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margin-left: auto; margin-right: auto; display:block;} .l_sidebar a:link,.l_sidebar a:visited, .middle_sidebar a:link, .middle_sidebar a:visited, .r_sidebar a:visited, .r_sidebar a:link{ /*color:#0183B2; old blue*/ color: #394244; font-size: 1.4rem; border-top: 1px solid lightgrey; /*word-spacing: -.3rem; */ } .new_subscription_block { font-family:"Muli", sans-serif ; background: #daf4fc; border-radius: 0rem; margin:4% 5% 4% 5%; padding: 5% 7% 5% 7%; line-height:150%; } .new_subscription_block p{ Font-Family:Lora; font-style:italic;} .new_subscription_block h3, h4 {font-family:"Muli", sans-serif; } .r_sub_con a:visited, .r_sub_con a:link, .new_subscription_block a:visited, .new_subscription_block a:link{ border-top: 0px ;} /* turn off links */ #clearfixheader { clear: both; width: 100%; height: 100%; margin-top: 0px; padding-top:0px; } .social_li ul li a:link, .social_li ul li a, .social_li a:link, .social_li li a, .social_li a { padding: .2rem .8rem !important /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color:#1e3a4a } .social_li li{display:inline; margin-left:10px ;margin-left:1rem; margin-right:10px; margin-right:1rem;} .centerwrap ul {margin: 0px -1% 0px 0%} #navbar{ font-size: 1.6rem; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif !important; font-weight: 400; _text-transform: uppercase; font-weight:bold; z-index:99; /*margin-top, margin-bottom: 0px !important; */ text-alignment:center; height:auto !important; text-align:justify; -ms-text-justify:distribute-all-lines; text-justify:distribute-all-lines; _letter-spacing:-.5px; color:#39AACF; margin-top: 0px; margin-left:0%; _margin-right:7% ; border-radius:0px; _background-color:rgba(118,154,172,.9); background-color:rgba(57, 170, 207, .85); min-width:245px; _width: 86%; width: 100%; } #navbar a{ _font-weight:bold; text-decoration:none; font-weight:bold; padding:0 12px; padding:0 1rem; padding-top: 2px; text-decoration:none; letter-spacing: .1px; color: white; _font-family: Helvetica; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif font-weight: 600; font-size: 1.55rem; line-height: 2.2rem; padding-top: 3px; } .nav ul, .socmedia ul {text-align:center} /*#nav{list-style-type:none;} */ /* #nav li{display:inline;float:left;list-style-type:none} #nav .stretch { display: inline-block; width: 100%; *display: inline; zoom: 1 } */ /*icons by https://www.entypo.com/*/ .social_li ul li a:link, .social_li ul li a,.social a:link, .social_li li a, .social_li a { padding: 0 .8rem !important; /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color: white; /*#1e3a4a */ } /* might work to space out items more nav li:before { margin-left: 3px} */ #search-old2{ display: inline-block!important; margin-right: 0px; margin-bottom: 8px; float: none!important; width: 115px!important; font-family: font-family:Georgia,"Times New Roman",Times,serif !important; background-color: #1497c2; text-align: left !important; font-weight: normal!important; } #search-old2 form{background:none!important; width:110px; height:100%; margin-top:2px !important; padding:0px} /* this indents widget */ .contentwrapper ul li li{ text-indent: -1.1rem; } .contentwrapper a, a:visited, a:hover{font-size: inherit; } /* 1.6rem; shouldnt this just inherit */ .