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href="https://www.academia.edu/49041065/Sa%C4%9Flan_S_Korkmaz_Z_2021_Attic_red_figure_pottery_from_Sinope_G_R_Tsetskhladze_A_Avram_J_Hargrave_Eds_The_Greeks_and_Romans_in_the_Black_Sea_and_the_Importance_of_the_Pontic_Region_for_the_Graeco_Roman_World_Constanta_18_22_September_2017_Archeopress_London_616_627">Sağlan, S. Korkmaz, Z. (2021). Attic red-figure pottery from Sinope. G. R. Tsetskhladze, A. Avram, J. Hargrave (Eds.), The Greeks and Romans in the Black Sea and the Importance of the Pontic Region for the Graeco-Roman World (Constanta–18-22 September 2017), Archeopress: London, 616-627.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper presents Attic red-figure vases from Sinop Museum, 90% of them found at excavations of necropolis sites in Sinop(e). The repertoire consist of lekythoi, kraters, hydria, lebetes and pelikes, which are the forms commonly used in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49041065" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper presents Attic red-figure vases from Sinop Museum, 90% of them found at excavations of necropolis sites in Sinop(e). The repertoire consist of lekythoi, kraters, hydria, lebetes and pelikes, which are the forms commonly used in the Black Sea region. Some of these, depicting wedding scenes, Dionysiac play, Eros and Aphrodite and palmette motifs evoke the style of the Meidias Painter; the other scenes and figures depicted on the collection are: Amazon and griffin, eros and maenad, siren, Satyr, crawling baby and one animal. The aim of this paper is to introduce the iconographical motifs and scenes of daily life which were<br />widely used in the Black Sea region on red-figure vases and to illuminate Sinope’s cultural and commercial relations with Athens through these ceramics. The publication of red-figure pottery from Sinope is intended as a contribution to the documentation of the nature and pattern of red-figured vases of the Black Sea region.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49041065" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bbf5d8576b262d1b8b18d30eee696157" rel="nofollow" data-download="{"attachment_id":67424972,"asset_id":49041065,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67424972/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2952029" href="https://selcuk.academia.edu/ZKorkmaz">Zafer Korkmaz</a><script data-card-contents-for-user="2952029" type="text/json">{"id":2952029,"first_name":"Zafer","last_name":"Korkmaz","domain_name":"selcuk","page_name":"ZKorkmaz","display_name":"Zafer Korkmaz","profile_url":"https://selcuk.academia.edu/ZKorkmaz?f_ri=153550","photo":"https://0.academia-photos.com/2952029/975169/148197107/s65_zafer.korkmaz.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-49041065">+1</span><div class="hidden js-additional-users-49041065"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://selcuk.academia.edu/suhalsaglan">Suhal Sağlan</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-49041065'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-49041065').html(); 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Korkmaz, Z. (2021). Attic red-figure pottery from Sinope. G. R. Tsetskhladze, A. Avram, J. Hargrave (Eds.), The Greeks and Romans in the Black Sea and the Importance of the Pontic Region for the Graeco-Roman World (Constanta–18-22 September 2017), Archeopress: London, 616-627.","created_at":"2021-05-25T01:14:45.390-07:00","url":"https://www.academia.edu/49041065/Sa%C4%9Flan_S_Korkmaz_Z_2021_Attic_red_figure_pottery_from_Sinope_G_R_Tsetskhladze_A_Avram_J_Hargrave_Eds_The_Greeks_and_Romans_in_the_Black_Sea_and_the_Importance_of_the_Pontic_Region_for_the_Graeco_Roman_World_Constanta_18_22_September_2017_Archeopress_London_616_627?f_ri=153550","dom_id":"work_49041065","summary":"This paper presents Attic red-figure vases from Sinop Museum, 90% of them found at excavations of necropolis sites in Sinop(e). The repertoire consist of lekythoi, kraters, hydria, lebetes and pelikes, which are the forms commonly used in the Black Sea region. 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The publication of red-figure pottery from Sinope is intended as a contribution to the documentation of the nature and pattern of red-figured vases of the Black Sea region.","downloadable_attachments":[{"id":67424972,"asset_id":49041065,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2952029,"first_name":"Zafer","last_name":"Korkmaz","domain_name":"selcuk","page_name":"ZKorkmaz","display_name":"Zafer Korkmaz","profile_url":"https://selcuk.academia.edu/ZKorkmaz?f_ri=153550","photo":"https://0.academia-photos.com/2952029/975169/148197107/s65_zafer.korkmaz.jpg"},{"id":794762,"first_name":"Suhal","last_name":"Sağlan","domain_name":"selcuk","page_name":"suhalsaglan","display_name":"Suhal Sağlan","profile_url":"https://selcuk.academia.edu/suhalsaglan?f_ri=153550","photo":"https://0.academia-photos.com/794762/1054540/92509355/s65_suhal.sa_lan.jpg"}],"research_interests":[{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_17090403" data-work_id="17090403" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/17090403/Geschirr_und_Gesellschaft_Attische_Trinkgelage_im_4_Jahrhundert_v_Chr">Geschirr und Gesellschaft. 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J.-C.) »</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In archaic and classical iconography, eminent figures, such as the Olympian gods, are often represented seated on thrones. This symbol of power, however, is also regularly used by ancient authors and artists as an allegory of punishment... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35731805" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In archaic and classical iconography, eminent figures, such as the Olympian gods, are often represented seated on thrones. This symbol of power, however, is also regularly used by ancient authors and artists as an allegory of punishment associated to a hybris committed towards the gods –Theseus and Pirithoos on the thrones of oblivion, Hera on the golden throne. This theme alludes to the destiny of those who do not respect the laws and rules established by official authorities (divine or human). <br />The present article aims at studying the transformation of a typical symbol of power to an image of suffering and torture as well as determining the pictorial elements that enabled the distinction between the two themes in space (Greece and South Italy) and time (from the sixth to the fourth centuries B.C.). <br /> <br />RESUME <br />Le motif de la figure assise apparaît souvent dans l’iconographie de personnages éminents, tels les Olympiens, faisant référence à leur pouvoir. Néanmoins, ce même motif est parfois utilisé par les auteurs et les artistes antiques pour évoquer des scènes de supplice liées au châtiment d’une démesure envers les dieux –Thésée et Pirithoos sur les sièges de l’oubli, Héra sur le trône d’or– faisant allusion de façon allégorique au sort réservé aux personnes qui ne respectent pas les lois et les règles établies par la hiérarchie officielle (divine ou humaine). <br />Le présent article étudie la transformation d’un thème typique de pouvoir en scène de châtiment et tâche de déterminer les conditions qui imposaient la diffusion de l’un ou de l’autre motif dans l’espace (Grèce et Italie du Sud) et dans le temps (du VIe au IVe siècle av. 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J.-C.) »","created_at":"2018-01-22T11:03:42.569-08:00","url":"https://www.academia.edu/35731805/_Si%C3%A8ges_de_pouvoir_si%C3%A8ges_de_supplice_r%C3%A9flexions_sur_certains_motifs_de_figures_assises_dans_lart_antique_VIe_IVe_si%C3%A8cles_av_J_C_?f_ri=153550","dom_id":"work_35731805","summary":"In archaic and classical iconography, eminent figures, such as the Olympian gods, are often represented seated on thrones. This symbol of power, however, is also regularly used by ancient authors and artists as an allegory of punishment associated to a hybris committed towards the gods –Theseus and Pirithoos on the thrones of oblivion, Hera on the golden throne. This theme alludes to the destiny of those who do not respect the laws and rules established by official authorities (divine or human).\r\nThe present article aims at studying the transformation of a typical symbol of power to an image of suffering and torture as well as determining the pictorial elements that enabled the distinction between the two themes in space (Greece and South Italy) and time (from the sixth to the fourth centuries B.C.).\r\n\r\nRESUME\r\nLe motif de la figure assise apparaît souvent dans l’iconographie de personnages éminents, tels les Olympiens, faisant référence à leur pouvoir. Néanmoins, ce même motif est parfois utilisé par les auteurs et les artistes antiques pour évoquer des scènes de supplice liées au châtiment d’une démesure envers les dieux –Thésée et Pirithoos sur les sièges de l’oubli, Héra sur le trône d’or– faisant allusion de façon allégorique au sort réservé aux personnes qui ne respectent pas les lois et les règles établies par la hiérarchie officielle (divine ou humaine).\r\nLe présent article étudie la transformation d’un thème typique de pouvoir en scène de châtiment et tâche de déterminer les conditions qui imposaient la diffusion de l’un ou de l’autre motif dans l’espace (Grèce et Italie du Sud) et dans le temps (du VIe au IVe siècle av. J.-C.).","downloadable_attachments":[{"id":55606217,"asset_id":35731805,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10869625,"first_name":"Anastasia","last_name":"Painesi","domain_name":"paris-sorbonne","page_name":"AnastasiaPainesi","display_name":"Anastasia Painesi","profile_url":"https://paris-sorbonne.academia.edu/AnastasiaPainesi?f_ri=153550","photo":"https://0.academia-photos.com/10869625/3244731/38162853/s65_anastasia.painesi.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false},{"id":788,"name":"Mythology","url":"https://www.academia.edu/Documents/in/Mythology?f_ri=153550","nofollow":false},{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=153550","nofollow":false},{"id":826,"name":"Greek 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mythology","url":"https://www.academia.edu/Documents/in/Greek_mythology?f_ri=153550"},{"id":77581,"name":"Ancient Greek Mythology","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Mythology?f_ri=153550"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=153550"},{"id":94418,"name":"Ancient Greek Literature","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Literature?f_ri=153550"},{"id":101654,"name":"Iconografia","url":"https://www.academia.edu/Documents/in/Iconografia?f_ri=153550"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":173146,"name":"Myth and Literature","url":"https://www.academia.edu/Documents/in/Myth_and_Literature?f_ri=153550"},{"id":992729,"name":"Vase painting and Iconography","url":"https://www.academia.edu/Documents/in/Vase_painting_and_Iconography?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42705886" data-work_id="42705886" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42705886/%D0%92%D0%BE%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%BE%D0%B3%D1%80%D0%B5%D1%87%D0%B5%D1%81%D0%BA%D0%B0%D1%8F_%D0%BA%D0%B5%D1%80%D0%B0%D0%BC%D0%B8%D0%BA%D0%B0_%D0%9F%D0%B0%D0%BD%D1%82%D0%B8%D0%BA%D0%B0%D0%BF%D0%B5%D1%8F_1945_">Восточногреческая керамика Пантикапея 1945-</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">East Greek pottery from Panticapaeum excavations 1945-2016.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42705886" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6b3a26f344d07ece119a74a821a73da7" rel="nofollow" data-download="{"attachment_id":62918723,"asset_id":42705886,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62918723/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="153649393" href="https://independent.academia.edu/Tugusheva">Olga Tugusheva</a><script data-card-contents-for-user="153649393" type="text/json">{"id":153649393,"first_name":"Olga","last_name":"Tugusheva","domain_name":"independent","page_name":"Tugusheva","display_name":"Olga Tugusheva","profile_url":"https://independent.academia.edu/Tugusheva?f_ri=153550","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_42705886 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42705886"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42705886, container: ".js-paper-rank-work_42705886", }); });</script></li><li class="js-percentile-work_42705886 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42705886; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_42705886"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_42705886 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="42705886"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42705886; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42705886]").text(description); $(".js-view-count-work_42705886").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42705886").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42705886"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">3</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="75614" href="https://www.academia.edu/Documents/in/East_Greek_Pottery">East Greek Pottery</a>, <script data-card-contents-for-ri="75614" type="text/json">{"id":75614,"name":"East Greek Pottery","url":"https://www.academia.edu/Documents/in/East_Greek_Pottery?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="153550" href="https://www.academia.edu/Documents/in/Attic_red-figure_vases">Attic red-figure vases</a>, <script data-card-contents-for-ri="153550" type="text/json">{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="279198" href="https://www.academia.edu/Documents/in/South_Italian_vase-painting">South Italian vase-painting</a><script data-card-contents-for-ri="279198" type="text/json">{"id":279198,"name":"South Italian vase-painting","url":"https://www.academia.edu/Documents/in/South_Italian_vase-painting?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42705886]'), work: {"id":42705886,"title":"Восточногреческая керамика Пантикапея 1945-","created_at":"2020-04-11T15:37:46.557-07:00","url":"https://www.academia.edu/42705886/%D0%92%D0%BE%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%BE%D0%B3%D1%80%D0%B5%D1%87%D0%B5%D1%81%D0%BA%D0%B0%D1%8F_%D0%BA%D0%B5%D1%80%D0%B0%D0%BC%D0%B8%D0%BA%D0%B0_%D0%9F%D0%B0%D0%BD%D1%82%D0%B8%D0%BA%D0%B0%D0%BF%D0%B5%D1%8F_1945_?f_ri=153550","dom_id":"work_42705886","summary":"East Greek pottery from Panticapaeum excavations 1945-2016. ","downloadable_attachments":[{"id":62918723,"asset_id":42705886,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":153649393,"first_name":"Olga","last_name":"Tugusheva","domain_name":"independent","page_name":"Tugusheva","display_name":"Olga Tugusheva","profile_url":"https://independent.academia.edu/Tugusheva?f_ri=153550","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":75614,"name":"East Greek Pottery","url":"https://www.academia.edu/Documents/in/East_Greek_Pottery?