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Jieroft Branch</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://selcuk.academia.edu/FatmaKalpakl%C4%B1"><img class="profile-avatar u-positionAbsolute" alt="Fatma Kalpaklı Yeğin" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/5349986/2349466/57521666/s200_fatma.kalpakl_.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://selcuk.academia.edu/FatmaKalpakl%C4%B1">Fatma Kalpaklı Yeğin</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Selcuk University (Selçuk Üniversitesi)</p></div></div></ul></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="11917529" href="https://www.academia.edu/Documents/in/English_Literature"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://uam.academia.edu/EstherSanchezPardo","location":"/EstherSanchezPardo","scheme":"https","host":"uam.academia.edu","port":null,"pathname":"/EstherSanchezPardo","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["English Literature"]}" data-trace="false" data-dom-id="Pill-react-component-d91d5305-9e79-46e5-b35b-a658c684ca38"></div> <div id="Pill-react-component-d91d5305-9e79-46e5-b35b-a658c684ca38"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Esther Sanchez-Pardo</h3></div><div class="js-work-strip profile--work_container" data-work-id="95099381"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/95099381/Po%C3%A9ticas_Comparadas_de_Mujeres"><img alt="Research paper thumbnail of Poéticas Comparadas de Mujeres" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95099381/Po%C3%A9ticas_Comparadas_de_Mujeres">Poéticas Comparadas de Mujeres</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95099381"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95099381"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95099381; 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La selection des meilleures interventions, la contribution de specialistes orientaux ou encore l’apport de l’entret...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94562264"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94562264"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94562264; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94562264]").text(description); $(".js-view-count[data-work-id=94562264]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94562264; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94562264']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94562264, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94562264]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94562264,"title":"L’Écriture désirante : Marguerite Duras, édition établie et présentée par Anne-Marie Reboul et Esther Sánchez-Pardo","translated_title":"","metadata":{"abstract":"L’ouvrage edite et presente par Anne-Marie Reboul et Esther Sanchez-Pardo temoigne de l’intense activite de recherches realisee a Madrid autour de la figure de l’ecrivaine. 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La selection des meilleures interventions, la contribution de specialistes orientaux ou encore l’apport de l’entret...","owner":{"id":11917529,"first_name":"Esther","middle_initials":null,"last_name":"Sanchez-Pardo","page_name":"EstherSanchezPardo","domain_name":"uam","created_at":"2014-05-10T08:38:01.419-07:00","display_name":"Esther Sanchez-Pardo","url":"https://uam.academia.edu/EstherSanchezPardo"},"attachments":[],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":119973,"name":"Littérature","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="93645005"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/93645005/Writing_war_Owen_Spender_poetic_forms_and_concerns_for_a_world_in_turmoil"><img alt="Research paper thumbnail of Writing war: Owen, Spender, poetic forms and concerns for a world in turmoil" class="work-thumbnail" src="https://attachments.academia-assets.com/96325280/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/93645005/Writing_war_Owen_Spender_poetic_forms_and_concerns_for_a_world_in_turmoil">Writing war: Owen, Spender, poetic forms and concerns for a world in turmoil</a></div><div class="wp-workCard_item"><span>Nordic Journal of English Studies</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">There is a significant shift in the literary treatment of war between the trench poets and the su...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">There is a significant shift in the literary treatment of war between the trench poets and the subsequent generation of British poets, an understandable one given their very different experience and investment in the war itself. This paper discusses a selection of poems from Wilfred Owen's (1893-1918) and from Stephen Spender's (1909-1995) oeuvres as products of their different historical moments in order to reflect upon crucial transformations in poetic forms-especially the elegy-and concerns in the interwar period, a time open to the violent and chaotic experiences that a turbulent history was producing.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a78b340f1e9cb567a970955e21f0880e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96325280,"asset_id":93645005,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96325280/download_file?st=MTczNjQ0NDc2OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93645005"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93645005"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93645005; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93645005]").text(description); $(".js-view-count[data-work-id=93645005]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93645005; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93645005']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93645005, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a78b340f1e9cb567a970955e21f0880e" } } $('.js-work-strip[data-work-id=93645005]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93645005,"title":"Writing war: Owen, Spender, poetic forms and concerns for a world in turmoil","translated_title":"","metadata":{"publisher":"University of Gothenburg - Department of Languages and Literatures","grobid_abstract":"There is a significant shift in the literary treatment of war between the trench poets and the subsequent generation of British poets, an understandable one given their very different experience and investment in the war itself. 