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data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">15</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/TomokoTakiguchi/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><a href="https://independent.academia.edu/TomokoTakiguchi/Analytics"><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></a></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">a researcher (PhD) of english literature<br />studies 19th century poetry in Britain, european culture<br />Doctoral dissertation<br />Recasting Women's Stories: The Poetry of Felicia Hamens, Letitia Landon, and Christina Rossetti <br />https://openaccess.leidenuniv.nl/handle/1887/17621<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/TAsaka"><img class="profile-avatar u-positionAbsolute" alt="Takekazu Asaka" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/34143843/10133010/51675918/s200_takekazu.asaka.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" 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id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Thesis-Chapters" data-toggle="tab" href="#thesischapters" role="tab" title="Thesis Chapters"><span>10</span> <span class="ds2-5-body-sm-bold">Thesis Chapters</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>13</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>1</span> <span class="ds2-5-body-sm-bold">Books</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Thesis Chapters" id="Thesis Chapters"><h3 class="profile--tab_heading_container">Thesis Chapters by Tomoko Takiguchi</h3></div><div class="js-work-strip profile--work_container" data-work-id="42830288"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42830288/Poetry_as_a_Gift_for_the_Audience_part_of_a_study_of_Hemans_Landon_Rossetti_"><img alt="Research paper thumbnail of Poetry as a Gift for the Audience (part of a study of Hemans, Landon, Rossetti)" class="work-thumbnail" src="https://attachments.academia-assets.com/63063207/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42830288/Poetry_as_a_Gift_for_the_Audience_part_of_a_study_of_Hemans_Landon_Rossetti_">Poetry as a Gift for the Audience (part of a study of Hemans, Landon, Rossetti)</a></div><div class="wp-workCard_item"><span>doctoral dissertation epilogue</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The epilogue to the doctoral dissertation: Recasting Women's Stories: in the Poetry of Felicia He...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The epilogue to the doctoral dissertation:<br />Recasting Women's Stories: in the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e2bee7a891b3c98b5e54dcbe6975df81" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63063207,"asset_id":42830288,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63063207/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action 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href="https://www.academia.edu/42830178/_All_loving_loved_of_all_Blessed_Women_in_From_House_to_Home_a_study_of_Christina_Rossetti_">“All loving, loved of all”: Blessed Women in “From House to Home” (a study of Christina Rossetti)</a></div><div class="wp-workCard_item"><span>doctoral dissertation chapter</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A Study of Christina Rossetti This is Chapter 8 of the doctoral dissertation : Recasting Women's...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A Study of Christina Rossetti <br />This is Chapter 8 of the doctoral dissertation : Recasting Women's Stories: in the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti</span></div><div 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href="https://www.academia.edu/42830148/Resisting_the_Doctrine_of_Renunciation_in_the_Vanity_Poems_a_study_of_Christina_Rossettis_poems_">Resisting the Doctrine of Renunciation in the Vanity Poems (a study of Christina Rossetti's poems)</a></div><div class="wp-workCard_item"><span>doctoral dissertation</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A Study of Christina Rossetti This is Chapter 7 of the doctoral dissertation: Recasting Women's ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A Study of Christina Rossetti <br />This is Chapter 7 of the doctoral dissertation: Recasting Women's Stories: in the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti</span></div><div 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href="https://www.academia.edu/42830101/CHAPTER_6_Rewriting_the_Story_of_Redemption_in_Goblin_Market_a_study_of_Christina_Rossetti_">CHAPTER 6 : Rewriting the Story of Redemption in "Goblin Market" (a study of Christina Rossetti)</a></div><div class="wp-workCard_item"><span>doctoral dissertation (Leiden University)</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A Study of Christina Rossetti This is chapter 6 of my doctoral dissertation: Recasting Women's S...