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":279198,"name":"South Italian vase-painting","url":"https://www.academia.edu/Documents/in/South_Italian_vase-painting?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38458887" data-work_id="38458887" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38458887/The_trumpet_and_the_games_A_trombeta_e_os_jogos">The trumpet and the games / A trombeta e os jogos</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O acompanhamento musical das práticas esportivas é uma característica marcante dos jogos na Grécia antiga, seja nos treinamentos, seja nas competições. Este acompanhamento se dava com instrumentos de sopro, especificamente o aulos e a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38458887" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O acompanhamento musical das práticas esportivas é uma característica marcante dos jogos na Grécia antiga, seja nos treinamentos, seja nas competições. Este acompanhamento se dava com instrumentos de sopro, especificamente o aulos e a salpinx (trombeta). Amplamente representado na pintura dos vasos áticos de figuras negras e de figuras vermelhas (séc. VI-V a.C.), o acompanhamento das práticas atléticas com o aulos, sobretudo nas provas que integram o pentatlo, tem recebido maior atenção dos estudiosos. Nosso objetivo é abordar a presença da trombeta nos jogos, representada com menos frequência no registro iconográfico, porém informada pelas fontes literárias de diferentes períodos, sobretudo do período imperial (nomeadamente, Plutarco, Ateneu e Pólux). Analisaremos as seguintes situações: acompanhamento musical de corridas (a pé ou de quadriga), contribuindo para marcar o ritmo; celebrações de entrega de prêmios; função comunicativa, pela divulgação de anúncios por intermédio da emissão de sinais; competições para trombeteiros, relacionadas à constituição de um perfil social deste músico-atleta baseado na força muito acima da média. Esta força superlativa, misturada com costumes bizarros, faz do trombeteiro um tipo popular no mundo helenístico-romano.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38458887" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c59eb7ed35789dd9a23382745d12664f" rel="nofollow" data-download="{"attachment_id":58522781,"asset_id":38458887,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58522781/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="497458" href="https://ufpel.academia.edu/F%C3%A1bioVergaraCerqueira">Fábio Vergara Cerqueira</a><script data-card-contents-for-user="497458" type="text/json">{"id":497458,"first_name":"Fábio","last_name":"Vergara Cerqueira","domain_name":"ufpel","page_name":"FábioVergaraCerqueira","display_name":"Fábio Vergara Cerqueira","profile_url":"https://ufpel.academia.edu/F%C3%A1bioVergaraCerqueira?f_ri=153550","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38458887 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38458887"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38458887, container: ".js-paper-rank-work_38458887", }); 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$(".js-view-count[data-work-id=38458887]").text(description); $(".js-view-count-work_38458887").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38458887").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38458887"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">20</a> </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4843" href="https://www.academia.edu/Documents/in/Organology">Organology</a>, <script data-card-contents-for-ri="4843" type="text/json">{"id":4843,"name":"Organology","url":"https://www.academia.edu/Documents/in/Organology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17227" href="https://www.academia.edu/Documents/in/Ancient_Sports_Athletics">Ancient Sports/Athletics</a><script data-card-contents-for-ri="17227" type="text/json">{"id":17227,"name":"Ancient Sports/Athletics","url":"https://www.academia.edu/Documents/in/Ancient_Sports_Athletics?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38458887]'), work: {"id":38458887,"title":"The trumpet and the games / A trombeta e os jogos","created_at":"2019-02-28T17:17:28.567-08:00","url":"https://www.academia.edu/38458887/The_trumpet_and_the_games_A_trombeta_e_os_jogos?f_ri=153550","dom_id":"work_38458887","summary":"O acompanhamento musical das práticas esportivas é uma característica marcante dos jogos na Grécia antiga, seja nos treinamentos, seja nas competições. Este acompanhamento se dava com instrumentos de sopro, especificamente o aulos e a salpinx (trombeta). Amplamente representado na pintura dos vasos áticos de figuras negras e de figuras vermelhas (séc. VI-V a.C.), o acompanhamento das práticas atléticas com o aulos, sobretudo nas provas que integram o pentatlo, tem recebido maior atenção dos estudiosos. Nosso objetivo é abordar a presença da trombeta nos jogos, representada com menos frequência no registro iconográfico, porém informada pelas fontes literárias de diferentes períodos, sobretudo do período imperial (nomeadamente, Plutarco, Ateneu e Pólux). Analisaremos as seguintes situações: acompanhamento musical de corridas (a pé ou de quadriga), contribuindo para marcar o ritmo; celebrações de entrega de prêmios; função comunicativa, pela divulgação de anúncios por intermédio da emissão de sinais; competições para trombeteiros, relacionadas à constituição de um perfil social deste músico-atleta baseado na força muito acima da média. Esta força superlativa, misturada com costumes bizarros, faz do trombeteiro um tipo popular no mundo helenístico-romano.","downloadable_attachments":[{"id":58522781,"asset_id":38458887,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":497458,"first_name":"Fábio","last_name":"Vergara Cerqueira","domain_name":"ufpel","page_name":"FábioVergaraCerqueira","display_name":"Fábio Vergara Cerqueira","profile_url":"https://ufpel.academia.edu/F%C3%A1bioVergaraCerqueira?f_ri=153550","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=153550","nofollow":false},{"id":4843,"name":"Organology","url":"https://www.academia.edu/Documents/in/Organology?f_ri=153550","nofollow":false},{"id":17227,"name":"Ancient Sports/Athletics","url":"https://www.academia.edu/Documents/in/Ancient_Sports_Athletics?f_ri=153550","nofollow":false},{"id":19373,"name":"Ancient Greek Music","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Music?f_ri=153550"},{"id":27062,"name":"Trumpet","url":"https://www.academia.edu/Documents/in/Trumpet?f_ri=153550"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550"},{"id":40685,"name":"Ancient Greece","url":"https://www.academia.edu/Documents/in/Ancient_Greece?f_ri=153550"},{"id":51021,"name":"Music Archaeology","url":"https://www.academia.edu/Documents/in/Music_Archaeology?f_ri=153550"},{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=153550"},{"id":97694,"name":"Archaeology of Music","url":"https://www.academia.edu/Documents/in/Archaeology_of_Music?f_ri=153550"},{"id":128575,"name":"Ancient Greek Musical Instruments","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Musical_Instruments?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":176274,"name":"archaic Greek Pottery","url":"https://www.academia.edu/Documents/in/archaic_Greek_Pottery?f_ri=153550"},{"id":604839,"name":"Athlétisme, Jeux, Grèce","url":"https://www.academia.edu/Documents/in/Athletisme_Jeux_Grece?f_ri=153550"},{"id":721902,"name":"Ancient Greek Games","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Games?f_ri=153550"},{"id":803725,"name":"Archaelogical musical instruments","url":"https://www.academia.edu/Documents/in/Archaelogical_musical_instruments?f_ri=153550"},{"id":867862,"name":"Ancient Greek Sport","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Sport?f_ri=153550"},{"id":942880,"name":"Salpinx","url":"https://www.academia.edu/Documents/in/Salpinx?f_ri=153550"},{"id":1251837,"name":"Archeologia Musicale","url":"https://www.academia.edu/Documents/in/Archeologia_Musicale?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20950282 coauthored" data-work_id="20950282" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20950282/Beazley_and_Christ_Church_250_Years_of_Scholarship_on_Greek_Vases">Beazley and Christ Church. 250 Years of Scholarship on Greek Vases</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Sir John Beazley, the world’s greatest scholar of Athenian figure-decorated pottery, held his first academic position at Christ Church, and the library houses rare and important books on ancient Greek art. The exhibition open in the Upper... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_20950282" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Sir John Beazley, the world’s greatest scholar of Athenian figure-decorated pottery, held his first academic position at Christ Church, and the library houses rare and important books on ancient Greek art. The exhibition open in the Upper Library presents Beazley's work and assesses his lasting influence.<br /><br />This volume is not only intended as a companion to the exhibition, but also as an aid to undergraduates studying for Mods, Prelims, Greats, and Finals, postgraduates, and anyone else interested in Greek vases and the history of scholarship</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20950282" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="279c40a54e07a843f1e279dec6730fd9" rel="nofollow" data-download="{"attachment_id":41641814,"asset_id":20950282,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41641814/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="861524" href="https://edinburgh.academia.edu/DianaRodr%C3%ADguezP%C3%A9rez">Diana Rodríguez-Pérez</a><script data-card-contents-for-user="861524" type="text/json">{"id":861524,"first_name":"Diana","last_name":"Rodríguez-Pérez","domain_name":"edinburgh","page_name":"DianaRodríguezPérez","display_name":"Diana Rodríguez-Pérez","profile_url":"https://edinburgh.academia.edu/DianaRodr%C3%ADguezP%C3%A9rez?f_ri=153550","photo":"https://0.academia-photos.com/861524/308252/20806118/s65_diana.rodr_guez-p_rez.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-20950282">+2</span><div class="hidden js-additional-users-20950282"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://oxford.academia.edu/ThomasMannack">Thomas Mannack</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://oxford.academia.edu/CristinaNeagu">Cristina Neagu</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-20950282'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-20950282').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_20950282 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="20950282"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20950282; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20950282]").text(description); $(".js-view-count-work_20950282").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20950282").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20950282"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">23</a> </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12605" href="https://www.academia.edu/Documents/in/History_of_Scholarship">History of Scholarship</a>, <script data-card-contents-for-ri="12605" type="text/json">{"id":12605,"name":"History of Scholarship","url":"https://www.academia.edu/Documents/in/History_of_Scholarship?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15482" href="https://www.academia.edu/Documents/in/Structuralism_Post-Structuralism">Structuralism/Post-Structuralism</a>, <script data-card-contents-for-ri="15482" type="text/json">{"id":15482,"name":"Structuralism/Post-Structuralism","url":"https://www.academia.edu/Documents/in/Structuralism_Post-Structuralism?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15761" href="https://www.academia.edu/Documents/in/History_of_Collections">History of Collections</a><script data-card-contents-for-ri="15761" type="text/json">{"id":15761,"name":"History of Collections","url":"https://www.academia.edu/Documents/in/History_of_Collections?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20950282]'), work: {"id":20950282,"title":"Beazley and Christ Church. 250 Years of Scholarship on Greek Vases","created_at":"2016-01-27T07:56:24.994-08:00","url":"https://www.academia.edu/20950282/Beazley_and_Christ_Church_250_Years_of_Scholarship_on_Greek_Vases?f_ri=153550","dom_id":"work_20950282","summary":"Sir John Beazley, the world’s greatest scholar of Athenian figure-decorated pottery, held his first academic position at Christ Church, and the library houses rare and important books on ancient Greek art. The exhibition open in the Upper Library presents Beazley's work and assesses his lasting influence.\n\nThis volume is not only intended as a companion to the exhibition, but also as an aid to undergraduates studying for Mods, Prelims, Greats, and Finals, postgraduates, and anyone else interested in Greek vases and the history of scholarship\n","downloadable_attachments":[{"id":41641814,"asset_id":20950282,"asset_type":"Work","always_allow_download":false},{"id":41641577,"asset_id":20950282,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":861524,"first_name":"Diana","last_name":"Rodríguez-Pérez","domain_name":"edinburgh","page_name":"DianaRodríguezPérez","display_name":"Diana Rodríguez-Pérez","profile_url":"https://edinburgh.academia.edu/DianaRodr%C3%ADguezP%C3%A9rez?f_ri=153550","photo":"https://0.academia-photos.com/861524/308252/20806118/s65_diana.rodr_guez-p_rez.jpg"},{"id":1211032,"first_name":"Thomas","last_name":"Mannack","domain_name":"oxford","page_name":"ThomasMannack","display_name":"Thomas Mannack","profile_url":"https://oxford.academia.edu/ThomasMannack?f_ri=153550","photo":"https://0.academia-photos.com/1211032/436440/541282/s65_thomas.mannack.jpg"},{"id":1053386,"first_name":"Cristina","last_name":"Neagu","domain_name":"oxford","page_name":"CristinaNeagu","display_name":"Cristina Neagu","profile_url":"https://oxford.academia.edu/CristinaNeagu?f_ri=153550","photo":"https://0.academia-photos.com/1053386/363213/893059/s65_cristina.neagu.