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href="https://unical-it.academia.edu/Departments/Dipartimento_di_Studi_Umanistici/Documents">Dipartimento di Studi Umanistici</a>, <span class="u-tcGrayDarker">Ph.D.</span></div><div><a class="u-tcGrayDarker" href="https://ens.academia.edu/">École Normale Supérieure</a>, <a class="u-tcGrayDarker" href="https://ens.academia.edu/Departments/ED540/Documents">ED540</a>, <span class="u-tcGrayDarker">Ph.D.</span></div><div><a class="u-tcGrayDarker" href="https://uniud.academia.edu/">Università degli Studi di Udine / University of Udine</a>, <a class="u-tcGrayDarker" href="https://uniud.academia.edu/Departments/Dipartimento_di_Storia_e_Tutela_dei_Beni_Culturali/Documents">Dipartimento di Storia e Tutela dei Beni Culturali</a>, <span class="u-tcGrayDarker">Graduate Student</span></div><div><a class="u-tcGrayDarker" href="https://unina.academia.edu/">Università degli Studi di Napoli "Federico II"</a>, <a class="u-tcGrayDarker" href="https://unina.academia.edu/Departments/Dipartimento_Studi_Umanistici/Documents">Dipartimento Studi Umanistici</a>, <span class="u-tcGrayDarker">Post-Doc</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="annalisa" data-follow-user-id="25898819" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="25898819"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div 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style="margin: 0px;">Annalisa Laganà is post-doc researcher in Museology and Art critics at the Università di Napoli "Federico II". She teaches History of Modern and Contemporary Art at the Università della Calabria. In December 2021, she received her PhD in Art History from the Università della Calabria and the École Normale Supérieure. In 2022, she published a book on the critical reception of Mondrian art and writings in mid-twentieth-century Italy. Her research focuses on the history of Italian and European art historiography and cultural heritage in the nineteenth and twentieth centuries.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="25898819">View All (35)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="25898819" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://unical-it.academia.edu/annalisalagan%C3%A0","location":"/annalisalagan%C3%A0","scheme":"https","host":"unical-it.academia.edu","port":null,"pathname":"/annalisalagan%C3%A0","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Fin de Siecle Literature \u0026 Culture"]}" data-trace="false" data-dom-id="Pill-react-component-ae4c419e-68d8-48a2-979c-e54f757eaf9c"></div> <div id="Pill-react-component-ae4c419e-68d8-48a2-979c-e54f757eaf9c"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="25898819" href="https://www.academia.edu/Documents/in/Iconology"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Iconology"]}" data-trace="false" data-dom-id="Pill-react-component-9c23a1e8-6474-4a26-bee8-3d0d405052be"></div> <div id="Pill-react-component-9c23a1e8-6474-4a26-bee8-3d0d405052be"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="25898819" href="https://www.academia.edu/Documents/in/Nineteenth-century_Art"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Nineteenth-century Art"]}" data-trace="false" data-dom-id="Pill-react-component-5b52d28d-e876-4e12-b593-d754217903bd"></div> <div id="Pill-react-component-5b52d28d-e876-4e12-b593-d754217903bd"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="25898819" href="https://www.academia.edu/Documents/in/Literature_and_Visual_Arts"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Literature and Visual Arts"]}" data-trace="false" data-dom-id="Pill-react-component-4710f703-18b2-49cd-8311-b031b5b9ac8d"></div> <div id="Pill-react-component-4710f703-18b2-49cd-8311-b031b5b9ac8d"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="25898819" href="https://www.academia.edu/Documents/in/Philosophy_Of_Language"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Philosophy Of Language"]}" data-trace="false" data-dom-id="Pill-react-component-878a4f21-0481-4bfe-803f-2a8083323f95"></div> <div id="Pill-react-component-878a4f21-0481-4bfe-803f-2a8083323f95"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="left-most js-UserInfo-social-cv" data-broccoli-component="user-info.cv-button" data-click-track="profile-user-info-cv" data-cv-filename="CV_LAGANA_ENG.pdf" data-placement="top" data-toggle="tooltip" href="/annalisalagan%C3%A0/CurriculumVitae"><button class="ds2-5-text-link ds2-5-text-link--small" style="font-size: 20px; 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Il sogno di un archivio universale" class="work-thumbnail" src="https://attachments.academia-assets.com/59911456/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39733373/RIFLESSIONI_E_INTERPRETAZIONI_NAPOLEONE_E_I_DOCUMENTI_Il_sogno_di_un_archivio_universale">RIFLESSIONI E INTERPRETAZIONI: NAPOLEONE E I DOCUMENTI. Il sogno di un archivio universale</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Recensione di Maria Pia Donato (2019), L’archivio del mondo: Quando Napoleone confiscò la storia,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recensione di Maria Pia Donato (2019), L’archivio del mondo: Quando Napoleone confiscò la storia, Bari-Roma, Laterza, pp. 192, in la Biblioteca di via Senato, luglio-agosto 2019, pp. 58-60.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="49e72f3d05af234b357e6e1d04b161f3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59911456,"asset_id":39733373,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59911456/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39733373"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39733373"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39733373; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39733373]").text(description); $(".js-view-count[data-work-id=39733373]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39733373; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39733373']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39733373, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "49e72f3d05af234b357e6e1d04b161f3" } } $('.js-work-strip[data-work-id=39733373]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39733373,"title":"RIFLESSIONI E INTERPRETAZIONI: NAPOLEONE E I DOCUMENTI. 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La storia dell’arte in casa editrice»,Ma...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recensione di Luca Pietro Nicoletti, «Argan e l’Einaudi. La storia dell’arte<br />in casa editrice»,Macerata, Quodlibet, 2018, pp. 201, in «la Biblioteca di via Senato» mensile di bibliofilia e storia delle idee, anno XI - numero 4 (104) - aprile 2019.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6816e3063fc42c1783735ea007f0b51a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58926918,"asset_id":38832979,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58926918/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38832979"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38832979"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38832979; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38832979]").text(description); $(".js-view-count[data-work-id=38832979]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38832979; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38832979']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38832979, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6816e3063fc42c1783735ea007f0b51a" } } $('.js-work-strip[data-work-id=38832979]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38832979,"title":"LA STORIA DELL'ARTE IN CASA EDITRICE","translated_title":"","metadata":{"abstract":"Recensione di Luca Pietro Nicoletti, «Argan e l’Einaudi. 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Di fatto, è l'eredità di questo processo già completato «alle nostre spalle» che Fulvio Carmagnola studia ne L'irriconoscibile. Le immagini alla fine della rappresentazione, attraverso una stretta messa in comune tra gli sviluppi della rappresentazione artistica e quelli della speculazione filosofica. L'idea dell'autore è proprio quella di mostrare la crisi moderna del soggetto come dimensione che si costituisce parallelamente alla complicazione della rappresentazione artistica e alla riformulazione del concetto filosofico di rappresentazione. L'incrocio di questi tre processi di sviluppo e trasformazione si concretizza all'interno della speculazione filosofica francese della seconda metà del Novecento, che ha sperimentato non solo il riferimento quasi sistematico al panorama artistico della contemporaneità, ma, in diversi modi e da diverse prospettive, anche un rinnovamento della sua forma letteraria, cioè del formato dei suoi strumenti-di-rappresentazione-di-concetti. 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Letture dell’opera e acquisizioni museali" class="work-thumbnail" src="https://attachments.academia-assets.com/80517932/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70995141/La_ricezione_di_Piet_Mondriaan_in_Italia_tra_gli_anni_Trenta_e_gli_anni_Cinquanta_Letture_dell_opera_e_acquisizioni_museali">La ricezione di Piet Mondriaan in Italia tra gli anni Trenta e gli anni Cinquanta. Letture dell’opera e acquisizioni museali</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tesi di Specializzazione in Beni storico-artistici sostenuta presso l'Università degli Studi di U...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tesi di Specializzazione in Beni storico-artistici sostenuta presso l'Università degli Studi di Udine, relatore prof. 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Daniele Gambarara <br />Correlatori: <br />prof. Emanuele Fadda <br />prof. Leonardo Passarelli <br />Anno Accademico 2012/2013 <br />Sessione: Luglio 2013</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6baa3fede8cf39cf046926f448436e54" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38785858,"asset_id":15751566,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38785858/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15751566"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15751566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15751566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15751566]").text(description); $(".js-view-count[data-work-id=15751566]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15751566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15751566']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 15751566, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6baa3fede8cf39cf046926f448436e54" } } $('.js-work-strip[data-work-id=15751566]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15751566,"title":"Tesi di Laurea Magistrale: René Magritte, filosofo dell’arte e del linguaggio","translated_title":"","metadata":{"abstract":"UNIVERSITÀ DELLA CALABRIA\r\nDipartimento di Studi Umanistici\r\nCorso di Laurea Magistrale in TEORIE DELLA COMUNICAZIONE\r\nE COMUNICAZIONE PUBBLICA\r\nCandidato: Annalisa Laganà, matricola 151442\r\nRelatore: prof. Daniele Gambarara\r\nCorrelatori:\r\nprof. Emanuele Fadda\r\nprof. Leonardo Passarelli\r\nAnno Accademico 2012/2013\r\nSessione: Luglio 2013\r\n"},"translated_abstract":"UNIVERSITÀ DELLA CALABRIA\r\nDipartimento di Studi Umanistici\r\nCorso di Laurea Magistrale in TEORIE DELLA COMUNICAZIONE\r\nE COMUNICAZIONE PUBBLICA\r\nCandidato: Annalisa Laganà, matricola 151442\r\nRelatore: prof. Daniele Gambarara\r\nCorrelatori:\r\nprof. Emanuele Fadda\r\nprof. Leonardo Passarelli\r\nAnno Accademico 2012/2013\r\nSessione: Luglio 