen Spirit". (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 3</span></span><div style="text-align:left;"><b><a href="/wiki/Doolittle_(album)" title="Doolittle (album)"><i>Doolittle</i></a></b> is the second studio album by the American <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a> band <a href="/wiki/Pixies_(band)" title="Pixies (band)">Pixies</a>, released on April 17, 1989, on <a href="/wiki/4AD" title="4AD">4AD</a>. The album was an instant critical success and became the band's breakthrough album. <i>Doolittle</i> was especially well received in Europe, where the British music weeklies <i><a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a></i> and <i><a href="/wiki/Sounds_(magazine)" title="Sounds (magazine)">Sounds</a></i> named it their album of the year. Pixies' main songwriter and lead vocalist <a href="/wiki/Black_Francis" title="Black Francis">Black Francis</a> wrote the idiosyncratic lyrics, which allude to <a href="/wiki/Surrealism#Surrealist_films" title="Surrealism">surrealist</a> imagery, biblical violence, and descriptions of torture and death.<br /><br />The album is praised for its "quiet/loud" dynamic, which was achieved through subdued verses that are founded on <a href="/wiki/Kim_Deal" title="Kim Deal">Kim Deal</a>'s bass patterns and <a href="/wiki/David_Lovering" title="David Lovering">David Lovering</a>'s drums. The peaks in tone and volume were achieved through the addition of distorted guitars by Francis and <a href="/wiki/Joey_Santiago" title="Joey Santiago">Joey Santiago</a>. This technique influenced the development of early-1990s <a href="/wiki/Grunge_music" class="mw-redirect" title="Grunge music">grunge music</a>; <a href="/wiki/Kurt_Cobain" title="Kurt Cobain">Kurt Cobain</a> said <i>Doolittle</i> was one of his favorite records and that its songs heavily influenced <a href="/wiki/Nirvana_(band)" title="Nirvana (band)">Nirvana's</a> song "<a href="/wiki/Smells_Like_Teen_Spirit" title="Smells Like Teen Spirit">Smells Like Teen Spirit</a>". (<b><a href="/wiki/Doolittle_(album)" title="Doolittle (album)">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 4 1918–1919 poster Gianni Schicchi (Italian pronunciation: [ˈdʒanni ˈskikki]) is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's Divine Comedy. The work is the third and final part of Puccini's Il trittico (The Triptych) – three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other trittico operas, Gianni Schicchi is now more frequently staged either alone or with short operas by other composers. The aria "O mio babbino caro" is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy Il tabarro and, after considering various ideas, he began work the following year on the solemn, religious, all-female opera Suor Angelica. Gianni Schicchi, a comedy, completes the triptych with a further contrast of mood. The score combines elements of Puccini's modern style of harmonic dissonance with lyrical passages reminiscent of Rossini, and it has been praised for its inventiveness and imagination. (Full article...)"><img alt="Image 4 1918–1919 poster Gianni Schicchi (Italian pronunciation: [ˈdʒanni ˈskikki]) is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's Divine Comedy. The work is the third and final part of Puccini's Il trittico (The Triptych) – three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other trittico operas, Gianni Schicchi is now more frequently staged either alone or with short operas by other composers. The aria "O mio babbino caro" is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy Il tabarro and, after considering various ideas, he began work the following year on the solemn, religious, all-female opera Suor Angelica. Gianni Schicchi, a comedy, completes the triptych with a further contrast of mood. The score combines elements of Puccini's modern style of harmonic dissonance with lyrical passages reminiscent of Rossini, and it has been praised for its inventiveness and imagination. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 4</span></span><div style="text-align:left;"><div class="thumb tleft" style="overflow:hidden;width:auto;max-width:308px"><div class="thumbinner"><div class="noresize" style="width:auto;overflow:auto;"><div style="white-space:normal"><br /><figure class="mw-default-size mw-halign-none" typeof="mw:File/Frameless"><a href="/wiki/File:Schicchi_original_cover.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/2/2e/Schicchi_original_cover.jpg/220px-Schicchi_original_cover.jpg" decoding="async" width="220" height="317" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/2/2e/Schicchi_original_cover.jpg/330px-Schicchi_original_cover.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/2/2e/Schicchi_original_cover.jpg/440px-Schicchi_original_cover.jpg 2x" data-file-width="795" data-file-height="1144" /></a><figcaption></figcaption></figure></div></div><div class="thumbcaption"><div class="center">1918–1919 poster</div></div></div></div><br /><b><a href="/wiki/Gianni_Schicchi" title="Gianni Schicchi"><span title="Italian-language text"><i lang="it">Gianni Schicchi</i></span></a></b> (<style data-mw-deduplicate="TemplateStyles:r1177148991">.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}</style><span class="IPA-label IPA-label-small">Italian pronunciation:</span> <span class="IPA nowrap" lang="it-Latn-fonipa"><a href="/wiki/Help:IPA/Italian" title="Help:IPA/Italian">[ˈdʒanni<span class="wrap"> </span>ˈskikki]</a></span>) is a comic <a href="/wiki/Opera" title="Opera">opera</a> in one act by <a href="/wiki/Giacomo_Puccini" title="Giacomo Puccini">Giacomo Puccini</a> to an Italian <a href="/wiki/Libretto" title="Libretto">libretto</a> by <a href="/wiki/Giovacchino_Forzano" title="Giovacchino Forzano">Giovacchino Forzano</a>, composed in 1917–18. The libretto is based on an incident mentioned in <a href="/wiki/Dante_Alighieri" title="Dante Alighieri">Dante</a>'s <i><a href="/wiki/Divine_Comedy" title="Divine Comedy">Divine Comedy</a></i>. The work is the third and final part of Puccini's <span title="Italian-language text"><i lang="it"><a href="/wiki/Il_trittico" title="Il trittico">Il trittico</a></i></span> (The Triptych) – three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other <span title="Italian-language text"><i lang="it">trittico</i></span> operas, <span title="Italian-language text"><i lang="it">Gianni Schicchi</i></span> is now more frequently staged either alone or with short operas by other composers. The aria <span title="Italian-language text"><i lang="it">"<a href="/wiki/O_mio_babbino_caro" title="O mio babbino caro">O mio babbino caro</a>"</i></span> is one of Puccini's best known, and one of the most popular arias in opera.<br /><br />Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy <span title="Italian-language text"><i lang="it"><a href="/wiki/Il_tabarro" title="Il tabarro">Il tabarro</a></i></span> and, after considering various ideas, he began work the following year on the solemn, religious, all-female opera <span title="Italian-language text"><i lang="it"><a href="/wiki/Suor_Angelica" title="Suor Angelica">Suor Angelica</a></i></span>. <span title="Italian-language text"><i lang="it">Gianni Schicchi</i></span>, a comedy, completes the triptych with a further contrast of mood. The score combines elements of Puccini's modern style of harmonic dissonance with lyrical passages reminiscent of <a href="/wiki/Gioachino_Rossini" title="Gioachino Rossini">Rossini</a>, and it has been praised for its inventiveness and imagination. (<b><a href="/wiki/Gianni_Schicchi" title="Gianni Schicchi">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 5 Mother's Milk is the fourth studio album by American rock band Red Hot Chili Peppers, released on August 16, 1989 by EMI Records. After the death of founding guitarist Hillel Slovak and the subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound. Mother's Milk was a greater commercial success than the band's first three albums, peaking at number 52 on the US Billboard 200. It received widespread airplay for the three singles which are the cover of Stevie Wonder's "Higher Ground", "Knock Me Down" and "Taste the Pain", and it became their first gold record in early 1990. Although it was not met with the same positive critical reception that its predecessor The Uplift Mofo Party Plan (1987) had garnered, Mother's Milk was the first step for the band in achieving international success and, according to Amy Hanson of AllMusic, "turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort." (Full article...)"><img alt="Image 5 Mother's Milk is the fourth studio album by American rock band Red Hot Chili Peppers, released on August 16, 1989 by EMI Records. After the death of founding guitarist Hillel Slovak and the subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound. Mother's Milk was a greater commercial success than the band's first three albums, peaking at number 52 on the US Billboard 200. It received widespread airplay for the three singles which are the cover of Stevie Wonder's "Higher Ground", "Knock Me Down" and "Taste the Pain", and it became their first gold record in early 1990. Although it was not met with the same positive critical reception that its predecessor The Uplift Mofo Party Plan (1987) had garnered, Mother's Milk was the first step for the band in achieving international success and, according to Amy Hanson of AllMusic, "turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort." (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 5</span></span><div style="text-align:left;"><b><a href="/wiki/Mother%27s_Milk_(album)" title="Mother's Milk (album)"><i>Mother's Milk</i></a></b> is the fourth studio album by American <a href="/wiki/Rock_music" title="Rock music">rock</a> band <a href="/wiki/Red_Hot_Chili_Peppers" title="Red Hot Chili Peppers">Red Hot Chili Peppers</a>, released on August 16, 1989 by <a href="/wiki/EMI_Records" title="EMI Records">EMI Records</a>. After the death of founding guitarist <a href="/wiki/Hillel_Slovak" title="Hillel Slovak">Hillel Slovak</a> and the subsequent departure of drummer <a href="/wiki/Jack_Irons" title="Jack Irons">Jack Irons</a>, vocalist <a href="/wiki/Anthony_Kiedis" title="Anthony Kiedis">Anthony Kiedis</a> and bassist <a href="/wiki/Flea_(musician)" title="Flea (musician)">Flea</a> regrouped with the addition of guitarist <a href="/wiki/John_Frusciante" title="John Frusciante">John Frusciante</a> and drummer <a href="/wiki/Chad_Smith" title="Chad Smith">Chad Smith</a>. Frusciante's influence altered the band's sound by placing more emphasis on <a href="/wiki/Melody" title="Melody">melody</a> than <a href="/wiki/Rhythm" title="Rhythm">rhythm</a>, which had dominated the band's previous material. Returning producer <a href="/wiki/Michael_Beinhorn" title="Michael Beinhorn">Michael Beinhorn</a> favored <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a> guitar riffs as well as <a href="/wiki/Overdubbing" title="Overdubbing">overdubbing</a>. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound.<br /><br /><i>Mother's Milk</i> was a greater commercial success than the band's first three albums, peaking at number 52 on the <a href="/wiki/Billboard_200" title="Billboard 200">US <i>Billboard</i> 200</a>. It received widespread airplay for the three singles which are the cover of <a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a>'s "<a href="/wiki/Higher_Ground_(Stevie_Wonder_song)#Red_Hot_Chili_Peppers_version" title="Higher Ground (Stevie Wonder song)">Higher Ground</a>", "<a href="/wiki/Knock_Me_Down" title="Knock Me Down">Knock Me Down</a>" and "<a href="/wiki/Taste_the_Pain" title="Taste the Pain">Taste the Pain</a>", and it became their first <a href="/wiki/RIAA_certification" title="RIAA certification">gold record</a> in early 1990. Although it was not met with the same positive critical reception that its predecessor <i><a href="/wiki/The_Uplift_Mofo_Party_Plan" title="The Uplift Mofo Party Plan">The Uplift Mofo Party Plan</a></i> (1987) had garnered, <i>Mother's Milk</i> was the first step for the band in achieving international success and, according to Amy Hanson of <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>, "turned the tide and transformed the band from underground <a href="/wiki/Funk_rock" title="Funk rock">funk-rocking</a> <a href="/wiki/Rapper" class="mw-redirect" title="Rapper">rappers</a> to mainstream bad boys with seemingly very little effort." (<b><a href="/wiki/Mother%27s_Milk_(album)" title="Mother's Milk (album)">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 6 Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)"><img alt="Image 6 Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 6</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Christgau%27s_Record_Guide_(1981).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Christgau%27s_Record_Guide_%281981%29.jpg/220px-Christgau%27s_Record_Guide_%281981%29.jpg" decoding="async" width="220" height="332" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Christgau%27s_Record_Guide_%281981%29.jpg/330px-Christgau%27s_Record_Guide_%281981%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Christgau%27s_Record_Guide_%281981%29.jpg/440px-Christgau%27s_Record_Guide_%281981%29.jpg 2x" data-file-width="1134" data-file-height="1709" /></a><figcaption></figcaption></figure><br /><i><b><a href="/wiki/Christgau%27s_Record_Guide:_Rock_Albums_of_the_Seventies" title="Christgau's Record Guide: Rock Albums of the Seventies">Christgau's Record Guide: Rock Albums of the Seventies</a></b></i> is a music <a href="/wiki/Reference_book" class="mw-redirect" title="Reference book">reference book</a> by American music journalist and essayist <a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a>. It was first published in October 1981 by <a href="/wiki/Ticknor_%26_Fields" class="mw-redirect" title="Ticknor & Fields">Ticknor & Fields</a>. The book compiles approximately 3,000 of Christgau's <a href="/wiki/Capsule_review" title="Capsule review">capsule</a> album reviews, most of which were originally written for his "Consumer Guide" column in <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i> throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to <a href="/wiki/Rock_music" title="Rock music">rock music</a>.<br /><br />Christgau's reviews are informed by an interest in the aesthetic and political dimensions of <a href="/wiki/Popular_music" title="Popular music">popular music</a>, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer <a href="/wiki/Carola_Dibbell" title="Carola Dibbell">Carola Dibbell</a>, whom he later credited as an influence on his work. (<b><a href="/wiki/Christgau%27s_Record_Guide:_Rock_Albums_of_the_Seventies" title="Christgau's Record Guide: Rock Albums of the Seventies">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 7 Beecham rehearsing in 1948 Sir Thomas Beecham, 2nd Baronet, CH (29 April 1879 – 8 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic and the Royal Philharmonic orchestras. He was also closely associated with the Liverpool Philharmonic and Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of Britain and, according to the BBC, was Britain's first international conductor. Born to a rich industrial family, Beecham began his career as a conductor in 1899. He used his access to the family fortune to finance opera from the 1910s until the start of the Second World War, staging seasons at Covent Garden, Drury Lane and His Majesty's Theatre with international stars, his own orchestra and a wide repertoire. Among the works he introduced to England were Richard Strauss's Elektra, Salome and Der Rosenkavalier and three operas by Frederick Delius. (Full article...)"><img alt="Image 7 Beecham rehearsing in 1948 Sir Thomas Beecham, 2nd Baronet, CH (29 April 1879 – 8 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic and the Royal Philharmonic orchestras. He was also closely associated with the Liverpool Philharmonic and Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of Britain and, according to the BBC, was Britain's first international conductor. Born to a rich industrial family, Beecham began his career as a conductor in 1899. He used his access to the family fortune to finance opera from the 1910s until the start of the Second World War, staging seasons at Covent Garden, Drury Lane and His Majesty's Theatre with international stars, his own orchestra and a wide repertoire. Among the works he introduced to England were Richard Strauss's Elektra, Salome and Der Rosenkavalier and three operas by Frederick Delius. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 7</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Sir-Thomas-Beecham-US-1948.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Sir-Thomas-Beecham-US-1948.jpg/220px-Sir-Thomas-Beecham-US-1948.jpg" decoding="async" width="220" height="284" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Sir-Thomas-Beecham-US-1948.jpg/330px-Sir-Thomas-Beecham-US-1948.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Sir-Thomas-Beecham-US-1948.jpg/440px-Sir-Thomas-Beecham-US-1948.jpg 2x" data-file-width="704" data-file-height="910" /></a><figcaption>Beecham rehearsing in 1948</figcaption></figure><br /><b><a href="/wiki/Thomas_Beecham" title="Thomas Beecham">Sir Thomas Beecham, 2nd Baronet</a></b>, <span class="nobold noexcerpt nowraplinks" style="font-size:;"><span style="font-size: 100%;"><a href="/wiki/Companion_of_Honour" class="mw-redirect" title="Companion of Honour">CH</a></span></span> (29 April 1879 – 8 March 1961) was an English conductor and <a href="/wiki/Impresario" title="Impresario">impresario</a> best known for his association with the <a href="/wiki/London_Philharmonic_Orchestra" title="London Philharmonic Orchestra">London Philharmonic</a> and the <a href="/wiki/Royal_Philharmonic_Orchestra" title="Royal Philharmonic Orchestra">Royal Philharmonic</a> orchestras. He was also closely associated with the <a href="/wiki/Royal_Liverpool_Philharmonic" title="Royal Liverpool Philharmonic">Liverpool Philharmonic</a> and <a href="/wiki/The_Hall%C3%A9" title="The Hallé">Hallé</a> orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of <a href="/wiki/United_Kingdom" title="United Kingdom">Britain</a> and, according to the <a href="/wiki/BBC" title="BBC">BBC</a>, was Britain's first international conductor.<br /><br />Born to a rich industrial family, Beecham began his career as a conductor in 1899. He used his access to the family fortune to finance opera from the 1910s until the start of the Second World War, staging seasons at <a href="/wiki/Royal_Opera_House" title="Royal Opera House">Covent Garden</a>, <a href="/wiki/Theatre_Royal,_Drury_Lane" title="Theatre Royal, Drury Lane">Drury Lane</a> and <a href="/wiki/Her_Majesty%27s_Theatre" class="mw-redirect" title="Her Majesty's Theatre">His Majesty's Theatre</a> with international stars, his own orchestra and a wide repertoire. Among the works he introduced to England were <a href="/wiki/Richard_Strauss" title="Richard Strauss">Richard Strauss</a>'s <i><a href="/wiki/Elektra_(opera)" title="Elektra (opera)">Elektra</a></i>, <i><a href="/wiki/Salome_(opera)" title="Salome (opera)">Salome</a></i> and <i><a href="/wiki/Der_Rosenkavalier" title="Der Rosenkavalier">Der Rosenkavalier</a></i> and three operas by <a href="/wiki/Frederick_Delius" title="Frederick Delius">Frederick Delius</a>. (<b><a href="/wiki/Thomas_Beecham" title="Thomas Beecham">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 8 Fijación Oral, Vol. 1 (English: Oral Fixation, Vol. 1, Spanish: [fi.xaˌsjõn oˌɾal β̞oˌlu.mẽn ˈu.no]) is the sixth studio album by Colombian singer-songwriter Shakira. It was released on 3 June 2005 by Epic Records. After attaining international success in 2001 with her fifth studio album and first English-language record, Laundry Service, Shakira wanted to release a fifth Spanish-language project as a follow-up. In the vein of her earlier work, Fijación Oral, Vol. 1 is a Latin pop album. Shakira enlisted Rick Rubin as executive producer, also working with Gustavo Cerati, Lester Mendez, Luis Fernando Ochoa and Jose "Gocho" Torres. At its release, Fijación Oral, Vol. 1 received generally favorable reviews from music critics, who complimented Shakira's evolution from her earlier work. The album debuted at number four on the US Billboard 200, with first-week sales of 157,000 copies. It set the record for the highest debut for a full-length Spanish-language album in the country. Internationally, the album topped the charts in Argentina, Germany, Mexico and Spain. Fijación Oral, Vol. 1 was the Best Latin Rock/Alternative Album at the 2006 Grammy Awards, and the Album of the Year and the Best Female Pop Vocal Album at the Latin Grammy Awards. Fijación Oral, Vol. 1 became the highest selling Latin pop album of the decade in the United States and the second highest selling Latin album overall. As of May 2013, over five million copies of the album were sold worldwide and it is the eighth best-selling Latin album in the United States. (Full article...)"><img alt="Image 8 Fijación Oral, Vol. 1 (English: Oral Fixation, Vol. 1, Spanish: [fi.xaˌsjõn oˌɾal β̞oˌlu.mẽn ˈu.no]) is the sixth studio album by Colombian singer-songwriter Shakira. It was released on 3 June 2005 by Epic Records. After attaining international success in 2001 with her fifth studio album and first English-language record, Laundry Service, Shakira wanted to release a fifth Spanish-language project as a follow-up. In the vein of her earlier work, Fijación Oral, Vol. 1 is a Latin pop album. Shakira enlisted Rick Rubin as executive producer, also working with Gustavo Cerati, Lester Mendez, Luis Fernando Ochoa and Jose "Gocho" Torres. At its release, Fijación Oral, Vol. 1 received generally favorable reviews from music critics, who complimented Shakira's evolution from her earlier work. The album debuted at number four on the US Billboard 200, with first-week sales of 157,000 copies. It set the record for the highest debut for a full-length Spanish-language album in the country. Internationally, the album topped the charts in Argentina, Germany, Mexico and Spain. Fijación Oral, Vol. 1 was the Best Latin Rock/Alternative Album at the 2006 Grammy Awards, and the Album of the Year and the Best Female Pop Vocal Album at the Latin Grammy Awards. Fijación Oral, Vol. 1 became the highest selling Latin pop album of the decade in the United States and the second highest selling Latin album overall. As of May 2013, over five million copies of the album were sold worldwide and it is the eighth best-selling Latin album in the United States. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 8</span></span><div style="text-align:left;"><i><b><a href="/wiki/Fijaci%C3%B3n_Oral,_Vol._1" title="Fijación Oral, Vol. 1">Fijación Oral, Vol. 1</a></b></i> (English: <i>Oral Fixation, Vol. 1</i>, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1177148991"><span class="IPA-label IPA-label-small">Spanish:</span> <span class="IPA nowrap" lang="es-Latn-fonipa"><a href="/wiki/Help:IPA/Spanish" title="Help:IPA/Spanish">[fi.xaˌsjõn<span class="wrap"> </span>oˌɾal<span class="wrap"> </span>β̞oˌlu.mẽn<span class="wrap"> </span>ˈu.no]</a></span>) is the sixth <a href="/wiki/Studio_album" class="mw-redirect" title="Studio album">studio album</a> by Colombian singer-songwriter <a href="/wiki/Shakira" title="Shakira">Shakira</a>. It was released on 3 June 2005 by <a href="/wiki/Epic_Records" title="Epic Records">Epic Records</a>. After attaining international success in 2001 with her fifth studio album and first English-language record, <i><a href="/wiki/Laundry_Service_(album)" title="Laundry Service (album)">Laundry Service</a></i>, Shakira wanted to release a fifth Spanish-language project as a follow-up. In the vein of her earlier work, <i>Fijación Oral, Vol. 1</i> is a <a href="/wiki/Latin_pop" title="Latin pop">Latin pop</a> album. Shakira enlisted <a href="/wiki/Rick_Rubin" title="Rick Rubin">Rick Rubin</a> as <a href="/wiki/Executive_producer" title="Executive producer">executive producer</a>, also working with <a href="/wiki/Gustavo_Cerati" title="Gustavo Cerati">Gustavo Cerati</a>, <a href="/wiki/Lester_Mendez" title="Lester Mendez">Lester Mendez</a>, <a href="/wiki/Luis_Fernando_Ochoa" title="Luis Fernando Ochoa">Luis Fernando Ochoa</a> and Jose "<a href="/wiki/Gocho" title="Gocho">Gocho</a>" Torres.<br /><br />At its release, <i>Fijación Oral, Vol. 1</i> received generally favorable reviews from <a href="/wiki/Music_journalism" title="Music journalism">music critics</a>, who complimented Shakira's evolution from her earlier work. The album debuted at number four on the US <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>, with first-week sales of 157,000 copies. It set the record for the highest debut for a full-length Spanish-language album in the country. Internationally, the album topped the charts in Argentina, Germany, Mexico and Spain. <i>Fijación Oral, Vol. 1</i> was the <a href="/wiki/Grammy_Award_for_Best_Latin_Rock,_Urban_or_Alternative_Album" class="mw-redirect" title="Grammy Award for Best Latin Rock, Urban or Alternative Album">Best Latin Rock/Alternative Album</a> at the <a href="/wiki/2006_Grammy_Awards" class="mw-redirect" title="2006 Grammy Awards">2006 Grammy Awards</a>, and the <a href="/wiki/Latin_Grammy_Award_for_Album_of_the_Year" title="Latin Grammy Award for Album of the Year">Album of the Year</a> and the <a href="/wiki/Latin_Grammy_Award_for_Best_Female_Pop_Vocal_Album" title="Latin Grammy Award for Best Female Pop Vocal Album">Best Female Pop Vocal Album</a> at the <a href="/wiki/Latin_Grammy_Awards" title="Latin Grammy Awards">Latin Grammy Awards</a>. <i>Fijación Oral, Vol. 1</i> became the highest selling Latin pop album of the decade in the United States and the second highest selling Latin album overall. As of May 2013, over five million copies of the album were sold worldwide and it is the eighth <a href="/wiki/List_of_best-selling_Latin_albums_in_the_United_States" title="List of best-selling Latin albums in the United States">best-selling Latin album in the United States</a>. (<b><a href="/wiki/Fijaci%C3%B3n_Oral,_Vol._1" title="Fijación Oral, Vol. 1">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 9 E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien. The E.T. the Extra-Terrestrial audiobook was released by MCA on November 15, 1982 – the same month as Michael Jackson's acclaimed sixth studio album Thriller despite conditions given by Epic Records, Jackson's record label, that it should not be released until after Thriller. As a result, Epic took legal action against MCA which forced the album's withdrawal. During its curtailed release, E.T. the Extra-Terrestrial reached number 37 on the Billboard 200 and number 82 on the UK Albums Chart. It was well-received critically and won Jackson a Grammy Award for Best Recording for Children. (Full article...)"><img alt="Image 9 E.T. the Extra-Terrestrial is an audiobook and soundtrack companion album for the 1982 film directed by Steven Spielberg. Composed by John Williams, the album was narrated by recording artist Michael Jackson, produced by Quincy Jones and distributed by MCA Records. The audiobook was produced by John Williams and Michael Jackson working with Rod Temperton, Freddy DeMann, and Bruce Swedien. The E.T. the Extra-Terrestrial audiobook was released by MCA on November 15, 1982 – the same month as Michael Jackson's acclaimed sixth studio album Thriller despite conditions given by Epic Records, Jackson's record label, that it should not be released until after Thriller. As a result, Epic took legal action against MCA which forced the album's withdrawal. During its curtailed release, E.T. the Extra-Terrestrial reached number 37 on the Billboard 200 and number 82 on the UK Albums Chart. It was well-received critically and won Jackson a Grammy Award for Best Recording for Children. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 9</span></span><div style="text-align:left;"><b><a href="/wiki/E.T._the_Extra-Terrestrial_(album)" title="E.T. the Extra-Terrestrial (album)"><i>E.T. the Extra-Terrestrial</i></a></b> is an <a href="/wiki/Audiobook" title="Audiobook">audiobook</a> and <a href="/wiki/Soundtrack_album" title="Soundtrack album">soundtrack companion album</a> for <a href="/wiki/E.T._the_Extra-Terrestrial" title="E.T. the Extra-Terrestrial">the 1982 film</a> directed by <a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a>. Composed by <a href="/wiki/John_Williams" title="John Williams">John Williams</a>, the album was narrated by recording artist <a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a>, produced by <a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a> and distributed by <a href="/wiki/MCA_Records" title="MCA Records">MCA Records</a>. The audiobook was produced by John Williams and Michael Jackson working with <a href="/wiki/Rod_Temperton" title="Rod Temperton">Rod Temperton</a>, <a href="/wiki/Freddy_DeMann" title="Freddy DeMann">Freddy DeMann</a>, and <a href="/wiki/Bruce_Swedien" title="Bruce Swedien">Bruce Swedien</a>.<br /><br />The <i>E.T. the Extra-Terrestrial</i> audiobook was released by MCA on November 15, 1982 – the same month as Michael Jackson's acclaimed sixth studio album <i><a href="/wiki/Thriller_(Michael_Jackson_album)" class="mw-redirect" title="Thriller (Michael Jackson album)">Thriller</a></i> despite conditions given by <a href="/wiki/Epic_Records" title="Epic Records">Epic Records</a>, Jackson's record label, that it should not be released until after <i>Thriller</i>. As a result, Epic took legal action against MCA which forced the album's withdrawal. During its curtailed release, <i>E.T. the Extra-Terrestrial</i> reached number 37 on the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a> and number 82 on the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>. It was well-received critically and won Jackson a <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a> for <a href="/wiki/Grammy_Award_for_Best_Album_for_Children" class="mw-redirect" title="Grammy Award for Best Album for Children">Best Recording for Children</a>. (<b><a href="/wiki/E.T._the_Extra-Terrestrial_(album)" title="E.T. the Extra-Terrestrial (album)">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 10 Motörhead performing in May 2005; left to right: Phil Campbell, Mikkey Dee and Lemmy Motörhead (/ˈmoʊtərhɛd/) were an English rock band formed in London in 1975 by bassist and lead vocalist Lemmy Kilmister, guitarist Larry Wallis and drummer Lucas Fox. Lemmy was also the primary songwriter and only constant member. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature drummer Phil "Philthy Animal" Taylor and guitarist "Fast" Eddie Clarke. From 1995 until the band's break-up in 2015, the group consisted of Lemmy, guitarist Phil Campbell and drummer Mikkey Dee. Motörhead released 23 studio albums, 10 live recordings, 12 compilation albums and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, Bomber, Ace of Spades and, particularly, the live album No Sleep 'til Hammersmith cemented Motörhead's reputation as a top-tier rock band. The band are ranked number 26 on VH1's 100 Greatest Artists of Hard Rock. By 2025, the band has sold more than 25 million albums worldwide. (Full article...)"><img alt="Image 10 Motörhead performing in May 2005; left to right: Phil Campbell, Mikkey Dee and Lemmy Motörhead (/ˈmoʊtərhɛd/) were an English rock band formed in London in 1975 by bassist and lead vocalist Lemmy Kilmister, guitarist Larry Wallis and drummer Lucas Fox. Lemmy was also the primary songwriter and only constant member. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature drummer Phil "Philthy Animal" Taylor and guitarist "Fast" Eddie Clarke. From 1995 until the band's break-up in 2015, the group consisted of Lemmy, guitarist Phil Campbell and drummer Mikkey Dee. Motörhead released 23 studio albums, 10 live recordings, 12 compilation albums and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, Bomber, Ace of Spades and, particularly, the live album No Sleep 'til Hammersmith cemented Motörhead's reputation as a top-tier rock band. The band are ranked number 26 on VH1's 100 Greatest Artists of Hard Rock. By 2025, the band has sold more than 25 million albums worldwide. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 10</span></span><div style="text-align:left;"><div class="thumb tleft" style="overflow:hidden;width:auto;max-width:308px"><div class="thumbinner"><div class="noresize" style="width:auto;overflow:auto;"><div style="white-space:normal"><br /><figure class="mw-default-size mw-halign-none" typeof="mw:File/Frameless"><a href="/wiki/File:Motorhead-03.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Motorhead-03.jpg/220px-Motorhead-03.jpg" decoding="async" width="220" height="146" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Motorhead-03.jpg/330px-Motorhead-03.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Motorhead-03.jpg/440px-Motorhead-03.jpg 2x" data-file-width="750" data-file-height="498" /></a><figcaption></figcaption></figure></div></div><div class="thumbcaption"><div class="center">Motörhead performing in May 2005; left to right: <a href="/wiki/Phil_Campbell_(musician)" title="Phil Campbell (musician)">Phil Campbell</a>, <a href="/wiki/Mikkey_Dee" title="Mikkey Dee">Mikkey Dee</a> and <a href="/wiki/Lemmy_Kilmister" class="mw-redirect" title="Lemmy Kilmister">Lemmy</a></div></div></div></div><br /><b><a href="/wiki/Mot%C3%B6rhead" title="Motörhead">Motörhead</a></b> (<span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt" lang="en-fonipa"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="'m' in 'my'">m</span><span title="/oʊ/: 'o' in 'code'">oʊ</span><span title="'t' in 'tie'">t</span><span title="/ər/: 'er' in 'letter'">ər</span><span title="'h' in 'hi'">h</span><span title="/ɛ/: 'e' in 'dress'">ɛ</span><span title="'d' in 'dye'">d</span></span>/</a></span></span>) were an English rock band formed in London in 1975 by bassist and lead vocalist <a href="/wiki/Lemmy_Kilmister" class="mw-redirect" title="Lemmy Kilmister">Lemmy Kilmister</a>, guitarist <a href="/wiki/Larry_Wallis" title="Larry Wallis">Larry Wallis</a> and drummer <a href="/wiki/Lucas_Fox" title="Lucas Fox">Lucas Fox</a>. Lemmy was also the primary songwriter and only constant member. The band are often considered a precursor to the <a href="/wiki/New_wave_of_British_heavy_metal" title="New wave of British heavy metal">new wave of British heavy metal</a>, which re-energised <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a> in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature drummer <a href="/wiki/Phil_Taylor_(musician)" title="Phil Taylor (musician)">Phil "Philthy Animal" Taylor</a> and guitarist <a href="/wiki/%22Fast%22_Eddie_Clarke" title=""Fast" Eddie Clarke">"Fast" Eddie Clarke</a>. From 1995 until the band's break-up in 2015, the group consisted of Lemmy, guitarist <a href="/wiki/Phil_Campbell_(musician)" title="Phil Campbell (musician)">Phil Campbell</a> and drummer <a href="/wiki/Mikkey_Dee" title="Mikkey Dee">Mikkey Dee</a>.<br /><br />Motörhead released 23 studio albums, 10 live recordings, 12 compilation albums and five EPs over a career spanning 40 years. Usually a <a href="/wiki/Power_trio" title="Power trio">power trio</a>, they had particular success in the early 1980s with several successful singles in the <a href="/wiki/UK_Singles_Chart" class="mw-redirect" title="UK Singles Chart">UK Top 40 chart</a>. The albums <i><a href="/wiki/Overkill_(Mot%C3%B6rhead_album)" title="Overkill (Motörhead album)">Overkill</a></i>, <i><a href="/wiki/Bomber_(album)" title="Bomber (album)">Bomber</a></i>, <i><a href="/wiki/Ace_of_Spades_(Mot%C3%B6rhead_album)" title="Ace of Spades (Motörhead album)">Ace of Spades</a></i> and, particularly, the live album <i><a href="/wiki/No_Sleep_%27til_Hammersmith" title="No Sleep 'til Hammersmith">No Sleep 'til Hammersmith</a></i> cemented Motörhead's reputation as a top-tier rock band. The band are ranked number 26 on <a href="/wiki/VH1" title="VH1">VH1</a>'s 100 Greatest Artists of Hard Rock. By 2025, the band has sold more than 25 million albums worldwide. (<b><a href="/wiki/Mot%C3%B6rhead" title="Motörhead">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 11 Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works. Internationalist followed in the success of its predecessor, Double Allergic, and was certified five times platinum in Australia. Internationalist received four ARIA Music Awards, including "Album of the Year". The album produced four singles for the band; "The Day You Come", "Don't Wanna Be Left Out/Good-Day Ray", "Already Gone" and "Passenger", which all appeared on Triple J's Hottest 100 poll in two consecutive years. (Full article...)"><img alt="Image 11 Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works. Internationalist followed in the success of its predecessor, Double Allergic, and was certified five times platinum in Australia. Internationalist received four ARIA Music Awards, including "Album of the Year". The album produced four singles for the band; "The Day You Come", "Don't Wanna Be Left Out/Good-Day Ray", "Already Gone" and "Passenger", which all appeared on Triple J's Hottest 100 poll in two consecutive years. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 11</span></span><div style="text-align:left;"><b><a href="/wiki/Internationalist_(album)" title="Internationalist (album)"><i>Internationalist</i></a></b> is the third <a href="/wiki/Studio_album" class="mw-redirect" title="Studio album">studio album</a> by Australian <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a> band <a href="/wiki/Powderfinger" title="Powderfinger">Powderfinger</a>. The album was released on 7<span class="nowrap"> </span>September 1998 and was often labelled Powderfinger's most adventurous work, with greater <a href="/wiki/Experimentation" class="mw-redirect" title="Experimentation">experimentation</a> than in previous works.<br /><br /><i>Internationalist</i> followed in the success of its predecessor, <i><a href="/wiki/Double_Allergic" title="Double Allergic">Double Allergic</a></i>, and was certified <a href="/wiki/Music_recording_sales_certification" class="mw-redirect" title="Music recording sales certification">five times platinum</a> in Australia. <i>Internationalist</i> received four <a href="/wiki/ARIA_Music_Awards" title="ARIA Music Awards">ARIA Music Awards</a>, including "Album of the Year". The album produced four singles for the band; "<a href="/wiki/The_Day_You_Come" title="The Day You Come">The Day You Come</a>", "<a href="/wiki/Don%27t_Wanna_Be_Left_Out" class="mw-redirect" title="Don't Wanna Be Left Out">Don't Wanna Be Left Out</a>/<a href="/wiki/Good-Day_Ray" class="mw-redirect" title="Good-Day Ray">Good-Day Ray</a>", "<a href="/wiki/Already_Gone_(Powderfinger_song)" title="Already Gone (Powderfinger song)">Already Gone</a>" and "<a href="/wiki/Passenger_(Powderfinger_song)" title="Passenger (Powderfinger song)">Passenger</a>", which all appeared on <a href="/wiki/Triple_J" title="Triple J">Triple J</a>'s <a href="/wiki/Triple_J_Hottest_100" title="Triple J Hottest 100">Hottest 100</a> poll in two consecutive years. (<b><a href="/wiki/Internationalist_(album)" title="Internationalist (album)">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 12 Second page of O dolcezz'amarissime d'amore, written for the concerto by Luzzasco Luzzaschi. The excerpt displays the fast-moving virtuosic passages in which the group specialized. The concerto delle donne (lit. 'consort of ladies') was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos Laura Peverara, Livia d'Arco and Anna Guarini. The Duke of Ferrara Alfonso II d'Este founded a group of mostly female singers for his chamber music series, musica secreta (lit. 'secret music'). These singers were exclusively noble women, such as Lucrezia and Isabella Bendidio. In 1580, Alfonso formally established the concerto delle donne for both his wife Margherita Gonzaga d'Este and reasons of prestige. The new group included professional singers of upper-class, but not noble, backgrounds, under the direction of the composers Luzzasco Luzzaschi and Ippolito Fiorini. Their signature style of florid, highly ornamented singing brought prestige to Ferrara and inspired composers of the time such as Lodovico Agostini, Carlo Gesualdo and Claudio Monteverdi. (Full article...)"><img alt="Image 12 Second page of O dolcezz'amarissime d'amore, written for the concerto by Luzzasco Luzzaschi. The excerpt displays the fast-moving virtuosic passages in which the group specialized. The concerto delle donne (lit. 'consort of ladies') was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos Laura Peverara, Livia d'Arco and Anna Guarini. The Duke of Ferrara Alfonso II d'Este founded a group of mostly female singers for his chamber music series, musica secreta (lit. 'secret music'). These singers were exclusively noble women, such as Lucrezia and Isabella Bendidio. In 1580, Alfonso formally established the concerto delle donne for both his wife Margherita Gonzaga d'Este and reasons of prestige. The new group included professional singers of upper-class, but not noble, backgrounds, under the direction of the composers Luzzasco Luzzaschi and Ippolito Fiorini. Their signature style of florid, highly ornamented singing brought prestige to Ferrara and inspired composers of the time such as Lodovico Agostini, Carlo Gesualdo and Claudio Monteverdi. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 12</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:O_Dolcezze2.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/O_Dolcezze2.jpg/290px-O_Dolcezze2.jpg" decoding="async" width="290" height="386" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/O_Dolcezze2.jpg/435px-O_Dolcezze2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/O_Dolcezze2.jpg/580px-O_Dolcezze2.jpg 2x" data-file-width="1971" data-file-height="2621" /></a><figcaption>Second page of <i>O dolcezz'amarissime d'amore</i>, written for the <i>concerto</i> by <a href="/wiki/Luzzasco_Luzzaschi" title="Luzzasco Luzzaschi">Luzzasco Luzzaschi</a>. The excerpt displays the fast-moving <a href="/wiki/Virtuosic" class="mw-redirect" title="Virtuosic">virtuosic</a> passages in which the group specialized.</figcaption></figure><br /><br />The <i><b><a href="/wiki/Concerto_delle_donne" title="Concerto delle donne">concerto delle donne</a></b></i> (<abbr style="font-size:85%" title="literal translation">lit.</abbr><span style="white-space: nowrap;"> </span><span class="gloss-quot">'</span><span class="gloss-text"><a href="/wiki/Consort_of_instruments" title="Consort of instruments">consort</a> of ladies</span><span class="gloss-quot">'</span>) was an ensemble of professional female singers of late <a href="/wiki/Renaissance_music" title="Renaissance music">Renaissance music</a> in Italy. The term usually refers to the first and most influential group in <a href="/wiki/Ferrara" title="Ferrara">Ferrara</a>, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos <a href="/wiki/Laura_Peverara" title="Laura Peverara">Laura Peverara</a>, <a href="/wiki/Livia_d%27Arco" title="Livia d'Arco">Livia d'Arco</a> and <a href="/wiki/Anna_Guarini" title="Anna Guarini">Anna Guarini</a>.<br /><br />The Duke of Ferrara <a href="/wiki/Alfonso_II_d%27Este" title="Alfonso II d'Este">Alfonso II d'Este</a> founded a group of mostly female singers for his <a href="/wiki/Chamber_music" title="Chamber music">chamber music</a> series, <i><a href="/wiki/Musica_secreta" class="mw-redirect" title="Musica secreta">musica secreta</a></i> (<abbr style="font-size:85%" title="literal translation">lit.</abbr><span style="white-space: nowrap;"> </span><span class="gloss-quot">'</span><span class="gloss-text">secret music</span><span class="gloss-quot">'</span>). These singers were exclusively noble women, such as <a href="/wiki/Lucrezia_Bendidio" title="Lucrezia Bendidio">Lucrezia</a> and <a href="/wiki/Isabella_Bendidio" title="Isabella Bendidio">Isabella Bendidio</a>. In 1580, Alfonso formally established the <i>concerto delle donne</i> for both his wife <a href="/wiki/Margherita_Gonzaga_d%27Este" class="mw-redirect" title="Margherita Gonzaga d'Este">Margherita Gonzaga d'Este</a> and reasons of prestige. The new group included professional singers of upper-class, but not noble, backgrounds, under the direction of the composers <a href="/wiki/Luzzasco_Luzzaschi" title="Luzzasco Luzzaschi">Luzzasco Luzzaschi</a> and <a href="/wiki/Ippolito_Fiorini" title="Ippolito Fiorini">Ippolito Fiorini</a>. Their signature style of florid, highly ornamented singing brought prestige to Ferrara and inspired composers of the time such as <a href="/wiki/Lodovico_Agostini" title="Lodovico Agostini">Lodovico Agostini</a>, <a href="/wiki/Carlo_Gesualdo" title="Carlo Gesualdo">Carlo Gesualdo</a> and <a href="/wiki/Claudio_Monteverdi" title="Claudio Monteverdi">Claudio Monteverdi</a>. (<b><a href="/wiki/Concerto_delle_donne" title="Concerto delle donne">Full article...</a></b>)</div></div> </li> </ul></div> <div class="noprint" style="margin:0.3em 0.2em 0.2em 0.3em; padding:0.3em 0.2em 0.2em 0.3em; text-align:right;"><b><a href="/wiki/Portal:Record_production/Featured_articles" title="Portal:Record production/Featured articles">More featured articles</a></b></div><div style="clear:both;" class=""></div></div> </div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="Did_you_know_(auto-generated)_-_load_new_batch" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em"><span id="Did_you_know_.28auto-generated.29_-_load_new_batch"></span>Did you know <small>(auto-generated)</small> - <span class="noprint plainlinks purgelink"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Portal:Record_production&action=purge"><span title="Purge this page"><small><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239334494"><span class="tmp-color" style="color:darkblue"><i>load new batch</i></span></small></span></a></span></h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <figure class="mw-halign-right" typeof="mw:File"><a href="/wiki/File:Nuvola_apps_filetypes.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Nuvola_apps_filetypes.svg/47px-Nuvola_apps_filetypes.svg.png" decoding="async" width="47" height="47" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Nuvola_apps_filetypes.svg/71px-Nuvola_apps_filetypes.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Nuvola_apps_filetypes.svg/94px-Nuvola_apps_filetypes.svg.png 2x" data-file-width="128" data-file-height="128" /></a><figcaption></figcaption></figure> <ul><li>... that one critic interpreted <b><a href="/wiki/Ghost_in_the_Machine_(song)" title="Ghost in the Machine (song)">a SZA song</a></b> as being about her fears about the growing influence of <a href="/wiki/Music_and_artificial_intelligence" title="Music and artificial intelligence">AI in the music industry</a>?</li> <li>... that when <a href="/wiki/Divine_(group)" title="Divine (group)">Divine</a>'s song "<b><a href="/wiki/Lately_(Divine_song)" title="Lately (Divine song)">Lately</a></b>" topped the <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100"><i>Billboard</i> Hot 100</a> in 1998, it became the first number-one single for the performers, the <a href="/wiki/Songwriter" title="Songwriter">songwriters</a>, the <a href="/wiki/Record_producer" title="Record producer">producers</a>, and the <a href="/wiki/Record_label" title="Record label">record labels</a>?</li> <li>... that until the release of the documentary <i><b><a href="/wiki/Predator:_The_Secret_Scandal_of_J-Pop" title="Predator: The Secret Scandal of J-Pop">Predator: The Secret Scandal of J-Pop</a></b></i>, <a href="/wiki/Johnny_Kitagawa_sexual_abuse_scandal" title="Johnny Kitagawa sexual abuse scandal">sexual abuse claims</a> involving record producer <a href="/wiki/Johnny_Kitagawa" title="Johnny Kitagawa">Johnny Kitagawa</a> went widely unreported in Japanese media?</li> <li>... that <i><b><a href="/wiki/Light_Vessel_95" title="Light Vessel 95">Light Vessel 95</a></b></i> is now a recording studio?</li> <li>... that to promote <b><a href="/wiki/The_Buffalo_Club" title="The Buffalo Club">the Buffalo Club</a></b>, <a href="/wiki/Rising_Tide_Records" title="Rising Tide Records">Rising Tide Records</a> sent packages of plastic <a href="/wiki/Bison" title="Bison">buffalo</a> to music industry executives in <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville</a>?</li> <li>... that according to <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine, <b><a href="/wiki/Laufey_(singer)" title="Laufey (singer)">Laufey</a></b> created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?</li></ul> <div style="clear:both;" class=""></div></div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="Born_this_day" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">Born this day</h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <dl><dt>Birthdays in Music: <a href="/wiki/February_19" title="February 19">February 19</a></dt></dl> <div align="left"> <ul><li class="mw-empty-elt"></li> <li><a href="/wiki/Boyce_and_Hart" title="Boyce and Hart">Bobby Hart</a>, American singer and <a href="/wiki/Songwriter" title="Songwriter">songwriter</a> of <a href="/wiki/Boyce_and_Hart" title="Boyce and Hart">Boyce and Hart</a> fame, turns 86.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Smokey_Robinson" title="Smokey Robinson">Smokey Robinson</a>, American singer, songwriter, and <a href="/wiki/Record_producer" title="Record producer">record producer</a> with The Miracles, turns 85.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Lou_Christie" title="Lou Christie">Lou Christie</a>, (born Luigi Alfredo Giovanni Sacco) American <a href="/wiki/Singer-songwriter" title="Singer-songwriter">singer-songwriter</a>, turns 82.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Pierre_van_der_Linden" title="Pierre van der Linden">Pierre van der Linden</a>, Dutch <a href="/wiki/Drummer" title="Drummer">drummer</a> with <a href="/wiki/Brainbox_(band)" title="Brainbox (band)">Brainbox</a>, <a href="/wiki/Focus_(band)" title="Focus (band)">Focus</a>, and <a href="/wiki/The_Hunters_(band)" class="mw-redirect mw-disambig" title="The Hunters (band)">The Hunters</a>, turns 79.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Mark_Andes" title="Mark Andes">Mark Andes</a>, American <a href="/wiki/Bassist" title="Bassist">bassist</a> with <a href="/wiki/Canned_Heat" title="Canned Heat">Canned Heat</a>, <a href="/wiki/Firefall" title="Firefall">Firefall</a>, <a href="/wiki/Heart_(band)" title="Heart (band)">Heart</a>, <a href="/wiki/Jo_Jo_Gunne" title="Jo Jo Gunne">Jo Jo Gunne</a>, <a href="/wiki/Spirit_(band)" title="Spirit (band)">Spirit</a>, among others, turns 77.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Tony_Iommi" title="Tony Iommi">Tony Iommi</a>, Brit songwriter and guitarist of <a href="/wiki/Black_Sabbath" title="Black Sabbath">Black Sabbath</a> fame, turns 77.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Andy_Powell" title="Andy Powell">Andy Powell</a>, Brit guitarist of <a href="/wiki/Wishbone_Ash" title="Wishbone Ash">Wishbone Ash</a> fame, turns 75.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Jeff_Daniels" title="Jeff Daniels">Jeff Daniels</a>, American <a href="/wiki/Actor" title="Actor">actor</a>, guitarist, and <a href="/wiki/Theatre_director" title="Theatre director">theatre director</a>, turns 70.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Dave_Wakeling" title="Dave Wakeling">Dave Wakeling</a>, Brit guitarist and vocalist with <a href="/wiki/The_Beat_(British_band)" title="The Beat (British band)">The Beat</a>, <a href="/wiki/General_Public" title="General Public">General Public</a>, turns 69.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/William_Galison" title="William Galison">William Galison</a>, American <a href="/wiki/Guitarist" title="Guitarist">guitarist</a> and <a href="/wiki/Harmonica" title="Harmonica">harmonica</a> player, turns 67.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Prince_Markie_Dee" title="Prince Markie Dee">Prince Markie Dee</a>, American <a href="/wiki/Rapper" class="mw-redirect" title="Rapper">rapper</a> with <a href="/wiki/The_Fat_Boys" title="The Fat Boys">The Fat Boys</a>, turns 65.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Seal_(musician)" title="Seal (musician)">Seal</a>, (born Henry Olusegun Olumide Adeola Samuel) Nigerian <a href="/wiki/Pop_music" title="Pop music">pop music</a> signer and songwriter, turns 62.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Kate_Radley" title="Kate Radley">Kate Radley</a>, Brit <a href="/wiki/Post-rock" title="Post-rock">post-rock</a> and <a href="/wiki/Shoegazing" class="mw-redirect" title="Shoegazing">shoegazing</a> keyboardist of <a href="/wiki/Spiritualized" title="Spiritualized">Spiritualized</a> fame, turns 60.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Teddy_Thompson" title="Teddy Thompson">Teddy Thompson</a>, British singer-songwriter , turns 49.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Chris_Richardson" title="Chris Richardson">Chris Richardson</a>, American singer and former <i><a href="/wiki/American_Idol" title="American Idol">American Idol</a></i> finalist, turns 41.</li></ul> <hr /> <hr /> <ul><li class="mw-empty-elt"></li> <li><a href="/wiki/Falco_(musician)" title="Falco (musician)">Falco</a> (Record production, 1957 –February 06, 1998), (born Johann Hölzel) Austrian rock and <a href="/wiki/Hip_hop_music" class="mw-redirect" title="Hip hop music">hip hop music</a> prodigy, would have turned 68 this year.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Eddie_Hardin" title="Eddie Hardin">Eddie Hardin</a> (Record production, 1949 –July 22, 2015), American <a href="/wiki/Keyboardist" title="Keyboardist">keyboardist</a> of <a href="/wiki/Spencer_Davis_Group" class="mw-redirect" title="Spencer Davis Group">Spencer Davis Group</a> fame, would have turned 76 this year.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Bobby_Rogers" title="Bobby Rogers">Bobby Rogers</a> (Record production, 1940 –March 03, 2013), American <a href="/wiki/Soul_music" title="Soul music">soul music</a> singer with <a href="/wiki/The_Miracles" title="The Miracles">The Miracles</a>, would have turned 85 this year.</li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Lee_Marvin" title="Lee Marvin">Lee Marvin</a> (Record production, 1924 –August 29, 1987), American <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a>-winning actor and singer, would have turned 101 this year.</li></ul> </div> <div align="right"><b><a href="/wiki/List_of_musical_events" class="mw-redirect" title="List of musical events">List of musical events</a></b> • <b><a href="/wiki/Portal:Music/Anniversaries" title="Portal:Music/Anniversaries">Anniversaries</a></b> • <b><a href="/wiki/Portal:Music/DateOfBirth" title="Portal:Music/DateOfBirth">More birthdays...</a></b></div> <div style="clear:both;" class=""></div></div></div><div class="flex-columns-column"> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="Selected_albums_-_load_new_batch" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em"><span typeof="mw:File"><a href="/wiki/File:Symbol_support_vote.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/38px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></span> Selected albums - <span class="noprint plainlinks purgelink"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Portal:Record_production&action=purge"><span title="Purge this page"><small><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239334494"><span class="tmp-color" style="color:darkblue"><i>load new batch</i></span></small></span></a></span></h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <div style="text-align: center;"><i><small>These are all <a href="/wiki/Wikipedia:GA" class="mw-redirect" title="Wikipedia:GA">Good articles</a>, which meet a core set of high editorial standards.</small></i></div> <hr /> <div style="font-size:105%;"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r987512734"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1021884966"><div class="randomSlideshow-container excerptSlideshow-container" style="max-width:100%; margin:-4em auto;"><div class="nomobile"></div><ul class="gallery mw-gallery-slideshow switcher-container"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 1 A Very Gaga Holiday is a live EP released by American singer Lady Gaga, containing songs performed on the ABC holiday television special A Very Gaga Thanksgiving. It was made available for purchase in the United States on November 22, 2011, exclusively on the iTunes Store and Amazon, and on November 26 in the rest of the world. The EP is made up of jazz covers of the songs "Orange Colored Sky" and "White Christmas", the latter featuring an extra verse added by Gaga herself, and acoustic versions of "You and I" and "The Edge of Glory", both songs originally from the singer's second studio album, Born This Way (2011). A recurring theme on the EP is Gaga stopping midway through singing to talk about background information on the songs with her listeners. Following its release, A Very Gaga Holiday received mixed reviews from music critics. Reviewer Stephen Thomas Erlewine, writing for Allmusic, listed "White Christmas" and "Orange Colored Sky" as highlights. A Very Gaga Holiday entered the album charts of Canada, France, and the United States, while "White Christmas" entered the single charts of Belgium, Japan, and the United Kingdom. (Full article...)"