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Currently he is Full Professor at the Politecnico of Turin and faculty of the ‘Villard de Honnecourt’ international PhD program of the IUAV University. Author of many essays, his latest books are: Ex libris. 16 parole chiave dell’architettura contemporanea (22 publishing, 2007, republished by LetteraVentidue in Italian, 2016, and English, 2018), Bioreboot: The architecture of R&Sie(n) (Princeton Architectural Press, 2009), Dr. Corbellini’s Pills (LetteraVentidue, 2010, translated in French, 2012, and English, 2016), Housing is Back in Town (LetteraVentidue, 2012), Parametrico nostrano (with Cecilia Morassi, LetteraVentidue, 2013), Go Re-cycle! (e-book edited with Eva De Sabbata, LetteraVentidue, 2014), Lo spazio dicibile. Architettura e narrativa (LetteraVentidue, 2016), Recycled Theory: Illustrated Dictionary (Quodlibet, 2016, edited with Sara Marini), Telling Spaces (LetteraVentidue, 2018).<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uniroma1.academia.edu/carlobianchini"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://uniroma1.academia.edu/carlobianchini">carlo bianchini</a><p 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href="https://www.academia.edu/126848441/P_Barbarewicz_G_Corbellini_Oxy_morons_Architecture_and_Doctoral_Studies_in_Italy_Paesaggio_Urbano_2_2024_"><img alt="Research paper thumbnail of P. Barbarewicz, G. Corbellini, Oxy/morons: Architecture and Doctoral Studies in Italy, Paesaggio Urbano, 2 (2024)" class="work-thumbnail" src="https://attachments.academia-assets.com/120665906/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126848441/P_Barbarewicz_G_Corbellini_Oxy_morons_Architecture_and_Doctoral_Studies_in_Italy_Paesaggio_Urbano_2_2024_">P. Barbarewicz, G. Corbellini, Oxy/morons: Architecture and Doctoral Studies in Italy, Paesaggio Urbano, 2 (2024)</a></div><div class="wp-workCard_item"><span>Paeaggio Urbano / Urban Design</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After forty years since the introduction of doctoral studies in Italy, a reflection upon the cont...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After forty years since the introduction of doctoral studies in Italy, a reflection upon the contradictory relationships between design disciplines and higher academic education.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d14b653d61b42c32c3b6436359651187" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120665906,"asset_id":126848441,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120665906/download_file?st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126848441"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126848441"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126848441; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126848441]").text(description); $(".js-view-count[data-work-id=126848441]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126848441; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126848441']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 126848441, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d14b653d61b42c32c3b6436359651187" } } $('.js-work-strip[data-work-id=126848441]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126848441,"title":"P. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="126456390"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/126456390/Sitting_on_the_Shrink_Couch_in_A_Debate_about_Research_in_Architectural_Design_ed_by_Alessandro_Rocca_Milan_MMXII_Press_2024_"><img alt="Research paper thumbnail of Sitting on the Shrink Couch, in A Debate about Research in Architectural Design, ed. by Alessandro Rocca (Milan: MMXII Press, 2024)" class="work-thumbnail" src="https://attachments.academia-assets.com/120331134/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126456390/Sitting_on_the_Shrink_Couch_in_A_Debate_about_Research_in_Architectural_Design_ed_by_Alessandro_Rocca_Milan_MMXII_Press_2024_">Sitting on the Shrink Couch, in A Debate about Research in Architectural Design, ed. by Alessandro Rocca (Milan: MMXII Press, 2024)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Doctoral studies in Italy are slowly coming of age (schools are now selecting the candidates for ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Doctoral studies in Italy are slowly coming of age (schools are now selecting the candidates for the 40th PhD yearly cycle). For a discipline marked by a blurred identity like architectural design, they provided a protected environment for self-reflection, which eventually produced a widespread recognition of its basic helplessness. This short text rapidly traces the shift of architectural disciplinary self-consciousness from narcissism (or disciplinary autonomy) to dissociation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="285df79e61653d35f81c5d9adb00c449" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120331134,"asset_id":126456390,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120331134/download_file?st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126456390"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126456390"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126456390; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126456390]").text(description); $(".js-view-count[data-work-id=126456390]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126456390; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126456390']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 126456390, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "285df79e61653d35f81c5d9adb00c449" } } $('.js-work-strip[data-work-id=126456390]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126456390,"title":"Sitting on the Shrink Couch, in A Debate about Research in Architectural Design, ed. by Alessandro Rocca (Milan: MMXII Press, 2024)","translated_title":"","metadata":{"abstract":"Doctoral studies in Italy are slowly coming of age (schools are now selecting the candidates for the 40th PhD yearly cycle). 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È stato uno ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cade quest’anno il centenario di Gino Valle, nato nel 1923 e scomparso vent’anni fa. È stato uno degli architetti più attivi della sua generazione, autore di progetti a diverse scale, in grandi metropoli così come in situazioni periferiche. Il suo talento emerge nelle occasioni più differenti, anche in questo edificio oggi dimenticato e a rischio di demolizione. / This year marks the centenary of Gino Valle, who was born in 1923 and passed away twenty years ago. He has been one of the most active architects of his generation, author of projects at different scales in big metropolises as well as in peripheral situations. His talent emerges in the most diverse occasions, even in this forgotten building at risk of demolition.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e856b0741bde88b7a3b5bbb0164f3835" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106175815,"asset_id":107534392,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106175815/download_file?st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107534392"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107534392"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107534392; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107534392]").text(description); $(".js-view-count[data-work-id=107534392]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107534392; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107534392']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 107534392, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e856b0741bde88b7a3b5bbb0164f3835" } } $('.js-work-strip[data-work-id=107534392]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107534392,"title":"Gino Valle, Kursaal, Arta Terme (UD), 1975-78","translated_title":"","metadata":{"abstract":"Cade quest’anno il centenario di Gino Valle, nato nel 1923 e scomparso vent’anni fa. 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orgoglio e pregiudizio / pride and prejudice. biennale n. 18, ''the laboratory of the future', paesaggio urbano n. 2, 2023" class="work-thumbnail" src="https://attachments.academia-assets.com/106175081/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102657615/orgoglio_e_pregiudizio_pride_and_prejudice_biennale_n_18_the_laboratory_of_the_future_paesaggio_urbano_n_2_2023">orgoglio e pregiudizio / pride and prejudice. biennale n. 18, ''the laboratory of the future', paesaggio urbano n. 2, 2023</a></div><div class="wp-workCard_item"><span>paesaggio urbano</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Un commento sulla 18a Biennale di architettura di Venezia e sulla centralità del corpo politico c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Un commento sulla 18a Biennale di architettura di Venezia e sulla centralità del corpo politico che propone al dibattito disciplinare / A comment on the 18th Venice Biennale of architecture and the centrality of the political body it proposes to the disciplinary debate</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="832db6c08b9649e07e444e4a8f6ec39a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106175081,"asset_id":102657615,"asset_type":"Work","button_location":"profile"}" 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Cozze, Alghe, Turisti..., con Gianluca Croce, Mariacristina D’oria, Valentina Rodani" class="work-thumbnail" src="https://attachments.academia-assets.com/88051998/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82297393/Fisherman_s_Foes_Cozze_Alghe_Turisti_con_Gianluca_Croce_Mariacristina_D_oria_Valentina_Rodani">Fisherman’s Foes. Cozze, Alghe, Turisti..., con Gianluca Croce, Mariacristina D’oria, Valentina Rodani</a></div><div class="wp-workCard_item"><span>Isolario Venezia Sylva, a cura di Sara Marini e Vincenzo Moschetti, Mimesis, Milano </span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il faro Spignon ha da tempo perso la sua funzione di ausilio alla navigazione. Posto giusto di fr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il faro Spignon ha da tempo perso la sua funzione di ausilio alla navigazione. Posto giusto di fronte alla bocca di Malamocco e all’incrocio con altre vie d’acqua interne, sorge su una piattaforma artificiale che approfitta di un basso fondale. Posizione e morfologia idrografica rendono lo scambio con l’acqua di mare più intenso, determinando correnti di marea relativamente veloci e un ambiente più salino e “pulito”, condizioni favorevoli per la mitilicoltura. Il progetto considera il faro Spignon come un terreno sperimentale, dove intensificare gli usi presenti e testare potenziali evoluzioni, crisi e adattamenti dell’interazione tra i vari attori coinvolti nella delicata situazione lagunare.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2257ea68db488b9243e904b5d87b7194" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88051998,"asset_id":82297393,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88051998/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82297393"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82297393"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82297393; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82297393]").text(description); $(".js-view-count[data-work-id=82297393]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82297393; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82297393']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 82297393, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2257ea68db488b9243e904b5d87b7194" } } $('.js-work-strip[data-work-id=82297393]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82297393,"title":"Fisherman’s Foes. 