2013\r\n","internal_url":"https://www.academia.edu/15751566/Tesi_di_Laurea_Magistrale_Ren%C3%A9_Magritte_filosofo_dell_arte_e_del_linguaggio","translated_internal_url":"","created_at":"2015-09-16T01:32:16.992-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":25898819,"coauthors_can_edit":true,"document_type":"other","co_author_tags":[],"downloadable_attachments":[{"id":38785858,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/38785858/thumbnails/1.jpg","file_name":"abstract_magritte.pdf","download_url":"https://www.academia.edu/attachments/38785858/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Tesi_di_Laurea_Magistrale_Rene_Magritte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/38785858/abstract_magritte-libre.pdf?1442392568=\u0026response-content-disposition=attachment%3B+filename%3DTesi_di_Laurea_Magistrale_Rene_Magritte.pdf\u0026Expires=1733020056\u0026Signature=L3DXo4Mz2tkO-xxARiv9~5MIO1sB~C8pmJX5kL1FN16gYDkz-ugl6GzgEdopjgY7Trfoz7hS2eXTCQX-QfQSdoDSaxEeP4gvLyNejIAOSfnHNwi2ND~rS3-4hAn6GpyVsiZfGXYcjujMgBi9MpdEiXfznt4N4e~CfFzYRujFTC54YH~IevjGclhb~fybo1TMGzzVPDAwCPuiNJrzEIwwI3~Nb7vyg1fAV21m8yIDUpWRwNZUxrj-kovFfBOkL546l-XG9mNGzzV7Zh2UdrEFjYpCsxc1yRD7zJShpTUUanYRHaj8q4n2gHqe4ZIrJ9owSM0cbV28pjmaJ8ql-wkgaw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Tesi_di_Laurea_Magistrale_René_Magritte_filosofo_dell_arte_e_del_linguaggio","translated_slug":"","page_count":7,"language":"it","content_type":"Work","owner":{"id":25898819,"first_name":"annalisa","middle_initials":null,"last_name":"laganà","page_name":"annalisalaganà","domain_name":"unical-it","created_at":"2015-02-07T02:11:21.629-08:00","display_name":"annalisa laganà","url":"https://unical-it.academia.edu/annalisalagan%C3%A0"},"attachments":[{"id":38785858,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/38785858/thumbnails/1.jpg","file_name":"abstract_magritte.pdf","download_url":"https://www.academia.edu/attachments/38785858/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Tesi_di_Laurea_Magistrale_Rene_Magritte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/38785858/abstract_magritte-libre.pdf?1442392568=\u0026response-content-disposition=attachment%3B+filename%3DTesi_di_Laurea_Magistrale_Rene_Magritte.pdf\u0026Expires=1733020056\u0026Signature=L3DXo4Mz2tkO-xxARiv9~5MIO1sB~C8pmJX5kL1FN16gYDkz-ugl6GzgEdopjgY7Trfoz7hS2eXTCQX-QfQSdoDSaxEeP4gvLyNejIAOSfnHNwi2ND~rS3-4hAn6GpyVsiZfGXYcjujMgBi9MpdEiXfznt4N4e~CfFzYRujFTC54YH~IevjGclhb~fybo1TMGzzVPDAwCPuiNJrzEIwwI3~Nb7vyg1fAV21m8yIDUpWRwNZUxrj-kovFfBOkL546l-XG9mNGzzV7Zh2UdrEFjYpCsxc1yRD7zJShpTUUanYRHaj8q4n2gHqe4ZIrJ9owSM0cbV28pjmaJ8ql-wkgaw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics"},{"id":807,"name":"Philosophy Of Language","url":"https://www.academia.edu/Documents/in/Philosophy_Of_Language"},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":4399,"name":"Visual Semiotics","url":"https://www.academia.edu/Documents/in/Visual_Semiotics"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="15751506"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/15751506/Tesi_di_Laurea_Magistrale_Federico_Faruffini_Il_fondo_di_disegni_e_stampe_della_collezione_GNAM"><img alt="Research paper thumbnail of Tesi di Laurea Magistrale: Federico Faruffini. Il fondo di disegni e stampe della collezione GNAM" class="work-thumbnail" src="https://attachments.academia-assets.com/38785831/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/15751506/Tesi_di_Laurea_Magistrale_Federico_Faruffini_Il_fondo_di_disegni_e_stampe_della_collezione_GNAM">Tesi di Laurea Magistrale: Federico Faruffini. Il fondo di disegni e stampe della collezione GNAM</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Università della Calabria Dipartimento di Studi umanistici Corso di Laurea Magistrale in Storia...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Università della Calabria <br />Dipartimento di Studi umanistici <br />Corso di Laurea Magistrale in Storia dell’arte <br />Candidata: Annalisa Laganà - matricola 166075 <br />Relatore: Giovanna Capitelli <br />Sessione di luglio 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="068e257bf6171a74079af8c176f4b9dd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38785831,"asset_id":15751506,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38785831/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15751506"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15751506"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15751506; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15751506]").text(description); $(".js-view-count[data-work-id=15751506]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15751506; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15751506']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 15751506, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "068e257bf6171a74079af8c176f4b9dd" } } $('.js-work-strip[data-work-id=15751506]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15751506,"title":"Tesi di Laurea Magistrale: Federico Faruffini. 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Un archivio ideale della storia dell’arte italiana contemporanea" class="work-thumbnail" src="https://attachments.academia-assets.com/111490261/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/114934566/Giulia_Veronesi_pubblicista_di_Emporium_1945_1964_Un_archivio_ideale_della_storia_dell_arte_italiana_contemporanea">Giulia Veronesi, pubblicista di “Emporium” (1945-1964). Un archivio ideale della storia dell’arte italiana contemporanea</a></div><div class="wp-workCard_item"><span>Storia della Critica d’Arte Annuario della S.I.S.C.A.</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and Eu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and European artistic culture, during her long career as a correspondent for several cultural magazines and journals. In friendship with artists and collectors, she was involved in the contemporary artistic milieu in Milan and Paris. Her contribution<br />to the knowledge of Italian art history between the thirties and the sixties was therefore significant, although she can not be considered a historian in the proper sense. Since Veronesi’s work is not yet sufficiently discussed in scientific literature, this study analyses a selection of writings published in “Emporium”, which highlight Veronesi’s critical approach and her contribution to the formation of an artistic historiography of Italian art in the mid-twentieth century. The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate<br />a comprehensive exploration of Veronesi’s references.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="85e9e96c59bafd01d748f5001c3b1c88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111490261,"asset_id":114934566,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111490261/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114934566"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114934566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114934566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114934566]").text(description); $(".js-view-count[data-work-id=114934566]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114934566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='114934566']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 114934566, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "85e9e96c59bafd01d748f5001c3b1c88" } } $('.js-work-strip[data-work-id=114934566]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":114934566,"title":"Giulia Veronesi, pubblicista di “Emporium” (1945-1964). 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Note sulla fortuna critica dell’epistolario nella storiografia artistica italiana ottocentesca" class="work-thumbnail" src="https://attachments.academia-assets.com/106973078/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108644537/Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca">Winckelmann scrittore di lettere. Note sulla fortuna critica dell’epistolario nella storiografia artistica italiana ottocentesca</a></div><div class="wp-workCard_item"><span> Federica La Manna, a cura di, Winckelmann tra Cultura, Arte e Letteratura, Guida, Napoli, pp. 15-38.</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il vasto corpus di lettere che Winckelmann ha lasciato alla comunità internazionale degli studios...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il vasto corpus di lettere che Winckelmann ha lasciato alla comunità internazionale degli studiosi è largamente noto ed esaustivamente esaminato, soprattutto secondo l’approccio filologico-letterario. Ormai solida è anche la bibliografia storico-artistica dedicata alla sua vicenda e al suo contributo alla formazione della disciplina moderna della storia dell’arte, sebbene non tutto sia stato ancora scritto sul valore dei documenti epistolari nel contesto specifico della storiografia artistica e della storia della storiografia artistica degli ultimi due secoli. Questa ricerca ambisce a rappresentare il tragitto comune percorso da due tracce indipendenti della storiografia artistica in Italia nel primo Ottocento: da un lato, il consolidamento del metodo storiografico e la nascita di una letteratura artistica nazionale; dall’altro, la recezione graduale delle fonti epistolari winckelmanniane nel nuovo sottogenere della raccolta di lettere e opere.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9dee8082f5845cbfc0ae80ab01fe3b53" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106973078,"asset_id":108644537,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106973078/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108644537"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108644537"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108644537; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108644537]").text(description); $(".js-view-count[data-work-id=108644537]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108644537; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108644537']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 108644537, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9dee8082f5845cbfc0ae80ab01fe3b53" } } $('.js-work-strip[data-work-id=108644537]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108644537,"title":"Winckelmann scrittore di lettere. 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Ormai solida è anche la bibliografia storico-artistica dedicata alla sua vicenda e al suo contributo alla formazione della disciplina moderna della storia dell’arte, sebbene non tutto sia stato ancora scritto sul valore dei documenti epistolari nel contesto specifico della storiografia artistica e della storia della storiografia artistica degli ultimi due secoli. Questa ricerca ambisce a rappresentare il tragitto comune percorso da due tracce indipendenti della storiografia artistica in Italia nel primo Ottocento: da un lato, il consolidamento del metodo storiografico e la nascita di una letteratura artistica nazionale; dall’altro, la recezione graduale delle fonti epistolari winckelmanniane nel nuovo sottogenere della raccolta di lettere e opere.","internal_url":"https://www.academia.edu/108644537/Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca","translated_internal_url":"","created_at":"2023-10-27T09:00:10.787-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":25898819,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":106973078,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106973078/thumbnails/1.jpg","file_name":"Winckelmann.pdf","download_url":"https://www.academia.edu/attachments/106973078/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Winckelmann_scrittore_di_lettere_Note_su.