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Bariolage - Wikipedia
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class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Musical technique for bowed string instruments</div> <p><b>Bariolage</b> is a <a href="/wiki/Musical_technique" title="Musical technique">musical technique</a> used with <a href="/wiki/Bowed_string_instrument" title="Bowed string instrument">bowed string instruments</a> that involves rapidly playing alternated notes on adjacent strings, one of which is generally left <a href="/wiki/Open_string_(music)" class="mw-redirect" title="Open string (music)">open</a>,<sup id="cite_ref-Stowell_1-0" class="reference"><a href="#cite_note-Stowell-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> thereby exploiting the different <a href="/wiki/Timbre" title="Timbre">timbres</a> of each string.<sup id="cite_ref-Strange_2-0" class="reference"><a href="#cite_note-Strange-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Winold2007_3-0" class="reference"><a href="#cite_note-Winold2007-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Bariolage may involve quick alternation between a <a href="/wiki/Drone_(music)" class="mw-redirect" title="Drone (music)">static note</a> and changing notes that form a <a href="/wiki/Melody" title="Melody">melody</a> either above or below the static note.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The static note is usually an open string note, which creates a highly <a href="/wiki/Acoustic_resonance" title="Acoustic resonance">resonant</a> sound. In <a href="/wiki/Bluegrass_fiddle" title="Bluegrass fiddle">bluegrass fiddling</a> the technique is known as "<b>cross-fingering</b>".<sup id="cite_ref-Strange_2-1" class="reference"><a href="#cite_note-Strange-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Bariolage_L%27abbe_le_Fils.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/82/Bariolage_L%27abbe_le_Fils.png/450px-Bariolage_L%27abbe_le_Fils.png" decoding="async" width="450" height="49" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/82/Bariolage_L%27abbe_le_Fils.png/675px-Bariolage_L%27abbe_le_Fils.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/82/Bariolage_L%27abbe_le_Fils.png/900px-Bariolage_L%27abbe_le_Fils.png 2x" data-file-width="2050" data-file-height="221" /></a><figcaption>Example of bariolage from <i>Principes du Violon</i> (1761), p.79, by <a href="/wiki/Joseph-Barnab%C3%A9_Saint-Sevin_dit_L%27Abb%C3%A9_le_Fils" title="Joseph-Barnabé Saint-Sevin dit L'Abbé le Fils">L'Abbé le Fils</a><sup id="cite_ref-Early_5-0" class="reference"><a href="#cite_note-Early-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <span class="noprint"><span class="ext-phonos"><span data-nosnippet="" id="ooui-php-1" class="ext-phonos-PhonosButton noexcerpt oo-ui-widget oo-ui-widget-enabled oo-ui-buttonElement oo-ui-buttonElement-frameless oo-ui-iconElement oo-ui-labelElement oo-ui-buttonWidget" data-ooui="{"_":"mw.Phonos.PhonosButton","href":"\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/a\/aa\/Bariolage_L%27abbe_le_Fils_timbre.mid\/Bariolage_L%27abbe_le_Fils_timbre.mid.mp3","rel":["nofollow"],"framed":false,"icon":"volumeUp","label":{"html":"Play"},"data":{"ipa":"","text":"","lang":"en","wikibase":"","file":"Bariolage L'abbe le Fils timbre.mid"},"classes":["ext-phonos-PhonosButton","noexcerpt"]}"><a role="button" tabindex="0" href="//upload.wikimedia.org/wikipedia/commons/transcoded/a/aa/Bariolage_L%27abbe_le_Fils_timbre.mid/Bariolage_L%27abbe_le_Fils_timbre.mid.mp3" rel="nofollow" aria-label="Play audio" title="Play audio" class="oo-ui-buttonElement-button"><span class="oo-ui-iconElement-icon oo-ui-icon-volumeUp"></span><span class="oo-ui-labelElement-label">Play</span><span class="oo-ui-indicatorElement-indicator oo-ui-indicatorElement-noIndicator"></span></a></span><sup class="ext-phonos-attribution noexcerpt navigation-not-searchable"><a href="/wiki/File:Bariolage_L%27abbe_le_Fils_timbre.mid" title="File:Bariolage L'abbe le Fils timbre.mid">ⓘ</a></sup></span></span></figcaption></figure> <p>The term <i>bariolage</i> appears to have been coined in the nineteenth century to denote an <a href="/wiki/Baroque_music" title="Baroque music">eighteenth-century</a> <a href="/wiki/Violin" title="Violin">violin</a> technique requiring flexibility in the wrist and forearm, the mechanics of which are not discussed by nineteenth-century writers.