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text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80682860/La_complessa_semplicit%C3%A0_di_njiric_intervista_a_Hrvoje_Njiric">La complessa semplicità di njiric+, intervista a Hrvoje Njiric</a></div><div class="wp-workCard_item"><span>Pièra</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Operare nella realtà difficile di un paese come la Croazia, segnato da una cruenta transizione a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Operare nella realtà difficile di un paese come la Croazia, segnato da una cruenta transizione a un diverso assetto geografico, politico ed economico, spinge l’attitudine di njiric+ verso un necessario pragmatismo che, applicato con ostinata radicalità, si traduce in un’attitudine paradossalmente visionaria e sperimentale.<br />Il testo di presentazione di Giovanni Corbellini introduce l'approccio dello studio, successivamente approfondito nell'intervista a Hrvoje Njiric leader di njiric+.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb3d6d1b06386657ccede407e990067e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86984477,"asset_id":80682860,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86984477/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper 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wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80682574/The_Architect_and_the_Digital_Are_We_Entering_an_Era_of_Computational_Empiricism">The Architect and the Digital: Are We Entering an Era of Computational Empiricism?</a></div><div class="wp-workCard_item"><span>Prospectives</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden"><a href="https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/" rel="nofollow">https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/</a> <br />The close integration of design with computational methods is not just transforming the relationships between architecture and engineering; it also contributes to reshaping modes of knowledge development. This paper critically probes some issues related to this paradigm shift and its consequences on architectural practice and self-awareness, looking at the potential of typical teaching approaches facing the digital revolution. The authors, who teach an architectural design studio together, coming from different backgrounds and research fields, probe the topic according to their respective vantage points.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="49de22f99ca355e1572abffa0e399a6e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86984285,"asset_id":80682574,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86984285/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80682574"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80682574"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80682574; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=80682574]").text(description); $(".js-view-count[data-work-id=80682574]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 80682574; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='80682574']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 80682574, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "49de22f99ca355e1572abffa0e399a6e" } } $('.js-work-strip[data-work-id=80682574]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":80682574,"title":"The Architect and the Digital: Are We Entering an Era of Computational Empiricism?","translated_title":"","metadata":{"abstract":"https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/\r\nThe close integration of design with computational methods is not just transforming the relationships between architecture and engineering; it also contributes to reshaping modes of knowledge development. This paper critically probes some issues related to this paradigm shift and its consequences on architectural practice and self-awareness, looking at the potential of typical teaching approaches facing the digital revolution. The authors, who teach an architectural design studio together, coming from different backgrounds and research fields, probe the topic according to their respective vantage points.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Prospectives"},"translated_abstract":"https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/\r\nThe close integration of design with computational methods is not just transforming the relationships between architecture and engineering; it also contributes to reshaping modes of knowledge development. 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Scrittura e progetto secondo NL Architects / From Flat to De Flat: NL Architects’ Designing by Writing" class="work-thumbnail" src="https://attachments.academia-assets.com/80865109/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71584128/Da_Flat_a_De_Flat_Scrittura_e_progetto_secondo_NL_Architects_From_Flat_to_De_Flat_NL_Architects_Designing_by_Writing">Da Flat a De Flat. Scrittura e progetto secondo NL Architects / From Flat to De Flat: NL Architects’ Designing by Writing</a></div><div class="wp-workCard_item"><span>Paesaggio urbano / Urban Design</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nonostante recenti reazioni, l’integrazione delle strategie testuali nel processo di progetto che...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nonostante recenti reazioni, l’integrazione delle strategie testuali nel processo di progetto che si è affermata negli anni novanta continua a mostrare la sua capacità di connettere l’interpretazione della realtà con le direzioni della sua trasformazione. Le pratiche narrative sviluppate dallo studio olandese NL Architects in trent’anni di lavoro offrono, a questo riguardo, un esempio coerente ed efficace, qui analizzato confrontando due loro progetti. / Despite recent reactions, the integration of textual strategies within the design process that took momentum in the 1990s still shows its ability in connecting the interpretation of reality with the directions of its transformation. The narrative practices unfolded in three decades by the Dutch office NL Architects offer, from this point of view, a consistent and effective example, here investigated comparing two projects of theirs.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25e8fb22d2e17863cb17700985d40967" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80865109,"asset_id":71584128,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80865109/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71584128"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71584128"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71584128; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71584128]").text(description); $(".js-view-count[data-work-id=71584128]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71584128; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='71584128']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 71584128, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25e8fb22d2e17863cb17700985d40967" } } $('.js-work-strip[data-work-id=71584128]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":71584128,"title":"Da Flat a De Flat. 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wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71583573/Vivere_insieme_in_tempi_interessanti_Living_Together_in_Interesting_Times">Vivere insieme in tempi interessanti / Living Together in Interesting Times</a></div><div class="wp-workCard_item"><span>Paesaggio urbano / Urban Design</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La prima grande mostra di architettura nel tempo della pandemia presenta un panorama complesso e ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La prima grande mostra di architettura nel tempo della pandemia presenta un panorama complesso e contraddittorio, fortemente segnato dalla prospettiva dell’antropocene e dalle domande che essa pone. / The first big architecture exhibition in pandemic times shows a complex and contradictory panorama, deeply marked by the Anthropocene perspective and by the questions it asks.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dc2f47a726988a6d01446efc752ce69e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80864753,"asset_id":71583573,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80864753/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" 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Alcune riflessioni sull'evoluzione del dibattito di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Esiste una teoria italiana dell'architettura? Alcune riflessioni sull'evoluzione del dibattito disciplinare nel nostro Paese a cavallo del millennio, tra pressione quantitativa, approcci consolidati e fenomeni recenti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8f924f664a0e9b259cf23d01f1cf274e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79429689,"asset_id":69269731,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79429689/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="69269731"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="69269731"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69269731; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69269731]").text(description); $(".js-view-count[data-work-id=69269731]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69269731; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='69269731']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 69269731, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8f924f664a0e9b259cf23d01f1cf274e" } } $('.js-work-strip[data-work-id=69269731]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":69269731,"title":"Progetto e teoria I. 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Barbarewicz, G. Corbellini, Oxy/morons: Architecture and Doctoral Studies in Italy, Paesaggio Urbano, 2 (2024)" class="work-thumbnail" src="https://attachments.academia-assets.com/120665906/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/126848441/P_Barbarewicz_G_Corbellini_Oxy_morons_Architecture_and_Doctoral_Studies_in_Italy_Paesaggio_Urbano_2_2024_">P. Barbarewicz, G. Corbellini, Oxy/morons: Architecture and Doctoral Studies in Italy, Paesaggio Urbano, 2 (2024)</a></div><div class="wp-workCard_item"><span>Paeaggio Urbano / Urban Design</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After forty years since the introduction of doctoral studies in Italy, a reflection upon the cont...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After forty years since the introduction of doctoral studies in Italy, a reflection upon the contradictory relationships between design disciplines and higher academic education.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d14b653d61b42c32c3b6436359651187" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120665906,"asset_id":126848441,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120665906/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126848441"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126848441"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126848441; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126848441]").text(description); $(".js-view-count[data-work-id=126848441]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126848441; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126848441']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 126848441, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d14b653d61b42c32c3b6436359651187" } } $('.js-work-strip[data-work-id=126848441]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126848441,"title":"P. 