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data-work-id="40727753"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40727753/Peter_Behrens_y_el_rostro_de_la_industria_moderna"><img alt="Research paper thumbnail of Peter Behrens y el rostro de la industria moderna" class="work-thumbnail" src="https://attachments.academia-assets.com/61013922/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40727753/Peter_Behrens_y_el_rostro_de_la_industria_moderna">Peter Behrens y el rostro de la industria moderna</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://tu-berlin.academia.edu/AndreaAranda">Andrea Aranda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uma.academia.edu/RevistaEviterna">Revista Eviterna - Universidad de Málaga</a></span></div><div class="wp-workCard_item"><span>Peter Behrens y el rostro de la industria moderna</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">[ESP] El trabajo de Behrens para AEG no solo dio lugar a la considerada primera identidad corpora...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">[ESP] El trabajo de Behrens para AEG no solo dio lugar a la considerada primera identidad corporativa de una empresa, sino que le convirtió en pieza fundamental del eje modernizador de la industria a principios del siglo XX. Este artículo aborda mediante algunos ejemplos el análisis de las relaciones entre lo moderno y lo clásico en las propuestas de Behrens, construyendo un hilo que explora la superación de las problemáticas de su tiempo, en ocasiones, mediante la adecuación y reinterpretación de elementos y conceptos propios de otras épocas. <br /><br />[ENG] Behrens' work for AEG not only gave rise to the so-called first corporate identity of a company, but also made it a fundamental part of the modernising axis of industry at the beginning of the 20th century. This article uses a few examples to approach the analysis of the connections between the modern and the classical in Behrens' proposals, building a thread that explores overcoming the problems of his time, sometimes through the adaptation and reinterpretation of elements and concepts from other eras.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="18e04120142435c2c7c9afaecba5bbd8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61013922,"asset_id":40727753,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61013922/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40727753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40727753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40727753; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36856971"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36856971/La_Casa_Behrens_an%C3%A1lisis_de_una_obra_de_arte_total"><img alt="Research paper thumbnail of La Casa Behrens: análisis de una obra de arte total" class="work-thumbnail" src="https://attachments.academia-assets.com/56810702/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36856971/La_Casa_Behrens_an%C3%A1lisis_de_una_obra_de_arte_total">La Casa Behrens: análisis de una obra de arte total</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://tu-berlin.academia.edu/AndreaAranda">Andrea Aranda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uma.academia.edu/RevistaEviterna">Revista Eviterna - Universidad de Málaga</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">[ESP] La Casa Behrens, construida en 1901 por el arquitecto y diseñador Peter Behrens, es uno de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">[ESP] La Casa Behrens, construida en 1901 por el arquitecto y diseñador Peter Behrens, es uno de los mejores ejemplos de “obra de arte total” en la Historia del Arte. Sin embargo, más allá del logro de una estética total, es decir, la armonía visual y espacial entre cada uno de los elementos que componen la casa, su planificación incluye aspectos que enlazan con la arquitectura moderna del siglo XX, así como con una dimensión social de la obra de arte total que se fue configurando a lo largo del siglo pasado. El análisis de esta obra, basado en el libro que le dedicó el propio Behrens, pretende profundizar en los aspectos propuestos, desentrañando la riqueza teórica y formal que contiene la obra. <br /><br />[ENG] The Behrens House was built in 1901 by the architect and designer Peter Behrens and it still being nowadays one of the best examples of “total work of art” in the History of Art. However, beyond the achievement of a total aesthetic, that is, the visual and spatial harmony between each of the elements that make up the house, its planning includes aspects that link with the modern architecture of the 20th century, as well as with a single dimension social of the total work of art that was configured over the past century. The analysis of this work, based on the book that Behrens himself dedicated, seeks to deepen the proposed aspects, unraveling the theoretical and formal wealth contained in the work.