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false},{"id":12605,"name":"History of Scholarship","url":"https://www.academia.edu/Documents/in/History_of_Scholarship?f_ri=153550","nofollow":false},{"id":15482,"name":"Structuralism/Post-Structuralism","url":"https://www.academia.edu/Documents/in/Structuralism_Post-Structuralism?f_ri=153550","nofollow":false},{"id":15761,"name":"History of Collections","url":"https://www.academia.edu/Documents/in/History_of_Collections?f_ri=153550","nofollow":false},{"id":16930,"name":"History of Classical Scholarship","url":"https://www.academia.edu/Documents/in/History_of_Classical_Scholarship?f_ri=153550"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550"},{"id":29686,"name":"Winckelmann","url":"https://www.academia.edu/Documents/in/Winckelmann?f_ri=153550"},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=153550"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases?f_ri=153550"},{"id":54115,"name":"Ancient Greek Pottery","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Pottery?f_ri=153550"},{"id":69950,"name":"Adolf Furtwängler","url":"https://www.academia.edu/Documents/in/Adolf_Furtwangler?f_ri=153550"},{"id":95424,"name":"Greek and Roman Art and Architecture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art_and_Architecture?f_ri=153550"},{"id":106632,"name":"Connoisseurship","url":"https://www.academia.edu/Documents/in/Connoisseurship?f_ri=153550"},{"id":136357,"name":"Sir William Hamilton","url":"https://www.academia.edu/Documents/in/Sir_William_Hamilton?f_ri=153550"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":197271,"name":"University of Oxford","url":"https://www.academia.edu/Documents/in/University_of_Oxford?f_ri=153550"},{"id":214629,"name":"Sir John Beazley","url":"https://www.academia.edu/Documents/in/Sir_John_Beazley?f_ri=153550"},{"id":295223,"name":"Vulci","url":"https://www.academia.edu/Documents/in/Vulci?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"},{"id":452912,"name":"Oxford university","url":"https://www.academia.edu/Documents/in/Oxford_university?f_ri=153550"},{"id":512538,"name":"History of Greek Art","url":"https://www.academia.edu/Documents/in/History_of_Greek_Art?f_ri=153550"},{"id":1504276,"name":"Ashmolean Museum","url":"https://www.academia.edu/Documents/in/Ashmolean_Museum?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26444379" data-work_id="26444379" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26444379/Reading_Women_Book_Rolls_on_Attic_Vases">Reading Women: Book Rolls on Attic Vases</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26444379" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cf7cf46e1905b72ec3ce9e8170b70b82" rel="nofollow" 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Jahrhundert: die Bedeutung von Reihenfolgen in einem Forscherleben</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This is the first part of my farewell lecture at Basel University, held on 23 May 2022.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/79808978" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3be87d9b957e903a639d7b3954960ba3" rel="nofollow" data-download="{"attachment_id":86422860,"asset_id":79808978,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/86422860/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5346119" href="https://unil.academia.edu/RudolfWachter">Rudolf Wachter</a><script data-card-contents-for-user="5346119" type="text/json">{"id":5346119,"first_name":"Rudolf","last_name":"Wachter","domain_name":"unil","page_name":"RudolfWachter","display_name":"Rudolf Wachter","profile_url":"https://unil.academia.edu/RudolfWachter?f_ri=153550","photo":"https://0.academia-photos.com/5346119/35034094/30576341/s65_rudolf.wachter.jpg"}</script></span></span></li><li class="js-paper-rank-work_79808978 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="79808978"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 79808978, container: ".js-paper-rank-work_79808978", }); 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Clermont-Ferrand, 2012, 125-138.","created_at":"2012-11-23T22:09:42.122-08:00","url":"https://www.academia.edu/2188501/_Itys_tu%C3%A9_par_sa_m%C3%A8re_mang%C3%A9_par_son_p%C3%A8re_La_victime_dans_le_mythe_figur%C3%A9_de_T%C3%A9r%C3%A9e_et_Procn%C3%A8_au_Ve_s_av_J_C_Colloque_de_Clermont_Ferrand_Expositions_sacrifices_et_rago%C3%BBts_denfants_octobre_2008_Clermont_Ferrand_2012_125_138?f_ri=153550","dom_id":"work_2188501","summary":null,"downloadable_attachments":[{"id":30240275,"asset_id":2188501,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1266727,"first_name":"Ludi","last_name":"Chazalon","domain_name":"univ-nantes","page_name":"LudiChazalon","display_name":"Ludi Chazalon","profile_url":"https://univ-nantes.academia.edu/LudiChazalon?f_ri=153550","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":19694,"name":"Greek Myth","url":"https://www.academia.edu/Documents/in/Greek_Myth?f_ri=153550","nofollow":false},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1531605" data-work_id="1531605" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1531605/Morfometr%C3%ADa_y_cer%C3%A1micas_%C3%A1ticas_del_siglo_IV_a_C_Las_cr%C3%A1teras_de_campana_del_Grupo_de_Telos">Morfometría y cerámicas áticas del siglo IV a.C. Las cráteras de campana del Grupo de Telos.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Simple methods are tested for morphometric study of bell-kraters and applied in conjunction with the stylistic study to the bell-kraters of the Telos Group, which includes the Telos, Oxford Griphomachy, Retorted and Black Thyrsus Painters... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1531605" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Simple methods are tested for morphometric study of bell-kraters and applied in conjunction with the stylistic study to the bell-kraters of the Telos Group, which includes the Telos, Oxford Griphomachy, Retorted and Black Thyrsus Painters . <br /> <br />Se ensayan métodos simples de estudio morfométrico para las cráteras de campana y se aplica, conjuntamente con el estudio estilístico a las cráteras de campana del Grupo de Telos, que incluye a los pintores de Telos, de la Grifomaquia de Oxford, del Bizco y del Tirso Negro.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1531605" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4989700a1096d58d942d6533bac784dc" rel="nofollow" data-download="{"attachment_id":12654342,"asset_id":1531605,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/12654342/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="402396" href="https://murcia.academia.edu/FranciscoGilGonzalez">Francisco Gil González</a><script data-card-contents-for-user="402396" type="text/json">{"id":402396,"first_name":"Francisco","last_name":"Gil González","domain_name":"murcia","page_name":"FranciscoGilGonzalez","display_name":"Francisco Gil González","profile_url":"https://murcia.academia.edu/FranciscoGilGonzalez?f_ri=153550","photo":"https://0.academia-photos.com/402396/572132/796057/s65_francisco.gil_gonz_lez.jpg"}</script></span></span></li><li class="js-paper-rank-work_1531605 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1531605"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1531605, container: ".js-paper-rank-work_1531605", }); 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Negro.\r\n","downloadable_attachments":[{"id":12654342,"asset_id":1531605,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":402396,"first_name":"Francisco","last_name":"Gil González","domain_name":"murcia","page_name":"FranciscoGilGonzalez","display_name":"Francisco Gil González","profile_url":"https://murcia.academia.edu/FranciscoGilGonzalez?f_ri=153550","photo":"https://0.academia-photos.com/402396/572132/796057/s65_francisco.gil_gonz_lez.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=153550","nofollow":false},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=153550","nofollow":false},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550","nofollow":false},{"id":21645,"name":"Iron Age Iberian Peninsula (Archaeology)","url":"https://www.academia.edu/Documents/in/Iron_Age_Iberian_Peninsula_Archaeology_?f_ri=153550"},{"id":27926,"name":"Statistical Methods in Archaeology","url":"https://www.academia.edu/Documents/in/Statistical_Methods_in_Archaeology?f_ri=153550"},{"id":32014,"name":"Trade","url":"https://www.academia.edu/Documents/in/Trade?f_ri=153550"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery?f_ri=153550"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases?f_ri=153550"},{"id":38945,"name":"Arqueología","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa?f_ri=153550"},{"id":50215,"name":"Computer Applications \u0026 Quantitative Methods in Archaeology (CAA)","url":"https://www.academia.edu/Documents/in/Computer_Applications_and_Quantitative_Methods_in_Archaeology_CAA_?f_ri=153550"},{"id":54144,"name":"Computer application in archaeology","url":"https://www.academia.edu/Documents/in/Computer_application_in_archaeology?f_ri=153550"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=153550"},{"id":106632,"name":"Connoisseurship","url":"https://www.academia.edu/Documents/in/Connoisseurship?f_ri=153550"},{"id":115671,"name":"Pottery studies","url":"https://www.academia.edu/Documents/in/Pottery_studies?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":167092,"name":"Attic pottery","url":"https://www.academia.edu/Documents/in/Attic_pottery?f_ri=153550"},{"id":249927,"name":"Ceramica Attica","url":"https://www.academia.edu/Documents/in/Ceramica_Attica?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"},{"id":366257,"name":"Ceramiche Attiche","url":"https://www.academia.edu/Documents/in/Ceramiche_Attiche?f_ri=153550"},{"id":416064,"name":"Attic Painters","url":"https://www.academia.edu/Documents/in/Attic_Painters?f_ri=153550"},{"id":438741,"name":"Ancient Greek ceramic workshops and iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_ceramic_workshops_and_iconography?f_ri=153550"},{"id":466561,"name":"Greek vase painting","url":"https://www.academia.edu/Documents/in/Greek_vase_painting?f_ri=153550"},{"id":1036390,"name":"Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art?f_ri=153550"},{"id":1111816,"name":"Telos Group","url":"https://www.academia.edu/Documents/in/Telos_Group?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36920849" data-work_id="36920849" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36920849/Wolfgang_Filser_Die_Elite_Athens_auf_der_attischen_Luxuskeramik_English_summary_">Wolfgang Filser, Die Elite Athens auf der attischen Luxuskeramik (English summary)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The book tells the story of the Athenian elite between 600 and 400 BCE on the basis of the imagery on the luxury pottery from which the wealthy drank at their banquets. The statistical evaluation of more than 6,000 representations lend... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36920849" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The book tells the story of the Athenian elite between 600 and 400 BCE on the basis of the imagery on the luxury pottery from which the wealthy drank at their banquets. The statistical evaluation of more than 6,000 representations lend insight into the lives of the elite as horse owners, athletes, and revellers. The image analysis is prefaced by a cultural historical section that describes the history and socio-economics of the elite. <br /> <br />Das Buch erzählt die Geschichte der Elite Athens zwischen 600 und 400 v. Chr. anhand der Bilder auf der Luxuskeramik, aus der die Reichen bei ihren Festen tranken. Über 6000 ausgewertete Darstellungen liefern Erkenntnisse über das Leben der Elite als Pferdehalter, Athleten und Bankettgesellschaft. Der Bildanalyse ist ein kulturgeschichtlicher Teil vorangestellt ist, der die Elite über die Historie und sozioökonomische Aspekte definiert.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36920849" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b9f92ecf9c9ac64ecb895e732f755e63" rel="nofollow" data-download="{"attachment_id":57280362,"asset_id":36920849,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57280362/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2404743" href="https://ku-dk.academia.edu/WolfgangThomasFilser">Wolfgang Thomas Filser</a><script data-card-contents-for-user="2404743" type="text/json">{"id":2404743,"first_name":"Wolfgang Thomas","last_name":"Filser","domain_name":"ku-dk","page_name":"WolfgangThomasFilser","display_name":"Wolfgang Thomas Filser","profile_url":"https://ku-dk.academia.edu/WolfgangThomasFilser?f_ri=153550","photo":"https://0.academia-photos.com/2404743/20040860/19814932/s65_wolfgang.filser.jpg"}</script></span></span></li><li class="js-paper-rank-work_36920849 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36920849"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36920849, container: ".js-paper-rank-work_36920849", }); 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$(".js-view-count[data-work-id=36920849]").text(description); $(".js-view-count-work_36920849").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36920849").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36920849"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">32</a> </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="4216" href="https://www.academia.edu/Documents/in/Sports_History">Sports History</a>, <script data-card-contents-for-ri="4216" type="text/json">{"id":4216,"name":"Sports History","url":"https://www.academia.edu/Documents/in/Sports_History?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12623" href="https://www.academia.edu/Documents/in/Elites_Political_Science_">Elites (Political Science)</a>, <script data-card-contents-for-ri="12623" type="text/json">{"id":12623,"name":"Elites (Political Science)","url":"https://www.academia.edu/Documents/in/Elites_Political_Science_?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12630" href="https://www.academia.edu/Documents/in/Political_Elites">Political Elites</a>, <script data-card-contents-for-ri="12630" type="text/json">{"id":12630,"name":"Political Elites","url":"https://www.academia.edu/Documents/in/Political_Elites?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17227" href="https://www.academia.edu/Documents/in/Ancient_Sports_Athletics">Ancient Sports/Athletics</a><script data-card-contents-for-ri="17227" type="text/json">{"id":17227,"name":"Ancient Sports/Athletics","url":"https://www.academia.edu/Documents/in/Ancient_Sports_Athletics?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36920849]'), work: {"id":36920849,"title":"Wolfgang Filser, Die Elite Athens auf der attischen Luxuskeramik\r\n(English summary)","created_at":"2018-06-26T05:05:01.294-07:00","url":"https://www.academia.edu/36920849/Wolfgang_Filser_Die_Elite_Athens_auf_der_attischen_Luxuskeramik_English_summary_?f_ri=153550","dom_id":"work_36920849","summary":"The book tells the story of the Athenian elite between 600 and 400 BCE on the basis of the imagery on the luxury pottery from which the wealthy drank at their banquets. The statistical evaluation of more than 6,000 representations lend insight into the lives of the elite as horse owners, athletes, and revellers. The image analysis is prefaced by a cultural historical section that describes the history and socio-economics of the elite.