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Click here for more information."><img alt="This is a good article. Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><p class="mw-empty-elt"> </p> <div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Pornography involving zombies</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Francois_Sagat_Zombie_make_up_...._(4399968399).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Francois_Sagat_Zombie_make_up_...._%284399968399%29.jpg/220px-Francois_Sagat_Zombie_make_up_...._%284399968399%29.jpg" decoding="async" width="220" height="308" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Francois_Sagat_Zombie_make_up_...._%284399968399%29.jpg/330px-Francois_Sagat_Zombie_make_up_...._%284399968399%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Francois_Sagat_Zombie_make_up_...._%284399968399%29.jpg/440px-Francois_Sagat_Zombie_make_up_...._%284399968399%29.jpg 2x" data-file-width="593" data-file-height="831" /></a><figcaption><a href="/wiki/Fran%C3%A7ois_Sagat" title="François Sagat">François Sagat</a> on the set of <i><a href="/wiki/L.A._Zombie" title="L.A. Zombie">L.A. Zombie</a></i></figcaption></figure> <p><b>Zombie pornography</b> is a <a href="/wiki/Subgenre" class="mw-redirect" title="Subgenre">subgenre</a> of <a href="/wiki/Pornography" title="Pornography">pornography</a> involving <a href="/wiki/Zombie" title="Zombie">zombies</a>, a type of <a href="/wiki/Undead" title="Undead">undead</a> being with uncontrollable appetites but no personal desire.<sup id="cite_ref-FOOTNOTEMcGlottenVangundy2013101_1-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlottenVangundy2013101-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Films in the subgenre emerged during a surge in the 1980s Italian <a href="/wiki/Sexploitation" class="mw-redirect" title="Sexploitation">sexploitation</a> industry and saw minor release in the United States the next decade, but their use of zombie sex was primarily to <a href="/wiki/Shock_value" title="Shock value">shock the viewer</a>. Film-maker <a href="/wiki/Bruce_LaBruce" title="Bruce LaBruce">Bruce LaBruce</a> released <i><a href="/wiki/Otto;_or,_Up_with_Dead_People" title="Otto; or, Up with Dead People">Otto; or, Up with Dead People</a></i> (2008) and <i><a href="/wiki/L.A._Zombie" title="L.A. Zombie">L.A. Zombie</a></i> (2010), two prominent gay zombie porn films seen by scholars as subverting <a href="/wiki/Homophobia" title="Homophobia">homophobic</a> tropes about gay life; in the films, zombification is physically similar to <a href="/wiki/AIDS" class="mw-redirect" title="AIDS">AIDS</a>, a disease typically associated with gay men. While zombie porn may be appealing to some because it breaks taboos related to <a href="/wiki/Necrophilia" title="Necrophilia">necrophilia</a>, and plays with male viewers' <a href="/wiki/Castration_anxiety" title="Castration anxiety">fear of castration</a>, zombies are also ferocious creatures that can destroy their sexual partners. As a result, the genre has remained largely unappealing. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Background">Background</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=1" title="Edit section: Background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Zombie" title="Zombie">Zombies</a> have been part of American popular culture since the early twentieth century, and their early depictions were based on <a href="/wiki/Culture_of_Haiti" title="Culture of Haiti">Haitian</a> and <a href="/wiki/Culture_of_Africa" title="Culture of Africa">African folklore</a>.<sup id="cite_ref-FOOTNOTEGrilli201247McGlotten2014363_2-0" class="reference"><a href="#cite_note-FOOTNOTEGrilli201247McGlotten2014363-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> For the earliest depictions, zombies were not truly <a href="/wiki/Undead" title="Undead">undead</a> beings, but living people without consciousness, animated by <a href="/wiki/Magic_(supernatural)" title="Magic (supernatural)">magic</a>.<sup id="cite_ref-FOOTNOTEGrilli201247_3-0" class="reference"><a href="#cite_note-FOOTNOTEGrilli201247-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Modern American zombies are based on <i><a href="/wiki/Night_of_the_Living_Dead" title="Night of the Living Dead">Night of the Living Dead</a></i> (1968), a film by <a href="/wiki/George_A._Romero" title="George A. Romero">George A. Romero</a> called the "modern zombie ur-text" by <a href="/wiki/Porn_studies" title="Porn studies">porn studies</a> scholar <a href="/wiki/Shaka_McGlotten" title="Shaka McGlotten">Shaka McGlotten</a>.<sup id="cite_ref-FOOTNOTEMcGlotten2014363_4-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014363-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> According to McGlotten, the zombie is associated with Haiti through the <a href="/wiki/Western_world" title="Western world">Western world</a>'s reactions to the <a href="/wiki/Haitian_Revolution" title="Haitian Revolution">Haitian Revolution</a>, where enslaved people broke free from French rule and challenged the dominant economic system, which was seen "as a matter of bloodshed<span class="nowrap"> </span>... and boundless material destruction".