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David Odoi | University of Ghana - Academia.edu

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class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="David Odoi" border="0" onerror="if (this.src != &#39;//a.academia-assets.com/images/s200_no_pic.png&#39;) this.src = &#39;//a.academia-assets.com/images/s200_no_pic.png&#39;;" width="200" height="200" src="https://0.academia-photos.com/57729682/21920425/21189083/s200_david.odoi.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">David Odoi</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://ug-gh.academia.edu/">University of Ghana</a>, <a class="u-tcGrayDarker" href="https://ug-gh.academia.edu/Departments/Language_Centre/Documents">Language Centre</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div 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href="https://www.academia.edu/Documents/in/Intertextuality"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{&quot;color&quot;:&quot;gray&quot;,&quot;children&quot;:[&quot;Intertextuality&quot;]}" data-trace="false" data-dom-id="Pill-react-component-cb865788-442a-4dec-af7a-e7584cabb661"></div> <div id="Pill-react-component-cb865788-442a-4dec-af7a-e7584cabb661"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by David Odoi</h3></div><div class="js-work-strip profile--work_container" data-work-id="102497336"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102497336/The_Animal_in_Man_An_Image_Pattern_in_Frank_Norris_Mcteague"><img alt="Research paper thumbnail of The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague" class="work-thumbnail" src="https://attachments.academia-assets.com/102751398/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102497336/The_Animal_in_Man_An_Image_Pattern_in_Frank_Norris_Mcteague">The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague</a></div><div class="wp-workCard_item"><span>Journal of Language and Literature</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropria...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropriate time to manifest. In Frank Norris’ McTeague, some characters degenerate to the level of the animal, displaying brutality and striving like predators for survival. This study sought to investigate the animal metaphor as an image pattern in McTeague. The study used textual analysis as a design to analyse, interpret and evaluate McTeague. The study concluded that Joseph Le Conte’s theory of Evolution and Cesare Lombroso’s theory of criminology influenced the writing of McTeague. Thus, there is extensive use of the animal metaphor as an image pattern through the characters in the novel: McTeague, Trina, Marcus and Zerkow. They are metaphorically hustled up and down the evolutionary ladder between the levels of the animal and the human. Consequently, these characters degenerate to metaphorical animals and constitute an image pattern in the novel. When things are normal, their animal instin...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e9eb8277592503dbbce594132e37f1fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:102751398,&quot;asset_id&quot;:102497336,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/102751398/download_file?st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102497336"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102497336"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102497336; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102497336]").text(description); $(".js-view-count[data-work-id=102497336]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102497336; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102497336']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102497336, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e9eb8277592503dbbce594132e37f1fe" } } $('.js-work-strip[data-work-id=102497336]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102497336,"title":"The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague","translated_title":"","metadata":{"abstract":"Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropriate time to manifest. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86730937"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86730937/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets"><img alt="Research paper thumbnail of Towards Universal Harmony: The Works of Two Ghanaian Poets" class="work-thumbnail" src="https://attachments.academia-assets.com/91117314/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86730937/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets">Towards Universal Harmony: The Works of Two Ghanaian Poets</a></div><div class="wp-workCard_item"><span>Anglisticum Journal</span><span>, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The past decades of human existence were draped with varied experiences: some serene and others h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview. Keywords: Acquah, Anyidoho, Ghana, poetry, reconciliation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d879c0b33ff3ab4a4a7732a59e45f6ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117314,&quot;asset_id&quot;:86730937,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117314/download_file?st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86730937]").text(description); $(".js-view-count[data-work-id=86730937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86730937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86730937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86730937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d879c0b33ff3ab4a4a7732a59e45f6ea" } } $('.js-work-strip[data-work-id=86730937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86730937,"title":"Towards Universal Harmony: The Works of Two Ghanaian