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gauthier bolle | Université de Strasbourg - Academia.edu
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De 2014 à 2018, il est maître-assistant en histoire et culture architecturales à l’École nationale supérieure d’architecture et de paysage de Bordeaux, chercheur à l’UMR Passages (Bordeaux) et membre associé à l’EA 3400-ARCHE (Strasbourg). Depuis septembre 2018, il est maître de conférences à l’École nationale supérieure d’architecture de Strasbourg.En 2016, il est commissaire adjoint de l’exposition Le Corbusier, les chemins de la création présenté au Séoul Arts Center. Sa thèse a été publiée en 2017 aux Presses universitaires de Rennes sous le titre C.-G. Stoskopf (1907-2004), architecte : les Trente Glorieuses et la réinvention des traditions (collection Art et société). Membre de l’équipe de SMART FRENCH, Le logement collectif du second XXe siècle, au prisme de l'énergie (Ministère de la Culture), il est aussi engagé dans le programme HenSA20-Histoire de l'enseignement de l'architecture au 20e siècle à Bordeaux. Ses recherches portent sur les formes et théories architecturales ainsi que sur le milieu professionnel, les réseaux et doctrines en France au XXe siècle et plus spécifiquement sur la culture académique et les processus de modernisations durant les Trente Glorieuses.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unipd.academia.edu/AlexandraChavarriaArnau"><img class="profile-avatar u-positionAbsolute" alt="Alexandra Chavarria Arnau" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/31783/10261/21828087/s200_alexandra.chavarria_arnau.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unipd.academia.edu/AlexandraChavarriaArnau">Alexandra Chavarria Arnau</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Università degli Studi di Padova</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://ksu.academia.edu/DavidSeamon"><img class="profile-avatar u-positionAbsolute" alt="David Seamon" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/93547/25922/29662134/s200_david.seamon.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://ksu.academia.edu/DavidSeamon">David Seamon</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Kansas State University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://oeaw.academia.edu/JohannesPreiserKapeller"><img class="profile-avatar u-positionAbsolute" alt="Johannes Preiser-Kapeller" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/390011/98306/158827190/s200_johannes.preiser-kapeller.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://oeaw.academia.edu/JohannesPreiserKapeller">Johannes Preiser-Kapeller</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Austrian Academy of Sciences</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://pusan.academia.edu/SeunghanPaek"><img class="profile-avatar u-positionAbsolute" alt="Seunghan Paek" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/793635/270500/104187756/s200_seunghan.paek.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://pusan.academia.edu/SeunghanPaek">Seunghan Paek</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Pusan National University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://auth.academia.edu/DimitrisDrakoulis"><img class="profile-avatar u-positionAbsolute" alt="Dimitris P. 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profile--work_container" data-work-id="44919437"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44919437/Acteurs_et_dynamiques_de_l_histoire_de_l_architecture_%C3%A0_Bordeaux_dans_la_seconde_moiti%C3%A9_du_XXe_si%C3%A8cle_Contribution_%C3%A0_une_histoire_disciplinaire"><img alt="Research paper thumbnail of Acteurs et dynamiques de l’histoire de l’architecture à Bordeaux dans la seconde moitié du XXe siècle. Contribution à une histoire disciplinaire" class="work-thumbnail" src="https://attachments.academia-assets.com/65443320/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44919437/Acteurs_et_dynamiques_de_l_histoire_de_l_architecture_%C3%A0_Bordeaux_dans_la_seconde_moiti%C3%A9_du_XXe_si%C3%A8cle_Contribution_%C3%A0_une_histoire_disciplinaire">Acteurs et dynamiques de l’histoire de l’architecture à Bordeaux dans la seconde moitié du XXe siècle. Contribution à une histoire disciplinaire</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unistra.academia.edu/gauthierbolle">gauthier bolle</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://u-bordeaux3.academia.edu/NinaMansion">Nina Mansion</a></span></div><div class="wp-workCard_item"><span>Les Cahiers de la recherche architecturale urbaine et paysagère</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Cette contribution s’inscrit dans un dynamique visant à appréhender l’évolution de l’histoire de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cette contribution s’inscrit dans un dynamique visant à appréhender l’évolution de l’histoire de l’architecture en tant que champ d’enseignement et de recherche, au-delà des clivages institutionnels qui le segmentent et au sein de pôles régionaux identifiés. Ainsi, une première situation concrète analysée dans le cadre d’une journée d’études tenue à Bordeaux en novembre 2018, permet de faire émerger quelques d’hypothèses et d’alimenter des questionnements autour des acteurs, des institutions et des courants d’idée qui ont façonné le champ de l’histoire de l’architecture au fil du second XXe siècle en France. Les parcours d’historiens, témoignant de la diversité du champ et de sa structuration au fil des cinquante dernières années, mettent en lumière tant l’hybridité des profils professionnels que la pluralité des approches théoriques développées.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="39d7405e551add8b662cf6cc509d43f4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65443320,"asset_id":44919437,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65443320/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44919437"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44919437"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44919437; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44919437]").text(description); $(".js-view-count[data-work-id=44919437]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44919437; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44919437']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44919437, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "39d7405e551add8b662cf6cc509d43f4" } } $('.js-work-strip[data-work-id=44919437]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44919437,"title":"Acteurs et dynamiques de l’histoire de l’architecture à Bordeaux dans la seconde moitié du XXe siècle. 