<sup id="cite_ref-FOOTNOTEMcGlotten2014366_5-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014366-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Emergence_and_examples">Emergence and examples</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=2" title="Edit section: Emergence and examples"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the 1980s, zombie porn began to emerge during a rise in Italian <a href="/wiki/Sexploitation" class="mw-redirect" title="Sexploitation">sexploitation</a> releases, such as in <a href="/wiki/Joe_D%27Amato" title="Joe D'Amato">Joe D'Amato</a>'s film <i><a href="/wiki/Erotic_Nights_of_the_Living_Dead" title="Erotic Nights of the Living Dead">Erotic Nights of the Living Dead</a></i> (1980).<sup id="cite_ref-FOOTNOTEBrioni2013173Ward2015212_6-0" class="reference"><a href="#cite_note-FOOTNOTEBrioni2013173Ward2015212-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> The first true pornographic film involving zombies was <span title="Italian-language text"><i lang="it">Orgasmo Esotico</i></span> (<i>Erotic Orgasm</i>), released in 1982 and directed by D'Amato and <a href="/wiki/Mario_Siciliano" title="Mario Siciliano">Mario Siciliano</a>.<sup id="cite_ref-FOOTNOTEJones201148,_207_7-0" class="reference"><a href="#cite_note-FOOTNOTEJones201148,_207-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> In the 1990s, a few obscure American zombie porn films were released,<sup id="cite_ref-FOOTNOTEWard2015212_8-0" class="reference"><a href="#cite_note-FOOTNOTEWard2015212-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> including <i><a href="/wiki/The_Necro_Files" title="The Necro Files">The Necro Files</a></i> (1997) and <i>Zombie Ninja Gangbangers</i> (Jeff Cantauri, 1998).<sup id="cite_ref-FOOTNOTEJones201148,_209_9-0" class="reference"><a href="#cite_note-FOOTNOTEJones201148,_209-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> The predominant theme of these films was <a href="/wiki/Human_cannibalism" title="Human cannibalism">cannibalism</a>, and zombie sexuality was not a primary focus; its instrumental value was instead to further shock the viewer.<sup id="cite_ref-FOOTNOTEWard2015212_8-1" class="reference"><a href="#cite_note-FOOTNOTEWard2015212-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>Zombie porn exclusively depicted straight sex until 2008, when Vidkid Timo released <i>At Twilight Come the Flesh-Eaters</i>, a gay imitation of <i>Night of the Living Dead</i>.<sup id="cite_ref-FOOTNOTEElliott-Smith2014143_10-0" class="reference"><a href="#cite_note-FOOTNOTEElliott-Smith2014143-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Bruce_LaBruce" title="Bruce LaBruce">Bruce LaBruce</a> produced two gay zombie porn films, <i><a href="/wiki/Otto;_or,_Up_with_Dead_People" title="Otto; or, Up with Dead People">Otto; or, Up with Dead People</a></i> (2008) and <i><a href="/wiki/L.A._Zombie" title="L.A. Zombie">L.A. Zombie</a></i> (2010).<sup id="cite_ref-FOOTNOTEMcGlotten2014360–361_11-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014360–361-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> <i>Otto; or, Up with Dead People</i> is about Otto, a <a href="/wiki/Gay" title="Gay">gay</a> zombie with <a href="/wiki/Amnesia" title="Amnesia">amnesia</a>, and Medea Yarn, a film-maker who wants to create the film <i>Up with Dead People</i>, a gay zombie porn film which depicts zombie sex spurring a revolution against the living.<sup id="cite_ref-FOOTNOTEMcGlotten2014362–363_12-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014362–363-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> <i>L.A. Zombie</i> revolves around a central zombie (played by <a href="/wiki/Fran%C3%A7ois_Sagat" title="François Sagat">François Sagat</a><sup id="cite_ref-FOOTNOTEOjeda-Sagué2021108_13-0" class="reference"><a href="#cite_note-FOOTNOTEOjeda-Sagué2021108-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup>), who wanders throughout <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, "fucking dead young men back to life".<sup id="cite_ref-FOOTNOTEMcGlotten2014363,_373_14-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014363,_373-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Sagat's character has sexual relations with the dead—through <a href="/wiki/Masturbation" title="Masturbation">masturbating</a> over them, or penetrating their flesh wounds and <a href="/wiki/Human_anus" title="Human anus">anuses</a> with his barbed <a href="/wiki/Human_penis" title="Human penis">penis</a>—and his <a href="/wiki/Semen" title="Semen">ejaculate</a> reanimates them.<sup id="cite_ref-FOOTNOTEElliott-Smith2014153_15-0" class="reference"><a href="#cite_note-FOOTNOTEElliott-Smith2014153-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p>When <i>L.A. Zombie</i> was the subject of <a href="/wiki/Content_rating" title="Content rating">classification</a> in New Zealand, the classification board said that because the film's protagonist becomes "increasingly lonely, isolated and monstrous" because of his sexual activity, it did not "normalise" having sex with dead people (<a href="/wiki/Necrophilia" title="Necrophilia">necrophilia</a>).<sup id="cite_ref-FOOTNOTEFix2018154_16-0" class="reference"><a href="#cite_note-FOOTNOTEFix2018154-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> As a result, it was not banned under <a href="/wiki/Obscenity" title="Obscenity">obscenity</a> laws.<sup id="cite_ref-FOOTNOTEFix2018154_16-1" class="reference"><a href="#cite_note-FOOTNOTEFix2018154-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> In contrast, the Australian classification board banned the film a few weeks before it was scheduled to show at the <a href="/wiki/Melbourne_International_Film_Festival" title="Melbourne International Film Festival">Melbourne International Film Festival</a> (MIFF), and the MIFF could not screen it.