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For a discipline marked by a blurred identity like architectural design, they provided a protected environment for self-reflection, which eventually produced a widespread recognition of its basic helplessness. This short text rapidly traces the shift of architectural disciplinary self-consciousness from narcissism (or disciplinary autonomy) to dissociation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="285df79e61653d35f81c5d9adb00c449" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120331134,"asset_id":126456390,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120331134/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="126456390"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="126456390"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 126456390; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=126456390]").text(description); $(".js-view-count[data-work-id=126456390]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 126456390; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='126456390']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 126456390, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "285df79e61653d35f81c5d9adb00c449" } } $('.js-work-strip[data-work-id=126456390]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":126456390,"title":"Sitting on the Shrink Couch, in A Debate about Research in Architectural Design, ed. by Alessandro Rocca (Milan: MMXII Press, 2024)","translated_title":"","metadata":{"abstract":"Doctoral studies in Italy are slowly coming of age (schools are now selecting the candidates for the 40th PhD yearly cycle). 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="117276054"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/117276054/Ottimismo_del_progetto_impossibile_cura_recensione_a_Paola_Vigan%C3%B2_Il_giardino_biopolitico"><img alt="Research paper thumbnail of Ottimismo del progetto, impossibile cura, recensione a Paola Viganò, Il giardino biopolitico" class="work-thumbnail" src="https://attachments.academia-assets.com/113175847/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117276054/Ottimismo_del_progetto_impossibile_cura_recensione_a_Paola_Vigan%C3%B2_Il_giardino_biopolitico">Ottimismo del progetto, impossibile cura, recensione a Paola Viganò, Il giardino biopolitico</a></div><div class="wp-workCard_item"><span>L’Indice dei libri del mese</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Recensione a Paola Viganò, Il giardino biopolitico. Spazi, vite e transizione, Donzelli, Roma 202...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recensione a Paola Viganò, Il giardino biopolitico. Spazi, vite e transizione, Donzelli, Roma 2023, in “L’Indice dei libri del mese”, n. 2, 2024.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="76092d04b8d89da1c2108ea5be671d43" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113175847,"asset_id":117276054,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113175847/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117276054"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117276054"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117276054; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117276054]").text(description); $(".js-view-count[data-work-id=117276054]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117276054; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117276054']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 117276054, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "76092d04b8d89da1c2108ea5be671d43" } } $('.js-work-strip[data-work-id=117276054]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117276054,"title":"Ottimismo del progetto, impossibile cura, recensione a Paola Viganò, Il giardino biopolitico","translated_title":"","metadata":{"abstract":"Recensione a Paola Viganò, Il giardino biopolitico. 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È stato uno ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cade quest’anno il centenario di Gino Valle, nato nel 1923 e scomparso vent’anni fa. È stato uno degli architetti più attivi della sua generazione, autore di progetti a diverse scale, in grandi metropoli così come in situazioni periferiche. Il suo talento emerge nelle occasioni più differenti, anche in questo edificio oggi dimenticato e a rischio di demolizione. / This year marks the centenary of Gino Valle, who was born in 1923 and passed away twenty years ago. He has been one of the most active architects of his generation, author of projects at different scales in big metropolises as well as in peripheral situations. His talent emerges in the most diverse occasions, even in this forgotten building at risk of demolition.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e856b0741bde88b7a3b5bbb0164f3835" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106175815,"asset_id":107534392,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106175815/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjY5OSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107534392"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107534392"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107534392; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107534392]").text(description); $(".js-view-count[data-work-id=107534392]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107534392; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107534392']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 107534392, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e856b0741bde88b7a3b5bbb0164f3835" } } $('.js-work-strip[data-work-id=107534392]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107534392,"title":"Gino Valle, Kursaal, Arta Terme (UD), 1975-78","translated_title":"","metadata":{"abstract":"Cade quest’anno il centenario di Gino Valle, nato nel 1923 e scomparso vent’anni fa. 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orgoglio e pregiudizio / pride and prejudice. biennale n. 18, ''the laboratory of the future', paesaggio urbano n. 2, 2023" class="work-thumbnail" src="https://attachments.academia-assets.com/106175081/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/102657615/orgoglio_e_pregiudizio_pride_and_prejudice_biennale_n_18_the_laboratory_of_the_future_paesaggio_urbano_n_2_2023">orgoglio e pregiudizio / pride and prejudice. biennale n. 18, ''the laboratory of the future', paesaggio urbano n. 2, 2023</a></div><div class="wp-workCard_item"><span>paesaggio urbano</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Un commento sulla 18a Biennale di architettura di Venezia e sulla centralità del corpo politico c...</span><a 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Cozze, Alghe, Turisti..., con Gianluca Croce, Mariacristina D’oria, Valentina Rodani" class="work-thumbnail" src="https://attachments.academia-assets.com/88051998/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82297393/Fisherman_s_Foes_Cozze_Alghe_Turisti_con_Gianluca_Croce_Mariacristina_D_oria_Valentina_Rodani">Fisherman’s Foes. Cozze, Alghe, Turisti..., con Gianluca Croce, Mariacristina D’oria, Valentina Rodani</a></div><div class="wp-workCard_item"><span>Isolario Venezia Sylva, a cura di Sara Marini e Vincenzo Moschetti, Mimesis, Milano </span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il faro Spignon ha da tempo perso la sua funzione di ausilio alla navigazione. Posto giusto di fr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il faro Spignon ha da tempo perso la sua funzione di ausilio alla navigazione. Posto giusto di fronte alla bocca di Malamocco e all’incrocio con altre vie d’acqua interne, sorge su una piattaforma artificiale che approfitta di un basso fondale. Posizione e morfologia idrografica rendono lo scambio con l’acqua di mare più intenso, determinando correnti di marea relativamente veloci e un ambiente più salino e “pulito”, condizioni favorevoli per la mitilicoltura. Il progetto considera il faro Spignon come un terreno sperimentale, dove intensificare gli usi presenti e testare potenziali evoluzioni, crisi e adattamenti dell’interazione tra i vari attori coinvolti nella delicata situazione lagunare.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2257ea68db488b9243e904b5d87b7194" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88051998,"asset_id":82297393,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88051998/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82297393"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82297393"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82297393; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82297393]").text(description); $(".js-view-count[data-work-id=82297393]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82297393; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82297393']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 82297393, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2257ea68db488b9243e904b5d87b7194" } } $('.js-work-strip[data-work-id=82297393]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82297393,"title":"Fisherman’s Foes. 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Il progetto considera il faro Spignon come un terreno sperimentale, dove intensificare gli usi presenti e testare potenziali evoluzioni, crisi e adattamenti dell’interazione tra i vari attori coinvolti nella delicata situazione lagunare.","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"publication_name":"Isolario Venezia Sylva, a cura di Sara Marini e Vincenzo Moschetti, Mimesis, Milano "},"translated_abstract":"Il faro Spignon ha da tempo perso la sua funzione di ausilio alla navigazione. Posto giusto di fronte alla bocca di Malamocco e all’incrocio con altre vie d’acqua interne, sorge su una piattaforma artificiale che approfitta di un basso fondale. Posizione e morfologia idrografica rendono lo scambio con l’acqua di mare più intenso, determinando correnti di marea relativamente veloci e un ambiente più salino e “pulito”, condizioni favorevoli per la mitilicoltura. Il progetto considera il faro Spignon come un terreno sperimentale, dove intensificare gli usi presenti e testare potenziali evoluzioni, crisi e adattamenti dell’interazione tra i vari attori coinvolti nella delicata situazione lagunare.","internal_url":"https://www.academia.edu/82297393/Fisherman_s_Foes_Cozze_Alghe_Turisti_con_Gianluca_Croce_Mariacristina_D_oria_Valentina_Rodani","translated_internal_url":"","created_at":"2022-06-28T08:19:40.244-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":6590814,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":88051998,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88051998/thumbnails/1.jpg","file_name":"fishfoes_Isolario_2022.pdf","download_url":"https://www.academia.edu/attachments/88051998/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Fisherman_s_Foes_Cozze_Alghe_Turisti_con.