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A Study of Christina Rossetti <br />This is chapter 6 of my doctoral dissertation: Recasting Women's Stories: in  the Poetry of Felicia Hemans, Letitia Landon, and Christina 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class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42830054/Chapter_5_of_the_doctoral_dissertation_Repent_with_me_for_I_repent_Eves_Conscious_Self_evaluation_and_Unconscious_Self_revelation_a_study_of_Christina_Rossetti_">Chapter 5 of the doctoral dissertation: "Repent with me, for I repent": Eve's Conscious Self-evaluation and Unconscious Self-revelation (a study of Christina Rossetti)</a></div><div class="wp-workCard_item"><span>Doctoral dissertation (Leiden University)</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A study of Christina Rossetti RossettiThis is Chapter 5 of my dissertation: Recasting Women's Sto...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A study of Christina Rossetti<br />RossettiThis is Chapter 5 of my dissertation: Recasting Women's Stories: in the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9ebfb1a071f26c5943c0eba7f0432eed" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63062981,"asset_id":42830054,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63062981/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42830054"><a class="js-profile-work-strip-edit-button" 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href="https://www.academia.edu/29885622/Resisting_Victims_Felicia_Hemans_Records_of_Woman_Chapter_4_of_the_doctoral_dissertation_2011_">Resisting Victims: Felicia Hemans' Records of Woman (Chapter 4 of the doctoral dissertation, 2011)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">©Tomoko Takiguchi from Recasting Women's Stories: The Poetry of Felicia Hemans, Letitia Landon, a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">©Tomoko Takiguchi<br />from Recasting Women's Stories: The Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti (doctoral dissertation, Leiden 2011)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a 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this, workJSON: {"id":29436278,"title":"The Female Other in Letitia Landon’s “A History of the Lyre” (Chapter 3 of PhD Thesis)","internal_url":"https://www.academia.edu/29436278/The_Female_Other_in_Letitia_Landon_s_A_History_of_the_Lyre_Chapter_3_of_PhD_Thesis_","owner_id":45763100,"coauthors_can_edit":true,"owner":{"id":45763100,"first_name":"Tomoko","middle_initials":null,"last_name":"Takiguchi","page_name":"TomokoTakiguchi","domain_name":"independent","created_at":"2016-03-25T05:14:18.357-07:00","display_name":"Tomoko 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="29140914"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/29140914/Writing_about_Women_Poets_Recasting_the_Legend_of_Sappho_Ch_2_of_PhD_Thesis_"><img alt="Research paper thumbnail of Writing about Women Poets: Recasting the Legend of Sappho (Ch 2 of PhD Thesis)" class="work-thumbnail" src="https://attachments.academia-assets.com/49587775/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29140914/Writing_about_Women_Poets_Recasting_the_Legend_of_Sappho_Ch_2_of_PhD_Thesis_">Writing about Women Poets: Recasting the Legend of Sappho (Ch 2 of PhD Thesis)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is Chapter 2 of my doctoral dissertation entitled "Recasting Women's Stories in the Poetry o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is Chapter 2 of my doctoral dissertation entitled "Recasting Women's Stories in the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti" (2011)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="51f4dcceac4551e6a2dda478f15c5253" 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href="https://www.academia.edu/28101024/Germaine_de_Sta%C3%ABls_Corinne_as_a_Model_of_the_Woman_Poet_ch1_of_PhD_Thesis_">Germaine de Staël's Corinne as a Model of the Woman Poet (ch1 of PhD Thesis)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is the first chapter of my PhD dissertation, "Recasting Women's Stories in the Poetry of Fel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is the first chapter of my PhD dissertation, "Recasting Women's Stories in the Poetry of Felcia Hemans, Letitia Landon, and Christina Rossetti". It explores the origin of the three British poets' self-referential works featuring the woman poet "in distress": Madame de Stael's Corinne, or Italy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e035ce02e632a0c956a1482a8f4aed42" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48415822,"asset_id":28101024,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48415822/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28101024"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28101024"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28101024; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="28067525"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/28067525/Introduction_to_Recasting_Womens_Stories_In_the_Poetry_of_Felicia_Hemans_Letitia_Landon_and_Christina_Rossetti_PhD_Thesis_"><img