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window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":89198369,"created_at":"2022-10-25T08:47:56.042-07:00","from_world_paper_id":218358411,"updated_at":"2024-11-23T13:21:12.236-08:00","_data":{"publisher":"Oxford University Press","grobid_abstract":"While plagiarism and imitation have long been familiar topics of literary study, the legal issues surrounding these practices have not. The self-reflexive turn that has prompted literary scholars to study the emergence of their own discipline-along with related questions such as the assignment of aesthetics to a distinctive sphere, the processes of canon-formation, and the professionalization of authorship-has also spawned a significant amount of research on the interaction between copyright law and the production and circulation of literature. 1 These developments have been compounded by a broader interest in the cross-fertilization between law and literature. As questions about legal modes of reasoning and analysis have become more prominent in literary studies, there has also been a shift in the discussion of topics such as censorship, still an important focus of research on the legal regulation of literature, but now more likely to be studied in connection with other types of regulation such as copyright and libel. 2 In consequence, literary scholarship in this area now tends to engage with the various legal arenas in which these issues arise, and to delve into the logic of particular legal decisions, so that law's dynamism forms a counterpart to a mobile literary field, rather than serving as a stable 1 Prior to this spate of research, the most recent book-length study of literary professionalism in eighteenth-century","publication_date":"2015,,","publication_name":"Oxford Handbooks Online","grobid_abstract_attachment_id":"93039863"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Creating a Public Domain in Eighteenth-Century England","broadcastable":false,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [34481]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":93039863,"attachmentType":"pdf"}"><img alt="First page of “Creating a Public Domain in Eighteenth-Century England”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/93039863/mini_magick20221025-1-1yez242.png?1666713039" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Creating a Public Domain in Eighteenth-Century England</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="34481" href="https://utoronto.academia.edu/SimonStern"><img alt="Profile image of Simon Stern" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/34481/11310/10650/s65_simon.stern.jpg" />Simon Stern</a></div><p class="ds-work-card--detail ds2-5-body-sm">2015, Oxford Handbooks Online</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":93039863,"attachmentType":"pdf","workUrl":"https://www.academia.edu/89198369/Creating_a_Public_Domain_in_Eighteenth_Century_England"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":93039863,"attachmentType":"pdf","workUrl":"https://www.academia.edu/89198369/Creating_a_Public_Domain_in_Eighteenth_Century_England"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="93039863" data-landing_url="https://www.academia.edu/89198369/Creating_a_Public_Domain_in_Eighteenth_Century_England" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="805286" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/805286/_Copyright_Originality_and_the_Public_Domain_in_Eighteenth_Century_England_">"Copyright, Originality, and the Public Domain in Eighteenth Century England"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="34481" href="https://utoronto.academia.edu/SimonStern">Simon Stern</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Originality and Intellectual Property in the French and …</p><p class="ds-related-work--abstract ds2-5-body-sm">Scholarship on the development of copyright in eighteenth-century England, after the Act of Anne (1710), has suggested that aesthetic debates about originality, in the sense of novelty or creativity, had an effect on contemporaneous legal thinkers' ideas about originality as a prerequisite for copyright protection. But when eighteenth-century commentators such as Blackstone and Hargrave spoke of originality for purposes of copyright, they were referring to a prohibition against reprinting books, not a demand for novelty. Recognizing that full-scale copies were prohibited, while partial copies were permitted, is crucial for an understanding of eighteenth-century literary culture, which had room for abridgements, unauthorized sequels, highly imitative parodies, and anthologies that reprinted some poems and excerpted others. The public domain was not understood as the residue of material that was not eligible for copyright protection; rather, all work was presumptively available for use by other writers unless it fell within the narrow bounds of copyright protection. The chapter begins by showing that arguments in favor of a public domain were implicit in the efforts by Locke and others to eliminate the Licensing Act in