<sup id="cite_ref-Stowell_1-1" class="reference"><a href="#cite_note-Stowell-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Etymologically, in French, the term was <a href="/wiki/Semantic_change" title="Semantic change">taken</a> from the noun <i><a href="https://en.wiktionary.org/wiki/bariolage#French" class="extiw" title="wikt:bariolage">bariolage</a></i> meaning a 'disorderly mix of bright colors',<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> which in turn derives from the verb <span title="French-language text"><i lang="fr">barioler</i></span> meaning 'to cover with a mix of bright colors'.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The bowing technique most often used for bariolage is called <i>ondulé</i> in French or <i><a href="/wiki/Ondeggiando" class="mw-redirect" title="Ondeggiando">ondeggiando</a></i> In Italian.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Bariolage may also be executed with separate bow strokes.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>The French violinist-composer <a href="/wiki/Pierre_Baillot" title="Pierre Baillot">Pierre Baillot</a> writes in his pedagogical treatise of 1834, <i>L'Art du violon</i> (perhaps looking back on what he considered an earlier, less advanced era), </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>The name <i>bariolage</i> is given to the kind of passage which presents the appearance of disorder and oddness, in that the notes are not played in succession on the same string where one would expect this or when the notes e<sup>2</sup>, a<sup>1</sup>, d<sup>1</sup>, are played not on the same string but alternately with one stopped finger and the open string, or else finally when the open string is played in a position where a stopped note would normally be required.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p></blockquote> <p><a href="/wiki/Joseph_Haydn" title="Joseph Haydn">Joseph Haydn</a> used this effect in the minuet of his <a href="/wiki/Symphony_No._28_(Haydn)" title="Symphony No. 28 (Haydn)">Symphony No. 28</a>, in the finale of the <a href="/wiki/Symphony_No._45_(Haydn)" title="Symphony No. 45 (Haydn)">"Farewell" Symphony, No. 45</a>, and throughout the finale of his <a href="/wiki/List_of_string_quartets_by_Joseph_Haydn" title="List of string quartets by Joseph Haydn">String Quartet Op. 50, No. 6</a>. The "croaking"<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> or "gurgling"<sup id="cite_ref-Haydn_12-0" class="reference"><a href="#cite_note-Haydn-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> unison bariolage passages on D and A gives this quartet its nickname of <i><a href="/wiki/String_Quartets,_Op._50_(Haydn)#Opus_50,_No._6_("The_Frog")" title="String Quartets, Op. 50 (Haydn)">The Frog</a></i>. </p><p>In the following example, from a violin sonata by <a href="/wiki/George_Frideric_Handel" title="George Frideric Handel">Handel</a>,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup> the second <a href="/wiki/Bar_(music)" title="Bar (music)">measure</a> is to be played with bariolage: </p> <figure class="mw-halign-center" typeof="mw:File"><a href="/wiki/File:Bariolage_Handel.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/5/59/Bariolage_Handel.jpg" decoding="async" width="500" height="98" class="mw-file-element" data-file-width="486" data-file-height="95" /></a><figcaption></figcaption></figure> <p>In this passage, the repeated A is played on the open A string, alternating with Fs and Es <a href="/wiki/Fingering_(music)" title="Fingering (music)">fingered</a> on the adjacent D string. The notes on the D string (E and F natural) would be fingered as normal (first finger and low second), but the fingerings given above the second measure would be [2040 1040 2040 1040], indicating the switch (bariolage) from open A string to the stopped fourth finger on the D string, also playing the note A. </p><p>Another well-known example of bariolage is in Bach's <i>Preludio</i> to the E major <a href="/wiki/Sonatas_and_partitas_for_solo_violin" class="mw-redirect" title="Sonatas and partitas for solo violin">Partita No. 3</a> for solo violin, where three strings are involved in the maneuver (one open string and two fingered notes). </p><p>Bariolage is much more rarely employed during the <a href="/wiki/Romantic_music" title="Romantic music">Romantic</a> period in the nineteenth century, but some notable examples of its use are found in <a href="/wiki/Johannes_Brahms" title="Johannes Brahms">Brahms's</a> works. Brahms used this device in the String Sextet in G Major (where it occurs at the very beginning in the viola) and in the <a href="/wiki/Violin_Sonata_No._3_(Brahms)" title="Violin Sonata No. 3 (Brahms)">Third Violin Sonata, Op. 108</a>.