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L’extension du campus de l’Université de Strasbourg après 1945" class="work-thumbnail" src="https://attachments.academia-assets.com/64762380/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44365272/Des_palais_modernes_pour_le_savoir_L_extension_du_campus_de_l_Universit%C3%A9_de_Strasbourg_apr%C3%A8s_1945">Des palais modernes pour le savoir. L’extension du campus de l’Université de Strasbourg après 1945</a></div><div class="wp-workCard_item"><span>Carnet de recherches du Comité d'histoire du ministère de la Culture, open edition</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Après 1945, l’urbanisation du nouveau campus de l’Esplanade à Strasbourg favorise quelques-unes d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Après 1945, l’urbanisation du nouveau campus de l’Esplanade à Strasbourg favorise quelques-unes des plus belles manifestations du langage du Mouvement moderne dans la région, impliquant des architectes dont l’histoire n’a néanmoins pas forcément retenu le nom. La transformation actuelle du site – passant par la densification, voire l’effacement partiel de la composition d’origine – nous amène à revenir ici sur les qualités initiales de plusieurs édifices qui y ont été bâtis, entre discrétion et monumentalité, constituant un patrimoine singulier et fragile. <a href="https://chmcc.hypotheses.org/10853" rel="nofollow">https://chmcc.hypotheses.org/10853</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a0668c627d5efdea13a8c0a1327ee7e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64762380,"asset_id":44365272,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64762380/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44365272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44365272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44365272; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44365272]").text(description); $(".js-view-count[data-work-id=44365272]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44365272; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44365272']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44365272, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a0668c627d5efdea13a8c0a1327ee7e" } } $('.js-work-strip[data-work-id=44365272]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44365272,"title":"Des palais modernes pour le savoir. 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Stoskopf (1907-2004), architecte : les Trente Glorieuses et la réinvention des traditions" class="work-thumbnail" src="https://attachments.academia-assets.com/55132335/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35271424/C_G_Stoskopf_1907_2004_architecte_les_Trente_Glorieuses_et_la_r%C3%A9invention_des_traditions">C.-G. Stoskopf (1907-2004), architecte : les Trente Glorieuses et la réinvention des traditions</a></div><div class="wp-workCard_item"><span> Presses Universitaires de Rennes</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ce livre présente le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deux...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ce livre présente le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deuxième second grand prix de Rome 1933, en se fondant principalement sur le dépouillement de ses fonds d’archives d’agences. Cet acteur des Trente Glorieuses entame sa carrière en 1945 dans le cadre de la Reconstruction, où il a la charge de rebâtir des villages détruits autour de Colmar. Il devient ensuite le maître d’œuvre de plusieurs grands ensembles en Alsace et en région parisienne, dont celui de Créteil et l’Esplanade à Strasbourg.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b34d9a10d7c31401188f08a3490c4dc2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55132335,"asset_id":35271424,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55132335/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35271424"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35271424"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35271424; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35271424]").text(description); $(".js-view-count[data-work-id=35271424]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35271424; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35271424']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35271424, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b34d9a10d7c31401188f08a3490c4dc2" } } $('.js-work-strip[data-work-id=35271424]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35271424,"title":"C.-G. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by gauthier bolle</h3></div><div class="js-work-strip profile--work_container" data-work-id="101612324"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/101612324/Le_budget_des_%C3%89coles_r%C3%A9gionales_darchitecture_1903_1968_"><img alt="Research paper thumbnail of Le budget des Écoles régionales d'architecture (1903-1968)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/101612324/Le_budget_des_%C3%89coles_r%C3%A9gionales_darchitecture_1903_1968_">Le budget des Écoles régionales d'architecture (1903-1968)</a></div><div class="wp-workCard_item"><span>HAL (Le Centre pour la Communication Scientifique Directe)</span><span>, Nov 23, 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101612324"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101612324"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101612324; 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Celles-ci sont néanmoins bousculées au début des années 1950, par d’autres impératifs, notamment la nécessité de construire pour le plus grand nombre. Se dessine aussi, dès le sortir de la guerre, une scène architecturale monopolisée par quelques mandarins confortés plus tard par un pouvoir municipal fort et volontaire en matière de construction. Puis, ces hégémonies locales laissent place à un renouvellement idéologique et générationnel qui s’opère au tournant des années 1970. La diversité du tableau dressé interroge l’historiographie existante concentrée sur quelques projets exceptionnels, laissant dans l’ombre une grande partie de la production bâtie de cette époque exceptionnelle.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366525"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366525]").text(description); $(".js-view-count[data-work-id=94366525]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366525']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366525, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94366525]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366525,"title":"Les Trente Glorieuses à Strasbourg à travers les revues d’architecture et d’urbanisme","translated_title":"","metadata":{"abstract":"Les Trente Glorieuses à Strasbourg à travers les revues d’architecture et d’urbanisme – À partir d’articles consacrés à des projets strasbourgeois dans les revues d’architecture et d’urbanisme entre 1945 et 1978, l’attachement des architectes aux traditions locales apparaît nettement. 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Estelle Thibault et Jean-Philippe Garric introduisent, avec une interrogation historique et épistémologique, les enjeux du doctorat en architecture. Jean-Pierre Chupin, Cristiana Mazzoni et Thierry Verdier approfondissent la réflexion et l’analyse, renvoyant tour à tour à la spécificité de l’architecture comme discipline, au projet architectural en tant que sa substantifique moelle et au champ étendu que la thèse en architecture balise dans ses nombreuses versions. Les contributions rédigées de treize doctorants confirment le spectre étendu de la recherche architecturale que le présent volume des Cahiers restitue seulement en partie : histoire de l’architecture (Daniele Campobenedetto, Nicolas Detry, Gaël Huitorel, Gauthier Bolle) ; histoire de l’urbanisme (Jean-François Guillot, Constance Ringo...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366523]").text(description); $(".js-view-count[data-work-id=94366523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366523, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94366523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366523,"title":"Trajectoires doctorales 2","translated_title":"","metadata":{"abstract":"Trois ans après les premières rencontres à Nantes, les Cahiers de la recherche architecturale et urbaine restituent une sélection de leur deuxième édition qui a eu lieu à Belleville en 2013. 