alt="Research paper thumbnail of Introduction to "Recasting Women's Stories: In the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti" (PhD Thesis)" class="work-thumbnail" src="https://attachments.academia-assets.com/48381360/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28067525/Introduction_to_Recasting_Womens_Stories_In_the_Poetry_of_Felicia_Hemans_Letitia_Landon_and_Christina_Rossetti_PhD_Thesis_">Introduction to "Recasting Women's Stories: In the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti" (PhD Thesis)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is an introduction of my PhD dissertation</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ed3b4634aeaa93759885568a702ce47f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48381360,"asset_id":28067525,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48381360/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28067525"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28067525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28067525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28067525]").text(description); $(".js-view-count[data-work-id=28067525]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28067525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28067525']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Tomoko Takiguchi</h3></div><div class="js-work-strip profile--work_container" data-work-id="96274954"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96274954/Haydn_s_Muse_the_English_Poet_Anne_Hunter_Gift_Exchange_of_Poetry_and_Music_with_a_Japanese_Translation_of_Their_Canzonettas"><img alt="Research paper thumbnail of Haydn’s Muse, the English Poet Anne Hunter : Gift Exchange of Poetry and Music, with a Japanese Translation of Their Canzonettas" class="work-thumbnail" src="https://attachments.academia-assets.com/98219481/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96274954/Haydn_s_Muse_the_English_Poet_Anne_Hunter_Gift_Exchange_of_Poetry_and_Music_with_a_Japanese_Translation_of_Their_Canzonettas">Haydn’s Muse, the English Poet Anne Hunter : Gift Exchange of Poetry and Music, with a Japanese Translation of Their Canzonettas</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Anne Hunter, an English poet active in the late eighteenth to early nineteenth century, offered h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Anne Hunter, an English poet active in the late eighteenth to early nineteenth century, offered her poetry to the composer Franz Joseph Haydn, and their collaboration produced nine songs in English. Here I outline how the two artists met and started to work together, with special reference to their gift-exchange of poetry and music. I also translate their nine songs into Japanese.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dcfc2aec9ebda8f646f7e302d3e52489" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98219481,"asset_id":96274954,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98219481/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96274954"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96274954"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96274954; 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I focus mainly on the selfreferential aspect of the poems of Letitia Landon, Felicia Hemans, and Christina Rossetti which feature heroines suffering from unrequited love like the Sappho in legend. In Landon's narrative poem entitled "The Improvisatrice", the poet prevents us from telling others the heroine's story by refusing to let us know her name. Hemans, in a dramatic monologue "Properzia Rossi", also warns us against telling the same old story of a woman artist dying unrewarded. As if responding to these messages, Christina Rossetti stops telling the conventional story of a woman artist, revising the Sappho legend to one in which the heroine survives her leap into the sea. In a meta-poetical poem entitled "Reflection", she portrays the woman poet's struggle to create new heroines when writing about women and women writing poetry.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e88fea6efa349cd89dc629019cfbde09" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98219460,"asset_id":96274933,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98219460/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96274933"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96274933"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96274933; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="91890503"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/91890503/Rewriting_the_Story_of_Redemption_in_Goblin_Market"><img alt="Research paper thumbnail of Rewriting the Story of Redemption in "Goblin Market" class="work-thumbnail" src="https://attachments.academia-assets.com/95049236/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/91890503/Rewriting_the_Story_of_Redemption_in_Goblin_Market">Rewriting the Story of Redemption in "Goblin Market</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Christina Rossetti's poem entitled "Goblin Market" allegorically portrays Eve's fall and Christ's...