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American writer Michael ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In his 1929 review for The New Masses, &quot;The Loves of Isadora,&quot; American writer Michael Gold, inflamed with revolutionary rhetoric, praised Duncan as the creator of a new dance , placing particular emphasis on her impulse to democratize dancing and so making it open to the ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93645003"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93645003"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93645003; 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Society</span><span>, 2005</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">is one of ''an intimate, protective, nondeforming means of contact with the entire range of human...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">is one of ''an intimate, protective, nondeforming means of contact with the entire range of human possibility,'' Moss reminds us (p 328). This ambitious promise, one that offers the potential of identificatory contact with all that culture can produce, is the one most certainly put in question when we are impinged upon by terrorist acts. Notwithstanding the fact that the contributions comprising this section are strong and quite interesting, one cannot help but wonder if the inclusion of terrorism as the fourth emphasis to the book's organizational scheme is a response to a post-September 11 editorial urging. The psychology of terrorism lacks a natural affinity with the other three foci. Terrorism, unlike misogyny, racism, and homophobia, is a form of overt, calculated warfare and it is typically a part of an institutionalized process that has articulated ideological roots. Racism, homophobia, and misogyny are much more readily revealed as neurotic, distortive processes, whereas terrorism works from within the context of ideology, historical exigency, and warfare, making the judgment and evaluation of terrorist acts more clearly in the eye of the beholder. The above criticism aside, Hating in the First Person Plural is an exceptional volume. It breaks new ground in psychoanalytic theorizing on the subject of collectively shared, neurotically driven hatreds that exist among (and within) us.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ffda3ca8c416cfaa433f68f46179e67e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96325262,"asset_id":93644977,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96325262/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93644977"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93644977"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93644977; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93644977]").text(description); $(".js-view-count[data-work-id=93644977]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93644977; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93644977']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93644977, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ffda3ca8c416cfaa433f68f46179e67e" } } $('.js-work-strip[data-work-id=93644977]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93644977,"title":"Cultures of the Death Drive: Melanie Klein and Modernist Melancholia","translated_title":"","metadata":{"publisher":"Springer Nature","grobid_abstract":"is one of ''an intimate, protective, nondeforming means of contact with the entire range of human possibility,'' Moss reminds us (p 328). 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Racism, homophobia, and misogyny are much more readily revealed as neurotic, distortive processes, whereas terrorism works from within the context of ideology, historical exigency, and warfare, making the judgment and evaluation of terrorist acts more clearly in the eye of the beholder. The above criticism aside, Hating in the First Person Plural is an exceptional volume. 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This ambitious promise, one that offers the potential of identificatory contact with all that culture can produce, is the one most certainly put in question when we are impinged upon by terrorist acts. Notwithstanding the fact that the contributions comprising this section are strong and quite interesting, one cannot help but wonder if the inclusion of terrorism as the fourth emphasis to the book's organizational scheme is a response to a post-September 11 editorial urging. The psychology of terrorism lacks a natural affinity with the other three foci. Terrorism, unlike misogyny, racism, and homophobia, is a form of overt, calculated warfare and it is typically a part of an institutionalized process that has articulated ideological roots. 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This paper aims at exploring the literary and aesthetic reactions of Caribbean and African-American writers to the crisis of the European historical subject. Through a close ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005873"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005873"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005873; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005873]").text(description); $(".js-view-count[data-work-id=7005873]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005873; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005873']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005873, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005873]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005873,"title":"Decline and Regeneration in Modernist (Hi)Stories","translated_title":"","metadata":{"abstract":"The inter-war years were haunted by the curious premonition that the \u0026amp;#x27;end of history\u0026amp;#x27; was at hand. 