Poets","translated_title":"","metadata":{"abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86730936"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86730936/Ethnography_Within_an_Autobiographical_Portrait_The_Case_of_Camara_Laye_s_the_African_Child"><img alt="Research paper thumbnail of Ethnography Within an Autobiographical Portrait: The Case of Camara Laye’s the African Child" class="work-thumbnail" src="https://attachments.academia-assets.com/91117317/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86730936/Ethnography_Within_an_Autobiographical_Portrait_The_Case_of_Camara_Laye_s_the_African_Child">Ethnography Within an Autobiographical Portrait: The Case of Camara Laye’s the African Child</a></div><div class="wp-workCard_item"><span>International Journal of Applied Linguistics and English Literature</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Africa as a continent has many ethnic groups. For most non-Africans, Africa is a homogenous socie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Africa as a continent has many ethnic groups. For most non-Africans, Africa is a homogenous society and therefore all African societies and cultures are lumped together. There may be many similarities between cultures. However, the subtleties in culture for each group are not obvious to people outside Africa and most often they are ignored. Early novelists from Africa like Camara Laye have sought to project their own unique stories and give an expose on what and why their ethnic group puts up certain practices. In these stories however, the artist also invariably writes the history or ethnography of the group. So, though Laye’s work is regarded as a novel and in most instances as an autobiography of childhood, the work has deep touches of ethnography and therefore provides a bridge between these two spheres. It becomes therefore important to have a close study of these two domains as shown in The African Child. This paper therefore aims at investigating some ethnographic concerns of...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="36003b58c556ec2a10046f3692aabc22" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117317,&quot;asset_id&quot;:86730936,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117317/download_file?st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730936"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730936"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730936; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86730936]").text(description); $(".js-view-count[data-work-id=86730936]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86730936; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86730936']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86730936, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "36003b58c556ec2a10046f3692aabc22" } } $('.js-work-strip[data-work-id=86730936]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86730936,"title":"Ethnography Within an Autobiographical Portrait: The Case of Camara Laye’s the African Child","translated_title":"","metadata":{"abstract":"Africa as a continent has many ethnic groups. 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Questionable arguments have been advanced to justify the official neglect of indigenous African languages in education, but the reality is that such arguments are no longer valid. Efforts by some African governments to remedy the situation have been mediocre at best. For instance, South Africa has 11 official languages but English and Afrikaans remain the de facto mediums of instruction in schools. No significant efforts are being made to develop and encourage the use of indigenous African languages in schools. In addition, Departments of African languages are being scaled down in South African universities, and the colleges of Education which were at the forefront of teaching these languages have been closed down. 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He identifies four ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper focuses on West African autobiographies classified by Odoi (2010). He identifies four main sub groups of the autobiography namely: the factual autobiography, the fictionalised autobiography, the literary autobiography and the autobiographical fiction as present in many ways the works of practising writers in the West African sub Region. The last three types of autobiographies named above are glossed as having enough information and literary value to merit an analysis using the Genettean model. Genette’s  macrotextual demarcations of Time , Mood and Voice and their subcategories are used to show the differences between these  three identified autobiographies. The paper also shows the three works on a continuum from the most factual to the most novelistic. Key words: Autobiography, Analepsis, Prolepsis ,Time, Mood, Voice, Diegesis</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0c3a4db223effa7c57b12014b7141d97" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117273,&quot;asset_id&quot;:86730855,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117273/download_file?st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730855"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730855"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730855; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86730855]").text(description); $(".js-view-count[data-work-id=86730855]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86730855; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86730855']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86730855, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0c3a4db223effa7c57b12014b7141d97" } } $('.js-work-strip[data-work-id=86730855]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86730855,"title":"Application