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Christina Rossetti's poem entitled "Goblin Market" allegorically portrays Eve's fall and Christ's redemption of human beings. Rossetti does not, however, follow exactly the conventional understanding of the biblical story of sin and atonement, especially the idea of Christ's death as a necessar y sacrifice to atone for human sins. In this essay I explore the way Rossetti, revising this conventional interpretation, powerfully presents the female protagonist's salvation of her fallen sister, achieved not by death but with love and compassion. In my analysis I draw on alternative views of redemption introduced by a modern feminist theologian, Colleen Carpenter Cullinan. Rossetti's Fallen Women Victorian representations of fallen women reflect a conventional Christian view of women as inherently sinful: all women are daughters of Eve, who ate the forbidden fruit in defiance of God's command. 2 Because of their sinful nature, women need to be strictly supervised. With the protection of the family home and</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d8164b5f49938dac4c65f3639e0064df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95049236,"asset_id":91890503,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95049236/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="91890503"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="91890503"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 91890503; 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</script> <div class="js-work-strip profile--work_container" data-work-id="91890501"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/91890501/Christina_Rossetti_in_Secrecy_Revising_the_Poetics_of_Sensibility"><img alt="Research paper thumbnail of Christina Rossetti in Secrecy: Revising the Poetics of Sensibility" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/91890501/Christina_Rossetti_in_Secrecy_Revising_the_Poetics_of_Sensibility">Christina Rossetti in Secrecy: Revising the Poetics of Sensibility</a></div><div class="wp-workCard_item"><span>Tradition and the Poetics of Self in Nineteenth-Century Women's Poetry</span><span>, 2002</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is a manuscript for the published version of &amp;quot;Christina Rossetti in Secrecy: Revisi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is a manuscript for the published version of &amp;quot;Christina Rossetti in Secrecy: Revising the Poetics of Sensibility&amp;quot;, in Tradition and the Poetics of Self in Nineteenth-Century Women’s Poetry. Ed. Barbara Garlick. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="28101024"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/28101024/Germaine_de_Sta%C3%ABls_Corinne_as_a_Model_of_the_Woman_Poet_ch1_of_PhD_Thesis_"><img alt="Research paper thumbnail of Germaine de Staël's Corinne as a Model of the Woman Poet (ch1 of PhD Thesis)" class="work-thumbnail" src="https://attachments.academia-assets.com/48415822/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28101024/Germaine_de_Sta%C3%ABls_Corinne_as_a_Model_of_the_Woman_Poet_ch1_of_PhD_Thesis_">Germaine de Staël's Corinne as a Model of the Woman Poet (ch1 of PhD Thesis)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is the first chapter of my PhD dissertation, "Recasting Women's Stories in the Poetry of Fel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is the first chapter of my PhD dissertation, "Recasting Women's Stories in the Poetry of Felcia Hemans, Letitia Landon, and Christina Rossetti". It explores the origin of the three British poets' self-referential works featuring the woman poet "in distress": Madame de Stael's Corinne, or Italy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e035ce02e632a0c956a1482a8f4aed42" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48415822,"asset_id":28101024,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48415822/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28101024"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28101024"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28101024; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e035ce02e632a0c956a1482a8f4aed42" } } $('.js-work-strip[data-work-id=28101024]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28101024,"title":"Germaine de Staël's Corinne as a Model of the Woman Poet (ch1 of PhD Thesis)","internal_url":"https://www.academia.edu/28101024/Germaine_de_Sta%C3%ABls_Corinne_as_a_Model_of_the_Woman_Poet_ch1_of_PhD_Thesis_","owner_id":45763100,"coauthors_can_edit":true,"owner":{"id":45763100,"first_name":"Tomoko","middle_initials":null,"last_name":"Takiguchi","page_name":"TomokoTakiguchi","domain_name":"independent","created_at":"2016-03-25T05:14:18.357-07:00","display_name":"Tomoko Takiguchi","url":"https://independent.academia.edu/TomokoTakiguchi"},"attachments":[{"id":48415822,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/48415822/thumbnails/1.jpg","file_name":"chapter_1_tomoko_2011.pdf","download_url":"https://www.academia.edu/attachments/48415822/download_file","bulk_download_file_name":"Germaine_de_Staels_Corinne_as_a_Model_of.