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul, .r_sidebar ul li { background:none; list-style-type:none; } /*shading boxes around ads + contact info*/ .r_sidebar .r_adbx_top, .r_sub_con,.r_about_ad{background: #f2f2f2; border-radius: 0rem; } /*#bdbec2 */ .r_adbx_top, .r_sub_con,.r_about_ad{text-align:left; padding: 10px 18px 10px 18px; margin:12px -4px 0px -4px;} .box { border: .2rem solid black; font-size: 4rem; border-radius:2px;} .lightbox {border: .1rem solid grey ;} _colorcontrast {background-color: rgb(224, 224, 224); margin: 0px; border-right: 9px solid rgb(224, 224, 224); border-left: 9px solid rgb(224, 224, 224); border-radius: 8px;} .tagline { text-align:left ; font-size:13px; font-size:1.3hw; line-height:100%; margin:0; margin-top: 6px; /* color:white !important; */ margin-left:6px; padding:2px; color:#4a7d96; font-family:Arial, Helvetica, sans-serif; } #tagline_container{ max-width:335px; width:100%; margin-top: 50px; margin-left: 21px; } _ad_logo_wrapper{margin-left:3.5%; margin-right:4.3%;} #ad_logo_wrapper{margin-left:7%; margin-right:4%; margin-top:3px;} #logocontainer{width:auto; float:left; margin-left:0px; margin-top: 0px; max-width:40%; } #big_logo { /* margin-left: 25%; max-width: 7%; transform: scale(8); float: left; width:100%; max-height: 10%; */ } #big_logo{ transform: scale(8); max-height:10%; max-width:325px; float: left !important; text-align: left; width: 100%; } #logo_container { width: 100%; float: left; z-index: -40; /* overflow: visible; */ max-width: 600px; max-height: 200px; min-width: 140px; margin-left: 20px; height: auto; min-height: 40px; margin-top: 0px; _background-image: url(/wp-content/themes/openculture_v3a/images/openculture_banner.png); background-size: contain; background-repeat: no-repeat; max-width:80vw;; /*css3 viewport setting */ } .left { /* border: 2px dashed #f0f; */ text-align:left; _min-height:40px; height:auto; _margin-top: 45px; margin-left: 0px; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo-with-stacked-tagline.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo-with-tagline.svg") no-repeat; background-size: contain; max-width:600px; min-width:90px; overflow:hidden; _background-position-y:0px; _background-position-x:0px; background-position-x: center !important; background-position-y: center !important; z-index:200; } .right { float: right; _width: 740px; /*min-height: 25px;*/ margin-left: 2.5%; padding-left: 0px; margin-right: 20px ; padding-right:0px; /* border: 2px dashed #00f; */ position:relative; z-index:200; } .top{} .bottom{ background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background-size: contain; background-size: revert-layer; min-height:80px; /* border: 2px dashed green; */ clear:both; padding-top:8px; _margin: 4px 10px 0 10px; _background-position-y: 0px; /* min-height: 65px; */ clear: both; background-position-x: center; background-position-y:center; padding-top: 0px; margin: 2px 1rem 0px 1rem; /* height: 90px; */ _min-height: 110px; } #footerW{ right: 0; left: 0; position: relative; padding: 0; overflow:hidden;} .clear {clear:both;} .logo_clickable { position:absolute; width:100%; height:100%; top:0; left: 0; z-index: 50; _position:absolute; /* fixes overlap error in IE7/8, make sure you have an empty gif */ _background-image: url('empty.gif'); } .socialblock li {top: 2px;} .social-mail a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail.svg) no-repeat;} .social-twitter a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter.svg) no-repeat;} .social-facebook a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook.svg) no-repeat;} .social-rss a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss.svg) no-repeat;} .social-search a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .sb-icon-search {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .social-mail-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-black.svg) no-repeat;} .social-twitter-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-black.svg) no-repeat} .social-facebook-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-black.svg) no-repeat} .social-rss-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-black.svg) no-repeat} .social-mail a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-hover.svg) no-repeat;} .social-twitter a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-hover.svg) no-repeat;} .social-facebook