<sup id="cite_ref-FOOTNOTEDaltonSchubert201132_17-0" class="reference"><a href="#cite_note-FOOTNOTEDaltonSchubert201132-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> In response, a clandestine showing was done by the <a href="/wiki/Melbourne_Underground_Film_Festival" title="Melbourne Underground Film Festival">Melbourne Underground Film Festival</a> on 29 August 2010.<sup id="cite_ref-FOOTNOTEDaltonSchubert201132_17-1" class="reference"><a href="#cite_note-FOOTNOTEDaltonSchubert201132-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> While this screening was illegal, Australian authorities did not raid the underground festival, and instead searched the director's home and ordered him to donate $750 to a children's hospital.<sup id="cite_ref-FOOTNOTEDaltonSchubert201132_17-2" class="reference"><a href="#cite_note-FOOTNOTEDaltonSchubert201132-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>In the twenty-first century, the <a href="/wiki/Soundscape" title="Soundscape">soundscapes</a> of zombie porn remain "an emergent proto-genre" of music.<sup id="cite_ref-FOOTNOTEBjörnberg2013136_18-0" class="reference"><a href="#cite_note-FOOTNOTEBjörnberg2013136-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Analysis">Analysis</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=3" title="Edit section: Analysis"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>James J. Ward, a professor at <a href="/wiki/Cedar_Crest_College" title="Cedar Crest College">Cedar Crest College</a>, suggests that zombie porn's transgressions of the <a href="/wiki/Taboo" title="Taboo">taboos</a> against <a href="/wiki/Necrophilia" title="Necrophilia">necrophilia</a> and male viewers' <a href="/wiki/Castration_anxiety" title="Castration anxiety">fear of castration</a> may be appealing for some.<sup id="cite_ref-FOOTNOTEWard2015213_19-0" class="reference"><a href="#cite_note-FOOTNOTEWard2015213-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> At the same time, he argues that because zombie sex "raises the likelihood of" participants being literally destroyed, because zombies carry filth and disease, and because the zombie is <a href="/wiki/Ontology" title="Ontology">ontologically</a> blank—they have "no awareness and affect" and are driven by "the most primitive and carnal of all desires" (to eat)—zombie porn remains largely unappealing.<sup id="cite_ref-FOOTNOTEWard2015214–216_20-0" class="reference"><a href="#cite_note-FOOTNOTEWard2015214–216-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> He concludes that zombie porn is neither new nor alluring.<sup id="cite_ref-FOOTNOTEWard2015217_21-0" class="reference"><a href="#cite_note-FOOTNOTEWard2015217-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Feminist philosopher <a href="/wiki/Kelly_Oliver" title="Kelly Oliver">Kelly Oliver</a> writes that zombie porn, like <a href="/wiki/Snuff_film" title="Snuff film">snuff pornography</a>, is a kind of "pseudo-necrophilia"—altogether similar to rape—that reflects some men's aggressive sexual attitudes.<sup id="cite_ref-FOOTNOTEOliver201694–95_22-0" class="reference"><a href="#cite_note-FOOTNOTEOliver201694–95-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> The film <i><a href="/wiki/Deadgirl" title="Deadgirl">Deadgirl</a></i> (2008; sometimes labeled a kind of <a href="/wiki/Torture_pornography" class="mw-redirect" title="Torture pornography">torture pornography</a>), where a zombie woman is turned into a sex slave and repeatedly raped, is one example given by Oliver and horror researcher Steve Jones.<sup id="cite_ref-FOOTNOTEJones2013525Oliver201694–95_23-0" class="reference"><a href="#cite_note-FOOTNOTEJones2013525Oliver201694–95-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>According to <a href="/wiki/Queer_studies" title="Queer studies">queer studies</a> scholar Jasmine McGowan, <i>Otto</i> and <i>L.A. Zombie</i> are transgressive films because they "invert the homophobic tropes of disease and contagion".<sup id="cite_ref-FOOTNOTEMcGowan201269_24-0" class="reference"><a href="#cite_note-FOOTNOTEMcGowan201269-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> The physical manifestations of disease in the zombie—sores, wasting, rotting flesh—are similar in some respects to the progression of <a href="/wiki/HIV/AIDS" title="HIV/AIDS">AIDS</a>, which is a disease associated with homosexuality.<sup id="cite_ref-FOOTNOTEElliott-Smith2014144_25-0" class="reference"><a href="#cite_note-FOOTNOTEElliott-Smith2014144-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> McGlotten wrote that LaBruce's films (both about gay zombie sex) evoke thoughts not only of death, but also life, and that they posit a theory that "some kinds of death<span class="nowrap"> </span>... may be worse than others, and some are animating or reanimating".<sup id="cite_ref-FOOTNOTEMcGlotten2014362_26-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014362-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> They say this contradictory stance is reminiscent of the scholarly work of <a href="/wiki/Leo_Bersani" title="Leo Bersani">Leo Bersani</a>, <a href="/wiki/Lee_Edelman" title="Lee Edelman">Lee Edelman</a>, and <a href="/wiki/Tim_Dean" title="Tim Dean">Tim Dean</a>, all of whom "have sought<span class="nowrap"> </span>... to recuperate" the associations between gay sexuality and death.