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/48415822/chapter_1_tomoko_2011-libre.pdf?1472495840=\u0026response-content-disposition=attachment%3B+filename%3DGermaine_de_Staels_Corinne_as_a_Model_of.pdf\u0026Expires=1740000452\u0026Signature=g0rZ3mnJtjPnrSddVfX5XCXhP0FxsWKPkgCRbgpaK~pZuVQKr65nK1IhS92hFKZqrawqgLA5XplrfNJ-fEVXgwjWSZ7raMJF5SUoZA1Xmc8DzzyQCpwafWRLgsB9hfxHdnAB6Y1MAbAUYkhZM09siN2YeHqV5Xa2W15J225D1~jeFtdUm1k7GiRmwgXgxGRqR4NRfRyV4jAfSgvYyA79l0P90usENx1gJ-LE~zl5AJ5rvub4PTGNDpW43WWGXI7jLynD69-T~zrjc4NisJBdyNDHbI-Ln-qUoD60F86RLLHmyDgpsCrUW9CrGO6AdZc4Hqb6u7tpnOrYsN1-BjZyoQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="28067525"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/28067525/Introduction_to_Recasting_Womens_Stories_In_the_Poetry_of_Felicia_Hemans_Letitia_Landon_and_Christina_Rossetti_PhD_Thesis_"><img alt="Research paper thumbnail of Introduction to "Recasting Women's Stories: In the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti" (PhD Thesis)" class="work-thumbnail" src="https://attachments.academia-assets.com/48381360/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28067525/Introduction_to_Recasting_Womens_Stories_In_the_Poetry_of_Felicia_Hemans_Letitia_Landon_and_Christina_Rossetti_PhD_Thesis_">Introduction to "Recasting Women's Stories: In the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti" (PhD Thesis)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is an introduction of my PhD dissertation</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ed3b4634aeaa93759885568a702ce47f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48381360,"asset_id":28067525,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48381360/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28067525"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28067525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28067525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28067525]").text(description); $(".js-view-count[data-work-id=28067525]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28067525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28067525']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ed3b4634aeaa93759885568a702ce47f" } } $('.js-work-strip[data-work-id=28067525]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28067525,"title":"Introduction to \"Recasting Women's Stories: In the Poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti\" (PhD Thesis)","internal_url":"https://www.academia.edu/28067525/Introduction_to_Recasting_Womens_Stories_In_the_Poetry_of_Felicia_Hemans_Letitia_Landon_and_Christina_Rossetti_PhD_Thesis_","owner_id":45763100,"coauthors_can_edit":true,"owner":{"id":45763100,"first_name":"Tomoko","middle_initials":null,"last_name":"Takiguchi","page_name":"TomokoTakiguchi","domain_name":"independent","created_at":"2016-03-25T05:14:18.357-07:00","display_name":"Tomoko Takiguchi","url":"https://independent.academia.edu/TomokoTakiguchi"},"attachments":[{"id":48381360,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/48381360/thumbnails/1.jpg","file_name":"introduction_tomoko_2011.pdf","download_url":"https://www.academia.edu/attachments/48381360/download_file","bulk_download_file_name":"Introduction_to_Recasting_Womens_Stories.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/48381360/introduction_tomoko_2011-libre.pdf?1472394970=\u0026response-content-disposition=attachment%3B+filename%3DIntroduction_to_Recasting_Womens_Stories.pdf\u0026Expires=1740000452\u0026Signature=HgkOfw2BKV-1GTrB~HrH3uWJ-7lfCuwz6WfkrnAadtb2~gr7SbRNuc40oRfD8yC-ShnDLcamfsbE2qcydO0FB~TCIHr1x-dy9ZDQJ1xQW2OJPbraiWH1Jt4TbwZk0i-JNKLQN9V2NAN1Vxki~kv6Ydo1vYtL8i90nlvFcayiXUEe2Mqb9ZmoT3vJdpjDrQOP2iYTQCFB8o1YiSA2uDHYqdRl1ZwMTSCF3BiW9481Xs9-eybU2KfuI5brR2HadF8j1-273CLkxIZgjmFAeXAKWvwiPlN3cLp0iomTNWMCb4cdHd2UBBXkcrsvssEwTcp-Q55vPIhY~Igq13NPQVj~Cg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="5723657" id="papers"><div class="js-work-strip profile--work_container" data-work-id="96274954"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96274954/Haydn_s_Muse_the_English_Poet_Anne_Hunter_Gift_Exchange_of_Poetry_and_Music_with_a_Japanese_Translation_of_Their_Canzonettas"><img alt="Research paper thumbnail of Haydn’s Muse, the