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ac54ffde1e71e8ae45d8ce49d0ad6c62" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56810702,"asset_id":36856971,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56810702/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36856971"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36856971"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36856971; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Conference Presentations" id="Conference Presentations"><h3 class="profile--tab_heading_container">Conference Presentations by Andrea Aranda</h3></div><div class="js-work-strip profile--work_container" data-work-id="114855967"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/114855967/La_espiritualizaci%C3%B3n_de_la_industria_Utop%C3%ADa_industrial_expresionista"><img alt="Research paper thumbnail of La espiritualización de la industria. Utopía industrial expresionista" class="work-thumbnail" src="https://attachments.academia-assets.com/111434582/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/114855967/La_espiritualizaci%C3%B3n_de_la_industria_Utop%C3%ADa_industrial_expresionista">La espiritualización de la industria. Utopía industrial expresionista</a></div><div class="wp-workCard_item"><span>Los edificios de la Industria: icono y espacio de progreso para la arquitectura en el arranque de la modernidad</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">[ESP] Durante la primera mitad del siglo XX la industrialización transformó la sociedad europea. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">[ESP] Durante la primera mitad del siglo XX la industrialización transformó la sociedad europea. De este nuevo orden social, que encuentra su máxima expresión en la gran metrópolis, inquietan las condiciones de trabajo en las fábricas, pero también la perturbación en las relaciones del hombre consigo mismo, la colectividad y el arte. Los edificios de la industria, en tanto que materialización de este fenómeno, concentraron el foco de las reformas que entonces perseguían, desde el arte y la arquitectura, la recuperación de la armonía social perdida. <br /> <br />La poética expresionista encuentra en la arquitectura el campo de acción preciso para la transformación del ser humano. Para el expresionismo, el único modo de reformar la sociedad es dando paso a una arquitectura en la que la unión de las artes sobrepase el marco económico y desafíe las estructuras industriales establecidas durante la revolución. Bajo esta lente, la arquitectura debe atender tanto a su aspecto artístico, como al factor constructivo, social y económico. Si la arquitectura es el medio de transformación de la sociedad, la arquitectura industrial es doblemente poderosa, en tanto que símbolo de la nueva era que ha transformado la humanidad y lugar de desarrollo del trabajo moderno.  <br /> <br />La experimentación con nuevas formas y materiales como el cristal, el hierro o el hormigón resultan esenciales en esta voluntad transformadora. A pesar del estudio marginal de la arquitectura expresionista, esta se desarrolla y dialoga con los grandes referentes de la arquitectura moderna. En el seno de la Werkbund, el Glaspavilion de Bruno Taut para la industria alemana del vidrio, materializó por primera vez estos deseos. La fábrica expresionista se consumó de manera prolífica tras la Primera Guerra Mundial, siendo el caso, entre muchos otros, de la Torre de agua o la Fábrica de cigarrillos de Höger, la Trikotagenfabrik o la Química de Luban de Poelzig, la Fábrica de sombreros de Mendelsohn o la conocida Sede administrativa de la fábrica de tintes Hoechst de Behrens. <br /> <br />En la modernidad que juzgó los edificios industriales como la mayor tarea arquitectónica de su tiempo, las propuestas del expresionismo conectan intrínsecamente con el desarrollo del lenguaje racionalista moderno, atendiendo a la necesidad compartida por la vanguardia de reformar la sociedad desde sus cimientos. Cabe analizar la importancia de sus experimentos formales en el desarrollo de la fábrica moderna, la espiritualización de la industria dentro del proyecto de reforma social, así como el discutido papel del arquitecto en este contexto.  <br /> <br />[ENG] During the first half of the 20th century, industrialization transformed European society. In this this new social order, that meets its maximum expression in the great metropolis, gets disturbed the working conditions in factories, but also the of man's relationship with himself, the collectivity and art. The industrial buildings, as a materialization of this phenomenon, concentrated the focus of the reforms that then sought, from art and architecture, the recovery of lost social harmony. <br /> <br />The expressionist movement finds in architecture the precise field of action for the transformation of the human being. For expressionism, the only way to reform society is to give way to an architecture in which the union of the arts surpasses the economic framework and challenges the industrial structures established during the revolution. Under this lens, architecture must address both its artistic aspect and the constructive, social and economic factor. If architecture means transforming society, industrial architecture is doubly powerful as a symbol of the new era that has transformed humanity and the place of development of modern work.  <br /> <br />Experimentation with new forms and materials such as glass, iron or concrete are essential in this will to transform. In spite of the marginal study of expressionist architecture, this grows and dialogues together with the great referents of modern architecture. Within the Werkbund, Bruno Taut's Glaspavilion for the German glass industry materialized these wishes for the first time. The expressionist factory was prolifically consummated after the First World War, such as the Höger Water Tower and Cigarette Factory, the Trikotagenfabrik or the Luban Chemical Factory by Poelzig, the Mendelsohn Hat Factory or the well-known administrative headquarters of the Hoechst dye factory by Behrens. <br /> <br />In the modernity that judged industrial buildings to be the greatest architectural task of its time, expressionist proposals intrinsically connect with the development of modern rationalist language, responding to the need shared by the avant-garde to reform society from its foundations. It is worth analyzing the importance of his formal experiments in the development of the modern factory, the spiritualization of industry within the project of social reform, as well as the discussed role of the architect in this context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="939af2de7c0bddb5ab63dad5719c6339" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111434582,"asset_id":114855967,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111434582/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114855967"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114855967"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114855967; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114855967]").text(description); $(".js-view-count[data-work-id=114855967]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114855967; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='114855967']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "939af2de7c0bddb5ab63dad5719c6339" } } $('.js-work-strip[data-work-id=114855967]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":114855967,"title":"La espiritualización de la industria. Utopía industrial expresionista","internal_url":"https://www.academia.edu/114855967/La_espiritualizaci%C3%B3n_de_la_industria_Utop%C3%ADa_industrial_expresionista","owner_id":10884759,"coauthors_can_edit":true,"owner":{"id":10884759,"first_name":"Andrea","middle_initials":null,"last_name":"Aranda","page_name":"AndreaAranda","domain_name":"tu-berlin","created_at":"2014-04-07T01:45:25.245-07:00","display_name":"Andrea Aranda","url":"https://tu-berlin.academia.edu/AndreaAranda"},"attachments":[{"id":111434582,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/111434582/thumbnails/1.jpg","file_name":"Actas2020_168_175.pdf","download_url":"https://www.academia.edu/attachments/111434582/download_file","bulk_download_file_name":"La_espiritualizacion_de_la_industria_Uto.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/111434582/Actas2020_168_175-libre.pdf?1707841057=\u0026response-content-disposition=attachment%3B+filename%3DLa_espiritualizacion_de_la_industria_Uto.pdf\u0026Expires=1739340648\u0026Signature=AcdPc1k95s-EiE2LvP2DWYFSy~MhPkKonlPPjznY9xgK3jrEf08CQYKTN6PHgq6CVaP1QIwBx6tvRMsONvAJOHFoPi2ATKAGUsUE2RvH2VlzjomUCEGBLO7qtVrEo0e~gF1owl-GjvwBCl2kQ7lIVHOVpEDP29a0~qjMxFv-a~j6TQx1aXQ8tRB8K-WJOu5wkGUb45-cyKkMz2A8HAKsNQQFnjgXJ5iL5f6jjrhvJ8lUT1auz6HajAk-dm9b4yokedIf-A76qfdhlKR3D4tw0zi55QQGn5sfj0jSgGKd2FOdINDhQF0TcifsbpOqI~nxYyeHz~3LOB40kU82xhqHgA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8398345" id="papers"><div class="js-work-strip profile--work_container" data-work-id="40727753"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40727753/Peter_Behrens_y_el_rostro_de_la_industria_moderna"><img alt="Research paper thumbnail of Peter Behrens y el rostro de la industria moderna" class="work-thumbnail" src="https://attachments.academia-assets.com/61013922/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40727753/Peter_Behrens_y_el_rostro_de_la_industria_moderna">Peter Behrens y el rostro de la industria moderna</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://tu-berlin.academia.edu/AndreaAranda">Andrea Aranda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uma.academia.edu/RevistaEviterna">Revista Eviterna - Universidad de Málaga</a></span></div><div class="wp-workCard_item"><span>Peter Behrens y el rostro de la industria moderna</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">[ESP] El trabajo de Behrens para AEG no solo dio lugar a la considerada primera identidad corpora...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">[ESP] El trabajo de Behrens para AEG no solo dio lugar a la considerada primera identidad corporativa de una empresa, sino que le convirtió en pieza fundamental del eje modernizador de la industria a principios del siglo XX. Este artículo aborda mediante algunos ejemplos el análisis de las relaciones entre lo moderno y lo clásico en las propuestas de Behrens, construyendo un hilo que explora la superación de las problemáticas de su tiempo, en ocasiones, mediante la adecuación y reinterpretación de elementos y conceptos propios de otras épocas. <br /><br />[ENG] Behrens' work for AEG not only gave rise to the so-called first corporate identity of a company, but also made it a fundamental part of the modernising axis of industry at the beginning of the 20th century. This article uses a few examples to approach the analysis of the connections between the modern and the classical in Behrens' proposals, building a thread that explores overcoming the problems of his time, sometimes through the adaptation and reinterpretation of elements and concepts from other eras.