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(PDF) Male Gaze and Beyond - Edgar Allan Poe's Female Characters
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"https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F109855750%2FMale_Gaze_and_Beyond_Edgar_Allan_Poes_Female_Characters%3Fshow_translation%3Dtrue"; window.loswp.previewableAttachments = [{"id":107853936,"identifier":"Attachment_107853936","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":109855750,"created_at":"2023-11-26T05:21:27.569-08:00","from_world_paper_id":null,"updated_at":"2025-01-12T20:54:26.964-08:00","_data":{"ai_abstract":"This research examines the portrayal of female characters in Edgar Allan Poe's works, specifically focusing on the discrepancies found in male narrators' perspectives. By analyzing the characters of Morella, Berenice, and the unnamed woman in The Oval Portrait, the study highlights the themes of idealization and diminishment of women, while challenging the perceptions shaped by male authority. The findings suggest that Poe's narratives often reflect a complex interplay between life and death, ultimately revealing the persistence of women's identities through their male counterparts' views.","publication_date":"2015,,"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Male Gaze and Beyond - Edgar Allan Poe's Female Characters","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [141023911]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":107853936,"attachmentType":"pdf"}"><img alt="First page of “Male Gaze and Beyond - Edgar Allan Poe's Female Characters”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/107853936/mini_magick20231126-1-1mow6l.png?1701004912" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Male Gaze and Beyond - Edgar Allan Poe's Female Characters</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="141023911" href="https://rzeszow.academia.edu/GKleparski"><img alt="Profile image of Grzegorz A . Kleparski" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/141023911/140506748/129992768/s65_grzegorz.kleparski.jpg" />Grzegorz A . Kleparski</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2015</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">15 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 109855750; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=109855750"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--detail ds2-5-body-md">AI-generated Abstract</p><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">This research examines the portrayal of female characters in Edgar Allan Poe's works, specifically focusing on the discrepancies found in male narrators' perspectives. By analyzing the characters of Morella, Berenice, and the unnamed woman in The Oval Portrait, the study highlights the themes of idealization and diminishment of women, while challenging the perceptions shaped by male authority. The findings suggest that Poe's narratives often reflect a complex interplay between life and death, ultimately revealing the persistence of women's identities through their male counterparts' views.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":107853936,"attachmentType":"pdf","workUrl":"https://www.academia.edu/109855750/Male_Gaze_and_Beyond_Edgar_Allan_Poes_Female_Characters"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":107853936,"attachmentType":"pdf","workUrl":"https://www.academia.edu/109855750/Male_Gaze_and_Beyond_Edgar_Allan_Poes_Female_Characters"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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As obras foram escolhidas por terem presentes dois personagens femininos muito significativos e que causam um impacto e estranhamento tanto nos demais personagens da história como nos próprios leitores. Assim, este trabalho apresenta como base teórica a vida do escritor e o papel da mulher no século XIX, período de produção e publicação dos contos analisados. Essa base teórica nos ajuda a compreender os aspectos semelhantes e contrastivos das personagens se comparadas com as mulheres representadas no século XIX, permitindo assim, a possibilidade de perceber seus reais papeis nas obras. Assim, através das nossas análises, notamos que as figuras femininas criadas nas obras representavam uma motivação para os sentimentos das figuras masculinas. Além do mais, elas são personagens muito valorizados dentro das histórias, permitindo que os leitores compreendam elas como mulheres diferentes do século na qual foram criadas.