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De quelles manières les Vénitiens ont-ils célébré leur rapport à l’eau dans des rites civico-sacrés, par des structures éphémères flottantes ou des spectacles aquatiques, ou ont-ils conjuré ses dangers par la création d’ex-votos et d’objets de culte ? Le séminaire étudiera comment l’ode aux activités humaines industrieuses et à l’<em>otium</em>se fait au gré des Biennales, alerte sur les menaces environnementales et humaines qui pèsent sur ces terres, appel à la protection du patrimoine naturel et culturel et à la résilience créatrice, replaçant l’art dans la nature et ouvrant une nouvelle voie à l’artiste activiste.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-1247931-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">XXVIIIe Séminaire d'histoire de l'art vénitien 2025 :</p> <p style="text-align: left;">Venise, du 26 juin au 2 juillet 2O25 </p> <p style="text-align: left;">Ecole du Louvre / Istituto Veneto di Scienze, Lettere ed Arti</p> <h1>Argumentaire</h1> <p class="MsoNormal" style="text-align: left;">Née de la rencontre des eaux marines et fluviales, la lagune de Venise compose un paysage singulier mouvant de terres émergées et immergées (<em>barene,</em> <em>velme)</em>, « une étrange tapisserie, un immense, merveilleux tapis persan » (Fellini), à la fois soumis à l’évolution naturelle et désormais à l’anthropocène. Depuis les premiers peuplements, d’Altino à Torcello, les interventions humaines ont, au fil des ans, modelé ce territoire amphibie, organisant l’archipel comme un système habilement fonctionnel d’îles avec ses monastères (San Francesco al Deserto, San Lazzaro degli Armeni), jardins et vergers (Vignole, Sant’Erasmo), ses villages de pêcheurs (Pellestrina, Chioggia), ses fours et ateliers (Murano, Burano), ses lazarets, cimetières (San Michele), et lieux de villégiature balnéaire (Lido) ; elles ont aussi profondément modifié son écosystème avec de grands aménagements hydrauliques, défensifs (Murazzi) ou complexes industriels (Marghera) et cherchent actuellement à le rééquilibrer avec le dispositif du <em>Moïse</em>. L’exceptionnelle longévité de l’institution du <em>Magistrato alle Acque</em>, créé au XIIIe siècle, symbolise cette identité. Dans une perspective ouverte, le séminaire s’attache à comprendre comment le génie vénitien, depuis les ingénieurs hydrauliciens, charpentiers de marine, marchands de sable, jusqu’aux artistes, verriers ou brodeurs, a cherché, des plus ambitieux ouvrages d’art aux productions populaires modestes, à s’approprier leur espace (par la cartographie et le paysage peint), à l’aménager (par des architectures fortifiées, bonifications, citernes, demeures de plaisance), à mettre en scène leurs miraculeuses constructions, et cette domination, dans la peinture de genre (Carpaccio, Longhi) ou chez les Védutistes (Guardi).</p> <p class="MsoNormal" style="text-align: left;">De quelles manières les Vénitiens ont-ils célébré leur rapport à l’eau dans des rites civico-sacrés (les Épousailles de la mer), par des structures éphémères flottantes ou des spectacles aquatiques, ou ont-ils conjuré ses dangers par la création d’ex-votos et d’objets de culte ? Comment ont-ils développé, du verre à la dentelle, des productions artisanales spécifiques intégrant la Lagune au commerce somptuaire international ? A côté des visions mythico-poétiques que les peintres développent de la lagune vénitienne (Turner, Ruskin, Moreau, Signac…), la modernité apporte aussi un questionnement renouvelé sur cet espace insulaire, ses métamorphoses et ses fragilités. Le séminaire étudiera comment l’ode aux activités humaines industrieuses (Pieretto Bianco) et à l’<em>otium</em> (Guglielmo Ciardi) se fait au gré des Biennales, de Nicolás García Uriburu à Lorenzo Quinn et Bansky, alerte sur les menaces environnementales et humaines (subsidence, eustatisme, Grandi Navi, surtourisme) qui pèsent sur ces terres, appel à la protection du patrimoine naturel et culturel et à la résilience créatrice, replaçant l’art dans la nature (art environnemental) et ouvrant une nouvelle voie à l’artiste activiste.