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L’École nationale supérieure d’architecture et de paysage de Bordeaux (ENSAPBx) propose aujourd’hui à environ 950 étudiants – répartis dans les deux formations – une offre pédagogique plurielle, engageant de nombreux praticiens et plusi..</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366522]").text(description); $(".js-view-count[data-work-id=94366522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366522, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94366522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366522,"title":"L’enseignement de l’architecture et du paysage à Bordeaux au XXe siècle : état et perspectives des recherches","translated_title":"","metadata":{"abstract":"par Gauthier Bolle Maître-assistant ENSAP Bordeaux, UMR Passages CNRS 5319 Bordeaux / associé à l’EA 3400-ARCHE Strasbourg La seconde journée du séminaire a été consacrée à l’histoire de l’enseignement de l’architecture et du paysage à Bordeaux au XXe siècle. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94366507"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94366507/Charles_Gustave_Stoskopf_1907_2004_Alsatian_architect_a_key_figure_of_the_glorious_thirty_from_post_war_reconstruction_to_the_period_of_grands_ensembles"><img alt="Research paper thumbnail of Charles-Gustave Stoskopf (1907-2004), Alsatian architect : a key figure of the "glorious thirty", from post-war reconstruction to the period of "grands ensembles" class="work-thumbnail" src="https://attachments.academia-assets.com/96843304/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94366507/Charles_Gustave_Stoskopf_1907_2004_Alsatian_architect_a_key_figure_of_the_glorious_thirty_from_post_war_reconstruction_to_the_period_of_grands_ensembles">Charles-Gustave Stoskopf (1907-2004), Alsatian architect : a key figure of the "glorious thirty", from post-war reconstruction to the period of "grands ensembles</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Cette thèse interroge le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cette thèse interroge le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deuxième second grand prix de Rome en 1933, en se fondant principalement sur le dépouillement de ses fonds d’archives d’agences. Cet acteur de la scène professionnelle des Trente Glorieuses entame sa carrière en 1945 dans le cadre de la Reconstruction, où il a la charge de rebâtir des villages détruits autour de Colmar, puis devient le maître d’œuvre de plusieurs grands ensembles en Alsace et en région parisienne. Afin d’éclairer cet itinéraire, sont explorées tour à tour, la biographie de l’architecte dans ses multiples aspects, l’analyse architecturale de quelques œuvres significatives et enfin, des dimensions transversales caractérisant cette production considérable. Celle-ci révèle plusieurs registres d’expressions, marqués par la permanence d’un vocabulaire académique et d’un héritage alsacien constamment revendiqué et réinventé. Elle agrège également des influences diverses lui per...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5507908cfadc14512859fcd274dc0aef" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96843304,"asset_id":94366507,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96843304/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366507"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366507"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366507; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366507]").text(description); $(".js-view-count[data-work-id=94366507]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366507; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366507']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366507, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5507908cfadc14512859fcd274dc0aef" } } $('.js-work-strip[data-work-id=94366507]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366507,"title":"Charles-Gustave Stoskopf (1907-2004), Alsatian architect : a key figure of the \"glorious thirty\", from post-war reconstruction to the period of \"grands ensembles","translated_title":"","metadata":{"abstract":"Cette thèse interroge le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deuxième second grand prix de Rome en 1933, en se fondant principalement sur le dépouillement de ses fonds d’archives d’agences. Cet acteur de la scène professionnelle des Trente Glorieuses entame sa carrière en 1945 dans le cadre de la Reconstruction, où il a la charge de rebâtir des villages détruits autour de Colmar, puis devient le maître d’œuvre de plusieurs grands ensembles en Alsace et en région parisienne. Afin d’éclairer cet itinéraire, sont explorées tour à tour, la biographie de l’architecte dans ses multiples aspects, l’analyse architecturale de quelques œuvres significatives et enfin, des dimensions transversales caractérisant cette production considérable. Celle-ci révèle plusieurs registres d’expressions, marqués par la permanence d’un vocabulaire académique et d’un héritage alsacien constamment revendiqué et réinventé. 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figures, acteurs, réseaux (1945-75)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Par Gauthier Bolle École Nationale Supérieure d’Architecture et du Paysage de Bordeaux, UMR PASSA...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Par Gauthier Bolle École Nationale Supérieure d’Architecture et du Paysage de Bordeaux, UMR PASSAGES, associé à EA 3400 ARCHE L’École régionale de Strasbourg (Eras), ancêtre de l’École nationale supérieure d’architecture de Strasbourg (ENSAS), est la plus récente des deux écoles qui encadrent encore aujourd’hui la formation des architectes en Alsace1. 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L’extension du campus de l’Université de Strasbourg après 1945" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/88523056/Des_palais_modernes_pour_le_savoir_L_extension_du_campus_de_l_Universit%C3%A9_de_Strasbourg_apr%C3%A8s_1945">Des palais modernes pour le savoir. L’extension du campus de l’Université de Strasbourg après 1945</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Par Gauthier Bolle, Maître de conférences (HCA), ENSA Strasbourg / chercheur U.R. EA 3400 ARCHE A...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Par Gauthier Bolle, Maître de conférences (HCA), ENSA Strasbourg / chercheur U.R. EA 3400 ARCHE Après 1945, l’urbanisation du nouveau campus de l’Esplanade à Strasbourg favorise quelques-unes des plus belles manifestations du langage du Mouvement moderne dans la région, impliquant des architectes dont l’histoire n’a néanmoins pas forcément retenu le nom. 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Contribution à une histoire disciplinaire" class="work-thumbnail" src="https://attachments.academia-assets.com/65443320/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44919437/Acteurs_et_dynamiques_de_l_histoire_de_l_architecture_%C3%A0_Bordeaux_dans_la_seconde_moiti%C3%A9_du_XXe_si%C3%A8cle_Contribution_%C3%A0_une_histoire_disciplinaire">Acteurs et dynamiques de l’histoire de l’architecture à Bordeaux dans la seconde moitié du XXe siècle. Contribution à une histoire disciplinaire</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unistra.academia.edu/gauthierbolle">gauthier bolle</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://u-bordeaux3.academia.edu/NinaMansion">Nina Mansion</a></span></div><div class="wp-workCard_item"><span>Les Cahiers de la recherche architecturale urbaine et paysagère</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Cette contribution s’inscrit dans un dynamique visant à appréhender l’évolution de l’histoire de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cette contribution s’inscrit dans un dynamique visant à appréhender l’évolution de l’histoire de l’architecture en tant que champ d’enseignement et de recherche, au-delà des clivages institutionnels qui le segmentent et au sein de pôles régionaux identifiés. Ainsi, une première situation concrète analysée dans le cadre d’une journée d’études tenue à Bordeaux en novembre 2018, permet de faire émerger quelques d’hypothèses et d’alimenter des questionnements autour des acteurs, des institutions et des courants d’idée qui ont façonné le champ de l’histoire de l’architecture au fil du second XXe siècle en France. Les parcours d’historiens, témoignant de la diversité du champ et de sa structuration au fil des cinquante dernières années, mettent en lumière tant l’hybridité des profils professionnels que la pluralité des approches théoriques développées.