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Through a close ...","owner":{"id":11917529,"first_name":"Esther","middle_initials":null,"last_name":"Sanchez-Pardo","page_name":"EstherSanchezPardo","domain_name":"uam","created_at":"2014-05-10T08:38:01.419-07:00","display_name":"Esther Sanchez-Pardo","url":"https://uam.academia.edu/EstherSanchezPardo"},"attachments":[],"research_interests":[{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":68342,"name":"African American","url":"https://www.academia.edu/Documents/in/African_American"},{"id":145211,"name":"New World","url":"https://www.academia.edu/Documents/in/New_World"},{"id":1535719,"name":"European English Studies","url":"https://www.academia.edu/Documents/in/European_English_Studies"}],"urls":[{"id":2881002,"url":"http://www.informaworld.com/openurl?genre=article\u0026doi=10.1080/13825570802420917\u0026magic=crossref%7C%7CD404A21C5BB053405B1A640AFFD44AE3"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="7005872"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/7005872/El_Silencio_de_Auden_y_el_Clamor_de_la_Historia"><img alt="Research paper thumbnail of El Silencio de Auden y el Clamor de la Historia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/7005872/El_Silencio_de_Auden_y_el_Clamor_de_la_Historia">El Silencio de Auden y el Clamor de la Historia</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Page 1. El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTE...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Page 1. El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTENSE DE MADRID What they call History Is nothing to vaunt of, Being made, as it is, by the criminal in us: goodness is timeless. Archaeology WH Auden ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005872"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005872"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005872; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005872]").text(description); $(".js-view-count[data-work-id=7005872]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005872; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005872']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005872, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005872]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005872,"title":"El Silencio de Auden y el Clamor de la Historia","translated_title":"","metadata":{"abstract":"Page 1. El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTENSE DE MADRID What they call History Is nothing to vaunt of, Being made, as it is, by the criminal in us: goodness is timeless. Archaeology WH Auden ..."},"translated_abstract":"Page 1. El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTENSE DE MADRID What they call History Is nothing to vaunt of, Being made, as it is, by the criminal in us: goodness is timeless. 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Archaeology WH Auden ...","owner":{"id":11917529,"first_name":"Esther","middle_initials":null,"last_name":"Sanchez-Pardo","page_name":"EstherSanchezPardo","domain_name":"uam","created_at":"2014-05-10T08:38:01.419-07:00","display_name":"Esther Sanchez-Pardo","url":"https://uam.academia.edu/EstherSanchezPardo"},"attachments":[],"research_interests":[],"urls":[{"id":2881001,"url":"http://www.aedean.org/NEXUS-Archive/Nexus%25202007.2/nexus%25202007_2-12.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="7005868"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/7005868/The_Lure_of_the_Object_in_Henry_Jamess_Fictions_of_Thwarted_Desire_Reflections_on_the_Libidinal_and_Social_Poetics_of_Literary_Forms"><img alt="Research paper thumbnail of The Lure of the Object in Henry James's Fictions of Thwarted Desire: Reflections on the Libidinal and Social Poetics of Literary Forms" class="work-thumbnail" src="https://attachments.academia-assets.com/33667943/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/7005868/The_Lure_of_the_Object_in_Henry_Jamess_Fictions_of_Thwarted_Desire_Reflections_on_the_Libidinal_and_Social_Poetics_of_Literary_Forms">The Lure of the Object in Henry James's Fictions of Thwarted Desire: Reflections on the Libidinal and Social Poetics of Literary Forms</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper frames the figure of the object -a libidinally invested and desired object-in terms of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper frames the figure of the object -a libidinally invested and desired object-in terms of its progression and development in Jamesian narrative, emphasizing how Henry James's discourse on possession -the process of striving to secure the central object in narration-gains complexity and sophistication in his so called 'major phase' -from 1880 to 1905. Jamesian narratives continually foreground the implication of the novel itself in the plot of 'thwarted desire' these fictions criticize. The narratological tensions in James's texts attest to the self-critical aspect (of the novel by the novel) of this internally directed critique. I have based my analysis of Jamesian late realism upon The Aspern Papers and 'The Figure in the Carpet', representative texts of James's short fiction and novellas, in which objects -art or aesthetic objects such as literature, epistemological objects such as secrets or money -are foregrounded and which explore the circuitous routes of desire, systematically thwarted desire, and of libidinal and bourgeois possession.