\r\n\r\nDas Buch erzählt die Geschichte der Elite Athens zwischen 600 und 400 v. Chr. anhand der Bilder auf der Luxuskeramik, aus der die Reichen bei ihren Festen tranken. Über 6000 ausgewertete Darstellungen liefern Erkenntnisse über das Leben der Elite als Pferdehalter, Athleten und Bankettgesellschaft. Der Bildanalyse ist ein kulturgeschichtlicher Teil vorangestellt ist, der die Elite über die Historie und sozioökonomische Aspekte definiert.","downloadable_attachments":[{"id":57280362,"asset_id":36920849,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2404743,"first_name":"Wolfgang Thomas","last_name":"Filser","domain_name":"ku-dk","page_name":"WolfgangThomasFilser","display_name":"Wolfgang Thomas Filser","profile_url":"https://ku-dk.academia.edu/WolfgangThomasFilser?f_ri=153550","photo":"https://0.academia-photos.com/2404743/20040860/19814932/s65_wolfgang.filser.jpg"}],"research_interests":[{"id":4216,"name":"Sports History","url":"https://www.academia.edu/Documents/in/Sports_History?f_ri=153550","nofollow":false},{"id":12623,"name":"Elites (Political Science)","url":"https://www.academia.edu/Documents/in/Elites_Political_Science_?f_ri=153550","nofollow":false},{"id":12630,"name":"Political Elites","url":"https://www.academia.edu/Documents/in/Political_Elites?f_ri=153550","nofollow":false},{"id":17227,"name":"Ancient Sports/Athletics","url":"https://www.academia.edu/Documents/in/Ancient_Sports_Athletics?f_ri=153550","nofollow":false},{"id":18555,"name":"Leisure","url":"https://www.academia.edu/Documents/in/Leisure?f_ri=153550"},{"id":21619,"name":"Archaic Greek history","url":"https://www.academia.edu/Documents/in/Archaic_Greek_history?f_ri=153550"},{"id":54445,"name":"Elites and Society","url":"https://www.academia.edu/Documents/in/Elites_and_Society?f_ri=153550"},{"id":88022,"name":"Sociology of elites","url":"https://www.academia.edu/Documents/in/Sociology_of_elites?f_ri=153550"},{"id":106131,"name":"Conspicuous Consumption","url":"https://www.academia.edu/Documents/in/Conspicuous_Consumption?f_ri=153550"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":154848,"name":"Emulation","url":"https://www.academia.edu/Documents/in/Emulation?f_ri=153550"},{"id":184785,"name":"Greek symposion","url":"https://www.academia.edu/Documents/in/Greek_symposion?f_ri=153550"},{"id":186025,"name":"symposion Greek banquet","url":"https://www.academia.edu/Documents/in/symposion_Greek_banquet?f_ri=153550"},{"id":199310,"name":"Cimon","url":"https://www.academia.edu/Documents/in/Cimon?f_ri=153550"},{"id":248984,"name":"Ancient Athens","url":"https://www.academia.edu/Documents/in/Ancient_Athens?f_ri=153550"},{"id":279147,"name":"Thorstein Veblen","url":"https://www.academia.edu/Documents/in/Thorstein_Veblen?f_ri=153550"},{"id":284547,"name":"Horsemanship","url":"https://www.academia.edu/Documents/in/Horsemanship?f_ri=153550"},{"id":305437,"name":"Athens and Attica","url":"https://www.academia.edu/Documents/in/Athens_and_Attica?f_ri=153550"},{"id":305868,"name":"Archaic Athens","url":"https://www.academia.edu/Documents/in/Archaic_Athens?f_ri=153550"},{"id":313152,"name":"Cleisthenes","url":"https://www.academia.edu/Documents/in/Cleisthenes?f_ri=153550"},{"id":343606,"name":"Peisistratos","url":"https://www.academia.edu/Documents/in/Peisistratos?f_ri=153550"},{"id":343607,"name":"Peisistratids","url":"https://www.academia.edu/Documents/in/Peisistratids?f_ri=153550"},{"id":387022,"name":"History of Horse Riding","url":"https://www.academia.edu/Documents/in/History_of_Horse_Riding?f_ri=153550"},{"id":474357,"name":"Wealth inequality","url":"https://www.academia.edu/Documents/in/Wealth_inequality?f_ri=153550"},{"id":486980,"name":"Classical Athens","url":"https://www.academia.edu/Documents/in/Classical_Athens?f_ri=153550"},{"id":843567,"name":"Archaic Peisistratid Athens","url":"https://www.academia.edu/Documents/in/Archaic_Peisistratid_Athens?f_ri=153550"},{"id":867862,"name":"Ancient Greek Sport","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Sport?f_ri=153550"},{"id":911459,"name":"Solon of Athens","url":"https://www.academia.edu/Documents/in/Solon_of_Athens?f_ri=153550"},{"id":1030607,"name":"Alcmeon","url":"https://www.academia.edu/Documents/in/Alcmeon?f_ri=153550"},{"id":1267513,"name":"Greek Ceramics","url":"https://www.academia.edu/Documents/in/Greek_Ceramics?f_ri=153550"},{"id":2457136,"name":"Kimon","url":"https://www.academia.edu/Documents/in/Kimon?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35910329" data-work_id="35910329" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35910329/C%C3%A9cile_Jubier_Galinier_Ath%C3%A9na_et_Pos%C3%A9idon_en_conflit_adaptations_c%C3%A9ramiques_%C3%A0_l_ombre_de_l_Acropole_dans_Eris_le_conflit_et_sa_repr%C3%A9sentation_dans_l_Antiquit%C3%A9_%C3%A9d_H_M%C3%A9nard_P_Sauzeau_et_J_F_Thomas_Montpellier_PUM_2012_p_273_294">Cécile Jubier-Galinier « Athéna et Poséidon en conflit : adaptations céramiques à l’ombre de l’Acropole », dans Eris, le conflit et sa représentation dans l’Antiquité. éd. H. Ménard, P. Sauzeau et J.-F. Thomas, Montpellier, PUM, 2012, p. 273-294.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The most famous myth about divine conflict for a city is doubtless the contest of Athena and Poseidon for the patronage of Athens. The first evidence of this contest is according to Herodotus, and the first representation is the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35910329" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The most famous myth about divine conflict for a city is doubtless the contest of Athena and Poseidon for the patronage of Athens. The first evidence of this contest is according to Herodotus, and the first representation is the impressive Parthenon west pediment, now almost lost. We know the Athena and Poseidon poses with the help of a modern french drawing and of two attic vases. The vases painters repeat the position of the central opponents but in new compositions, the first at the end of the fifth century and the second fifty years later. We don’t try to restitute the pediment and don’t suppose the ancient existence of a lost picture to explain the difference between the two vases and the sculptures, but propose to look at the vases again to understand how and why the craftsmen chose the Parthenon pose and in the same time propose a new image of this conflict.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35910329" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0421be4b55c0f05814fe0f121aead013" rel="nofollow" data-download="{"attachment_id":55790427,"asset_id":35910329,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55790427/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35084058" href="https://anglais-upvd.academia.edu/C%C3%A9cileJubierGalinier">Cécile Jubier-Galinier</a><script data-card-contents-for-user="35084058" type="text/json">{"id":35084058,"first_name":"Cécile","last_name":"Jubier-Galinier","domain_name":"anglais-upvd","page_name":"CécileJubierGalinier","display_name":"Cécile Jubier-Galinier","profile_url":"https://anglais-upvd.academia.edu/C%C3%A9cileJubierGalinier?f_ri=153550","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_35910329 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35910329"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35910329, container: ".js-paper-rank-work_35910329", }); 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$(".js-view-count[data-work-id=35910329]").text(description); $(".js-view-count-work_35910329").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35910329").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35910329"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">3</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27744" href="https://www.academia.edu/Documents/in/Ancient_Greek_Iconography">Ancient Greek Iconography</a>, <script data-card-contents-for-ri="27744" type="text/json">{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="153550" href="https://www.academia.edu/Documents/in/Attic_red-figure_vases">Attic red-figure vases</a>, <script data-card-contents-for-ri="153550" type="text/json">{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="305437" href="https://www.academia.edu/Documents/in/Athens_and_Attica">Athens and Attica</a><script data-card-contents-for-ri="305437" type="text/json">{"id":305437,"name":"Athens and Attica","url":"https://www.academia.edu/Documents/in/Athens_and_Attica?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35910329]'), work: {"id":35910329,"title":"Cécile Jubier-Galinier « Athéna et Poséidon en conflit : adaptations céramiques à l’ombre de l’Acropole », dans Eris, le conflit et sa représentation dans l’Antiquité. éd. H. Ménard, P. Sauzeau et J.-F. Thomas, Montpellier, PUM, 2012, p. 273-294.","created_at":"2018-02-13T01:50:38.713-08:00","url":"https://www.academia.edu/35910329/C%C3%A9cile_Jubier_Galinier_Ath%C3%A9na_et_Pos%C3%A9idon_en_conflit_adaptations_c%C3%A9ramiques_%C3%A0_l_ombre_de_l_Acropole_dans_Eris_le_conflit_et_sa_repr%C3%A9sentation_dans_l_Antiquit%C3%A9_%C3%A9d_H_M%C3%A9nard_P_Sauzeau_et_J_F_Thomas_Montpellier_PUM_2012_p_273_294?f_ri=153550","dom_id":"work_35910329","summary":"\nThe most famous myth about divine conflict for a city is doubtless the contest of Athena and Poseidon for the patronage of Athens. The first evidence of this contest is according to Herodotus, and the first representation is the impressive Parthenon west pediment, now almost lost. We know the Athena and Poseidon poses with the help of a modern french drawing and of two attic vases. The vases painters repeat the position of the central opponents but in new compositions, the first at the end of the fifth century and the second fifty years later. We don’t try to restitute the pediment and don’t suppose the ancient existence of a lost picture to explain the difference between the two vases and the sculptures, but propose to look at the vases again to understand how and why the craftsmen chose the Parthenon pose and in the same time propose a new image of this conflict.","downloadable_attachments":[{"id":55790427,"asset_id":35910329,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":35084058,"first_name":"Cécile","last_name":"Jubier-Galinier","domain_name":"anglais-upvd","page_name":"CécileJubierGalinier","display_name":"Cécile Jubier-Galinier","profile_url":"https://anglais-upvd.academia.edu/C%C3%A9cileJubierGalinier?f_ri=153550","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":305437,"name":"Athens and Attica","url":"https://www.academia.edu/Documents/in/Athens_and_Attica?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34564264" data-work_id="34564264" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34564264/Il_Riscatto_di_Ettore_Giornata_Internazione_di_Studi_sul_libro_XXIV_dellIliade_The_Ransom_of_Hector_Six_studies_on_Iliad_XXIV">Il Riscatto di Ettore. Giornata Internazione di Studi sul libro XXIV dell'Iliade -- The Ransom of Hector. Six studies on Iliad XXIV</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Sei studi sull'ultimo libro dell'Iliade<br /><br />Six articles on the last book of the Iliad</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34564264" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d49fe434d62b828a0c7a812fe68ad37c" rel="nofollow" data-download="{"attachment_id":59792301,"asset_id":34564264,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59792301/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3814105" href="https://uniroma1.academia.edu/GiuseppeLentini">Giuseppe Lentini</a><script data-card-contents-for-user="3814105" type="text/json">{"id":3814105,"first_name":"Giuseppe","last_name":"Lentini","domain_name":"uniroma1","page_name":"GiuseppeLentini","display_name":"Giuseppe Lentini","profile_url":"https://uniroma1.academia.edu/GiuseppeLentini?f_ri=153550","photo":"https://0.academia-photos.com/3814105/1389552/33006002/s65_giuseppe.lentini.jpg"}</script></span></span></li><li class="js-paper-rank-work_34564264 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34564264"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34564264, container: ".js-paper-rank-work_34564264", }); 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="153457597" href="https://ankara.academia.edu/Samet%C3%87etinkaya">Samet Çetinkaya</a><script data-card-contents-for-user="153457597" type="text/json">{"id":153457597,"first_name":"Samet","last_name":"Çetinkaya","domain_name":"ankara","page_name":"SametÇetinkaya","display_name":"Samet Çetinkaya","profile_url":"https://ankara.academia.edu/Samet%C3%87etinkaya?f_ri=153550","photo":"https://0.academia-photos.com/153457597/42731453/96965904/s65_samet._etinkaya.jpg"}</script></span></span></li><li class="js-paper-rank-work_42829301 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42829301"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42829301, container: ".js-paper-rank-work_42829301", }); });</script></li><li 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Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550"},{"id":26750,"name":"History of Archeology","url":"https://www.academia.edu/Documents/in/History_of_Archeology?f_ri=153550"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases?f_ri=153550"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=153550"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":305437,"name":"Athens and Attica","url":"https://www.academia.edu/Documents/in/Athens_and_Attica?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"},{"id":621290,"name":"Athenian Potters and Painters","url":"https://www.academia.edu/Documents/in/Athenian_Potters_and_Painters?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42643933" data-work_id="42643933" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42643933/Das_R%C3%A4tsel_der_Sphinx_in_Schwarz_und_Rot">Das Rätsel der Sphinx in Schwarz und Rot</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42643933" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span 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class="u-tcGrayDark u-fw700" data-has-card-for-user="2798" href="https://uni-erlangen.academia.edu/GeorgGerleigner">Georg Gerleigner</a><script data-card-contents-for-user="2798" type="text/json">{"id":2798,"first_name":"Georg","last_name":"Gerleigner","domain_name":"uni-erlangen","page_name":"GeorgGerleigner","display_name":"Georg Gerleigner","profile_url":"https://uni-erlangen.academia.edu/GeorgGerleigner?f_ri=153550","photo":"https://0.academia-photos.com/2798/1228/13333681/s65_georg.gerleigner.jpg"}</script></span></span></li><li class="js-paper-rank-work_42643933 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42643933"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42643933, container: ".js-paper-rank-work_42643933", }); });</script></li><li class="js-percentile-work_42643933 InlineList-item 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class="InlineList-item-text" data-has-card-for-ri="16931" href="https://www.academia.edu/Documents/in/Classical_philology">Classical philology</a>, <script data-card-contents-for-ri="16931" type="text/json">{"id":16931,"name":"Classical philology","url":"https://www.academia.edu/Documents/in/Classical_philology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17493" href="https://www.academia.edu/Documents/in/Vase_Painting">Vase Painting</a>, <script data-card-contents-for-ri="17493" type="text/json">{"id":17493,"name":"Vase Painting","url":"https://www.academia.edu/Documents/in/Vase_Painting?