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Twentieth-century_extensions">Twentieth-century extensions</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bariolage&action=edit&section=1" title="Edit section: Twentieth-century extensions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Although bariolage has been an established violinistic technique since at least the early eighteenth century, in <a href="/wiki/Contemporary_music" title="Contemporary music">contemporary music</a> it may be regarded as an <a href="/wiki/Extended_technique" title="Extended technique">extended technique</a> when used simultaneously in different instruments, or in conjunction with complex rhythmic layering or microtonal tunings. Examples may be found in <a href="/wiki/Mauricio_Kagel" title="Mauricio Kagel">Mauricio Kagel</a>'s 1993 string quartet <i>Notturno</i> and the <a href="/wiki/Cadenza" title="Cadenza">cadenza</a> of <a href="/wiki/Giacinto_Scelsi" title="Giacinto Scelsi">Giacinto Scelsi</a>'s 1965 <i>Anahit</i>.<sup id="cite_ref-Strange_2-2" class="reference"><a href="#cite_note-Strange-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>In the twentieth century, composers have adapted the bariolage idea to other instruments, particularly the trombone, where a constant pitch may be repeated while rapidly changing between different slide positions—a technique some composers call <b><a href="/wiki/Enharmonic" class="mw-redirect" title="Enharmonic">enharmonic</a> change</b> or <b>enharmonic tremolo</b>. Notable trombone pieces using this device are <a href="/wiki/Luciano_Berio" title="Luciano Berio">Luciano Berio</a>'s <i><a href="/wiki/Sequenza_V" title="Sequenza V">Sequenza V</a></i> for solo trombone, and <a href="/wiki/Vinko_Globokar" title="Vinko Globokar">Vinko Globokar</a>'s <i>Eppure si muove</i> for a conducting solo trombonist and eleven musicians.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Elliott_Carter" title="Elliott Carter">Elliott Carter</a> adapted the technique to the harp in a solo work actually titled <i>Bariolage</i> (1992), which blends the device with trills and a harp technique called <i><a href="https://en.wiktionary.org/wiki/bisbigliando" class="extiw" title="wikt:bisbigliando">bisbigliando</a></i>, "in a profusion of trilling passages and enharmonic unison colourings."<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bariolage&action=edit&section=2" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">The Schirmer edition identifies the sonata, in F major, as "12th of the 15 Sonate ad Camera". The quotation comes from the second movement.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Bariolage&action=edit&section=3" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-Stowell-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-Stowell_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Stowell_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Stowell, Robin (1990). <i>Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries</i>, p.172. Cambridge. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780521397445" title="Special:BookSources/9780521397445">9780521397445</a>.</span> </li> <li id="cite_note-Strange-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Strange_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Strange_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Strange_2-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Patricia, Strange and Strange, Allen (2003). <i>The Contemporary Violin: Extended Performance Techniques</i>, p.32. Scarecrow. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781461664109" title="Special:BookSources/9781461664109">9781461664109</a>.</span> </li> <li id="cite_note-Winold2007-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-Winold2007_3-0">^</a></b></span> <span class="reference-text">Winold, Allen (2007). <i>Bach's Cello Suites, Volumes 1 and 2: Analyses and Explorations</i>, p.19. Indiana University. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780253013477" title="Special:BookSources/9780253013477">9780253013477</a>. "Involves rapid alternation between two adjacent strings, usually with an open string note on one string and fingered notes on the other string," the difference producing an "interesting timbre."