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7a0a59a1054a2d293780dd981bdc795e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":33667943,"asset_id":7005868,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/33667943/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005868"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005868"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005868; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005868]").text(description); $(".js-view-count[data-work-id=7005868]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005868; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005868']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005868, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7a0a59a1054a2d293780dd981bdc795e" } } $('.js-work-strip[data-work-id=7005868]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005868,"title":"The Lure of the Object in Henry James's Fictions of Thwarted Desire: Reflections on the Libidinal and Social Poetics of Literary Forms","translated_title":"","metadata":{"grobid_abstract":"This paper frames the figure of the object -a libidinally invested and desired object-in terms of its progression and development in Jamesian narrative, emphasizing how Henry James's discourse on possession -the process of striving to secure the central object in narration-gains complexity and sophistication in his so called 'major phase' -from 1880 to 1905. Jamesian narratives continually foreground the implication of the novel itself in the plot of 'thwarted desire' these fictions criticize. The narratological tensions in James's texts attest to the self-critical aspect (of the novel by the novel) of this internally directed critique. 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Jamesian narratives continually foreground the implication of the novel itself in the plot of 'thwarted desire' these fictions criticize. The narratological tensions in James's texts attest to the self-critical aspect (of the novel by the novel) of this internally directed critique. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="7005867"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/7005867/Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain"><img alt="Research paper thumbnail of Adrift on the black Mediterranean diaspora: African migrant writing in Spain" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/7005867/Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain">Adrift on the black Mediterranean diaspora: African migrant writing in Spain</a></div><div class="wp-workCard_item"><span>Social Identities</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Euro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. Due to its European Union status and growing presence in the world economy, the nation is participating in a global phenomenon in which immigrants, asylum seekers, and refugees are looking towards the new Europe as an impenetrable fortress. This paper attempts to discuss these issues within the tangled web of forms of power and subjection exercised upon immigrants through Western imperialism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005867"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005867"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005867; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005867]").text(description); $(".js-view-count[data-work-id=7005867]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005867; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005867']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005867, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005867]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005867,"title":"Adrift on the black Mediterranean diaspora: African migrant writing in Spain","translated_title":"","metadata":{"abstract":"Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. 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Due to its European Union status and growing presence in the world economy, the nation is participating in a global phenomenon in which immigrants, asylum seekers, and refugees are looking towards the new Europe as an impenetrable fortress. This paper attempts to discuss these issues within the tangled web of forms of power and subjection exercised upon immigrants through Western imperialism.","internal_url":"https://www.academia.edu/7005867/Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain","translated_internal_url":"","created_at":"2014-05-10T08:39:01.204-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":11917529,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. 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The threshold between unspeakability and silence in the Holocaust narratives of Charlotte Delbo and Jorge Semprun</a></div><div class="wp-workCard_item"><span>European Journal of English Studies</span><span>, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article is an attempt to go beyond the heated debates over the aesthetics of Holocaust repre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article is an attempt to go beyond the heated debates over the aesthetics of Holocaust representation into a productive exploration of the politics of memory in the contemporary world. It also engages with current theory in the fields of memory studies, trauma, narratology and life writing, to elucidate what, in particular, the study of these disciplines may contribute to</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005864"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005864"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005864; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005864]").text(description); $(".js-view-count[data-work-id=7005864]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005864; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005864']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005864, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005864]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005864,"title":"Who will carry the word? 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Comme le souligne Anne-Marie Reboul dans son avant-propos, ce livre est ne dans le sillon du congres international convoque a Madrid a l’occasion du centenaire de sa naissance. Mais il est bien plus que cela. La selection des meilleures interventions, la contribution de specialistes orientaux ou encore l’apport de l’entret...