<sup id="cite_ref-FOOTNOTEMcGlotten2014362_26-1" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014362-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> They stress, however, that LaBruce's films are more hopeful than theories like Edelman's—theories built out of gay people rejecting social life—because they offer alternatives (such as public sex communities), similar to the <a href="/wiki/The_Queer_Art_of_Failure" title="The Queer Art of Failure">queer art of failure</a>, a concept by queer theorist <a href="/wiki/Jack_Halberstam" title="Jack Halberstam">Jack Halberstam</a>.<sup id="cite_ref-FOOTNOTEMcGlotten2014373–374_27-0" class="reference"><a href="#cite_note-FOOTNOTEMcGlotten2014373–374-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p><p>Scholarly analysis of the subgenre is, according to zombie studies scholar Sarah Juliet Lauro, limited because it does not take into consideration the Haitian origins of the figure.<sup id="cite_ref-FOOTNOTELauro2016140–141_28-0" class="reference"><a href="#cite_note-FOOTNOTELauro2016140–141-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> She says figures like <i>zombie matelas</i> (mattress zombies), a Haitian class of zombie sex slaves, are informative in understanding the possible extent of agency in zombie porn.<sup id="cite_ref-FOOTNOTELauro2016140–141_28-1" class="reference"><a href="#cite_note-FOOTNOTELauro2016140–141-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=4" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Erotic_horror" title="Erotic horror">Erotic horror</a></li> <li><a href="/wiki/Monster_erotica" title="Monster erotica">Monster erotica</a></li> <li><a href="/wiki/Category:Fiction_about_human%E2%80%93zombie_romance" title="Category:Fiction about human–zombie romance">Category:Fiction about human–zombie romance</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=5" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=6" title="Edit section: Citations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-FOOTNOTEMcGlottenVangundy2013101-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlottenVangundy2013101_1-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlottenVangundy2013">McGlotten & Vangundy 2013</a>, p. 101.</span> </li> <li id="cite_note-FOOTNOTEGrilli201247McGlotten2014363-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGrilli201247McGlotten2014363_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGrilli2012">Grilli 2012</a>, p. 47; <a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, p. 363.</span> </li> <li id="cite_note-FOOTNOTEGrilli201247-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGrilli201247_3-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGrilli2012">Grilli 2012</a>, p. 47.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014363-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlotten2014363_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, p. 363.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014366-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlotten2014366_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, p. 366.</span> </li> <li id="cite_note-FOOTNOTEBrioni2013173Ward2015212-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBrioni2013173Ward2015212_6-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrioni2013">Brioni 2013</a>, p. 173; <a href="#CITEREFWard2015">Ward 2015</a>, p. 212.</span> </li> <li id="cite_note-FOOTNOTEJones201148,_207-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJones201148,_207_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJones2011">Jones 2011</a>, pp. 48, 207.</span> </li> <li id="cite_note-FOOTNOTEWard2015212-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWard2015212_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWard2015212_8-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWard2015">Ward 2015</a>, p. 212.</span> </li> <li id="cite_note-FOOTNOTEJones201148,_209-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJones201148,_209_9-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJones2011">Jones 2011</a>, pp. 48, 209.</span> </li> <li id="cite_note-FOOTNOTEElliott-Smith2014143-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEElliott-Smith2014143_10-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFElliott-Smith2014">Elliott-Smith 2014</a>, p. 143.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014360–361-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlotten2014360–361_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, pp. 360–361.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014362–363-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlotten2014362–363_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, pp. 362–363.</span> </li> <li id="cite_note-FOOTNOTEOjeda-Sagué2021108-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEOjeda-Sagué2021108_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFOjeda-Sagué2021">Ojeda-Sagué 2021</a>, p. 108.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014363,_373-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlotten2014363,_373_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, pp. 363, 373.</span> </li> <li id="cite_note-FOOTNOTEElliott-Smith2014153-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEElliott-Smith2014153_15-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFElliott-Smith2014">Elliott-Smith 2014</a>, p. 153.