the 1690s. The second section discusses the eighteenth-century debate over copyright, emphasizing the limited scope of legal protection and the correspondingly wide reach of the public domain. This section focuses on the case law concerning the permissibility of abridgements, the legal writings of Blackstone and Hargrave, and the aesthetic writings of Richard Hurd and Samuel Johnson. As these sources reveal, literary critics were willing to defend imitative writing, and legal thinkers found little to criticize and much to praise in practices such as abridgement. The third section discusses the kinds of imitations that were allowed to flourish under this legal regime, and shows that imitative practice was crucial for the development of the modern novel in the 1740s. Finally, a short section at the end looks at why writers sometimes call for a strong originality requirement that demands more than Feist (in the U.S.) or C.C.H. (in Canada).</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Copyright, Originality, and the Public Domain in Eighteenth Century England\"","attachmentId":7477689,"attachmentType":"pdf","work_url":"https://www.academia.edu/805286/_Copyright_Originality_and_the_Public_Domain_in_Eighteenth_Century_England_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/805286/_Copyright_Originality_and_the_Public_Domain_in_Eighteenth_Century_England_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="123845211" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/123845211/Copyright_as_a_Property_Right_Authorial_Perspectives_in_Eighteenth_Century_England">Copyright as a Property Right? Authorial Perspectives in Eighteenth-Century England</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="34481" href="https://utoronto.academia.edu/SimonStern">Simon Stern</a></div><p class="ds-related-work--metadata ds2-5-body-xs">UC Irvine law review, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">In recent decades, various scholars have questioned the proposition that copyright must necessarily be rooted entirely in a property paradigm, and have sought to show how, over the last century and a half or so, that paradigm has been applied increasingly strictly and its logic has been extended with ever greater force. In response, others have contended that copyright has always been understood as a property right. An examination of eighteenth-century sources shows that the conception of copyright as a form of property was neither the only, nor even the dominant, paradigm in circulation at the time. Moreover, when studying these sources, we must ask who is using the language of property: judges, members of the bookselling industry and their lawyers, writers and their counsel, or some combination of these? Building on earlier work that traces some aspects of the property framework as it developed in eighteenth-century British jurisprudence, I show how members of the publishing indus...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Copyright as a Property Right? Authorial Perspectives in Eighteenth-Century England","attachmentId":118184559,"attachmentType":"pdf","work_url":"https://www.academia.edu/123845211/Copyright_as_a_Property_Right_Authorial_Perspectives_in_Eighteenth_Century_England","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/123845211/Copyright_as_a_Property_Right_Authorial_Perspectives_in_Eighteenth_Century_England"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="24611445" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/24611445/_Pirate_Publishing_The_Battle_over_Perpetual_Copyright_in_Eighteenth_Century_Britain">"Pirate" Publishing: The Battle over Perpetual Copyright in Eighteenth-Century Britain</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="47452125" href="https://nichibun.academia.edu/ShojiYamada">Shoji Yamada</a></div><p class="ds-related-work--abstract ds2-5-body-sm">In 1774, Edinburgh “pirate publisher” Alexander Donaldson boldly challenged a group of major London booksellers who sought to monopolize the right to copy books in perpetuity. Why is there a time limit on copyright? This book goes back to the beginning on this question by focusing on a pivotal eighteenth-century court debate in England from a social and cultural point of view. Its historical investigation of the issues of copyright is based on detailed documentary research. The book explores the relationships among the booksellers, lawyers, members of the nobility, and writers who formed the backdrop to the eighteenth-century publishing industry, a backdrop that offers many insights in considering the issues of copyright today. It is also a history of publishing culture, introducing the ideas and debates about literary works prevailing at that time and the people who figured in those debates. “It is difficult to treat ‘monopoly’ or ‘piracy’ as a clear dichotomy of good and bad,” writes Yamada in his conclusion. “Both were ultimately acting in the pursuit of economic gain, and both claimed to either represent the rights of authors or the convenience of readers to defend their own position. This book tries to illustrate how their