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94562264"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94562264"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94562264; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94562264]").text(description); $(".js-view-count[data-work-id=94562264]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94562264; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94562264']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94562264, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94562264]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94562264,"title":"L’Écriture désirante : Marguerite Duras, édition établie et présentée par Anne-Marie Reboul et Esther Sánchez-Pardo","translated_title":"","metadata":{"abstract":"L’ouvrage edite et presente par Anne-Marie Reboul et Esther Sanchez-Pardo temoigne de l’intense activite de recherches realisee a Madrid autour de la figure de l’ecrivaine. 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This paper discusses a selection of poems from Wilfred Owen's (1893-1918) and from Stephen Spender's (1909-1995) oeuvres as products of their different historical moments in order to reflect upon crucial transformations in poetic forms-especially the elegy-and concerns in the interwar period, a time open to the violent and chaotic experiences that a turbulent history was producing.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a78b340f1e9cb567a970955e21f0880e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96325280,"asset_id":93645005,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96325280/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&st=MTczNjQ0NDc2OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93645005"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93645005"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93645005; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93645005]").text(description); $(".js-view-count[data-work-id=93645005]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93645005; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93645005']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93645005, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a78b340f1e9cb567a970955e21f0880e" } } $('.js-work-strip[data-work-id=93645005]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93645005,"title":"Writing war: Owen, Spender, poetic forms and concerns for a world in turmoil","translated_title":"","metadata":{"publisher":"University of Gothenburg - Department of Languages and Literatures","grobid_abstract":"There is a significant shift in the literary treatment of war between the trench poets and the subsequent generation of British poets, an understandable one given their very different experience and investment in the war itself. 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American writer Michael ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In his 1929 review for The New Masses, &quot;The Loves of Isadora,&quot; American writer Michael Gold, inflamed with revolutionary rhetoric, praised Duncan as the creator of a new dance , placing particular emphasis on her impulse to democratize dancing and so making it open to the ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93645003"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93645003"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93645003; 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Society</span><span>, 2005</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">is one of ''an intimate, protective, nondeforming means of contact with the entire range of human...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">is one of ''an intimate, protective, nondeforming means of contact with the entire range of human possibility,'' Moss reminds us (p 328). This ambitious promise, one that offers the potential of identificatory contact with all that culture can produce, is the one most certainly put in question when we are impinged upon by terrorist acts. Notwithstanding the fact that the contributions comprising this section are strong and quite interesting, one cannot help but wonder if the inclusion of terrorism as the fourth emphasis to the book's organizational scheme is a response to a post-September 11 editorial urging. The psychology of terrorism lacks a natural affinity with the other three foci. Terrorism, unlike misogyny, racism, and homophobia, is a form of overt, calculated warfare and it is typically a part of an institutionalized process that has articulated ideological roots. Racism, homophobia, and misogyny are much more readily revealed as neurotic, distortive processes, whereas terrorism works from within the context of ideology, historical exigency, and warfare, making the judgment and evaluation of terrorist acts more clearly in the eye of the beholder. The above criticism aside, Hating in the First Person Plural is an exceptional volume. It breaks new ground in psychoanalytic theorizing on the subject of collectively shared, neurotically driven hatreds that exist among (and within) us.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ffda3ca8c416cfaa433f68f46179e67e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96325262,"asset_id":93644977,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96325262/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="93644977"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="93644977"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 93644977; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=93644977]").text(description); $(".js-view-count[data-work-id=93644977]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 93644977; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='93644977']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 93644977, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ffda3ca8c416cfaa433f68f46179e67e" } } $('.js-work-strip[data-work-id=93644977]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":93644977,"title":"Cultures of the Death Drive: Melanie Klein and Modernist Melancholia","translated_title":"","metadata":{"publisher":"Springer Nature","grobid_abstract":"is one of ''an intimate, protective, nondeforming means of contact with the entire range of human possibility,'' Moss reminds us (p 328). This