of the Genettean Theory of the Narrative Discourse on Three West African Autobiographies","translated_title":"","metadata":{"abstract":"This paper focuses on West African autobiographies classified by Odoi (2010). He identifies four main sub groups of the autobiography namely: the factual autobiography, the fictionalised autobiography, the literary autobiography and the autobiographical fiction as present in many ways the works of practising writers in the West African sub Region. The last three types of autobiographies named above are glossed as having enough information and literary value to merit an analysis using the Genettean model. Genette’s  macrotextual demarcations of Time , Mood and Voice and their subcategories are used to show the differences between these  three identified autobiographies. The paper also shows the three works on a continuum from the most factual to the most novelistic. Key words: Autobiography, Analepsis, Prolepsis ,Time, Mood, Voice, Diegesis","publication_date":{"day":null,"month":null,"year":2015,"errors":{}}},"translated_abstract":"This paper focuses on West African autobiographies classified by Odoi (2010). He identifies four main sub groups of the autobiography namely: the factual autobiography, the fictionalised autobiography, the literary autobiography and the autobiographical fiction as present in many ways the works of practising writers in the West African sub Region. The last three types of autobiographies named above are glossed as having enough information and literary value to merit an analysis using the Genettean model. Genette’s  macrotextual demarcations of Time , Mood and Voice and their subcategories are used to show the differences between these  three identified autobiographies. The paper also shows the three works on a continuum from the most factual to the most novelistic. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30288962"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30288962/_We_re_On_Our_Ears_A_Linguistic_Analysis_of_Translation_in_an_African_Novel"><img alt="Research paper thumbnail of “We’re On Our Ears”: A Linguistic Analysis of Translation in an African Novel" class="work-thumbnail" src="https://attachments.academia-assets.com/50750202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30288962/_We_re_On_Our_Ears_A_Linguistic_Analysis_of_Translation_in_an_African_Novel">“We’re On Our Ears”: A Linguistic Analysis of Translation in an African Novel</a></div><div class="wp-workCard_item"><span>Research on Humanities and Social Sciences</span><span>, 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9906a0a57f091af5944b468645d8843b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:50750202,&quot;asset_id&quot;:30288962,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/50750202/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30288962"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30288962"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30288962; 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This is the question we attempt to answer in this paper. We undertake this task because there are evidences that African writing contains lots of translations and these bilingual/hybrid texts are very often discussed from a more political/ideological/birds-eye perspective. Since translation is a linguistic phenomenon, it is necessary that they are analyzed using linguistic approaches. We analyzed the translation of proverbs from the source language (Ewe) into the target language (English) in Mawuli Adzei's novel Taboo. We used the Vinay and Darbelnet's Model in translation theory for the study. Our findings show some linguistic features and the stylistic processes of translations evident in this novel.","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"Research on Humanities and Social Sciences","grobid_abstract_attachment_id":50750202},"translated_abstract":null,"internal_url":"https://www.academia.edu/30288962/_We_re_On_Our_Ears_A_Linguistic_Analysis_of_Translation_in_an_African_Novel","translated_internal_url":"","created_at":"2016-12-06T11:02:52.642-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":57729682,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":26417645,"work_id":30288962,"tagging_user_id":57729682,"tagged_user_id":4265320,"co_author_invite_id":5824635,"email":"g***o@yahoo.co.uk","affiliation":"University of North Carolina Wilmington","display_order":0,"name":"G. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30269189"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30269189/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets"><img alt="Research paper thumbnail of Towards Universal Harmony: The Works of Two Ghanaian Poets" class="work-thumbnail" src="https://attachments.academia-assets.com/50736187/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30269189/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets">Towards Universal Harmony: The Works of Two Ghanaian Poets</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ug-gh.academia.edu/MawuliAdjei">Mawuli Adjei</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ug-gh.academia.edu/DavidOdoi">David Odoi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The past decades of human existence were draped with varied experiences: some serene and others h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a2c0e0d268f24cfce7a64aa803f95b2d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:50736187,&quot;asset_id&quot;:30269189,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/50736187/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30269189"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30269189"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30269189; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30269189]").text(description); $(".js-view-count[data-work-id=30269189]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30269189; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='30269189']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 30269189, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a2c0e0d268f24cfce7a64aa803f95b2d" } } $('.js-work-strip[data-work-id=30269189]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":30269189,"title":"Towards Universal Harmony: The Works of Two Ghanaian Poets","translated_title":"","metadata":{"abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview."},"translated_abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview.","internal_url":"https://www.academia.edu/30269189/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets","translated_internal_url":"","created_at":"2016-12-05T22:18:57.388-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":16281320,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":26396559,"work_id":30269189,"tagging_user_id":16281320,"tagged_user_id":4265320,"co_author_invite_id":null,"email":"g***o@yahoo.co.uk","affiliation":"University of North Carolina Wilmington","display_order":0,"name":"G. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6260381" id="papers"><div class="js-work-strip profile--work_container" data-work-id="102497336"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/102497336/The_Animal_in_Man_An_Image_Pattern_in_Frank_Norris_Mcteague"><img alt="Research paper thumbnail of The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague" class="work-thumbnail" src="https://attachments.academia-assets.com/102751398/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102497336/The_Animal_in_Man_An_Image_Pattern_in_Frank_Norris_Mcteague">The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague</a></div><div class="wp-workCard_item"><span>Journal of Language and Literature</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropria...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropriate time to manifest. In Frank Norris’ McTeague, some characters degenerate to the level of the animal, displaying brutality and striving like predators for survival. This study sought to investigate the animal metaphor as an image pattern in McTeague. The study used textual analysis as a design to analyse, interpret and evaluate McTeague. The study concluded that Joseph Le Conte’s theory of Evolution and Cesare Lombroso’s theory of criminology influenced the writing of McTeague. Thus, there is extensive use of the animal metaphor as an image pattern through the characters in the novel: McTeague, Trina, Marcus and Zerkow. They are metaphorically hustled up and down the evolutionary ladder between the levels of the animal and the human. Consequently, these characters degenerate to metaphorical animals and constitute an image pattern in the novel. When things are normal, their animal instin...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e9eb8277592503dbbce594132e37f1fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:102751398,&quot;asset_id&quot;:102497336,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/102751398/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="102497336"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="102497336"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 102497336; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=102497336]").text(description); $(".js-view-count[data-work-id=102497336]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 102497336; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='102497336']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 102497336, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e9eb8277592503dbbce594132e37f1fe" } } $('.js-work-strip[data-work-id=102497336]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":102497336,"title":"The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague","translated_title":"","metadata":{"abstract":"Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropriate time to manifest. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86730937"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86730937/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets"><img alt="Research paper thumbnail of Towards Universal Harmony: The Works of Two Ghanaian Poets" class="work-thumbnail" src="https://attachments.academia-assets.com/91117314/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86730937/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets">Towards Universal Harmony: The Works of Two Ghanaian Poets</a></div><div class="wp-workCard_item"><span>Anglisticum Journal</span><span>, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The past decades of human existence were draped with varied experiences: some serene and others h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview. Keywords: Acquah, Anyidoho, Ghana, poetry, reconciliation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d879c0b33ff3ab4a4a7732a59e45f6ea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117314,&quot;asset_id&quot;:86730937,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117314/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730937"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86730937]").text(description); $(".js-view-count[data-work-id=86730937]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86730937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86730937']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86730937, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d879c0b33ff3ab4a4a7732a59e45f6ea" } } $('.js-work-strip[data-work-id=86730937]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86730937,"title":"Towards Universal Harmony: The