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class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="122635884" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/122635884/Le_personnage_de_biographie_une_construction_litt%C3%A9raire">Le personnage de biographie : une construction littéraire</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="241855903" href="https://univ-amu.academia.edu/CarolineAnth%C3%A9rieuYagbasan">Caroline Anthérieu-Yagbasan</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Grandes figures historiques dans les lettres et les arts, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">biographie : une construction littéraire Le mot « biographie » est construit sur deux racines grecques, qui signifient « écriture d'une vie ». Le terme en lui-même part donc du postulat qu'on peut raconter une vie, et ceci à travers la linéarité à laquelle oblige la succession des pages dans un livre. Une vie mise en récit, c'est une existence étirée sur une ligne narrative. Ce présupposé établi-à supposer qu'on le puisse, ce que Bourdieu conteste dans son article intitulé L'Illusion biographique 1-, on devine aisément quelles difficultés il va pouvoir soulever. Comment donner une cohérence à un récit biographique ? Ou, pour préciser la question, quel point d'appui trouver pour donner un sens (une direction) au récit d'événements humains, par-delà la simple chronologie 2 ? La réponse peut sembler évidente : c'est le personnage, le héros de la biographie, qui donne son unité à l'ensemble. Toutefois, et on suivra cette fois Pierre Bourdieu, l'unité du personnage est elle-même reconstruite, puisque chaque personne possède divers rôles ou fonctions dans la société, que par commodité l'on synthétise sous le terme d'identité. Pour revenir sur le plan littéraire, le biographe doit également construire son personnage à partir des différentes sources d'information dont il dispose. Il devra ainsi organiser son récitcar il faut souligner que la biographie est aussi, et avant tout, un récit, qui, chercheronsnous à démontrer ici, s'avère particulièrement propice à l'étude de la technique littéraire d'un auteur. Le personnage historique, comme son nom l'indique, est à la fois personnage (avec, à ce titre, un rôle et une fonction précise dans un récit 3 , organisé par l'écrivain, qui s'en fait sa propre vision) et être ayant réellement vécu ; par conséquent, on peut le confronter à des sources historiques, et il existea existéindépendamment de l'écrivain. Personnage d'un récit, possédant un référent extérieur : voilà une définition simple, mais qui n'est pas sans poser quelques difficultés.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Le personnage de biographie : une construction littéraire","attachmentId":117263520,"attachmentType":"pdf","work_url":"https://www.academia.edu/122635884/Le_personnage_de_biographie_une_construction_litt%C3%A9raire","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/122635884/Le_personnage_de_biographie_une_construction_litt%C3%A9raire"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="113516338" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/113516338/Trois_biographies_en_qu%C3%AAte_d_artiste">Trois biographies en quête d’artiste</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="180060182" href="https://independent.academia.edu/MarcDecimo">Marc Decimo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Critique d’art, 2007</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Trois biographies en quête d’artiste","attachmentId":110456020,"attachmentType":"pdf","work_url":"https://www.academia.edu/113516338/Trois_biographies_en_qu%C3%AAte_d_artiste","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/113516338/Trois_biographies_en_qu%C3%AAte_d_artiste"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="92867712" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/92867712/L_archive_du_biographe">L’archive du biographe</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="29076257" href="https://independent.academia.edu/DionRobert">Robert Dion</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Protée, 2007</p><p class="ds-related-work--abstract ds2-5-body-sm">La biographie d’écrivain contemporaine (sur un écrivain par un écrivain) – et les nombreux genres voisins : le roman biographique, l’essai biographique, la fiction biographique, le roman du biographe, etc. – se signale par un usage particulier de l’archive qui la distingue des biographies plus conventionnelles signées par des universitaires ou par des journalistes. Dans des ouvrages comme Le Perroquet de Flaubert de Julian Barnes, Rimbaud le fils de Pierre Michon ou Morts imaginaires de Michel Schneider, l’archive n’a pas pour unique fonction d’étayer le récit, d’attester que telle chose ou tel événement a été : elle ne disparaît pas sous la surface narrative du récit de vie, elle est au contraire exhibée, questionnée, quand ce n’est pas triturée ou tout simplement créée, entre fonction d’authentification et fonction de fabulation. L’article que nous proposons poursuit deux objectifs qui en ordonnent les deux parties. Le premier est d’interroger le statut de l’archive dans la praxis...