ambitious promise, one that offers the potential of identificatory contact with all that culture can produce, is the one most certainly put in question when we are impinged upon by terrorist acts. Notwithstanding the fact that the contributions comprising this section are strong and quite interesting, one cannot help but wonder if the inclusion of terrorism as the fourth emphasis to the book's organizational scheme is a response to a post-September 11 editorial urging. The psychology of terrorism lacks a natural affinity with the other three foci. Terrorism, unlike misogyny, racism, and homophobia, is a form of overt, calculated warfare and it is typically a part of an institutionalized process that has articulated ideological roots. Racism, homophobia, and misogyny are much more readily revealed as neurotic, distortive processes, whereas terrorism works from within the context of ideology, historical exigency, and warfare, making the judgment and evaluation of terrorist acts more clearly in the eye of the beholder. The above criticism aside, Hating in the First Person Plural is an exceptional volume. It breaks new ground in psychoanalytic theorizing on the subject of collectively shared, neurotically driven hatreds that exist among (and within) us.","publication_date":{"day":null,"month":null,"year":2005,"errors":{}},"publication_name":"Psychoanalysis, Culture \u0026#38; Society","grobid_abstract_attachment_id":96325262},"translated_abstract":null,"internal_url":"https://www.academia.edu/93644977/Cultures_of_the_Death_Drive_Melanie_Klein_and_Modernist_Melancholia","translated_internal_url":"","created_at":"2022-12-25T04:24:09.028-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":11917529,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":96325262,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96325262/thumbnails/1.jpg","file_name":"palgrave.pcs.210004720221225-1-g5rjox.pdf","download_url":"https://www.academia.edu/attachments/96325262/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Cultures_of_the_Death_Drive_Melanie_Klei.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96325262/palgrave.pcs.210004720221225-1-g5rjox-libre.pdf?1671971986=\u0026response-content-disposition=attachment%3B+filename%3DCultures_of_the_Death_Drive_Melanie_Klei.pdf\u0026Expires=1736448369\u0026Signature=Q4sad1MsxhHfJOMZcrN75GYwrprgjLt-RYidMCLeUsBN4iew~i6PTKlPUklDpd1W8WXo1qtHHJqp7dm6XZYX0xkWow6r7VBdteaTcYbepCWeNWpXwkjD1j5RSI~bBch5pLcUw8I01KArGnQFIBRH2SrRX6AqTdOoSPDADoaRFAt3hV~AOwCVvI58bikBKzyWZ9l-5xdRR6k86JdzGHVBkCoP0JEO7-XjGA6~qo77ptpJu3HIjfOUHyM9YloICp7HxYhTEfDg4Gf23i61rQZWQG0wUriRPjQOrpYalXWny~PlO5U6po7GBFPSt8PVqbwfIxMp8Hmrx7W7hynsR0zFtg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Cultures_of_the_Death_Drive_Melanie_Klein_and_Modernist_Melancholia","translated_slug":"","page_count":4,"language":"en","content_type":"Work","summary":"is one of ''an intimate, protective, nondeforming means of contact with the entire range of human possibility,'' Moss reminds us (p 328). This ambitious promise, one that offers the potential of identificatory contact with all that culture can produce, is the one most certainly put in question when we are impinged upon by terrorist acts. Notwithstanding the fact that the contributions comprising this section are strong and quite interesting, one cannot help but wonder if the inclusion of terrorism as the fourth emphasis to the book's organizational scheme is a response to a post-September 11 editorial urging. The psychology of terrorism lacks a natural affinity with the other three foci. Terrorism, unlike misogyny, racism, and homophobia, is a form of overt, calculated warfare and it is typically a part of an institutionalized process that has articulated ideological roots. Racism, homophobia, and misogyny are much more readily revealed as neurotic, distortive processes, whereas terrorism works from within the context of ideology, historical exigency, and warfare, making the judgment and evaluation of terrorist acts more clearly in the eye of the beholder. The above criticism aside, Hating in the First Person Plural is an exceptional volume. 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This paper aims at exploring the literary and aesthetic reactions of Caribbean and African-American writers to the crisis of the European historical subject. Through a close ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005873"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005873"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005873; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005873]").text(description); $(".js-view-count[data-work-id=7005873]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005873; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005873']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005873, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005873]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005873,"title":"Decline and Regeneration in Modernist (Hi)Stories","translated_title":"","metadata":{"abstract":"The inter-war years were haunted by the curious premonition that the \u0026amp;#x27;end of history\u0026amp;#x27; was at hand. 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El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTE...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Page 1. El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTENSE DE MADRID What they call History Is nothing to vaunt of, Being made, as it is, by the criminal in us: goodness is timeless. Archaeology WH Auden ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005872"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005872"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005872; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005872]").text(description); $(".js-view-count[data-work-id=7005872]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005872; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005872']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005872, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005872]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005872,"title":"El Silencio de Auden y el Clamor de la Historia","translated_title":"","metadata":{"abstract":"Page 1. 