English Poet Anne Hunter : Gift Exchange of Poetry and Music, with a Japanese Translation of Their Canzonettas" class="work-thumbnail" src="https://attachments.academia-assets.com/98219481/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96274954/Haydn_s_Muse_the_English_Poet_Anne_Hunter_Gift_Exchange_of_Poetry_and_Music_with_a_Japanese_Translation_of_Their_Canzonettas">Haydn’s Muse, the English Poet Anne Hunter : Gift Exchange of Poetry and Music, with a Japanese Translation of Their Canzonettas</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Anne Hunter, an English poet active in the late eighteenth to early nineteenth century, offered h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Anne Hunter, an English poet active in the late eighteenth to early nineteenth century, offered her poetry to the composer Franz Joseph Haydn, and their collaboration produced nine songs in English. Here I outline how the two artists met and started to work together, with special reference to their gift-exchange of poetry and music. I also translate their nine songs into Japanese.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dcfc2aec9ebda8f646f7e302d3e52489" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98219481,"asset_id":96274954,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98219481/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96274954"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96274954"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96274954; 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I focus mainly on the selfreferential aspect of the poems of Letitia Landon, Felicia Hemans, and Christina Rossetti which feature heroines suffering from unrequited love like the Sappho in legend. In Landon's narrative poem entitled "The Improvisatrice", the poet prevents us from telling others the heroine's story by refusing to let us know her name. Hemans, in a dramatic monologue "Properzia Rossi", also warns us against telling the same old story of a woman artist dying unrewarded. As if responding to these messages, Christina Rossetti stops telling the conventional story of a woman artist, revising the Sappho legend to one in which the heroine survives her leap into the sea. In a meta-poetical poem entitled "Reflection", she portrays the woman poet's struggle to create new heroines when writing about women and women writing poetry.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e88fea6efa349cd89dc629019cfbde09" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98219460,"asset_id":96274933,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98219460/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96274933"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96274933"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96274933; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="91890503"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/91890503/Rewriting_the_Story_of_Redemption_in_Goblin_Market"><img alt="Research paper thumbnail of Rewriting the Story of Redemption in "Goblin Market" class="work-thumbnail" src="https://attachments.academia-assets.com/95049236/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/91890503/Rewriting_the_Story_of_Redemption_in_Goblin_Market">Rewriting the Story of Redemption in "Goblin Market</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Christina Rossetti's poem entitled "Goblin Market" allegorically portrays Eve's fall and Christ's...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Christina Rossetti's poem entitled "Goblin Market" allegorically portrays Eve's fall and Christ's redemption of human beings. Rossetti does not, however, follow exactly the conventional understanding of the biblical story of sin and atonement, especially the idea of Christ's death as a necessar y sacrifice to atone for human sins. In this essay I explore the way Rossetti, revising this conventional interpretation, powerfully presents the female protagonist's salvation of her fallen sister, achieved not by death but with love and compassion. In my analysis I draw on alternative views of redemption introduced by a modern feminist theologian, Colleen Carpenter Cullinan. Rossetti's Fallen Women Victorian representations of fallen women reflect a conventional Christian view of women as inherently sinful: all women are daughters of Eve, who ate the forbidden fruit in defiance of God's command. 