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="39d7405e551add8b662cf6cc509d43f4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65443320,"asset_id":44919437,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65443320/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44919437"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44919437"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44919437; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44919437]").text(description); $(".js-view-count[data-work-id=44919437]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44919437; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44919437']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44919437, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "39d7405e551add8b662cf6cc509d43f4" } } $('.js-work-strip[data-work-id=44919437]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44919437,"title":"Acteurs et dynamiques de l’histoire de l’architecture à Bordeaux dans la seconde moitié du XXe siècle. 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L’extension du campus de l’Université de Strasbourg après 1945" class="work-thumbnail" src="https://attachments.academia-assets.com/64762380/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44365272/Des_palais_modernes_pour_le_savoir_L_extension_du_campus_de_l_Universit%C3%A9_de_Strasbourg_apr%C3%A8s_1945">Des palais modernes pour le savoir. L’extension du campus de l’Université de Strasbourg après 1945</a></div><div class="wp-workCard_item"><span>Carnet de recherches du Comité d'histoire du ministère de la Culture, open edition</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Après 1945, l’urbanisation du nouveau campus de l’Esplanade à Strasbourg favorise quelques-unes d...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Après 1945, l’urbanisation du nouveau campus de l’Esplanade à Strasbourg favorise quelques-unes des plus belles manifestations du langage du Mouvement moderne dans la région, impliquant des architectes dont l’histoire n’a néanmoins pas forcément retenu le nom. La transformation actuelle du site – passant par la densification, voire l’effacement partiel de la composition d’origine – nous amène à revenir ici sur les qualités initiales de plusieurs édifices qui y ont été bâtis, entre discrétion et monumentalité, constituant un patrimoine singulier et fragile. <a href="https://chmcc.hypotheses.org/10853" rel="nofollow">https://chmcc.hypotheses.org/10853</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a0668c627d5efdea13a8c0a1327ee7e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64762380,"asset_id":44365272,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64762380/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44365272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44365272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44365272; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44365272]").text(description); $(".js-view-count[data-work-id=44365272]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44365272; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44365272']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44365272, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a0668c627d5efdea13a8c0a1327ee7e" } } $('.js-work-strip[data-work-id=44365272]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44365272,"title":"Des palais modernes pour le savoir. 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Stoskopf (1907-2004), architecte : les Trente Glorieuses et la réinvention des traditions" class="work-thumbnail" src="https://attachments.academia-assets.com/55132335/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35271424/C_G_Stoskopf_1907_2004_architecte_les_Trente_Glorieuses_et_la_r%C3%A9invention_des_traditions">C.-G. Stoskopf (1907-2004), architecte : les Trente Glorieuses et la réinvention des traditions</a></div><div class="wp-workCard_item"><span> Presses Universitaires de Rennes</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ce livre présente le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deux...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ce livre présente le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deuxième second grand prix de Rome 1933, en se fondant principalement sur le dépouillement de ses fonds d’archives d’agences. Cet acteur des Trente Glorieuses entame sa carrière en 1945 dans le cadre de la Reconstruction, où il a la charge de rebâtir des villages détruits autour de Colmar. Il devient ensuite le maître d’œuvre de plusieurs grands ensembles en Alsace et en région parisienne, dont celui de Créteil et l’Esplanade à Strasbourg.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b34d9a10d7c31401188f08a3490c4dc2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55132335,"asset_id":35271424,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55132335/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35271424"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35271424"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35271424; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35271424]").text(description); $(".js-view-count[data-work-id=35271424]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35271424; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35271424']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35271424, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b34d9a10d7c31401188f08a3490c4dc2" } } $('.js-work-strip[data-work-id=35271424]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35271424,"title":"C.-G. 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Celles-ci sont néanmoins bousculées au début des années 1950, par d’autres impératifs, notamment la nécessité de construire pour le plus grand nombre. Se dessine aussi, dès le sortir de la guerre, une scène architecturale monopolisée par quelques mandarins confortés plus tard par un pouvoir municipal fort et volontaire en matière de construction. Puis, ces hégémonies locales laissent place à un renouvellement idéologique et générationnel qui s’opère au tournant des années 1970. 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Estelle Thibault et Jean-Philippe Garric introduisent, avec une interrogation historique et épistémologique, les enjeux du doctorat en architecture. Jean-Pierre Chupin, Cristiana Mazzoni et Thierry Verdier approfondissent la réflexion et l’analyse, renvoyant tour à tour à la spécificité de l’architecture comme discipline, au projet architectural en tant que sa substantifique moelle et au champ étendu que la thèse en architecture balise dans ses nombreuses versions. Les contributions rédigées de treize doctorants confirment le spectre étendu de la recherche architecturale que le présent volume des Cahiers restitue seulement en partie : histoire de l’architecture (Daniele Campobenedetto, Nicolas Detry, Gaël Huitorel, Gauthier Bolle) ; histoire de l’urbanisme (Jean-François Guillot, Constance Ringo...