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88051998/fishfoes_Isolario_2022-libre.pdf?1656430420=\u0026response-content-disposition=attachment%3B+filename%3DFisherman_s_Foes_Cozze_Alghe_Turisti_con.pdf\u0026Expires=1737290300\u0026Signature=NXEX8SQjoM1psX09aZOuk0RK2GSZI73puxMzWChJBv9HG1ZQSg9N-npkGuaSBaIEZMfUbrkWnH5t7DcKQR6WrfXM26NSyjLZP1gZdrATW6~YiM9RT~A9lfK24eY7a7CJ~yaJnZKcP-bwawwIyPFz2l0X4VX9EN2ULR7ac4dCiil7p~hF2eP0VdgfBYmHX4WT5Y1SJjY2-6rpDInpbhtbD~nPhWiOX0rfvHkyKkHvN2vRIvZ5Uxl2tRVTUvcitIV76X2n7i2cLNJbvOAoUydQOKHLphCfT95hdy6fYqdXHp~oW7Naqe0tP8vzwDmg7p33I89n9K5ONr6rpAwsVzxA4Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Fisherman_s_Foes_Cozze_Alghe_Turisti_con_Gianluca_Croce_Mariacristina_D_oria_Valentina_Rodani","translated_slug":"","page_count":13,"language":"it","content_type":"Work","summary":"Il faro Spignon ha da tempo perso la sua funzione di ausilio alla navigazione. 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text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80682860/La_complessa_semplicit%C3%A0_di_njiric_intervista_a_Hrvoje_Njiric">La complessa semplicità di njiric+, intervista a Hrvoje Njiric</a></div><div class="wp-workCard_item"><span>Pièra</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Operare nella realtà difficile di un paese come la Croazia, segnato da una cruenta transizione a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Operare nella realtà difficile di un paese come la Croazia, segnato da una cruenta transizione a un diverso assetto geografico, politico ed economico, spinge l’attitudine di njiric+ verso un necessario pragmatismo che, applicato con ostinata radicalità, si traduce in un’attitudine paradossalmente visionaria e sperimentale.<br />Il testo di presentazione di Giovanni Corbellini introduce l'approccio dello studio, successivamente approfondito nell'intervista a Hrvoje Njiric leader di njiric+.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb3d6d1b06386657ccede407e990067e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86984477,"asset_id":80682860,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86984477/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span 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wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80682574/The_Architect_and_the_Digital_Are_We_Entering_an_Era_of_Computational_Empiricism">The Architect and the Digital: Are We Entering an Era of Computational Empiricism?</a></div><div class="wp-workCard_item"><span>Prospectives</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden"><a href="https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/" rel="nofollow">https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/</a> <br />The close integration of design with computational methods is not just transforming the relationships between architecture and engineering; it also contributes to reshaping modes of knowledge development. This paper critically probes some issues related to this paradigm shift and its consequences on architectural practice and self-awareness, looking at the potential of typical teaching approaches facing the digital revolution. The authors, who teach an architectural design studio together, coming from different backgrounds and research fields, probe the topic according to their respective vantage points.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="49de22f99ca355e1572abffa0e399a6e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86984285,"asset_id":80682574,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86984285/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80682574"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80682574"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80682574; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=80682574]").text(description); $(".js-view-count[data-work-id=80682574]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 80682574; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='80682574']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 80682574, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "49de22f99ca355e1572abffa0e399a6e" } } $('.js-work-strip[data-work-id=80682574]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":80682574,"title":"The Architect and the Digital: Are We Entering an Era of Computational Empiricism?","translated_title":"","metadata":{"abstract":"https://journal.b-pro.org/article/the-architect-and-the-digital-are-we-entering-an-era-of-computational-empiricism/\r\nThe close integration of design with computational methods is not just transforming the relationships between architecture and engineering; it also contributes to reshaping modes of knowledge development. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="71584128"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/71584128/Da_Flat_a_De_Flat_Scrittura_e_progetto_secondo_NL_Architects_From_Flat_to_De_Flat_NL_Architects_Designing_by_Writing"><img alt="Research paper thumbnail of Da Flat a De Flat. Scrittura e progetto secondo NL Architects / From Flat to De Flat: NL Architects’ Designing by Writing" class="work-thumbnail" src="https://attachments.academia-assets.com/80865109/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71584128/Da_Flat_a_De_Flat_Scrittura_e_progetto_secondo_NL_Architects_From_Flat_to_De_Flat_NL_Architects_Designing_by_Writing">Da Flat a De Flat. Scrittura e progetto secondo NL Architects / From Flat to De Flat: NL Architects’ Designing by Writing</a></div><div class="wp-workCard_item"><span>Paesaggio urbano / Urban Design</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nonostante recenti reazioni, l’integrazione delle strategie testuali nel processo di progetto che...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nonostante recenti reazioni, l’integrazione delle strategie testuali nel processo di progetto che si è affermata negli anni novanta continua a mostrare la sua capacità di connettere l’interpretazione della realtà con le direzioni della sua trasformazione. Le pratiche narrative sviluppate dallo studio olandese NL Architects in trent’anni di lavoro offrono, a questo riguardo, un esempio coerente ed efficace, qui analizzato confrontando due loro progetti. / Despite recent reactions, the integration of textual strategies within the design process that took momentum in the 1990s still shows its ability in connecting the interpretation of reality with the directions of its transformation. The narrative practices unfolded in three decades by the Dutch office NL Architects offer, from this point of view, a consistent and effective example, here investigated comparing two projects of theirs.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25e8fb22d2e17863cb17700985d40967" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80865109,"asset_id":71584128,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80865109/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71584128"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71584128"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71584128; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71584128]").text(description); $(".js-view-count[data-work-id=71584128]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71584128; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='71584128']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 71584128, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25e8fb22d2e17863cb17700985d40967" } } $('.js-work-strip[data-work-id=71584128]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":71584128,"title":"Da Flat a De Flat. 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Le pratiche narrative sviluppate dallo studio olandese NL Architects in trent’anni di lavoro offrono, a questo riguardo, un esempio coerente ed efficace, qui analizzato confrontando due loro progetti. / Despite recent reactions, the integration of textual strategies within the design process that took momentum in the 1990s still shows its ability in connecting the interpretation of reality with the directions of its transformation. The narrative practices unfolded in three decades by the Dutch office NL Architects offer, from this point of view, a consistent and effective example, here investigated comparing two projects of theirs. 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wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71583573/Vivere_insieme_in_tempi_interessanti_Living_Together_in_Interesting_Times">Vivere insieme in tempi interessanti / Living Together in Interesting Times</a></div><div class="wp-workCard_item"><span>Paesaggio urbano / Urban Design</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La prima grande mostra di architettura nel tempo della pandemia presenta un panorama complesso e ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La prima grande mostra di architettura nel tempo della pandemia presenta un panorama complesso e contraddittorio, fortemente segnato dalla prospettiva dell’antropocene e dalle domande che essa pone. / The first big architecture exhibition in pandemic times shows a complex and contradictory panorama, deeply marked by the Anthropocene perspective and by the questions it asks.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dc2f47a726988a6d01446efc752ce69e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80864753,"asset_id":71583573,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80864753/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper 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prima grande mostra di architettura nel tempo della pandemia presenta un panorama complesso e contraddittorio, fortemente segnato dalla prospettiva dell’antropocene e dalle domande che essa pone. / The first big architecture exhibition in pandemic times shows a complex and contradictory panorama, deeply marked by the Anthropocene perspective and by the questions it asks.","owner":{"id":6590814,"first_name":"Giovanni","middle_initials":"","last_name":"Corbellini","page_name":"GiovanniCorbellini","domain_name":"polito","created_at":"2013-11-04T01:58:03.711-08:00","display_name":"Giovanni 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Alcune riflessioni sull'evoluzione del dibattito di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Esiste una teoria italiana dell'architettura? Alcune riflessioni sull'evoluzione del dibattito disciplinare nel nostro Paese a cavallo del millennio, tra pressione quantitativa, approcci consolidati e fenomeni recenti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8f924f664a0e9b259cf23d01f1cf274e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79429689,"asset_id":69269731,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79429689/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="69269731"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="69269731"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69269731; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69269731]").text(description); $(".js-view-count[data-work-id=69269731]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69269731; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='69269731']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 69269731, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8f924f664a0e9b259cf23d01f1cf274e" } } $('.js-work-strip[data-work-id=69269731]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":69269731,"title":"Progetto e teoria I. 