head-on clash in the courtroom, intertwined with the interpersonal relationships among lawyers and judges. This approach may seem curious to scholars of law who may be interested primarily in a detailed analysis of the logical structure of court debates. I am convinced, however, that matters not to be found in the courtroom debates alone can show us the forces that set history in motion.” Copyright is an artificial thing, which was born out of the pulsing magma that was the emergence of modern society. Today in the twenty-first century, once again society is undergoing great changes wrought by advances in digital technology and the development of global capitalism. Renewed debate over copyright is indispensable. A parable for the digital media era, this book’s examination of the historic case of Donaldson offers valuable hints as we develop our own stance on the issues of copyright.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Pirate\" Publishing: The Battle over Perpetual Copyright in Eighteenth-Century Britain","attachmentId":44941447,"attachmentType":"pdf","work_url":"https://www.academia.edu/24611445/_Pirate_Publishing_The_Battle_over_Perpetual_Copyright_in_Eighteenth_Century_Britain","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/24611445/_Pirate_Publishing_The_Battle_over_Perpetual_Copyright_in_Eighteenth_Century_Britain"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="90190768" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/90190768/Pope_versus_Curll_1741_revisited_being_a_fair_and_true_account_of_the_views_of_certain_well_respected_authors_on_publishing_pyracy_and_propertie_in_the_eighteenth_century">Pope versus Curll (1741) revisited: being a fair and true account of the views of certain well-respected authors on publishing, pyracy and propertie in the eighteenth century</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="225198" href="https://qmul.academia.edu/UmaSuthersanen">Uma Suthersanen</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Pope versus Curll (1741) revisited: being a fair and true account of the views of certain well-respected authors on publishing, pyracy and propertie in the eighteenth century","attachmentId":93821741,"attachmentType":"pdf","work_url":"https://www.academia.edu/90190768/Pope_versus_Curll_1741_revisited_being_a_fair_and_true_account_of_the_views_of_certain_well_respected_authors_on_publishing_pyracy_and_propertie_in_the_eighteenth_century","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/90190768/Pope_versus_Curll_1741_revisited_being_a_fair_and_true_account_of_the_views_of_certain_well_respected_authors_on_publishing_pyracy_and_propertie_in_the_eighteenth_century"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="123845257" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/123845257/4_The_Scope_of_Artistic_Copyright_in_Nineteenth_Century_England">4. The Scope of Artistic Copyright in Nineteenth-Century England</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="34481" href="https://utoronto.academia.edu/SimonStern">Simon Stern</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Open Book Publishers, 2021</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"4. The Scope of Artistic Copyright in Nineteenth-Century England","attachmentId":118184583,"attachmentType":"pdf","work_url":"https://www.academia.edu/123845257/4_The_Scope_of_Artistic_Copyright_in_Nineteenth_Century_England","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/123845257/4_The_Scope_of_Artistic_Copyright_in_Nineteenth_Century_England"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="4636923" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4636923/Law_and_Literature_in_the_Romantic_Era_The_Laws_Fictions">Law and Literature in the Romantic Era: The Law's Fictions</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5864105" href="https://leedsmet.academia.edu/SueChaplin">Sue Chaplin</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Literature Compass, 2006</p><p class="ds-related-work--abstract ds2-5-body-sm">This essay examines the emerging ideological relation between literature and law in the Romantic era and the significance of this relation to modern Western conceptualisations of what constitutes ‘law’ and ‘literature’. In particular, the article explores the problematics of juridical textuality in the Romantic period – the extent to which the law comes to be regarded as text– and seeks to set this within the context of developing conceptualisations of ‘literature’ as a juridically defined commodity. The modern understanding of ‘literature’ began to be shaped in the Romantic era by a juridical re-formulation of the relation between the author, the text, the reader and the publisher: creative, original writing –‘literature’– becomes a commodity copyrighted to an author/publisher. This development is accompanied by the State’s recognition of the growing cultural and political power of new and diverse textual forms in an era of the mass production and consumption of ‘literature’, and the article considers alongside the contemporaneous formulation of copyright regulations the draconian censorship of textual production in this period. With reference to diverse juridical and literary sources (Clara Reeve’s The Progress of Romance, Blackstone’s Commentaries, Bentham’s Fragment on Government, Godwin’s Enquiry and Caleb Williams, amongst others), I examine the extent to which these various phenomena reveal the subjection of textuality in the Romantic era to the modern force of law.