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Archaeology WH Auden ...","internal_url":"https://www.academia.edu/7005872/El_Silencio_de_Auden_y_el_Clamor_de_la_Historia","translated_internal_url":"","created_at":"2014-05-10T08:39:36.970-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":11917529,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"El_Silencio_de_Auden_y_el_Clamor_de_la_Historia","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"Page 1. El Silencio de Auden y el Clamor de la Historia Esther Sánchez Pardo UNIVERSIDAD COMPLUTENSE DE MADRID What they call History Is nothing to vaunt of, Being made, as it is, by the criminal in us: goodness is timeless. Archaeology WH Auden ...","owner":{"id":11917529,"first_name":"Esther","middle_initials":null,"last_name":"Sanchez-Pardo","page_name":"EstherSanchezPardo","domain_name":"uam","created_at":"2014-05-10T08:38:01.419-07:00","display_name":"Esther Sanchez-Pardo","url":"https://uam.academia.edu/EstherSanchezPardo"},"attachments":[],"research_interests":[],"urls":[{"id":2881001,"url":"http://www.aedean.org/NEXUS-Archive/Nexus%25202007.2/nexus%25202007_2-12.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="7005868"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/7005868/The_Lure_of_the_Object_in_Henry_Jamess_Fictions_of_Thwarted_Desire_Reflections_on_the_Libidinal_and_Social_Poetics_of_Literary_Forms"><img alt="Research paper thumbnail of The Lure of the Object in Henry James's Fictions of Thwarted Desire: Reflections on the Libidinal and Social Poetics of Literary Forms" class="work-thumbnail" src="https://attachments.academia-assets.com/33667943/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/7005868/The_Lure_of_the_Object_in_Henry_Jamess_Fictions_of_Thwarted_Desire_Reflections_on_the_Libidinal_and_Social_Poetics_of_Literary_Forms">The Lure of the Object in Henry James's Fictions of Thwarted Desire: Reflections on the Libidinal and Social Poetics of Literary Forms</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper frames the figure of the object -a libidinally invested and desired object-in terms of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper frames the figure of the object -a libidinally invested and desired object-in terms of its progression and development in Jamesian narrative, emphasizing how Henry James's discourse on possession -the process of striving to secure the central object in narration-gains complexity and sophistication in his so called 'major phase' -from 1880 to 1905. Jamesian narratives continually foreground the implication of the novel itself in the plot of 'thwarted desire' these fictions criticize. The narratological tensions in James's texts attest to the self-critical aspect (of the novel by the novel) of this internally directed critique. I have based my analysis of Jamesian late realism upon The Aspern Papers and 'The Figure in the Carpet', representative texts of James's short fiction and novellas, in which objects -art or aesthetic objects such as literature, epistemological objects such as secrets or money -are foregrounded and which explore the circuitous routes of desire, systematically thwarted desire, and of libidinal and bourgeois possession.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7a0a59a1054a2d293780dd981bdc795e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":33667943,"asset_id":7005868,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/33667943/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005868"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005868"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005868; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005868]").text(description); $(".js-view-count[data-work-id=7005868]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005868; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005868']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005868, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7a0a59a1054a2d293780dd981bdc795e" } } $('.js-work-strip[data-work-id=7005868]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005868,"title":"The Lure of the Object in Henry James's Fictions of Thwarted Desire: Reflections on the Libidinal and Social Poetics of Literary Forms","translated_title":"","metadata":{"grobid_abstract":"This paper frames the figure of the object -a libidinally invested and desired object-in terms of its progression and development in Jamesian narrative, emphasizing how Henry James's discourse on possession -the process of striving to secure the central object in narration-gains complexity and sophistication in his so called 'major phase' -from 1880 to 1905. 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I have based my analysis of Jamesian late realism upon The Aspern Papers and 'The Figure in the Carpet', representative texts of James's short fiction and novellas, in which objects -art or aesthetic objects such as literature, epistemological objects such as secrets or money -are foregrounded and which explore the circuitous routes of desire, systematically thwarted desire, and of libidinal and bourgeois possession.","publication_date":{"day":null,"month":null,"year":2008,"errors":{}},"grobid_abstract_attachment_id":33667943},"translated_abstract":null,"internal_url":"https://www.academia.edu/7005868/The_Lure_of_the_Object_in_Henry_Jamess_Fictions_of_Thwarted_Desire_Reflections_on_the_Libidinal_and_Social_Poetics_of_Literary_Forms","translated_internal_url":"","created_at":"2014-05-10T08:39:14.586-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":11917529,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":33667943,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/33667943/thumbnails/1.jpg","file_name":"2008Sanchez-Pardo.pdf","download_url":"https://www.academia.edu/attachments/33667943/download_file?st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&st=MTczNjQ0NDc2OSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"The_Lure_of_the_Object_in_Henry_Jamess_F.