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Typological innovations such as the corridor and the toilet made it possible to articulate the thresholds between private and public in more sophisticated ways, deeply changing the way we in ha bit, interact with others, and our whole self- awareness. lt is quite a recent and restless story that, despite architecture's intrinsic stability, has witnessed over the two last centuries lively dialectics between established habits and challenging design experiments. The more architectural design has tried to deal with our bodily concreteness the more meaningful and controversiaI its results. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44378604"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44378604/Bioreboot_The_architecture_of_R_and_sie_n_excerpt_"><img alt="Research paper thumbnail of Bioreboot: The architecture of R&sie(n) (excerpt)" class="work-thumbnail" src="https://attachments.academia-assets.com/64780214/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44378604/Bioreboot_The_architecture_of_R_and_sie_n_excerpt_">Bioreboot: The architecture of R&sie(n) (excerpt)</a></div><div class="wp-workCard_item"><span>Bioreboot: The architecture of R&sie(n) (Princeton Architectural Press)</span><span>, 2009</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bioreboot features nineteen projects of R&sie(n) along with essays and an interview, providing th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bioreboot features nineteen projects of R&sie(n) along with essays and an interview, providing the most comprehensive monograph of this elusive, intriguing firm to date. Despite working with oppositional relationships: machinery versus nature, purity versus corruption, paranoia versus rationality—theirs is an architecture whose primary aim is the ecological and social improvement of the place in which it exists. 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Breve guida all'abitazione collettiva, LetteraVentidue, Siracusa 2016, introduzione" class="work-thumbnail" src="https://attachments.academia-assets.com/62484678/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42328060/housing_is_back_in_town_Breve_guida_allabitazione_collettiva_LetteraVentidue_Siracusa_2016_introduzione">housing is back in town. Breve guida all'abitazione collettiva, LetteraVentidue, Siracusa 2016, introduzione</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Spinta all’interno della riflessione disciplinare dai drammatici fenomeni socioeconomici che hann...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Spinta all’interno della riflessione disciplinare dai drammatici fenomeni socioeconomici che hanno caratterizzato l’ultimo secolo, la residenza collettiva rappresenta uno dei campi che hanno maggiormente caratterizzato in senso sperimentale il progetto moderno. La crescente domanda di alloggi a basso costo, di un uso più razionale dei suoli, di stili di vita sostenibili rende la ricerca di sistemi abitativi densi e condivisi una questione sempre più centrale e ineludibile. <br />Questo piccolo libro si propone come un dispositivo di orientamento in una materia complessa e tra i numerosi apporti che provano a descriverla. Quarantotto interventi ridisegnati in scala illustrano una disamina delle contraddizioni intrinseche alla questione abitativa, una rassegna delle vicende che hanno segnato il suo evolversi nel tempo e una rapida analisi dei maggiori obiettivi sperimentali che si pongono al progetto della residenza oggi, il tutto accompagnato da alcuni suggerimenti bibliografici. <br />Il volume è disponibile anche come e-book</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce1b8337ec6d581dcfd908b85c713fe3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62484678,"asset_id":42328060,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62484678/download_file?st=MTczNzI4NjcwMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42328060"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42328060"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42328060; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42328060]").text(description); $(".js-view-count[data-work-id=42328060]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42328060; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42328060']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 42328060, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce1b8337ec6d581dcfd908b85c713fe3" } } $('.js-work-strip[data-work-id=42328060]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42328060,"title":"housing is back in town. 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This issue of Viceversa investigates the gap between the huge mass of dark proposals in the recent architectural production and the lack of theoretical positions aimed to support them. Ten conversations with architects, artists, critics, curators, historians from the various fields of arts and design try to shed some light on this obscure matter.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="edc5dd0b036876025b1e5b1c1d484945" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58850680,"asset_id":38762114,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58850680/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38762114"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38762114"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38762114; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38762114]").text(description); $(".js-view-count[data-work-id=38762114]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38762114; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38762114']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38762114, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "edc5dd0b036876025b1e5b1c1d484945" } } $('.js-work-strip[data-work-id=38762114]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38762114,"title":"Black Conversations \r\nhttps://viceversamagazine.com/issues_magazine/black-conversations/ \r\nhttps://www.letteraventidue.com/it/prodotto/286/viceversa","translated_title":"","metadata":{"issue":"7","abstract":"now available on line: https://viceversamagazine.com/issues_magazine/black-conversations/\r\n\r\nEduardo Arroyo, Ilaria Bignotti, Giovanni Corbellini, Maria Luisa Frisa, Kamiel Klaasse, Mario Lupano, Sara Marini, Valerio Paolo Mosco, Antonio Ravalli, Rudy Ricciotti, Mustafa Sabbagh, Pierre Soulages, Mirko Zardini\r\n\r\nWhy black is more and more the new black? 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In the growing mass of the publishing offer, these keywords <br />try to highlight recurrent issues, tracking synthetic paths of orientation between different critical positions, with particular attention to what happens in the neighbouring fields of the arts and sciences. <br />This is the English version of the book published in 2016. <br />It is now available at the publisher's website: <a href="https://www.letteraventidue.com/it/prodotto/272/exlibris" rel="nofollow">https://www.letteraventidue.com/it/prodotto/272/exlibris</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e07184c3d3c09f8f1369e9de4e26456f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59137785,"asset_id":37497531,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59137785/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37497531"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37497531"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37497531; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37497531]").text(description); $(".js-view-count[data-work-id=37497531]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37497531; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37497531']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37497531, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e07184c3d3c09f8f1369e9de4e26456f" } } $('.js-work-strip[data-work-id=37497531]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37497531,"title":"Ex Libris: 16 Keywords of Contemporary Architecture (excerpt)","translated_title":"","metadata":{"abstract":"Architects write a lot, especially now when conceptual aspects have become central in the advanced reflections and narrative forms increasingly intersect the quest of design practices for an ultimate legitimation. 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The accelerated times we are living in are thus witnessing a growing, pervasive role of storytelling at any level of social, political, and commercial communication. More than ever before, irremediably lost any authority of the forms, quickly consumed every new image, the discursive practices that produce and surround the project give architecture its meaning and support its action. This book collects some theoretical reflections and design experiments about the relationship between narrative and architecture, words and things, texts and images, linear organisations in time and three-dimensional settings in place. They intersect their own tools, means, and aims, in order to grasp a complex whole: building stories and telling spaces.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2e047357f0f5a855e7bfc4185b8e2ea0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56825364,"asset_id":36870801,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56825364/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36870801"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36870801"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36870801; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36870801]").text(description); $(".js-view-count[data-work-id=36870801]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36870801; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36870801']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36870801, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2e047357f0f5a855e7bfc4185b8e2ea0" } } $('.js-work-strip[data-work-id=36870801]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36870801,"title":"Telling Spaces, LetteraVentidue, Siracusa 2018, isbn 978-88-6242-270-3","translated_title":"","metadata":{"abstract":"Language is our interface with the world, the way we understand it, think of, remember, transmit, and transform it. 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Much of its charm lies precisely on this instability, which forces us to insist on exploring, and at the same time makes it difficult to classify and organize it into a consolidated and shared knowledge. Architects are therefore always beginners: even the more seasoned ones will find some tips among these “pills” to stay tuned with the world of architectural design and make the most of practising it.<br />After two Italian editions and the French one, here you are the english version of "Le pillole del dott. Corbellini".</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="71d410a6629d156981cf0306f856d38e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51483220,"asset_id":31049825,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51483220/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31049825"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31049825"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31049825; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31049825]").text(description); $(".js-view-count[data-work-id=31049825]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31049825; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='31049825']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 31049825, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "71d410a6629d156981cf0306f856d38e" } } $('.js-work-strip[data-work-id=31049825]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":31049825,"title":"Dr. Corbellini’s Pills: Tips for architectural beginners, LetteraVentidue, Siracusa 2016 (excerpt).","translated_title":"","metadata":{"abstract":"Architecture is doomed to a permanent process of reinvention that produces constitutionally partial, transient, and questionable truths. Much of its charm lies precisely on this instability, which forces us to insist on exploring, and at the same time makes it difficult to classify and organize it into a consolidated and shared knowledge. Architects are therefore always beginners: even the more seasoned ones will find some tips among these “pills” to stay tuned with the world of architectural design and make the most of practising it.