</p> <p style="text-align: left;">Le se虂minaire inte虁gre confe虂rences de spe虂cialistes internationaux et visites : il combine histoire culturelle, histoire du paysage, du ge虂nie civil, histoire des arts, arts populaires, installations et art environnemental, patrimoine immate虂riel, histoire naturelle, histoire e虂conomique et sociale, conservation du patrimoine...</p> <p style="text-align: left;">Il s’adresse aux e虂tudiants en histoire de l’art et disciplines voisines (histoire du paysage, études urbaines, études environnementales, histoire de l'anthropocène, etc.) de second et troisie虁me cycles des institutions franc抬aises et e虂trange虁res ainsi qu’aux jeunes professionnels en conservation du patrimoine. Il se de虂roule indiffe虂remment en franc抬ais et en italien.</p> <h1>Modalités de candidature</h1> <p style="text-align: left;">Le droit d’inscription est de 350 euros.</p> <h3>Les candidatures devront e虃tre soumises en ligne, avant le 13 avril 2025,</h3> <p style="text-align: left;">via le formulaire disponible <a href="https://www.ecoledulouvre.fr/fr/formations-etudiantes/international/seminaires-%20internationaux-et-ecoles-dete">sur le site</a>.</p> <p style="text-align: left;">Les conditions de candidatures (composition du dossier) : CV et lettre de motivation en français et en italien, <a href="https://forms.office.com/pages/responsepage.aspx?id=d5vZNggp0EO05uG09q1SlBiqISERrSxAkRdARgOf7fBUNzNWSU5aR1JYTU1MQUw3M0hKR0hJVUVYUS4u&route=shorturl">formulaire de candidature</a>.</p> <p style="text-align: left;">Le séminaire accueille 25 participants.</p> <h1>Programmation</h1> <ul> <li>Natacha Pernac, université Paris Nanterre (maître de conférences)</li> <li>Giovanna Palandri, Istituto Veneto di Scienze, Lettere ed Arti (chancelière émérite)</li> <li>Sebastiano Pedrocco, Istituto Veneto di Scienze, Lettere ed Arti (chancelier, docteur)</li> </ul> <h1>Organisation </h1> <ul> <li>Marlène Foliot</li> <li>Laura Padoan</li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=258">脡tudes urbaines</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=218">G茅ographie</a> > <a href="search?primary=fsubject&fsubject=226">Espace, soci茅t茅 et territoire</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=218">G茅ographie</a> > <a href="search?primary=fsubject&fsubject=222">Nature, paysage et environnement</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Istituto Veneto di Scienze, Lettere ed Arti. Palazzo Loredan. Campo Santo Stefano <br/> Venise, Italie (30124) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement uniquement sur site</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>dimanche 13 avril 2025</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="1247951?file=1" target="_blank">appel_a_candidature_se虂minaire_venise_2025_v2_0.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>venise, lagune, nature, 茅cologie, art, paysage, anthropoc猫ne, archipel, 茅cosyst猫me, veduta, vill茅giature, eau, ex-voto, environnement, biennale, green art, activiste</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Service International Ecole du Louvre<br/><em>courriel :</em> seminaire-international [at] ecoledulouvre [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://www.ecoledulouvre.fr/fr/formations-etudiantes/international/venir-etudier-lecole-du-louvre">Ecole du Louvre</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Natacha PERNAC<br/><em>courriel :</em> natachapernac [at] yahoo [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Venise est lagune : nature, art et 茅cologie 禄, <span class="category">脡cole th茅matique</span>, <em>Calenda</em>, Publi茅 le mardi 01 avril 2025, <a class="url" href="https://doi.org/10.58079/13mhu">https://doi.org/10.58079/13mhu</a></p> 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