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106973078/Winckelmann-libre.pdf?1698423658=\u0026response-content-disposition=attachment%3B+filename%3DWinckelmann_scrittore_di_lettere_Note_su.pdf\u0026Expires=1733020056\u0026Signature=Use17Ku7TH8Ee1W~ZWkWceCuzt-wtGM-s506RHQzUhv7Hx4aA-P2lyCFCOr5UcSR8HRhVFniHgZq3pTbLIsFwr9ZxJu4RA4AmLGfvTJPWqiI6hcu1D9TeKABXSDb9gSuuqXlcaLp4svKlCeGpkayeHHXrPa02YupRubJ3oanE8AfvQYT17qJsJSyp-M0PivBHVMGIFRKay55jE6-0KPoGypP8wVFh64GKVHx3O32XW1qbXtTtX5vc~242MWxjrC83V6gno3VRvjKh4Gw9NGs3qEP3ackE8xZHeETReyNlCTErgVgihc67qtvQ1vKdqg4d6o2esYM3YW6ve4kE7J-EA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca","translated_slug":"","page_count":1,"language":"it","content_type":"Work","owner":{"id":25898819,"first_name":"annalisa","middle_initials":null,"last_name":"laganà","page_name":"annalisalaganà","domain_name":"unical-it","created_at":"2015-02-07T02:11:21.629-08:00","display_name":"annalisa laganà","url":"https://unical-it.academia.edu/annalisalagan%C3%A0"},"attachments":[{"id":106973078,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106973078/thumbnails/1.jpg","file_name":"Winckelmann.pdf","download_url":"https://www.academia.edu/attachments/106973078/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Winckelmann_scrittore_di_lettere_Note_su.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106973078/Winckelmann-libre.pdf?1698423658=\u0026response-content-disposition=attachment%3B+filename%3DWinckelmann_scrittore_di_lettere_Note_su.pdf\u0026Expires=1733020056\u0026Signature=Use17Ku7TH8Ee1W~ZWkWceCuzt-wtGM-s506RHQzUhv7Hx4aA-P2lyCFCOr5UcSR8HRhVFniHgZq3pTbLIsFwr9ZxJu4RA4AmLGfvTJPWqiI6hcu1D9TeKABXSDb9gSuuqXlcaLp4svKlCeGpkayeHHXrPa02YupRubJ3oanE8AfvQYT17qJsJSyp-M0PivBHVMGIFRKay55jE6-0KPoGypP8wVFh64GKVHx3O32XW1qbXtTtX5vc~242MWxjrC83V6gno3VRvjKh4Gw9NGs3qEP3ackE8xZHeETReyNlCTErgVgihc67qtvQ1vKdqg4d6o2esYM3YW6ve4kE7J-EA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":15352,"name":"Historiography (in Art History)","url":"https://www.academia.edu/Documents/in/Historiography_in_Art_History_"},{"id":22951,"name":"Epistolography","url":"https://www.academia.edu/Documents/in/Epistolography"},{"id":29686,"name":"Winckelmann","url":"https://www.academia.edu/Documents/in/Winckelmann"}],"urls":[]}, dispatcherData: dispatcherData }); 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Gombrich e il recupero dell’Iconologia di Cesare Ripa negli anni Settanta del Novecento: alcune congiunture." class="work-thumbnail" src="https://attachments.academia-assets.com/100758582/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/99753584/Ernst_H_Gombrich_e_il_recupero_dell_Iconologia_di_Cesare_Ripa_negli_anni_Settanta_del_Novecento_alcune_congiunture">Ernst H. Gombrich e il recupero dell’Iconologia di Cesare Ripa negli anni Settanta del Novecento: alcune congiunture.</a></div><div class="wp-workCard_item"><span>“Fontes”, nuova serie, n. 3, pp. 181-195.</span><span>, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc63f82fd2cf827aaa533cc893c8f03e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100758582,"asset_id":99753584,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100758582/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99753584"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99753584"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99753584; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=99753584]").text(description); $(".js-view-count[data-work-id=99753584]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 99753584; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='99753584']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 99753584, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bc63f82fd2cf827aaa533cc893c8f03e" } } $('.js-work-strip[data-work-id=99753584]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":99753584,"title":"Ernst H. 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LE IMMAGINI ALLA FINE DELLA RAPPRESENTAZIONE, MILANO, ET AL., 2011; on RIFL – Rivista Italiana di Filosofia del Linguaggio, VOL. 6, NO. 2, (2013), PP. 263-265.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b806bb70c4119d8fbaa4b22ebf765358" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36550780,"asset_id":10590112,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36550780/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10590112"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10590112"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10590112; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10590112]").text(description); $(".js-view-count[data-work-id=10590112]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10590112; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10590112']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10590112, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b806bb70c4119d8fbaa4b22ebf765358" } } $('.js-work-strip[data-work-id=10590112]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10590112,"title":"Review: FULVIO CARMAGNOLA, L’IRRICONOSCIBILE. 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DA HEGEL A DANTO, ROMA, CAROCCI, 2012; on METHODE JOURNALPHILOSOPHY, aprile 2013, PP. 248-251." class="work-thumbnail" src="https://attachments.academia-assets.com/36550726/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/10589777/Review_TIZIANA_ANDINA_FILOSOFIE_DELL_ARTE_DA_HEGEL_A_DANTO_ROMA_CAROCCI_2012_on_METHODE_JOURNALPHILOSOPHY_aprile_2013_PP_248_251">Review: TIZIANA ANDINA, FILOSOFIE DELL’ARTE. DA HEGEL A DANTO, ROMA, CAROCCI, 2012; on METHODE JOURNALPHILOSOPHY, aprile 2013, PP. 248-251.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="491294589cebe5f98942edf2e3cd4b39" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":36550726,"asset_id":10589777,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/36550726/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10589777"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10589777"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10589777; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10589777]").text(description); $(".js-view-count[data-work-id=10589777]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10589777; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10589777']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 10589777, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "491294589cebe5f98942edf2e3cd4b39" } } $('.js-work-strip[data-work-id=10589777]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10589777,"title":"Review: TIZIANA ANDINA, FILOSOFIE DELL’ARTE. DA HEGEL A DANTO, ROMA, CAROCCI, 2012; on METHODE JOURNALPHILOSOPHY, aprile 2013, PP. 248-251.","translated_title":"","metadata":{"grobid_abstract":"Il testo è strutturato secondo una divisione audace. Fino al penultimo capitolo compreso, il tentativo è quello di portare in luce e discutere le lacune teoriche di molti tentativi di fornire una definizione dell'arte. D'altra parte, È proprio l'importante estensione della pars destruens a dimostrare l'urgenza di una metodologia nuova; è dal dialogo con le fallibilità delle teorie già apparse sulla scena del dibattito scientifico internazionale, che l'autrice vuol fare emergere, infine, la necessità di un approccio diverso. A questo proposito è dedicato l'ultimo capitolo. Lo statuto dell'arte come argomento filosofico dipende, infatti, dalle specificità della prospettiva disciplinare che si accoglie. Tracciando una linea di ricerca orientata su questa direzione, Andina apre la discussione su un problema che precede, in realtà, quello della definizione dell'arte. 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Letture dell’opera e acquisizioni museali</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tesi di Specializzazione in Beni storico-artistici sostenuta presso l'Università degli Studi di U...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tesi di Specializzazione in Beni storico-artistici sostenuta presso l'Università degli Studi di Udine, relatore prof. 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Il fondo di disegni e stampe della collezione GNAM</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Università della Calabria Dipartimento di Studi umanistici Corso di Laurea Magistrale in Storia...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Università della Calabria <br />Dipartimento di Studi umanistici <br />Corso di Laurea Magistrale in Storia dell’arte <br />Candidata: Annalisa Laganà - matricola 166075 <br />Relatore: Giovanna Capitelli <br />Sessione di luglio 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="068e257bf6171a74079af8c176f4b9dd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38785831,"asset_id":15751506,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38785831/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="15751506"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="15751506"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15751506; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15751506]").text(description); $(".js-view-count[data-work-id=15751506]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15751506; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='15751506']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 15751506, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "068e257bf6171a74079af8c176f4b9dd" } } $('.js-work-strip[data-work-id=15751506]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":15751506,"title":"Tesi di Laurea Magistrale: Federico Faruffini. 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Un archivio ideale della storia dell’arte italiana contemporanea" class="work-thumbnail" src="https://attachments.academia-assets.com/111490261/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/114934566/Giulia_Veronesi_pubblicista_di_Emporium_1945_1964_Un_archivio_ideale_della_storia_dell_arte_italiana_contemporanea">Giulia Veronesi, pubblicista di “Emporium” (1945-1964). Un archivio ideale della storia dell’arte italiana contemporanea</a></div><div class="wp-workCard_item"><span>Storia della Critica d’Arte Annuario della S.I.S.C.A.</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and Eu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and European artistic culture, during her long career as a correspondent for several cultural magazines and journals. In friendship with artists and collectors, she was involved in the contemporary artistic milieu in Milan and Paris. Her contribution<br />to the knowledge of Italian art history between the thirties and the sixties was therefore significant, although she can not be considered a historian in the proper sense. Since Veronesi’s work is not yet sufficiently discussed in scientific literature, this study analyses a selection of writings published in “Emporium”, which highlight Veronesi’s critical approach and her contribution to the formation of an artistic historiography of Italian art in the mid-twentieth century. The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate<br />a comprehensive exploration of Veronesi’s references.