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/33667943/2008Sanchez-Pardo-libre.pdf?1399737246=\u0026response-content-disposition=attachment%3B+filename%3DThe_Lure_of_the_Object_in_Henry_Jamess_F.pdf\u0026Expires=1736448369\u0026Signature=WNPFaZZnkUaIWe6Ap3xpp8wEuNih91FFl16Sili9PQf7CItggjI7kmxVuMV-VbAf0kQRiFOnbIsyUh6jTYG9nHpeVMF3FfAF7dIMa7nxjSB8aatGjQq1fcshHCO2-P2aV4ldTcTUgg9AmTj97a0Azj2UN0Ck1u6ELgcg~aYkaoOtdmHSULYXBjrdvCOuQN2cSGqKO6nEPmclCDxnqcUkl1LNB6b6Dys0tCAEBvRST0MsLHLMt373fbaHJscfjECdYYcG5ixqn5E5jbKjMEGtwr2hf30d0GcddWSDGRrXgDsCOrn-bSpIiusNFRChQhpBzJozPhLhjrWu5mgVrZr11A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"The_Lure_of_the_Object_in_Henry_Jamess_Fictions_of_Thwarted_Desire_Reflections_on_the_Libidinal_and_Social_Poetics_of_Literary_Forms","translated_slug":"","page_count":15,"language":"en","content_type":"Work","summary":"This paper frames the figure of the object -a libidinally invested and desired object-in terms of its progression and development in Jamesian narrative, emphasizing how Henry James's discourse on possession -the process of striving to secure the central object in narration-gains complexity and sophistication in his so called 'major phase' -from 1880 to 1905. Jamesian narratives continually foreground the implication of the novel itself in the plot of 'thwarted desire' these fictions criticize. The narratological tensions in James's texts attest to the self-critical aspect (of the novel by the novel) of this internally directed critique. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="7005867"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/7005867/Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain"><img alt="Research paper thumbnail of Adrift on the black Mediterranean diaspora: African migrant writing in Spain" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/7005867/Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain">Adrift on the black Mediterranean diaspora: African migrant writing in Spain</a></div><div class="wp-workCard_item"><span>Social Identities</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Euro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. Due to its European Union status and growing presence in the world economy, the nation is participating in a global phenomenon in which immigrants, asylum seekers, and refugees are looking towards the new Europe as an impenetrable fortress. This paper attempts to discuss these issues within the tangled web of forms of power and subjection exercised upon immigrants through Western imperialism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7005867"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7005867"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7005867; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7005867]").text(description); $(".js-view-count[data-work-id=7005867]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7005867; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='7005867']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 7005867, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7005867]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7005867,"title":"Adrift on the black Mediterranean diaspora: African migrant writing in Spain","translated_title":"","metadata":{"abstract":"Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. Due to its European Union status and growing presence in the world economy, the nation is participating in a global phenomenon in which immigrants, asylum seekers, and refugees are looking towards the new Europe as an impenetrable fortress. This paper attempts to discuss these issues within the tangled web of forms of power and subjection exercised upon immigrants through Western imperialism.","publication_date":{"day":null,"month":null,"year":2011,"errors":{}},"publication_name":"Social Identities"},"translated_abstract":"Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. Due to its European Union status and growing presence in the world economy, the nation is participating in a global phenomenon in which immigrants, asylum seekers, and refugees are looking towards the new Europe as an impenetrable fortress. This paper attempts to discuss these issues within the tangled web of forms of power and subjection exercised upon immigrants through Western imperialism.","internal_url":"https://www.academia.edu/7005867/Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain","translated_internal_url":"","created_at":"2014-05-10T08:39:01.204-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":11917529,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Adrift_on_the_black_Mediterranean_diaspora_African_migrant_writing_in_Spain","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at a national level and in the wider context of globalization.Spain, the historically homogeneous out-migration country is transforming into a site of multicultural interaction as it becomes a destination for members of several diasporas, many with their own legacies of colonialism and racism. Due to its European Union status and growing presence in the world economy, the nation is participating in a global phenomenon in which immigrants, asylum seekers, and refugees are looking towards the new Europe as an impenetrable fortress. 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The threshold between unspeakability and silence in the Holocaust narratives of Charlotte Delbo and Jorge Semprun</a></div><div class="wp-workCard_item"><span>European Journal of English Studies</span><span>, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article is an attempt to go beyond the heated debates over the aesthetics of Holocaust repre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article is an attempt to go beyond the heated debates over the aesthetics of Holocaust representation into a productive exploration of the politics of memory in the contemporary world. 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