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20080" href="https://www.academia.edu/Documents/in/Text_And_Image">Text And Image</a><script data-card-contents-for-ri="20080" type="text/json">{"id":20080,"name":"Text And Image","url":"https://www.academia.edu/Documents/in/Text_And_Image?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42643933]'), work: {"id":42643933,"title":"Das Rätsel der Sphinx in Schwarz und Rot","created_at":"2020-04-06T12:59:43.908-07:00","url":"https://www.academia.edu/42643933/Das_R%C3%A4tsel_der_Sphinx_in_Schwarz_und_Rot?f_ri=153550","dom_id":"work_42643933","summary":null,"downloadable_attachments":[{"id":62849930,"asset_id":42643933,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2798,"first_name":"Georg","last_name":"Gerleigner","domain_name":"uni-erlangen","page_name":"GeorgGerleigner","display_name":"Georg Gerleigner","profile_url":"https://uni-erlangen.academia.edu/GeorgGerleigner?f_ri=153550","photo":"https://0.academia-photos.com/2798/1228/13333681/s65_georg.gerleigner.jpg"}],"research_interests":[{"id":393,"name":"Classical 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Literature","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Literature?f_ri=153550"},{"id":142330,"name":"Vase-Inscriptions","url":"https://www.academia.edu/Documents/in/Vase-Inscriptions?f_ri=153550"},{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":295836,"name":"Text as Image","url":"https://www.academia.edu/Documents/in/Text_as_Image?f_ri=153550"},{"id":313714,"name":"Sphinx","url":"https://www.academia.edu/Documents/in/Sphinx?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"},{"id":440216,"name":"Texte \u0026 Image Relationship","url":"https://www.academia.edu/Documents/in/Texte_and_Image_Relationship?f_ri=153550"},{"id":466561,"name":"Greek vase painting","url":"https://www.academia.edu/Documents/in/Greek_vase_painting?f_ri=153550"},{"id":1034770,"name":"Image text Relations","url":"https://www.academia.edu/Documents/in/Image_text_Relations-1?f_ri=153550"},{"id":1120811,"name":"Greek Vase Inscriptions","url":"https://www.academia.edu/Documents/in/Greek_Vase_Inscriptions?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42093531" data-work_id="42093531" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42093531/Eroti_Sirene_e_lequipaggio_di_Odisseo_pp_367_75">Eroti, Sirene e l'equipaggio di Odisseo, pp. 367-75.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The study is dedicated to the examination of the iconographic program of the red-figure stamnos of the Siren Painter at the British Museum (BM E 440). The meaning of the famous scene of defeat and suicide of the Sirens is focused through... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42093531" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The study is dedicated to the examination of the iconographic program of the red-figure stamnos of the Siren Painter at the British Museum (BM E 440).<br />The meaning of the famous scene of defeat and suicide of the Sirens is focused through the oppositional relationship with the group of flying Erotes painted on the other side of the vase: the play of the images is aimed at expressing an unexpected variant of the myth of Odysseus and the Sirens, conceivable within the cultural frame of the symposium.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42093531]").text(description); $(".js-view-count-work_42093531").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42093531").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42093531"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">4</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="82892" href="https://www.academia.edu/Documents/in/Sirens_Sirenes_Sirenas">Sirens, Sirènes, Sirenas</a>, <script data-card-contents-for-ri="82892" type="text/json">{"id":82892,"name":"Sirens, Sirènes, Sirenas","url":"https://www.academia.edu/Documents/in/Sirens_Sirenes_Sirenas?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="91865" href="https://www.academia.edu/Documents/in/Iconography_and_Iconology">Iconography and Iconology</a>, <script data-card-contents-for-ri="91865" type="text/json">{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="153550" href="https://www.academia.edu/Documents/in/Attic_red-figure_vases">Attic red-figure vases</a>, <script data-card-contents-for-ri="153550" type="text/json">{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="223186" href="https://www.academia.edu/Documents/in/Odysseus">Odysseus</a><script data-card-contents-for-ri="223186" type="text/json">{"id":223186,"name":"Odysseus","url":"https://www.academia.edu/Documents/in/Odysseus?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42093531]'), work: {"id":42093531,"title":"Eroti, Sirene e l'equipaggio di Odisseo, pp. 367-75.","created_at":"2020-02-28T03:14:09.437-08:00","url":"https://www.academia.edu/42093531/Eroti_Sirene_e_lequipaggio_di_Odisseo_pp_367_75?f_ri=153550","dom_id":"work_42093531","summary":"The study is dedicated to the examination of the iconographic program of the red-figure stamnos of the Siren Painter at the British Museum (BM E 440).\nThe meaning of the famous scene of defeat and suicide of the Sirens is focused through the oppositional relationship with the group of flying Erotes painted on the other side of the vase: the play of the images is aimed at expressing an unexpected variant of the myth of Odysseus and the Sirens, conceivable within the cultural frame of the symposium.\n","downloadable_attachments":[{"id":62224366,"asset_id":42093531,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1240955,"first_name":"Luca","last_name":"Cerchiai","domain_name":"salerno","page_name":"LucaCerchiai","display_name":"Luca Cerchiai","profile_url":"https://salerno.academia.edu/LucaCerchiai?f_ri=153550","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":82892,"name":"Sirens, Sirènes, Sirenas","url":"https://www.academia.edu/Documents/in/Sirens_Sirenes_Sirenas?f_ri=153550","nofollow":false},{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":223186,"name":"Odysseus","url":"https://www.academia.edu/Documents/in/Odysseus?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24401126" data-work_id="24401126" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24401126/Athena_The_creation_of_an_iconography_and_its_representation_on_Attic_Red_figure_vases_in_the_sixth_and_fifth_centuries_B_C_E">Athena: The creation of an iconography, and its representation on Attic Red-figure vases in the sixth and fifth centuries B.C.E</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24401126" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2b84f5436cad62fcf82cafa73fa73e63" rel="nofollow" data-download="{"attachment_id":53985101,"asset_id":24401126,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53985101/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31542056" href="https://roehampton-online.academia.edu/orbrookes">Oliver R Brookes</a><script data-card-contents-for-user="31542056" type="text/json">{"id":31542056,"first_name":"Oliver","last_name":"Brookes","domain_name":"roehampton-online","page_name":"orbrookes","display_name":"Oliver R Brookes","profile_url":"https://roehampton-online.academia.edu/orbrookes?f_ri=153550","photo":"https://0.academia-photos.com/31542056/9325427/10976333/s65_oliver.brookes.jpg"}</script></span></span></li><li class="js-paper-rank-work_24401126 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24401126"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24401126, container: ".js-paper-rank-work_24401126", }); });</script></li><li class="js-percentile-work_24401126 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24401126; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_24401126"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_24401126 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="24401126"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24401126; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24401126]").text(description); $(".js-view-count-work_24401126").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24401126").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24401126"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">5</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="18118" href="https://www.academia.edu/Documents/in/Ancient_Greek_Religion">Ancient Greek Religion</a>, <script data-card-contents-for-ri="18118" type="text/json">{"id":18118,"name":"Ancient Greek Religion","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Religion?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31563" href="https://www.academia.edu/Documents/in/Homeric_poetry">Homeric poetry</a>, <script data-card-contents-for-ri="31563" type="text/json">{"id":31563,"name":"Homeric poetry","url":"https://www.academia.edu/Documents/in/Homeric_poetry?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="103148" href="https://www.academia.edu/Documents/in/Athena">Athena</a>, <script data-card-contents-for-ri="103148" type="text/json">{"id":103148,"name":"Athena","url":"https://www.academia.edu/Documents/in/Athena?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="153550" href="https://www.academia.edu/Documents/in/Attic_red-figure_vases">Attic red-figure vases</a><script data-card-contents-for-ri="153550" type="text/json">{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24401126]'), work: {"id":24401126,"title":"Athena: The creation of an iconography, and its representation on Attic Red-figure vases in the sixth and fifth centuries B.C.E","created_at":"2016-04-14T08:45:10.599-07:00","url":"https://www.academia.edu/24401126/Athena_The_creation_of_an_iconography_and_its_representation_on_Attic_Red_figure_vases_in_the_sixth_and_fifth_centuries_B_C_E?f_ri=153550","dom_id":"work_24401126","summary":null,"downloadable_attachments":[{"id":53985101,"asset_id":24401126,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31542056,"first_name":"Oliver","last_name":"Brookes","domain_name":"roehampton-online","page_name":"orbrookes","display_name":"Oliver R Brookes","profile_url":"https://roehampton-online.academia.edu/orbrookes?f_ri=153550","photo":"https://0.academia-photos.com/31542056/9325427/10976333/s65_oliver.brookes.jpg"}],"research_interests":[{"id":18118,"name":"Ancient Greek Religion","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Religion?f_ri=153550","nofollow":false},{"id":31563,"name":"Homeric poetry","url":"https://www.academia.edu/Documents/in/Homeric_poetry?f_ri=153550","nofollow":false},{"id":103148,"name":"Athena","url":"https://www.academia.edu/Documents/in/Athena?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":368755,"name":"Religious Iconography","url":"https://www.academia.edu/Documents/in/Religious_Iconography?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4217546" data-work_id="4217546" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4217546/The_Fabric_of_the_City_Imaging_Textile_Production_in_Classical_Athens">The Fabric of the City: Imaging Textile Production in Classical Athens</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Scenes of textile production on Athenian vases are often interpreted as confirming the oppression of women, who many argue were confined to "women's quarters" and exploited as free labor. However, reexamination of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4217546" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Scenes of textile production on Athenian vases are often interpreted as confirming the oppression of women, who many argue were confined to "women's quarters" and exploited as free labor. However, reexamination of the iconography--together with a reconsideration of gender roles and the archaeology of Greek houses dating to the 5th and 4th centuries BC--suggests that these images idealize female contributions to the household in a positive way. The scenes utilize the dual metaphor of weaving and marriage to express the harmonia of oikos and polis, a theme particularly significant under the evolving Athenian democracy.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4217546" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="63906c257aafa6254a32ecd14bde8c2c" rel="nofollow" data-download="{"attachment_id":37671714,"asset_id":4217546,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37671714/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1090611" href="https://usf.academia.edu/SheramyBundrick">Sheramy Bundrick</a><script data-card-contents-for-user="1090611" type="text/json">{"id":1090611,"first_name":"Sheramy","last_name":"Bundrick","domain_name":"usf","page_name":"SheramyBundrick","display_name":"Sheramy Bundrick","profile_url":"https://usf.academia.edu/SheramyBundrick?f_ri=153550","photo":"https://0.academia-photos.com/1090611/2238738/2619126/s65_sheramy.bundrick.jpg"}</script></span></span></li><li class="js-paper-rank-work_4217546 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4217546"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4217546, container: ".js-paper-rank-work_4217546", }); });</script></li><li class="js-percentile-work_4217546 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4217546; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4217546"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4217546 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4217546"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4217546; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4217546]").text(description); $(".js-view-count-work_4217546").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4217546").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4217546"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">11</a> </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5256" href="https://www.academia.edu/Documents/in/History_of_Textiles">History of Textiles</a>, <script data-card-contents-for-ri="5256" type="text/json">{"id":5256,"name":"History of Textiles","url":"https://www.academia.edu/Documents/in/History_of_Textiles?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6039" href="https://www.academia.edu/Documents/in/Textile_Archaeology">Textile Archaeology</a>, <script data-card-contents-for-ri="6039" type="text/json">{"id":6039,"name":"Textile Archaeology","url":"https://www.academia.edu/Documents/in/Textile_Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17618" href="https://www.academia.edu/Documents/in/Greek_Archaeology">Greek Archaeology</a>, <script data-card-contents-for-ri="17618" type="text/json">{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20057" href="https://www.academia.edu/Documents/in/Gender_studies_in_ancient_Greece">Gender studies in ancient Greece</a><script data-card-contents-for-ri="20057" type="text/json">{"id":20057,"name":"Gender studies in ancient Greece","url":"https://www.academia.edu/Documents/in/Gender_studies_in_ancient_Greece?