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(PDF) Greek iconographies: meandering paths to understanding images | Winfred van de Put and Panagiotis Iossif - Academia.edu
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Iossif & W. van de Put (eds), Greek Iconographies: Identities and Media in Context. A Seminar organised by the Netherlands Institute at Athens and the Belgian School at Athens.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":58187877,"attachmentType":"pdf","workUrl":"https://www.academia.edu/35759346/Greek_iconographies_meandering_paths_to_understanding_images"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":58187877,"attachmentType":"pdf","workUrl":"https://www.academia.edu/35759346/Greek_iconographies_meandering_paths_to_understanding_images"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="58187877" data-landing_url="https://www.academia.edu/35759346/Greek_iconographies_meandering_paths_to_understanding_images" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="84872545" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/84872545/A_Haug_Images_and_History_in_Eigth_and_Seventh_Century_BC_Athens_A_Discursive_Analytical_Approach_in_J_M_Barringer_F_Lissarrague_Hrsg_Images_at_the_Crossroads_Media_and_Meaning_in_Greek_Art_Edinburgh_2022_39_56">A. 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Instead, no clear border can be drawn between the physical body and its “extensions”–armor, clothing, attributes, in some cases even elements of the figure’s spatial context as e.g., “landscape.” While such (presumed) surrounding space can be an intrinsic part of the figure, the idea of a pictorial space dissociated from the material frame is absent from both vase painting and architectural sculpture. Instead, the figures’ space is identical with their material frame, be it the picture field on a vase, or the pediment of a temple. This common trait among the two pictorial media is finally interpreted as an anthropological predisposition regarding what made for an image in Ancient Greece, pointing to the image’s power of presentification, as opposed to the modern concept of pictorial illusion. 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An Introduction to Iconology, Semiotics and Image Studies in Classical Art History.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="223830" href="https://jlu-giessen.academia.edu/KatharinaLorenz">Katharina Lorenz</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2016</p><p class="ds-related-work--abstract ds2-5-body-sm">When we try to make sense of pictures, what do we gain when we use a particular method – and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery – a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century CE Roman sarcophagus – enables Katharina Lorenz to demonstrate how theoretical approaches to images (specifically, Iconology, Semiotics, and Image Studies) impact the meanings we elicit from Greek and Roman art. A guide to Classical images of myth and also a critical history of Classical archaeology’s attempts to give meaning to pictures, this book establishes a dialogue with the wider field of art history and proposes a new framework for the study of ancient visual culture. It will be essential reading not just for students of classical art history and archaeology, but for anyone interested in the possibilities – and the history – of studying visual culture.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Ancient Mythological Images and their Interpretation. An Introduction to Iconology, Semiotics and Image Studies in Classical Art History.","attachmentId":47396041,"attachmentType":"pdf","work_url":"https://www.academia.edu/1192844/Ancient_Mythological_Images_and_their_Interpretation_An_Introduction_to_Iconology_Semiotics_and_Image_Studies_in_Classical_Art_History","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/1192844/Ancient_Mythological_Images_and_their_Interpretation_An_Introduction_to_Iconology_Semiotics_and_Image_Studies_in_Classical_Art_History"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="43765097" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43765097/_Iconography_in_Context_The_Visual_Elements_of_Aegean_Art_">"Iconography in Context: The Visual Elements of Aegean Art"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="56858866" href="https://independent.academia.edu/GiorgosRethemiotakis">Giorgos Rethemiotakis</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="189326" href="https://brevard.academia.edu/AnneChapin">Anne Chapin</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Current Approaches and New Perspectives in Aegean Iconography, edited by Fritz Blakolmer. Aegis 18 (2020), 369-384., 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Abstract: The iconographic meanings of Aegean art have long been the subject of scholarly investigation, but comparatively little attention has been paid to that other major component of artistic content: emotion, and the emotional impact that art makes upon the viewer. This investigation explores how artists of the Aegean Bronze Age incorporated expressive content through intentional engagement of artistic form as developed through the visual elements (line, texture, color [hue], value, shape and space) and the principles of organization (harmony, variety, balance, proportion, dominance, movement, and economy). Three canonical artworks (the Spring Fresco of Delta 2, Akrotiri, Thera; the Cupbearer and Procession Frescoes of Knossos, Crete; and a Mycenaean phi figurine) are discussed to explore how each artwork’s expressive and emotional content was purposely developed to support its symbolic meanings as understood through traditional iconographic method. It is suggested that formal analysis of the elements and principles of prehistoric art can be engaged in alliance with iconographic study, not only to define the characteristic features of Aegean art, as has been done in the past, but also to explore Aegean art’s deeper emotional meaning as it impacted the viewer and shaped the prehistoric visual environment.