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366523]").text(description); $(".js-view-count[data-work-id=94366523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366523, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94366523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366523,"title":"Trajectoires doctorales 2","translated_title":"","metadata":{"abstract":"Trois ans après les premières rencontres à Nantes, les Cahiers de la recherche architecturale et urbaine restituent une sélection de leur deuxième édition qui a eu lieu à Belleville en 2013. 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L’École nationale supérieure d’architecture et de paysage de Bordeaux (ENSAPBx) propose aujourd’hui à environ 950 étudiants – répartis dans les deux formations – une offre pédagogique plurielle, engageant de nombreux praticiens et plusi..</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366522]").text(description); $(".js-view-count[data-work-id=94366522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366522, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94366522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366522,"title":"L’enseignement de l’architecture et du paysage à Bordeaux au XXe siècle : état et perspectives des recherches","translated_title":"","metadata":{"abstract":"par Gauthier Bolle Maître-assistant ENSAP Bordeaux, UMR Passages CNRS 5319 Bordeaux / associé à l’EA 3400-ARCHE Strasbourg La seconde journée du séminaire a été consacrée à l’histoire de l’enseignement de l’architecture et du paysage à Bordeaux au XXe siècle. 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Cet acteur de la scène professionnelle des Trente Glorieuses entame sa carrière en 1945 dans le cadre de la Reconstruction, où il a la charge de rebâtir des villages détruits autour de Colmar, puis devient le maître d’œuvre de plusieurs grands ensembles en Alsace et en région parisienne. Afin d’éclairer cet itinéraire, sont explorées tour à tour, la biographie de l’architecte dans ses multiples aspects, l’analyse architecturale de quelques œuvres significatives et enfin, des dimensions transversales caractérisant cette production considérable. Celle-ci révèle plusieurs registres d’expressions, marqués par la permanence d’un vocabulaire académique et d’un héritage alsacien constamment revendiqué et réinventé. Elle agrège également des influences diverses lui per...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5507908cfadc14512859fcd274dc0aef" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96843304,"asset_id":94366507,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96843304/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94366507"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94366507"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94366507; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94366507]").text(description); $(".js-view-count[data-work-id=94366507]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94366507; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94366507']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 94366507, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5507908cfadc14512859fcd274dc0aef" } } $('.js-work-strip[data-work-id=94366507]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94366507,"title":"Charles-Gustave Stoskopf (1907-2004), Alsatian architect : a key figure of the \"glorious thirty\", from post-war reconstruction to the period of \"grands ensembles","translated_title":"","metadata":{"abstract":"Cette thèse interroge le parcours de l’architecte alsacien Charles-Gustave Stoskopf (1907-2004), deuxième second grand prix de Rome en 1933, en se fondant principalement sur le dépouillement de ses fonds d’archives d’agences. 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Émilie d'Orgeix, Au pied du mur : Bâtir le vide dans les villes (XVIe-XVIIIe ... 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L’extension du campus de l’Université de Strasbourg après 1945" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/88523056/Des_palais_modernes_pour_le_savoir_L_extension_du_campus_de_l_Universit%C3%A9_de_Strasbourg_apr%C3%A8s_1945">Des palais modernes pour le savoir. L’extension du campus de l’Université de Strasbourg après 1945</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Par Gauthier Bolle, Maître de conférences (HCA), ENSA Strasbourg / chercheur U.R. EA 3400 ARCHE A...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Par Gauthier Bolle, Maître de conférences (HCA), ENSA Strasbourg / chercheur U.R. EA 3400 ARCHE Après 1945, l’urbanisation du nouveau campus de l’Esplanade à Strasbourg favorise quelques-unes des plus belles manifestations du langage du Mouvement moderne dans la région, impliquant des architectes dont l’histoire n’a néanmoins pas forcément retenu le nom. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82032570"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82032570/Pratiques_p%C3%A9dagogiques_et_%C3%A9crits_th%C3%A9oriques_n_3_ENSA_Toulouse_ENSAP_Bordeaux_"><img alt="Research paper thumbnail of Pratiques pédagogiques et écrits théoriques, n°3 (ENSA Toulouse / ENSAP Bordeaux)" class="work-thumbnail" src="https://attachments.academia-assets.com/87868977/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82032570/Pratiques_p%C3%A9dagogiques_et_%C3%A9crits_th%C3%A9oriques_n_3_ENSA_Toulouse_ENSAP_Bordeaux_">Pratiques pédagogiques et écrits théoriques, n°3 (ENSA Toulouse / ENSAP Bordeaux)</a></div><div class="wp-workCard_item"><span>HEnsA20 : histoire de l'enseignement de l'architecture au 20e siècle</span><span>, Dec 1, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'enseignement de l'architecture à Toulouse débute dans les années 1740, lorsque cet art fait l'o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'enseignement de l'architecture à Toulouse débute dans les années 1740, lorsque cet art fait l'objet de cours, au même titre que la peinture et la sculpture, à l'école de dessin gratuite qui, ouverte par le peintre attitré de l'hôtel de ville Antoine Rivalz (1667-1735) en 1726, avait bénéficié dès l'année suivante du soutien financier durable des Capitouls (magistrats de la ville). C'est l'élève et successeur de Rivalz, le peintre et architecte Guillaume Cammas (1698-1777), auteur de la façade de l'hôtel de ville, qui la transforme en 1746 en Société des beauxarts. Quelques années plus tard, celle-ci est érigée en Académie royale de peinture, sculpture et architecture par lettres patentes du 25 décembre 1750. L'école est alors installée dans la rue du Poids-de-l'Huile, jusqu'à son transfert, en 1769, dans une autre dépendance du Capitole, rue Lafayette, de l'autre côté de l'hôtel de ville. D'éminentes personnalités y enseignent, dont Louis de Mondran (1699-1792), auteur du plan des allées de l'Esplanade et du Grand Rond, et Jacques-Pascal Virebent (1746-1831) architecte de la Ville qui a dessiné la place du Capitole et la place Villeneuve (aujourd'hui place Wilson). En 1782, une école du génie est créée au sein de l'académie toulousaine. De nouveaux cours de mathématiques, d'architecture civile, de ponts et chaussées, de cartographie y sont introduits. Après la tourmente révolutionnaire, l'enseignement des arts et de l'architecture se poursuit dans les locaux de l'École centrale de la Haute-Garonne, située dans l'ancien collège des jésuites (hôtel Bernuy). En 