><img alt="Image 1 A Very Gaga Holiday is a live EP released by American singer Lady Gaga, containing songs performed on the ABC holiday television special A Very Gaga Thanksgiving. It was made available for purchase in the United States on November 22, 2011, exclusively on the iTunes Store and Amazon, and on November 26 in the rest of the world. The EP is made up of jazz covers of the songs "Orange Colored Sky" and "White Christmas", the latter featuring an extra verse added by Gaga herself, and acoustic versions of "You and I" and "The Edge of Glory", both songs originally from the singer's second studio album, Born This Way (2011). A recurring theme on the EP is Gaga stopping midway through singing to talk about background information on the songs with her listeners. Following its release, A Very Gaga Holiday received mixed reviews from music critics. Reviewer Stephen Thomas Erlewine, writing for Allmusic, listed "White Christmas" and "Orange Colored Sky" as highlights. A Very Gaga Holiday entered the album charts of Canada, France, and the United States, while "White Christmas" entered the single charts of Belgium, Japan, and the United Kingdom. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 1</span></span><div style="text-align:left;"><i><b><a href="/wiki/A_Very_Gaga_Holiday" title="A Very Gaga Holiday">A Very Gaga Holiday</a></b></i> is a live <a href="/wiki/Extended_play" title="Extended play">EP</a> released by American singer <a href="/wiki/Lady_Gaga" title="Lady Gaga">Lady Gaga</a>, containing songs performed on the <a href="/wiki/American_Broadcasting_Company" title="American Broadcasting Company">ABC</a> holiday television special <i><a href="/wiki/A_Very_Gaga_Thanksgiving" title="A Very Gaga Thanksgiving">A Very Gaga Thanksgiving</a></i>. It was made available for purchase in the United States on November 22, 2011, exclusively on the <a href="/wiki/ITunes_Store" title="ITunes Store">iTunes Store</a> and <a href="/wiki/Amazon.com" class="mw-redirect" title="Amazon.com">Amazon</a>, and on November 26 in the rest of the world. The EP is made up of <a href="/wiki/Jazz" title="Jazz">jazz</a> <a href="/wiki/Cover_version" title="Cover version">covers</a> of the songs "<a href="/wiki/Orange_Colored_Sky" title="Orange Colored Sky">Orange Colored Sky</a>" and "<a href="/wiki/White_Christmas_(song)" title="White Christmas (song)">White Christmas</a>", the latter featuring an extra verse added by Gaga herself, and acoustic versions of "<a href="/wiki/You_and_I_(Lady_Gaga_song)" title="You and I (Lady Gaga song)">You and I</a>" and "<a href="/wiki/The_Edge_of_Glory" title="The Edge of Glory">The Edge of Glory</a>", both songs originally from the singer's second studio album, <i><a href="/wiki/Born_This_Way_(album)" title="Born This Way (album)">Born This Way</a></i> (2011). A recurring theme on the EP is Gaga stopping midway through singing to talk about background information on the songs with her listeners.<br /><br />Following its release, <i>A Very Gaga Holiday</i> received mixed reviews from <a href="/wiki/Music_journalism" title="Music journalism">music critics</a>. Reviewer <a href="/wiki/Stephen_Thomas_Erlewine" title="Stephen Thomas Erlewine">Stephen Thomas Erlewine</a>, writing for <a href="/wiki/Allmusic" class="mw-redirect" title="Allmusic">Allmusic</a>, listed "White Christmas" and "Orange Colored Sky" as highlights. <i>A Very Gaga Holiday</i> entered the album charts of Canada, France, and the United States, while "White Christmas" entered the single charts of Belgium, Japan, and the United Kingdom. (<b><a href="/wiki/A_Very_Gaga_Holiday" title="A Very Gaga Holiday">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 2 Chinese Nü Yr is an extended play (EP) by producer Seamus Malliagh, known by his stage name Iglooghost, released on the Brainfeeder label on 30 October 2015. Containing elements of footwork, bass, grime and 2-step garage, the EP's sound is represented by a worm who goes through several nonsensical lands. To make Chinese Nü Yr, Malliagh first designed the cover art and then developed songs with structures and sound to fit the artwork. Upon release, the EP garnered generally favorable reviews from critics, a common praise being its unique style. (Full article...)"><img alt="Image 2 Chinese Nü Yr is an extended play (EP) by producer Seamus Malliagh, known by his stage name Iglooghost, released on the Brainfeeder label on 30 October 2015. Containing elements of footwork, bass, grime and 2-step garage, the EP's sound is represented by a worm who goes through several nonsensical lands. To make Chinese Nü Yr, Malliagh first designed the cover art and then developed songs with structures and sound to fit the artwork. Upon release, the EP garnered generally favorable reviews from critics, a common praise being its unique style. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 2</span></span><div style="text-align:left;"><i><b><a href="/wiki/Chinese_N%C3%BC_Yr" title="Chinese Nü Yr">Chinese Nü Yr</a></b></i> is an <a href="/wiki/Extended_play" title="Extended play">extended play</a> (EP) by producer Seamus Malliagh, known by his stage name <a href="/wiki/Iglooghost" title="Iglooghost">Iglooghost</a>, released on the <a href="/wiki/Brainfeeder" title="Brainfeeder">Brainfeeder</a> label on 30 October 2015. Containing elements of <a href="/wiki/Footwork_(Chicago)" class="mw-redirect" title="Footwork (Chicago)">footwork</a>, <a href="/wiki/Bass_music" title="Bass music">bass</a>, <a href="/wiki/Grime_music" title="Grime music">grime</a> and <a href="/wiki/2-step_garage" title="2-step garage">2-step garage</a>, the EP's sound is represented by a worm who goes through several nonsensical lands. To make <i>Chinese Nü Yr</i>, Malliagh first designed the cover art and then developed songs with structures and sound to fit the artwork. Upon release, the EP garnered generally favorable reviews from critics, a common praise being its unique style. (<b><a href="/wiki/Chinese_N%C3%BC_Yr" title="Chinese Nü Yr">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 3 Off the Wall is the fifth studio album by the American singer Michael Jackson, released on August 10, 1979, by Epic Records. It was Jackson's first album released through Epic Records, and the first produced by Quincy Jones, whom he met while working on the 1978 film The Wiz. Several critics observed that Off the Wall was crafted from disco, pop, funk, R&B, soft rock and Broadway ballads. Its lyrical themes include escapism, liberation, loneliness, hedonism and romance. The album features songwriting contributions from Stevie Wonder, Paul McCartney, Rod Temperton, Tom Bahler, and David Foster, alongside three tracks penned by Jackson himself. Between 1972 and 1975, Jackson released a total of four solo studio albums with Motown as part of The Jackson 5 franchise: Got to Be There (1972), Ben (1972), Music & Me (1973) and Forever, Michael (1975). Before recording his next album, which came to be Off the Wall, Jackson desired to create a record not sounding like a Jacksons record, but rather showcasing creative freedom and individualism. Off the Wall was a reintroduction for Jackson. (Full article...)"><img alt="Image 3 Off the Wall is the fifth studio album by the American singer Michael Jackson, released on August 10, 1979, by Epic Records. It was Jackson's first album released through Epic Records, and the first produced by Quincy Jones, whom he met while working on the 1978 film The Wiz. Several critics observed that Off the Wall was crafted from disco, pop, funk, R&B, soft rock and Broadway ballads. Its lyrical themes include escapism, liberation, loneliness, hedonism and romance. The album features songwriting contributions from Stevie Wonder, Paul McCartney, Rod Temperton, Tom Bahler, and David Foster, alongside three tracks penned by Jackson himself. Between 1972 and 1975, Jackson released a total of four solo studio albums with Motown as part of The Jackson 5 franchise: Got to Be There (1972), Ben (1972), Music & Me (1973) and Forever, Michael (1975). Before recording his next album, which came to be Off the Wall, Jackson desired to create a record not sounding like a Jacksons record, but rather showcasing creative freedom and individualism. Off the Wall was a reintroduction for Jackson. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 3</span></span><div style="text-align:left;"><i><b><a href="/wiki/Off_the_Wall" title="Off the Wall">Off the Wall</a></b></i> is the fifth <a href="/wiki/Studio_album" class="mw-redirect" title="Studio album">studio album</a> by the American singer <a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a>, released on August 10, 1979, by <a href="/wiki/Epic_Records" title="Epic Records">Epic Records</a>. It was Jackson's first album released through Epic Records, and the first produced by <a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a>, whom he met while working on the 1978 film <a href="/wiki/The_Wiz_(film)" title="The Wiz (film)"><i>The Wiz</i></a>. Several critics observed that <i>Off the Wall</i> was crafted from <a href="/wiki/Disco" title="Disco">disco</a>, <a href="/wiki/Pop_music" title="Pop music">pop</a>, <a href="/wiki/Funk" title="Funk">funk</a>, <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">R&B</a>, <a href="/wiki/Soft_rock" title="Soft rock">soft rock</a> and <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> ballads. Its lyrical themes include <a href="/wiki/Escapism" title="Escapism">escapism</a>, liberation, <a href="/wiki/Loneliness" title="Loneliness">loneliness</a>, <a href="/wiki/Hedonism" title="Hedonism">hedonism</a> and <a href="/wiki/Romance_(love)" title="Romance (love)">romance</a>. The album features songwriting contributions from <a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a>, <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a>, <a href="/wiki/Rod_Temperton" title="Rod Temperton">Rod Temperton</a>, <a href="/wiki/Tom_Bahler" title="Tom Bahler">Tom Bahler</a>, and <a href="/wiki/David_Foster" title="David Foster">David Foster</a>, alongside three tracks penned by Jackson himself.<br /><br />Between 1972 and 1975, Jackson released a total of four solo studio albums with <a href="/wiki/Motown" title="Motown">Motown</a> as part of <a href="/wiki/The_Jackson_5" title="The Jackson 5">The Jackson 5</a> franchise: <i><a href="/wiki/Got_to_Be_There" title="Got to Be There">Got to Be There</a></i> (1972), <i><a href="/wiki/Ben_(Michael_Jackson_album)" title="Ben (Michael Jackson album)">Ben</a></i> (1972), <i><a href="/wiki/Music_%26_Me" title="Music & Me">Music & Me</a></i> (1973) and <i><a href="/wiki/Forever,_Michael" title="Forever, Michael">Forever, Michael</a></i> (1975). Before recording his next album, which came to be <i>Off the Wall</i>, Jackson desired to create a record not sounding like a <a href="/wiki/The_Jackson_5#The_Jacksons_CBS/Epic_Records" title="The Jackson 5">Jacksons</a> record, but rather showcasing creative freedom and individualism. <i>Off the Wall</i> was a reintroduction for Jackson. (<b><a href="/wiki/Off_the_Wall" title="Off the Wall">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 4 Butterfly is the sixth studio album by American singer-songwriter Mariah Carey, released on September 10, 1997, by Columbia Records. The album contains both hip-hop and urban adult contemporary sounds, as well as some softer and more contemporary melodies. Throughout the project, Carey worked with Walter Afanasieff, with whom she had written and produced most of the material from her previous albums. She also worked with many famed hip-hop producers and rappers, such as Sean "Puffy" Combs, Q-Tip, Missy Elliott and the Trackmasters. With the latter acts producing most of the album, Butterfly deviated from the adult contemporary sound of Carey's previous albums. With Butterfly, Carey continued the transition that began with previous album, Daydream (1995), which pushed her further into the R&B and hip hop market and away from the pop background of her previous work. Carey was able to reflect her creative maturity and evolution in the album's writing and recording. Carey writes in the booklet of her twelfth studio album, Memoirs of an Imperfect Angel (2009), that she considers Butterfly her magnum opus and a turning point in both her life and career. (Full article...)"><img alt="Image 4 Butterfly is the sixth studio album by American singer-songwriter Mariah Carey, released on September 10, 1997, by Columbia Records. The album contains both hip-hop and urban adult contemporary sounds, as well as some softer and more contemporary melodies. Throughout the project, Carey worked with Walter Afanasieff, with whom she had written and produced most of the material from her previous albums. She also worked with many famed hip-hop producers and rappers, such as Sean "Puffy" Combs, Q-Tip, Missy Elliott and the Trackmasters. With the latter acts producing most of the album, Butterfly deviated from the adult contemporary sound of Carey's previous albums. With Butterfly, Carey continued the transition that began with previous album, Daydream (1995), which pushed her further into the R&B and hip hop market and away from the pop background of her previous work. Carey was able to reflect her creative maturity and evolution in the album's writing and recording. Carey writes in the booklet of her twelfth studio album, Memoirs of an Imperfect Angel (2009), that she considers Butterfly her magnum opus and a turning point in both her life and career. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 4</span></span><div style="text-align:left;"><b><a href="/wiki/Butterfly_(Mariah_Carey_album)" title="Butterfly (Mariah Carey album)"><i>Butterfly</i></a></b> is the sixth studio album by American singer-songwriter <a href="/wiki/Mariah_Carey" title="Mariah Carey">Mariah Carey</a>, released on September 10, 1997, by <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia Records</a>. The album contains both <a href="/wiki/Hip_hop_music" class="mw-redirect" title="Hip hop music">hip-hop</a> and <a href="/wiki/Urban_adult_contemporary" title="Urban adult contemporary">urban adult contemporary</a> sounds, as well as some softer and more contemporary melodies. Throughout the project, Carey worked with <a href="/wiki/Walter_Afanasieff" title="Walter Afanasieff">Walter Afanasieff</a>, with whom she had written and produced most of the material from her previous albums. She also worked with many famed hip-hop producers and rappers, such as <a href="/wiki/Sean_Combs" title="Sean Combs">Sean "Puffy" Combs</a>, <a href="/wiki/Q-Tip_(musician)" title="Q-Tip (musician)">Q-Tip</a>, <a href="/wiki/Missy_Elliott" title="Missy Elliott">Missy Elliott</a> and the <a href="/wiki/Trackmasters" title="Trackmasters">Trackmasters</a>. With the latter acts producing most of the album, <i>Butterfly</i> deviated from the adult contemporary sound of Carey's previous albums.<br /><br />With <i>Butterfly</i>, Carey continued the transition that began with previous album, <i><a href="/wiki/Daydream_(Mariah_Carey_album)" title="Daydream (Mariah Carey album)">Daydream</a></i> (1995), which pushed her further into the <a href="/wiki/Contemporary_R%26B" title="Contemporary R&B">R&B</a> and hip hop market and away from the <a href="/wiki/Pop_music" title="Pop music">pop</a> background of her previous work. Carey was able to reflect her creative maturity and evolution in the album's writing and recording. Carey writes in the <a href="/wiki/Liner_notes" title="Liner notes">booklet</a> of her twelfth studio album, <i><a href="/wiki/Memoirs_of_an_Imperfect_Angel" title="Memoirs of an Imperfect Angel">Memoirs of an Imperfect Angel</a></i> (2009), that she considers <i>Butterfly</i> her <a href="/wiki/Magnum_opus" class="mw-redirect" title="Magnum opus">magnum opus</a> and a turning point in both her life and career. (<b><a href="/wiki/Butterfly_(Mariah_Carey_album)" title="Butterfly (Mariah Carey album)">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 5 Greatest Lovesongs Vol. 666 is the debut studio album by Finnish gothic rock band HIM. The album was recorded in fifteen days during the summer of 1997 with producer Hiili Hiilesmaa, whom vocalist Ville Valo has credited as the honorary sixth member of the band due his help in honing the band's sound, and released on 3 November 1997. Musically Greatest Lovesongs Vol. 666 has been described as a combination of heavy metal and 1980s rock and goth, with lyrics centered around themes of love and death. The album also features the only writing credits from guitarist Mikko "Linde" Lindström in the band's history, and is their only album to feature keyboardist Antto Melasniemi and drummer Juhana "Pätkä" Rantala. Greatest Lovesongs Vol. 666 received positive reviews from critics, who commended the album's diversity and overall sound. The album peaked at number four in Finland and at number 50 in Germany, later going platinum in the former. Three singles were released, two of which reached the top ten in Finland, with music videos also being produced for two. HIM would later go on to win "Debut Album of the Year", as well as "Newcomer of the Year", at the 1997 Emma Awards. After a supporting tour across Finland, Greatest Lovesongs Vol. 666 received its international release in late 1998, which was followed by the band's first tour abroad in Germany. (Full article...)"><img alt="Image 5 Greatest Lovesongs Vol. 666 is the debut studio album by Finnish gothic rock band HIM. The album was recorded in fifteen days during the summer of 1997 with producer Hiili Hiilesmaa, whom vocalist Ville Valo has credited as the honorary sixth member of the band due his help in honing the band's sound, and released on 3 November 1997. Musically Greatest Lovesongs Vol. 666 has been described as a combination of heavy metal and 1980s rock and goth, with lyrics centered around themes of love and death. The album also features the only writing credits from guitarist Mikko "Linde" Lindström in the band's history, and is their only album to feature keyboardist Antto Melasniemi and drummer Juhana "Pätkä" Rantala. Greatest Lovesongs Vol. 666 received positive reviews from critics, who commended the album's diversity and overall sound. The album peaked at number four in Finland and at number 50 in Germany, later going platinum in the former. Three singles were released, two of which reached the top ten in Finland, with music videos also being produced for two. HIM would later go on to win "Debut Album of the Year", as well as "Newcomer of the Year", at the 1997 Emma Awards. After a supporting tour across Finland, Greatest Lovesongs Vol. 666 received its international release in late 1998, which was followed by the band's first tour abroad in Germany. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 5</span></span><div style="text-align:left;"><i><b><a href="/wiki/Greatest_Lovesongs_Vol._666" title="Greatest Lovesongs Vol. 666">Greatest Lovesongs Vol. 666</a></b></i> is the debut studio album by Finnish <a href="/wiki/Gothic_rock" title="Gothic rock">gothic rock</a> band <a href="/wiki/HIM_(Finnish_band)" title="HIM (Finnish band)">HIM</a>. The album was recorded in fifteen days during the summer of 1997 with producer Hiili Hiilesmaa, whom vocalist Ville Valo has credited as the honorary sixth member of the band due his help in honing the band's sound, and released on 3 November 1997. Musically <i>Greatest Lovesongs Vol. 666</i> has been described as a combination of <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a> and 1980s <a href="/wiki/Rock_music" title="Rock music">rock</a> and goth, with lyrics centered around themes of love and death. The album also features the only writing credits from guitarist <a href="/wiki/Linde_Lindstr%C3%B6m" title="Linde Lindström">Mikko "Linde" Lindström</a> in the band's history, and is their only album to feature keyboardist Antto Melasniemi and drummer Juhana "Pätkä" Rantala.<br /><br /><i>Greatest Lovesongs Vol. 666</i> received positive reviews from critics, who commended the album's diversity and overall sound. The album peaked at number four in Finland and at number 50 in Germany, later going platinum in the former. Three singles were released, two of which reached the top ten in Finland, with music videos also being produced for two. HIM would later go on to win "Debut Album of the Year", as well as "Newcomer of the Year", at the 1997 <a href="/wiki/Emma-gaala" title="Emma-gaala">Emma Awards</a>. After a supporting tour across Finland, <i>Greatest Lovesongs Vol. 666</i> received its international release in late 1998, which was followed by the band's first tour abroad in Germany. (<b><a href="/wiki/Greatest_Lovesongs_Vol._666" title="Greatest Lovesongs Vol. 666">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 6 Knock Madness is the third studio album by American rapper Hopsin. It was released on November 24, 2013, by Funk Volume and distributed by EMPIRE. Hopsin has said that the overall vibe of the album is different from his previous album Raw and that he has said all he needs to about leaving Ruthless Records. The album contains guest appearances from rappers SwizZz, Dizzy Wright, Jarren Benton, and Tech N9ne, among others. Like its predecessors, the album's production was entirely handled by Hopsin himself. Knock Madness was supported by three singles, "Old Friend", "Hop Is Back", and "Rip Your Heart Out", the last of which features Tech N9ne. Hopsin also supported the album with the Fuck It Tour with Yelawolf, and the Knock Madness Tour. Knock Madness was met with generally positive reviews from music critics. The album also peaked at number 76 on the US Billboard 200 and, as of December 2013, has sold 16,000 copies according to Nielsen SoundScan. (Full article...)"><img alt="Image 6 Knock Madness is the third studio album by American rapper Hopsin. It was released on November 24, 2013, by Funk Volume and distributed by EMPIRE. Hopsin has said that the overall vibe of the album is different from his previous album Raw and that he has said all he needs to about leaving Ruthless Records. The album contains guest appearances from rappers SwizZz, Dizzy Wright, Jarren Benton, and Tech N9ne, among others. Like its predecessors, the album's production was entirely handled by Hopsin himself. Knock Madness was supported by three singles, "Old Friend", "Hop Is Back", and "Rip Your Heart Out", the last of which features Tech N9ne. Hopsin also supported the album with the Fuck It Tour with Yelawolf, and the Knock Madness Tour. Knock Madness was met with generally positive reviews from music critics. The album also peaked at number 76 on the US Billboard 200 and, as of December 2013, has sold 16,000 copies according to Nielsen SoundScan. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 6</span></span><div style="text-align:left;"><i><b><a href="/wiki/Knock_Madness" title="Knock Madness">Knock Madness</a></b></i> is the third <a href="/wiki/Studio_album" class="mw-redirect" title="Studio album">studio album</a> by American rapper <a href="/wiki/Hopsin" title="Hopsin">Hopsin</a>. It was released on November 24, 2013, by <a href="/wiki/Funk_Volume" title="Funk Volume">Funk Volume</a> and distributed by <a href="/wiki/Empire_Distribution" title="Empire Distribution">EMPIRE</a>. Hopsin has said that the overall vibe of the album is different from his previous album <i>Raw</i> and that he has said all he needs to about <a href="/wiki/Hopsin#2003–2009:_Career_beginnings,_Ruthless_Records_and_Funk_Volume" title="Hopsin">leaving Ruthless Records</a>. The album contains guest appearances from rappers <a href="/wiki/SwizZz" title="SwizZz">SwizZz</a>, <a href="/wiki/Dizzy_Wright" title="Dizzy Wright">Dizzy Wright</a>, <a href="/wiki/Jarren_Benton" title="Jarren Benton">Jarren Benton</a>, and <a href="/wiki/Tech_N9ne" title="Tech N9ne">Tech N9ne</a>, among others. Like its predecessors, the album's <a href="/wiki/Hip_hop_production" class="mw-redirect" title="Hip hop production">production</a> was entirely handled by Hopsin himself.<br /><br /><i>Knock Madness</i> was supported by three singles, "Old Friend", "<a href="/wiki/Hop_Is_Back" title="Hop Is Back">Hop Is Back</a>", and "Rip Your Heart Out", the last of which features Tech N9ne. Hopsin also supported the album with the Fuck It Tour with <a href="/wiki/Yelawolf" title="Yelawolf">Yelawolf</a>, and the Knock Madness Tour. <i>Knock Madness</i> was met with generally positive reviews from <a href="/wiki/Music_criticism" title="Music criticism">music critics</a>. The album also peaked at number 76 on the US <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a> and, as of December 2013, has sold 16,000 copies according to <a href="/wiki/Nielsen_SoundScan" class="mw-redirect" title="Nielsen SoundScan">Nielsen SoundScan</a>. (<b><a href="/wiki/Knock_Madness" title="Knock Madness">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 7 Girl at the End of the World is the 14th studio album by British rock band James. It was released on 11 March 2016, through BMG. The band spent three weeks in the Scottish Highlands working on new material for their album. Re-enlisting producer Max Dingel, who produced their previous studio album, La Petite Mort (2014), James spent five months between May and September 2015 recording in separate blocks. Long-time collaborator Brian Eno, and former member Adrian Oxaal, contributed instrumentation to the sessions. The album reprised its predecessor's electronic-centred songs and dance rhythm sections. Girl at the End of the World received generally positive reviews from music critics, with some complimenting James' change in style. It peaked at number one in Scotland and number two in the UK, as well as charting in Belgium and Portugal. "Nothing But Love" was released as the lead single in March 2016, being followed by the second single "Attention" two months later. James promoted the album with a UK tour in May 2016, and appeared at a number of festivals over the succeeding few months. "To My Surprise" was released as the third single in April 2017, which was followed by UK festival appearances in July and August. (Full article...)"><img alt="Image 7 Girl at the End of the World is the 14th studio album by British rock band James. It was released on 11 March 2016, through BMG. The band spent three weeks in the Scottish Highlands working on new material for their album. Re-enlisting producer Max Dingel, who produced their previous studio album, La Petite Mort (2014), James spent five months between May and September 2015 recording in separate blocks. Long-time collaborator Brian Eno, and former member Adrian Oxaal, contributed instrumentation to the sessions. The album reprised its predecessor's electronic-centred songs and dance rhythm sections. Girl at the End of the World received generally positive reviews from music critics, with some complimenting James' change in style. It peaked at number one in Scotland and number two in the UK, as well as charting in Belgium and Portugal. "Nothing But Love" was released as the lead single in March 2016, being followed by the second single "Attention" two months later. James promoted the album with a UK tour in May 2016, and appeared at a number of festivals over the succeeding few months. "To My Surprise" was released as the third single in April 2017, which was followed by UK festival appearances in July and August. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 7</span></span><div style="text-align:left;"><i><b><a href="/wiki/Girl_at_the_End_of_the_World" title="Girl at the End of the World">Girl at the End of the World</a></b></i> is the 14th studio album by British <a href="/wiki/Rock_music" title="Rock music">rock</a> band <a href="/wiki/James_(band)" title="James (band)">James</a>. It was released on 11 March 2016, through <a href="/wiki/BMG_Rights_Management" title="BMG Rights Management">BMG</a>. The band spent three weeks in the <a href="/wiki/Scottish_Highlands" title="Scottish Highlands">Scottish Highlands</a> working on new material for their album. Re-enlisting producer Max Dingel, who produced their previous studio album, <i><a href="/wiki/La_Petite_Mort_(James_album)" title="La Petite Mort (James album)">La Petite Mort</a></i> (2014), James spent five months between May and September 2015 recording in separate blocks. Long-time collaborator <a href="/wiki/Brian_Eno" title="Brian Eno">Brian Eno</a>, and former member <a href="/wiki/Adrian_Oxaal" title="Adrian Oxaal">Adrian Oxaal</a>, contributed instrumentation to the sessions. The album reprised its predecessor's <a href="/wiki/Electronic_music" title="Electronic music">electronic</a>-centred songs and <a href="/wiki/Dance_music" title="Dance music">dance</a> rhythm sections.<br /><br /><i>Girl at the End of the World</i> received generally positive reviews from <a href="/wiki/Music_journalism" title="Music journalism">music critics</a>, with some complimenting James' change in style. It peaked at number one in Scotland and number two in the UK, as well as charting in Belgium and Portugal. "Nothing But Love" was released as the <a href="/wiki/Lead_single" title="Lead single">lead single</a> in March 2016, being followed by the second <a href="/wiki/Single_(music)" title="Single (music)">single</a> "Attention" two months later. James promoted the album with a UK tour in May 2016, and appeared at a number of festivals over the succeeding few months. "To My Surprise" was released as the third single in April 2017, which was followed by UK festival appearances in July and August. (<b><a href="/wiki/Girl_at_the_End_of_the_World" title="Girl at the End of the World">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 8 Nostalgia, Ultra (stylized as nostalgia,ULTRA. and occasionally nostalgia/ultra) is the debut mixtape by American singer-songwriter Frank Ocean. It was released on February 16, 2011. Ocean was inspired to make the mixtape after Hurricane Katrina in his native New Orleans and his subsequent relocation to Los Angeles. After joining alternative hip hop group Odd Future in 2009, he self-released the mixtape, without initial promotion. Nostalgia, Ultra has a unique R&B aesthetic and features surreal themes and nostalgic lyrics. The songs mostly focus on interpersonal relationships, personal reflection, and social commentary. Following its release, the mixtape received rave reviews from music critics. The cover features a picture of a bright orange BMW E30 M3, Ocean's "dream car", in plain sight amidst lush greenery. In May 2011, Def Jam announced its plans to release the mixtape as an EP on July 26, 2011. However, the release of the EP was indefinitely delayed in July 2011 and has since been cancelled. Two singles were released from the aborted EP version: "Novacane", and "Swim Good". Both songs received music videos directed by Australian director Nabil Elderkin. Ocean embarked on a solo concert tour through North America and Europe to promote the record, playing a total of 7 shows. In addition, his 2012 performance at the Coachella Music Festival included several live renditions from the release including "Strawberry Swing" and "Lovecrimes". (Full article...)"><img alt="Image 8 Nostalgia, Ultra (stylized as nostalgia,ULTRA. and occasionally nostalgia/ultra) is the debut mixtape by American singer-songwriter Frank Ocean. It was released on February 16, 2011. Ocean was inspired to make the mixtape after Hurricane Katrina in his native New Orleans and his subsequent relocation to Los Angeles. After joining alternative hip hop group Odd Future in 2009, he self-released the mixtape, without initial promotion. Nostalgia, Ultra has a unique R&B aesthetic and features surreal themes and nostalgic lyrics. The songs mostly focus on interpersonal relationships, personal reflection, and social commentary. Following its release, the mixtape received rave reviews from music critics. The cover features a picture of a bright orange BMW E30 M3, Ocean's "dream car", in plain sight amidst lush greenery. In May 2011, Def Jam announced its plans to release the mixtape as an EP on July 26, 2011. However, the release of the EP was indefinitely delayed in July 2011 and has since been cancelled. Two singles were released from the aborted EP version: "Novacane", and "Swim Good". Both songs received music videos directed by Australian director Nabil Elderkin. Ocean embarked on a solo concert tour through North America and Europe to promote the record, playing a total of 7 shows. In addition, his 2012 performance at the Coachella Music Festival included several live renditions from the release including "Strawberry Swing" and "Lovecrimes". (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 8</span></span><div style="text-align:left;"><i><b><a href="/wiki/Nostalgia,_Ultra" title="Nostalgia, Ultra">Nostalgia, Ultra</a></b></i> (stylized as <i><b>nostalgia,ULTRA.</b></i> and occasionally <i><b>nostalgia/ultra</b></i>) is the debut <a href="/wiki/Mixtape" title="Mixtape">mixtape</a> by American singer-songwriter <a href="/wiki/Frank_Ocean" title="Frank Ocean">Frank Ocean</a>. It was released on February 16, 2011. Ocean was inspired to make the mixtape after <a href="/wiki/Hurricane_Katrina" title="Hurricane Katrina">Hurricane Katrina</a> in his native <a href="/wiki/New_Orleans" title="New Orleans">New Orleans</a> and his subsequent relocation to <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>. After joining <a href="/wiki/Alternative_hip_hop" class="mw-redirect" title="Alternative hip hop">alternative hip hop</a> group <a href="/wiki/Odd_Future" title="Odd Future">Odd Future</a> in 2009, he <a href="/wiki/Self-publishing" title="Self-publishing">self-released</a> the mixtape, without initial promotion. <i>Nostalgia, Ultra</i> has a unique <a href="/wiki/Contemporary_R%26B" title="Contemporary R&B">R&B</a> aesthetic and features surreal themes and nostalgic lyrics. The songs mostly focus on interpersonal relationships, personal reflection, and social commentary. Following its release, the mixtape received rave reviews from <a href="/wiki/Music_journalism" title="Music journalism">music critics</a>. The cover features a picture of a bright orange <a href="/wiki/BMW_M3#E30_generation_(1986–1991)" title="BMW M3">BMW E30 M3</a>, Ocean's "dream car", in plain sight amidst lush greenery.<br /><br />In May 2011, <a href="/wiki/Def_Jam_Recordings" title="Def Jam Recordings">Def Jam</a> announced its plans to release the mixtape as an <a href="/wiki/Extended_play" title="Extended play">EP</a> on July 26, 2011. However, the release of the EP was indefinitely delayed in July 2011 and has since been cancelled. Two singles were released from the aborted EP version: "<a href="/wiki/Novacane_(song)" title="Novacane (song)">Novacane</a>", and "<a href="/wiki/Swim_Good" title="Swim Good">Swim Good</a>". Both songs received music videos directed by <a href="/wiki/Australia" title="Australia">Australian</a> director <a href="/wiki/Nabil_Elderkin" title="Nabil Elderkin">Nabil Elderkin</a>. Ocean embarked on a solo concert tour through <a href="/wiki/North_America" title="North America">North America</a> and <a href="/wiki/Europe" title="Europe">Europe</a> to promote the record, playing a total of 7 shows. In addition, his 2012 performance at the <a href="/wiki/Coachella_Valley_Music_and_Arts_Festival" class="mw-redirect" title="Coachella Valley Music and Arts Festival">Coachella Music Festival</a> included several live renditions from the release including "<a href="/wiki/Strawberry_Swing" title="Strawberry Swing">Strawberry Swing</a>" and "Lovecrimes". (<b><a href="/wiki/Nostalgia,_Ultra" title="Nostalgia, Ultra">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 9 The World Needs a Hero is the ninth studio album by American thrash metal band Megadeth, released on May 15, 2001, by Sanctuary Records. After the critical and commercial failure of the previous album Risk (1999), The World Needs a Hero represented a change back to a heavier musical direction. Subsequently, the album charted at number 16 on the Billboard 200 upon release. After parting with former label Capitol Records, the album was the first of two Megadeth studio albums to be released by Sanctuary. It was the last of two studio albums to feature drummer Jimmy DeGrasso, the last to feature bassist David Ellefson until Thirteen (2011), the only one to feature guitarist Al Pitrelli, and the last one before Megadeth's brief disbandment in 2002. It is also the first album to feature the band's mascot Vic Rattlehead on the cover since Rust in Peace (1990), and the first to utilize Megadeth's classic logo since Youthanasia (1994). (Full article...)"><img alt="Image 9 The World Needs a Hero is the ninth studio album by American thrash metal band Megadeth, released on May 15, 2001, by Sanctuary Records. After the critical and commercial failure of the previous album Risk (1999), The World Needs a Hero represented a change back to a heavier musical direction. Subsequently, the album charted at number 16 on the Billboard 200 upon release. After parting with former label Capitol Records, the album was the first of two Megadeth studio albums to be released by Sanctuary. It was the last of two studio albums to feature drummer Jimmy DeGrasso, the last to feature bassist David Ellefson until Thirteen (2011), the only one to feature guitarist Al Pitrelli, and the last one before Megadeth's brief disbandment in 2002. It is also the first album to feature the band's mascot Vic Rattlehead on the cover since Rust in Peace (1990), and the first to utilize Megadeth's classic logo since Youthanasia (1994). (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 9</span></span><div style="text-align:left;"><i><b><a href="/wiki/The_World_Needs_a_Hero" title="The World Needs a Hero">The World Needs a Hero</a></b></i> is the ninth studio album by American <a href="/wiki/Thrash_metal" title="Thrash metal">thrash metal</a> band <a href="/wiki/Megadeth" title="Megadeth">Megadeth</a>, released on May 15, 2001, by <a href="/wiki/Sanctuary_Records" title="Sanctuary Records">Sanctuary Records</a>. After the critical and commercial failure of the previous album <i><a href="/wiki/Risk_(Megadeth_album)" title="Risk (Megadeth album)">Risk</a></i> (1999), <i>The World Needs a Hero</i> represented a change back to a heavier musical direction. Subsequently, the album charted at number 16 on the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a> upon release.<br /><br />After parting with former label <a href="/wiki/Capitol_Records" title="Capitol Records">Capitol Records</a>, the album was the first of two Megadeth studio albums to be released by Sanctuary. It was the last of two studio albums to feature drummer <a href="/wiki/Jimmy_DeGrasso" title="Jimmy DeGrasso">Jimmy DeGrasso</a>, the last to feature bassist <a href="/wiki/David_Ellefson" title="David Ellefson">David Ellefson</a> until <i><a href="/wiki/Thirteen_(Megadeth_album)" title="Thirteen (Megadeth album)">Thirteen</a></i> (2011), the only one to feature guitarist <a href="/wiki/Al_Pitrelli" title="Al Pitrelli">Al Pitrelli</a>, and the last one before Megadeth's brief disbandment in 2002. It is also the first album to feature the band's mascot <a href="/wiki/Vic_Rattlehead" title="Vic Rattlehead">Vic Rattlehead</a> on the cover since <i><a href="/wiki/Rust_in_Peace" title="Rust in Peace">Rust in Peace</a></i> (1990), and the first to utilize Megadeth's classic logo since <i><a href="/wiki/Youthanasia" title="Youthanasia">Youthanasia</a></i> (1994). (<b><a href="/wiki/The_World_Needs_a_Hero" title="The World Needs a Hero">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 10 Terminator Salvation is a 2009 American military science fiction action film that is the fourth installment of the Terminator franchise, serving as a sequel to Terminator 3: Rise of the Machines (2003). It is directed by McG and written by John Brancato and Michael Ferris. It is the only Terminator film to date not to feature Arnold Schwarzenegger, though his likeness briefly appears digitally. Instead, it stars Christian Bale and Sam Worthington with Anton Yelchin, Moon Bloodgood, Bryce Dallas Howard, Common, Michael Ironside, and Helena Bonham Carter in supporting roles. In a departure from the previous installments, Salvation is a post-apocalyptic film set in the year 2018. It focuses on the war between Skynet's machine network and humanity, as the remnants of the world's militaries have united to form the Resistance to fight against Skynet. Bale portrays John Connor, a Resistance fighter and central character, while Worthington portrays cyborg Marcus Wright. Yelchin plays a young Kyle Reese, a character first introduced in The Terminator (1984), and the film depicts the origins of the T-800 Terminator. After troubled pre-production, with the Halcyon Company acquiring the rights from Andrew G. Vajna and Mario Kassar, and with several writers working on the screenplay, filming began in May 2008 in New Mexico, and ran for 77 days. (Full article...)"><img alt="Image 10 Terminator Salvation is a 2009 American military science fiction action film that is the fourth installment of the Terminator franchise, serving as a sequel to Terminator 3: Rise of the Machines (2003). It is directed by McG and written by John Brancato and Michael Ferris. It is the only Terminator film to date not to feature Arnold Schwarzenegger, though his likeness briefly appears digitally. Instead, it stars Christian Bale and Sam Worthington with Anton Yelchin, Moon Bloodgood, Bryce Dallas Howard, Common, Michael Ironside, and Helena Bonham Carter in supporting roles. In a departure from the previous installments, Salvation is a post-apocalyptic film set in the year 2018. It focuses on the war between Skynet's machine network and humanity, as the remnants of the world's militaries have united to form the Resistance to fight against Skynet. Bale portrays John Connor, a Resistance fighter and central character, while Worthington portrays cyborg Marcus Wright. Yelchin plays a young Kyle Reese, a character first introduced in The Terminator (1984), and the film depicts the origins of the T-800 Terminator. After troubled pre-production, with the Halcyon Company acquiring the rights from Andrew G. Vajna and Mario Kassar, and with several writers working on the screenplay, filming began in May 2008 in New Mexico, and ran for 77 days. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 10</span></span><div style="text-align:left;"><i><b><a href="/wiki/Terminator_Salvation" title="Terminator Salvation">Terminator Salvation</a></b></i> is a 2009 American <a href="/wiki/Military_science_fiction" title="Military science fiction">military science fiction</a> <a href="/wiki/Action_film" title="Action film">action film</a> that is the fourth installment of the <a href="/wiki/Terminator_(franchise)" title="Terminator (franchise)"><i>Terminator</i> franchise</a>, serving as a sequel to <i><a href="/wiki/Terminator_3:_Rise_of_the_Machines" title="Terminator 3: Rise of the Machines">Terminator 3: Rise of the Machines</a></i> (2003). It is directed by <a href="/wiki/McG" title="McG">McG</a> and written by <a href="/wiki/John_Brancato_and_Michael_Ferris" title="John Brancato and Michael Ferris">John Brancato and Michael Ferris</a>. It is the only <i>Terminator</i> film to date not to feature <a href="/wiki/Arnold_Schwarzenegger" title="Arnold Schwarzenegger">Arnold Schwarzenegger</a>, though his likeness briefly appears digitally. Instead, it stars <a href="/wiki/Christian_Bale" title="Christian Bale">Christian Bale</a> and <a href="/wiki/Sam_Worthington" title="Sam Worthington">Sam Worthington</a> with <a href="/wiki/Anton_Yelchin" title="Anton Yelchin">Anton Yelchin</a>, <a href="/wiki/Moon_Bloodgood" title="Moon Bloodgood">Moon Bloodgood</a>, <a href="/wiki/Bryce_Dallas_Howard" title="Bryce Dallas Howard">Bryce Dallas Howard</a>, <a href="/wiki/Common_(rapper)" title="Common (rapper)">Common</a>, <a href="/wiki/Michael_Ironside" title="Michael Ironside">Michael Ironside</a>, and <a href="/wiki/Helena_Bonham_Carter" title="Helena Bonham Carter">Helena Bonham Carter</a> in supporting roles. In a departure from the previous installments, <i>Salvation</i> is a <a href="/wiki/Apocalyptic_and_post-apocalyptic_fiction" title="Apocalyptic and post-apocalyptic fiction">post-apocalyptic</a> film set in the year 2018. It focuses on the war between <a href="/wiki/Skynet_(Terminator)" title="Skynet (Terminator)">Skynet</a>'s machine network and humanity, as the remnants of the world's militaries have united to form the Resistance to fight against Skynet. Bale portrays <a href="/wiki/John_Connor" title="John Connor">John Connor</a>, a Resistance fighter and central character, while Worthington portrays <a href="/wiki/Cyborg" title="Cyborg">cyborg</a> Marcus Wright. Yelchin plays a young <a href="/wiki/Kyle_Reese" title="Kyle Reese">Kyle Reese</a>, a character first introduced in <i><a href="/wiki/The_Terminator" title="The Terminator">The Terminator</a></i> (1984), and the film depicts the origins of the <a href="/wiki/Terminator_(character)" title="Terminator (character)">T-800 Terminator</a>.<br /><br />After troubled pre-production, with <a href="/wiki/The_Halcyon_Company" title="The Halcyon Company">the Halcyon Company</a> acquiring the rights from <a href="/wiki/Andrew_G._Vajna" title="Andrew G. Vajna">Andrew G. Vajna</a> and <a href="/wiki/Mario_Kassar" title="Mario Kassar">Mario Kassar</a>, and with several writers working on the screenplay, filming began in May 2008 in <a href="/wiki/New_Mexico" title="New Mexico">New Mexico</a>, and ran for 77 days. (<b><a href="/wiki/Terminator_Salvation" title="Terminator Salvation">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 11 Quién Dijo Ayer (English: Who Said Yesterday) is a compilation album released by Guatemalan singer-songwriter Ricardo Arjona on 21 August 2007. Dan Warner and Lee Levin co-produced the album with Arjona and Puerto Rican singer-songwriter Tommy Torres. It was recorded in the United States, Mexico, Italy and Argentina, and is the last album Arjona released under the Sony Music Entertainment label before signing with Warner Music Group. It is Arjona's first compilation to include new material in the form of re-recorded versions of past hits in different musical genres from the original recordings, featuring guest artists such as Marc Anthony, Marta Sánchez and Mexican ska band Panteón Rococó, among others. Critically and commercially successful, Quién Dijo Ayer topped the US Billboard Latin Pop Albums chart and reached number two on the Top Latin Albums chart. The album became a hit in Latin America, topping the Mexican albums chart and receiving gold and Platinum certifications in several countries including the United States. The album spawned two commercially successful singles, "Quién", which reached number four on the Billboard Latin Pop Songs chart, and "Quiero", which reached number eight. Quién Dijo Ayer received in 2008 a nomination for the Latin Grammy Award for Best Male Pop Vocal Album and the Best Male Pop Vocal Album award at the Billboard Latin Music Awards. (Full article...)"><img alt="Image 11 Quién Dijo Ayer (English: Who Said Yesterday) is a compilation album released by Guatemalan singer-songwriter Ricardo Arjona on 21 August 2007. Dan Warner and Lee Levin co-produced the album with Arjona and Puerto Rican singer-songwriter Tommy Torres. It was recorded in the United States, Mexico, Italy and Argentina, and is the last album Arjona released under the Sony Music Entertainment label before signing with Warner Music Group. It is Arjona's first compilation to include new material in the form of re-recorded versions of past hits in different musical genres from the original recordings, featuring guest artists such as Marc Anthony, Marta Sánchez and Mexican ska band Panteón Rococó, among others. Critically and commercially successful, Quién Dijo Ayer topped the US Billboard Latin Pop Albums chart and reached number two on the Top Latin Albums chart. The album became a hit in Latin America, topping the Mexican albums chart and receiving gold and Platinum certifications in several countries including the United States. The album spawned two commercially successful singles, "Quién", which reached number four on the Billboard Latin Pop Songs chart, and "Quiero", which reached number eight. Quién Dijo Ayer received in 2008 a nomination for the Latin Grammy Award for Best Male Pop Vocal Album and the Best Male Pop Vocal Album award at the Billboard Latin Music Awards. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 11</span></span><div style="text-align:left;"><i><b><a href="/wiki/Qui%C3%A9n_Dijo_Ayer" title="Quién Dijo Ayer">Quién Dijo Ayer</a></b></i> (English: <i>Who Said Yesterday</i>) is a compilation album released by Guatemalan singer-songwriter <a href="/wiki/Ricardo_Arjona" title="Ricardo Arjona">Ricardo Arjona</a> on 21 August 2007. Dan Warner and Lee Levin co-produced the album with Arjona and Puerto Rican singer-songwriter <a href="/wiki/Tommy_Torres" title="Tommy Torres">Tommy Torres</a>. It was recorded in the United States, Mexico, Italy and Argentina, and is the last album Arjona released under the <a href="/wiki/Sony_Music_Entertainment" class="mw-redirect" title="Sony Music Entertainment">Sony Music Entertainment</a> label before signing with <a href="/wiki/Warner_Music_Group" title="Warner Music Group">Warner Music Group</a>. It is Arjona's first compilation to include new material in the form of re-recorded versions of past hits in different musical genres from the original recordings, featuring guest artists such as <a href="/wiki/Marc_Anthony" title="Marc Anthony">Marc Anthony</a>, <a href="/wiki/Marta_S%C3%A1nchez" title="Marta Sánchez">Marta Sánchez</a> and Mexican <a href="/wiki/Ska_music" class="mw-redirect" title="Ska music">ska</a> band <a href="/wiki/Pante%C3%B3n_Rococ%C3%B3" title="Panteón Rococó">Panteón Rococó</a>, among others.<br /><br />Critically and commercially successful, <i>Quién Dijo Ayer</i> topped the US <i>Billboard</i> <a href="/wiki/Latin_Pop_Albums" title="Latin Pop Albums">Latin Pop Albums</a> chart and reached number two on the <a href="/wiki/Top_Latin_Albums" class="mw-redirect" title="Top Latin Albums">Top Latin Albums</a> chart. The album became a hit in Latin America, topping the Mexican albums chart and receiving <a href="/wiki/Gold_certification" class="mw-redirect" title="Gold certification">gold</a> and <a href="/wiki/Platinum_certification" class="mw-redirect" title="Platinum certification">Platinum certifications</a> in several countries including the United States. The album spawned two commercially successful singles, "<a href="/wiki/Qui%C3%A9n_(Ricardo_Arjona_song)" title="Quién (Ricardo Arjona song)">Quién</a>", which reached number four on the <i>Billboard</i> <a href="/wiki/Latin_Pop_Songs" class="mw-redirect" title="Latin Pop Songs">Latin Pop Songs</a> chart, and "<a href="/wiki/Quiero_(Ricardo_Arjona_song)" title="Quiero (Ricardo Arjona song)">Quiero</a>", which reached number eight. <i>Quién Dijo Ayer</i> received in 2008 a nomination for the <a href="/wiki/Latin_Grammy_Award_for_Best_Male_Pop_Vocal_Album" title="Latin Grammy Award for Best Male Pop Vocal Album">Latin Grammy Award for Best Male Pop Vocal Album</a> and the Best Male Pop Vocal Album award at the <a href="/wiki/Billboard_Latin_Music_Awards" title="Billboard Latin Music Awards">Billboard Latin Music Awards</a>. (<b><a href="/wiki/Qui%C3%A9n_Dijo_Ayer" title="Quién Dijo Ayer">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 12 Personal may refer to: (Full article...)"><img alt="Image 12 Personal may refer to: (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 12</span></span><div style="text-align:left;"><b><a href="/wiki/Personal" class="mw-disambig" title="Personal">Personal</a></b> may refer to: (<b><a href="/wiki/Personal_(album)" class="mw-redirect mw-disambig" title="Personal (album)">Full article...</a></b>)</div></div> </li> </ul></div></div> <div class="noprint" style="margin:0.3em 0.2em 0.2em 0.3em; padding:0.3em 0.2em 0.2em 0.3em; text-align:right;"><b><a href="/wiki/Portal:Record_production/Good_album_articles" title="Portal:Record production/Good album articles">More selected albums</a></b></div><div style="clear:both;" class=""></div></div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="General_images_-_load_new_batch" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">General images - <span class="noprint plainlinks purgelink"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Portal:Record_production&action=purge"><span title="Purge this page"><small><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239334494"><span class="tmp-color" style="color:darkblue"><i>load new batch</i></span></small></span></a></span></h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <div class="center" style="width:auto; margin-left:auto; margin-right:auto;"><small><b>The following are images from various record production-related articles on Wikipedia.</b></small></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1021884966"><div class="randomSlideshow-container" style="max-width:100%; margin:-4em auto;"><div class="nomobile"></div><ul class="gallery mw-gallery-slideshow switcher-container"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:DM_Recording_Studio.jpg" class="mw-file-description" title="Image 1The Siemens Studio for Electronic Music c. 1956. (from Recording studio)"><img alt="Image 1The Siemens Studio for Electronic Music c. 1956. (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/DM_Recording_Studio.jpg/120px-DM_Recording_Studio.jpg" decoding="async" width="120" height="80" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/DM_Recording_Studio.jpg/180px-DM_Recording_Studio.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/DM_Recording_Studio.jpg/240px-DM_Recording_Studio.jpg 2x" data-file-width="3456" data-file-height="2304" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 1</span></span>The <a href="/wiki/Siemens" title="Siemens">Siemens</a> Studio for Electronic Music <abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1956</span>. (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Stax_Records,_Memphis,_TN,_US_(06).jpg" class="mw-file-description" title="Image 2Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)"><img alt="Image 2Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Stax_Records%2C_Memphis%2C_TN%2C_US_%2806%29.jpg/80px-Stax_Records%2C_Memphis%2C_TN%2C_US_%2806%29.jpg" decoding="async" width="80" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Stax_Records%2C_Memphis%2C_TN%2C_US_%2806%29.jpg/120px-Stax_Records%2C_Memphis%2C_TN%2C_US_%2806%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/31/Stax_Records%2C_Memphis%2C_TN%2C_US_%2806%29.jpg/160px-Stax_Records%2C_Memphis%2C_TN%2C_US_%2806%29.jpg 2x" data-file-width="4016" data-file-height="6016" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 2</span></span>Scully 280 eight-track recorder at the <a href="/wiki/Stax_Museum_of_American_Soul_Music" title="Stax Museum of American Soul Music">Stax Museum of American Soul Music</a> (from <b><a href="/wiki/Multitrack_recording" title="Multitrack recording">Multitrack recording</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:TEAC_2340.jpg" class="mw-file-description" title="Image 3The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)"><img alt="Image 3The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e8/TEAC_2340.jpg/103px-TEAC_2340.jpg" decoding="async" width="103" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e8/TEAC_2340.jpg/154px-TEAC_2340.