a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-hover.svg) no-repeat;} .social-rss a:hover { background: url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-hover.svg) no-repeat;} .social-search a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass-hover.svg) no-repeat;} .sb-icon-search :hover {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} /* override images that we dont want to go to margin */ .contentmiddle img.noexpand, .contentmiddle p img.noexpand, .contentmiddle img[src$="feed-icon16x16139.png"],img[title|="noexpand"], .contentmiddle div.noexpand img, .contentmiddle div.noexpand p img , .begbox img, .ct_comment_info img, ct_this_is_spam img, ct_comment_info div{ width:initial !important; display: block !important; line-height: 100%; } .noexpand img {width:initial !important;} /*this seems to work more reliably than above */ .contentmiddle img.oneXone {width: 1px !important; height: 1px !important;} .contentmiddle img.noexpand.center{display:block !important; } #footer { color: white; width: 100%; /*margin:0 auto; */ margin-bottom:100px; padding:28px 0 0 0px; font-family:"Muli", sans-serif; font-weight:400; clear:both; display:inline-block; } .framearound_ad_in_post{margin: .6rem 0px 2.4rem 0px; height:auto;max-height:120px; width:100%;padding:0px; border: 2px solid #D3D3D3; border-radius:8px;min-height:3rem; } .advertisement_notice{text-align:center; font-family:Arial, Helvetica, sans-serif; font-variant:small caps; color: #0183b2;} .begbox{color:white;width:100%;display:inline-block; background: #36b0d8; margin-left: -4px; padding: 0; font-family: Lora, "Lora", Times, serif;font-style:normal} .begbox img { width:250px ; margin: 8px auto} .begbox p, .begbox div {margin: 1em 0px 0 12px} .da_bottom {line-height:10%} .no-framearound_ad_in_post {padding-bottom: 25px; padding-top:15px; width: 100%} img.no-framearound_ad_in_post {width:100%} .responsive_belowheadline_ad{ height: 100%; display:inline-block; width:98%; min-height:70px; max-height:200px; margin-right:4px; padding-bottom: 10px; } /*comment box */ div.cbInner {background: #eaebe8; border-radius:8px ;} div.cbInner h5 {color: #000;} .comments {color:#000:;} /*bullets*/ /*set chevrons on all widgets don't turn it on for ul li in sidebars*/ /*.contentwrapper ul li li, */ .r_sidebar a:link,.r_sidebar a:visited,.r_sidebar a:hover,.middle_sidebar a:link,.middle_sidebar a:visited,.middle_sidebar a:hover{ font-size: 1.4rem; line-height: inherit; } .contentmiddle a:link, .contentwrapper a {text-decoration:none; } .l_sidebar ul li a:hover, .middle_sidebar ul li a:hover, .r_sidebar ul li a:hover, .contentmiddle a:hover { text-decoration:underline} #footer ul li {line-height:130%; list-style:none;} #footer ul li a:link {color:white; font-size:1.6rem; text-decoration:none;} #footer ul li a:hover {text-decoration:underline;} .l_sidebar li a, .r_sidebar li a, .middle_sidebar li a{ /*display:block; */ /*OC-typography.png */ text-decoration:none; padding-left: 1em; /*font-style:italic;*/ font-family:"Muli", sans-serif; _font-style:bold; font-weight:400; color:#394244; } .widgettitle{ _border-top-width: 1px; _border-top-style: dotted; _border-top-color: gray; font-family:"Lora", sans-serif !important; font-weight: 600; _font-size: 1.6rem; line-height: 19px; font-weight: bold; padding: 3px ; margin: 8px 2px 2px 1px !important; /*color: #898477; */ letter-spacing: -.5px; } .widgetbox ul,.widget_categories ul, .widget_archive ul { border-bottom: 1px dotted #d1ccbc ; padding-bottom: 30px !important; display:block;} .widgetbox li a, .widget_categories li a, .widget_archive li a {display:block;} .recent_post{ border-bottom: 1px dotted #d1ccbc; padding: 0 0 30px 0px; margin-bottom: 30px; line-height:150%; overflow:hidden; } .noborder, .middle_sidebar.noborder:link, div.noborder a {border-top: 0px white !important;} .contentmiddle ul li a{} /*set chevrons on all widgets don't turn it on for ul li in sidebars* .contentwrapper ul li li,*/ .contentmiddle li, .r_sidebar li, .l_sidebar li, .middle_sidebar li { /* background:url(data:image/gif;base64,R0lGODlhBQAFALMJANTPvq2ok8rGs8C8qMXBrrKtmLeynufj0+Pezvby4wAAAAAAAAAAAAAAAAAAAAAAACH5BAEAAAkALAAAAAAFAAUAQAQQcByCkqQpCQPCKYiBfCESAQA7) no-repeat 0 10px; */ list-style-type:none; zoom:1; margin-left: .8em; zoom: 1; padding-left: .2em; margin-bottom: .3em; line-height:1.9rem; } .contentmiddle ul li li :before , .r_sidebar ul li li :before, .middle_sidebar ul li li :before, .l_sidebar ul li li :before { /*content: "\25B8"; */ float:left; padding-right:1rem; font-style:normal;} .contentmiddle ul li li li :before {content:none;} .contentmiddle ul li {list-style-type: none; padding-right:.8rem; padding-bottom: .4rem; font-style:normal;} /*set general padding for Ul lists */ .contentwrapper ul { margin: 0; padding: 0 0 10px 0; background:none; } .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul { background:none; list-style-type:none; } /*titles in widgets*/ .widgettitle, ul.l_sidebar li h2, ul.r_sidebar li h2, ul.middle_sidebar li h2, .middle_sidebar li h2 { font-weight:normal; padding:3px; margin:2px 2px 2px 1px; _font-family:Arial,Helvetica,sans-serif; font-family:Lora; color:#fc621f letter-spacing:-.5px; list-style-type:none; background: none !important; font-size: 1.9rem; } .r_sidebar ul {margin-left:-.6rem;} .middle_sidebar ul{ margin-top:1.2rem; margin-left:-1.1rem;} .middle_sidebar ul li {background:none } .contentmiddle li {background: none no-repeat 0 10px; list-style-type:none; zoom:1; /*margin-left: .8rem; */ zoom: 1; padding-left: .2rem; margin-bottom: 0rem; } /* turn off bullets on headers */ .contentwrapper ul {background:none;} /*lists inside lists */ .contentmiddle ul li li {margin-bottom:0rem; margin-left:5rem; list-style-type: none; } .contentwrapper ul {content:"";} .contentmiddle ul li li:before, .contentmiddle ul li:before, .middle_sidebar ul li li :before, /*put right triangle before bullets */ .middle_sidebar ul li li, .r_sidebar ul li li, .l_sidebar ul li li {line-height:inherit;} // Variables @colorBase: #394244; .transition (@prop: all, @time: 1s, @ease: linear) { -webkit-transition: @prop @time @ease; -moz-transition: @prop @time @ease; -o-transition: @prop @time @ease; -ms-transition: @prop @time @ease; transition: @prop @time @ease; } .universal-inline-block { display: inline-block; zoom: 1; *display: inline; } /* horizontal buttons */ div .social-icons2 { text-align: center; font-family: "Open Sans"; font-weight: 300; font-size: 1.5em; color: @colorBase; _margin: -2% -8% -2% -14%; } .social-icons2 ul { margin: 0; _padding: 0; list-style-type: none; text-align: center; } .social-icons2 ul li { _padding: 0px 8px 0px 6px; display:inline-block; text-indent:0; margin: 0px -4px 0px -4px;} .social-icons2 ul li a { text-decoration: none; _padding: .1rem .8rem; color: #fff; } .social-icons2-altmargin ul li {padding: 0 20px;} .social-icons2 ul li a:hover{ color: #1497c2; } .margin_left_10 {margin-left:-10px;} .white_background {background-color:white;} .oc-center, .oc-center img { width:100% ; max-width:100% !important; margin:0 auto; display:block; text-align:center;} .oc-center-da, .oc-center-da img, .oc-center-da object, .oc-center-da img { max-width: 100% !important; width: 100% !important; margin:0 auto; display: block; text-align:center;} /*fix expanding captcha refresh */ #fscf_captcha_refresh1 {width: 24px;height: 24px;} .oc-video-container { position: relative; _padding-bottom: 63.25%; padding-bottom:54%; padding-top: 10px; height: 0; } a.mashicon-reddit{background-color: darkred;} /* allow for override of img resizer */ .contentmiddle div.oc-no-resize-center img{ width: inherit !important; margin 0 auto; float:left} /*#footer img{width:inherit!important ;} */ /*footer stuff */ #flexcanvas{ width: 100%; max-width:100%; _height: 600px !important; margin-left: 3px; } .rowParent, .columnParent{ display: -webkit-box; display: -ms-flexbox; display: -webkit-flex; display: flex; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-flex-direction: row; -ms-flex-direction: row; flex-direction: row; -webkit-flex-wrap: nowrap; -ms-flex-wrap: nowrap; flex-wrap: nowrap; -webkit-box-pack: start; -webkit-justify-content: flex-start; -ms-flex-pack: start; justify-content: flex-start; -webkit-align-content: stretch; -ms-flex-line-pack: stretch; align-content: stretch; -webkit-box-align: stretch; -webkit-align-items: stretch; -ms-flex-align: stretch; align-items: stretch; } .columnParent{ -webkit-box-orient: vertical; -webkit-flex-direction: column; -ms-flex-direction: column; flex-direction: column; } .flexChild{ -webkit-box-flex: 1; -webkit-flex: 1; -ms-flex: 1; flex: 1; -webkit-align-self: auto; -ms-flex-item-align: auto; align-self: auto; margin:1px; font-size:1.3rem; /*border: 1px dotted #d1ccbc */ } .flexChild ul, .flexChild ul li {margin-left:-1.2rem;} .rowChild85696 {padding:1.8rem; margin-bottom:1.4rem} .rowChild9255 {margin:0px;} .minustopbottommargin20{margin-top:-20px !important; margin-bottom:-20px !important;} .minustopbottommargin40{margin-top:-40px !important; margin-bottom:-40px !important;} .minustopmargin20{margin-top:-20px !important;} .minustopmargin40{margin-top:-40px !important;} .curatedcategory ul li { text-decoration: none; list-style-type: none; padding: 0px; margin-left:1.0rem; line-height: 140%;} .curatedcategory ul {margin-left: 1.2rem;} .curatedcategory h2 {margin-left:1.0rem;} .curatedcategory h2 a {font-variant:small-caps;} .contentmiddle ol {list-style-type:decimal; font-size:inherit;} .contentmiddle ol li {list-style-type:decimal; font-size:inherit;line-spacing:120%;margin-bottom:.8rem;} input[type=search] { -moz-appearance:none; -webkit-appearance:none; } .sb-search { position: relative; color:#fff; border:none; width: 20px; width: 0%; min-width: 24px; min-height: 2.4rem; float: right; height:100%; overflow: hidden; -webkit-transition: width 0.3s; -moz-transition: width 0.3s; transition: width 0.6s; -webkit-backface-visibility: hidden; } .sb-search-input, input[type="search"] { position: absolute; top: -6px; right: 0px; border: none; outline: none; margin-right:24px; width: 100%; height: 88%; min-height:2.5rem; _margin: 8px 2px 8px 2px; z-index: 25; _padding: 4px 65px 4px 20px; font-family: inherit; font-size: 1.8rem; color: white; background-color:#1497c2; } input[type="search"] {background-color:#1497c2;} .sb-icon-search, .sb-search-submit { display:block; position: absolute; border:none; right: 0; top: 0; float: right; padding: 0; _margin: 0; _line-height: 24px; text-align: center; cursor: pointer; background-color:#fff; _background-color:#1497c2; _height:1.9rem; color:white; width: 1.6rem; height: 2.3rem; _margin-top: 6px; } .sb-search-submit { background: #fff; /* IE needs this */ -ms-filter: "progid:DXImageTransform.Microsoft.Alpha(Opacity=0)"; /* IE 8 */ filter: alpha(opacity=0); /* IE 5-7 */ opacity: 0; color: transparent; border: none; outline: none; z-index: -1; width: 100%; } /*.sb-icon-search{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} */ .sb-icon-search{ color:white; background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat; background-position-y:center; background-margin-y:4px;} li.search-popout {_display:none; top:.8rem;} .sb-search form {min-height:20px;} input[type=text].sb-search-input,textarea.sb-search-input {background-color:#1497c2; color:#FFF;} #navbar :after {clear:both;} /* fix placeholder color */ ::-webkit-input-placeholder { /* WebKit, Blink, Edge */ color: #fff; } :-moz-placeholder { /* Mozilla Firefox 4 to 18 */ color: #fff; opacity: 1; } ::-moz-placeholder { /* Mozilla Firefox 19+ */ color: #fff; opacity: 1; } :-ms-input-placeholder { /* Internet Explorer 10-11 */ color: #fff; } .sb-search.sb-search-open, .no-js .sb-search { width: 100%; min-width:300px; min-width: 75vw; margin-left: -10vw; overflow:visible;; } .sb-search.sb-search-open .sb-icon-search, .no-js .sb-search .sb-icon-search { z-index: 11; } .sb-search.sb-search-open .sb-search-submit, .no-js .sb-search .sb-search-submit { z-index: 90; } .negativetopmargin50 {margin-top:-50px;} .negativetopmargin40 {margin-top:-40px;} .negativetopmargin20 {margin-top:-20px;} .bulleted, .bulleted ul {list-style-type: disc;} .bulleted ul li, .contentmiddle.p1 ul li, .p1 li, .contentmiddle li,.contentmiddle.p1 ul li,.entry ul li, .entry ul {list-style-type: disc;} #last, .last a, .li a last {color:black !important;} .cli-bar-message {font-family:Lora,"Lora",Times,serif;} .addtoany_shortcode div {margin-top: 14px;} /*Step 5 aesthetic tweaks, including column width changes*/ @media only screen and (min-width: 1200px) { body { margin-top:1rem !important;} } @media only screen and (max-width:1024px) and (min-width:930px){ body { _font-size:88%; margin-top: 15px;} ul li#K-12{display:inline} .contentmiddle{width:54%!important} #clearfixheader{ margin-top:30px !important;} #ad_logo_wrapper { margin-left:.2rem; margin-top: 4rem !important;} #navbar {margin-top: -2rem !important;width:100%;} #ad_logo_wrapper {margin: 0 3% 0 3% !important; width:93% !important;} .contentwrapper {width: 94% !important; margin: 6px 1rem 0 1rem !important; _margin: 12px 7% 0 7%;} } @media only screen and (max-width:929px) and (min-width:890px){ #ad_logo_wrapper {margin-left:2% !important; margin-right:2% !important; width:96% !important;} #clearfixheader{ margin-top:65px !important;} .contentmiddle{width:64% !important;} .middle_sidebar{width:34% !important;} } @media only screen and (max-width:891px) and (min-width:821px){ /* less than 891 px, more than 821, run all three ads */ .contentmiddle{width:64% !important;} .middle_sidebar{width:34% !important;} html{margin-top:45px;;} #clearfixheader{ margin-top:60px !important;} /* #wrap{margin-top:100px !important;}*/ /* .left{background: 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data-ad-slot="1279265463" data-ad-format="auto"></ins><br> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script></div> </div> <div class="recent_post"> <h1 id="post-1016770" ><a href="https://www.openculture.com/2016/03/50-must-see-documentaries-selected-by-10-influential-documentary-filmmakers.html" rel="bookmark" title="Permanent Link to 50 Must-See Documentaries, Selected by 10 Influential Documentary Filmmakers"> 50 Must-See Documentaries, Selected by 10 Influential Documentary Filmmakers </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/film" rel="category tag">Film</a> </em> | March 31st, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016770" class="post-1016770 post type-post status-publish format-standard hentry category-film"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/7ZkvjWIEcoU?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p>  </p></div> <p></p> <p>How to get a handle on documentary film? Given not just the quantity but the wide variety of works in the field, with all their vast differences in style, duration, approach, and <a href="http://plato.stanford.edu/entries/epistemology/">epistemology</a>, getting up to speed with the state of the art (or perhaps you consider it a form of essay, or of journalism) can seem a daunting task indeed. But as luck would have it, ten experts on documentary film — documentarians themselves, in fact — have just done some of the work for you, selecting a total of <a href="http://www.theguardian.com/film/2016/mar/27/50-best-documentaries-alex-gibney-joshua-oppenheimer-james-marsh">“Fifty Documentaries You Need to See”</a> for <em>The</em> <em>Guardian</em>.