Works of Two Ghanaian Poets","translated_title":"","metadata":{"abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview. Keywords: Acquah, Anyidoho, Ghana, poetry, reconciliation.","publication_date":{"day":null,"month":null,"year":2015,"errors":{}},"publication_name":"Anglisticum Journal"},"translated_abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86730936"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86730936/Ethnography_Within_an_Autobiographical_Portrait_The_Case_of_Camara_Laye_s_the_African_Child"><img alt="Research paper thumbnail of Ethnography Within an Autobiographical Portrait: The Case of Camara Laye’s the African Child" class="work-thumbnail" src="https://attachments.academia-assets.com/91117317/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86730936/Ethnography_Within_an_Autobiographical_Portrait_The_Case_of_Camara_Laye_s_the_African_Child">Ethnography Within an Autobiographical Portrait: The Case of Camara Laye’s the African Child</a></div><div class="wp-workCard_item"><span>International Journal of Applied Linguistics and English Literature</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Africa as a continent has many ethnic groups. For most non-Africans, Africa is a homogenous socie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Africa as a continent has many ethnic groups. For most non-Africans, Africa is a homogenous society and therefore all African societies and cultures are lumped together. There may be many similarities between cultures. However, the subtleties in culture for each group are not obvious to people outside Africa and most often they are ignored. Early novelists from Africa like Camara Laye have sought to project their own unique stories and give an expose on what and why their ethnic group puts up certain practices. In these stories however, the artist also invariably writes the history or ethnography of the group. So, though Laye’s work is regarded as a novel and in most instances as an autobiography of childhood, the work has deep touches of ethnography and therefore provides a bridge between these two spheres. It becomes therefore important to have a close study of these two domains as shown in The African Child. This paper therefore aims at investigating some ethnographic concerns of...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="36003b58c556ec2a10046f3692aabc22" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117317,&quot;asset_id&quot;:86730936,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117317/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730936"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730936"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730936; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86730936]").text(description); $(".js-view-count[data-work-id=86730936]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86730936; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86730936']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86730936, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "36003b58c556ec2a10046f3692aabc22" } } $('.js-work-strip[data-work-id=86730936]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86730936,"title":"Ethnography Within an Autobiographical Portrait: The Case of Camara Laye’s the African Child","translated_title":"","metadata":{"abstract":"Africa as a continent has many ethnic groups. 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This paper therefore aims at investigating some ethnographic concerns of...","publisher":"Australian International Academic Centre","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"International Journal of Applied Linguistics and English Literature"},"translated_abstract":"Africa as a continent has many ethnic groups. For most non-Africans, Africa is a homogenous society and therefore all African societies and cultures are lumped together. There may be many similarities between cultures. However, the subtleties in culture for each group are not obvious to people outside Africa and most often they are ignored. Early novelists from Africa like Camara Laye have sought to project their own unique stories and give an expose on what and why their ethnic group puts up certain practices. In these stories however, the artist also invariably writes the history or ethnography of the group. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86730934"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86730934/Arguments_For_and_Against_the_Use_of_Indigenous_African_Languages_in_South_African_Schools"><img alt="Research paper thumbnail of Arguments For and Against the Use of Indigenous African Languages in South African Schools" class="work-thumbnail" src="https://attachments.academia-assets.com/91117360/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86730934/Arguments_For_and_Against_the_Use_of_Indigenous_African_Languages_in_South_African_Schools">Arguments For and Against the Use of Indigenous African Languages in South African Schools</a></div><div class="wp-workCard_item"><span>Studies of Tribes and Tribals</span><span>, 2013</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b86679b562d33d64d0772d7b2baa84f6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117360,&quot;asset_id&quot;:86730934,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117360/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730934"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730934"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730934; 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Questionable arguments have been advanced to justify the official neglect of indigenous African languages in education, but the reality is that such arguments are no longer valid. Efforts by some African governments to remedy the situation have been mediocre at best. For instance, South Africa has 11 official languages but English and Afrikaans remain the de facto mediums of instruction in schools. No significant efforts are being made to develop and encourage the use of indigenous African languages in schools. In addition, Departments of African languages are being scaled down in South African universities, and the colleges of Education which were at the forefront of teaching these languages have been closed down. 