\nAfter two Italian editions and the French one, here you are the english version of \"Le pillole del dott. Corbellini\"."},"translated_abstract":"Architecture is doomed to a permanent process of reinvention that produces constitutionally partial, transient, and questionable truths. Much of its charm lies precisely on this instability, which forces us to insist on exploring, and at the same time makes it difficult to classify and organize it into a consolidated and shared knowledge. 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Architettura e narrativa, LetteraVentidue, Siracusa 2016 (incipit)." class="work-thumbnail" src="https://attachments.academia-assets.com/50885512/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30400957/Lo_spazio_dicibile_Architettura_e_narrativa_LetteraVentidue_Siracusa_2016_incipit_">Lo spazio dicibile. Architettura e narrativa, LetteraVentidue, Siracusa 2016 (incipit).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">“Quando un’opera raggiunge il suo massimo d’intensità”, scriveva Le Corbusier, “si produce un fen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">“Quando un’opera raggiunge il suo massimo d’intensità”, scriveva Le Corbusier, “si produce un fenomeno di spazio indicibile”. Sembra quindi che la qualità ultima dell’architettura risieda nella resistenza alla descrizione. Tuttavia, per dirci questo e molto altro, il maestro svizzero ha pubblicato più di quaranta libri e la sua formula così convincente nel sostenere l’ineffabile mostra anche quanto il racconto sia capace di coglierlo. Parole e cose, architettura e comunicazione, intrattengono intense relazioni, soprattutto in un momento dominato da sempre più potenti mezzi informativi. Questo breve saggio s’interroga sulle molteplici intersezioni tra progetto e narrativa: sull’architettura “parlante”; sulla sua potenziale sostituzione da parte di mezzi più efficaci; sui paradossi della sua descrizione; sui processi che connettono i molteplici protagonisti di una realizzazione; sulla capacità del racconto di cambiare la percezione collettiva e di rendere possibili approcci innovativi…</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6676576c101648f86c3cfd6595b1d688" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":50885512,"asset_id":30400957,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/50885512/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30400957"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30400957"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30400957; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30400957]").text(description); $(".js-view-count[data-work-id=30400957]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30400957; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='30400957']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 30400957, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6676576c101648f86c3cfd6595b1d688" } } $('.js-work-strip[data-work-id=30400957]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":30400957,"title":"Lo spazio dicibile. 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Questo breve saggio s’interroga sulle molteplici intersezioni tra progetto e narrativa: sull’architettura “parlante”; sulla sua potenziale sostituzione da parte di mezzi più efficaci; sui paradossi della sua descrizione; sui processi che connettono i molteplici protagonisti di una realizzazione; sulla capacità del racconto di cambiare la percezione collettiva e di rendere possibili approcci innovativi…","owner":{"id":6590814,"first_name":"Giovanni","middle_initials":"","last_name":"Corbellini","page_name":"GiovanniCorbellini","domain_name":"polito","created_at":"2013-11-04T01:58:03.711-08:00","display_name":"Giovanni Corbellini","url":"https://polito.academia.edu/GiovanniCorbellini"},"attachments":[{"id":50885512,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/50885512/thumbnails/1.jpg","file_name":"spdic_estratto_b..pdf","download_url":"https://www.academia.edu/attachments/50885512/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lo_spazio_dicibile_Architettura_e_narrat.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/50885512/spdic_estratto_b.-libre.pdf?1481731792=\u0026response-content-disposition=attachment%3B+filename%3DLo_spazio_dicibile_Architettura_e_narrat.pdf\u0026Expires=1737290301\u0026Signature=JweDjOIzm5xibvIoOPqdpYmagw5M53lnTbDk4CE9BwUY3-ms6cJkcOlF98LmBwTjz7iDvqgz3BGD20FAHMXYhbwv~sM3azk201GZmS7BaA6MJwQhQIItZMqS4Mdzh~FsQXwQ6wjLxCcijbuEoXIstrDpt3vNuTsjPJYYAnmTcv2BtZ~SMsxg1s4W5OS7u2WoF4axZAOprHb83Hb6GjBSpPkoJuTnZt1hj~mmlFQ4~lc6pCkNoGrvYt-4PLJ4J5n3VgGQMn6wWuC-eEXvD1RIaF0NRJ-LdT2s4JijqkWCBlII0aPT33btebg7S5VtaFqv0UFCUDGgGx9Y~xTeOlcQig__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":859,"name":"Communication","url":"https://www.academia.edu/Documents/in/Communication"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":2852,"name":"Narrative","url":"https://www.academia.edu/Documents/in/Narrative"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory"}],"urls":[{"id":7813469,"url":"http://www.letteraventidue.com/architettura/186_spazio_dicibile.html"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="29302581"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/29302581/Sara_Marini_Giovanni_Corbellini_a_cura_di_eds_Recycled_Theory_Dizionario_illustrato_Illustrated_Dictionary_Quodlibet_Macerata_2016_isbn_978_88_7462_894_0_estratto_excerpt_"><img alt="Research paper thumbnail of Sara Marini, Giovanni Corbellini (a cura di/eds.), Recycled Theory: Dizionario illustrato/Illustrated Dictionary, Quodlibet, Macerata 2016, isbn 978-88-7462-894-0 (estratto/excerpt)." class="work-thumbnail" src="https://attachments.academia-assets.com/49746686/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29302581/Sara_Marini_Giovanni_Corbellini_a_cura_di_eds_Recycled_Theory_Dizionario_illustrato_Illustrated_Dictionary_Quodlibet_Macerata_2016_isbn_978_88_7462_894_0_estratto_excerpt_">Sara Marini, Giovanni Corbellini (a cura di/eds.), Recycled Theory: Dizionario illustrato/Illustrated Dictionary, Quodlibet, Macerata 2016, isbn 978-88-7462-894-0 (estratto/excerpt).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Recycled Theory is a multidisciplinary dictionary made of entries in form of texts, drawings and ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Recycled Theory is a multidisciplinary dictionary made of entries in form of texts, drawings and quotes, which explore the concept of “recycling” in design cultures and in the theories that nurture them. Usually we recycle things, objects, spaces but more often we return on principles and approaches to rearrange them, put them back into circulation, and override them. The practice of recycling is therefore placed in an area of negotiation between memory and amnesia, it brings out the unexpected self-regeneration potential of what exists, our ability to preserve and reinvent it, even through its partial breakdown. The words here collected (from “amnesia” to “zone”) identify materials, procedures, ambiguities, deviations, and potential nexus of recycling, recording terms that tell the different processes<br />of production and sense of city and landscape after recent socio-economic upheavals and the widening of preservation as the prevalent scenario for the project.<br />Recycled Theory comes out of the collaboration of eleven Italian universities engaged in the research “Re-cycle Italy: New Life Cycles for Architecture and Infrastructure of City and Landscape.”</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9579443ac1a4ba5dca9fbdcc382fab5d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49746686,"asset_id":29302581,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49746686/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29302581"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29302581"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29302581; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29302581]").text(description); $(".js-view-count[data-work-id=29302581]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29302581; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='29302581']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 29302581, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9579443ac1a4ba5dca9fbdcc382fab5d" } } $('.js-work-strip[data-work-id=29302581]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":29302581,"title":"Sara Marini, Giovanni Corbellini (a cura di/eds.), Recycled Theory: Dizionario illustrato/Illustrated Dictionary, Quodlibet, Macerata 2016, isbn 978-88-7462-894-0 (estratto/excerpt).","translated_title":"","metadata":{"abstract":"Recycled Theory is a multidisciplinary dictionary made of entries in form of texts, drawings and quotes, which explore the concept of “recycling” in design cultures and in the theories that nurture them. 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Leggere attentamente le avvertenze.<br /><br />composizione<br />Percorsi tematici per parole chiave all’interno della pubblicistica architettonica contemporanea, prevalentemente tratti da materiali cartacei e integrati con riferimenti provenienti da cinema, televisione e web. Il dosaggio comprende collegamenti a fatti e questioni interdisciplinari, soprattutto nei campi delle arti, delle scienze e della letteratura. Presenza di materiali internazionali superiore all’85%.<br />Una parola chiave da 10 kb (circa 10.000 battute) comprende una media di 29 indicazioni bibliografiche e un post scriptum variabile tra le 15 e le 71 indicazioni aggiuntive. Il totale dei libri, periodici e articoli impiegati nel preparato è di 1123. Autori, gruppi e movimenti citati assommano a 1070. Gli itinerari proposti presentano numerose intersezioni, segnalate dalla ricorrenza delle parole chiave.<br /><br />forme e confezioni<br />16 testi sintetici, dotati di bibliografie aggiornate e raccolti in volume.<br /><br />produttore e controllore finale<br />Giovanni Corbellini, <a href="mailto:gcorbellini@units.it" rel="nofollow">gcorbellini@units.it</a>.<br />Architetto, dottore di ricerca, critico dell’architettura contemporanea, ha insegnato a Venezia, Ferrara e Milano. Attualmente è ricercatore presso l’Università di Trieste e fa parte del collegio dei docenti del dottorato internazionale Villard de Honnecourt. Autore di numerose pubblicazioni, i suoi ultimi saggi sono, Bioreboot. The architecture of R&Sie(n) (Princeton Architectural Press, 2009), Le pillole del dott. Corbellini (LetteraVentidue, 2010, tradotte in francese da Le Cabanon, 2012), Housing is back in town (LetteraVentidue, 2012), Parametrico nostrano (con Cecilia Morassi, LetteraVentidue, 2013), Go Re-cycle! (e-book con Eva De Sabbata, LetteraVentidue, 2014).