</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">Nardolillo, Jo (2014). <i>All Things Strings</i>, p.9. Scarecrow Press. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780810884441" title="Special:BookSources/9780810884441">9780810884441</a>. "A technique of rapid alternation between a moving line and a static note, often an open string, creating a dazzling virtuosic effect...particularly popular in the Baroque era."</span> </li> <li id="cite_note-Early-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-Early_5-0">^</a></b></span> <span class="reference-text">Stowell, Robin (2001). <i>The Early Violin and Viola: A Practical Guide</i>, p.79. Cambridge. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780521625555" title="Special:BookSources/9780521625555">9780521625555</a>.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">David C Boyden and Peter Walls, "Bariolage", <i>The New Grove Dictionary of Music and Musicians</i>, second edition, edited by <a href="/wiki/Stanley_Sadie" title="Stanley Sadie">Stanley Sadie</a> and <a href="/wiki/John_Tyrrell_(musicologist)" title="John Tyrrell (musicologist)">John Tyrrell</a> (London: Macmillan Publisher, 2001).</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">David Dalton, <i>Playing the Viola: Conversations with William Promrose</i>, with a foreword by <a href="/wiki/Janos_Starker" class="mw-redirect" title="Janos Starker">Janos Starker</a> (Oxford University Press, 1989), p. 114. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-103921-8" title="Special:BookSources/978-0-19-103921-8">978-0-19-103921-8</a>.</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Don Michael Randel, "Bariolage", <i>Harvard Dictionary of Music</i>, fourth edition, Harvard University Press Reference Library 16 (Cambridge: Harvard University Press, 2003). <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-674-01163-5" title="Special:BookSources/0-674-01163-5">0-674-01163-5</a>.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">David C. Boyden and Peter Walls, "Bariolage", <i>The New Grove Dictionary of Music and Musicians</i>, second edition, edited by <a href="/wiki/Stanley_Sadie" title="Stanley Sadie">Stanley Sadie</a> and <a href="/wiki/John_Tyrrell_(musicologist)" title="John Tyrrell (musicologist)">John Tyrrell</a> (London: Macmillan Publisher, 2001).</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a href="/wiki/Pierre_Baillot" title="Pierre Baillot">Pierre Baillot</a> (1834), <i>L'art du violon</i>. Quoted in Stowell (1990), p. 198.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWigmore2011" class="citation book cs1">Wigmore, Richard (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=DG30af_PDPYC&pg=PA197"><i>The Faber Pocket Guide to Haydn</i></a>. Faber & Faber. p. 197. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0571268733" title="Special:BookSources/978-0571268733"><bdi>978-0571268733</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Faber+Pocket+Guide+to+Haydn&rft.pages=197&rft.pub=Faber+%26+Faber&rft.date=2011&rft.isbn=978-0571268733&rft.aulast=Wigmore&rft.aufirst=Richard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDG30af_PDPYC%26pg%3DPA197&rfr_id=info%3Asid%2Fen.wikipedia.org%3ABariolage" class="Z3988"></span> "A quavering effect created by a quickfire repetition of the same note on open and fingered strings."</span> </li> <li id="cite_note-Haydn-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-Haydn_12-0">^</a></b></span> <span class="reference-text">Hunter, Mary and Will, Richard (2012). <i>Engaging Haydn: Culture, Context, and Criticism</i>, p.283. Cambridge. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781107015142" title="Special:BookSources/9781107015142">9781107015142</a>.</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">David Milsom, <i>Theory and Practice in Late Nineteenth-Century Violin Performance, 1850–1900</i> (Aldershot: Ashgate Publishing Limited; Burlington, VT: Aldershot Publishing Company, 2003), p. 93. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780754607564" title="Special:BookSources/9780754607564">9780754607564</a>.</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">James Max Adams, "Timbral Diversity: An Annotated Bibliography of Selected Solo Works for the Tenor Trombone Containing Extended Techniques", D.A. diss. (Greeley: University of Northern Colorado, 2008): pp. 6, 61, 111.