2 Because of their sinful nature, women need to be strictly supervised. With the protection of the family home and</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d8164b5f49938dac4c65f3639e0064df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95049236,"asset_id":91890503,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95049236/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="91890503"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="91890503"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 91890503; 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</script> <div class="js-work-strip profile--work_container" data-work-id="91890501"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/91890501/Christina_Rossetti_in_Secrecy_Revising_the_Poetics_of_Sensibility"><img alt="Research paper thumbnail of Christina Rossetti in Secrecy: Revising the Poetics of Sensibility" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/91890501/Christina_Rossetti_in_Secrecy_Revising_the_Poetics_of_Sensibility">Christina Rossetti in Secrecy: Revising the Poetics of Sensibility</a></div><div class="wp-workCard_item"><span>Tradition and the Poetics of Self in Nineteenth-Century Women's Poetry</span><span>, 2002</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is a manuscript for the published version of &amp;quot;Christina Rossetti in Secrecy: Revisi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is a manuscript for the published version of &amp;quot;Christina Rossetti in Secrecy: Revising the Poetics of Sensibility&amp;quot;, in Tradition and the Poetics of Self in Nineteenth-Century Women’s Poetry. Ed. Barbara Garlick. Amsterdam and New York: Rodopi, 2002. pp.177-92.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="91890501"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="91890501"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 91890501; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=91890501]").text(description); $(".js-view-count[data-work-id=91890501]").attr('title', description).tooltip(); 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First, I look at the way the legend of Sappho's love for Phaon and her suicidal leap from the Leucadian Rock was passed down to the nineteenth centur y from ancient times. I also mention which of Sappho's works were known at that time. Second, I outline how several nineteenth-century women poets incorporated the Sappho legend in their poetry. Last, I explore what significances are hidden in the theme of a woman's death, referring to historical accounts of the Leucadian leap and Edgar Allan Poe's famous statement in his "Philosophy of Composition" that the most poetic theme is the death of a beautiful woman. In the next essay I will discuss poems on Sappho written by Felicia Hemans,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9f4a5df42289ce4df8108dd02459422c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95049128,"asset_id":91890439,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95049128/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="91890439"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="91890439"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 91890439; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="28100918"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/28100918/The_Death_of_a_Woman_Artist_The_Female_Other_in_Letitia_Landons_Dramatic_Monologue"><img alt="Research paper thumbnail of The Death of a Woman Artist: The Female Other in Letitia Landon's Dramatic Monologue" class="work-thumbnail" src="https://attachments.academia-assets.com/62855084/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28100918/The_Death_of_a_Woman_Artist_The_Female_Other_in_Letitia_Landons_Dramatic_Monologue">The Death of a Woman Artist: The Female Other in Letitia Landon's Dramatic Monologue</a></div><div class="wp-workCard_item"><span>Women's Studies</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... remembers the words Eulalia said, and reproduces her long monologue in the presence of his .....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... remembers the words Eulalia said, and reproduces her long monologue in the presence of his ... is relegated to a state of eternal confinement, as a static portrait deprived of her voice. ... that, although the poet apparently acts as an accomplice in suppressing the woman as Other ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8c3f7da5270da42744219f3351bc7660" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62855084,"asset_id":28100918,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62855084/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28100918"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28100918"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28100918; 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Ed. Barbara Garlick. Amsterdam and New York: Rodopi, 2002. pp.177-92.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d0ebc075b9781e8fb2fa9b6f7c9205e2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63396042,"asset_id":43137053,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63396042/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43137053"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43137053"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43137053; 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