<br /><br />indicazioni terapeutiche<br />Dispositivo di orientamento nel dibattito architettonico internazionale del nuovo millennio.<br /><br />controindicazioni<br />In soggetti ipersensibili può suscitare difficoltà di assunzione. Si tratta di un effetto paradossale: in caso, aumentare le dosi.<br /><br />posologia, modi e frequenza di assunzione<br />Il prodotto è adatto sia alla lettura continuativa che alla consultazione saltuaria. Può essere scorso come un libro tradizionale, dall'inizio (parole) alla fine (extremo) nella disposizione proposta secondo la sequenza di produzione, o assunto nell'ordine che si preferisce: seguendone i collegamenti ipertestuali, obbedendo a impulsi momentanei, organizzando propri tragitti di ricerca.<br /><br />effetti collaterali<br />Può indurre curiosità.<br /><br />scadenza e conservazione<br />l principi attivi del composto sono in parte volatili. Si consiglia di aggiornare personalmente i post scriptum e di farne segnalazione al produttore.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="75eb2ae1a219f90c626450b7a82db0bb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":41618468,"asset_id":20898006,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/41618468/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="20898006"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="20898006"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20898006; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20898006]").text(description); $(".js-view-count[data-work-id=20898006]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20898006; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='20898006']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 20898006, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "75eb2ae1a219f90c626450b7a82db0bb" } } $('.js-work-strip[data-work-id=20898006]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":20898006,"title":"Ex libris. 16 parole chiave dell’architettura contemporanea, LetteraVentidue, Siracusa 2015 (estratto).","translated_title":"","metadata":{"abstract":"EX LIBRIS_10kb\nprefazione di Alessandro Rocca; postfazione di Marco Brizzi\n\nProdotto di autoterapia teorico-critica (riedizione 2016). Leggere attentamente le avvertenze.\n\ncomposizione\nPercorsi tematici per parole chiave all’interno della pubblicistica architettonica contemporanea, prevalentemente tratti da materiali cartacei e integrati con riferimenti provenienti da cinema, televisione e web. Il dosaggio comprende collegamenti a fatti e questioni interdisciplinari, soprattutto nei campi delle arti, delle scienze e della letteratura. Presenza di materiali internazionali superiore all’85%.\nUna parola chiave da 10 kb (circa 10.000 battute) comprende una media di 29 indicazioni bibliografiche e un post scriptum variabile tra le 15 e le 71 indicazioni aggiuntive. Il totale dei libri, periodici e articoli impiegati nel preparato è di 1123. Autori, gruppi e movimenti citati assommano a 1070. 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(e-book con Eva De Sabbata, LetteraVentidue, 2014).\n\nindicazioni terapeutiche\nDispositivo di orientamento nel dibattito architettonico internazionale del nuovo millennio.\n\ncontroindicazioni\nIn soggetti ipersensibili può suscitare difficoltà di assunzione. Si tratta di un effetto paradossale: in caso, aumentare le dosi.\n\nposologia, modi e frequenza di assunzione\nIl prodotto è adatto sia alla lettura continuativa che alla consultazione saltuaria. Può essere scorso come un libro tradizionale, dall'inizio (parole) alla fine (extremo) nella disposizione proposta secondo la sequenza di produzione, o assunto nell'ordine che si preferisce: seguendone i collegamenti ipertestuali, obbedendo a impulsi momentanei, organizzando propri tragitti di ricerca.\n\neffetti collaterali\nPuò indurre curiosità.\n\nscadenza e conservazione\nl principi attivi del composto sono in parte volatili. 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Leggere attentamente le avvertenze.\n\ncomposizione\nPercorsi tematici per parole chiave all’interno della pubblicistica architettonica contemporanea, prevalentemente tratti da materiali cartacei e integrati con riferimenti provenienti da cinema, televisione e web. Il dosaggio comprende collegamenti a fatti e questioni interdisciplinari, soprattutto nei campi delle arti, delle scienze e della letteratura. Presenza di materiali internazionali superiore all’85%.\nUna parola chiave da 10 kb (circa 10.000 battute) comprende una media di 29 indicazioni bibliografiche e un post scriptum variabile tra le 15 e le 71 indicazioni aggiuntive. Il totale dei libri, periodici e articoli impiegati nel preparato è di 1123. Autori, gruppi e movimenti citati assommano a 1070. 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(e-book con Eva De Sabbata, LetteraVentidue, 2014).\n\nindicazioni terapeutiche\nDispositivo di orientamento nel dibattito architettonico internazionale del nuovo millennio.\n\ncontroindicazioni\nIn soggetti ipersensibili può suscitare difficoltà di assunzione. Si tratta di un effetto paradossale: in caso, aumentare le dosi.\n\nposologia, modi e frequenza di assunzione\nIl prodotto è adatto sia alla lettura continuativa che alla consultazione saltuaria. Può essere scorso come un libro tradizionale, dall'inizio (parole) alla fine (extremo) nella disposizione proposta secondo la sequenza di produzione, o assunto nell'ordine che si preferisce: seguendone i collegamenti ipertestuali, obbedendo a impulsi momentanei, organizzando propri tragitti di ricerca.\n\neffetti collaterali\nPuò indurre curiosità.\n\nscadenza e conservazione\nl principi attivi del composto sono in parte volatili. 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Lo spazio urbano nei quartieri contemporanei, Cluva, Venezia 1990, isbn 8885067697." class="work-thumbnail" src="https://attachments.academia-assets.com/49760376/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29319691/Giovanni_Corbellini_Uniformit%C3%A0_e_variazione_Lo_spazio_urbano_nei_quartieri_contemporanei_Cluva_Venezia_1990_isbn_8885067697">Giovanni Corbellini, Uniformità e variazione. Lo spazio urbano nei quartieri contemporanei, Cluva, Venezia 1990, isbn 8885067697.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Questo saggio indaga l'esperienza dei quartieri realizzati in Europa tra gli anni venti e gli ott...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Questo saggio indaga l'esperienza dei quartieri realizzati in Europa tra gli anni venti e gli ottanta, con l'obiettivo di estrarre strumenti progettuali di controllo del rapporto tra ripetizione seriale e differenze spaziali.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aa187cf000214b244cbbf289689264c6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49760376,"asset_id":29319691,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49760376/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29319691"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29319691"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29319691; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29319691]").text(description); $(".js-view-count[data-work-id=29319691]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29319691; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='29319691']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 29319691, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "aa187cf000214b244cbbf289689264c6" } } $('.js-work-strip[data-work-id=29319691]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":29319691,"title":"Giovanni Corbellini, Uniformità e variazione. 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Affresco italiano a cura dell'unità di ricerca Tedea. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40916333"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40916333/_Una_modernit%C3%A0_d_insiemi_e_dissonanze_Francesco_Tentori_attraverso_i_suoi_scritti_Biblioteca_Iuav_Venezia_8_11_16_12_2019_a_cura_di_Giovanni_Corbellini_e_Egidio_Cutillo"><img alt="Research paper thumbnail of "Una modernità d’insiemi e dissonanze. Francesco Tentori attraverso i suoi scritti", Biblioteca Iuav, Venezia, 8.11-16.12.2019, a cura di Giovanni Corbellini e Egidio Cutillo." class="work-thumbnail" src="https://attachments.academia-assets.com/61204676/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40916333/_Una_modernit%C3%A0_d_insiemi_e_dissonanze_Francesco_Tentori_attraverso_i_suoi_scritti_Biblioteca_Iuav_Venezia_8_11_16_12_2019_a_cura_di_Giovanni_Corbellini_e_Egidio_Cutillo">"Una modernità d’insiemi e dissonanze. Francesco Tentori attraverso i suoi scritti", Biblioteca Iuav, Venezia, 8.11-16.12.2019, a cura di Giovanni Corbellini e Egidio Cutillo.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Francesco Tentori è stato un saggista particolarmente prolifico, capace di gettare sulle cose del...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Francesco Tentori è stato un saggista particolarmente prolifico, capace di gettare sulle cose dell'architettura - e non solo -  uno sguardo critico originale, spesso aspro, contraddittorio, mai banale. A dieci anni dalla scomparsa, questa mostra ne ripercorre alcune delle molteplici tracce, lasciate in sessant'anni di febbrile attività. Dal 1951 di Le isole (giovane studente Iuav) all'uscita postuma del numero su Piacentini di "Rassegna di architettura e urbanistica" nel 2010, il maestro friulano ha seguito in profondità le vicende disciplinari soprattutto italiane, allargando la sua ricerca ai temi territoriali, dedicandosi alla didattica e affrontando da divulgatore la complessa personalità di Le Corbusier.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1b5e24eafc0e1ba3203873868ed1b3f7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61204676,"asset_id":40916333,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61204676/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40916333"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40916333"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40916333; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40916333]").text(description); $(".js-view-count[data-work-id=40916333]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40916333; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40916333']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40916333, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1b5e24eafc0e1ba3203873868ed1b3f7" } } $('.js-work-strip[data-work-id=40916333]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40916333,"title":"\"Una modernità d’insiemi e dissonanze. 