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4217546]'), work: {"id":4217546,"title":"The Fabric of the City: Imaging Textile Production in Classical Athens","created_at":"2013-08-11T10:51:45.487-07:00","url":"https://www.academia.edu/4217546/The_Fabric_of_the_City_Imaging_Textile_Production_in_Classical_Athens?f_ri=153550","dom_id":"work_4217546","summary":"Scenes of textile production on Athenian vases are often interpreted as confirming the oppression of women, who many argue were confined to \"women's quarters\" and exploited as free labor. However, reexamination of the iconography--together with a reconsideration of gender roles and the archaeology of Greek houses dating to the 5th and 4th centuries BC--suggests that these images idealize female contributions to the household in a positive way. The scenes utilize the dual metaphor of weaving and marriage to express the harmonia of oikos and polis, a theme particularly significant under the evolving Athenian democracy.","downloadable_attachments":[{"id":37671714,"asset_id":4217546,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1090611,"first_name":"Sheramy","last_name":"Bundrick","domain_name":"usf","page_name":"SheramyBundrick","display_name":"Sheramy Bundrick","profile_url":"https://usf.academia.edu/SheramyBundrick?f_ri=153550","photo":"https://0.academia-photos.com/1090611/2238738/2619126/s65_sheramy.bundrick.jpg"}],"research_interests":[{"id":5256,"name":"History of Textiles","url":"https://www.academia.edu/Documents/in/History_of_Textiles?f_ri=153550","nofollow":false},{"id":6039,"name":"Textile Archaeology","url":"https://www.academia.edu/Documents/in/Textile_Archaeology?f_ri=153550","nofollow":false},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550","nofollow":false},{"id":20057,"name":"Gender studies in ancient Greece","url":"https://www.academia.edu/Documents/in/Gender_studies_in_ancient_Greece?f_ri=153550","nofollow":false},{"id":27026,"name":"Ancient Textiles","url":"https://www.academia.edu/Documents/in/Ancient_Textiles?f_ri=153550"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery?f_ri=153550"},{"id":76348,"name":"History of weaving","url":"https://www.academia.edu/Documents/in/History_of_weaving?f_ri=153550"},{"id":85947,"name":"Archaeological textiles","url":"https://www.academia.edu/Documents/in/Archaeological_textiles?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":336523,"name":"Women in ancient Greece","url":"https://www.academia.edu/Documents/in/Women_in_ancient_Greece?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34921612" data-work_id="34921612" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34921612/Antike_Bilderwelten_Was_griechische_Vasen_erz%C3%A4hlen_Darmstadt_2017_">Antike Bilderwelten. Was griechische Vasen erzählen (Darmstadt 2017)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Greek vases are a unique testimony of ancient craftsmanship - and additionally, an important archaeological source for the Greek Antiquität. This book is a brief history of Greek, especially Athenian vase-painting, based on the Zimmermann... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34921612" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Greek vases are a unique testimony of ancient craftsmanship - and additionally, an important archaeological source for the Greek Antiquität. This book is a brief history of Greek, especially Athenian vase-painting, based on the Zimmermann Collection in Bremen. The focus lies on the visual narration of the vase depictions.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34921612" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="111c220cf55400c7c29d97f139cc8918" rel="nofollow" data-download="{"attachment_id":54782960,"asset_id":34921612,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54782960/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8596999" href="https://mkg-hamburg.academia.edu/FrankHildebrandt">Frank Hildebrandt</a><script data-card-contents-for-user="8596999" type="text/json">{"id":8596999,"first_name":"Frank","last_name":"Hildebrandt","domain_name":"mkg-hamburg","page_name":"FrankHildebrandt","display_name":"Frank Hildebrandt","profile_url":"https://mkg-hamburg.academia.edu/FrankHildebrandt?f_ri=153550","photo":"https://0.academia-photos.com/8596999/3535292/4416188/s65_frank.hildebrandt.jpg"}</script></span></span></li><li class="js-paper-rank-work_34921612 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34921612"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34921612, container: ".js-paper-rank-work_34921612", }); });</script></li><li class="js-percentile-work_34921612 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34921612; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34921612"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34921612 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34921612"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34921612; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34921612]").text(description); $(".js-view-count-work_34921612").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34921612").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34921612"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">6</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="144204" href="https://www.academia.edu/Documents/in/Attic_black-figured_vases">Attic black-figured vases</a>, <script data-card-contents-for-ri="144204" type="text/json">{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="144205" href="https://www.academia.edu/Documents/in/Athenian_black-figured_vases">Athenian black-figured vases</a>, <script data-card-contents-for-ri="144205" type="text/json">{"id":144205,"name":"Athenian black-figured vases","url":"https://www.academia.edu/Documents/in/Athenian_black-figured_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="153550" href="https://www.academia.edu/Documents/in/Attic_red-figure_vases">Attic red-figure vases</a>, <script data-card-contents-for-ri="153550" type="text/json">{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="258244" href="https://www.academia.edu/Documents/in/Athenian_black-figure_pottery">Athenian black-figure pottery</a><script data-card-contents-for-ri="258244" type="text/json">{"id":258244,"name":"Athenian black-figure pottery","url":"https://www.academia.edu/Documents/in/Athenian_black-figure_pottery?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34921612]'), work: {"id":34921612,"title":"Antike Bilderwelten. Was griechische Vasen erzählen (Darmstadt 2017)","created_at":"2017-10-22T02:37:56.948-07:00","url":"https://www.academia.edu/34921612/Antike_Bilderwelten_Was_griechische_Vasen_erz%C3%A4hlen_Darmstadt_2017_?f_ri=153550","dom_id":"work_34921612","summary":"Greek vases are a unique testimony of ancient craftsmanship - and additionally, an important archaeological source for the Greek Antiquität. This book is a brief history of Greek, especially Athenian vase-painting, based on the Zimmermann Collection in Bremen. The focus lies on the visual narration of the vase depictions.","downloadable_attachments":[{"id":54782960,"asset_id":34921612,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8596999,"first_name":"Frank","last_name":"Hildebrandt","domain_name":"mkg-hamburg","page_name":"FrankHildebrandt","display_name":"Frank Hildebrandt","profile_url":"https://mkg-hamburg.academia.edu/FrankHildebrandt?f_ri=153550","photo":"https://0.academia-photos.com/8596999/3535292/4416188/s65_frank.hildebrandt.jpg"}],"research_interests":[{"id":144204,"name":"Attic black-figured vases","url":"https://www.academia.edu/Documents/in/Attic_black-figured_vases?f_ri=153550","nofollow":false},{"id":144205,"name":"Athenian black-figured vases","url":"https://www.academia.edu/Documents/in/Athenian_black-figured_vases?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":258244,"name":"Athenian black-figure pottery","url":"https://www.academia.edu/Documents/in/Athenian_black-figure_pottery?f_ri=153550","nofollow":false},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"},{"id":821823,"name":"Athenian Red-Figured Vases","url":"https://www.academia.edu/Documents/in/Athenian_Red-Figured_Vases?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_22470068" data-work_id="22470068" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/22470068/The_Kleophrades_Sack_of_Troy_on_Vivenzio_funerary_hydria_and_fragmented_skeletons_from_Veyrier">The Kleophrades Sack of Troy on Vivenzio funerary hydria and fragmented skeletons from Veyrier</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The death of an individual leaves a corpse that constitutes a problem that can be solved by burial or cremation. The graves offer extensive information on funeral solutions which vary greatly in different cultures. What role does ritual... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_22470068" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The death of an individual leaves a corpse that constitutes a problem that can be solved by burial or cremation. The graves offer extensive information on funeral solutions which vary greatly in different cultures. What role does ritual play in mortuary practice and the handling of the dead body? The body processed to be preserved from complete disappearance illustrates how the choice of burial is at the origin of relics. There are cases with bones of the dead, which have been removed to be reintroduced into the world of the living, who teaches us to separate from death circumstances. That's why we wanted to have a regard on the vestiges of the ancient world and prehistory that keep the memory. This is the case of the Attic Vivenzio funerary hydria from Nola with a scene of the fall of Troy who became a sort of illustration of the Greek and Roman history and of a prehistoric Magdalenian fossil man from the late glacial eras at Veyrier-sous-Salève.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/22470068" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e97fccb2d921012f6865feb0d72e16e4" rel="nofollow" data-download="{"attachment_id":55831447,"asset_id":22470068,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55831447/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="129843" href="https://independent.academia.edu/pfpuech">Pierre-François Puech</a><script data-card-contents-for-user="129843" type="text/json">{"id":129843,"first_name":"Pierre-François","last_name":"Puech","domain_name":"independent","page_name":"pfpuech","display_name":"Pierre-François Puech","profile_url":"https://independent.academia.edu/pfpuech?f_ri=153550","photo":"https://0.academia-photos.com/129843/34608/31794/s65_pierre-fran_ois.puech.jpg"}</script></span></span></li><li class="js-paper-rank-work_22470068 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="22470068"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 22470068, container: ".js-paper-rank-work_22470068", }); });</script></li><li class="js-percentile-work_22470068 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22470068; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_22470068"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_22470068 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="22470068"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22470068; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22470068]").text(description); $(".js-view-count-work_22470068").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_22470068").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="22470068"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">16</a> </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19694" href="https://www.academia.edu/Documents/in/Greek_Myth">Greek Myth</a><script data-card-contents-for-ri="19694" type="text/json">{"id":19694,"name":"Greek Myth","url":"https://www.academia.edu/Documents/in/Greek_Myth?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=22470068]'), work: {"id":22470068,"title":"The Kleophrades Sack of Troy on Vivenzio funerary hydria and fragmented skeletons from Veyrier","created_at":"2016-02-26T02:59:55.276-08:00","url":"https://www.academia.edu/22470068/The_Kleophrades_Sack_of_Troy_on_Vivenzio_funerary_hydria_and_fragmented_skeletons_from_Veyrier?f_ri=153550","dom_id":"work_22470068","summary":"The death of an individual leaves a corpse that constitutes a problem that can be solved by burial or cremation. The graves offer extensive information on funeral solutions which vary greatly in different cultures. What role does ritual play in mortuary practice and the handling of the dead body? The body processed to be preserved from complete disappearance illustrates how the choice of burial is at the origin of relics. There are cases with bones of the dead, which have been removed to be reintroduced into the world of the living, who teaches us to separate from death circumstances. That's why we wanted to have a regard on the vestiges of the ancient world and prehistory that keep the memory. This is the case of the Attic Vivenzio funerary hydria from Nola with a scene of the fall of Troy who became a sort of illustration of the Greek and Roman history and of a prehistoric Magdalenian fossil man from the late glacial eras at Veyrier-sous-Salève.","downloadable_attachments":[{"id":55831447,"asset_id":22470068,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":129843,"first_name":"Pierre-François","last_name":"Puech","domain_name":"independent","page_name":"pfpuech","display_name":"Pierre-François Puech","profile_url":"https://independent.academia.edu/pfpuech?f_ri=153550","photo":"https://0.academia-photos.com/129843/34608/31794/s65_pierre-fran_ois.puech.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=153550","nofollow":false},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=153550","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=153550","nofollow":false},{"id":19694,"name":"Greek Myth","url":"https://www.academia.edu/Documents/in/Greek_Myth?f_ri=153550","nofollow":false},{"id":22878,"name":"Ancient Greek History","url":"https://www.academia.edu/Documents/in/Ancient_Greek_History?f_ri=153550"},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=153550"},{"id":30744,"name":"Etruscan Archaeology","url":"https://www.academia.edu/Documents/in/Etruscan_Archaeology?f_ri=153550"},{"id":34817,"name":"Prehistory","url":"https://www.academia.edu/Documents/in/Prehistory?f_ri=153550"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts?f_ri=153550"},{"id":66547,"name":"Campanian Archaeology","url":"https://www.academia.edu/Documents/in/Campanian_Archaeology?f_ri=153550"},{"id":76631,"name":"Cremation","url":"https://www.academia.edu/Documents/in/Cremation?