</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Kirsty Whatley, "Rough Romance: <i>Sequenza II</i> for Harp as Study and Statement", in <i>Berio's Sequenzas: Essays on Performance, Composition and Analysis</i>, edited by Janet K. Halfyard, 39–52 (Aldershot: Ashgate Publishing Limited; Burlington, VT: Ashgate Publishing Company, 2007): p. 49n13. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-5445-2" title="Special:BookSources/978-0-7546-5445-2">978-0-7546-5445-2</a>.</span> </li> </ol></div></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol 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.navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Violin_family" title="Template:Violin family"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Violin_family" title="Template talk:Violin family"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Violin_family" title="Special:EditPage/Template:Violin family"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Violin_family" style="font-size:114%;margin:0 4em"><a href="/wiki/Violin_family" title="Violin family">Violin family</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Instruments</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Violin" title="Violin">Violin</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Electric_violin" title="Electric violin">Electric violin</a></li> <li><a href="/wiki/Pochette_(musical_instrument)" title="Pochette (musical instrument)">Pochette</a></li> <li><a href="/wiki/Five-string_violin" title="Five-string violin">Five-string violin</a></li> <li><a href="/wiki/Violino_piccolo" title="Violino piccolo">Violino piccolo</a></li> <li><a href="/wiki/Alexander_violin" title="Alexander violin">Alexander violin</a></li> <li><a href="/wiki/Stroh_violin" title="Stroh violin">Stroh violin</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Viola" title="Viola">Viola</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Vertical_viola" title="Vertical viola">Vertical viola</a></li> <li><a href="/wiki/Viola_pomposa" title="Viola pomposa">Viola pomposa</a></li> <li><a href="/wiki/Tenor_violin" title="Tenor violin">Tenor violin</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Cello" title="Cello">Cello</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bass_violin" title="Bass violin">Bass violin</a></li> <li><a href="/wiki/Baritone_violin" title="Baritone violin">Baritone violin</a></li> <li><a href="/wiki/Cello_da_spalla" title="Cello da spalla">Cello da spalla</a></li> <li><a href="/wiki/Cellone" title="Cellone">Cellone</a></li> <li><a href="/wiki/Electric_cello" title="Electric cello">Electric cello</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Double_bass" title="Double bass">Double bass</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Electric_upright_bass" title="Electric upright bass">Electric upright bass</a></li> <li><a href="/wiki/Violone" title="Violone">Violone</a></li> <li><a href="/wiki/Octobass" title="Octobass">Octobass</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Violin_construction_and_mechanics" title="Violin construction and mechanics">Parts</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bass_bar" title="Bass bar">Bass bar</a></li> <li><a href="/wiki/Bow_(music)" title="Bow (music)">Bow</a> <ul><li><a href="/wiki/Bow_frog" title="Bow frog">Frog</a></li></ul></li> <li><a href="/wiki/Bridge_(instrument)" title="Bridge (instrument)">Bridge</a></li> <li><a href="/wiki/Chinrest" title="Chinrest">Chinrest</a></li> <li><a href="/wiki/Endpin" title="Endpin">Endpin</a></li> <li><a href="/wiki/Sound_hole" title="Sound hole">F-hole</a></li> <li><a href="/wiki/Fingerboard" title="Fingerboard">Fingerboard</a></li> <li><a href="/wiki/Nut_(string_instrument)" title="Nut (string instrument)">Nut</a></li> <li><a href="/wiki/Scroll_(music)" title="Scroll (music)">Scroll</a></li> <li><a href="/wiki/Shoulder_rest" title="Shoulder rest">Shoulder rest</a></li> <li><a href="/wiki/Sound_post" title="Sound post">Sound post</a></li> <li><a href="/wiki/Tailpiece" title="Tailpiece">Tailpiece</a></li> <li><a href="/wiki/Tuning_mechanisms_for_stringed_instruments" title="Tuning mechanisms for stringed instruments">Tuning peg</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Violin_technique" title="Violin technique">Techniques</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bow_(music)" title="Bow (music)">Bowing</a> <ul><li><a