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He identifies four ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper focuses on West African autobiographies classified by Odoi (2010). He identifies four main sub groups of the autobiography namely: the factual autobiography, the fictionalised autobiography, the literary autobiography and the autobiographical fiction as present in many ways the works of practising writers in the West African sub Region. The last three types of autobiographies named above are glossed as having enough information and literary value to merit an analysis using the Genettean model. Genette’s  macrotextual demarcations of Time , Mood and Voice and their subcategories are used to show the differences between these  three identified autobiographies. The paper also shows the three works on a continuum from the most factual to the most novelistic. Key words: Autobiography, Analepsis, Prolepsis ,Time, Mood, Voice, Diegesis</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0c3a4db223effa7c57b12014b7141d97" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:91117273,&quot;asset_id&quot;:86730855,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/91117273/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86730855"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86730855"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86730855; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86730855]").text(description); $(".js-view-count[data-work-id=86730855]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86730855; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86730855']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86730855, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0c3a4db223effa7c57b12014b7141d97" } } $('.js-work-strip[data-work-id=86730855]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86730855,"title":"Application of the Genettean Theory of the Narrative Discourse on Three West African Autobiographies","translated_title":"","metadata":{"abstract":"This paper focuses on West African autobiographies classified by Odoi (2010). He identifies four main sub groups of the autobiography namely: the factual autobiography, the fictionalised autobiography, the literary autobiography and the autobiographical fiction as present in many ways the works of practising writers in the West African sub Region. The last three types of autobiographies named above are glossed as having enough information and literary value to merit an analysis using the Genettean model. Genette’s  macrotextual demarcations of Time , Mood and Voice and their subcategories are used to show the differences between these  three identified autobiographies. The paper also shows the three works on a continuum from the most factual to the most novelistic. Key words: Autobiography, Analepsis, Prolepsis ,Time, Mood, Voice, Diegesis","publication_date":{"day":null,"month":null,"year":2015,"errors":{}}},"translated_abstract":"This paper focuses on West African autobiographies classified by Odoi (2010). 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Key words: Autobiography, Analepsis, Prolepsis ,Time, Mood, Voice, Diegesis","internal_url":"https://www.academia.edu/86730855/Application_of_the_Genettean_Theory_of_the_Narrative_Discourse_on_Three_West_African_Autobiographies","translated_internal_url":"","created_at":"2022-09-16T00:25:47.568-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":57729682,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":91117273,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91117273/thumbnails/1.jpg","file_name":"45.pdf","download_url":"https://www.academia.edu/attachments/91117273/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Application_of_the_Genettean_Theory_of_t.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91117273/45-libre.pdf?1663314659=\u0026response-content-disposition=attachment%3B+filename%3DApplication_of_the_Genettean_Theory_of_t.pdf\u0026Expires=1732728430\u0026Signature=BNPMKXR3ijXQ7nlN3IdAnQITjFsnh2YB~r5usu3GLc-GobE-Z8Y78qY~EMbFX2XiLTUGE18QAirbT4avtPsPyw9DI2in9wdCa-VD5mdPWw2WpH9Cox~B~uD71qSb0p65BQa4QsoE8xBeg8PicQvLWAXgRuSbg7ZBTfEO1UL10rA42SJOmTPYqj9i0rdZeHRDSIvDiCiwLZiW53UZMipYhGXE2wT9zrMPUdKz2CAeK73jYB98WYykmSWSxiy-DIVDlWekTzGvMgk7Ofx6j3FCfeJfP5Ao0HI8hkFu1k9Ec6YkXZ96I4eD~b4x62QssRsuKlOgClM66LyyfDHYyNyqzw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Application_of_the_Genettean_Theory_of_the_Narrative_Discourse_on_Three_West_African_Autobiographies","translated_slug":"","page_count":8,"language":"en","content_type":"Work","owner":{"id":57729682,"first_name":"David","middle_initials":null,"last_name":"Odoi","page_name":"DavidOdoi","domain_name":"ug-gh","created_at":"2016-12-06T11:02:30.250-08:00","display_name":"David Odoi","url":"https://ug-gh.academia.edu/DavidOdoi"},"attachments":[{"id":91117273,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91117273/thumbnails/1.jpg","file_name":"45.pdf","download_url":"https://www.academia.edu/attachments/91117273/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Application_of_the_Genettean_Theory_of_t.