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="18e04120142435c2c7c9afaecba5bbd8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61013922,"asset_id":40727753,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61013922/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40727753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40727753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40727753; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40727753]").text(description); $(".js-view-count[data-work-id=40727753]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40727753; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40727753']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36856971"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36856971/La_Casa_Behrens_an%C3%A1lisis_de_una_obra_de_arte_total"><img alt="Research paper thumbnail of La Casa Behrens: análisis de una obra de arte total" class="work-thumbnail" src="https://attachments.academia-assets.com/56810702/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36856971/La_Casa_Behrens_an%C3%A1lisis_de_una_obra_de_arte_total">La Casa Behrens: análisis de una obra de arte total</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://tu-berlin.academia.edu/AndreaAranda">Andrea Aranda</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uma.academia.edu/RevistaEviterna">Revista Eviterna - Universidad de Málaga</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">[ESP] La Casa Behrens, construida en 1901 por el arquitecto y diseñador Peter Behrens, es uno de ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">[ESP] La Casa Behrens, construida en 1901 por el arquitecto y diseñador Peter Behrens, es uno de los mejores ejemplos de “obra de arte total” en la Historia del Arte. Sin embargo, más allá del logro de una estética total, es decir, la armonía visual y espacial entre cada uno de los elementos que componen la casa, su planificación incluye aspectos que enlazan con la arquitectura moderna del siglo XX, así como con una dimensión social de la obra de arte total que se fue configurando a lo largo del siglo pasado. El análisis de esta obra, basado en el libro que le dedicó el propio Behrens, pretende profundizar en los aspectos propuestos, desentrañando la riqueza teórica y formal que contiene la obra. <br /><br />[ENG] The Behrens House was built in 1901 by the architect and designer Peter Behrens and it still being nowadays one of the best examples of “total work of art” in the History of Art. However, beyond the achievement of a total aesthetic, that is, the visual and spatial harmony between each of the elements that make up the house, its planning includes aspects that link with the modern architecture of the 20th century, as well as with a single dimension social of the total work of art that was configured over the past century. The analysis of this work, based on the book that Behrens himself dedicated, seeks to deepen the proposed aspects, unraveling the theoretical and formal wealth contained in the work.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ac54ffde1e71e8ae45d8ce49d0ad6c62" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56810702,"asset_id":36856971,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56810702/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36856971"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36856971"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36856971; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="19239505" id="conferencepresentations"><div class="js-work-strip profile--work_container" data-work-id="114855967"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/114855967/La_espiritualizaci%C3%B3n_de_la_industria_Utop%C3%ADa_industrial_expresionista"><img alt="Research paper thumbnail of La espiritualización de la industria. Utopía industrial expresionista" class="work-thumbnail" src="https://attachments.academia-assets.com/111434582/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/114855967/La_espiritualizaci%C3%B3n_de_la_industria_Utop%C3%ADa_industrial_expresionista">La espiritualización de la industria. Utopía industrial expresionista</a></div><div class="wp-workCard_item"><span>Los edificios de la Industria: icono y espacio de progreso para la arquitectura en el arranque de la modernidad</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">[ESP] Durante la primera mitad del siglo XX la industrialización transformó la sociedad europea. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">[ESP] Durante la primera mitad del siglo XX la industrialización transformó la sociedad europea. De este nuevo orden social, que encuentra su máxima expresión en la gran metrópolis, inquietan las condiciones de trabajo en las fábricas, pero también la perturbación en las relaciones del hombre consigo mismo, la colectividad y el arte. Los edificios de la industria, en tanto que materialización de este fenómeno, concentraron el foco de las reformas que entonces perseguían, desde el arte y la arquitectura, la recuperación de la armonía social perdida. <br /> <br />La poética expresionista encuentra en la arquitectura el campo de acción preciso para la transformación del ser humano. Para el expresionismo, el único modo de reformar la sociedad es dando paso a una arquitectura en la que la unión de las artes sobrepase el marco económico y desafíe las estructuras industriales establecidas durante la revolución. Bajo esta lente, la arquitectura debe atender tanto a su aspecto artístico, como al factor constructivo, social y económico. Si la arquitectura es el medio de transformación de la sociedad, la arquitectura industrial es doblemente poderosa, en tanto que símbolo de la nueva era que ha transformado la humanidad y lugar de desarrollo del trabajo moderno.  <br /> <br />La experimentación con nuevas formas y materiales como el cristal, el hierro o el hormigón resultan esenciales en esta voluntad transformadora. A pesar del estudio marginal de la arquitectura expresionista, esta se desarrolla y dialoga con los grandes referentes de la arquitectura moderna. En el seno de la Werkbund, el Glaspavilion de Bruno Taut para la industria alemana del vidrio, materializó por primera vez estos deseos. La fábrica expresionista se consumó de manera prolífica tras la Primera Guerra Mundial, siendo el caso, entre muchos otros, de la Torre de agua o la Fábrica de cigarrillos de Höger, la Trikotagenfabrik o la Química de Luban de Poelzig, la Fábrica de sombreros de Mendelsohn o la conocida Sede administrativa de la fábrica de tintes Hoechst de Behrens. <br /> <br />En la modernidad que juzgó los edificios industriales como la mayor tarea arquitectónica de su tiempo, las propuestas del expresionismo conectan intrínsecamente con el desarrollo del lenguaje racionalista moderno, atendiendo a la necesidad compartida por la vanguardia de reformar la sociedad desde sus cimientos. Cabe analizar la importancia de sus experimentos formales en el desarrollo de la fábrica moderna, la espiritualización de la industria dentro del proyecto de reforma social, así como el discutido papel del arquitecto en este contexto.  <br /> <br />[ENG] During the first half of the 20th century, industrialization transformed European society. In this this new social order, that meets its maximum expression in the great metropolis, gets disturbed the working conditions in factories, but also the of man's relationship with himself, the collectivity and art. The industrial buildings, as a materialization of this phenomenon, concentrated the focus of the reforms that then sought, from art and architecture, the recovery of lost social harmony. <br /> <br />The expressionist movement finds in architecture the precise field of action for the transformation of the human being. For expressionism, the only way to reform society is to give way to an architecture in which the union of the arts surpasses the economic framework and challenges the industrial structures established during the revolution. Under this lens, architecture must address both its artistic aspect and the constructive, social and economic factor. If architecture means transforming society, industrial architecture is doubly powerful as a symbol of the new era that has transformed humanity and the place of development of modern work.  <br /> <br />Experimentation with new forms and materials such as glass, iron or concrete are essential in this will to transform. In spite of the marginal study of expressionist architecture, this grows and dialogues together with the great referents of modern architecture. Within the Werkbund, Bruno Taut's Glaspavilion for the German glass industry materialized these wishes for the first time. The expressionist factory was prolifically consummated after the First World War, such as the Höger Water Tower and Cigarette Factory, the Trikotagenfabrik or the Luban Chemical Factory by Poelzig, the Mendelsohn Hat Factory or the well-known administrative headquarters of the Hoechst dye factory by Behrens. <br /> <br />In the modernity that judged industrial buildings to be the greatest architectural task of its time, expressionist proposals intrinsically connect with the development of modern rationalist language, responding to the need shared by the avant-garde to reform society from its foundations. It is worth analyzing the importance of his formal experiments in the development of the modern factory, the spiritualization of industry within the project of social reform, as well as the discussed role of the architect in this context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="939af2de7c0bddb5ab63dad5719c6339" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111434582,"asset_id":114855967,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111434582/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114855967"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114855967"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114855967; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114855967]").text(description); $(".js-view-count[data-work-id=114855967]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114855967; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='114855967']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "939af2de7c0bddb5ab63dad5719c6339" } } $('.js-work-strip[data-work-id=114855967]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":114855967,"title":"La espiritualización de la industria. 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