</span> </li> <li id="cite_note-FOOTNOTEFix2018154-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFix2018154_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFix2018154_16-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFix2018">Fix 2018</a>, p. 154.</span> </li> <li id="cite_note-FOOTNOTEDaltonSchubert201132-17"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEDaltonSchubert201132_17-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDaltonSchubert201132_17-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDaltonSchubert201132_17-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFDaltonSchubert2011">Dalton & Schubert 2011</a>, p. 32.</span> </li> <li id="cite_note-FOOTNOTEBjörnberg2013136-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBjörnberg2013136_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBjörnberg2013">Björnberg 2013</a>, p. 136.</span> </li> <li id="cite_note-FOOTNOTEWard2015213-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard2015213_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard2015">Ward 2015</a>, p. 213.</span> </li> <li id="cite_note-FOOTNOTEWard2015214–216-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard2015214–216_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard2015">Ward 2015</a>, pp. 214–216.</span> </li> <li id="cite_note-FOOTNOTEWard2015217-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWard2015217_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWard2015">Ward 2015</a>, p. 217.</span> </li> <li id="cite_note-FOOTNOTEOliver201694–95-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEOliver201694–95_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFOliver2016">Oliver 2016</a>, pp. 94–95.</span> </li> <li id="cite_note-FOOTNOTEJones2013525Oliver201694–95-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJones2013525Oliver201694–95_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJones2013">Jones 2013</a>, p. 525; <a href="#CITEREFOliver2016">Oliver 2016</a>, pp. 94–95.</span> </li> <li id="cite_note-FOOTNOTEMcGowan201269-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGowan201269_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGowan2012">McGowan 2012</a>, p. 69.</span> </li> <li id="cite_note-FOOTNOTEElliott-Smith2014144-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEElliott-Smith2014144_25-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFElliott-Smith2014">Elliott-Smith 2014</a>, p. 144.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014362-26"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMcGlotten2014362_26-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMcGlotten2014362_26-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, p. 362.</span> </li> <li id="cite_note-FOOTNOTEMcGlotten2014373–374-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGlotten2014373–374_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGlotten2014">McGlotten 2014</a>, pp. 373–374.</span> </li> <li id="cite_note-FOOTNOTELauro2016140–141-28"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELauro2016140–141_28-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELauro2016140–141_28-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLauro2016">Lauro 2016</a>, pp. 140–141.</span> </li> </ol></div></div> <div class="mw-heading mw-heading3"><h3 id="Bibliography">Bibliography</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Zombie_pornography&action=edit&section=7" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFBrioni2013" class="citation journal cs1">Brioni, Simone (1 November 2013). "Zombies and the post-colonial Italian unconscious". <i>Cinergie – Il Cinema e le Altre Arti</i>. <b>2</b> (4): 166–182. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.6092%2Fissn.2280-9481%2F7377">10.6092/issn.2280-9481/7377</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cinergie+%E2%80%93+Il+Cinema+e+le+Altre+Arti&rft.atitle=Zombies+and+the+post-colonial+Italian+unconscious&rft.volume=2&rft.issue=4&rft.pages=166-182&rft.date=2013-11-01&rft_id=info%3Adoi%2F10.6092%2Fissn.2280-9481%2F7377&rft.aulast=Brioni&rft.aufirst=Simone&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBjörnberg2013" class="citation journal cs1">Björnberg, Alf (2013). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/23359891">"<i>Earogenous Zones: Sound, Sexuality and Cinema</i>"</a>. Review. <i>Popular Music</i>. <b>32</b> (1): 135–137. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1017%2FS0261143012000669">10.1017/S0261143012000669</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0261-1430">0261-1430</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/23359891">23359891</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:162314710">162314710</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Popular+Music&rft.atitle=Earogenous+Zones%3A+Sound%2C+Sexuality+and+Cinema&rft.volume=32&rft.issue=1&rft.pages=135-137&rft.date=2013&rft.issn=0261-1430&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A162314710%23id-name%3DS2CID&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F23359891%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.1017%2FS0261143012000669&rft.aulast=Bj%C3%B6rnberg&rft.aufirst=Alf&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F23359891&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDaltonSchubert2011" class="citation journal cs1">Dalton, Derek; Schubert, Catherine (January 2011). 