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91117273/45-libre.pdf?1663314659=\u0026response-content-disposition=attachment%3B+filename%3DApplication_of_the_Genettean_Theory_of_t.pdf\u0026Expires=1732728430\u0026Signature=BNPMKXR3ijXQ7nlN3IdAnQITjFsnh2YB~r5usu3GLc-GobE-Z8Y78qY~EMbFX2XiLTUGE18QAirbT4avtPsPyw9DI2in9wdCa-VD5mdPWw2WpH9Cox~B~uD71qSb0p65BQa4QsoE8xBeg8PicQvLWAXgRuSbg7ZBTfEO1UL10rA42SJOmTPYqj9i0rdZeHRDSIvDiCiwLZiW53UZMipYhGXE2wT9zrMPUdKz2CAeK73jYB98WYykmSWSxiy-DIVDlWekTzGvMgk7Ofx6j3FCfeJfP5Ao0HI8hkFu1k9Ec6YkXZ96I4eD~b4x62QssRsuKlOgClM66LyyfDHYyNyqzw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":2852,"name":"Narrative","url":"https://www.academia.edu/Documents/in/Narrative"}],"urls":[{"id":23891594,"url":"http://www.udsijd.org/index.php/udsijd/article/download/66/45"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30288962"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30288962/_We_re_On_Our_Ears_A_Linguistic_Analysis_of_Translation_in_an_African_Novel"><img alt="Research paper thumbnail of “We’re On Our Ears”: A Linguistic Analysis of Translation in an African Novel" class="work-thumbnail" src="https://attachments.academia-assets.com/50750202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30288962/_We_re_On_Our_Ears_A_Linguistic_Analysis_of_Translation_in_an_African_Novel">“We’re On Our Ears”: A Linguistic Analysis of Translation in an African Novel</a></div><div class="wp-workCard_item"><span>Research on Humanities and Social Sciences</span><span>, 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9906a0a57f091af5944b468645d8843b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:50750202,&quot;asset_id&quot;:30288962,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/50750202/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30288962"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30288962"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30288962; 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This is the question we attempt to answer in this paper. We undertake this task because there are evidences that African writing contains lots of translations and these bilingual/hybrid texts are very often discussed from a more political/ideological/birds-eye perspective. Since translation is a linguistic phenomenon, it is necessary that they are analyzed using linguistic approaches. We analyzed the translation of proverbs from the source language (Ewe) into the target language (English) in Mawuli Adzei's novel Taboo. We used the Vinay and Darbelnet's Model in translation theory for the study. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30269189"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30269189/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets"><img alt="Research paper thumbnail of Towards Universal Harmony: The Works of Two Ghanaian Poets" class="work-thumbnail" src="https://attachments.academia-assets.com/50736187/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30269189/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets">Towards Universal Harmony: The Works of Two Ghanaian Poets</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ug-gh.academia.edu/MawuliAdjei">Mawuli Adjei</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ug-gh.academia.edu/DavidOdoi">David Odoi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The past decades of human existence were draped with varied experiences: some serene and others h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a2c0e0d268f24cfce7a64aa803f95b2d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{&quot;attachment_id&quot;:50736187,&quot;asset_id&quot;:30269189,&quot;asset_type&quot;:&quot;Work&quot;,&quot;button_location&quot;:&quot;profile&quot;}" href="https://www.academia.edu/attachments/50736187/download_file?st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&st=MTczMjcyNDgzMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30269189"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30269189"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30269189; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30269189]").text(description); $(".js-view-count[data-work-id=30269189]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30269189; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='30269189']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 30269189, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a2c0e0d268f24cfce7a64aa803f95b2d" } } $('.js-work-strip[data-work-id=30269189]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":30269189,"title":"Towards Universal Harmony: The Works of Two Ghanaian Poets","translated_title":"","metadata":{"abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview."},"translated_abstract":"The past decades of human existence were draped with varied experiences: some serene and others horrifying. Writers make efforts as the conscience of humanity, to speak to the different human experiences that dawned on the world. In the face of horrifying histories and current international upheavals, some writers call for reconciliation and universal harmony. This paper explores how two contemporary Ghanaian poets try to advocate global coexistence in their works as well as suggest processes of healing and reconciliation worldwide. This study is carried out to add to the corpus of work on universal harmony, especially from the African/Ghanaian writing/cultural worldview.","internal_url":"https://www.academia.edu/30269189/Towards_Universal_Harmony_The_Works_of_Two_Ghanaian_Poets","translated_internal_url":"","created_at":"2016-12-05T22:18:57.388-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":16281320,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":26396559,"work_id":30269189,"tagging_user_id":16281320,"tagged_user_id":4265320,"co_author_invite_id":null,"email":"g***o@yahoo.co.uk","affiliation":"University of North Carolina Wilmington","display_order":0,"name":"G. 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