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e8/TEAC_2340.jpg/205px-TEAC_2340.jpg 2x" data-file-width="1915" data-file-height="2236" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 3</span></span>The <a href="/wiki/TEAC_Corporation" title="TEAC Corporation">TEAC</a> 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from <b><a href="/wiki/Multitrack_recording" title="Multitrack recording">Multitrack recording</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_(2).jpg" class="mw-file-description" title="Image 4Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)"><img alt="Image 4Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_%282%29.jpg/80px-Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_%282%29.jpg" decoding="async" width="80" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_%282%29.jpg/120px-Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_%282%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_%282%29.jpg/160px-Hip_Hop_producer_and_rapper_RZA_-_Robert_Fitzgerald_Diggs_%282%29.jpg 2x" data-file-width="567" data-file-height="852" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 4</span></span>Hip hop producer and rapper <a href="/wiki/RZA" title="RZA">RZA</a> in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from <b><a href="/wiki/Hip-hop_production" title="Hip-hop production">Hip-hop production</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Control-room2.jpg" class="mw-file-description" title="Image 5Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)"><img alt="Image 5Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f7/Control-room2.jpg/120px-Control-room2.jpg" decoding="async" width="120" height="51" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f7/Control-room2.jpg/180px-Control-room2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f7/Control-room2.jpg/240px-Control-room2.jpg 2x" data-file-width="950" data-file-height="400" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 5</span></span>Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Ridge_Radio_Studio.jpg" class="mw-file-description" title="Image 6The studio at Ridge Radio in Caterham, England (from Recording studio)"><img alt="Image 6The studio at Ridge Radio in Caterham, England (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Ridge_Radio_Studio.jpg/120px-Ridge_Radio_Studio.jpg" decoding="async" width="120" height="90" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Ridge_Radio_Studio.jpg/180px-Ridge_Radio_Studio.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/Ridge_Radio_Studio.jpg/240px-Ridge_Radio_Studio.jpg 2x" data-file-width="960" data-file-height="723" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 6</span></span>The studio at Ridge Radio in <a href="/wiki/Caterham" title="Caterham">Caterham</a>, England (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Donna_Summer_1977.JPG" class="mw-file-description" title="Image 7Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)"><img alt="Image 7Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Donna_Summer_1977.JPG/79px-Donna_Summer_1977.JPG" decoding="async" width="79" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Donna_Summer_1977.JPG/118px-Donna_Summer_1977.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Donna_Summer_1977.JPG/157px-Donna_Summer_1977.JPG 2x" data-file-width="540" data-file-height="822" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 7</span></span><a href="/wiki/Donna_Summer" title="Donna Summer">Donna Summer</a> wearing headphones during a recording session in 1977 (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Korg_D888.jpg" class="mw-file-description" title="Image 8Korg D888 eight-track digital recorder (from Multitrack recording)"><img alt="Image 8Korg D888 eight-track digital recorder (from Multitrack recording)" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Korg_D888.jpg/120px-Korg_D888.jpg" decoding="async" width="120" height="93" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/29/Korg_D888.jpg/180px-Korg_D888.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/29/Korg_D888.jpg/240px-Korg_D888.jpg 2x" data-file-width="2511" data-file-height="1952" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 8</span></span><a href="/wiki/Korg" title="Korg">Korg</a> D888 eight-track digital recorder (from <b><a href="/wiki/Multitrack_recording" title="Multitrack recording">Multitrack recording</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:AugustRecordingSonJarochoWikiLearning020.jpg" class="mw-file-description" title="Image 9Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)"><img alt="Image 9Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e7/AugustRecordingSonJarochoWikiLearning020.jpg/120px-AugustRecordingSonJarochoWikiLearning020.jpg" decoding="async" width="120" height="80" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e7/AugustRecordingSonJarochoWikiLearning020.jpg/180px-AugustRecordingSonJarochoWikiLearning020.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e7/AugustRecordingSonJarochoWikiLearning020.jpg/240px-AugustRecordingSonJarochoWikiLearning020.jpg 2x" data-file-width="3872" data-file-height="2592" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 9</span></span>Control room at the <a href="/wiki/Monterrey_Institute_of_Technology_and_Higher_Education,_Mexico_City" class="mw-redirect" title="Monterrey Institute of Technology and Higher Education, Mexico City">Tec de Monterrey, Mexico City Campus</a> (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Digidesign_192_io.JPG" class="mw-file-description" title="Image 10Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)"><img alt="Image 10Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Digidesign_192_io.JPG/120px-Digidesign_192_io.JPG" decoding="async" width="120" height="23" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/Digidesign_192_io.JPG/180px-Digidesign_192_io.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/94/Digidesign_192_io.JPG/240px-Digidesign_192_io.JPG 2x" data-file-width="594" data-file-height="114" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 10</span></span>Digital audio interface for the <a href="/wiki/Pro_Tools" title="Pro Tools">Pro Tools</a> computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from <b><a href="/wiki/Multitrack_recording" title="Multitrack recording">Multitrack recording</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Friend%27s_home_studio_(by_David_J).jpg" class="mw-file-description" title="Image 11Home studio setup (from Recording studio)"><img alt="Image 11Home studio setup (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/41/Friend%27s_home_studio_%28by_David_J%29.jpg/120px-Friend%27s_home_studio_%28by_David_J%29.jpg" decoding="async" width="120" height="90" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/41/Friend%27s_home_studio_%28by_David_J%29.jpg/180px-Friend%27s_home_studio_%28by_David_J%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/41/Friend%27s_home_studio_%28by_David_J%29.jpg/240px-Friend%27s_home_studio_%28by_David_J%29.jpg 2x" data-file-width="2592" data-file-height="1944" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 11</span></span>Home studio setup (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25,_2012.jpg" class="mw-file-description" title="Image 12Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)"><img alt="Danny Knicely records with Furnace Mountain Band" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25%2C_2012.jpg/120px-Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25%2C_2012.jpg" decoding="async" width="120" height="90" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25%2C_2012.jpg/180px-Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25%2C_2012.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2c/Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25%2C_2012.jpg/240px-Danny_Knicely_Records_With_Furnace_Mountain_Band_-_Feb_25%2C_2012.jpg 2x" data-file-width="3583" data-file-height="2691" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 12</span></span><a href="/wiki/Danny_Knicely" title="Danny Knicely">Danny Knicely</a> records with Furnace Mountain Band in Virginia (2012) (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Neve_VR60_(The_Engine_Room).jpg" class="mw-file-description" title="Image 13Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)"><img alt="Image 13Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Neve_VR60_%28The_Engine_Room%29.jpg/90px-Neve_VR60_%28The_Engine_Room%29.jpg" decoding="async" width="90" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Neve_VR60_%28The_Engine_Room%29.jpg/135px-Neve_VR60_%28The_Engine_Room%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Neve_VR60_%28The_Engine_Room%29.jpg/180px-Neve_VR60_%28The_Engine_Room%29.jpg 2x" data-file-width="1536" data-file-height="2048" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 13</span></span>Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Tascam-16Track.jpg" class="mw-file-description" title="Image 14The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)"><img alt="Image 14The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ef/Tascam-16Track.jpg/120px-Tascam-16Track.jpg" decoding="async" width="120" height="89" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ef/Tascam-16Track.jpg/180px-Tascam-16Track.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ef/Tascam-16Track.jpg/240px-Tascam-16Track.jpg 2x" data-file-width="980" data-file-height="726" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 14</span></span>The <a href="/wiki/TASCAM" title="TASCAM">TASCAM</a> 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty <a href="/wiki/Tape_head" title="Tape head">tape heads</a> providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from <b><a href="/wiki/Multitrack_recording" title="Multitrack recording">Multitrack recording</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Stax_Records,_Memphis,_TN,_US_(10).jpg" class="mw-file-description" title="Image 15Mixing desk with twenty inputs and eight outputs (from Multitrack recording)"><img alt="Image 15Mixing desk with twenty inputs and eight outputs (from Multitrack recording)" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4b/Stax_Records%2C_Memphis%2C_TN%2C_US_%2810%29.jpg/120px-Stax_Records%2C_Memphis%2C_TN%2C_US_%2810%29.jpg" decoding="async" width="120" height="80" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4b/Stax_Records%2C_Memphis%2C_TN%2C_US_%2810%29.jpg/180px-Stax_Records%2C_Memphis%2C_TN%2C_US_%2810%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4b/Stax_Records%2C_Memphis%2C_TN%2C_US_%2810%29.jpg/240px-Stax_Records%2C_Memphis%2C_TN%2C_US_%2810%29.jpg 2x" data-file-width="6016" data-file-height="4016" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 15</span></span>Mixing desk with twenty inputs and eight outputs (from <b><a href="/wiki/Multitrack_recording" title="Multitrack recording">Multitrack recording</a></b>)</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Studio_A,_In_Your_Ear_Studios.jpg" class="mw-file-description" title="Image 16A selection of instruments at a music studio, including a grand piano (from Recording studio)"><img alt="Image 16A selection of instruments at a music studio, including a grand piano (from Recording studio)" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Studio_A%2C_In_Your_Ear_Studios.jpg/120px-Studio_A%2C_In_Your_Ear_Studios.jpg" decoding="async" width="120" height="90" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Studio_A%2C_In_Your_Ear_Studios.jpg/180px-Studio_A%2C_In_Your_Ear_Studios.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Studio_A%2C_In_Your_Ear_Studios.jpg/240px-Studio_A%2C_In_Your_Ear_Studios.jpg 2x" data-file-width="4000" data-file-height="3000" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 16</span></span>A selection of instruments at a music studio, including a <a href="/wiki/Grand_piano" class="mw-redirect" title="Grand piano">grand piano</a> (from <b><a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a></b>)</div> </li> </ul></div> <div style="clear:both;" class=""></div></div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="_Featured_lists_-_load_new_batch" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em"><span typeof="mw:File"><a href="/wiki/File:Cscr-featured.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Cscr-featured.png/23px-Cscr-featured.png" decoding="async" width="23" height="22" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Cscr-featured.png/35px-Cscr-featured.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Cscr-featured.png/46px-Cscr-featured.png 2x" data-file-width="167" data-file-height="158" /></a></span>  Featured lists - <span class="noprint plainlinks purgelink"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Portal:Record_production&action=purge"><span title="Purge this page"><small><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239334494"><span class="tmp-color" style="color:darkblue"><i>load new batch</i></span></small></span></a></span></h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <div class="center" style="width:auto; margin-left:auto; margin-right:auto;"><small><i><a href="/wiki/Wikipedia:FL" class="mw-redirect" title="Wikipedia:FL">Featured lists</a> have been determined by the Wikipedia community to be the best lists on English Wikipedia.</i></small></div> <hr /> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r987512734"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1021884966"><div class="randomSlideshow-container excerptSlideshow-container" style="max-width:100%; margin:-4em auto;"><div class="nomobile"></div><ul class="gallery mw-gallery-slideshow switcher-container"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 1 With nine number-one hits attained in the 1980s and 1990s, LL Cool J emerged as one of the most successful artists on the Billboard rap chart. Hot Rap Songs is a record chart published by the music industry magazine Billboard which ranks the most popular hip hop songs in the United States. With hip hop having greatly increased in mainstream popularity in the late 1980s, Billboard introduced the chart in their March 11, 1989 issue under the name Hot Rap Singles. Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap records made appearances on the related Hot Black Singles chart. The inaugural number-one single on Hot Rap Singles was "Self Destruction" by the Stop the Violence Movement. From its 1989 inception until 2001, the chart was based solely on each single's weekly sales. To formulate chart rankings, Billboard assembled a panel of selected record stores to provide reports of each week's top-selling singles. Between 1989 and 1999, 173 singles topped the Hot Rap Singles chart, with "Hot Boyz" by Missy Elliott featuring Nas, Eve and Q-Tip being the final number-one single of the 1990s. The single's 18-week reign at the top spot extended into the next decade, and until 2019 it held the record for the most weeks at number one in the chart's history. LL Cool J and Puff Daddy each attained nine number-one hits on the Hot Rap Singles chart during its first 11 years, the most for any artist during this period. In a 25th anniversary listing of the top 100 songs in the history of Hot Rap Songs based on chart performance, "Me So Horny" by the 2 Live Crew and "Tootsee Roll" by 69 Boyz were the highest-ranked singles of the 1980s and 1990s respectively. (Full article...)"><img alt="Image 1 With nine number-one hits attained in the 1980s and 1990s, LL Cool J emerged as one of the most successful artists on the Billboard rap chart. Hot Rap Songs is a record chart published by the music industry magazine Billboard which ranks the most popular hip hop songs in the United States. With hip hop having greatly increased in mainstream popularity in the late 1980s, Billboard introduced the chart in their March 11, 1989 issue under the name Hot Rap Singles. Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap records made appearances on the related Hot Black Singles chart. The inaugural number-one single on Hot Rap Singles was "Self Destruction" by the Stop the Violence Movement. From its 1989 inception until 2001, the chart was based solely on each single's weekly sales. To formulate chart rankings, Billboard assembled a panel of selected record stores to provide reports of each week's top-selling singles. Between 1989 and 1999, 173 singles topped the Hot Rap Singles chart, with "Hot Boyz" by Missy Elliott featuring Nas, Eve and Q-Tip being the final number-one single of the 1990s. The single's 18-week reign at the top spot extended into the next decade, and until 2019 it held the record for the most weeks at number one in the chart's history. LL Cool J and Puff Daddy each attained nine number-one hits on the Hot Rap Singles chart during its first 11 years, the most for any artist during this period. In a 25th anniversary listing of the top 100 songs in the history of Hot Rap Songs based on chart performance, "Me So Horny" by the 2 Live Crew and "Tootsee Roll" by 69 Boyz were the highest-ranked singles of the 1980s and 1990s respectively. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 1</span></span><div style="text-align:left;"><figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:LL_Cool_J_in_2017.jpg" class="mw-file-description"><img alt="On a brightly lit stage, an African-American man wearing an orange baseball cap, glasses and a blue shirt raps into a microphone." src="//upload.wikimedia.org/wikipedia/commons/thumb/6/67/LL_Cool_J_in_2017.jpg/220px-LL_Cool_J_in_2017.jpg" decoding="async" width="220" height="301" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/67/LL_Cool_J_in_2017.jpg/330px-LL_Cool_J_in_2017.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/67/LL_Cool_J_in_2017.jpg/440px-LL_Cool_J_in_2017.jpg 2x" data-file-width="709" data-file-height="970" /></a><figcaption>With nine number-one hits attained in the 1980s and 1990s, <a href="/wiki/LL_Cool_J" title="LL Cool J">LL Cool J</a> emerged as one of the most successful artists on the <i>Billboard</i> rap chart.</figcaption></figure><br /><a href="/wiki/Hot_Rap_Songs" title="Hot Rap Songs">Hot Rap Songs</a> is a record chart published by the music industry magazine <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> which ranks the most popular <a href="/wiki/Hip_hop_music" class="mw-redirect" title="Hip hop music">hip hop</a> songs in the United States. With hip hop having greatly increased in mainstream popularity in the late 1980s, <i>Billboard</i> introduced the chart in their March 11, 1989 issue under the name Hot Rap Singles. Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and <a href="/wiki/Disco" title="Disco">disco</a>-related sections, while some rap records made appearances on the related <a href="/wiki/Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">Hot Black Singles</a> chart. The inaugural number-one single on Hot Rap Singles was "<a href="/wiki/Stop_the_Violence_Movement" class="mw-redirect" title="Stop the Violence Movement">Self Destruction</a>" by the <a href="/wiki/Stop_the_Violence_Movement" class="mw-redirect" title="Stop the Violence Movement">Stop the Violence Movement</a>. From its 1989 inception until 2001, the chart was based solely on each single's weekly sales. To formulate chart rankings, <i>Billboard</i> assembled a panel of selected <a href="/wiki/Record_store" class="mw-redirect" title="Record store">record stores</a> to provide reports of each week's top-selling singles.<br /><br />Between 1989 and 1999, 173 singles topped the Hot Rap Singles chart, with "<a href="/wiki/Hot_Boyz_(song)" title="Hot Boyz (song)">Hot Boyz</a>" by <a href="/wiki/Missy_Elliott" title="Missy Elliott">Missy Elliott</a> featuring <a href="/wiki/Nas" title="Nas">Nas</a>, <a href="/wiki/Eve_(entertainer)" class="mw-redirect" title="Eve (entertainer)">Eve</a> and <a href="/wiki/Q-Tip_(musician)" title="Q-Tip (musician)">Q-Tip</a> being the final number-one single of the 1990s. The single's 18-week reign at the top spot extended into the <a href="/wiki/List_of_Billboard_number-one_rap_singles_of_the_2000s" title="List of Billboard number-one rap singles of the 2000s">next decade</a>, and until 2019 it held the record for the most weeks at number one in the chart's history. <a href="/wiki/LL_Cool_J" title="LL Cool J">LL Cool J</a> and <a href="/wiki/Sean_Combs" title="Sean Combs">Puff Daddy</a> each attained nine number-one hits on the Hot Rap Singles chart during its first 11 years, the most for any artist during this period. In a 25th anniversary listing of the top 100 songs in the history of Hot Rap Songs based on chart performance, "<a href="/wiki/Me_So_Horny" title="Me So Horny">Me So Horny</a>" by the <a href="/wiki/2_Live_Crew" title="2 Live Crew">2 Live Crew</a> and "<a href="/wiki/Tootsee_Roll" title="Tootsee Roll">Tootsee Roll</a>" by <a href="/wiki/69_Boyz" title="69 Boyz">69 Boyz</a> were the highest-ranked singles of the 1980s and 1990s respectively. (<b><a href="/wiki/List_of_Billboard_number-one_rap_singles_of_the_1980s_and_1990s" title="List of Billboard number-one rap singles of the 1980s and 1990s">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 2 "Sweet Home Chicago" performed at the White House with Barack Obama joining B.B. King on the chorus Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, including ragtime-vaudeville, Delta blues, country blues, and urban blues from Chicago and the West Coast. Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (Full article...)"><img alt="Image 2 "Sweet Home Chicago" performed at the White House with Barack Obama joining B.B. King on the chorus Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, including ragtime-vaudeville, Delta blues, country blues, and urban blues from Chicago and the West Coast. Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 2</span></span><div style="text-align:left;"><figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Barack_Obama_singing_in_the_East_Room.jpg" class="mw-file-description"><img alt="Color photo of Barack Obama singing into a microphone with B.B. King and other musicians and guests." src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Barack_Obama_singing_in_the_East_Room.jpg/300px-Barack_Obama_singing_in_the_East_Room.jpg" decoding="async" width="300" height="200" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Barack_Obama_singing_in_the_East_Room.jpg/450px-Barack_Obama_singing_in_the_East_Room.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Barack_Obama_singing_in_the_East_Room.jpg/600px-Barack_Obama_singing_in_the_East_Room.jpg 2x" data-file-width="4096" data-file-height="2731" /></a><figcaption>"<a href="/wiki/Sweet_Home_Chicago" title="Sweet Home Chicago">Sweet Home Chicago</a>" performed at the White House with Barack Obama joining B.B. King on the chorus</figcaption></figure><br /><br /><b><a href="/wiki/List_of_blues_standards" title="List of blues standards">Blues standards</a></b> are <a href="/wiki/Blues" title="Blues">blues</a> songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, including <a href="/wiki/Ragtime" title="Ragtime">ragtime</a>-<a href="/wiki/Vaudeville" title="Vaudeville">vaudeville</a>, <a href="/wiki/Delta_blues" title="Delta blues">Delta blues</a>, <a href="/wiki/Country_blues" title="Country blues">country blues</a>, and <a href="/wiki/Urban_blues" class="mw-redirect" title="Urban blues">urban blues</a> from <a href="/wiki/Chicago_blues" title="Chicago blues">Chicago</a> and the <a href="/wiki/West_Coast_blues" title="West Coast blues">West Coast</a>.<br /><br />Many blues songs were developed in <a href="/wiki/American_folk_music" title="American folk music">American folk music</a> traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (<b><a href="/wiki/List_of_blues_standards" title="List of blues standards">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 3 Hank Locklin spent 14 consecutive weeks at number one with "Please Help Me, I'm Falling". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. In the issue of Billboard dated January 4, the song at number one was "El Paso" by Marty Robbins, the track's third week in the top spot. It held the peak position for the first five weeks of 1960, during which time it also topped the all-genre Hot 100 chart for two weeks. During the remainder of the year, only four other songs reached the top of the Hot C&W Sides listing, three of which each spent twelve or more consecutive weeks at number one. In the issue of Billboard dated February 8, Jim Reeves began a 14-week unbroken run at the top of the chart with "He'll Have to Go", which was immediately followed by a run of the same length by Hank Locklin's "Please Help Me, I'm Falling". Both songs were produced by Chet Atkins, widely seen as the originator of the "Nashville Sound", a new style of country music which eschewed elements of the earlier honky-tonk style in favour of smooth productions which had a broader appeal. Cowboy Copas next spent 12 weeks at number one with "Alabam". Several singles peaked at number two during these songs' extended runs at the top of the chart, including "One More Time" by Ray Price, which spent eight consecutive weeks in second place behind Locklin's song. (Full article...)"><img alt="Image 3 Hank Locklin spent 14 consecutive weeks at number one with "Please Help Me, I'm Falling". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. In the issue of Billboard dated January 4, the song at number one was "El Paso" by Marty Robbins, the track's third week in the top spot. It held the peak position for the first five weeks of 1960, during which time it also topped the all-genre Hot 100 chart for two weeks. During the remainder of the year, only four other songs reached the top of the Hot C&W Sides listing, three of which each spent twelve or more consecutive weeks at number one. In the issue of Billboard dated February 8, Jim Reeves began a 14-week unbroken run at the top of the chart with "He'll Have to Go", which was immediately followed by a run of the same length by Hank Locklin's "Please Help Me, I'm Falling". Both songs were produced by Chet Atkins, widely seen as the originator of the "Nashville Sound", a new style of country music which eschewed elements of the earlier honky-tonk style in favour of smooth productions which had a broader appeal. Cowboy Copas next spent 12 weeks at number one with "Alabam". Several singles peaked at number two during these songs' extended runs at the top of the chart, including "One More Time" by Ray Price, which spent eight consecutive weeks in second place behind Locklin's song. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 3</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Hank_Locklin.png" class="mw-file-description"><img alt="A dark-haired man in a sports jacket and tie holding a guitar." src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Hank_Locklin.png/260px-Hank_Locklin.png" decoding="async" width="260" height="297" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Hank_Locklin.png/390px-Hank_Locklin.png 1.5x, //upload.wikimedia.org/wikipedia/commons/5/5e/Hank_Locklin.png 2x" data-file-width="434" data-file-height="496" /></a><figcaption><a href="/wiki/Hank_Locklin" title="Hank Locklin">Hank Locklin</a> spent 14 consecutive weeks at number one with "<a href="/wiki/Please_Help_Me,_I%27m_Falling" title="Please Help Me, I'm Falling">Please Help Me, I'm Falling</a>".</figcaption></figure><br /><a href="/wiki/Hot_Country_Songs" title="Hot Country Songs">Hot Country Songs</a> is a <a href="/wiki/Record_chart" title="Record chart">chart</a> that ranks the top-performing <a href="/wiki/Country_music" title="Country music">country music</a> songs in the United States, published by <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.