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Few pictures in the history of cinema have played as important a role in the formation of a genre as has Dziga Vertov’s 1929 <em><a href="http://www.openculture.com/2014/02/watch-dziga-vertovs-a-man-with-a-movie-camera-named-the-8th-best-film-ever-made.html">Man with a Movie Camera</a></em>, which <em>Man on Wire</em> director James Marsh named as an essential. “This was the first truly subversive, playful documentary,” he says. “It’s notionally a day in the life of a city in the Soviet Union and so it has, on a purely sociological/historical level, great value. But what it does beyond that is to show you the means of production: the filming, the cutting room, the editing – all the things that are going into the making of this film.”</p> <p>You can, of course, watch <em>Man with a Movie Camera </em>free at the top of this post. For the other 49 <a href="http://www.theguardian.com/film/2016/mar/27/50-best-documentaries-alex-gibney-joshua-oppenheimer-james-marsh">Documentaries You Need to See</a>, you may have to do some more searching, but they’ll repay the effort many times over with their intellectual stimulation, their unexpected drama, and their exploration of the borderlands between cinematic fiction and cinematic fact. Few films of any kind perform that last mission as astutely as Abbas Kiarostami’s <em>Close-up </em>(available <a href="http://www.hulu.com/watch/238246" rel="nofollow">on Hulu if you start a free trial</a>), about a man’s impersonation of famous Iranian filmmaker Mohsen Makhmalbaf, re-enacted with the very same people originally involved: the impostor, the family he tried to trick, the judge who presided over the ensuing trial, and even Makhmalbaf himself.</p> <p><em>Close-up</em> (as well as one of Makhmalbaf’s own movies, <em>Salaam Cinema</em>) appears among the picks from Joshua Oppenheimer, a documentarian specializing in examinations of massacres in Indonesia. When you’ve watched all the recommendations, you might consider circling back and checking out Oppenheimer’s <em>The Act of Killing</em> and <em>The Look of Silence</em>. By the same token, after you’ve seen <a href="http://amzn.to/1PGRzzA">Agnès Varda’s <em>The Gleaners and I</em></a>, have a look at Lucy Walker’s <em>Waste Land</em>; after Werner Herzog’s <em><a href="https://www.youtube.com/watch?v=8rP5DHbyOwQ&feature=youtu.be">Grizzly Man</a></em>, Khalo Matabane’s <em>Story of a Beautiful Country</em>. But fair warning before you launch into this viewing project: once you come out of it, you won’t see the possibilities of cinema in quite the same way ever again — at the very least, you’ll see infinitely more of them.</p> <p>For another list, see <a href="http://www.openculture.com/2014/08/the-10-greatest-documentaries-of-all-timesight-and-sound-names-the-greatest-documentaries-of-all-time-watch-their-1-selection-free.html">The 10 Greatest Documentaries of All Time According to 340 Filmmakers and Critics</a>.</p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/free-documentaries-online">265 Free Documentaries Online</a></p> <p><a href="http://www.openculture.com/2014/02/watch-dziga-vertovs-a-man-with-a-movie-camera-named-the-8th-best-film-ever-made.html">Free: Dziga Vertov’s <em>A Man with a Movie Camera</em>, the 8th Best Film Ever Made</a></p> <p><a title="Permanent Link to Werner Herzog Narrates the Touching, Existential Journey of a Plastic Bag" href="http://www.openculture.com/2015/08/werner-herzog-narrates-the-existential-emotional-journey-of-a-plastic-bag.html" rel="bookmark">Werner Herzog Narrates the Touching, Existential Journey of a Plastic Bag</a></p> <p><em>Based in Seoul, <a href="http://blog.colinmarshall.org/">Colin Marshall</a> writes and broadcasts on cities, language, and style. He’s at work on a book about Los Angeles, </em><a href="http://www.kcet.org/socal/departures/landofsunshine/a-los-angeles-primer/">A Los Angeles Primer</a><em>, the video series </em><a href="https://vimeo.com/channels/thecityincinema">The City in Cinema</a>,<em> the crowdfunded journalism project </em><a href="https://www.byline.com/project/23">Where Is the City of the Future?