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"A Figura feminina nos contos de Edgar Allan Poe: \"Berenice\" e \"Ligeia\"","attachmentId":117985543,"attachmentType":"pdf","work_url":"https://www.academia.edu/123588311/A_Figura_feminina_nos_contos_de_Edgar_Allan_Poe_Berenice_e_Ligeia_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/123588311/A_Figura_feminina_nos_contos_de_Edgar_Allan_Poe_Berenice_e_Ligeia_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="80603244" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/80603244/Poe_insanity_and_containing_the_feminine_monstrous">Poe, insanity, and containing the feminine monstrous</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2433532" href="https://open.academia.edu/TracyHayes">Tracy Hayes</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Palgrave Communications, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">In fiction, unlike his life, Poe was able to contain his women. He derived many features from the European Gothic tradition, and utilized motifs such as incarceration, premature burial, and the pathetic fallacy, or the use of external landscape to express or reflect psychological turmoil. Poe's psychologically intense tales feature narrators whose mental fabric disintegrates before the reader's eyes. This essay will concentrate upon three such tales: 'Berenice' (1835), 'Ligeia' (1838), and 'The Fall of the House of Usher' (1839). Each of these stories are narratives of obsession and monomania featuring female incarceration and objectification, and the threat of the feminine monstrous. Berenice, Ligiea and Madeline Usher each embody the feminine monstrous in varying ways, a masculine projection of womanhood unrestrained, unsuccessfully repressed by their male counterparts, and thus returning in an act of unheimliche consummation. Berenice symbolizes the vagina dentata whose threat must be removed through dental extraction; Ligeia is an incubus who perverts the Eucharist in order to achieve an act of monstrous metempsychosis; and Madeline acts as both monstrare and monere: as both the warning and the source of impending destruction. The perceived female abandonment and thus betrayal which had become a pattern of Poe's life was through his fiction able to be halted and contained. The inextricable link between Eros and Thanatos undergirds these stories in which, in a mirror of Poe's own life, each love object wastes away during the prime of her beauty. This essay discusses the context of male-female relations in Poe's life and how they impact upon his fiction. Unlike reality, in his tales Poe was able to resurrect the objects of his obsessions, and thus the female figures comprising the monstrous loves of his male protagonists. However, this essay also questions the extent to which such resurrections and containment are successful within each narrative, and how far Poe's delineations of the feminine monstrous and unheimlich sexuality can be read as interrogations of compromised masculinity.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Poe, insanity, and containing the feminine monstrous","attachmentId":86930681,"attachmentType":"pdf","work_url":"https://www.academia.edu/80603244/Poe_insanity_and_containing_the_feminine_monstrous","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/80603244/Poe_insanity_and_containing_the_feminine_monstrous"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="33707787" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33707787/Edgar_Allan_Poe_versus_Espido_Freire">Edgar Allan Poe versus Espido Freire</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1669120" href="https://harvard.academia.edu/CristinaP%C3%A9rez">Cristina Pérez</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Edgar Allan Poe versus Espido Freire","attachmentId":53706431,"attachmentType":"pdf","work_url":"https://www.academia.edu/33707787/Edgar_Allan_Poe_versus_Espido_Freire","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/33707787/Edgar_Allan_Poe_versus_Espido_Freire"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="45035732" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/45035732/The_Uncanny_as_the_Intrasubjectivity_in_the_m_Other_Edgar_Allan_Poes_Morella">The Uncanny as the Intrasubjectivity in the (m)Other: Edgar Allan Poe's Morella</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="16204588" href="https://munzur.academia.edu/PelinDo%C4%9Fan">Pelin Doğan-Özger</a></div><p class="ds-related-work--metadata ds2-5-body-xs">GAZİANTEP UNIVERSITY JOURNAL OF SOCIAL SCIENCES, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">This study investigates the contribution of the sense of the uncanny to the intensification of mystery in Edgar Allan Poe’s short story titled “Morella” using Freudian ideas as a backcloth. This paper aims to look at how Poe makes use of the psychodynamics of the characters at the intersection of the (m)other, death and the uncanny. In this sense, typical of Poesque literature is that his work is marked by tales of horror, mystery, the macabre, and morbid imagery; the sense of the uncanny is an indispensable part of a plotline which includes semantic loopholes and narrative ruptures. The unnamed male narrator of the story offers a retrospective account of his past memories from his marriage to Morella up to the death of his daughter, which reveals that this unreliable narrator suffers from a psychic regression by establishing intrasubjectivity with his wife. Using Freudian epistemology, this paper will also discuss the ways in which how the mysterious bond established between this couple generates its uncanny effect. Such a reading of the short story is especially useful because although much has been written on Poe’s representation of women and death, this paper aims to open up a discursive space to discuss the operations of the psychodynamics of characters within the framework of the Freudian uncanny, which has not received adequate scholarly attention from psychoanalytic circles.