<br /><br />In the issue of <i>Billboard</i> dated January 4, the song at number one was "<a href="/wiki/El_Paso_(song)" title="El Paso (song)">El Paso</a>" by <a href="/wiki/Marty_Robbins" title="Marty Robbins">Marty Robbins</a>, the track's third week in the top spot. It held the peak position for the first five weeks of 1960, during which time it also topped the all-genre <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">Hot 100</a> chart for two weeks. During the remainder of the year, only four other songs reached the top of the Hot C&W Sides listing, three of which each spent twelve or more consecutive weeks at number one. In the issue of <i>Billboard</i> dated February 8, <a href="/wiki/Jim_Reeves" title="Jim Reeves">Jim Reeves</a> began a 14-week unbroken run at the top of the chart with "<a href="/wiki/He%27ll_Have_to_Go" title="He'll Have to Go">He'll Have to Go</a>", which was immediately followed by a run of the same length by <a href="/wiki/Hank_Locklin" title="Hank Locklin">Hank Locklin</a>'s "<a href="/wiki/Please_Help_Me,_I%27m_Falling" title="Please Help Me, I'm Falling">Please Help Me, I'm Falling</a>". Both songs were produced by <a href="/wiki/Chet_Atkins" title="Chet Atkins">Chet Atkins</a>, widely seen as the originator of the "<a href="/wiki/Nashville_Sound" class="mw-redirect" title="Nashville Sound">Nashville Sound</a>", a new style of country music which eschewed elements of the earlier <a href="/wiki/Honky-tonk#Music" title="Honky-tonk">honky-tonk</a> style in favour of smooth productions which had a broader appeal. <a href="/wiki/Cowboy_Copas" title="Cowboy Copas">Cowboy Copas</a> next spent 12 weeks at number one with "<a href="/wiki/Alabam_(Cowboy_Copas_song)" class="mw-redirect" title="Alabam (Cowboy Copas song)">Alabam</a>". Several singles peaked at number two during these songs' extended runs at the top of the chart, including "One More Time" by <a href="/wiki/Ray_Price_(musician)" class="mw-redirect" title="Ray Price (musician)">Ray Price</a>, which spent eight consecutive weeks in second place behind Locklin's song. (<b><a href="/wiki/List_of_Hot_C%26W_Sides_number_ones_of_1960" title="List of Hot C&W Sides number ones of 1960">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 4 Sam Hunt set a new record for the longest-running number-one country song when "Body Like a Back Road" spent 34 weeks atop the Hot Country Songs listing. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2017, seven different songs topped the Hot Country Songs chart and 34 different songs topped Country Airplay in 52 issues of the magazine. In the issue of Billboard dated February 25, singer Sam Hunt reached number one with the song "Body Like a Back Road", which would remain in the top spot through the issue dated October 14. In August, the song broke the record for the most weeks spent at number one on the Hot Country Songs listing, surpassing the 24 weeks spent in the top spot by Florida Georgia Line's "Cruise" in 2012 and 2013. Hunt's song was finally knocked from the top of the chart in the issue dated October 21 by "What Ifs" by Kane Brown featuring Lauren Alaina. Two months later, "Meant to Be" by Bebe Rexha and Florida Georgia Line entered the Hot Country chart at number one, only the fourth time a song had debuted in the top position of the Hot Country Songs chart. The song would go on to break Hunt's record the following summer when it spent a 35th consecutive week at number one. On the Country Airplay chart, Dustin Lynch had the longest run at number one of 2017, spending four consecutive weeks at the top with "Small Town Boy". Lynch tied with Blake Shelton for the highest total number of weeks at number one on that chart, both artists spending five weeks in the top spot. Shelton took three different songs to number one, a feat also achieved by Thomas Rhett. No act achieved more than one chart-topper on the Hot Country Songs listing. (Full article...)"><img alt="Image 4 Sam Hunt set a new record for the longest-running number-one country song when "Body Like a Back Road" spent 34 weeks atop the Hot Country Songs listing. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2017, seven different songs topped the Hot Country Songs chart and 34 different songs topped Country Airplay in 52 issues of the magazine. In the issue of Billboard dated February 25, singer Sam Hunt reached number one with the song "Body Like a Back Road", which would remain in the top spot through the issue dated October 14. In August, the song broke the record for the most weeks spent at number one on the Hot Country Songs listing, surpassing the 24 weeks spent in the top spot by Florida Georgia Line's "Cruise" in 2012 and 2013. Hunt's song was finally knocked from the top of the chart in the issue dated October 21 by "What Ifs" by Kane Brown featuring Lauren Alaina. Two months later, "Meant to Be" by Bebe Rexha and Florida Georgia Line entered the Hot Country chart at number one, only the fourth time a song had debuted in the top position of the Hot Country Songs chart. The song would go on to break Hunt's record the following summer when it spent a 35th consecutive week at number one. On the Country Airplay chart, Dustin Lynch had the longest run at number one of 2017, spending four consecutive weeks at the top with "Small Town Boy". Lynch tied with Blake Shelton for the highest total number of weeks at number one on that chart, both artists spending five weeks in the top spot. Shelton took three different songs to number one, a feat also achieved by Thomas Rhett. No act achieved more than one chart-topper on the Hot Country Songs listing. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 4</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Sam_Hunt_at_C2C_Festival_2014.png" class="mw-file-description"><img alt="Singer Sam Hunt" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Sam_Hunt_at_C2C_Festival_2014.png/260px-Sam_Hunt_at_C2C_Festival_2014.png" decoding="async" width="260" height="347" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Sam_Hunt_at_C2C_Festival_2014.png/390px-Sam_Hunt_at_C2C_Festival_2014.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Sam_Hunt_at_C2C_Festival_2014.png/520px-Sam_Hunt_at_C2C_Festival_2014.png 2x" data-file-width="1773" data-file-height="2364" /></a><figcaption><a href="/wiki/Sam_Hunt" title="Sam Hunt">Sam Hunt</a> set a new record for the longest-running number-one country song when "<a href="/wiki/Body_Like_a_Back_Road" title="Body Like a Back Road">Body Like a Back Road</a>" spent 34 weeks atop the <a href="/wiki/Hot_Country_Songs" title="Hot Country Songs">Hot Country Songs</a> listing.</figcaption></figure><br /><a href="/wiki/Hot_Country_Songs" title="Hot Country Songs">Hot Country Songs</a> and <a href="/wiki/Country_Airplay" title="Country Airplay">Country Airplay</a> are charts that rank the top-performing <a href="/wiki/Country_music" title="Country music">country music</a> songs in the United States, published by <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine. Hot Country Songs ranks songs based on <a href="/wiki/Music_download" title="Music download">digital downloads</a>, <a href="/wiki/Streaming_media" title="Streaming media">streaming</a>, and <a href="/wiki/Rotation_(music)" title="Rotation (music)">airplay</a> not only from <a href="/wiki/Country_radio" title="Country radio">country stations</a> but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2017, seven different songs topped the Hot Country Songs chart and 34 different songs topped Country Airplay in 52 issues of the magazine.<br /><br />In the issue of <i>Billboard</i> dated February 25, singer <a href="/wiki/Sam_Hunt" title="Sam Hunt">Sam Hunt</a> reached number one with the song "<a href="/wiki/Body_Like_a_Back_Road" title="Body Like a Back Road">Body Like a Back Road</a>", which would remain in the top spot through the issue dated October 14. In August, the song broke the record for the most weeks spent at number one on the Hot Country Songs listing, surpassing the 24 weeks spent in the top spot by <a href="/wiki/Florida_Georgia_Line" title="Florida Georgia Line">Florida Georgia Line</a>'s "<a href="/wiki/Cruise_(song)" title="Cruise (song)">Cruise</a>" in 2012 and 2013. Hunt's song was finally knocked from the top of the chart in the issue dated October 21 by "<a href="/wiki/What_Ifs" title="What Ifs">What Ifs</a>" by <a href="/wiki/Kane_Brown" title="Kane Brown">Kane Brown</a> featuring <a href="/wiki/Lauren_Alaina" title="Lauren Alaina">Lauren Alaina</a>. Two months later, "<a href="/wiki/Meant_to_Be_(Bebe_Rexha_song)" title="Meant to Be (Bebe Rexha song)">Meant to Be</a>" by <a href="/wiki/Bebe_Rexha" title="Bebe Rexha">Bebe Rexha</a> and Florida Georgia Line entered the Hot Country chart at number one, only the fourth time a song had debuted in the top position of the Hot Country Songs chart. The song would go on to break Hunt's record the following summer when it spent a 35th consecutive week at number one. On the Country Airplay chart, <a href="/wiki/Dustin_Lynch" title="Dustin Lynch">Dustin Lynch</a> had the longest run at number one of 2017, spending four consecutive weeks at the top with "<a href="/wiki/Small_Town_Boy_(song)" title="Small Town Boy (song)">Small Town Boy</a>". Lynch tied with <a href="/wiki/Blake_Shelton" title="Blake Shelton">Blake Shelton</a> for the highest total number of weeks at number one on that chart, both artists spending five weeks in the top spot. Shelton took three different songs to number one, a feat also achieved by <a href="/wiki/Thomas_Rhett" title="Thomas Rhett">Thomas Rhett</a>. No act achieved more than one chart-topper on the Hot Country Songs listing. (<b><a href="/wiki/List_of_Billboard_number-one_country_songs_of_2017" title="List of Billboard number-one country songs of 2017">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 5 Cootie Williams topped the final Harlem Hit Parade chart with "Somebody's Gotta Go". At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African American population and called the "black capital of America". This chart was published for the final time in the issue dated February 10. The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in jukeboxes, although records' peak positions and numbers of weeks on chart were carried over; "race records" was a term then in common usage for recordings by black artists. The two charts are considered part of the lineage of the magazine's multimetric R&B chart, which since 2005 has been published under the title Hot R&B/Hip Hop Songs. In the issue of Billboard dated January 6, the Ink Spots and Ella Fitzgerald topped the Harlem Hit Parade with "Into Each Life Some Rain Must Fall", retaining the top spot from the previous week. The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "Somebody's Gotta Go" by Cootie Williams and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. The following week, Pvt. Cecil Gant topped the first Most Played Juke Box Race Records listing with "I Wonder". Gant spent two weeks at number one before being displaced by Roosevelt Sykes with his recording of the same song. Both versions would be the only number one for their respective artists. (Full article...)"><img alt="Image 5 Cootie Williams topped the final Harlem Hit Parade chart with "Somebody's Gotta Go". At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African American population and called the "black capital of America". This chart was published for the final time in the issue dated February 10. The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in jukeboxes, although records' peak positions and numbers of weeks on chart were carried over; "race records" was a term then in common usage for recordings by black artists. The two charts are considered part of the lineage of the magazine's multimetric R&B chart, which since 2005 has been published under the title Hot R&B/Hip Hop Songs. In the issue of Billboard dated January 6, the Ink Spots and Ella Fitzgerald topped the Harlem Hit Parade with "Into Each Life Some Rain Must Fall", retaining the top spot from the previous week. The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "Somebody's Gotta Go" by Cootie Williams and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. The following week, Pvt. Cecil Gant topped the first Most Played Juke Box Race Records listing with "I Wonder". Gant spent two weeks at number one before being displaced by Roosevelt Sykes with his recording of the same song. Both versions would be the only number one for their respective artists. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 5</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Cootie_Williams_(Gottlieb1).jpg" class="mw-file-description"><img alt="Musician Cootie Williams" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Cootie_Williams_%28Gottlieb1%29.jpg/310px-Cootie_Williams_%28Gottlieb1%29.jpg" decoding="async" width="310" height="324" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Cootie_Williams_%28Gottlieb1%29.jpg/465px-Cootie_Williams_%28Gottlieb1%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/b/b4/Cootie_Williams_%28Gottlieb1%29.jpg 2x" data-file-width="569" data-file-height="595" /></a><figcaption><a href="/wiki/Cootie_Williams" title="Cootie Williams">Cootie Williams</a> topped the final Harlem Hit Parade chart with "<a href="/wiki/Somebody%27s_Gotta_Go" title="Somebody's Gotta Go">Somebody's Gotta Go</a>".</figcaption></figure><br />At the start of 1945, <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine published a chart ranking the "most popular records in <a href="/wiki/Harlem" title="Harlem">Harlem</a>" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of <a href="/wiki/New_York_City" title="New York City">New York City</a>, an area which has historically been noted for its <a href="/wiki/African_American" class="mw-redirect" title="African American">African American</a> population and called the "black capital of America". This chart was published for the final time in the issue dated February 10. The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in <a href="/wiki/Jukebox" title="Jukebox">jukeboxes</a>, although records' peak positions and numbers of weeks on chart were carried over; "<a href="/wiki/Race_record" title="Race record">race records</a>" was a term then in common usage for recordings by black artists. The two charts are considered part of the lineage of the magazine's multimetric <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">R&B</a> chart, which since 2005 has been published under the title <a href="/wiki/Hot_R%26B/Hip_Hop_Songs" class="mw-redirect" title="Hot R&B/Hip Hop Songs">Hot R&B/Hip Hop Songs</a>.<br /><br />In the issue of <i>Billboard</i> dated January 6, <a href="/wiki/The_Ink_Spots" title="The Ink Spots">the Ink Spots</a> and <a href="/wiki/Ella_Fitzgerald" title="Ella Fitzgerald">Ella Fitzgerald</a> topped the Harlem Hit Parade with "<a href="/wiki/Into_Each_Life_Some_Rain_Must_Fall" title="Into Each Life Some Rain Must Fall">Into Each Life Some Rain Must Fall</a>", retaining the top spot from the previous week. The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "<a href="/wiki/Somebody%27s_Gotta_Go" title="Somebody's Gotta Go">Somebody's Gotta Go</a>" by <a href="/wiki/Cootie_Williams" title="Cootie Williams">Cootie Williams</a> and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. The following week, <a href="/wiki/Cecil_Gant" title="Cecil Gant">Pvt. Cecil Gant</a> topped the first Most Played Juke Box Race Records listing with "<a href="/wiki/I_Wonder_(1944_song)" title="I Wonder (1944 song)">I Wonder</a>". Gant spent two weeks at number one before being displaced by <a href="/wiki/Roosevelt_Sykes" title="Roosevelt Sykes">Roosevelt Sykes</a> with his recording of the same song. Both versions would be the only number one for their respective artists. (<b><a href="/wiki/List_of_Billboard_number-one_R%26B_songs_of_1945" title="List of Billboard number-one R&B songs of 1945">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 6 The Latin Grammy Award for Song of the Year is an honor presented annually at the Latin Grammy Awards, a ceremony that recognizes excellence, creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. The award is given to the songwriters of new songs containing at least 51% of lyrics in Spanish or Portuguese language. Instrumental songs or a new version of a previously recorded track are not eligible. Due to the increasing musical changes in the industry, from 2012 the category includes 10 nominees, according to a restructuration made by the academy for the four general categories: Album of the Year, Record of the Year, Best New Artist and Song of the Year. Seventeen awarded songs have also earned the Latin Grammy for Record of the Year, which unlike this category, is given to songs that were released on a promotional level, and the prize is given to the performer, producer and audio engineer. The exceptions to this were in 2000, 2009 and 2013 when "Corazón Espinado" by Santana featuring Maná, "No Hay Nadie Como Tú" by Calle 13 featuring Café Tacvba and "Vivir Mi Vida" by Marc Anthony, respectively, received the award without a nomination for Song of the Year. (Full article...)"><img alt="Image 6 The Latin Grammy Award for Song of the Year is an honor presented annually at the Latin Grammy Awards, a ceremony that recognizes excellence, creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. The award is given to the songwriters of new songs containing at least 51% of lyrics in Spanish or Portuguese language. Instrumental songs or a new version of a previously recorded track are not eligible. Due to the increasing musical changes in the industry, from 2012 the category includes 10 nominees, according to a restructuration made by the academy for the four general categories: Album of the Year, Record of the Year, Best New Artist and Song of the Year. Seventeen awarded songs have also earned the Latin Grammy for Record of the Year, which unlike this category, is given to songs that were released on a promotional level, and the prize is given to the performer, producer and audio engineer. The exceptions to this were in 2000, 2009 and 2013 when "Corazón Espinado" by Santana featuring Maná, "No Hay Nadie Como Tú" by Calle 13 featuring Café Tacvba and "Vivir Mi Vida" by Marc Anthony, respectively, received the award without a nomination for Song of the Year. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 6</span></span><div style="text-align:left;">The <b><a href="/wiki/Latin_Grammy_Award_for_Song_of_the_Year" title="Latin Grammy Award for Song of the Year">Latin Grammy Award for Song of the Year</a></b> is an honor presented annually at the <a href="/wiki/Latin_Grammy_Award" class="mw-redirect" title="Latin Grammy Award">Latin Grammy Awards</a>, a ceremony that recognizes excellence, creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. The award is given to the songwriters of new songs containing at least 51% of <a href="/wiki/Lyrics" title="Lyrics">lyrics</a> in Spanish or <a href="/wiki/Portuguese_language" title="Portuguese language">Portuguese language</a>. Instrumental songs or a new version of a previously recorded track are not eligible. Due to the increasing musical changes in the industry, from 2012 the category includes 10 nominees, according to a restructuration made by the academy for the four general categories: <a href="/wiki/Latin_Grammy_Award_for_Album_of_the_Year" title="Latin Grammy Award for Album of the Year">Album of the Year</a>, <a href="/wiki/Latin_Grammy_Award_for_Record_of_the_Year" title="Latin Grammy Award for Record of the Year">Record of the Year</a>, <a href="/wiki/Latin_Grammy_Award_for_Best_New_Artist" title="Latin Grammy Award for Best New Artist">Best New Artist</a> and Song of the Year.<br /><br />Seventeen awarded songs have also earned the Latin Grammy for <a href="/wiki/Latin_Grammy_Award_for_Record_of_the_Year" title="Latin Grammy Award for Record of the Year">Record of the Year</a>, which unlike this category, is given to songs that were released on a <a href="/wiki/Promotional_recording" title="Promotional recording">promotional</a> level, and the prize is given to the performer, producer and <a href="/wiki/Audio_engineering" class="mw-redirect" title="Audio engineering">audio engineer</a>. The exceptions to this were in <a href="/wiki/Latin_Grammy_Awards_of_2000" class="mw-redirect" title="Latin Grammy Awards of 2000">2000</a>, <a href="/wiki/Latin_Grammy_Awards_of_2009" class="mw-redirect" title="Latin Grammy Awards of 2009">2009</a> and <a href="/wiki/Latin_Grammy_Awards_of_2013" class="mw-redirect" title="Latin Grammy Awards of 2013">2013</a> when "<a href="/wiki/Coraz%C3%B3n_Espinado" title="Corazón Espinado">Corazón Espinado</a>" by <a href="/wiki/Santana_(band)" title="Santana (band)">Santana</a> featuring <a href="/wiki/Man%C3%A1" title="Maná">Maná</a>, "<a href="/wiki/No_hay_nadie_como_t%C3%BA" class="mw-redirect" title="No hay nadie como tú">No Hay Nadie Como Tú</a>" by <a href="/wiki/Calle_13_(band)" title="Calle 13 (band)">Calle 13</a> featuring <a href="/wiki/Caf%C3%A9_Tacvba" class="mw-redirect" title="Café Tacvba">Café Tacvba</a> and "<a href="/wiki/Vivir_Mi_Vida_(Marc_Anthony_song)" class="mw-redirect" title="Vivir Mi Vida (Marc Anthony song)">Vivir Mi Vida</a>" by <a href="/wiki/Marc_Anthony" title="Marc Anthony">Marc Anthony</a>, respectively, received the award without a nomination for Song of the Year. (<b><a href="/wiki/Latin_Grammy_Award_for_Song_of_the_Year" title="Latin Grammy Award for Song of the Year">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 7 Chris Stapleton's "Tennessee Whiskey" went straight to number one after an acclaimed awards show performance. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay, not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2015, 10 different songs topped the Hot Country Songs chart and 39 different songs topped Country Airplay in 52 issues of the magazine. In the first issue of Billboard of the year, Craig Wayne Boyd entered the Hot Country Songs chart at number one with "My Baby's Got a Smile on Her Face". Boyd, winner of the seventh season of NBC's reality TV singing competition The Voice, was only the second artist in the chart's 57-year history to enter at number one. The following week, however, the song dropped off the chart completely, meaning that its entire chart run consisted of a single week at number one. In addition to Boyd, one other artist was a first-time chart-topper on Hot Country Songs. Following a critically acclaimed performance at the 49th Country Music Association Awards, Chris Stapleton's version of "Tennessee Whiskey", which had spent a single week at number 46 six months earlier, re-entered at number one, despite never having been officially released as a single or serviced to radio. Nine acts gained their first career country number ones by topping the airplay listing. Ashley Monroe made her first appearance at number one under her own name when she featured on Blake Shelton's hit "Lonely Tonight", although she had previously reached the top spot as part of the group Pistol Annies, who had been featured on another of Shelton's songs two years earlier. Between May and August, Tyler Farr, Kelsea Ballerini, Canaan Smith, Michael Ray, and the band A Thousand Horses were all first-time chart-toppers, as was Grace Potter, who was featured on veteran country star Kenny Chesney's song "Wild Child". Later in the year, the band Old Dominion and the duo Dan + Shay made their first appearances at number one. (Full article...)"><img alt="Image 7 Chris Stapleton's "Tennessee Whiskey" went straight to number one after an acclaimed awards show performance. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay, not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2015, 10 different songs topped the Hot Country Songs chart and 39 different songs topped Country Airplay in 52 issues of the magazine. In the first issue of Billboard of the year, Craig Wayne Boyd entered the Hot Country Songs chart at number one with "My Baby's Got a Smile on Her Face". Boyd, winner of the seventh season of NBC's reality TV singing competition The Voice, was only the second artist in the chart's 57-year history to enter at number one. The following week, however, the song dropped off the chart completely, meaning that its entire chart run consisted of a single week at number one. In addition to Boyd, one other artist was a first-time chart-topper on Hot Country Songs. Following a critically acclaimed performance at the 49th Country Music Association Awards, Chris Stapleton's version of "Tennessee Whiskey", which had spent a single week at number 46 six months earlier, re-entered at number one, despite never having been officially released as a single or serviced to radio. Nine acts gained their first career country number ones by topping the airplay listing. Ashley Monroe made her first appearance at number one under her own name when she featured on Blake Shelton's hit "Lonely Tonight", although she had previously reached the top spot as part of the group Pistol Annies, who had been featured on another of Shelton's songs two years earlier. Between May and August, Tyler Farr, Kelsea Ballerini, Canaan Smith, Michael Ray, and the band A Thousand Horses were all first-time chart-toppers, as was Grace Potter, who was featured on veteran country star Kenny Chesney's song "Wild Child". Later in the year, the band Old Dominion and the duo Dan + Shay made their first appearances at number one. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 7</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Chris_Stapleton_Concert_(48519655661).jpg" class="mw-file-description"><img alt="A man with long hair and a beard, wearing a cowboy hat, singing into a microphone and playing a guitar" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Chris_Stapleton_Concert_%2848519655661%29.jpg/330px-Chris_Stapleton_Concert_%2848519655661%29.jpg" decoding="async" width="330" height="264" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/44/Chris_Stapleton_Concert_%2848519655661%29.jpg/495px-Chris_Stapleton_Concert_%2848519655661%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/44/Chris_Stapleton_Concert_%2848519655661%29.jpg/660px-Chris_Stapleton_Concert_%2848519655661%29.jpg 2x" data-file-width="2400" data-file-height="1920" /></a><figcaption><a href="/wiki/Chris_Stapleton" title="Chris Stapleton">Chris Stapleton</a>'s "<a href="/wiki/Tennessee_Whiskey_(song)" title="Tennessee Whiskey (song)">Tennessee Whiskey</a>" went straight to number one after an acclaimed awards show performance.</figcaption></figure><br /><a href="/wiki/Hot_Country_Songs" title="Hot Country Songs">Hot Country Songs</a> and <a href="/wiki/Country_Airplay" title="Country Airplay">Country Airplay</a> are <a href="/wiki/Record_chart" title="Record chart">charts</a> that rank the top-performing <a href="/wiki/Country_music" title="Country music">country music</a> songs in the United States, published by <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine. Hot Country Songs ranks songs based on <a href="/wiki/Music_download" title="Music download">digital downloads</a>, <a href="/wiki/Streaming_media" title="Streaming media">streaming</a>, and <a href="/wiki/Rotation_(music)" title="Rotation (music)">airplay</a>, not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2015, 10 different songs topped the Hot Country Songs chart and 39 different songs topped Country Airplay in 52 issues of the magazine.<br /><br />In the first issue of <i>Billboard</i> of the year, <a href="/wiki/Craig_Wayne_Boyd" title="Craig Wayne Boyd">Craig Wayne Boyd</a> entered the Hot Country Songs chart at number one with "<a href="/wiki/My_Baby%27s_Got_a_Smile_on_Her_Face" title="My Baby's Got a Smile on Her Face">My Baby's Got a Smile on Her Face</a>". Boyd, winner of the <a href="/wiki/The_Voice_(American_season_7)" class="mw-redirect" title="The Voice (American season 7)">seventh season</a> of <a href="/wiki/NBC" title="NBC">NBC</a>'s reality TV singing competition <i><a href="/wiki/The_Voice_(American_TV_series)" title="The Voice (American TV series)">The Voice</a></i>, was only the second artist in the chart's 57-year history to enter at number one. The following week, however, the song dropped off the chart completely, meaning that its entire chart run consisted of a single week at number one. In addition to Boyd, one other artist was a first-time chart-topper on Hot Country Songs. Following a critically acclaimed performance at the <a href="/wiki/49th_Annual_Country_Music_Association_Awards" title="49th Annual Country Music Association Awards">49th Country Music Association Awards</a>, <a href="/wiki/Chris_Stapleton" title="Chris Stapleton">Chris Stapleton</a>'s version of "<a href="/wiki/Tennessee_Whiskey_(song)" title="Tennessee Whiskey (song)">Tennessee Whiskey</a>", which had spent a single week at number 46 six months earlier, re-entered at number one, despite never having been officially released as a single or serviced to radio. Nine acts gained their first career country number ones by topping the airplay listing. <a href="/wiki/Ashley_Monroe" title="Ashley Monroe">Ashley Monroe</a> made her first appearance at number one under her own name when she featured on <a href="/wiki/Blake_Shelton" title="Blake Shelton">Blake Shelton</a>'s hit "<a href="/wiki/Lonely_Tonight" title="Lonely Tonight">Lonely Tonight</a>", although she had previously reached the top spot as part of the group <a href="/wiki/Pistol_Annies" title="Pistol Annies">Pistol Annies</a>, who had been featured on another of Shelton's songs two years earlier. Between May and August, <a href="/wiki/Tyler_Farr" title="Tyler Farr">Tyler Farr</a>, <a href="/wiki/Kelsea_Ballerini" title="Kelsea Ballerini">Kelsea Ballerini</a>, <a href="/wiki/Canaan_Smith" title="Canaan Smith">Canaan Smith</a>, <a href="/wiki/Michael_Ray_(singer)" title="Michael Ray (singer)">Michael Ray</a>, and the band <a href="/wiki/A_Thousand_Horses" title="A Thousand Horses">A Thousand Horses</a> were all first-time chart-toppers, as was <a href="/wiki/Grace_Potter" title="Grace Potter">Grace Potter</a>, who was featured on veteran country star <a href="/wiki/Kenny_Chesney" title="Kenny Chesney">Kenny Chesney</a>'s song "<a href="/wiki/Wild_Child_(Kenny_Chesney_and_Grace_Potter_song)" title="Wild Child (Kenny Chesney and Grace Potter song)">Wild Child</a>". Later in the year, the band <a href="/wiki/Old_Dominion_(band)" title="Old Dominion (band)">Old Dominion</a> and the duo <a href="/wiki/Dan_%2B_Shay" title="Dan + Shay">Dan + Shay</a> made their first appearances at number one. (<b><a href="/wiki/List_of_Billboard_number-one_country_songs_of_2015" title="List of Billboard number-one country songs of 2015">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 8 With the issue of Billboard dated August 4, 2018, "Meant to Be" by Bebe Rexha (pictured) and Florida Georgia Line broke the record for the longest run at number one on the Hot Country Songs chart, having been in the top spot for 35 weeks. The song's run at number one ultimately extended to 50 weeks at the top. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2018, three different songs topped the Hot Country Songs chart and 33 different songs topped Country Airplay. The Country Airplay chart began the year with "Like I Loved You" by Brett Young holding the top position, while "Meant to Be" by Bebe Rexha and Florida Georgia Line held the number one spot on Hot Country Songs, continuing a run that had begun on the chart dated December 16, 2017. When "Meant to Be" spent an eleventh week in the top spot in February, it overtook Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-running number one song on the chart for a lead female artist. In August, the song spent a 35th consecutive week in the top spot and broke the record previously held by 2017's "Body Like a Back Road" by Sam Hunt for the most weeks at number one on the chart. "Meant to Be" ultimately held the top spot on the Hot Country Songs listing until the issue of Billboard dated November 24, 2018, when it was replaced at number one after 50 weeks by "Lose It" by Kane Brown. This was the second number one for Brown after "What Ifs", which had coincidentally ended Hunt's then-record run the previous year. The longest-tenured number one single on Country Airplay in 2018 was "She Got the Best of Me" by Luke Combs, with four weeks spent at the top. (Full article...)"><img alt="Image 8 With the issue of Billboard dated August 4, 2018, "Meant to Be" by Bebe Rexha (pictured) and Florida Georgia Line broke the record for the longest run at number one on the Hot Country Songs chart, having been in the top spot for 35 weeks. The song's run at number one ultimately extended to 50 weeks at the top. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2018, three different songs topped the Hot Country Songs chart and 33 different songs topped Country Airplay. The Country Airplay chart began the year with "Like I Loved You" by Brett Young holding the top position, while "Meant to Be" by Bebe Rexha and Florida Georgia Line held the number one spot on Hot Country Songs, continuing a run that had begun on the chart dated December 16, 2017. When "Meant to Be" spent an eleventh week in the top spot in February, it overtook Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-running number one song on the chart for a lead female artist. In August, the song spent a 35th consecutive week in the top spot and broke the record previously held by 2017's "Body Like a Back Road" by Sam Hunt for the most weeks at number one on the chart. "Meant to Be" ultimately held the top spot on the Hot Country Songs listing until the issue of Billboard dated November 24, 2018, when it was replaced at number one after 50 weeks by "Lose It" by Kane Brown. This was the second number one for Brown after "What Ifs", which had coincidentally ended Hunt's then-record run the previous year. The longest-tenured number one single on Country Airplay in 2018 was "She Got the Best of Me" by Luke Combs, with four weeks spent at the top. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 8</span></span><div style="text-align:left;"><figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Bebe_Rexha,_Koko,_London_(34622249721).jpg" class="mw-file-description"><img alt="A young woman with long blonde hair singing into a microphone" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Bebe_Rexha%2C_Koko%2C_London_%2834622249721%29.jpg/250px-Bebe_Rexha%2C_Koko%2C_London_%2834622249721%29.jpg" decoding="async" width="250" height="188" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Bebe_Rexha%2C_Koko%2C_London_%2834622249721%29.jpg/375px-Bebe_Rexha%2C_Koko%2C_London_%2834622249721%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Bebe_Rexha%2C_Koko%2C_London_%2834622249721%29.jpg/500px-Bebe_Rexha%2C_Koko%2C_London_%2834622249721%29.jpg 2x" data-file-width="4608" data-file-height="3456" /></a><figcaption>With the issue of <i>Billboard</i> dated August 4, 2018, "<a href="/wiki/Meant_to_Be_(Bebe_Rexha_and_Florida_Georgia_Line_song)" class="mw-redirect" title="Meant to Be (Bebe Rexha and Florida Georgia Line song)">Meant to Be</a>" by <a href="/wiki/Bebe_Rexha" title="Bebe Rexha">Bebe Rexha</a> <i>(pictured)</i> and <a href="/wiki/Florida_Georgia_Line" title="Florida Georgia Line">Florida Georgia Line</a> broke the record for the longest run at number one on the Hot Country Songs chart, having been in the top spot for 35 weeks. The song's run at number one ultimately extended to 50 weeks at the top.</figcaption></figure><br /><a href="/wiki/Hot_Country_Songs" title="Hot Country Songs">Hot Country Songs</a> and <a href="/wiki/Country_Airplay" title="Country Airplay">Country Airplay</a> are charts that rank the top-performing <a href="/wiki/Country_music" title="Country music">country music</a> songs in the United States, published by <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine. Hot Country Songs ranks songs based on <a href="/wiki/Music_download" title="Music download">digital downloads</a>, <a href="/wiki/Streaming_media" title="Streaming media">streaming</a>, and <a href="/wiki/Rotation_(music)" title="Rotation (music)">airplay</a> not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2018, three different songs topped the Hot Country Songs chart and 33 different songs topped Country Airplay.<br /><br />The Country Airplay chart began the year with "<a href="/wiki/Like_I_Loved_You" title="Like I Loved You">Like I Loved You</a>" by <a href="/wiki/Brett_Young_(singer)" title="Brett Young (singer)">Brett Young</a> holding the top position, while "<a href="/wiki/Meant_to_Be_(Bebe_Rexha_song)" title="Meant to Be (Bebe Rexha song)">Meant to Be</a>" by <a href="/wiki/Bebe_Rexha" title="Bebe Rexha">Bebe Rexha</a> and <a href="/wiki/Florida_Georgia_Line" title="Florida Georgia Line">Florida Georgia Line</a> held the number one spot on Hot Country Songs, continuing a run that had begun on the chart dated December 16, 2017. When "Meant to Be" spent an eleventh week in the top spot in February, it overtook <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a>'s "<a href="/wiki/We_Are_Never_Ever_Getting_Back_Together" title="We Are Never Ever Getting Back Together">We Are Never Ever Getting Back Together</a>" as the longest-running number one song on the chart for a lead female artist. In August, the song spent a 35th consecutive week in the top spot and broke the record previously held by 2017's "<a href="/wiki/Body_Like_a_Back_Road" title="Body Like a Back Road">Body Like a Back Road</a>" by <a href="/wiki/Sam_Hunt" title="Sam Hunt">Sam Hunt</a> for the most weeks at number one on the chart. "Meant to Be" ultimately held the top spot on the Hot Country Songs listing until the issue of <i>Billboard</i> dated November 24, 2018, when it was replaced at number one after 50 weeks by "<a href="/wiki/Lose_It_(Kane_Brown_song)" title="Lose It (Kane Brown song)">Lose It</a>" by <a href="/wiki/Kane_Brown" title="Kane Brown">Kane Brown</a>. This was the second number one for Brown after "<a href="/wiki/What_Ifs" title="What Ifs">What Ifs</a>", which had coincidentally ended Hunt's then-record run the previous year. The longest-tenured number one single on Country Airplay in 2018 was "<a href="/wiki/She_Got_the_Best_of_Me" title="She Got the Best of Me">She Got the Best of Me</a>" by <a href="/wiki/Luke_Combs" title="Luke Combs">Luke Combs</a>, with four weeks spent at the top. (<b><a href="/wiki/List_of_Billboard_number-one_country_songs_of_2018" title="List of Billboard number-one country songs of 2018">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 9 Country star Blake Shelton (second left) and his partner, pop/rock singer Gwen Stefani (right), collaborated on two Country Airplay number ones in 2020. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which began being published in 2012, is based solely on country radio airplay, a methodology that had previously been used from 1990 to 2012 for Hot Country Songs. Both charts began the year with songs at number one that had been in the top spot in the last chart of 2019; "10,000 Hours" by Dan + Shay and Justin Bieber holding the top spot on the Hot Country Songs chart, and "Even Though I'm Leaving" by Luke Combs atop the Country Airplay chart. Having spent the last 11 weeks of 2019 at number one on Hot Country Songs, "10,000 Hours" went on to spend its 15th consecutive week in the top spot in the issue of Billboard dated January 25, and in the same week topped the Country Airplay listing for the first time. The song remained at number one on Hot Country Songs until March 14, when it was displaced by "The Bones" by Maren Morris. It was the first number one on the chart for Morris and made her the first female artist to top the chart without an accompanying male act since Kelsea Ballerini with "Peter Pan" in September 2016. In May, "The Bones" spent its 11th week at number one on Hot Country Songs, surpassing Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-lasting number one by a solo female artist on that chart. The song ultimately spent 19 weeks at number one. (Full article...)"><img alt="Image 9 Country star Blake Shelton (second left) and his partner, pop/rock singer Gwen Stefani (right), collaborated on two Country Airplay number ones in 2020. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which began being published in 2012, is based solely on country radio airplay, a methodology that had previously been used from 1990 to 2012 for Hot Country Songs. Both charts began the year with songs at number one that had been in the top spot in the last chart of 2019; "10,000 Hours" by Dan + Shay and Justin Bieber holding the top spot on the Hot Country Songs chart, and "Even Though I'm Leaving" by Luke Combs atop the Country Airplay chart. Having spent the last 11 weeks of 2019 at number one on Hot Country Songs, "10,000 Hours" went on to spend its 15th consecutive week in the top spot in the issue of Billboard dated January 25, and in the same week topped the Country Airplay listing for the first time. The song remained at number one on Hot Country Songs until March 14, when it was displaced by "The Bones" by Maren Morris. It was the first number one on the chart for Morris and made her the first female artist to top the chart without an accompanying male act since Kelsea Ballerini with "Peter Pan" in September 2016. In May, "The Bones" spent its 11th week at number one on Hot Country Songs, surpassing Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-lasting number one by a solo female artist on that chart. The song ultimately spent 19 weeks at number one. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 9</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg" class="mw-file-description"><img alt="Singers Blake Shelton and Gwen Stefani" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg/330px-Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg" decoding="async" width="330" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg/495px-Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg/660px-Blake_Shelton_and_Gwen_Stefani_at_US-Italy_State_Dinner.jpg 2x" data-file-width="2000" data-file-height="1333" /></a><figcaption>Country star <a href="/wiki/Blake_Shelton" title="Blake Shelton">Blake Shelton</a> (second left) and his partner, pop/rock singer <a href="/wiki/Gwen_Stefani" title="Gwen Stefani">Gwen Stefani</a> (right), collaborated on two Country Airplay number ones in 2020.</figcaption></figure><br /><a href="/wiki/Hot_Country_Songs" title="Hot Country Songs">Hot Country Songs</a> and <a href="/wiki/Country_Airplay" title="Country Airplay">Country Airplay</a> are <a href="/wiki/Record_chart" title="Record chart">charts</a> that rank the top-performing <a href="/wiki/Country_music" title="Country music">country music</a> songs in the United States, published by <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine. Hot Country Songs ranks songs based on <a href="/wiki/Music_download" title="Music download">digital downloads</a>, <a href="/wiki/Streaming_media" title="Streaming media">streaming</a>, and <a href="/wiki/Rotation_(music)" title="Rotation (music)">airplay</a> not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which began being published in 2012, is based solely on country radio airplay, a methodology that had previously been used from 1990 to 2012 for Hot Country Songs.<br /><br />Both charts began the year with songs at number one that had been in the top spot in the last chart of 2019; "<a href="/wiki/10,000_Hours" title="10,000 Hours">10,000 Hours</a>" by <a href="/wiki/Dan_%2B_Shay" title="Dan + Shay">Dan + Shay</a> and <a href="/wiki/Justin_Bieber" title="Justin Bieber">Justin Bieber</a> holding the top spot on the Hot Country Songs chart, and "<a href="/wiki/Even_Though_I%27m_Leaving" title="Even Though I'm Leaving">Even Though I'm Leaving</a>" by <a href="/wiki/Luke_Combs" title="Luke Combs">Luke Combs</a> atop the Country Airplay chart. Having spent the last 11 weeks of 2019 at number one on Hot Country Songs, "10,000 Hours" went on to spend its 15th consecutive week in the top spot in the issue of <i>Billboard</i> dated January 25, and in the same week topped the Country Airplay listing for the first time. The song remained at number one on Hot Country Songs until March 14, when it was displaced by "<a href="/wiki/The_Bones_(song)" title="The Bones (song)">The Bones</a>" by <a href="/wiki/Maren_Morris" title="Maren Morris">Maren Morris</a>. It was the first number one on the chart for Morris and made her the first female artist to top the chart without an accompanying male act since <a href="/wiki/Kelsea_Ballerini" title="Kelsea Ballerini">Kelsea Ballerini</a> with "<a href="/wiki/Peter_Pan_(Kelsea_Ballerini_song)" title="Peter Pan (Kelsea Ballerini song)">Peter Pan</a>" in September 2016. In May, "The Bones" spent its 11th week at number one on Hot Country Songs, surpassing <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a>'s "<a href="/wiki/We_Are_Never_Ever_Getting_Back_Together" title="We Are Never Ever Getting Back Together">We Are Never Ever Getting Back Together</a>" as the longest-lasting number one by a solo female artist on that chart. The song ultimately spent 19 weeks at number one. (<b><a href="/wiki/List_of_Billboard_number-one_country_songs_of_2020" title="List of Billboard number-one country songs of 2020">Full article...</a></b>)</div></div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px;"><span typeof="mw:File"><a href="/wiki/File:Blank.png" class="mw-file-description" title="Image 10 Eddy Arnold almost completely dominated the number one spot in 1948. In 1948, Billboard magazine published two charts specifically covering the top-performing country music songs in the United States. At the start of the year, Billboard's sole ranking of country music recordings was based on the number of times a song had been played in jukeboxes. The Most Played Juke Box Folk Records chart had been published since 1944 and was compiled based on a weekly survey of "a selected group of juke box operators whose locations require folk records". In May, the magazine added a second country music chart, the Best Selling Folk Retail Records listing, based on a similar survey of "a selected group of retail stores, the majority of whose customers purchase folk records". The Juke Box Folk chart was discontinued in 1957 and the Best Sellers chart the following year; both are considered part of the lineage of the magazine's current country music songs charts. The number-one position on both charts was dominated almost entirely during 1948 by vocalist Eddy Arnold and his backing band the Tennessee Plowboys. One of the biggest country stars of the late 1940s, Arnold was at number one on the jukebox chart at the start of the year with "I'll Hold You in My Heart (Till I Can Hold You in My Arms)", which had been in the top spot for eight weeks in 1947 and remained there for a further thirteen weeks in 1948. This total of 21 weeks at number one set a record for Billboard's country charts which would stand for 65 years, until the duo Florida Georgia Line spent a 22nd week in the top spot with "Cruise" in 2013. "I'll Hold You in My Heart" was replaced in the top spot by another of Arnold's songs, "Anytime", and this in turn was followed by runs at number one by three more of his songs. Between them, the five songs occupied the number-one position through the issue of Billboard dated November 27, meaning that Arnold had topped the chart for more than a year without interruption. In the November 27 issue, another artist topped the chart for the first time in 1948 when Jimmy Wakely's "One Has My Name (The Other Has My Heart)" tied with Arnold's "Just a Little Lovin' (Will Go a Long Way)" for the number one position, before going on to take the top spot outright the following week. Three weeks later, however, Arnold returned to number one in the final issue of the year. (Full article...)"><img alt="Image 10 Eddy Arnold almost completely dominated the number one spot in 1948. In 1948, Billboard magazine published two charts specifically covering the top-performing country music songs in the United States. At the start of the year, Billboard's sole ranking of country music recordings was based on the number of times a song had been played in jukeboxes. The Most Played Juke Box Folk Records chart had been published since 1944 and was compiled based on a weekly survey of "a selected group of juke box operators whose locations require folk records". In May, the magazine added a second country music chart, the Best Selling Folk Retail Records listing, based on a similar survey of "a selected group of retail stores, the majority of whose customers purchase folk records". The Juke Box Folk chart was discontinued in 1957 and the Best Sellers chart the following year; both are considered part of the lineage of the magazine's current country music songs charts. The number-one position on both charts was dominated almost entirely during 1948 by vocalist Eddy Arnold and his backing band the Tennessee Plowboys. One of the biggest country stars of the late 1940s, Arnold was at number one on the jukebox chart at the start of the year with "I'll Hold You in My Heart (Till I Can Hold You in My Arms)", which had been in the top spot for eight weeks in 1947 and remained there for a further thirteen weeks in 1948. This total of 21 weeks at number one set a record for Billboard's country charts which would stand for 65 years, until the duo Florida Georgia Line spent a 22nd week in the top spot with "Cruise" in 2013. "I'll Hold You in My Heart" was replaced in the top spot by another of Arnold's songs, "Anytime", and this in turn was followed by runs at number one by three more of his songs. Between them, the five songs occupied the number-one position through the issue of Billboard dated November 27, meaning that Arnold had topped the chart for more than a year without interruption. In the November 27 issue, another artist topped the chart for the first time in 1948 when Jimmy Wakely's "One Has My Name (The Other Has My Heart)" tied with Arnold's "Just a Little Lovin' (Will Go a Long Way)" for the number one position, before going on to take the top spot outright the following week. Three weeks later, however, Arnold returned to number one in the final issue of the year. (Full article...)" src="//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png" decoding="async" width="120" height="80" class="mw-file-element" data-file-width="3" data-file-height="2" /></a></span></div> <div class="gallerytext"><span class="switcher-label" style="display:none"><span class="randomSlideshow-sr-only">Image 10</span></span><div style="text-align:left;"><figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Eddy_Arnold_Billboard.jpg" class="mw-file-description"><img alt="Singer Eddy Arnold" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Eddy_Arnold_Billboard.jpg/290px-Eddy_Arnold_Billboard.jpg" decoding="async" width="290" height="338" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Eddy_Arnold_Billboard.jpg/435px-Eddy_Arnold_Billboard.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/2/27/Eddy_Arnold_Billboard.jpg 2x" data-file-width="516" data-file-height="601" /></a><figcaption><a href="/wiki/Eddy_Arnold" title="Eddy Arnold">Eddy Arnold</a> almost completely dominated the number one spot in 1948.</figcaption></figure><br />In 1948, <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine published two <a href="/wiki/Record_chart" title="Record chart">charts</a> specifically covering the top-performing <a href="/wiki/Country_music" title="Country music">country music</a> songs in the United States. At the start of the year, <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'s</span> sole ranking of country music recordings was based on the number of times a song had been played in <a href="/wiki/Jukebox" title="Jukebox">jukeboxes</a>. The Most Played Juke Box Folk Records chart had been published since 1944 and was compiled based on a weekly survey of "a selected group of juke box operators whose locations require folk records". In May, the magazine added a second country music chart, the Best Selling Folk Retail Records listing, based on a similar survey of "a selected group of retail stores, the majority of whose customers purchase folk records". The Juke Box Folk chart was discontinued in 1957 and the Best Sellers chart the following year; both are considered part of the <a href="/wiki/List_of_Billboard_number-one_country_songs" class="mw-redirect" title="List of Billboard number-one country songs">lineage</a> of the magazine's current country music songs charts.<br /><br />The number-one position on both charts was dominated almost entirely during 1948 by vocalist <a href="/wiki/Eddy_Arnold" title="Eddy Arnold">Eddy Arnold</a> and his backing band the Tennessee Plowboys. One of the biggest country stars of the late 1940s, Arnold was at number one on the jukebox chart at the start of the year with "<a href="/wiki/I%27ll_Hold_You_in_My_Heart_(Till_I_Can_Hold_You_in_My_Arms)" title="I'll Hold You in My Heart (Till I Can Hold You in My Arms)">I'll Hold You in My Heart (Till I Can Hold You in My Arms)</a>", which had been in the top spot for eight weeks in 1947 and remained there for a further thirteen weeks in 1948. This total of 21 weeks at number one set a record for <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'s</span> country charts which would stand for 65 years, until the duo <a href="/wiki/Florida_Georgia_Line" title="Florida Georgia Line">Florida Georgia Line</a> spent a 22nd week in the top spot with "<a href="/wiki/Cruise_(song)" title="Cruise (song)">Cruise</a>" in 2013. "I'll Hold You in My Heart" was replaced in the top spot by another of Arnold's songs, "<a href="/wiki/Anytime_(1921_song)" title="Anytime (1921 song)">Anytime</a>", and this in turn was followed by runs at number one by three more of his songs. Between them, the five songs occupied the number-one position through the issue of <i>Billboard</i> dated November 27, meaning that Arnold had topped the chart for more than a year without interruption. In the November 27 issue, another artist topped the chart for the first time in 1948 when <a href="/wiki/Jimmy_Wakely" title="Jimmy Wakely">Jimmy Wakely</a>'s "<a href="/wiki/One_Has_My_Name_(The_Other_Has_My_Heart)" title="One Has My Name (The Other Has My Heart)">One Has My Name (The Other Has My Heart)</a>" tied with Arnold's "<a href="/wiki/Just_a_Little_Lovin%27_(Will_Go_a_Long_Way)" title="Just a Little Lovin' (Will Go a Long Way)">Just a Little Lovin' (Will Go a Long Way)</a>" for the number one position, before going on to take the top spot outright the following week. Three weeks later, however, Arnold returned to number one in the final issue of the year. (<b><a href="/wiki/List_of_Billboard_number-one_country_songs_of_1948" title="List of Billboard number-one country songs of 1948">Full article...</a></b>)</div></div> </li> </ul></div> <div class="noprint" style="margin:0.3em 0.2em 0.2em 0.3em; padding:0.3em 0.2em 0.2em 0.3em; text-align:right;"><b><a href="/wiki/Portal:Record_production/Featured_lists" title="Portal:Record production/Featured lists">More featured lists</a></b></div><div style="clear:both;" class=""></div></div></div></div> <div style="clear:both; width:100%"> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks 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style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">Topics</h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <div class="center"> <p><u><b>General</b></u><br /> <a href="/wiki/Album_era" title="Album era">Album era</a> •  <a href="/wiki/Album-equivalent_unit" title="Album-equivalent unit">Album-equivalent unit</a> •  <a href="/wiki/Audio_engineering" class="mw-redirect" title="Audio engineering">Audio engineering</a> •  <a href="/wiki/Independent_record_label" title="Independent record label">Independent record label</a> •  <a href="/wiki/Record_chart" title="Record chart">Record chart</a> •  <a href="/wiki/Record_producer" title="Record producer">Record producer</a> •  <a href="/wiki/Music_library" title="Music library">Music library</a> •  <a href="/wiki/Lists_of_albums" title="Lists of albums">Lists of albums</a> •  <a href="/wiki/List_of_most_valuable_records" title="List of most valuable records">List of most valuable records</a> <br /> </p><p><u><b><a href="/wiki/Music_industry" title="Music industry">Music industry</a></b></u><br /> </p> <a href="/wiki/Album-equivalent_unit" title="Album-equivalent unit">Album-equivalent unit</a> •  <a href="/wiki/Record_sales" title="Record sales">Record sales</a> •  <a href="/wiki/Recording_studio" title="Recording studio">Recording studio</a> •  <a href="/wiki/List_of_best-selling_albums" title="List of best-selling albums">List of best-selling albums</a>  •  <a href="/wiki/List_of_best-selling_albums_by_country" title="List of best-selling albums by country">List of best-selling albums by country</a>  •  <a href="/wiki/List_of_best-selling_albums_by_women" title="List of best-selling albums by women">List of best-selling albums by women</a>  •  <a href="/wiki/List_of_best-selling_albums_of_the_21st_century" title="List of best-selling albums of the 21st century">List of best-selling albums of the 21st century</a>  •  <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">List of best-selling music artists</a>  •  <a href="/wiki/List_of_best-selling_remix_albums" class="mw-redirect" title="List of best-selling remix albums">List of best-selling remix albums</a>  •  <a href="/wiki/List_of_best-selling_singles" title="List of best-selling singles">List of best-selling singles</a> •  <a href="/wiki/List_of_largest_recorded_music_markets" title="List of largest recorded music markets">List of largest recorded music markets</a> •  <a href="/wiki/List_of_music_recording_certifications" title="List of music recording certifications">List of music recording certifications</a> •  <a href="/wiki/Music_recording_certification" title="Music recording certification">Music recording certification</a><div class="paragraphbreak" style="margin-top:0.5em"></div> </div> <div style="text-align:center;"> <p><u><b><a href="/wiki/Music_genre" title="Music genre">Music genres</a> and <a href="/wiki/Musical_form" title="Musical form">forms</a></b></u> <br /> <a href="/wiki/Blues" title="Blues">Blues</a> – <a href="/wiki/Disco" title="Disco">Disco</a> – <a href="/wiki/European_classical_music" class="mw-redirect" title="European classical music">Classical</a> – <a href="/wiki/Electronic_music" title="Electronic music">Electronic</a> – <a href="/wiki/Folk_music" title="Folk music">Folk</a> – <a href="/wiki/Gamelan" title="Gamelan">Gamelan</a> – <a href="/wiki/Rock_music" title="Rock music">Rock</a> – <a href="/wiki/Metal_music" class="mw-redirect" title="Metal music">Metal</a> – <a href="/wiki/Country_music" title="Country music">Country</a> – <a href="/wiki/Hip_hop" class="mw-redirect" title="Hip hop">Hip hop</a> – <a href="/wiki/Indian_classical_music" title="Indian classical music">Indian classical</a> – <a href="/wiki/Jazz" title="Jazz">Jazz</a> – <a href="/wiki/Vocal_music" title="Vocal music">Vocal</a> – <a href="/wiki/New-age_music" title="New-age music">New-age</a> – <a href="/wiki/Opera" title="Opera">Opera</a> – <a href="/wiki/Pop_music" title="Pop music">Pop</a> – <a href="/wiki/Reggae" title="Reggae">Reggae</a> – <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">Rhythm and blues</a> – <a href="/wiki/Rock_and_roll" title="Rock and roll">Rock and roll</a> – <a href="/wiki/Song" title="Song">Song</a> – <a href="/wiki/Soul_music" title="Soul music">Soul</a> – <a href="/wiki/Symphony" title="Symphony">Symphony</a> <br /> <b><i><a href="/wiki/Category:Music_genres" title="Category:Music genres">More genres...