1804 est créée l'École spéciale des arts de Toulouse, qui, deux ans après, rejoint dans l'ancien couvent des Augustins le musée du Midi de la France, établi là en 1793. C'est en 1833 que l'école s'associe avec les cours du soir de sciences industrielles délivrés dès 1826 par Urbain Vitry (1802-1863), neveu de Virebent et architecte en chef de la Ville, pour former l'École des beaux-arts et des sciences industrielles. En 1895, celle-ci s'installe dans l'ancien couvent de la Daurade qu'occupe toujours l'école Histoire d'écoles Histoire d'écoles Histoire d'écoles Histoire d'écoles sous le contrôle de MM. Guadet et Pascal, Paris, Librairie centrale des beaux-arts,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5e1cbb50b85f18c91d497adf39365aa6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87868977,"asset_id":82032570,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87868977/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82032570"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82032570"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82032570; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82032570]").text(description); $(".js-view-count[data-work-id=82032570]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82032570; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82032570']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 82032570, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5e1cbb50b85f18c91d497adf39365aa6" } } $('.js-work-strip[data-work-id=82032570]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82032570,"title":"Pratiques pédagogiques et écrits théoriques, n°3 (ENSA Toulouse / ENSAP Bordeaux)","translated_title":"","metadata":{"grobid_abstract":"L'enseignement de l'architecture à Toulouse débute dans les années 1740, lorsque cet art fait l'objet de cours, au même titre que la peinture et la sculpture, à l'école de dessin gratuite qui, ouverte par le peintre attitré de l'hôtel de ville Antoine Rivalz (1667-1735) en 1726, avait bénéficié dès l'année suivante du soutien financier durable des Capitouls (magistrats de la ville). 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Cet ouvrage a été réalisé avec le concours du ministère de la Culture et de la Communication, direction générale des patrimoines, service de l'architecture, sous direction de l'enseignement supérieur et de la recherche en architecture. Pierre Lebrun Culte des ruines ou table rase ? Peter Collins et la notion de « précédent » en architecture Rémi Baudouï « L'architecture meurt toujours avant les architectes. » Arnaud Dercelles Temporalité de la disparition et lutte contre la destruction chez Le Corbusier Gauthier Bolle Postures d'un architecte à l'épreuve des Trente Glorieuses : l'action et le discours de C.-G. Stoskopf, entre disparition, permanence et effacement Bastien Couturier Le titre de monument historique protège-t-il de la disparition ? Philippe Diest La disparition des fortifications du Nord-Pas-de-Calais depuis le xvii e siècle Barbara Rief Vernay Spéculation foncière, disparition du bâti ancien et passés revitalisés dans la Budapest postcommuniste. Le cas du quartier juif du faubourg Elisabeth I. Processus de disparition et formes de résistance Lucille Bonthoux-Solari L'inéluctable dramaturgie de la destruction Céline Barrère Spatialité et narrativité de la disparition : une mémoire en doute. La Maison manquante de Christian Boltanski Catherine Grout La vie avec la mort. Disparition de l'espace de vie dans le Sanriku au Japon et fondement de l'architecture Carmen Popescu Un champ de ruines : l'artiste de l'ex-bloc communiste face à la disparition Chloé Demonet La disparition didactique. Lecture et réception de la ruine antique dans la Rome de Giuliano da Sangallo Coline Polo L'habitat invisible. 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Les bâtiments officiels de la place Impériale, Strasbourg, Publications de la Société savante d'Alsace, 1997. 6 -Wolfgang Brönner, Anne-Marie Châtelet (dir.), Strasbourg. Lieu d'échanges culturels entre France et Allemagne. Architecture et urbanisme de 1830 à 1940, fçs/all., Munich, Deutscher Kunstverlag, 2018, 306 p. 7 -Cf. <metacult.unblog.fr/> pour le programme, les responsables, les chercheurs, les articles. 8 -Michel Espagne, Michael Werner (dir.), Transferts. Les relations interculturelles dans l'espace franco-allemand (xviii e -xix e siècle), Paris, Recherche sur les civilisations, 1988 ; Michel Espagne, Les Transferts culturels franco-allemands, Paris, Puf, 1999. La Neustadt, vue depuis la place Haguenau. Ph. © Frédéric Harster. In La Neustadt de Strasbourg...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bdc73736d7bebdc23eb69c1c846f1477" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61608846,"asset_id":41429954,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61608846/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41429954"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41429954"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41429954; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41429954]").text(description); $(".js-view-count[data-work-id=41429954]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41429954; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41429954']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41429954, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bdc73736d7bebdc23eb69c1c846f1477" } } $('.js-work-strip[data-work-id=41429954]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41429954,"title":"Autour de la Neustadt, nouveaux regards sur Strasbourg","translated_title":"","metadata":{"grobid_abstract":"ARCHISCOPIE 16 93 92 L'ESPACE CRITIQUE 4 -Marie Pottecher, Hervé Doucet, Olivier Haegel (dir.), La Neustadt de Strasbourg, un laboratoire urbain, 1871-1930, Lyon, Lieux dits, 2017, 325 p. 5 -Klaus Nohlen, Construire une capitale, Strasbourg impérial de 1870 à 1918. Les bâtiments officiels de la place Impériale, Strasbourg, Publications de la Société savante d'Alsace, 1997. 6 -Wolfgang Brönner, Anne-Marie Châtelet (dir.), Strasbourg. Lieu d'échanges culturels entre France et Allemagne. Architecture et urbanisme de 1830 à 1940, fçs/all., Munich, Deutscher Kunstverlag, 2018, 306 p. 7 -Cf. \u003cmetacult.unblog.fr/\u003e pour le programme, les responsables, les chercheurs, les articles. 8 -Michel Espagne, Michael Werner (dir.), Transferts. Les relations interculturelles dans l'espace franco-allemand (xviii e -xix e siècle), Paris, Recherche sur les civilisations, 1988 ; Michel Espagne, Les Transferts culturels franco-allemands, Paris, Puf, 1999. La Neustadt, vue depuis la place Haguenau. Ph. © Frédéric Harster. 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Les bâtiments officiels de la place Impériale, Strasbourg, Publications de la Société savante d'Alsace, 1997. 6 -Wolfgang Brönner, Anne-Marie Châtelet (dir.), Strasbourg. Lieu d'échanges culturels entre France et Allemagne. Architecture et urbanisme de 1830 à 1940, fçs/all., Munich, Deutscher Kunstverlag, 2018, 306 p. 7 -Cf. \u003cmetacult.unblog.fr/\u003e pour le programme, les responsables, les chercheurs, les articles. 8 -Michel Espagne, Michael Werner (dir.), Transferts. Les relations interculturelles dans l'espace franco-allemand (xviii e -xix e siècle), Paris, Recherche sur les civilisations, 1988 ; Michel Espagne, Les Transferts culturels franco-allemands, Paris, Puf, 1999. La Neustadt, vue depuis la place Haguenau. Ph. © Frédéric Harster. In La Neustadt de Strasbourg...","owner":{"id":138393732,"first_name":"amandine","middle_initials":null,"last_name":"Diener","page_name":"amandineDiener","domain_name":"univ-brest","created_at":"2019-12-08T01:04:17.974-08:00","display_name":"amandine Diener","url":"https://univ-brest.academia.edu/amandineDiener"},"attachments":[{"id":61608846,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61608846/thumbnails/1.jpg","file_name":"Archiscopie_n16_Neustadt_AD_et_GB20191226-97800-me0e6v.pdf","download_url":"https://www.academia.edu/attachments/61608846/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Autour_de_la_Neustadt_nouveaux_regards_s.