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="85e9e96c59bafd01d748f5001c3b1c88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111490261,"asset_id":114934566,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111490261/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114934566"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114934566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114934566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114934566]").text(description); $(".js-view-count[data-work-id=114934566]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114934566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='114934566']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 114934566, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "85e9e96c59bafd01d748f5001c3b1c88" } } $('.js-work-strip[data-work-id=114934566]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":114934566,"title":"Giulia Veronesi, pubblicista di “Emporium” (1945-1964). 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The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate\na comprehensive exploration of Veronesi’s references.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Storia della Critica d’Arte Annuario della S.I.S.C.A."},"translated_abstract":"Giulia Veronesi was an Italian writer and publicist who recounted the contemporary Italian and European artistic culture, during her long career as a correspondent for several cultural magazines and journals. In friendship with artists and collectors, she was involved in the contemporary artistic milieu in Milan and Paris. Her contribution\nto the knowledge of Italian art history between the thirties and the sixties was therefore significant, although she can not be considered a historian in the proper sense. Since Veronesi’s work is not yet sufficiently discussed in scientific literature, this study analyses a selection of writings published in “Emporium”, which highlight Veronesi’s critical approach and her contribution to the formation of an artistic historiography of Italian art in the mid-twentieth century. The article concludes with a complete bibliography of her works published in “Emporium”, which aims to initiate\na comprehensive exploration of Veronesi’s references.","internal_url":"https://www.academia.edu/114934566/Giulia_Veronesi_pubblicista_di_Emporium_1945_1964_Un_archivio_ideale_della_storia_dell_arte_italiana_contemporanea","translated_internal_url":"","created_at":"2024-02-15T03:24:49.271-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":25898819,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":111490261,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/111490261/thumbnails/1.jpg","file_name":"LAGANA_Veronesi.pdf","download_url":"https://www.academia.edu/attachments/111490261/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Giulia_Veronesi_pubblicista_di_Emporium.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/111490261/LAGANA_Veronesi-libre.pdf?1707997280=\u0026response-content-disposition=attachment%3B+filename%3DGiulia_Veronesi_pubblicista_di_Emporium.pdf\u0026Expires=1733020056\u0026Signature=K4~Cnqf0xHp6tYOQeEueoeC7T0KlUsGJhAx1BvPP4H5rEx80ogDPA57xEvV09l8BlpP693x-RjW34fNb8bhqU9UYXiR1~5SaSzI5nXnIbLJ5IZz3UAKwmbG5tgT9soCdfn6hAe0-ZY6mPDaBTMpdzKGWzeR031aP2cav1TyxV45WaCqmzQ8kJ2cuxBake1Y~xHdVaLfpIKCZTIkdwhxilXlcBvFmIO64hdh9n3QHycEhLjeXdXsc34KjOCq1QlYV85gDGdWOHDuBXRj~nBUOOQ2KtZb70UzdtlaPsYSO8fdQ6Y1QIrLem4AylasAj~wyHVIOtfV3qfaCoboLC~JezA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Giulia_Veronesi_pubblicista_di_Emporium_1945_1964_Un_archivio_ideale_della_storia_dell_arte_italiana_contemporanea","translated_slug":"","page_count":31,"language":"it","content_type":"Work","owner":{"id":25898819,"first_name":"annalisa","middle_initials":null,"last_name":"laganà","page_name":"annalisalaganà","domain_name":"unical-it","created_at":"2015-02-07T02:11:21.629-08:00","display_name":"annalisa laganà","url":"https://unical-it.academia.edu/annalisalagan%C3%A0"},"attachments":[{"id":111490261,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/111490261/thumbnails/1.jpg","file_name":"LAGANA_Veronesi.pdf","download_url":"https://www.academia.edu/attachments/111490261/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Giulia_Veronesi_pubblicista_di_Emporium.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/111490261/LAGANA_Veronesi-libre.pdf?1707997280=\u0026response-content-disposition=attachment%3B+filename%3DGiulia_Veronesi_pubblicista_di_Emporium.pdf\u0026Expires=1733020056\u0026Signature=K4~Cnqf0xHp6tYOQeEueoeC7T0KlUsGJhAx1BvPP4H5rEx80ogDPA57xEvV09l8BlpP693x-RjW34fNb8bhqU9UYXiR1~5SaSzI5nXnIbLJ5IZz3UAKwmbG5tgT9soCdfn6hAe0-ZY6mPDaBTMpdzKGWzeR031aP2cav1TyxV45WaCqmzQ8kJ2cuxBake1Y~xHdVaLfpIKCZTIkdwhxilXlcBvFmIO64hdh9n3QHycEhLjeXdXsc34KjOCq1QlYV85gDGdWOHDuBXRj~nBUOOQ2KtZb70UzdtlaPsYSO8fdQ6Y1QIrLem4AylasAj~wyHVIOtfV3qfaCoboLC~JezA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art"},{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108644537"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108644537/Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca"><img alt="Research paper thumbnail of Winckelmann scrittore di lettere. Note sulla fortuna critica dell’epistolario nella storiografia artistica italiana ottocentesca" class="work-thumbnail" src="https://attachments.academia-assets.com/106973078/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108644537/Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca">Winckelmann scrittore di lettere. Note sulla fortuna critica dell’epistolario nella storiografia artistica italiana ottocentesca</a></div><div class="wp-workCard_item"><span> Federica La Manna, a cura di, Winckelmann tra Cultura, Arte e Letteratura, Guida, Napoli, pp. 15-38.</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il vasto corpus di lettere che Winckelmann ha lasciato alla comunità internazionale degli studios...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il vasto corpus di lettere che Winckelmann ha lasciato alla comunità internazionale degli studiosi è largamente noto ed esaustivamente esaminato, soprattutto secondo l’approccio filologico-letterario. Ormai solida è anche la bibliografia storico-artistica dedicata alla sua vicenda e al suo contributo alla formazione della disciplina moderna della storia dell’arte, sebbene non tutto sia stato ancora scritto sul valore dei documenti epistolari nel contesto specifico della storiografia artistica e della storia della storiografia artistica degli ultimi due secoli. Questa ricerca ambisce a rappresentare il tragitto comune percorso da due tracce indipendenti della storiografia artistica in Italia nel primo Ottocento: da un lato, il consolidamento del metodo storiografico e la nascita di una letteratura artistica nazionale; dall’altro, la recezione graduale delle fonti epistolari winckelmanniane nel nuovo sottogenere della raccolta di lettere e opere.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9dee8082f5845cbfc0ae80ab01fe3b53" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106973078,"asset_id":108644537,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106973078/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108644537"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108644537"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108644537; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108644537]").text(description); $(".js-view-count[data-work-id=108644537]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108644537; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108644537']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 108644537, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9dee8082f5845cbfc0ae80ab01fe3b53" } } $('.js-work-strip[data-work-id=108644537]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108644537,"title":"Winckelmann scrittore di lettere. Note sulla fortuna critica dell’epistolario nella storiografia artistica italiana ottocentesca","translated_title":"","metadata":{"abstract":"Il vasto corpus di lettere che Winckelmann ha lasciato alla comunità internazionale degli studiosi è largamente noto ed esaustivamente esaminato, soprattutto secondo l’approccio filologico-letterario. Ormai solida è anche la bibliografia storico-artistica dedicata alla sua vicenda e al suo contributo alla formazione della disciplina moderna della storia dell’arte, sebbene non tutto sia stato ancora scritto sul valore dei documenti epistolari nel contesto specifico della storiografia artistica e della storia della storiografia artistica degli ultimi due secoli. Questa ricerca ambisce a rappresentare il tragitto comune percorso da due tracce indipendenti della storiografia artistica in Italia nel primo Ottocento: da un lato, il consolidamento del metodo storiografico e la nascita di una letteratura artistica nazionale; dall’altro, la recezione graduale delle fonti epistolari winckelmanniane nel nuovo sottogenere della raccolta di lettere e opere.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":" Federica La Manna, a cura di, Winckelmann tra Cultura, Arte e Letteratura, Guida, Napoli, pp. 15-38."},"translated_abstract":"Il vasto corpus di lettere che Winckelmann ha lasciato alla comunità internazionale degli studiosi è largamente noto ed esaustivamente esaminato, soprattutto secondo l’approccio filologico-letterario. Ormai solida è anche la bibliografia storico-artistica dedicata alla sua vicenda e al suo contributo alla formazione della disciplina moderna della storia dell’arte, sebbene non tutto sia stato ancora scritto sul valore dei documenti epistolari nel contesto specifico della storiografia artistica e della storia della storiografia artistica degli ultimi due secoli. Questa ricerca ambisce a rappresentare il tragitto comune percorso da due tracce indipendenti della storiografia artistica in Italia nel primo Ottocento: da un lato, il consolidamento del metodo storiografico e la nascita di una letteratura artistica nazionale; dall’altro, la recezione graduale delle fonti epistolari winckelmanniane nel nuovo sottogenere della raccolta di lettere e opere.","internal_url":"https://www.academia.edu/108644537/Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca","translated_internal_url":"","created_at":"2023-10-27T09:00:10.787-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":25898819,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":106973078,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106973078/thumbnails/1.jpg","file_name":"Winckelmann.pdf","download_url":"https://www.academia.edu/attachments/106973078/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Winckelmann_scrittore_di_lettere_Note_su.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106973078/Winckelmann-libre.pdf?1698423658=\u0026response-content-disposition=attachment%3B+filename%3DWinckelmann_scrittore_di_lettere_Note_su.pdf\u0026Expires=1733020056\u0026Signature=Use17Ku7TH8Ee1W~ZWkWceCuzt-wtGM-s506RHQzUhv7Hx4aA-P2lyCFCOr5UcSR8HRhVFniHgZq3pTbLIsFwr9ZxJu4RA4AmLGfvTJPWqiI6hcu1D9TeKABXSDb9gSuuqXlcaLp4svKlCeGpkayeHHXrPa02YupRubJ3oanE8AfvQYT17qJsJSyp-M0PivBHVMGIFRKay55jE6-0KPoGypP8wVFh64GKVHx3O32XW1qbXtTtX5vc~242MWxjrC83V6gno3VRvjKh4Gw9NGs3qEP3ackE8xZHeETReyNlCTErgVgihc67qtvQ1vKdqg4d6o2esYM3YW6ve4kE7J-EA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Winckelmann_scrittore_di_lettere_Note_sulla_fortuna_critica_dell_epistolario_nella_storiografia_artistica_italiana_ottocentesca","translated_slug":"","page_count":1,"language":"it","content_type":"Work","owner":{"id":25898819,"first_name":"annalisa","middle_initials":null,"last_name":"laganà","page_name":"annalisalaganà","domain_name":"unical-it","created_at":"2015-02-07T02:11:21.629-08:00","display_name":"annalisa laganà","url":"https://unical-it.academia.edu/annalisalagan%C3%A0"},"attachments":[{"id":106973078,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106973078/thumbnails/1.jpg","file_name":"Winckelmann.pdf","download_url":"https://www.academia.edu/attachments/106973078/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Winckelmann_scrittore_di_lettere_Note_su.