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Utili ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Pratiche discorsive danno senso allo spazio, quest'ultimo fornisce materiali del racconto. Utili tensioni tra successioni lineari e complessità tridimensionali sono il risultato di una contrapposizione fittizia, ma strategica, tra racconto e spazio. ph. Giorgio De Vecchi (2017) Laboratorio di Progettazione dell'Architettura II Laurea magistrale a ciclo unico in architettura anno accademico 2016 -2017 Ciclo di Conferenze Primavera 2017 Michelangelo Pivetta con Vincenzo Moschetti TOMMY DIDIMO</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="74085923f711c13dd631980cf8496340" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53010858,"asset_id":32864564,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53010858/download_file?st=MTczNzI4NjcwMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="32864564"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="32864564"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32864564; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32864564]").text(description); $(".js-view-count[data-work-id=32864564]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32864564; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='32864564']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 32864564, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "74085923f711c13dd631980cf8496340" } } $('.js-work-strip[data-work-id=32864564]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":32864564,"title":"Narrativo vs Spaziale, Sara Marini, Giovanni Corbellini, Mercoledì 10 Maggio 2017, Aula 19, Dipartimento di Architettura Piazza Lorenzo Ghiberti, 27, Firenze","translated_title":"","metadata":{"grobid_abstract":"Pratiche discorsive danno senso allo spazio, quest'ultimo fornisce materiali del racconto. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8387996" id="architecturalreview"><div class="js-work-strip profile--work_container" data-work-id="36830273"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36830273/Fuoco_amico_06_Making_Class_Learning_Architecture_"><img alt="Research paper thumbnail of Fuoco amico 06 – Making Class (Learning Architecture)" class="work-thumbnail" src="https://attachments.academia-assets.com/56782234/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36830273/Fuoco_amico_06_Making_Class_Learning_Architecture_">Fuoco amico 06 – Making Class (Learning Architecture)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://polimi.academia.edu/AlessandroRocca">Alessandro Rocca</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://polito.academia.edu/GiovanniCorbellini">Giovanni Corbellini</a>, <a class="" data-click-track="profile-work-strip-authors" rel="nofollow" href="https://nuca.academia.edu/TeresaStoppani">Teresa Stoppani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://aaschool.academia.edu/CostandisKizis">Costandis Kizis</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/LuisAntonioJorge">Luis Antonio Jorge</a></span></div><div class="wp-workCard_item"><span>Fuoco amico</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A retired professor of my school is invited to give a lecture for PhD candidates: running his pow...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A retired professor of my school is invited to give a lecture for PhD candidates: running his power point, when he wants the following slide he doesn't say "next", but "help me". For the first twenty minutes, the younger colleague acting the remote control doesn't understand. <br />Every "help me" there is a pause and then the younger asks: "Next?", rarely obtaining an answer, since the professor is hurrying ahead with his lecture. This repeated misunderstanding gives a little sudden thrill of suspence at every change of slide, and, in that dozy winter afternoon, it's very appreciated by the small audience scattered through the wide empty space of the main hall. I find this misunderstanding courious because I don't recognize where this comes from. The professor is Italian and he is lecturing in his mother language, in the school where he studied and teached for all his life. It is difficult to say how can a so strange and disturbed communication take place between people who work together since years, sharing the same places and, mostly, the same language.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f54673aa3ba196e917cf4effa3f747d5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56782234,"asset_id":36830273,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56782234/download_file?st=MTczNzI4NjcwMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36830273"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36830273"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36830273; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36830273]").text(description); $(".js-view-count[data-work-id=36830273]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36830273; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36830273']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36830273, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f54673aa3ba196e917cf4effa3f747d5" } } $('.js-work-strip[data-work-id=36830273]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36830273,"title":"Fuoco amico 06 – Making Class (Learning Architecture)","translated_title":"","metadata":{"volume":"06","abstract":"A retired professor of my school is invited to give a lecture for PhD candidates: running his power point, when he wants the following slide he doesn't say \"next\", but \"help me\". 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La scelta del tema è di conseguenza fondamentale e comporta un'attenta valutazione dei propri interessi, in rapporto alle attitudini personali e alle occasioni del momento, unendo l'utilità dell'esperienza formativa alla possibilità di costruire futuri sbocchi professionali e di ricerca. La scelta del luogo sul quale ci si intende esercitare può avere un significato strategico. Approfondire la conoscenza di situazioni specifiche, rispondendo a domande che emergono da un certo territorio, consente di simulare da vicino la realtà, sia dal punto di vista strettamente tecnico che da quello relazionale, iniziando quei contatti con le amministrazioni e gli altri operatori economici e culturali così importanti nel lavoro dell'architetto. La tesi deve avere tuttavia anche un suo contenuto più astratto, un suo valore scientifico che, al limite, può prescindere da considerazioni di carattere locale o dalla applicazione a contesti reali. Naturalmente, se le proposte dovessero risultare insignificanti o mancare del tutto, provvederò a proporre argomenti collegati ai miei interessi di ricerca. Non esistono temi intrinsecamente facili o difficili. Anche se la grande scala significa in genere una maggiore complessità di questioni da gestire e da "tenere insieme" nel progetto, una tesi di laurea richiede in genere livelli di approfondimento indipendenti dalle dimensioni degli oggetti e degli spazi presi in considerazione. Tenete presente che una tesi di progetto è per definizione una tesi sperimentale. Ciò comporta una continua attenzione alle ipotesi da verificare, agli strumenti da utilizzare e ai risultati che ci si attende.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5475c5f766e1cb7d13f4c3f974d1e9fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58354654,"asset_id":38306243,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58354654/download_file?st=MTczNzI4NjcwMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38306243"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38306243"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38306243; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38306243]").text(description); $(".js-view-count[data-work-id=38306243]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38306243; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38306243']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38306243, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5475c5f766e1cb7d13f4c3f974d1e9fe" } } $('.js-work-strip[data-work-id=38306243]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38306243,"title":"advices for the degree theses","translated_title":"","metadata":{"grobid_abstract":"avvertenze per le tesi di laurea advices for the degree theses giovanni corbellini tema La tesi di laurea è per molti il progetto al quale si dedica per un tempo e con una disponibilità che difficilmente si riuscirà a trovare in occasioni successive. 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Naturalmente, se le proposte dovessero risultare insignificanti o mancare del tutto, provvederò a proporre argomenti collegati ai miei interessi di ricerca. Non esistono temi intrinsecamente facili o difficili. Anche se la grande scala significa in genere una maggiore complessità di questioni da gestire e da \"tenere insieme\" nel progetto, una tesi di laurea richiede in genere livelli di approfondimento indipendenti dalle dimensioni degli oggetti e degli spazi presi in considerazione. Tenete presente che una tesi di progetto è per definizione una tesi sperimentale. 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La scelta del tema è di conseguenza fondamentale e comporta un'attenta valutazione dei propri interessi, in rapporto alle attitudini personali e alle occasioni del momento, unendo l'utilità dell'esperienza formativa alla possibilità di costruire futuri sbocchi professionali e di ricerca. La scelta del luogo sul quale ci si intende esercitare può avere un significato strategico. Approfondire la conoscenza di situazioni specifiche, rispondendo a domande che emergono da un certo territorio, consente di simulare da vicino la realtà, sia dal punto di vista strettamente tecnico che da quello relazionale, iniziando quei contatti con le amministrazioni e gli altri operatori economici e culturali così importanti nel lavoro dell'architetto. La tesi deve avere tuttavia anche un suo contenuto più astratto, un suo valore scientifico che, al limite, può prescindere da considerazioni di carattere locale o dalla applicazione a contesti reali. Naturalmente, se le proposte dovessero risultare insignificanti o mancare del tutto, provvederò a proporre argomenti collegati ai miei interessi di ricerca. Non esistono temi intrinsecamente facili o difficili. Anche se la grande scala significa in genere una maggiore complessità di questioni da gestire e da \"tenere insieme\" nel progetto, una tesi di laurea richiede in genere livelli di approfondimento indipendenti dalle dimensioni degli oggetti e degli spazi presi in considerazione. Tenete presente che una tesi di progetto è per definizione una tesi sperimentale. 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This is part of the Wunderhorn Series, start...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A 10 minutes video presentation of Koolhaas's bible. This is part of the Wunderhorn Series, started by Christoph Grafe at the Bergische Universität Wuppertal: 'an experimental format of short reviews of publications that are important to us — an invitation to self-study reading.'</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a90900c56c75b4c3657fc6916a448bc8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67097504,"asset_id":48619604,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67097504/download_file?st=MTczNzI4NjcwMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="48619604"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="48619604"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48619604; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=48619604]").text(description); $(".js-view-count[data-work-id=48619604]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 48619604; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='48619604']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 48619604, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a90900c56c75b4c3657fc6916a448bc8" } } $('.js-work-strip[data-work-id=48619604]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":48619604,"title":"SMLXL Wunderhorn No.8 https://vimeo.com/499579472","translated_title":"","metadata":{"abstract":"A 10 minutes video presentation of Koolhaas's bible. 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