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61608846/Archiscopie_n16_Neustadt_AD_et_GB20191226-97800-me0e6v-libre.pdf?1577351572=\u0026response-content-disposition=attachment%3B+filename%3DAutour_de_la_Neustadt_nouveaux_regards_s.pdf\u0026Expires=1737268000\u0026Signature=QXsHczKbwcS0HBh1-Gny9ESmJeIu~UIOIVceWRTXQwuM-ZdbAL-bsAzkt~qsxGwaUk-bTqi1vJ~QGYAsMOiZJ1~596OpoAL3HmxASWWYfBqjAnkcQi~ErKf~akgEVCgt4w5lIUfr0M7hmj-rPu1Uls8eyBmTsqpMufKSc1yX0EX1vIvqIHZE1jeeayN~44kCkiObm7Mk5JLJUSf3SDOhSBrIJ5~rN-RZLyTtTaCiAM2EESr3i4sCY6~6mChZSo4ZcvfpUHuQy-1lXKGYlweWI8wiQ2VDfiePuWYOJKIFlDLYBu0Z-x2OpqpBdJ3x0OWCP8PdqfKyfPRjEN5IqiFZWw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":446977,"name":"Histoire De L'Architecture","url":"https://www.academia.edu/Documents/in/Histoire_De_LArchitecture"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41233991"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/41233991/%C3%89milie_d_Orgeix_Au_pied_du_mur_B%C3%A2tir_le_vide_dans_les_villes_XVIe_XVIIIe_si%C3%A8cles_Compte_rendu_d_ouvrage"><img alt="Research paper thumbnail of Émilie d’Orgeix, Au pied du mur : Bâtir le vide dans les villes (XVIe-XVIIIe siècles) Compte-rendu d’ouvrage" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/41233991/%C3%89milie_d_Orgeix_Au_pied_du_mur_B%C3%A2tir_le_vide_dans_les_villes_XVIe_XVIIIe_si%C3%A8cles_Compte_rendu_d_ouvrage">Émilie d’Orgeix, Au pied du mur : Bâtir le vide dans les villes (XVIe-XVIIIe siècles) Compte-rendu d’ouvrage</a></div><div class="wp-workCard_item"><span>Les Cahiers de la recherche architecturale urbaine et paysagère </span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Comment saisir la complexité d’un objet d’étude mouvant à travers l’espace et sur la longue durée...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Comment saisir la complexité d’un objet d’étude mouvant à travers l’espace et sur la longue durée ? L’ouvrage d’Émilie d’Orgeix1, issu de son mémoire d’habilitation à diriger des recherches, offre à cette question une réponse originale à travers l’analyse de l’histoire de la périphérie des villes fortes durant l’époque moderne. En effet, l’évolution des vastes zones grevées de servitudes militaires durant cette période ont échappées tant aux focales de l’histoire et de la géographie urbaine – préférant l’étude des tracés urbains comme vecteurs de création des villes ou l’analyse de villes capitales – qu’à celles des études typo-morphologiques – puisque ces terrains transcendent par essence l’échelle parcellaire. Si l’histoire s’est emparée de la zone périurbaine à compter de son délitement et de son urbanisation récente, l’auteure nous invite à considérer ces phénomènes sur une durée bien plus longue – à partir de la fin du XVe siècle – et en portant son regard sur l’ensemble des places fortes. Au plus près de sources archivistiques et iconographiques variées, elle esquisse une histoire bien plus féconde que ne le laissait entendre l’historiographie jusque-là.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41233991"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41233991"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41233991; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41233991]").text(description); $(".js-view-count[data-work-id=41233991]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41233991; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41233991']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41233991, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=41233991]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41233991,"title":"Émilie d’Orgeix, Au pied du mur : Bâtir le vide dans les villes (XVIe-XVIIIe siècles) Compte-rendu d’ouvrage","translated_title":"","metadata":{"abstract":"Comment saisir la complexité d’un objet d’étude mouvant à travers l’espace et sur la longue durée ? L’ouvrage d’Émilie d’Orgeix1, issu de son mémoire d’habilitation à diriger des recherches, offre à cette question une réponse originale à travers l’analyse de l’histoire de la périphérie des villes fortes durant l’époque moderne. En effet, l’évolution des vastes zones grevées de servitudes militaires durant cette période ont échappées tant aux focales de l’histoire et de la géographie urbaine – préférant l’étude des tracés urbains comme vecteurs de création des villes ou l’analyse de villes capitales – qu’à celles des études typo-morphologiques – puisque ces terrains transcendent par essence l’échelle parcellaire. Si l’histoire s’est emparée de la zone périurbaine à compter de son délitement et de son urbanisation récente, l’auteure nous invite à considérer ces phénomènes sur une durée bien plus longue – à partir de la fin du XVe siècle – et en portant son regard sur l’ensemble des places fortes. Au plus près de sources archivistiques et iconographiques variées, elle esquisse une histoire bien plus féconde que ne le laissait entendre l’historiographie jusque-là.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Les Cahiers de la recherche architecturale urbaine et paysagère "},"translated_abstract":"Comment saisir la complexité d’un objet d’étude mouvant à travers l’espace et sur la longue durée ? L’ouvrage d’Émilie d’Orgeix1, issu de son mémoire d’habilitation à diriger des recherches, offre à cette question une réponse originale à travers l’analyse de l’histoire de la périphérie des villes fortes durant l’époque moderne. En effet, l’évolution des vastes zones grevées de servitudes militaires durant cette période ont échappées tant aux focales de l’histoire et de la géographie urbaine – préférant l’étude des tracés urbains comme vecteurs de création des villes ou l’analyse de villes capitales – qu’à celles des études typo-morphologiques – puisque ces terrains transcendent par essence l’échelle parcellaire. Si l’histoire s’est emparée de la zone périurbaine à compter de son délitement et de son urbanisation récente, l’auteure nous invite à considérer ces phénomènes sur une durée bien plus longue – à partir de la fin du XVe siècle – et en portant son regard sur l’ensemble des places fortes. Au plus près de sources archivistiques et iconographiques variées, elle esquisse une histoire bien plus féconde que ne le laissait entendre l’historiographie jusque-là.","internal_url":"https://www.academia.edu/41233991/%C3%89milie_d_Orgeix_Au_pied_du_mur_B%C3%A2tir_le_vide_dans_les_villes_XVIe_XVIIIe_si%C3%A8cles_Compte_rendu_d_ouvrage","translated_internal_url":"","created_at":"2019-12-09T04:57:45.202-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":71945996,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[],"slug":"Émilie_d_Orgeix_Au_pied_du_mur_Bâtir_le_vide_dans_les_villes_XVIe_XVIIIe_siècles_Compte_rendu_d_ouvrage","translated_slug":"","page_count":null,"language":"fr","content_type":"Work","summary":"Comment saisir la complexité d’un objet d’étude mouvant à travers l’espace et sur la longue durée ? L’ouvrage d’Émilie d’Orgeix1, issu de son mémoire d’habilitation à diriger des recherches, offre à cette question une réponse originale à travers l’analyse de l’histoire de la périphérie des villes fortes durant l’époque moderne. En effet, l’évolution des vastes zones