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":546193,"name":"Hydria","url":"https://www.academia.edu/Documents/in/Hydria?f_ri=153550"},{"id":1029754,"name":"Troy Studies","url":"https://www.academia.edu/Documents/in/Troy_Studies?f_ri=153550"},{"id":2346939,"name":"Ilioupersis","url":"https://www.academia.edu/Documents/in/Ilioupersis?f_ri=153550"},{"id":2686145,"name":"Fall of Troy","url":"https://www.academia.edu/Documents/in/Fall_of_Troy?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7161829" data-work_id="7161829" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7161829/Family_Portraits_Recognizing_the_Oikos_on_Attic_Red_Figure_Pottery">Family Portraits: Recognizing the "Oikos" on Attic Red-Figure Pottery </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In this paper I consider a small group of red-figure vase paintings that depict the classical Athenian oikos (family) similar in respects to views represented in Homer's Odyssey and Xenophon's Oikonomikos. Comparisons are made to more... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7161829" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In this paper I consider a small group of red-figure vase paintings <br />that depict the classical Athenian oikos (family) similar in respects to views represented in Homer's Odyssey and Xenophon's Oikonomikos. Comparisons are made to more popular scenes in Attic vase painting that employ similar imagery: heterosexual courting and the mythological subject of the bribery of Eriphyle .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7161829" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="134655b07877e6c00cef08c8439cf9e5" rel="nofollow" data-download="{"attachment_id":33793559,"asset_id":7161829,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33793559/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10478670" href="https://iu-indianapolis.academia.edu/RobertSutton">Robert F. Sutton</a><script data-card-contents-for-user="10478670" type="text/json">{"id":10478670,"first_name":"Robert F.","last_name":"Sutton","domain_name":"iu-indianapolis","page_name":"RobertSutton","display_name":"Robert F. Sutton","profile_url":"https://iu-indianapolis.academia.edu/RobertSutton?f_ri=153550","photo":"https://0.academia-photos.com/10478670/3179522/3742486/s65_robert.sutton.jpg"}</script></span></span></li><li class="js-paper-rank-work_7161829 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7161829"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7161829, container: ".js-paper-rank-work_7161829", }); });</script></li><li class="js-percentile-work_7161829 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7161829; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7161829"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7161829 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7161829"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7161829; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7161829]").text(description); $(".js-view-count-work_7161829").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7161829").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7161829"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">8</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4917" href="https://www.academia.edu/Documents/in/Gender_and_Sexuality">Gender and Sexuality</a>, <script data-card-contents-for-ri="4917" type="text/json">{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17618" href="https://www.academia.edu/Documents/in/Greek_Archaeology">Greek Archaeology</a>, <script data-card-contents-for-ri="17618" type="text/json">{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27744" href="https://www.academia.edu/Documents/in/Ancient_Greek_Iconography">Ancient Greek Iconography</a>, <script data-card-contents-for-ri="27744" type="text/json">{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="32159" href="https://www.academia.edu/Documents/in/Family_history">Family history</a><script data-card-contents-for-ri="32159" type="text/json">{"id":32159,"name":"Family history","url":"https://www.academia.edu/Documents/in/Family_history?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7161829]'), work: {"id":7161829,"title":"Family Portraits: Recognizing the \"Oikos\" on Attic Red-Figure Pottery ","created_at":"2014-05-26T04:52:35.908-07:00","url":"https://www.academia.edu/7161829/Family_Portraits_Recognizing_the_Oikos_on_Attic_Red_Figure_Pottery?f_ri=153550","dom_id":"work_7161829","summary":"In this paper I consider a small group of red-figure vase paintings\r\nthat depict the classical Athenian oikos (family) similar in respects to views represented in Homer's Odyssey and Xenophon's Oikonomikos. Comparisons are made to more popular scenes in Attic vase painting that employ similar imagery: heterosexual courting and the mythological subject of the bribery of Eriphyle .","downloadable_attachments":[{"id":33793559,"asset_id":7161829,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10478670,"first_name":"Robert F.","last_name":"Sutton","domain_name":"iu-indianapolis","page_name":"RobertSutton","display_name":"Robert F. Sutton","profile_url":"https://iu-indianapolis.academia.edu/RobertSutton?f_ri=153550","photo":"https://0.academia-photos.com/10478670/3179522/3742486/s65_robert.sutton.jpg"}],"research_interests":[{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=153550","nofollow":false},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550","nofollow":false},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550","nofollow":false},{"id":32159,"name":"Family history","url":"https://www.academia.edu/Documents/in/Family_history?f_ri=153550","nofollow":false},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":167092,"name":"Attic pottery","url":"https://www.academia.edu/Documents/in/Attic_pottery?f_ri=153550"},{"id":248984,"name":"Ancient Athens","url":"https://www.academia.edu/Documents/in/Ancient_Athens?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7148383" data-work_id="7148383" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7148383/The_Gigantomachy_in_Attic_and_Apulian_Vase_Painting_A_New_Look_at_Similarities_Differences_and_Origins">The Gigantomachy in Attic and Apulian Vase-Painting. A New Look at Similarities, Differences and Origins</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7148383" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6c40f4661ea7596317d0d9145a82ef32" rel="nofollow" data-download="{"attachment_id":34827384,"asset_id":7148383,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34827384/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8596999" href="https://mkg-hamburg.academia.edu/FrankHildebrandt">Frank Hildebrandt</a><script data-card-contents-for-user="8596999" type="text/json">{"id":8596999,"first_name":"Frank","last_name":"Hildebrandt","domain_name":"mkg-hamburg","page_name":"FrankHildebrandt","display_name":"Frank Hildebrandt","profile_url":"https://mkg-hamburg.academia.edu/FrankHildebrandt?f_ri=153550","photo":"https://0.academia-photos.com/8596999/3535292/4416188/s65_frank.hildebrandt.jpg"}</script></span></span></li><li class="js-paper-rank-work_7148383 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7148383"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7148383, container: ".js-paper-rank-work_7148383", }); 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In the National Museum of Natural History Smithsonian Institution Washington, D.C</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The first complete catalogue of all the Greek vases in the National Museum of Natural History, Smithsonian Institution. It includes all the Attic painted pottery, both black- and red-figure, a Spartan and an Ionic cup, as well as two... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30415796" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The first complete catalogue of all the Greek vases in the National Museum of Natural History, Smithsonian Institution. 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Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":283738,"name":"Ancient Greek Women","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Women?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12175077" data-work_id="12175077" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12175077/Attic_Imports_and_their_Influence_on_the_Production_of_Local_Fine_ware_in_Late_Classical_and_Early_Hellenistic_Priene">Attic Imports and their Influence on the Production of Local Fine-ware in Late Classical and Early Hellenistic Priene</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12175077" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fcf396dd22f08b3f42277620b4b37b15" rel="nofollow" data-download="{"attachment_id":37474610,"asset_id":12175077,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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Heinze","profile_url":"https://uni-frankfurt.academia.edu/LarsHeinze?f_ri=153550","photo":"https://0.academia-photos.com/360539/95470/154201/s65_lars.heinze.jpg"}</script></span></span></li><li class="js-paper-rank-work_12175077 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12175077"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12175077, container: ".js-paper-rank-work_12175077", }); });</script></li><li class="js-percentile-work_12175077 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12175077; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = 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class="InlineList-item-text" data-has-card-for-ri="8324" href="https://www.academia.edu/Documents/in/Ancient_economies_Archaeology_">Ancient economies (Archaeology)</a>, <script data-card-contents-for-ri="8324" type="text/json">{"id":8324,"name":"Ancient economies (Archaeology)","url":"https://www.academia.edu/Documents/in/Ancient_economies_Archaeology_?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29276" href="https://www.academia.edu/Documents/in/Hellenistic_and_Roman_Asia_Minor">Hellenistic and Roman Asia Minor</a><script data-card-contents-for-ri="29276" type="text/json">{"id":29276,"name":"Hellenistic and Roman Asia Minor","url":"https://www.academia.edu/Documents/in/Hellenistic_and_Roman_Asia_Minor?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12175077]'), work: {"id":12175077,"title":"Attic Imports and their Influence on the 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red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":167092,"name":"Attic pottery","url":"https://www.academia.edu/Documents/in/Attic_pottery?f_ri=153550"},{"id":316188,"name":"Attic black-glazed pottery","url":"https://www.academia.edu/Documents/in/Attic_black-glazed_pottery?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4217591" data-work_id="4217591" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4217591/Housewives_Hetairai_and_the_Ambiguity_of_Genre_in_Attic_Vase_Painting">Housewives, Hetairai, and the Ambiguity of Genre in Attic Vase Painting</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A hydria by the Harrow Painter in the Tampa Museum of Art provides an opportunity to revisit the concept of genre and the depiction of women in Classical Athenian vase painting. Scholars cannot agree on the female figure’s social status:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4217591" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A hydria by the Harrow Painter in the Tampa Museum of Art provides an opportunity to revisit the concept of genre and the depiction of women in Classical Athenian vase painting. Scholars cannot agree on the female figure’s social status: hetaira or housewife? In this paper, I show that the criteria used to refute a “housewife” identification can be dismantled and an oikos¬-centered interpretation is plausible. This does not, however, exclude the possibility of multiple readings; the ambiguity of this and other “genre scenes” is likely a deliberate strategy intended to attract the widest possible audience.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4217591" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4972a5a51e480263ba6eaa54554d4d4f" rel="nofollow" data-download="{"attachment_id":37671708,"asset_id":4217591,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37671708/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1090611" href="https://usf.academia.edu/SheramyBundrick">Sheramy Bundrick</a><script data-card-contents-for-user="1090611" type="text/json">{"id":1090611,"first_name":"Sheramy","last_name":"Bundrick","domain_name":"usf","page_name":"SheramyBundrick","display_name":"Sheramy Bundrick","profile_url":"https://usf.academia.edu/SheramyBundrick?f_ri=153550","photo":"https://0.academia-photos.com/1090611/2238738/2619126/s65_sheramy.bundrick.jpg"}</script></span></span></li><li class="js-paper-rank-work_4217591 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4217591"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4217591, container: ".js-paper-rank-work_4217591", }); });</script></li><li class="js-percentile-work_4217591 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4217591; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4217591"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4217591 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4217591"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4217591; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4217591]").text(description); $(".js-view-count-work_4217591").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4217591").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4217591"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">4</a> </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="38936" href="https://www.academia.edu/Documents/in/Greek_Vases">Greek Vases</a>, <script data-card-contents-for-ri="38936" type="text/json">{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="153550" href="https://www.academia.edu/Documents/in/Attic_red-figure_vases">Attic red-figure vases</a>, <script data-card-contents-for-ri="153550" type="text/json">{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="336523" href="https://www.academia.edu/Documents/in/Women_in_ancient_Greece">Women in ancient Greece</a>, <script data-card-contents-for-ri="336523" type="text/json">{"id":336523,"name":"Women in ancient Greece","url":"https://www.academia.edu/Documents/in/Women_in_ancient_Greece?