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106973078/Winckelmann-libre.pdf?1698423658=\u0026response-content-disposition=attachment%3B+filename%3DWinckelmann_scrittore_di_lettere_Note_su.pdf\u0026Expires=1733020056\u0026Signature=Use17Ku7TH8Ee1W~ZWkWceCuzt-wtGM-s506RHQzUhv7Hx4aA-P2lyCFCOr5UcSR8HRhVFniHgZq3pTbLIsFwr9ZxJu4RA4AmLGfvTJPWqiI6hcu1D9TeKABXSDb9gSuuqXlcaLp4svKlCeGpkayeHHXrPa02YupRubJ3oanE8AfvQYT17qJsJSyp-M0PivBHVMGIFRKay55jE6-0KPoGypP8wVFh64GKVHx3O32XW1qbXtTtX5vc~242MWxjrC83V6gno3VRvjKh4Gw9NGs3qEP3ackE8xZHeETReyNlCTErgVgihc67qtvQ1vKdqg4d6o2esYM3YW6ve4kE7J-EA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":15352,"name":"Historiography (in Art History)","url":"https://www.academia.edu/Documents/in/Historiography_in_Art_History_"},{"id":22951,"name":"Epistolography","url":"https://www.academia.edu/Documents/in/Epistolography"},{"id":29686,"name":"Winckelmann","url":"https://www.academia.edu/Documents/in/Winckelmann"}],"urls":[]}, dispatcherData: dispatcherData }); 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Gombrich e il recupero dell’Iconologia di Cesare Ripa negli anni Settanta del Novecento: alcune congiunture." class="work-thumbnail" src="https://attachments.academia-assets.com/100758582/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/99753584/Ernst_H_Gombrich_e_il_recupero_dell_Iconologia_di_Cesare_Ripa_negli_anni_Settanta_del_Novecento_alcune_congiunture">Ernst H. Gombrich e il recupero dell’Iconologia di Cesare Ripa negli anni Settanta del Novecento: alcune congiunture.</a></div><div class="wp-workCard_item"><span>“Fontes”, nuova serie, n. 3, pp. 181-195.</span><span>, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc63f82fd2cf827aaa533cc893c8f03e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100758582,"asset_id":99753584,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100758582/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99753584"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99753584"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99753584; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=99753584]").text(description); $(".js-view-count[data-work-id=99753584]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 99753584; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='99753584']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 99753584, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bc63f82fd2cf827aaa533cc893c8f03e" } } $('.js-work-strip[data-work-id=99753584]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":99753584,"title":"Ernst H. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="79800126"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/79800126/Epoxy_Resin_for_the_Slope_Consolidation_Intervention_on_the_Tropea_Sandstone_Cliff_Southern_Calabria_Italy_"><img alt="Research paper thumbnail of Epoxy Resin for the Slope Consolidation Intervention on the Tropea Sandstone Cliff (Southern Calabria, Italy)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/79800126/Epoxy_Resin_for_the_Slope_Consolidation_Intervention_on_the_Tropea_Sandstone_Cliff_Southern_Calabria_Italy_">Epoxy Resin for the Slope Consolidation Intervention on the Tropea Sandstone Cliff (Southern Calabria, Italy)</a></div><div class="wp-workCard_item"><span>Geoheritage</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides, has needed various interventions of slope consolidation aimed at reducing hazard conditions. These interventions were performed with low environmental impact techniques in order to preserve the architecture and the landscape of the area. In 1998, a consolidant resin was tested on a limited portion of the Tropea sandstone cliff. The purpose of this test was checking the resin behavior against erosion processes. Previous researches showed a good resistance to erosion with only a slight opacification of the treated sandstone portion. This paper aims at studying the behavior of the consolidant resin after 17 years from its application. The research was performed by several laboratory tests. The Fourier transform infrared spectroscopy analysis has indicated that the consolidant product was an epoxy resin. The scanning electron microscopy analysis has shown that the resin has penetrated into the rock up to 2 mm. The chemical analysis further testified that the tested surface is characterized by higher content of soluble salts than the non-treated surface. The salt content is mainly related to the infiltration of water enriched in soluble salts, due to the marine aerosol. The soluble salts, crystallizing in the rock pores and between the mica sheets, produce an increase of physical stress that is responsible of the exfoliation processes of the resin. Therefore, the use of epoxy resin on the tested sandstone rocks increases the strength on the outer rock surface, with a consequent good resistance to erosion processes just in a restricted period. Overtime, water infiltration introduces dangerous soluble salts below the treated surface, causing salt crystallization with important exfoliation processes of the treated rock surface.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="79800126"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="79800126"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 79800126; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=79800126]").text(description); $(".js-view-count[data-work-id=79800126]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 79800126; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='79800126']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 79800126, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=79800126]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":79800126,"title":"Epoxy Resin for the Slope Consolidation Intervention on the Tropea Sandstone Cliff (Southern Calabria, Italy)","translated_title":"","metadata":{"abstract":"The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides, has needed various interventions of slope consolidation aimed at reducing hazard conditions. 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Fonti, metodo e fortuna</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In Maria Pia Donato, Giovanna Capitelli, Ilaria Miarelli Mariani, Carla Mazzarelli, Susanne Meyer...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In Maria Pia Donato, Giovanna Capitelli, Ilaria Miarelli Mariani, Carla Mazzarelli, Susanne Meyer, a cura di, Lettere d’artista: Per una storia transnazionale dell’arte (XVIII-XIX secolo), Silvana Editoriale, 2022, pp. 282-295.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da0ee3912d6cd7568f33f11fc4ae75e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80994304,"asset_id":71795984,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80994304/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71795984"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71795984"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71795984; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71795984]").text(description); $(".js-view-count[data-work-id=71795984]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71795984; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='71795984']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 71795984, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da0ee3912d6cd7568f33f11fc4ae75e7" } } $('.js-work-strip[data-work-id=71795984]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":71795984,"title":"La Nuova raccolta di lettere sulla pittura, scultura e architettura di Michelangelo Gualandi. 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Ietto, F. Perri, D. Miriello, S. A. Ruffolo, A. Laganà, E. Le Pera, "Geoheritage", DOI 10.1007/s12371-017-0235-2." class="work-thumbnail" src="https://attachments.academia-assets.com/53243256/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33155243/Epoxy_Resin_for_the_Slope_Consolidation_Intervention_on_the_Tropea_Sandstone_Cliff_Southern_Calabria_Italy_F_Ietto_F_Perri_D_Miriello_S_A_Ruffolo_A_Lagan%C3%A0_E_Le_Pera_Geoheritage_DOI_10_1007_s12371_017_0235_2">Epoxy Resin for the Slope Consolidation Intervention on the Tropea Sandstone Cliff (Southern Calabria, Italy) F. Ietto, F. Perri, D. Miriello, S. A. Ruffolo, A. Laganà, E. Le Pera, "Geoheritage", DOI 10.1007/s12371-017-0235-2.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides, has needed various interventions of slope consolidation aimed at reducing hazard conditions. These interventions were performed with low environmental impact techniques in order to preserve the architecture and the landscape of the area. In 1998, a consolidant resin was tested on a limited portion of the Tropea sandstone cliff. The purpose of this test was checking the resin behavior against erosion processes. Previous researches showed a good resistance to erosion with only a slight opacification of the treated sandstone portion. This paper aims at studying the behavior of the consolidant resin after 17 years from its application. The research was performed by several laboratory tests. The Fourier transform infrared spec-troscopy analysis has indicated that the consolidant product was an epoxy resin. The scanning electron microscopy analysis has shown that the resin has penetrated into the rock up to 2 mm. The chemical analysis further testified that the tested surface is characterized by higher content of soluble salts than the non-treated surface. The salt content is mainly related to the infiltration of water enriched in soluble salts, due to the marine aerosol. The soluble salts, crystallizing in the rock pores and between the mica sheets, produce an increase of physical stress that is responsible of the exfoliation processes of the resin. Therefore, the use of epoxy resin on the tested sandstone rocks increases the strength on the outer rock surface , with a consequent good resistance to erosion processes just in a restricted period. Overtime, water infiltration introduces dangerous soluble salts below the treated surface, causing salt crystallization with important exfoliation processes of the treated rock surface.