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Uncanny as the Intrasubjectivity in the (m)Other: Edgar Allan Poe's Morella","attachmentId":65586978,"attachmentType":"pdf","work_url":"https://www.academia.edu/45035732/The_Uncanny_as_the_Intrasubjectivity_in_the_m_Other_Edgar_Allan_Poes_Morella","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/45035732/The_Uncanny_as_the_Intrasubjectivity_in_the_m_Other_Edgar_Allan_Poes_Morella"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="109855414" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/109855414/INTERPRETACJE_I_ROZPRAWY">INTERPRETACJE I ROZPRAWY</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="141023911" href="https://rzeszow.academia.edu/GKleparski">Grzegorz A . Kleparski</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2015</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"INTERPRETACJE I ROZPRAWY","attachmentId":107853746,"attachmentType":"pdf","work_url":"https://www.academia.edu/109855414/INTERPRETACJE_I_ROZPRAWY","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/109855414/INTERPRETACJE_I_ROZPRAWY"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="37562431" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37562431/The_Dying_Woman_Tales_of_Edgar_Allan_Poe_Parables_of_the_Interdependence_of_Body_and_Soul">The Dying Woman Tales of Edgar Allan Poe: Parables of the Interdependence of Body and Soul</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="11436618" href="https://princeton.academia.edu/JillAndersonClark">Jill Anderson Clark</a></div><p class="ds-related-work--abstract ds2-5-body-sm">This thesis investigates the motif of dying women in seven of Edgar Allan Poe’s tales: “The Assignation,” “Berenice,” “Morella,” “Ligeia,” “The Fall of the House of Usher,” “Eleonora,” and “The Oval Portrait.” It considers whether insight into this motif can be obtained by examining these tales through the lens of Poe’s philosophical beliefs, as set forth in his fictional dialogue, “Mesmeric Revelation,” and his “prose-poem,” Eureka. In order to explore the motives for the “dying woman” motif, this study begins by surveying and evaluating prevalent critical approaches to it, including psychological, gender-based, and mythological ones, and concludes that that they are unsatisfactory. It proceeds to describe Poe’s philosophical beliefs and analyzes each of the dying woman tales in the light of those principles, comparing and contrasting them to reveal patterns of characterization and plot that indicate underlying symbolism. Following this analysis, prior philosophical readings of the tales are summarized, criticized, and distinguished from the proposed interpretation. This thesis concludes that the best approach to interpreting the dying woman motif is a philosophical one based on Poe’s metaphysics. The proposed approach construes each dying woman as a symbol of the male protagonist’s body or his soul. Where the woman represents the soul of the protagonist, he represents the body; where the woman represents the body of the protagonist, he represents the soul. In each of the dying woman tales, when body and soul are estranged, both sicken and may die. This pattern evinces an interlocking system of allegories that symbolizes one of the main tenets of Poe’s philosophy—i.e., the interdependence of matter and spirit. While prior interpretations of the dying woman tales reveal intriguing, but often morbid, emotional patterns linking Poe and his tales, they are unsatisfactory, because they fail to take account of Poe’s emphatically wholesome metaphysical beliefs. Rather than illustrating Poe’s neurotic, misogynistic, or feminist tendencies, or his dread of cosmic collapse, the dying woman tales proclaim his joyous faith in the interdependence of matter and spirit, the universality of sentience, and the immortality of the soul.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Dying Woman Tales of Edgar Allan Poe: Parables of the Interdependence of Body and Soul","attachmentId":57539236,"attachmentType":"pdf","work_url":"https://www.academia.edu/37562431/The_Dying_Woman_Tales_of_Edgar_Allan_Poe_Parables_of_the_Interdependence_of_Body_and_Soul","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37562431/The_Dying_Woman_Tales_of_Edgar_Allan_Poe_Parables_of_the_Interdependence_of_Body_and_Soul"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="93488829" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/93488829/Edgar_Allan_Poe_Da_Yeni_den_Canlandirmanin_Korku%C3%A7_Drami_Di_%C5%9Fi_Vampi_rlerde_Anneyi_Canlandirma">Edgar Allan Poe’Da “Yeni̇den Canlandirmanin Korkuç Drami” Di̇şi̇ Vampi̇rlerde Anneyi̇ Canlandirma</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10819127" href="https://independent.academia.edu/UfukSepetci">Ufuk Gündoğan</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Trakya Üniversitesi Edebiyat Fakültesi Dergisi, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">This paper aims to analyze Edgar Allan Poe's fiction and poems from a psychoanalytic perspective. The Romantic writer's