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Iconography in Context: The Visual Elements of Aegean Art\"","attachmentId":64077327,"attachmentType":"pdf","work_url":"https://www.academia.edu/43765097/_Iconography_in_Context_The_Visual_Elements_of_Aegean_Art_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/43765097/_Iconography_in_Context_The_Visual_Elements_of_Aegean_Art_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="46603670" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/46603670/An_essay_on_iconographic_analysis_relations_between_the_theory_of_art_and_the_archaeological_method">An essay on iconographic analysis: relations between the theory of art and the archaeological method</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3508442" href="https://ufmg.academia.edu/RenanMazzola">Renan Mazzola</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Acta Scientiarum, 2015</p><p class="ds-related-work--abstract ds2-5-body-sm">In this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of 'iconological interpretation' proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Um ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico RESUMO. Neste artigo, investigamos a teoria da arte que subsidia o pensamento de Michel Foucault e analisamos aspectos estéticos e históricos de desproporções anatômicas na pintura europeia. A partir do ensaio As palavras e as imagens, de Foucault, é possível visualizar o método analítico de Erwin Panofsky. A influência do historiador da arte sobre o filósofo francês evidencia-se na fase de 'interpretação iconológica' proposta por Panofsky, em que a sintomatologia cultural encontra lugar de destaque. Essa sintomatologia é buscada nas análises que realizamos de três artistas da Europa:</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"An essay on iconographic analysis: relations between the theory of art and the archaeological method","attachmentId":66239952,"attachmentType":"pdf","work_url":"https://www.academia.edu/46603670/An_essay_on_iconographic_analysis_relations_between_the_theory_of_art_and_the_archaeological_method","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/46603670/An_essay_on_iconographic_analysis_relations_between_the_theory_of_art_and_the_archaeological_method"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="20253963" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/20253963/Pappi_E_2006_Argive_Geometric_Figured_Style_The_rule_and_the_exception_Pictorial_pursuits_Figurative_painting_on_Mycenaean_and_Geometric_pottery_Papers_from_two_seminars_at_the_Swedish_Institute_at_Athens_in_1999_and_2001_ed_E_Rystedt_and_B_Wells_Stockholm_2006_">Pappi, E., 2006. Argive Geometric Figured Style. The rule and the exception (Pictorial pursuits. Figurative painting on Mycenaean and Geometric pottery. Papers from two seminars at the Swedish Institute at Athens in 1999 and 2001, ed. E. Rystedt and B. Wells, Stockholm, 2006)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="38427500" href="https://ypppo.academia.edu/EvangeliaPappi">Evangelia Pappi</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Pappi, E., 2006. Argive Geometric Figured Style. The rule and the exception (Pictorial pursuits. Figurative painting on Mycenaean and Geometric pottery. Papers from two seminars at the Swedish Institute at Athens in 1999 and 2001, ed. E. Rystedt and B. Wells, Stockholm, 2006)","attachmentId":41113445,"attachmentType":"pdf","work_url":"https://www.academia.edu/20253963/Pappi_E_2006_Argive_Geometric_Figured_Style_The_rule_and_the_exception_Pictorial_pursuits_Figurative_painting_on_Mycenaean_and_Geometric_pottery_Papers_from_two_seminars_at_the_Swedish_Institute_at_Athens_in_1999_and_2001_ed_E_Rystedt_and_B_Wells_Stockholm_2006_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/20253963/Pappi_E_2006_Argive_Geometric_Figured_Style_The_rule_and_the_exception_Pictorial_pursuits_Figurative_painting_on_Mycenaean_and_Geometric_pottery_Papers_from_two_seminars_at_the_Swedish_Institute_at_Athens_in_1999_and_2001_ed_E_Rystedt_and_B_Wells_Stockholm_2006_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="9504480" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/9504480/Iconographical_and_Iconological_Approaches">Iconographical and Iconological Approaches</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="20485833" href="https://independent.academia.edu/CorneliaIslerKer%C3%A9nyi">Cornelia Isler-Kerényi</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Iconographical and Iconological Approaches","attachmentId":35732792,"attachmentType":"pdf","work_url":"https://www.academia.edu/9504480/Iconographical_and_Iconological_Approaches","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/9504480/Iconographical_and_Iconological_Approaches"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":58187877,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":58187877,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_58187877" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="2778483" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/2778483/_Image_Paradigms_as_a_Category_of_Mediterranean_Visual_Culture_A_Hierotopic_Approach_to_Art_History">‘Image-Paradigms’ as a Category of Mediterranean Visual Culture. 