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Mimesis. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788857509396" title="Special:BookSources/9788857509396"><bdi>9788857509396</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Queering+the+dead%3A+Gay+zombies+in+the+dark+room&rft.btitle=Queer+crossings%3A+Theories%2C+bodies%2C+texts&rft.pub=Mimesis&rft.date=2012&rft.isbn=9788857509396&rft.aulast=Grilli&rft.aufirst=Alessandro&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJones2011" class="citation book cs1">Jones, Steve (2011). "Porn of the dead: Necrophilia, feminism, and gendering the undead". In Moreman, Christopher M.; Rushton, Cory James (eds.). <i>Zombies are us: Essays on the humanity of the walking dead</i>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780786459124" title="Special:BookSources/9780786459124"><bdi>9780786459124</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Porn+of+the+dead%3A+Necrophilia%2C+feminism%2C+and+gendering+the+undead&rft.btitle=Zombies+are+us%3A+Essays+on+the+humanity+of+the+walking+dead&rft.pub=McFarland&rft.date=2011&rft.isbn=9780786459124&rft.aulast=Jones&rft.aufirst=Steve&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJones2013" class="citation journal cs1">Jones, Steve (2013). <a rel="nofollow" class="external text" href="https://nrl.northumbria.ac.uk/id/eprint/12754/1/SJ_Gender_Monstrosity.pdf">"<i>Deadgirl</i> and the sexual politics of zombie-rape"</a> <span class="cs1-format">(PDF)</span>. <i>Feminist Media Studies</i>. <b>13</b> (3): 525–539. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F14680777.2012.712392">10.1080/14680777.2012.712392</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:146925857">146925857</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Feminist+Media+Studies&rft.atitle=Deadgirl+and+the+sexual+politics+of+zombie-rape&rft.volume=13&rft.issue=3&rft.pages=525-539&rft.date=2013&rft_id=info%3Adoi%2F10.1080%2F14680777.2012.712392&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A146925857%23id-name%3DS2CID&rft.aulast=Jones&rft.aufirst=Steve&rft_id=http%3A%2F%2Fnrl.northumbria.ac.uk%2Fid%2Feprint%2F12754%2F1%2FSJ_Gender_Monstrosity.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLauro2016" class="citation journal cs1">Lauro, Sarah Juliet (2016). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/611209">"<i>Zombies and Sexuality: Essays on Desire and the Living Dead</i>"</a>. <i>Science Fiction Film and Television</i>. <b>9</b> (1): 137–142.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Science+Fiction+Film+and+Television&rft.atitle=Zombies+and+Sexuality%3A+Essays+on+Desire+and+the+Living+Dead&rft.volume=9&rft.issue=1&rft.pages=137-142&rft.date=2016&rft.aulast=Lauro&rft.aufirst=Sarah+Juliet&rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F611209&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcGlotten2014" class="citation journal cs1">McGlotten, Shaka (2 October 2014). "Zombie porn: Necropolitics, sex, and queer socialities". <i>Porn Studies</i>. <b>1</b> (4): 360–377. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F23268743.2014.957492">10.1080/23268743.2014.957492</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Porn+Studies&rft.atitle=Zombie+porn%3A+Necropolitics%2C+sex%2C+and+queer+socialities&rft.volume=1&rft.issue=4&rft.pages=360-377&rft.date=2014-10-02&rft_id=info%3Adoi%2F10.1080%2F23268743.2014.957492&rft.aulast=McGlotten&rft.aufirst=Shaka&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcGlottenVangundy2013" class="citation journal cs1">McGlotten, Shaka; Vangundy, Sarah (2013). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5250/quiparle.21.2.0101">"Zombie porn 1.0: Or, some queer things zombie sex can teach us"</a>. <i>Qui Parle</i>. <b>21</b> (2): 101–125. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.5250%2Fquiparle.21.2.0101">10.5250/quiparle.21.2.0101</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1041-8385">1041-8385</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5250/quiparle.21.2.0101">10.5250/quiparle.21.2.0101</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:142877483">142877483</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Qui+Parle&rft.atitle=Zombie+porn+1.0%3A+Or%2C+some+queer+things+zombie+sex+can+teach+us&rft.volume=21&rft.issue=2&rft.pages=101-125&rft.date=2013&rft.issn=1041-8385&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A142877483%23id-name%3DS2CID&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.5250%2Fquiparle.21.2.0101%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.5250%2Fquiparle.21.2.0101&rft.aulast=McGlotten&rft.aufirst=Shaka&rft.au=Vangundy%2C+Sarah&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.5250%2Fquiparle.21.2.0101&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcGowan2012" class="citation journal cs1">McGowan, Jasmine (2012). "The thinking queer's pornographer: Bruce LaBruce, art/porn and the politics of cooptation". <i>CineAction</i>. <b>88</b>: 66–69.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=CineAction&rft.atitle=The+thinking+queer%27s+pornographer%3A+Bruce+LaBruce%2C+art%2Fporn+and+the+politics+of+cooptation&rft.volume=88&rft.pages=66-69&rft.date=2012&rft.aulast=McGowan&rft.aufirst=Jasmine&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOjeda-Sagué2021" class="citation journal cs1">Ojeda-Sagué, Gabriel (2 January 2021). "The whiteness of François Sagat". <i>Porn Studies</i>. <b>8</b> (1): 107–120. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F23268743.2020.1744476">10.1080/23268743.2020.1744476</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:219902719">219902719</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Porn+Studies&rft.atitle=The+whiteness+of+Fran%C3%A7ois+Sagat&rft.volume=8&rft.issue=1&rft.pages=107-120&rft.date=2021-01-02&rft_id=info%3Adoi%2F10.1080%2F23268743.2020.1744476&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A219902719%23id-name%3DS2CID&rft.aulast=Ojeda-Sagu%C3%A9&rft.aufirst=Gabriel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOliver2016" class="citation book cs1">Oliver, Kelly (2016). <i>Hunting girls: Sexual violence from </i>The Hunger Games<i> to campus rape</i>. Columbia University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780231541763" title="Special:BookSources/9780231541763"><bdi>9780231541763</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hunting+girls%3A+Sexual+violence+from+The+Hunger+Games+to+campus+rape&rft.pub=Columbia+University+Press&rft.date=2016&rft.isbn=9780231541763&rft.aulast=Oliver&rft.aufirst=Kelly&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWard2015" class="citation book cs1">Ward, James J. (2015). "What happens to the money shot?: Why zombie porn can't get the audience to bite". In Ritzenhoff, Karen A.; McAvoy, Catriona (eds.). <i>Selling sex on screen: From Weimar cinema to zombie porn</i>. Rowman & Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781442253544" title="Special:BookSources/9781442253544"><bdi>9781442253544</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=What+happens+to+the+money+shot%3F%3A+Why+zombie+porn+can%27t+get+the+audience+to+bite&rft.btitle=Selling+sex+on+screen%3A+From+Weimar+cinema+to+zombie+porn&rft.pub=Rowman+%26+Littlefield&rft.date=2015&rft.isbn=9781442253544&rft.aulast=Ward&rft.aufirst=James+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AZombie+pornography" class="Z3988"></span></li></ul> </div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist 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href="/wiki/List_of_horror_anime" title="List of horror anime">Anime</a></li> <li><a href="/wiki/Horror_comics" title="Horror comics">Comics</a></li> <li><a href="/wiki/Horror_film" title="Horror film">Films</a> <ul><li><a href="/wiki/History_of_horror_films" title="History of horror films">History</a></li></ul></li> <li><a href="/wiki/Horror_fiction_magazine" title="Horror fiction magazine">Magazines</a></li> <li><a href="/wiki/Horror_podcast" title="Horror podcast">Podcasts</a></li> <li><a href="/wiki/List_of_horror_television_programs" title="List of horror television programs">Television programs</a></li> <li><a href="/wiki/Horror_video_game" class="mw-redirect" title="Horror video game">Video games</a> <ul><li><a href="/wiki/List_of_horror_video_games" class="mw-redirect" title="List of horror video games">list</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Types</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Art_horror" title="Art horror">Art</a></li> <li><a href="/wiki/Black_horror" title="Black horror">Black</a></li> <li><a href="/wiki/Body_horror" title="Body horror">Body</a></li> <li><a href="/wiki/Cannibal_film" title="Cannibal film">Cannibal</a></li> <li><a href="/wiki/Christmas_horror" title="Christmas horror">Christmas</a></li> <li><a href="/wiki/Comedy_horror" title="Comedy horror">Comedy</a> <ul><li><a href="/wiki/Zombie_comedy" title="Zombie comedy">Zombie</a></li></ul></li> <li><a href="/wiki/Creepypasta" title="Creepypasta">Creepypasta</a></li> <li><a href="/wiki/Cosmicism" title="Cosmicism">Cosmic</a></li> <li><a href="/wiki/Dark_fantasy" title="Dark fantasy">Dark fantasy</a> <ul><li><a href="/wiki/Dark_Romanticism" title="Dark Romanticism">Dark Romanticism</a></li> <li><a href="/wiki/Works_based_on_Faust" title="Works based on Faust">Faustian</a></li> <li><a href="/wiki/Grimdark" title="Grimdark">Grimdark</a></li> <li><a href="/wiki/Splatterpunk" title="Splatterpunk">Splatterpunk</a></li></ul></li> <li><a href="/wiki/Erotic_horror" title="Erotic horror">Erotic</a> <ul><li><a href="/wiki/Ero_guro" title="Ero guro">Guro</a></li> <li><a href="/wiki/Monster_erotica" title="Monster erotica">Monster erotica</a></li> <li><a class="mw-selflink selflink">Zombie pornography</a></li></ul></li> <li><a href="/wiki/Folk_horror" title="Folk horror">Folk</a></li> <li><a href="/wiki/Ghost_story" title="Ghost story">Ghost</a></li> <li><a href="/wiki/Giallo" title="Giallo">Giallo</a> <ul><li><a href="/wiki/List_of_giallo_films" title="List of giallo films">List of films</a></li></ul></li> <li><a href="/wiki/Gothic_fiction" title="Gothic fiction">Gothic</a> <ul><li><a href="/wiki/American_Gothic_fiction" title="American Gothic fiction">American</a></li> <li><a href="/wiki/Southern_Gothic" title="Southern Gothic">Southern</a></li> <li><a href="/wiki/Southern_Ontario_Gothic" title="Southern Ontario Gothic">Southern Ontario</a></li> <li><a href="/wiki/Suburban_Gothic" title="Suburban Gothic">Suburban</a></li> <li><a href="/wiki/Tasmanian_Gothic" title="Tasmanian Gothic">Tasmanian</a></li> <li><a href="/wiki/Urban_Gothic" title="Urban Gothic">Urban</a></li></ul></li> <li><a href="/wiki/Japanese_horror" title="Japanese horror">Japanese</a></li> <li><a href="/wiki/Korean_horror" title="Korean horror">Korean</a></li> <li><a