href="/wiki/Bow_stroke" title="Bow stroke">Bow stroke</a></li> <li><i><a href="/wiki/Col_legno" title="Col legno">Col legno</a></i></li> <li><a href="/wiki/Martel%C3%A9_(bowstroke)" title="Martelé (bowstroke)">Martelé</a></li> <li><a href="/wiki/Portato" title="Portato">Portato</a></li> <li><a href="/wiki/Spiccato" title="Spiccato">Spiccato</a></li> <li><a href="/wiki/Tremolo" title="Tremolo">Tremolo</a></li></ul></li> <li><a href="/wiki/Arpeggio" title="Arpeggio">Arpeggio</a></li> <li><a href="/wiki/String_harmonic" title="String harmonic">Harmonics</a></li> <li><a href="/wiki/Double_stop" title="Double stop">Double stop</a></li> <li><a href="/wiki/Fingering_(music)" title="Fingering (music)">Fingering</a></li> <li><a href="/wiki/Finger_substitution" title="Finger substitution">Finger substitution</a> <ul><li><a class="mw-selflink selflink">Bariolage</a></li></ul></li> <li><a href="/wiki/Pizzicato" title="Pizzicato">Pizzicato</a></li> <li><a href="/wiki/Scordatura" title="Scordatura">Scordatura</a> (changing string tuning)</li> <li><a href="/wiki/Finger_vibrato" title="Finger vibrato">Vibrato</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Ensembles<br /> and genres of music</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/String_quartet" title="String quartet">String quartet</a></li> <li><a href="/wiki/String_trio" title="String trio">String trio</a></li> <li><a href="/wiki/String_quintet" title="String quintet">String quintet</a></li> <li><a href="/wiki/String_sextet" title="String sextet">String sextet</a></li> <li><a href="/wiki/String_octet" title="String octet">String octet</a></li> <li><a href="/wiki/String_section" title="String section">String section</a></li> <li><a href="/wiki/String_orchestra" title="String orchestra">String orchestra</a></li> <li><a href="/wiki/Violin_concerto" title="Violin concerto">Violin concerto</a></li> <li><a href="/wiki/Viola_concerto" title="Viola concerto">Viola concerto</a></li> <li><a href="/wiki/Cello_concerto" title="Cello concerto">Cello concerto</a></li> <li><a href="/wiki/Double_bass_concerto" title="Double bass concerto">Double bass concerto</a></li> <li><a href="/wiki/Violin_sonata" title="Violin sonata">Violin sonata</a></li> <li><a href="/wiki/Viola_sonata" title="Viola sonata">Viola sonata</a></li> <li><a href="/wiki/Cello_sonata" title="Cello sonata">Cello sonata</a></li> <li><a href="/wiki/Carnatic_music" title="Carnatic music">Carnatic music</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related instruments</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Arpeggione" title="Arpeggione">Arpeggione</a></li> <li><a href="/wiki/Baryton" title="Baryton">Baryton</a></li> <li><a href="/wiki/Hardanger_fiddle" title="Hardanger fiddle">Hardanger fiddle</a></li> <li><a href="/wiki/Hurdy-gurdy" title="Hurdy-gurdy">Hurdy-gurdy</a></li> <li><a href="/wiki/Lira_da_braccio" title="Lira da braccio">Lira da braccio</a></li> <li><a href="/wiki/Lirone" title="Lirone">Lirone</a></li> <li><a href="/wiki/Nyckelharpa" title="Nyckelharpa">Nyckelharpa</a></li> <li><a href="/wiki/Pochette_(musical_instrument)" title="Pochette (musical instrument)">Pochette</a></li> <li><a href="/wiki/Quinton_(musical_instrument)" title="Quinton (musical instrument)">Quinton</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Violin_acoustics" title="Violin acoustics">Violin acoustics</a></li> <li><a href="/wiki/History_of_the_violin" title="History of the violin">History of the violin</a></li> <li><a href="/wiki/Jazz_bass" title="Jazz bass">Jazz bass</a> <ul><li><a href="/wiki/Bass_amplifier" title="Bass amplifier">Bass amplifier</a></li> <li><a href="/wiki/Big_band" title="Big band">Big band</a></li> <li><a href="/wiki/Slapping_(music)" title="Slapping (music)">Slap bass</a></li></ul></li> <li><a href="/wiki/Jazz_violin" title="Jazz violin">Jazz violin</a></li> <li><a href="/wiki/Rosin" title="Rosin">Rosin</a></li> <li><a href="/wiki/Stradivarius" title="Stradivarius">Stradivarius</a></li> <li><a href="/wiki/Viol" title="Viol">Viol</a></li> <li><a href="/wiki/Violin_making_and_maintenance" title="Violin making and maintenance">Violin lutherie</a></li> <li><a href="/wiki/Violin_musical_styles" class="mw-redirect" title="Violin musical styles">Violin musical styles</a></li> <li><a href="/wiki/Violin_octet" title="Violin octet">Violin octet</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" 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