grevées de servitudes militaires durant cette période ont échappées tant aux focales de l’histoire et de la géographie urbaine – préférant l’étude des tracés urbains comme vecteurs de création des villes ou l’analyse de villes capitales – qu’à celles des études typo-morphologiques – puisque ces terrains transcendent par essence l’échelle parcellaire. Si l’histoire s’est emparée de la zone périurbaine à compter de son délitement et de son urbanisation récente, l’auteure nous invite à considérer ces phénomènes sur une durée bien plus longue – à partir de la fin du XVe siècle – et en portant son regard sur l’ensemble des places fortes. Au plus près de sources archivistiques et iconographiques variées, elle esquisse une histoire bien plus féconde que ne le laissait entendre l’historiographie jusque-là.","owner":{"id":71945996,"first_name":"gauthier","middle_initials":null,"last_name":"bolle","page_name":"gauthierbolle","domain_name":"unistra","created_at":"2017-11-28T00:37:09.838-08:00","display_name":"gauthier bolle","url":"https://unistra.academia.edu/gauthierbolle"},"attachments":[],"research_interests":[{"id":3410,"name":"Urban History","url":"https://www.academia.edu/Documents/in/Urban_History"},{"id":422365,"name":"Histoire Urbaine","url":"https://www.academia.edu/Documents/in/Histoire_Urbaine"}],"urls":[{"id":8908727,"url":"http://journals.openedition.org/craup/2474"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37760289"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/37760289/Autour_de_la_Neustadt_nouveaux_regards_sur_Strasbourg"><img alt="Research paper thumbnail of Autour de la Neustadt, nouveaux regards sur Strasbourg" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/37760289/Autour_de_la_Neustadt_nouveaux_regards_sur_Strasbourg">Autour de la Neustadt, nouveaux regards sur Strasbourg</a></div><div class="wp-workCard_item"><span>Archiscopie</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Recension de 3 ouvrages récents autour de la Neustadt : Roland Recht, Jean-Claude Richez (dir.),...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recension de 3 ouvrages récents autour de la Neustadt : <br />Roland Recht, Jean-Claude Richez (dir.), Dictionnaire culturel de Strasbourg, 1880-1930, Strasbourg, Presses universitaires de Strasbourg, 2017. <br />Marie Pottecher, Hervé Doucet, Olivier Haegel (dir.), La Neustadt de Strasbourg, un laboratoire urbain, 1871-1930, Lyon, Lieux dits, 2017. <br />Wolfgang Brönner, Anne-Marie Châtelet (dir.), Strasbourg. Lieu d’échanges culturels entre France et Allemagne. Architecture et urbanisme de 1830 à 1940, fçs/all., Munich, Deutscher Kunstverlag, 2018.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37760289"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37760289"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37760289; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37760289]").text(description); $(".js-view-count[data-work-id=37760289]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37760289; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37760289']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37760289, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=37760289]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37760289,"title":"Autour de la Neustadt, nouveaux regards sur Strasbourg","translated_title":"","metadata":{"volume":"n°16","abstract":"Recension de 3 ouvrages récents autour de la Neustadt :\r\nRoland Recht, Jean-Claude Richez (dir.), Dictionnaire culturel de Strasbourg, 1880-1930, Strasbourg, Presses universitaires de Strasbourg, 2017.\r\nMarie Pottecher, Hervé Doucet, Olivier Haegel (dir.), La Neustadt de Strasbourg, un laboratoire urbain, 1871-1930, Lyon, Lieux dits, 2017.\r\nWolfgang Brönner, Anne-Marie Châtelet (dir.), Strasbourg. 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Josic - architectures, trames, figures – Bénédicte Chaljub" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/35277338/A_Josic_architectures_trames_figures_B%C3%A9n%C3%A9dicte_Chaljub">A. 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L'institutionnalisation d'une profession – Maxime Decommer</a></div><div class="wp-workCard_item"><span>Archiscopie</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">recension de l'ouvrage de Maxime Decommer (PUR, 2017) http://www.pur-editions.fr/detail.php?idOuv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">recension de l'ouvrage de Maxime Decommer (PUR, 2017)<br /><a href="http://www.pur-editions.fr/detail.php?idOuv=4297" rel="nofollow">http://www.pur-editions.fr/detail.php?idOuv=4297</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35274497"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35274497"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35274497; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35274497]").text(description); $(".js-view-count[data-work-id=35274497]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35274497; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35274497']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35274497, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35274497]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35274497,"title":"Les Architectes au travail. 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En France, le terme «agence» s’est progressivement imposé pour désigner, tant le lieu d’exercice des professionnels que l’équipe et l’organisation du travail déployées autour d’eux. Dispositif nécessaire voire indispensable à l’exercice de la conception et de la maîtrise d’œuvre, l’agence n’a pourtant été que peu étudiée comparativement à l’atelier qui est devenu un champ d’études à part entière (studio studies). Autrefois nommé « bureau », ce lieu de production a subi des changements considérables. Les évolutions économiques, sociales et juridiques ont aussi bien touché les structures d’activités (nombre, localisation, forme et statut juridique), les acteurs (profils socio-démographiques, modes d’exercice) et leurs pratiques (outils et division du travail, partenariat, collaboration) pour remplir leurs "missions."<br /><a href="https://journals.openedition.org/craup/2705" rel="nofollow">https://journals.openedition.org/craup/2705</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f06da0cf66bdb280526b45f504f92737" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61463720,"asset_id":41234030,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61463720/download_file?st=MTczNzI3MzMwNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41234030"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41234030"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41234030; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41234030]").text(description); $(".js-view-count[data-work-id=41234030]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41234030; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41234030']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 41234030, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f06da0cf66bdb280526b45f504f92737" } } $('.js-work-strip[data-work-id=41234030]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41234030,"title":"Appel à articles / Call for papers : L'Agence d’architecture / The Architect’s Office","translated_title":"","metadata":{"abstract":"L’Agence d’architecture / The Architect’s Office\ncoordonné par Gauthier Bolle, Maxime Decommer et Valérie Nègre.\nAlors que les artistes produisent leurs œuvres dans (et hors) des «ateliers», les architectes travaillent dans des «agences» (et sur des chantiers). 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