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="31daefab01318717b3750147ffbd5d8e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53243256,"asset_id":33155243,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53243256/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33155243"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33155243"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33155243; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33155243]").text(description); $(".js-view-count[data-work-id=33155243]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33155243; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33155243']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33155243, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "31daefab01318717b3750147ffbd5d8e" } } $('.js-work-strip[data-work-id=33155243]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33155243,"title":"Epoxy Resin for the Slope Consolidation Intervention on the Tropea Sandstone Cliff (Southern Calabria, Italy) F. Ietto, F. Perri, D. Miriello, S. A. Ruffolo, A. Laganà, E. Le Pera, \"Geoheritage\", DOI 10.1007/s12371-017-0235-2.","translated_title":"","metadata":{"abstract":"The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides, has needed various interventions of slope consolidation aimed at reducing hazard conditions. These interventions were performed with low environmental impact techniques in order to preserve the architecture and the landscape of the area. In 1998, a consolidant resin was tested on a limited portion of the Tropea sandstone cliff. The purpose of this test was checking the resin behavior against erosion processes. Previous researches showed a good resistance to erosion with only a slight opacification of the treated sandstone portion. This paper aims at studying the behavior of the consolidant resin after 17 years from its application. The research was performed by several laboratory tests. The Fourier transform infrared spec-troscopy analysis has indicated that the consolidant product was an epoxy resin. The scanning electron microscopy analysis has shown that the resin has penetrated into the rock up to 2 mm. The chemical analysis further testified that the tested surface is characterized by higher content of soluble salts than the non-treated surface. The salt content is mainly related to the infiltration of water enriched in soluble salts, due to the marine aerosol. The soluble salts, crystallizing in the rock pores and between the mica sheets, produce an increase of physical stress that is responsible of the exfoliation processes of the resin. Therefore, the use of epoxy resin on the tested sandstone rocks increases the strength on the outer rock surface , with a consequent good resistance to erosion processes just in a restricted period. Overtime, water infiltration introduces dangerous soluble salts below the treated surface, causing salt crystallization with important exfoliation processes of the treated rock surface."},"translated_abstract":"The Tropea cliff (southern Calabria, Italy), affected by fast weathering processes and landslides, has needed various interventions of slope consolidation aimed at reducing hazard conditions. These interventions were performed with low environmental impact techniques in order to preserve the architecture and the landscape of the area. In 1998, a consolidant resin was tested on a limited portion of the Tropea sandstone cliff. The purpose of this test was checking the resin behavior against erosion processes. Previous researches showed a good resistance to erosion with only a slight opacification of the treated sandstone portion. This paper aims at studying the behavior of the consolidant resin after 17 years from its application. The research was performed by several laboratory tests. The Fourier transform infrared spec-troscopy analysis has indicated that the consolidant product was an epoxy resin. The scanning electron microscopy analysis has shown that the resin has penetrated into the rock up to 2 mm. The chemical analysis further testified that the tested surface is characterized by higher content of soluble salts than the non-treated surface. The salt content is mainly related to the infiltration of water enriched in soluble salts, due to the marine aerosol. The soluble salts, crystallizing in the rock pores and between the mica sheets, produce an increase of physical stress that is responsible of the exfoliation processes of the resin. Therefore, the use of epoxy resin on the tested sandstone rocks increases the strength on the outer rock surface , with a consequent good resistance to erosion processes just in a restricted period. 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Link al blog: <a href="http://storiciarteincalabria.blogspot.it/p/andrea-alfano.html" rel="nofollow">http://storiciarteincalabria.blogspot.it/p/andrea-alfano.html</a><br />Cataloguing data of the picture, edited for the project OCCUPY MAON. 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Transnational ways of "patrimonialisation" in the late 19th and early 20th Centuries" class="work-thumbnail" src="https://attachments.academia-assets.com/116230584/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121321379/Artists_letters_as_a_material_and_conceptual_heritage_Transnational_ways_of_patrimonialisation_in_the_late_19th_and_early_20th_Centuries">Artists’ letters as a material and conceptual heritage. Transnational ways of "patrimonialisation" in the late 19th and early 20th Centuries</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">36th Congress of the Comité International d'Histoire de l'Art June 23-28 2024 Lyon Convention Cen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">36th Congress of the Comité International d'Histoire de l'Art<br />June 23-28 2024<br />Lyon Convention Center<br /><br />Session: Patrimonializations 3/3<br />Chairs<br />Hélène SIRVEN, Paris 1 Panthéon Sorbonne University (Paris, France), Yuning TENG, Universität Hamburg (Hambourg, Germany), Maria Inez TURAZZI, Fluminense Federal University (Rio De Janeiro, Brazil)<br />Speakers<br />Annalisa LAGANÀ, Università degli Studi di Napoli, Università Della Calabria (Italy), Anne MALMENDIER, Laboratoire d’Anthropologie des Mondes Contemporains (LAMC), Université Libre de Bruxelles (Brussels, Belgium), Julieta PESTARINO, Kunsthistorisches Institut in Florenz (Berlin, Germany), Laís SILVA AMORIM, Universidade Federal de São Paulo (Brazil), École Nationale Supérieure d'Architecture de Lyon (France), Juan Pablo VILCHES-CORNEJO, Université Adolfo Ibañez (Santiago, Chile)<br /><br /><a href="https://www.cihalyon2024.fr/fr/" rel="nofollow">https://www.cihalyon2024.fr/fr/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b391950e96e2b255a29aa9f88de156d5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116230584,"asset_id":121321379,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116230584/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="121321379"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="121321379"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 121321379; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=121321379]").text(description); $(".js-view-count[data-work-id=121321379]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 121321379; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='121321379']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 121321379, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b391950e96e2b255a29aa9f88de156d5" } } $('.js-work-strip[data-work-id=121321379]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":121321379,"title":"Artists’ letters as a material and conceptual heritage. 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/></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121181686/L_archivio_fotografico_Giovanni_Previtali_del_Dipartimento_di_Studi_Umanistici_dell_Universit%C3%A0_degli_Studi_di_Napoli_Federico_II_">L’archivio fotografico “Giovanni Previtali” del Dipartimento di Studi Umanistici dell’Università degli Studi di Napoli “Federico II”</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">With Paola D’Alconzo and Simone Foresta, workshop Copies didactiques: Les supports à l’enseigneme...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">With Paola D’Alconzo and Simone Foresta, workshop Copies didactiques: Les supports à l’enseignement de l’archéologie et de l’histoire de l’art antique (grec, étrusque, romain) en France, Grèce et Italie (XIXe-XXe s.), Programmes quinquennaux EFA et EFR, 2022-2026 portés par Annick Fenet et Natascha Lubtchansky, Atelier n° 3, Napoli, Università degli Studi di Napoli Federico II, 3 June 2024.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2ca804e94242e6a716aa610e21aa853e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116130414,"asset_id":121181686,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116130414/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner 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Champagne-Ardenne, France</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gazing into the representation of indigeneity in indigenous contemporary art: Reconciling via dec...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gazing into the representation of indigeneity in indigenous contemporary art: Reconciling via decolonizing aesthetics and curatorial practices?, Laura Singeot, Archivo Webinar Series 2023, Porto, 12 April 2023, 18:30-20:00 WEST (<a href="https://www.archivoplatform.com/event-details/webinar23-2" rel="nofollow">https://www.archivoplatform.com/event-details/webinar23-2</a>).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a 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href="https://www.academia.edu/106662736/Chair_Panel_7_Reframing_Memory_Identity_and_Life_through_Contemporary_Archival_Art_with_Dr_Eli%C3%A1n_Stolarsky_Universidad_Complutense_Prof_Elisabeth_R_Friedman_Illinois_State_University_and_Dr_Paula_Roush_London_South_Bank_University"><img alt="Research paper thumbnail of Chair: Panel 7: Reframing Memory, Identity, and Life through Contemporary Archival Art, with Dr. Elián Stolarsky, Universidad Complutense, Prof. Elisabeth R. Friedman, Illinois State University, and Dr. Paula Roush, London South Bank University" class="work-thumbnail" src="https://attachments.academia-assets.com/105746195/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/106662736/Chair_Panel_7_Reframing_Memory_Identity_and_Life_through_Contemporary_Archival_Art_with_Dr_Eli%C3%A1n_Stolarsky_Universidad_Complutense_Prof_Elisabeth_R_Friedman_Illinois_State_University_and_Dr_Paula_Roush_London_South_Bank_University">Chair: Panel 7: Reframing Memory, Identity, and Life through Contemporary Archival Art, with Dr. Elián Stolarsky, Universidad Complutense, Prof. Elisabeth R. Friedman, Illinois State University, and Dr. Paula Roush, London South Bank University</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Panel 7: Reframing Memory, Identity, and Life through Contemporary Archival Art, with Dr. Elián S...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Panel 7: Reframing Memory, Identity, and Life through Contemporary Archival Art, with Dr. Elián Stolarsky, Universidad Complutense, Prof. Elisabeth R. Friedman, Illinois State University, and Dr. Paula Roush, London South Bank University, in Reframing the Archive, International Conference on Photography and Visual Culture, 4th Edition, September 23, 2023, Image, Archive & Conflict, (Im)material Ecologies in the Digital Age, held by Archivo Research Network [<a href="https://www.archivoplatform.com/post/rta23-program" rel="nofollow">https://www.archivoplatform.com/post/rta23-program</a>].</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d6b811effa511efb95f6a87323a4a333" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105746195,"asset_id":106662736,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105746195/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="106662736"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="106662736"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 106662736; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=106662736]").text(description); $(".js-view-count[data-work-id=106662736]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 106662736; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='106662736']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 106662736, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d6b811effa511efb95f6a87323a4a333" } } $('.js-work-strip[data-work-id=106662736]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":106662736,"title":"Chair: Panel 7: Reframing Memory, Identity, and Life through Contemporary Archival Art, with Dr. Elián Stolarsky, Universidad Complutense, Prof. Elisabeth R. 