href="/wiki/Lovecraftian_horror" title="Lovecraftian horror">Lovecraftian</a></li> <li><a href="/wiki/Monster" title="Monster">Monsters</a> <ul><li><a href="/wiki/Jiangshi_fiction" title="Jiangshi fiction">Jiangshi</a></li> <li><a href="/wiki/Vampire_literature" title="Vampire literature">Vampire</a></li> <li><a href="/wiki/Werewolf_fiction" title="Werewolf fiction">Werewolf</a></li></ul></li> <li><a href="/wiki/Occult_detective_fiction" title="Occult detective fiction">Occult detective</a></li> <li><a href="/wiki/Organ_transplantation_in_fiction" title="Organ transplantation in fiction">Organ transplantation</a></li> <li><a href="/wiki/Penny_dreadful" title="Penny dreadful">Penny dreadful</a></li> <li><a href="/wiki/Postmodern_horror" title="Postmodern horror">Postmodern horror</a></li> <li><a href="/wiki/Psychological_horror" title="Psychological horror">Psychological</a></li> <li><a href="/wiki/Survival_horror" title="Survival horror">Survival</a></li> <li><a href="/wiki/Techno-horror" title="Techno-horror">Techno</a></li> <li><a href="/wiki/Weird_fiction" title="Weird fiction">Weird fiction</a> <ul><li><a href="/wiki/New_weird" title="New weird">New weird</a></li> <li><a href="/wiki/Weird_menace" title="Weird menace">Weird menace</a></li> <li><a href="/wiki/Weird_West" title="Weird West">Weird West</a></li></ul></li> <li><a href="/wiki/Zombie_apocalypse" title="Zombie apocalypse">Zombie apocalypse</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Monster" title="Monster">Monsters</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Demon" title="Demon">Demons</a> <ul><li><a href="/wiki/Devil" title="Devil">Devils</a></li> <li><a href="/wiki/Ghoul" title="Ghoul">Ghouls</a></li></ul></li> <li><a href="/wiki/Evil_clown" title="Evil clown">Evil clowns</a></li> <li><a href="/wiki/Extraterrestrials_in_fiction" title="Extraterrestrials in fiction">Extraterrestrials</a></li> <li><a href="/wiki/Fire-breathing_monster" title="Fire-breathing monster">Fire-breathing monsters</a> <ul><li><a href="/wiki/Chimera_(mythology)" title="Chimera (mythology)">Chimera</a></li> <li><a href="/wiki/Dragon" title="Dragon">Dragons</a></li></ul></li> <li><a href="/wiki/Gargoyle_(monster)" title="Gargoyle (monster)">Gargoyles</a></li> <li><a href="/wiki/Kaiju" title="Kaiju">Kaiju</a></li> <li><a href="/wiki/Killer_toy" title="Killer toy">Killer toy</a></li> <li><a href="/wiki/Mutants_in_fiction" title="Mutants in fiction">Mutants</a></li> <li><a href="/wiki/Ogre" title="Ogre">Ogres</a></li> <li><a href="/wiki/Sea_monster" title="Sea monster">Sea monster</a></li> <li><a href="/wiki/Piranha" title="Piranha">Piranha</a></li> <li><a href="/wiki/Shapeshifting" title="Shapeshifting">Therianthropes</a> <ul><li><a href="/wiki/Werecat" title="Werecat">Werecats</a></li> <li><a href="/wiki/Werewolf" title="Werewolf">Werewolves</a></li></ul></li> <li><a href="/wiki/Undead" title="Undead">Undead</a> <ul><li><a href="/wiki/Personifications_of_death" title="Personifications of death">Death</a></li> <li><a href="/wiki/Ghost" title="Ghost">Ghosts</a></li> <li><a href="/wiki/Mummy_(undead)" title="Mummy (undead)">Mummies</a></li> <li><a href="/wiki/Skeleton_(undead)" title="Skeleton (undead)">Skeletons</a></li> <li><a href="/wiki/Vampire" title="Vampire">Vampires</a></li> <li><a href="/wiki/Zombie" title="Zombie">Zombies</a></li></ul></li> <li><a href="/wiki/Witchcraft" title="Witchcraft">Witches</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related genres</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Black_comedy" title="Black comedy">Black comedy</a></li> <li><a href="/wiki/Fantastique" title="Fantastique">Fantastique</a></li> <li><a href="/wiki/Fantasy" title="Fantasy">Fantasy fiction</a></li> <li><a href="/wiki/Mystery_fiction" title="Mystery fiction">Mystery</a></li> <li><a href="/wiki/Paranormal_fiction" title="Paranormal fiction">Paranormal</a></li> <li><a href="/wiki/Science_fiction" title="Science fiction">Science fiction</a></li> <li><a href="/wiki/Gods_and_demons_fiction" title="Gods and demons fiction">Shenmo</a></li> <li><a href="/wiki/Supernatural_fiction" title="Supernatural fiction">Supernatural</a></li> <li><a href="/wiki/Thriller_(genre)" title="Thriller (genre)">Thriller</a></li> <li><a href="/wiki/Tokusatsu" title="Tokusatsu">Tokusatsu</a></li> <li><a href="/wiki/Urban_legends_and_myths" class="mw-redirect" title="Urban legends and myths">Urban legend</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Grand_Guignol" title="Grand Guignol">Grand Guignol</a></li> <li><a href="/wiki/List_of_horror_fiction_writers" title="List of horror fiction writers">Writers</a></li> <li><a href="/wiki/Horror_convention" title="Horror convention">Conventions</a></li> <li><a href="/wiki/LGBT_themes_in_horror_fiction" class="mw-redirect" title="LGBT themes in horror fiction">LGBT themes</a> <ul><li><a href="/wiki/List_of_horror_television_series_with_LGBT_characters" title="List of horror television series with LGBT 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Award</a></li> <li><a href="/wiki/Video_nasty" title="Video nasty">Video nasties</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <b><a href="/wiki/Category:Horror_fiction" title="Category:Horror fiction">Category</a></b></li> <li><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Symbol_portal_class.svg" class="mw-file-description" title="Portal"><img alt="" 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