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A Hierotopic Approach to Art History","attachmentId":30752547,"attachmentType":"pdf","work_url":"https://www.academia.edu/2778483/_Image_Paradigms_as_a_Category_of_Mediterranean_Visual_Culture_A_Hierotopic_Approach_to_Art_History","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/2778483/_Image_Paradigms_as_a_Category_of_Mediterranean_Visual_Culture_A_Hierotopic_Approach_to_Art_History"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="1" data-entity-id="36230430" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/36230430/_Order_and_Contingency_in_Archaic_Greek_Ornament_and_Figure_in_N_Dietrich_M_Squire_Hrsg_Ornament_and_Figure_in_Graeco_Roman_Art_Rethinking_Visual_Ontologies_in_Classical_Antiquity_Berlin_New_York_De_Gruyter_2018_167_201">„Order and Contingency in Archaic Greek Ornament and Figure”, in: N. 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Rethinking Visual Ontologies in Classical Antiquity, Berlin-New York: De Gruyter 2018, 167-201","attachmentId":56133930,"attachmentType":"pdf","work_url":"https://www.academia.edu/36230430/_Order_and_Contingency_in_Archaic_Greek_Ornament_and_Figure_in_N_Dietrich_M_Squire_Hrsg_Ornament_and_Figure_in_Graeco_Roman_Art_Rethinking_Visual_Ontologies_in_Classical_Antiquity_Berlin_New_York_De_Gruyter_2018_167_201","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/36230430/_Order_and_Contingency_in_Archaic_Greek_Ornament_and_Figure_in_N_Dietrich_M_Squire_Hrsg_Ornament_and_Figure_in_Graeco_Roman_Art_Rethinking_Visual_Ontologies_in_Classical_Antiquity_Berlin_New_York_De_Gruyter_2018_167_201"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="2" data-entity-id="45504266" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/45504266/Iconology_and_Interpretation_Budapest_Review_of_Books_9_2000_pp_193_197">Iconology and Interpretation. Budapest Review of Books 9 2000, pp. 193-197.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="180287364" href="https://mta.academia.edu/G%C3%A1borT%C3%BCsk%C3%A9s">Gábor Tüskés</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2000</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Iconology and Interpretation. Budapest Review of Books 9 2000, pp. 193-197.","attachmentId":65997000,"attachmentType":"pdf","work_url":"https://www.academia.edu/45504266/Iconology_and_Interpretation_Budapest_Review_of_Books_9_2000_pp_193_197","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/45504266/Iconology_and_Interpretation_Budapest_Review_of_Books_9_2000_pp_193_197"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="3" data-entity-id="4146141" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4146141/Iconography_iconology_and_style_analysis">Iconography iconology and style analysis</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4995317" href="https://independent.academia.edu/VincentMeijer">Vincent Meijer</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Iconography iconology and style analysis","attachmentId":31655063,"attachmentType":"docx","work_url":"https://www.academia.edu/4146141/Iconography_iconology_and_style_analysis","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/4146141/Iconography_iconology_and_style_analysis"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="4" data-entity-id="853463" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/853463/Review_of_Paul_Taylor_ed_Iconography_without_Texts_Warburg_Institute_Colloquia_13_2008">Review of: Paul Taylor (ed.), Iconography without Texts. Warburg Institute Colloquia 13, 2008</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="75325" href="https://uu.academia.edu/ThijsWeststeijn">Thijs Weststeijn</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Art Historiography</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review of: Paul Taylor (ed.), Iconography without Texts. 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Vlachopoulos (ed.), ΧΡΩΣΤΗΡΕΣ_PAINTBRUSHES / Wall-painting and vase-painting of the 2nd millennium BC in dialogue. 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href="https://independent.academia.edu/collardjudith">judith collard</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Parergon, 2005</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"History and Images: Towards a New Iconology (review)","attachmentId":86433510,"attachmentType":"pdf","work_url":"https://www.academia.edu/79860565/History_and_Images_Towards_a_New_Iconology_review_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/79860565/History_and_Images_Towards_a_New_Iconology_review_"><span class="ds2-5-text-link__content">View PDF</span><span 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On the Social Significance of Time Spent Looking at Classical Art”, in C. Draycott, R. Raja, K. Welch and W. T. Wootton (eds.), Visual Histories: Visual Remains and Histories of the Classical World. Essays in Honour of R.R.R. Smith, Turnhout: Brepols, 2018, 34–46.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="71161029" href="https://bard.academia.edu/CasparMeyer">Caspar Meyer</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“What is the Value of Images? On the Social Significance of Time Spent Looking at Classical Art”, in C. Draycott, R. Raja, K. Welch and W. T. Wootton (eds.), Visual Histories: Visual Remains and Histories of the Classical World. Essays in Honour of R.R.R. 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