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L’archive du biographe","attachmentId":95763397,"attachmentType":"pdf","work_url":"https://www.academia.edu/92867712/L_archive_du_biographe","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/92867712/L_archive_du_biographe"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="45247617" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/45247617/Egodocuments_biographie_et_microhistoire_en_perspective_Une_histoire_d_amour_">Egodocuments, biographie et microhistoire en perspective. Une histoire d’amour ?</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="183205017" href="https://unil.academia.edu/SandroGuzziHeeb">Sandro Guzzi-Heeb</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Études de lettres, 2016</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Egodocuments, biographie et microhistoire en perspective. Une histoire d’amour ?","attachmentId":65816697,"attachmentType":"pdf","work_url":"https://www.academia.edu/45247617/Egodocuments_biographie_et_microhistoire_en_perspective_Une_histoire_d_amour_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/45247617/Egodocuments_biographie_et_microhistoire_en_perspective_Une_histoire_d_amour_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="64040800" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/64040800/Sur_les_impasses_biographiques">Sur les impasses biographiques</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="23993877" href="https://univ-paris8.academia.edu/FabienTRUONG">Fabien TRUONG</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Empan, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Certaines attaques commises sous le sceau du djihadisme ont été le fait de personnes inscrites durablement dans la délinquance et dont l’engagement radical a pu apparaître comme une « réponse » à des situations d’impasse biographique. Quelle est la place de l’engagement radical et de la violence dans ces trajectoires ? Quelles sont les spécificités de ces trajectoires par rapports à ceux qui sortent de la délinquance ? Cet entretien avec le sociologue Fabien Truong aborde ces questions à travers ses recherches.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sur les impasses biographiques","attachmentId":76262890,"attachmentType":"pdf","work_url":"https://www.academia.edu/64040800/Sur_les_impasses_biographiques","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/64040800/Sur_les_impasses_biographiques"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="92867707" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/92867707/Les_biographies_critiques_ou_comment_faire_avec_l_auteur_sur_deux_ouvrages_de_Michel_Schneider_">Les biographies critiques, ou comment faire avec l’auteur (sur deux ouvrages de Michel Schneider)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="29076257" href="https://independent.academia.edu/DionRobert">Robert Dion</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Tangence, 2011</p><p class="ds-related-work--abstract ds2-5-body-sm">On connaît le sort que l’histoire a réservé à la critique biographique : condamnée sans appel depuis Proust, elle reposerait sur l’illusion que l’oeuvre « appartient » à son auteur, que l’homme est l’oeuvre. Or, s’il y avait en effet une grande part d’aveuglement dans le travail de Sainte-Beuve, les modernes que nous sommes se sont néanmoins rendu compte, au cours des vingt ou trente dernières années, que l’on était sans doute allé un peu vite en liquidant l’auteur et en installant à sa place une pure « instance scripturaire » tout aussi mythique que l’écrivain lui-même. Tenant pour acquis, avec Alain Brunn, qu’« [é]crire la vie d’un auteur constitue une façon de prendre une décision sur l’oeuvre, de choisir d’enraciner en elle la signification de son texte » (L’auteur, 2001), l’analyste aborde dans cet article deux ouvrages de Michel Schneider, Maman (1999), sur Proust, et Baudelaire, les années profondes (1994), qui constituent ce qu’il appelle des « biographies critiques ». Il ch...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Les biographies critiques, ou comment faire avec l’auteur (sur deux ouvrages de Michel Schneider)","attachmentId":95763402,"attachmentType":"pdf","work_url":"https://www.academia.edu/92867707/Les_biographies_critiques_ou_comment_faire_avec_l_auteur_sur_deux_ouvrages_de_Michel_Schneider_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/92867707/Les_biographies_critiques_ou_comment_faire_avec_l_auteur_sur_deux_ouvrages_de_Michel_Schneider_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":87868700,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":87868700,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_87868700" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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