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Pour une nuovelle histoire transnationale de l'art (XVIII et XIX siecles), Ecole Francaise de Rome, presso la Bibliotheca Hertziana, Villino Stroganoff, via Gregoriana 22 - Roma</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b2c52957bc79872c7f7c32132dcdb6ee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54934703,"asset_id":35074038,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54934703/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35074038"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35074038"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35074038; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35074038]").text(description); $(".js-view-count[data-work-id=35074038]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35074038; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35074038']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35074038, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b2c52957bc79872c7f7c32132dcdb6ee" } } $('.js-work-strip[data-work-id=35074038]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35074038,"title":"Nuovi e vecchi strumenti bibliografici per il censimento dei carteggi d'artista","translated_title":"","metadata":{"abstract":"Seminario di ricerca Censimento e schedatura dei carteggi artistici. 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Archival Practices in Contemporary Visual Arts: a Model and a Source. Book of Abstracts" class="work-thumbnail" src="https://attachments.academia-assets.com/118473526/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124203339/Reframing_the_Archive_Archival_Practices_in_Contemporary_Visual_Arts_a_Model_and_a_Source_Book_of_Abstracts">Reframing the Archive. Archival Practices in Contemporary Visual Arts: a Model and a Source. Book of Abstracts</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Titled Archival Practices in Contemporary Visual Arts: A Model and a Source, the conference aims ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Titled Archival Practices in Contemporary Visual Arts: A Model and a Source, the conference aims to gather contributions on archival art and archival research for contemporary art, considering them as two complementary aspects of a broad and complex field of investigation. On one hand, the archive serves as a structural model for artists from diverse backgrounds and engaged in various fields. On the other hand, authors' archives provide essential resources for historiographical studies on contemporary art, offering valuable information and direct testimonies. This dual focus necessitates engagement not only with the present but also with a relatively short historical span. <br /> <br />The 5th edition of the International Conference Reframing the Archive invites scholars at any stage of their careers, as well as visual artists and other professionals in the field of visual arts, to reflect on contemporary archive-based visual arts and contemporary archival sources and collections. We welcome proposals for 15-minute theory and practice-led presentations (followed by 15-minute panel discussion) from various disciplines, including: photography, cinema and new media, art history and theory, anthropology, museology, philosophy, cultural studies, visual and media studies, and fine and graphic arts. 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On one hand, the archive serves as a structural model for artists from diverse backgrounds and engaged in various fields. On the other hand, authors' archives provide essential resources for historiographical studies on contemporary art, offering valuable information and direct testimonies. This dual focus necessitates engagement not only with the present but also with a relatively short historical span.<br /><br />Organising committee:<br />Ana Catarina Pinho<br />Annalisa Laganà<br /><a href="https://www.archivoplatform.com/" rel="nofollow">https://www.archivoplatform.com/</a><br /><br />INFO and APPLICATION: <a href="https://www.archivoplatform.com/rta" rel="nofollow">https://www.archivoplatform.com/rta</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="313d8ca2617eb4fdd2f9911978499609" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112525134,"asset_id":116378076,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112525134/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116378076"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116378076"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116378076; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116378076]").text(description); $(".js-view-count[data-work-id=116378076]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116378076; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116378076']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 116378076, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "313d8ca2617eb4fdd2f9911978499609" } } $('.js-work-strip[data-work-id=116378076]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116378076,"title":"International conference: Archival Practices in Contemporary Visual Arts: A Model and a Source","translated_title":"","metadata":{"abstract":"26-27 September 2024\nOnline\nThe conference aims to gather contributions on archival art and archival research for contemporary art, considering them as two complementary aspects of a broad and complex field of investigation. 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La parola a chi lavora, ciclo di seminari a cura di Giovanna Capitelli – CdLM in Storia dell’arte del Dipartimento di Studi Umanistici – UNICAL, aprile e maggio 2018, cubo 21B, Università della Calabria</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c7306cb7e111aa84868778385ebb8e5f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58258788,"asset_id":38219188,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58258788/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38219188"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38219188"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38219188; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38219188]").text(description); $(".js-view-count[data-work-id=38219188]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38219188; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38219188']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38219188, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c7306cb7e111aa84868778385ebb8e5f" } } $('.js-work-strip[data-work-id=38219188]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38219188,"title":"SEGRETERIA SCIENTIFICA E ORGANIZZATIVA/CONFERENCE ADMINISTRATION - Storici dell’arte. 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Cos’è? Come si fa?, seminario internazionale di studi coordinato da Giovanna Capitelli (UNICAL), 31 maggio 2018, Villa Rendano, Cosenza." class="work-thumbnail" src="https://attachments.academia-assets.com/58258970/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38219424/SEGRETERIA_SCIENTIFICA_E_ORGANIZZATIVA_CONFERENCE_ADMINISTRATION_World_Art_History_Cos_%C3%A8_Come_si_fa_seminario_internazionale_di_studi_coordinato_da_Giovanna_Capitelli_UNICAL_31_maggio_2018_Villa_Rendano_Cosenza">SEGRETERIA SCIENTIFICA E ORGANIZZATIVA/CONFERENCE ADMINISTRATION - World Art History. Cos’è? 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Reti intellettuali e iniziative nell'Ottocento italiano</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Vendredi 27 novembre, de 10 h à 17 h 45 Colloque organisé avec le soutien de l’EFR, l’IHMC, l’Un...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Vendredi 27 novembre, de 10 h à 17 h 45<br /><br />Colloque organisé avec le soutien de l’EFR, l’IHMC, l’Università Roma Tre, et l’Università della Calabria, dans le cadre du projet LETTRESART.<br /><br />Organisation et comité scientifique :<br /><br />Giovanna Capitelli (Università Roma Tre), Maria Pia Donato (CNRS – IHMC, Paris), Annalisa Laganà (Università della Calabria – ENS, Paris)<br /><br />Il se tiendra en mode distantiel uniquement, sur Zoom : <br /><br />Contact pour les informations de connexion : Annalisa Laganà, <a href="mailto:annalisa.lagana@unical.it" rel="nofollow">annalisa.lagana@unical.it</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c129c5bab3bae3593cebf89ffa99e864" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98194560,"asset_id":96241060,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98194560/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96241060"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96241060"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96241060; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96241060]").text(description); $(".js-view-count[data-work-id=96241060]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96241060; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='96241060']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 96241060, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c129c5bab3bae3593cebf89ffa99e864" } } $('.js-work-strip[data-work-id=96241060]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":96241060,"title":"SEGRETERIA SCIENTIFICA E ORGANIZZATIVA: La lettera d'artista come patrimonio nazionale. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44485230"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44485230/La_lettera_dartista_come_patrimonio_nazionale_Reti_intellettuali_e_iniziative_nellOttocento_italiano_Webinair_EFR_27_novembre_2020"><img alt="Research paper thumbnail of La lettera d'artista come patrimonio nazionale. Reti intellettuali e iniziative nell'Ottocento italiano. Webinair EFR 27 novembre 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/64917100/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44485230/La_lettera_dartista_come_patrimonio_nazionale_Reti_intellettuali_e_iniziative_nellOttocento_italiano_Webinair_EFR_27_novembre_2020">La lettera d'artista come patrimonio nazionale. Reti intellettuali e iniziative nell'Ottocento italiano. Webinair EFR 27 novembre 2020</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cnrs.academia.edu/MariaPiaDonato">Maria Pia Donato</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unical-it.academia.edu/annalisalagan%C3%A0">annalisa laganà</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://en-unich.academia.edu/IlariaMiarelliMariani">Ilaria Miarelli Mariani</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://efrome.academia.edu/Letteredartistaprogettodiricerca">Lettere d'artista / Lettres d'artiste - progetto di ricerca</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il convegno si propone di riconsiderare il processo di definizione dell'identità nazionale tra Ot...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il convegno si propone di riconsiderare il processo di definizione dell'identità nazionale tra Otto e Novecento utilizzando come prisma la patrimonializzazione delle lettere degli artisti. In Italia, tale processo maturò prevalentemente in ambito municipale, ma s'inserì sempre all'interno di fitti scambi politico-culturali transnazionali. Gli interventi metteranno a fuoco le reti nazionali e internazionali di studio e collezionismo delle lettere d'artista, il ruolo degli studiosi e conoscitori di provincia nella definizione di un pantheon artistico nazionale e le iniziative di celebrazione e conservazione che lo sottesero e ne dipesero.