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Law and Literature in the Romantic Era: The Law's Fictions","attachmentId":49737374,"attachmentType":"pdf","work_url":"https://www.academia.edu/4636923/Law_and_Literature_in_the_Romantic_Era_The_Laws_Fictions","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/4636923/Law_and_Literature_in_the_Romantic_Era_The_Laws_Fictions"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="21850119" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/21850119/The_Anglo_American_Copyright_Law_and_Nineteenth_Century_Commercial_Writers">The Anglo-American Copyright Law and Nineteenth-Century Commercial Writers</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10264351" href="https://uned-cr.academia.edu/MaynorBarrientosAmador">Maynor Barrientos Amador</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The following essay is a brief historical summary about the evolution of Anglo-American copyright laws from the eighteenth century to the end of the nineteenth century and their impact upon commercial writers. The essay focuses on the most important issues addressed by the first formal copyright protective statutes, emphasizing their similarities and differences and their subsequent development. It also highlights the role and contribution of the most predominant literary figures on the development of international copyright regulations. There is also a discussion of the main economic and social changes that influenced the evolution of copyright laws, and a description of the social and working conditions of commercial Anglo-American writers until the end of the nineteenth century.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Anglo-American Copyright Law and Nineteenth-Century Commercial Writers","attachmentId":42593665,"attachmentType":"pdf","work_url":"https://www.academia.edu/21850119/The_Anglo_American_Copyright_Law_and_Nineteenth_Century_Commercial_Writers","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/21850119/The_Anglo_American_Copyright_Law_and_Nineteenth_Century_Commercial_Writers"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="117855874" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/117855874/The_emergence_and_evolution_of_the_concepts_of_the_author_the_work_and_literary_property_with_specific_reference_to_enlightenment_england_1450_1769_The_role_and_influence_of_John_Locke_in_the_case_of_Millar_v_Taylor_1769_">The emergence & evolution of the concepts of “the author”, “the work” and “literary property” with specific reference to enlightenment england 1450-1769: The role and influence of John Locke in the case of Millar v Taylor (1769)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="306914074" href="https://independent.academia.edu/MarkDoepel">Mark Doepel</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The emergence \u0026 evolution of the concepts of “the author”, “the work” and “literary property” with specific reference to enlightenment england 1450-1769: The role and influence of John Locke in the case of Millar v Taylor (1769)","attachmentId":113611593,"attachmentType":"pdf","work_url":"https://www.academia.edu/117855874/The_emergence_and_evolution_of_the_concepts_of_the_author_the_work_and_literary_property_with_specific_reference_to_enlightenment_england_1450_1769_The_role_and_influence_of_John_Locke_in_the_case_of_Millar_v_Taylor_1769_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/117855874/The_emergence_and_evolution_of_the_concepts_of_the_author_the_work_and_literary_property_with_specific_reference_to_enlightenment_england_1450_1769_The_role_and_influence_of_John_Locke_in_the_case_of_Millar_v_Taylor_1769_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="3173137" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/3173137/Authors_and_other_Criminals_Authorship_in_Eighteenth_Century_Britain">Authors and other Criminals: Authorship in Eighteenth-Century Britain</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2166749" href="https://georgetown.academia.edu/KathrynTemple">Kathryn D Temple</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Literature Compass, 2004</p><p class="ds-related-work--abstract ds2-5-body-sm">In this essay on eighteenth-century authorship, Kathryn Temple sketches a history of authorship from the perspective of the cultural, regional, and national conflicts that led to modern authorship's emergence. Arguing that the figure of the modern author arose in the mid- to late-eighteenth century, not from an uncontested common moral and ethical center, but from a maelstrom of conflicting practices and standards emanating from an amazingly varied array of national, class, and gendered sources, she suggests that ‘literary scandals’ played a special role in the construction of a nationalized author in that they brought high, low, and official juridical culture together to construe what authorship would come to mean in the modern world.