short tragic life was governed by his Oedipus complex and a strong death drive as the result of his traumatic experiences at an early age. He witnessed his mother's battle with tuberculosis, which was followed by her death. Throughout his entire life, he has searched for a mother figure. In his works, Poe revives his mother in his portrayals of female characters in the forms of vampires. These characters and all their experiences in his writings appear as uncanny reflections from his unconscious, which he had a strong grasp on long before Sigmund Freud researched and theorized these terms. Resulting from a strong death wish, Poe's narrators, who are mere reflections of himself, create dark, tomb-like settings where they isolate themselves from reality or consciousness, focusing on the female vampire figures who they admire. However, these figures also horrify Poe as they are the embodiments of death itself. In creating these undead women, Poe expresses his strong desire to reunite with his dead mother and endeavors to uncover the link between life and death, a secret that the female holds. This research focuses on Poe's short stories "Berenice", "Ligeia", "Morella" and "The Fall of the House of Usher" in addition to various of his poems.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Edgar Allan Poe’Da “Yeni̇den Canlandirmanin Korkuç Drami” Di̇şi̇ Vampi̇rlerde Anneyi̇ Canlandirma","attachmentId":96213205,"attachmentType":"pdf","work_url":"https://www.academia.edu/93488829/Edgar_Allan_Poe_Da_Yeni_den_Canlandirmanin_Korku%C3%A7_Drami_Di_%C5%9Fi_Vampi_rlerde_Anneyi_Canlandirma","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/93488829/Edgar_Allan_Poe_Da_Yeni_den_Canlandirmanin_Korku%C3%A7_Drami_Di_%C5%9Fi_Vampi_rlerde_Anneyi_Canlandirma"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="21934967" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/21934967/_Edgar_Allan_Poe_and_the_Surrealists_Image_of_Women_">"Edgar Allan Poe and the Surrealists' Image of Women"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="19620478" href="https://ubc.academia.edu/RobertBelton">Robert Belton</a></div><p class="ds-related-work--abstract ds2-5-body-sm">This paper traces the influence of Edgar Allan Poe on several Surrealist artists, particularly with regard to their depiction of women.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Edgar Allan Poe and the Surrealists' Image of Women\"","attachmentId":42659425,"attachmentType":"pdf","work_url":"https://www.academia.edu/21934967/_Edgar_Allan_Poe_and_the_Surrealists_Image_of_Women_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/21934967/_Edgar_Allan_Poe_and_the_Surrealists_Image_of_Women_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="3375866" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/3375866/Pregnant_Women_and_Envious_Men_in_Morella_Berenice_Ligeia_and_The_Fall_of_the_House_of_Usher_">Pregnant Women and Envious Men in “Morella,”“Berenice,”“Ligeia,” and “The Fall of the House of Usher”</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3923371" href="https://lehigh.academia.edu/DawnKeetley">Dawn Keetley</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Poe Studies, 2005</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Pregnant Women and Envious Men in “Morella,”“Berenice,”“Ligeia,” and “The Fall of the House of Usher”","attachmentId":33401302,"attachmentType":"pdf","work_url":"https://www.academia.edu/3375866/Pregnant_Women_and_Envious_Men_in_Morella_Berenice_Ligeia_and_The_Fall_of_the_House_of_Usher_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/3375866/Pregnant_Women_and_Envious_Men_in_Morella_Berenice_Ligeia_and_The_Fall_of_the_House_of_Usher_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div 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Poe Studies/Dark Romanticism: History, Theory, Interpretation, USA. ISSN 0090-5224, 2009, vol. 42, no. 1, pp. 14-40. Winner of the Poe Studies Association's annual Gargano Award for a distinguished essay on Poe</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6420829" href="https://yale.academia.edu/BonitaRhoads">Bonita Rhoads</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Poe Studies, 2009</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Poe's Genre Crossing: From Domesticity to Detection. Poe Studies/Dark Romanticism: History, Theory, Interpretation, USA. ISSN 0090-5224, 2009, vol. 42, no. 1, pp. 14-40. 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data-entity-id="28664982" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/28664982/Mystery_and_Oddity_in_Edgar_Allan_Poes_The_Tell_Tale_Heart">Mystery and Oddity in Edgar Allan Poe's The Tell Tale Heart</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="53841180" href="https://independent.academia.edu/NamKomi">Nam Komi</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Mystery and Oddity in Edgar Allan Poe's The Tell Tale Heart","attachmentId":49043804,"attachmentType":"pdf","work_url":"https://www.academia.edu/28664982/Mystery_and_Oddity_in_Edgar_Allan_Poes_The_Tell_Tale_Heart","alternativeTracking":true}"><span class="material-symbols-outlined" 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