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cc8014b38b25afdd4a93ceb79a67a867" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64917100,"asset_id":44485230,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64917100/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44485230"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44485230"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44485230; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44485230]").text(description); $(".js-view-count[data-work-id=44485230]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44485230; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44485230']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44485230, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cc8014b38b25afdd4a93ceb79a67a867" } } $('.js-work-strip[data-work-id=44485230]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44485230,"title":"La lettera d'artista come patrimonio nazionale. 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Invenzione di un patrimonio nell'Italia del nation-building" class="work-thumbnail" src="https://attachments.academia-assets.com/118886904/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124124600/Lettere_dartista_Invenzione_di_un_patrimonio_nellItalia_del_nation_building">Lettere d'artista. Invenzione di un patrimonio nell'Italia del nation-building</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il libro ricostruisce il processo di formazione e di istituzionalizzazione di una parte del patri...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il libro ricostruisce il processo di formazione e di istituzionalizzazione di una parte del patrimonio storico-artistico italiano durante il nation-building, colto nella sua più lunga estensione e cioè dall’emergere del nazionalismo culturale a inizio Ottocento, fino alle declinazioni fasciste della gestione del patrimonio pubblico. Lo scopo della ricerca è quello di ricomporre sistematicamente la vicenda mai scritta della patrimonialisation delle lettere d’artista, ossia di ricostruire la storia delle collezioni, musealizzazioni ed edizioni di questa peculiare fonte della storia dell’arte, acquisita, in un frangente cruciale della storia contemporanea, come bene da sottoporre a tutela. Contessendo le tracce della storia del collezionismo, della storia del patrimonio e della storia della storiografia artistica, questo saggio si inserisce metodologicamente nel solco degli studi sull’epistolografia artistica, proponendosi di raccontare l’“invenzione” del valore storico e identitario di questi archivi. <br /> <br />The book describes the shaping and institutionalisation of a part of Italy’s cultural heritage during nation-building, from the emergence of cultural nationalism at the beginning of the 19th century to the Fascist period. The research aims to draft the first history of artists’ letters patrimonialisation, by reconstructing the history of collections, musealisations and editions of this peculiar source for art history, which was subject to conservation policies after Italy’s unification. This essay addresses many issues in the field of artistic epistolography and it outlines how the historical and identity value of these archives originated. <br /> <br />Open access: <br />Libro: FedOAPress - Clio, vol. 53: <br /><a href="http://www.fedoabooks.unina.it/index.php/fedoapress/catalog/book/577" rel="nofollow">http://www.fedoabooks.unina.it/index.php/fedoapress/catalog/book/577</a> <br /> <br />Appendice: IRIS UNINA - Annalisa Laganà, 'Censimento delle lettere d’artista conservate in Italia: breve illustrazione del database': <br /><a href="https://hdl.handle.net/11588/973463" rel="nofollow">https://hdl.handle.net/11588/973463</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="57c0eb1cd21e5e962cbe65ac026b1f47" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118886904,"asset_id":124124600,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118886904/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="124124600"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="124124600"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 124124600; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=124124600]").text(description); $(".js-view-count[data-work-id=124124600]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 124124600; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='124124600']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 124124600, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "57c0eb1cd21e5e962cbe65ac026b1f47" } } $('.js-work-strip[data-work-id=124124600]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":124124600,"title":"Lettere d'artista. 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Normalised practices and non-normative historiographies</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">CALL FOR PAPERS | Archivo Papers 5th volume, 2025 Deadline for submissions: October 25th, 2024 ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">CALL FOR PAPERS | Archivo Papers 5th volume, 2025<br />Deadline for submissions: October 25th, 2024<br /> <br />Archives and Contemporary Visual Art. 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Per una storia transnazionale dell'arte (XVIII-XIX secolo), a cura di G. Capitelli, M.P. Donato, C. Mazzarelli, S. Meyer, I. Miarelli Mariani, 2022" class="work-thumbnail" src="https://attachments.academia-assets.com/81021237/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71837860/Lettere_dartista_Per_una_storia_transnazionale_dellarte_XVIII_XIX_secolo_a_cura_di_G_Capitelli_M_P_Donato_C_Mazzarelli_S_Meyer_I_Miarelli_Mariani_2022">Lettere d'artista. Per una storia transnazionale dell'arte (XVIII-XIX secolo), a cura di G. Capitelli, M.P. Donato, C. Mazzarelli, S. Meyer, I. Miarelli Mariani, 2022</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://efrome.academia.edu/Letteredartistaprogettodiricerca">Lettere d'artista / Lettres d'artiste - progetto di ricerca</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniromatre.academia.edu/GiovannaCapitelli">Giovanna Capitelli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://cnrs.academia.edu/MariaPiaDonato">Maria Pia Donato</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://usi-ch.academia.edu/CarlaMazzarelli">Carla Mazzarelli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://en-unich.academia.edu/TizianoCasola">Tiziano Casola</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unical.academia.edu/IleniaFalbo">Ilenia Falbo</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unical-it.academia.edu/annalisalagan%C3%A0">annalisa laganà</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uva.academia.edu/ArnoldWitte">Arnold A Witte</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipg.academia.edu/ErminiaIrace">Erminia Irace</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/CarolinaBrook">Carolina Brook</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://milano.academia.edu/FrancescaValli">Francesca Valli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/TMontefusco">Teresa Montefusco</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Volume conclusivo del progetto LettresArt dell'EFR, dedicato alla memoria di Serenella Rolfi. Ind...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Volume conclusivo del progetto LettresArt dell'EFR, dedicato alla memoria di Serenella Rolfi. Indice, premessa e bilancio del progetto di ricerca.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9571a48ad8f3a826573701f36673e8d3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81021237,"asset_id":71837860,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81021237/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71837860"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71837860"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71837860; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71837860]").text(description); $(".js-view-count[data-work-id=71837860]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71837860; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='71837860']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 71837860, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9571a48ad8f3a826573701f36673e8d3" } } $('.js-work-strip[data-work-id=71837860]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":71837860,"title":"Lettere d'artista. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70994916"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70994916/Mondrian_1956_Traccia_di_una_fortuna_italiana"><img alt="Research paper thumbnail of Mondrian 1956: Traccia di una fortuna italiana" class="work-thumbnail" src="https://attachments.academia-assets.com/80517721/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70994916/Mondrian_1956_Traccia_di_una_fortuna_italiana">Mondrian 1956: Traccia di una fortuna italiana</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Per ragioni di carattere politico-culturale imputabili in buona misura al nazionalismo del Venten...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Per ragioni di carattere politico-culturale imputabili in buona misura al nazionalismo del Ventennio fascista e ai suoi strascichi, fino alla metà degli anni Cinquanta l’opera di Mondrian non trovò nel sistema italiano delle arti e della critica l’adeguata e attesa fortuna. Tuttavia, l’accurata ricostruzione della storia italiana delle esposizioni e della letteratura artistica prodotte intorno al vivace comparto delle arti astratte tra gli anni Trenta e gli anni Sessanta, che questo libro ambisce a rappresentare, è in grado di restituire l’importanza dell’impatto che la produzione artistica e teorica di Mondrian esercitò sommessamente sulla pittura, sull’architettura e sulla critica coeve. Il libro presenta, dunque, la complessa vicenda della ricezione dell’opera di Mondrian in Italia nel momento di maggiore pressione creativa e teorica sui lasciti dei modernismi. Il saggio è diviso in due parti. Nella prima è riunito criticamente il quadro del vasto fiorire di studi italiani dedicati a Mondrian, presupposto teorico per una storia della ricezione. Nella seconda, è ricostruita, sull’indagine museografica e lo spoglio d’archivio, la grande retrospettiva del 1956 a Roma, allestita magistralmente da Carlo Scarpa, al contempo esito e premessa di una difficile vicenda italiana di riconoscimento dell’opera di Mondrian. Con una prefazione di Alessandro Del Puppo</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1590eac3310e2fcfc29ad85f4f66f048" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80517721,"asset_id":70994916,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80517721/download_file?st=MTczMzAyMTk3MCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70994916"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70994916"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70994916; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70994916]").text(description); $(".js-view-count[data-work-id=70994916]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70994916; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70994916']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 70994916, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1590eac3310e2fcfc29ad85f4f66f048" } } $('.js-work-strip[data-work-id=70994916]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70994916,"title":"Mondrian 1956: Traccia di una fortuna italiana","translated_title":"","metadata":{"abstract":"Per ragioni di carattere politico-culturale imputabili in buona misura al nazionalismo del Ventennio fascista e ai suoi strascichi, fino alla metà degli anni Cinquanta l’opera di Mondrian non trovò nel sistema italiano delle arti e della critica l’adeguata e attesa fortuna. 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