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="346631" href="https://www.academia.edu/Documents/in/Athenian_Vase_Painting">Athenian Vase Painting</a><script data-card-contents-for-ri="346631" type="text/json">{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4217591]'), work: {"id":4217591,"title":"Housewives, Hetairai, and the Ambiguity of Genre in Attic Vase Painting","created_at":"2013-08-11T11:01:29.190-07:00","url":"https://www.academia.edu/4217591/Housewives_Hetairai_and_the_Ambiguity_of_Genre_in_Attic_Vase_Painting?f_ri=153550","dom_id":"work_4217591","summary":"A hydria by the Harrow Painter in the Tampa Museum of Art provides an opportunity to revisit the concept of genre and the depiction of women in Classical Athenian vase painting. Scholars cannot agree on the female figure’s social status: hetaira or housewife? In this paper, I show that the criteria used to refute a “housewife” identification can be dismantled and an oikos¬-centered interpretation is plausible. This does not, however, exclude the possibility of multiple readings; the ambiguity of this and other “genre scenes” is likely a deliberate strategy intended to attract the widest possible audience.","downloadable_attachments":[{"id":37671708,"asset_id":4217591,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1090611,"first_name":"Sheramy","last_name":"Bundrick","domain_name":"usf","page_name":"SheramyBundrick","display_name":"Sheramy Bundrick","profile_url":"https://usf.academia.edu/SheramyBundrick?f_ri=153550","photo":"https://0.academia-photos.com/1090611/2238738/2619126/s65_sheramy.bundrick.jpg"}],"research_interests":[{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases?f_ri=153550","nofollow":false},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550","nofollow":false},{"id":336523,"name":"Women in ancient Greece","url":"https://www.academia.edu/Documents/in/Women_in_ancient_Greece?f_ri=153550","nofollow":false},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15080736" data-work_id="15080736" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15080736/Thracian_Tattoos">Thracian Tattoos</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The employment of the tattooing to mark various parts of the human body, is a ‘custom’ that appears throughout the centuries in numerous regions and cultures. Through the existing examples it is pointed out that it was very popular among... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15080736" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The employment of the tattooing to mark various parts of the human body, is a ‘custom’ that appears throughout the centuries in numerous regions and cultures. Through the existing examples it is pointed out that it was very popular among the ancient Thracians. Either as a sign of nobility for the men of Thrace, or as a mark of punishment on the Thracian women for the death of Orpheus, the Thracian tattoo is testified through the literary sources and the iconography. Focus of this paper is to explore the visual and written information regarding the Thracian ‘custom’ of tattooing and to investigate its symbolism and meanings. In order to do that within the right context, it is provided some brief general information on tattooing and an introduction to the Thracian people and their habits. The Thracian tattoos are approached through the ancient Greek view and they appear to be signs and symbols of various and different status.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15080736" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7e74d928dfddaf58ad7837648ecfe9a1" rel="nofollow" data-download="{"attachment_id":56771674,"asset_id":15080736,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56771674/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="660501" href="https://athena-innovation.academia.edu/DespoinaTsiafakis">Despoina Tsiafakis</a><script data-card-contents-for-user="660501" type="text/json">{"id":660501,"first_name":"Despoina","last_name":"Tsiafakis","domain_name":"athena-innovation","page_name":"DespoinaTsiafakis","display_name":"Despoina Tsiafakis","profile_url":"https://athena-innovation.academia.edu/DespoinaTsiafakis?f_ri=153550","photo":"https://0.academia-photos.com/660501/848858/19460871/s65_despoina.tsiafakis.jpg"}</script></span></span></li><li class="js-paper-rank-work_15080736 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15080736"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15080736, container: ".js-paper-rank-work_15080736", }); 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$(".js-view-count[data-work-id=15080736]").text(description); $(".js-view-count-work_15080736").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15080736").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15080736"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i> <a class="InlineList-item-text u-positionRelative">28</a> </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="816" href="https://www.academia.edu/Documents/in/Classics">Classics</a>, <script data-card-contents-for-ri="816" type="text/json">{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=153550","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6471" href="https://www.academia.edu/Documents/in/The_Tattoo">The Tattoo</a><script data-card-contents-for-ri="6471" type="text/json">{"id":6471,"name":"The Tattoo","url":"https://www.academia.edu/Documents/in/The_Tattoo?f_ri=153550","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15080736]'), work: {"id":15080736,"title":"Thracian Tattoos","created_at":"2015-08-21T10:57:28.787-07:00","url":"https://www.academia.edu/15080736/Thracian_Tattoos?f_ri=153550","dom_id":"work_15080736","summary":"The employment of the tattooing to mark various parts of the human body, is a ‘custom’ that appears throughout the centuries in numerous regions and cultures. Through the existing examples it is pointed out that it was very popular among the ancient Thracians. Either as a sign of nobility for the men of Thrace, or as a mark of punishment on the Thracian women for the death of Orpheus, the Thracian tattoo is testified through the literary sources and the iconography. Focus of this paper is to explore the visual and written information regarding the Thracian ‘custom’ of tattooing and to investigate its symbolism and meanings. In order to do that within the right context, it is provided some brief general information on tattooing and an introduction to the Thracian people and their habits. The Thracian tattoos are approached through the ancient Greek view and they appear to be signs and symbols of various and different status. ","downloadable_attachments":[{"id":56771674,"asset_id":15080736,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":660501,"first_name":"Despoina","last_name":"Tsiafakis","domain_name":"athena-innovation","page_name":"DespoinaTsiafakis","display_name":"Despoina Tsiafakis","profile_url":"https://athena-innovation.academia.edu/DespoinaTsiafakis?f_ri=153550","photo":"https://0.academia-photos.com/660501/848858/19460871/s65_despoina.tsiafakis.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=153550","nofollow":false},{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=153550","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=153550","nofollow":false},{"id":6471,"name":"The Tattoo","url":"https://www.academia.edu/Documents/in/The_Tattoo?f_ri=153550","nofollow":false},{"id":12360,"name":"Body Modification Studies","url":"https://www.academia.edu/Documents/in/Body_Modification_Studies?f_ri=153550"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550"},{"id":22878,"name":"Ancient Greek History","url":"https://www.academia.edu/Documents/in/Ancient_Greek_History?f_ri=153550"},{"id":25663,"name":"Aegean Archaeology","url":"https://www.academia.edu/Documents/in/Aegean_Archaeology?f_ri=153550"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550"},{"id":28362,"name":"Classical Mythology","url":"https://www.academia.edu/Documents/in/Classical_Mythology?f_ri=153550"},{"id":29962,"name":"Body Art","url":"https://www.academia.edu/Documents/in/Body_Art?f_ri=153550"},{"id":32246,"name":"Greek Pottery","url":"https://www.academia.edu/Documents/in/Greek_Pottery?f_ri=153550"},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=153550"},{"id":38936,"name":"Greek Vases","url":"https://www.academia.edu/Documents/in/Greek_Vases?f_ri=153550"},{"id":45670,"name":"Thracian Archaeology","url":"https://www.academia.edu/Documents/in/Thracian_Archaeology?f_ri=153550"},{"id":48481,"name":"Tattoo","url":"https://www.academia.edu/Documents/in/Tattoo?f_ri=153550"},{"id":51764,"name":"Ancient Thrace","url":"https://www.academia.edu/Documents/in/Ancient_Thrace?f_ri=153550"},{"id":57508,"name":"History of ancient Thrace","url":"https://www.academia.edu/Documents/in/History_of_ancient_Thrace?f_ri=153550"},{"id":77581,"name":"Ancient Greek Mythology","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Mythology?f_ri=153550"},{"id":84377,"name":"Body Modification","url":"https://www.academia.edu/Documents/in/Body_Modification?f_ri=153550"},{"id":127771,"name":"Tattoos","url":"https://www.academia.edu/Documents/in/Tattoos?f_ri=153550"},{"id":128442,"name":"Ancient Tattooing","url":"https://www.academia.edu/Documents/in/Ancient_Tattooing?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":176273,"name":"archaeology of Macedonia and Thrace","url":"https://www.academia.edu/Documents/in/archaeology_of_Macedonia_and_Thrace?f_ri=153550"},{"id":233191,"name":"Greeks and indigenous people","url":"https://www.academia.edu/Documents/in/Greeks_and_indigenous_people?f_ri=153550"},{"id":272664,"name":"Ancient Tattooing \u0026 Spirituality","url":"https://www.academia.edu/Documents/in/Ancient_Tattooing_and_Spirituality?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"},{"id":466561,"name":"Greek vase painting","url":"https://www.academia.edu/Documents/in/Greek_vase_painting?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8920396" data-work_id="8920396" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8920396/Patterns_of_Use_in_Early_Metapontine_Red_figure_Pottery_Distribution_Shapes_and_Iconography">Patterns of Use in Early Metapontine Red-figure Pottery: Distribution, Shapes and Iconography </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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Città e Del Territorio","url":"https://www.academia.edu/Documents/in/Storia_Della_Citt%C3%A0_e_Del_Territorio?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7161714" data-work_id="7161714" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7161714/Nuptial_Eros_The_Visual_Discourse_of_Marriage_in_Classical_Athens">Nuptial Eros: The Visual Discourse of Marriage in Classical Athens</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In contrast to most surviving literary evidence on ancient Greek marriage, nuptial scenes on Classical Attic pottery are remarkable for their rich erotic imagery. From the earliest Archaic examples on, the ambivalent romantic figure... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7161714" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In contrast to most surviving literary evidence on ancient <br />Greek marriage, nuptial scenes on Classical Attic pottery are <br />remarkable for their rich erotic imagery. From the earliest <br />Archaic examples on, the ambivalent romantic figure of <br />Helen is a major figure in nuptial iconography, and images <br />first applied to her are adopted for ordinary wedding scenes. <br />Early Classical vase painters represent a close emotional and <br />sexual bond between bride and groom primarily through <br />touch and glance and by appropriating so-called courting <br />motifs for nuptial use. High Classical artists culminate the <br />development of nuptial eroticism by employing the personifica- <br />tion Eros to express a variety of meanings and by introduc- <br />ing both male and female nudity into wedding iconography.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7161714" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a5b8053a92ea65920a72452c643d8b30" rel="nofollow" data-download="{"attachment_id":33793448,"asset_id":7161714,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33793448/download_file?st=MTczMjU0MDc5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10478670" href="https://iu-indianapolis.academia.edu/RobertSutton">Robert F. 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From the earliest\r\nArchaic examples on, the ambivalent romantic figure of\r\nHelen is a major figure in nuptial iconography, and images\r\nfirst applied to her are adopted for ordinary wedding scenes.\r\nEarly Classical vase painters represent a close emotional and\r\nsexual bond between bride and groom primarily through\r\ntouch and glance and by appropriating so-called courting\r\nmotifs for nuptial use. High Classical artists culminate the\r\ndevelopment of nuptial eroticism by employing the personifica-\r\ntion Eros to express a variety of meanings and by introduc-\r\ning both male and female nudity into wedding iconography.","downloadable_attachments":[{"id":33793448,"asset_id":7161714,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10478670,"first_name":"Robert F.","last_name":"Sutton","domain_name":"iu-indianapolis","page_name":"RobertSutton","display_name":"Robert F. Sutton","profile_url":"https://iu-indianapolis.academia.edu/RobertSutton?f_ri=153550","photo":"https://0.academia-photos.com/10478670/3179522/3742486/s65_robert.sutton.jpg"}],"research_interests":[{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=153550","nofollow":false},{"id":10187,"name":"Love","url":"https://www.academia.edu/Documents/in/Love?f_ri=153550","nofollow":false},{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History?f_ri=153550","nofollow":false},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=153550","nofollow":false},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=153550"},{"id":33326,"name":"Archaeology of Ritual","url":"https://www.academia.edu/Documents/in/Archaeology_of_Ritual?f_ri=153550"},{"id":35262,"name":"Marriage (History)","url":"https://www.academia.edu/Documents/in/Marriage_History_?f_ri=153550"},{"id":153550,"name":"Attic red-figure vases","url":"https://www.academia.edu/Documents/in/Attic_red-figure_vases?f_ri=153550"},{"id":248984,"name":"Ancient Athens","url":"https://www.academia.edu/Documents/in/Ancient_Athens?f_ri=153550"},{"id":346631,"name":"Athenian Vase Painting","url":"https://www.academia.edu/Documents/in/Athenian_Vase_Painting?f_ri=153550"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6699398" data-work_id="6699398" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6699398/Jokes_on_Him_Caricature_and_Male_Clients_of_Prostitutes_on_Greek_Vase_Painting">Jokes on Him: Caricature and Male Clients of Prostitutes on Greek-Vase Painting</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6699398" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8d115da2aec70416aeca9305e9dd738a" rel="nofollow" data-download="{"attachment_id":33589017,"asset_id":6699398,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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