</a></i></b> <br /> <br /> <u><b><a href="/wiki/Record_label" title="Record label">Record labels</a></b></u> <br /> <a href="/wiki/RCA_Records" title="RCA Records">RCA</a> – <a href="/wiki/MCA_Records" title="MCA Records">MCA</a> – <a href="/wiki/Capitol_Records" title="Capitol Records">Capitol</a> – <a href="/wiki/BNA_Entertainment" class="mw-redirect" title="BNA Entertainment">BNA</a> – <a href="/wiki/Arista_Records" title="Arista Records">Arista</a> – <a href="/wiki/Evergreen_Music_Recordings" class="mw-redirect" title="Evergreen Music Recordings">EMI</a> – <a href="/wiki/Mediarts" class="mw-redirect" title="Mediarts">Mediarts</a> – <a href="/wiki/Virgin_Records" title="Virgin Records">Virgin</a> – <a href="/wiki/Metromedia" title="Metromedia">Metromedia</a> – <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> – <a href="/wiki/Sony_Records" title="Sony Records">Sony</a> – <a href="/wiki/Colossus_Records" title="Colossus Records">Colossus</a> – <a href="/wiki/Dunhill_Records" title="Dunhill Records">Dunhill</a> – <a href="/wiki/Def_Jam_Records" class="mw-redirect" title="Def Jam Records">Def Jam</a> – <a href="/wiki/Sun_Records_(other_companies)" title="Sun Records (other companies)">Sun</a> <br /> <b><i><a href="/wiki/List_of_record_labels" class="mw-redirect" title="List of record labels">More record labels...</a></i></b> <br /> <br /> <u><b><a href="/wiki/Record_producer" title="Record producer">Record producers</a></b></u> <br /> <a href="/wiki/James_Stroud" title="James Stroud">James Stroud</a> – <a href="/wiki/Richard_Landis" title="Richard Landis">Richard Landis</a> – <a href="/wiki/Sean_Combs" title="Sean Combs">Sean Combs</a> – <a href="/wiki/Mike_Vernon_(producer)" title="Mike Vernon (producer)">Mike Vernon</a> – <a href="/wiki/Jay-Z" title="Jay-Z">Jay-Z</a> – <a href="/wiki/Duke_Pearson" title="Duke Pearson">Duke Pearson</a> – <a href="/wiki/Clive_Davis" title="Clive Davis">Clive Davis</a> – <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a> – <a href="/wiki/Bob_Rock" title="Bob Rock">Bob Rock</a> – <a href="/wiki/Andrew_Loog_Oldham" title="Andrew Loog Oldham">Andrew Loog Oldham</a> – <a href="/wiki/Norman_Petty" title="Norman Petty">Norman Petty</a> – <a href="/wiki/Henry_Mancini" title="Henry Mancini">Henry Mancini</a> – <a href="/wiki/Bob_Weinstock" title="Bob Weinstock">Bob Weinstock</a> – <a href="/wiki/Bob_Ezrin" title="Bob Ezrin">Bob Ezrin</a> – <a href="/wiki/John_H._Hammond" class="mw-redirect" title="John H. Hammond">John H. Hammond</a> – <a href="/wiki/Harry_Vanda" title="Harry Vanda">Harry Vanda</a> – <a href="/wiki/Todd_Rundgren" title="Todd Rundgren">Todd Rundgren</a> – <a href="/wiki/Berry_Gordy" title="Berry Gordy">Berry Gordy</a> – <a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a> <br /> </p> <b><i><a href="/wiki/Category:Record_producers" title="Category:Record producers">More record producers...</a></i></b></div> <div style="clear:both;" class=""></div></div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" 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dir="ltr"><a href="/wiki/Category:Record_labels_by_parent" title="Category:Record labels by parent">Record labels by parent</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Lists_of_record_labels" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Lists_of_record_labels" title="Category:Lists of record labels">Lists of record labels</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Record_labels_by_decade_of_establishment" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Record_labels_by_decade_of_establishment" title="Category:Record labels by decade of establishment">Record labels by decade of establishment</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Record_labels_by_year_of_establishment" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Record_labels_by_year_of_establishment" title="Category:Record labels by year of establishment">Record labels by year of establishment</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Albums_by_record_label" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Albums_by_record_label" title="Category:Albums by record label">Albums by record label</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Recording_artists_by_label" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Recording_artists_by_label" title="Category:Recording artists by label">Recording artists by label</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Singles_by_record_label" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Singles_by_record_label" title="Category:Singles by record label">Singles by record label</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="African_record_labels" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:African_record_labels" title="Category:African record labels">African record labels</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Record_label_albums" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Record_label_albums" title="Category:Record label albums">Record label albums</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Arab_record_labels" title="Category:Arab record labels">Arab record labels</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div 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class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Bulgaria" title="Category:Recording studios in Bulgaria">Recording studios in Bulgaria</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Canada" title="Category:Recording studios in Canada">Recording studios in Canada</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Croatia" title="Category:Recording studios in Croatia">Recording studios in Croatia</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Denmark" title="Category:Recording studios in Denmark">Recording studios in Denmark</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Finland" title="Category:Recording studios in Finland">Recording studios in Finland</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_France" title="Category:Recording studios in France">Recording studios in France</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Germany" title="Category:Recording studios in Germany">Recording studios in Germany</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Iceland" title="Category:Recording studios in Iceland">Recording studios in Iceland</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_India" title="Category:Recording studios in India">Recording studios in India</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Ireland" title="Category:Recording studios in Ireland">Recording studios in Ireland</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Israel" title="Category:Recording studios in Israel">Recording studios in Israel</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Italy" title="Category:Recording studios in Italy">Recording studios in Italy</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Jamaica" title="Category:Recording studios in Jamaica">Recording studios in Jamaica</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Japan" title="Category:Recording studios in Japan">Recording studios in Japan</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_the_Netherlands" title="Category:Recording studios in the Netherlands">Recording studios in the Netherlands</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Recording_studios_in_New_Zealand" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_New_Zealand" title="Category:Recording studios in New Zealand">Recording studios in New Zealand</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Norway" title="Category:Recording studios in Norway">Recording studios in Norway</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Poland" title="Category:Recording studios in Poland">Recording studios in Poland</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_South_Africa" title="Category:Recording studios in South Africa">Recording studios in South Africa</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Spain" title="Category:Recording studios in Spain">Recording studios in Spain</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Sweden" title="Category:Recording studios in Sweden">Recording studios in Sweden</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Switzerland" title="Category:Recording studios in Switzerland">Recording studios in Switzerland</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_Uganda" title="Category:Recording studios in Uganda">Recording studios in Uganda</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Recording_studios_in_the_United_Kingdom" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_the_United_Kingdom" title="Category:Recording studios in the United Kingdom">Recording studios in the United Kingdom</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Recording_studios_in_the_United_States" aria-expanded="false"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studios_in_the_United_States" title="Category:Recording studios in the United States">Recording studios in the United States</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Recording_studio_stubs" title="Category:Recording studio stubs">Recording studio stubs</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div></div></div></div> </div> <hr /> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1184024115"><div class="div-col" style="column-width: 25em;"> <div class="CategoryTreeTag" data-ct-options="{"mode":0,"hideprefix":20,"showcount":false,"namespaces":false,"notranslations":false}"><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeBullet"><a class="CategoryTreeToggle" data-ct-title="Music_libraries" data-ct-loaded="1" aria-expanded="true"></a> </span> <bdi dir="ltr"><a href="/wiki/Category:Music_libraries" title="Category:Music libraries">Music libraries</a></bdi></div><div class="CategoryTreeChildren"><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Musical_instrument_libraries" title="Category:Musical instrument libraries">Musical instrument libraries</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Music_librarians" title="Category:Music librarians">Music librarians</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div><div class="CategoryTreeSection"><div class="CategoryTreeItem"><span class="CategoryTreeEmptyBullet"></span> <bdi dir="ltr"><a href="/wiki/Category:Music_libraries_in_the_United_States" title="Category:Music libraries in the United States">Music libraries in the United States</a></bdi></div><div class="CategoryTreeChildren" style="display:none"></div></div></div></div></div> </div> <div style="clear:both;" class=""></div></div> </div> <div class="portal-column-left"> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="WikiProjects" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">WikiProjects</h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <table class="plainrowheaders" style="margin: 0.25em auto 0.5em; padding: 0.5em 0.5em; text-align:center;"> <tbody><tr> <td><b><a href="/wiki/Wikipedia:WikiProjects" class="mw-redirect" title="Wikipedia:WikiProjects">WikiProjects</a> connected with music</b>:<br /><a href="/wiki/Wikipedia:WikiProject_Music" title="Wikipedia:WikiProject Music">Main project</a> – <a href="/wiki/Wikipedia:WikiProject_Songs" title="Wikipedia:WikiProject Songs">Songs</a> – <a href="/wiki/Wikipedia:WikiProject_Albums" title="Wikipedia:WikiProject Albums">Albums</a> – <a href="/wiki/Wikipedia:WikiProject_Alternative_music" title="Wikipedia:WikiProject Alternative music">Alternative music</a> – <a href="/wiki/Wikipedia:WikiProject_Classical_music" title="Wikipedia:WikiProject Classical music">Classical music</a> – <a href="/wiki/Wikipedia:WikiProject_Composers" title="Wikipedia:WikiProject Composers">Composers</a> – <a href="/wiki/Wikipedia:WikiProject_Contemporary_Christian_music" class="mw-redirect" title="Wikipedia:WikiProject Contemporary Christian music">Contemporary Christian music</a> – <a href="/wiki/Wikipedia:WikiProject_Contemporary_music" class="mw-redirect" title="Wikipedia:WikiProject Contemporary music">Contemporary music</a> – <a href="/wiki/Wikipedia:WikiProject_Electronic_music" title="Wikipedia:WikiProject Electronic music">Electronic music</a> – <a href="/wiki/Wikipedia:WikiProject_Emo_music" class="mw-redirect" title="Wikipedia:WikiProject Emo music">Emo music</a> – <a href="/wiki/Wikipedia:WikiProject_Hip_hop" class="mw-redirect" title="Wikipedia:WikiProject Hip hop">Hip hop</a> – <a href="/wiki/Wikipedia:WikiProject_Musical_Instruments" title="Wikipedia:WikiProject Musical Instruments">Instruments</a> – <a href="/wiki/Wikipedia:WikiProject_Led_Zeppelin" title="Wikipedia:WikiProject Led Zeppelin">Led Zeppelin</a> – <a href="/wiki/Wikipedia:WikiProject_Metal" title="Wikipedia:WikiProject Metal">Metal music</a> – <a href="/wiki/Wikipedia:WikiProject_Jazz" title="Wikipedia:WikiProject Jazz">Jazz</a> – <a href="/wiki/Wikipedia:WikiProject_Musicians" title="Wikipedia:WikiProject Musicians">Musicians</a> – <a href="/wiki/Wikipedia:WikiProject_Opera" title="Wikipedia:WikiProject Opera">Opera</a> – <a href="/wiki/Wikipedia:WikiProject_Panic!_at_the_Disco" class="mw-redirect" title="Wikipedia:WikiProject Panic! at the Disco">Panic at the Disco</a> – <a href="/wiki/Wikipedia:WikiProject_Powderfinger" title="Wikipedia:WikiProject Powderfinger">Powderfinger (band)</a> – <a href="/wiki/Wikipedia:WikiProject_Punk_music" title="Wikipedia:WikiProject Punk music">Punk music</a> – <a href="/wiki/Wikipedia:WikiProject_Record_Labels" title="Wikipedia:WikiProject Record Labels">Record Labels</a> – <a href="/wiki/Wikipedia:WikiProject_Record_Production" title="Wikipedia:WikiProject Record Production">Record Production</a> – <a href="/wiki/Wikipedia:WikiProject_Rock_music" title="Wikipedia:WikiProject Rock music">Rock music</a> – <a href="/wiki/Wikipedia:WikiProject_R%26B_and_Soul_Music" title="Wikipedia:WikiProject R&B and Soul Music">R&B and Soul Music</a> – <a href="/wiki/Wikipedia:WikiProject_Music_terminology" title="Wikipedia:WikiProject Music terminology">Terminology</a> – <a href="/wiki/Wikipedia:WikiProject_The_Beatles" title="Wikipedia:WikiProject The Beatles">The Beatles</a><br /><b>Create a requested article</b>:<br />See the list of <a href="/wiki/Wikipedia:Requested_articles/music/Songs" title="Wikipedia:Requested articles/music/Songs"> Requested articles</a>.<br /><b>Improve an article</b>:<br />See the <a href="/wiki/Wikipedia:WikiProject_Music/Noticeboard" title="Wikipedia:WikiProject Music/Noticeboard">Music Noticeboard</a> for a list of tasks.<br /><b>Start a music course</b>:<br /><a href="https://en.wikiversity.org/wiki/School:Music" class="extiw" title="v:School:Music">School of Music</a> at <a href="/wiki/Wikiversity" title="Wikiversity">Wikiversity</a> </td></tr></tbody></table> <div style="clear:both;" class=""></div></div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="Portals" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">Portals</h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <div class="center" style="width:auto; margin-left:auto; margin-right:auto;"> <p><span style="font-size:85%;"> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Human_activities" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Activities</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Culture_and_the_arts" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Culture</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Geography_and_places" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Geography</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Health_and_fitness" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Health</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#History_and_events" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">History</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Mathematics_and_logic" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Mathematics</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Natural_and_physical_sciences" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Nature</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#People_and_self" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">People</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Philosophy_and_thinking" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Philosophy</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Religion_and_belief_systems" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Religion</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Society_and_social_sciences" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Society</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Wikipedia:Contents/Portals#Technology_and_applied_sciences" title="Wikipedia:Contents/Portals"><span class="mw-ui-button"><span style="color:darkblue;">Technology</span></span></a></span> <span class="plainlinks clickbutton"><a href="/wiki/Special:RandomInCategory/All_portals" title="Special:RandomInCategory/All portals"><span class="mw-ui-button"><span style="color:darkblue;">Random portal</span></span></a></span> </span> </p> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist noprint" style="text-align: center; clear:both; padding:0.25em 0 0.5em;"><ul><li><b>What are <a href="/wiki/Wikipedia:Portal" title="Wikipedia:Portal">portals</a>?</b></li><li><b><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">List of portals</a></b></li><li><a href="/wiki/Special:PrefixIndex/Portal:Record_production/" title="Special:PrefixIndex/Portal:Record production/"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239334494"><span class="tmp-color" style="color:{{{linkcolour}}}">Sub-pages of Portal:Record production</span></a></li></ul></div> <div style="clear:both;" class=""></div></div> </div> <div class="portal-column-right"> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="Sister_projects" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">Sister projects</h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <style data-mw-deduplicate="TemplateStyles:r1239335380">.mw-parser-output #sister-projects-list{display:flex;flex-wrap:wrap}.mw-parser-output #sister-projects-list li{display:inline-block}.mw-parser-output #sister-projects-list li span{font-weight:bold}.mw-parser-output #sister-projects-list li>div{display:inline-block;vertical-align:middle;padding:6px 4px}.mw-parser-output #sister-projects-list li>div:first-child{text-align:center}@media screen{.mw-parser-output .sister-projects-wikt-icon-dark,html.skin-theme-clientpref-night .mw-parser-output .sister-projects-wikt-icon-light{display:none}html.skin-theme-clientpref-night .mw-parser-output .sister-projects-wikt-icon-dark{display:inline}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sister-projects-wikt-icon-dark{display:inline}html.skin-theme-clientpref-os .mw-parser-output .sister-projects-wikt-icon-light{display:none}}@media(min-width:360px){.mw-parser-output #sister-projects-list li{width:33%;min-width:20em;white-space:nowrap;flex:1 0 25%}.mw-parser-output #sister-projects-list li>div:first-child{min-width:50px}}</style> <p>The following <a href="/wiki/Wikimedia_Foundation" title="Wikimedia Foundation">Wikimedia Foundation</a> sister projects provide more on this subject: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul id="sister-projects-list"> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://commons.wikimedia.org/wiki/Special:Search/Category:Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/31px-Commons-logo.svg.png" decoding="async" width="31" height="42" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/47px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/62px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a><figcaption></figcaption></figure></div> <div><span><a href="https://commons.wikimedia.org/wiki/Special:Search/Category:Record_production" class="extiw" title="commons:Special:Search/Category:Record production">Commons</a></span><br />Free media repository</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://en.wikibooks.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikibooks-logo.svg/35px-Wikibooks-logo.svg.png" decoding="async" width="35" height="35" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikibooks-logo.svg/53px-Wikibooks-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikibooks-logo.svg/70px-Wikibooks-logo.svg.png 2x" data-file-width="300" data-file-height="300" /></a><figcaption></figcaption></figure> </div> <div><span><a href="https://en.wikibooks.org/wiki/Special:Search/Record_production" class="extiw" title="wikibooks:Special:Search/Record production">Wikibooks</a></span><br />Free textbooks and manuals</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://www.wikidata.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/47px-Wikidata-logo.svg.png" decoding="async" width="47" height="26" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/71px-Wikidata-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/94px-Wikidata-logo.svg.png 2x" data-file-width="1050" data-file-height="590" /></a><figcaption></figcaption></figure> </div> <div><span><a href="https://www.wikidata.org/wiki/Special:Search/Record_production" class="extiw" title="wikidata:Special:Search/Record production">Wikidata</a></span><br />Free knowledge base</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://en.wikinews.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/24/Wikinews-logo.svg/51px-Wikinews-logo.svg.png" decoding="async" width="51" height="28" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/24/Wikinews-logo.svg/77px-Wikinews-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/24/Wikinews-logo.svg/102px-Wikinews-logo.svg.png 2x" data-file-width="759" data-file-height="415" /></a><figcaption></figcaption></figure></div> <div><span><a href="https://en.wikinews.org/wiki/Special:Search/Record_production" class="extiw" title="wikinews:Special:Search/Record production">Wikinews</a></span><br />Free-content news</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://en.wikiquote.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/35px-Wikiquote-logo.svg.png" decoding="async" width="35" height="41" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/53px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/70px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /></a><figcaption></figcaption></figure></div> <div><span><a href="https://en.wikiquote.org/wiki/Special:Search/Record_production" class="extiw" title="wikiquote:Special:Search/Record production">Wikiquote</a></span><br />Collection of quotations</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://en.wikisource.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/35px-Wikisource-logo.svg.png" decoding="async" width="35" height="37" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/53px-Wikisource-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/70px-Wikisource-logo.svg.png 2x" data-file-width="410" data-file-height="430" /></a><figcaption></figcaption></figure></div> <div><span><a href="https://en.wikisource.org/wiki/Special:Search/Record_production" class="extiw" title="wikisource:Special:Search/Record production">Wikisource</a></span><br />Free-content library</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://en.wikiversity.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Wikiversity_logo_2017.svg/41px-Wikiversity_logo_2017.svg.png" decoding="async" width="41" height="34" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Wikiversity_logo_2017.svg/62px-Wikiversity_logo_2017.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Wikiversity_logo_2017.svg/82px-Wikiversity_logo_2017.svg.png 2x" data-file-width="626" data-file-height="512" /></a><figcaption></figcaption></figure></div> <div><span><a href="https://en.wikiversity.org/wiki/Special:Search/Record_production" class="extiw" title="wikiversity:Special:Search/Record production">Wikiversity</a></span><br />Free learning tools</div> </li> <li> <div><figure class="mw-halign-center" typeof="mw:File"><a href="https://en.wiktionary.org/wiki/Special:Search/Record_production"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/0/06/Wiktionary-logo-v2.svg/35px-Wiktionary-logo-v2.svg.png" decoding="async" width="35" height="35" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/0/06/Wiktionary-logo-v2.svg/53px-Wiktionary-logo-v2.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/0/06/Wiktionary-logo-v2.svg/70px-Wiktionary-logo-v2.svg.png 2x" data-file-width="391" data-file-height="391" /></a><figcaption></figcaption></figure> </div> <div><span><a href="https://en.wiktionary.org/wiki/Special:Search/Record_production" class="extiw" title="wiktionary:Special:Search/Record production">Wiktionary</a></span><br />Dictionary and thesaurus</div> </li> </ul> </div> <div style="clear:both;" class=""></div></div> <div class="box-header-title-container flex-columns-noflex" style="clear:both;color:black;margin-bottom:0px;border:solid #000000;box-sizing:border-box;text-align:center;font-size:100%;background:lightblue;font-family:sans-serif;padding:1em;border-width:1px 1px 0;padding-top:.3em;padding-left:.1em;padding-right:.1em;padding-bottom:.1em;moz-border-radius:1.5em 1.5em 0 0;webkit-border-radius:1.5em 1.5em 0 0;border-radius:1.5em 1.5em 0 0"><div class="plainlinks noprint" style="float:right;margin-bottom:.1em;color:black;font-size:80%">  </div><h2 id="More_content_at_Wikimedia_Commons" style="font-weight:bold;padding:0;margin:0;color:black;font-family:sans-serif;border:none;font-size:100%;padding-bottom:.1em">More content at Wikimedia Commons</h2></div><div style="color:black;opacity:1;border:1px solid #000000;box-sizing:border-box;text-align:left;padding:1em;background:#fff;margin:0 0 10px;vertical-align:top;border-top-width:1px;padding-top:.3em;border-radius:0 0 1.5em 1.5em"> <table style="margin:1em auto;"> <tbody><tr> <td><style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Audio_engineers" class="extiw" title="commons:Category:Audio engineers">Audio engineers</a></span>.</div></div> </div> </td></tr> <tr> <td><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237033735"><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Music_libraries" class="extiw" title="commons:Category:Music libraries">Music libraries</a></span>.</div></div> </div> </td></tr> <tr> <td><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237033735"><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></span></div> <div class="side-box-text 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