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Authors and other Criminals: Authorship in Eighteenth-Century Britain","attachmentId":50426560,"attachmentType":"pdf","work_url":"https://www.academia.edu/3173137/Authors_and_other_Criminals_Authorship_in_Eighteenth_Century_Britain","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/3173137/Authors_and_other_Criminals_Authorship_in_Eighteenth_Century_Britain"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="106017189" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/106017189/An_Old_Law_for_a_New_Literature_Authors_Publishers_and_the_Early_Years_of_the_Victorian_Copyright_Act_1869">An Old Law for a New Literature: Authors, Publishers and the Early Years of the Victorian Copyright Act 1869</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="20125090" href="https://uow.academia.edu/SarahAilwood">Sarah Ailwood</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Law, Culture and the Humanities, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">This article analyses the early years of the operation of copyright legislation in the colony of Victoria, Australia. The Copyright Act 1869 (Vic) was introduced into a thriving but volatile colonial literary marketplace. The law was based almost wholly on the UK law at the time, existing in a very different environment. This article notes that despite the rhetoric of the protection of the right of authors as an aim of the law, the effect was something quite different. We examine the use of copyright by some key players in that colonial market, both publishers and authors. That analysis reveals that the prophetic words of George Higinbotham, that the law was not for the protection of the author, but the publisher, can be demonstrated to be true. This is evident both in the implementation of the law itself and in a number of inconsistencies in its operation. We conclude that, despite public and parliamentary rhetoric drawing on the romantic conception of the author as creator, the la...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"An Old Law for a New Literature: Authors, Publishers and the Early Years of the Victorian Copyright Act 1869","attachmentId":105325972,"attachmentType":"pdf","work_url":"https://www.academia.edu/106017189/An_Old_Law_for_a_New_Literature_Authors_Publishers_and_the_Early_Years_of_the_Victorian_Copyright_Act_1869","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/106017189/An_Old_Law_for_a_New_Literature_Authors_Publishers_and_the_Early_Years_of_the_Victorian_Copyright_Act_1869"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":93039863,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":93039863,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_93039863" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="16971635" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/16971635/Copyright_and_the_Death_of_the_Author_in_Literature_and_Law">Copyright and the Death of the Author in Literature and Law</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="36484251" href="https://independent.academia.edu/ZebBez">Zeb Bez</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Copyright and the Death of the Author in Literature and Law","attachmentId":39285080,"attachmentType":"pdf","work_url":"https://www.academia.edu/16971635/Copyright_and_the_Death_of_the_Author_in_Literature_and_Law","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/16971635/Copyright_and_the_Death_of_the_Author_in_Literature_and_Law"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="1" data-entity-id="33839791" data-sort-order="default"><a 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Acts","attachmentId":94463968,"attachmentType":"pdf","work_url":"https://www.academia.edu/91074452/Legal_Deposit_Literary_Value_and_Rejected_Books_at_the_1818_Select_Committee_on_the_Copyright_Acts","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/91074452/Legal_Deposit_Literary_Value_and_Rejected_Books_at_the_1818_Select_Committee_on_the_Copyright_Acts"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="3" data-entity-id="27464057" data-sort-order="default"><a class="ds-related-work--title 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studies’, Literature Compass, Vol. 6 (2009), 706-25.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5162357" href="https://cambridge.academia.edu/SubhaMukherji">Subha Mukherji</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"‘Understood Relations: law and literature in early modern studies’, Literature Compass, Vol. 6 (2009), 706-25.","attachmentId":38187843,"attachmentType":"doc","work_url":"https://www.academia.edu/14040797/_Understood_Relations_law_and_literature_in_early_modern_studies_Literature_Compass_Vol_6_2009_706_25","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link 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