</a><em>, and the</em> Los Angeles Review of Books’ <em><a href="http://blog.lareviewofbooks.org/category/the-korea-blog/" rel="nofollow">Korea Blog</a></em>.<em> Follow him on Twitter at <a href="https://twitter.com/#%21/colinmarshall">@colinmarshall</a> or on </em><em><a href="https://www.facebook.com/colinmarshallessayist">Faceboo</a></em><em><a href="https://www.facebook.com/colinmarshallessayist">k</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2016/03/50-must-see-documentaries-selected-by-10-influential-documentary-filmmakers.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/50-must-see-documentaries-selected-by-10-influential-documentary-filmmakers.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/50-must-see-documentaries-selected-by-10-influential-documentary-filmmakers.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016791" ><a href="https://www.openculture.com/2016/03/christopher-lee-reads-five-horror-classics.html" rel="bookmark" title="Permanent Link to Christopher Lee Reads Five Horror Classics: <i>Dracula</i>, <i>Frankenstein</i>, <i>The Phantom of the Opera</i> & More"> Christopher Lee Reads Five Horror Classics: <i>Dracula</i>, <i>Frankenstein</i>, <i>The Phantom of the Opera</i> & More </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/books" rel="category tag">Books</a> </em> | March 31st, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016791" class="post-1016791 post type-post status-publish format-standard hentry category-books"> <p><img fetchpriority="high" decoding="async" width="866" height="473" class="alignleft size-full wp-image-1016797 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="Dracula_1958_c" loading="lazy" data-src="https://cdn8.openculture.com/wp-content/uploads/2016/03/Dracula_1958_c.jpg" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c.jpg 866w, https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c-150x82.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c-300x164.jpg 300w, https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c-768x419.jpg 768w" data-sizes="(max-width: 866px) 100vw, 866px"><noscript><img loading="lazy" fetchpriority="high" decoding="async" width="866" height="473" class="alignleft size-full wp-image-1016797" src="https://cdn8.openculture.com/wp-content/uploads/2016/03/Dracula_1958_c.jpg" alt="Dracula_1958_c" srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c.jpg 866w, https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c-150x82.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c-300x164.jpg 300w, https://cdn8.openculture.com/wp-content/uploads/2016/03/30213433/Dracula_1958_c-768x419.jpg 768w" sizes="(max-width: 866px) 100vw, 866px"></noscript></p> <p align="right"><small><em><a href="https://commons.wikimedia.org/wiki/File:Dracula_1958_c.jpg">Image via Wikimedia Commons</a></em></small></p> <p>The great horror actors of the genre’s golden age—the time of <em>Dracula</em>, <em>Frankenstein, The Mummy,</em> and yet more <em>Dracula</em>—succeeded on the strength of their highly unconventional looks. Boris Karloff, Bela Lugosi, and Christopher Lee were not faces you would pass on the street without a second look. But they succeeded equally because all three, including Karloff, made use of some very well trained voices—voices honed for the theatrical.</p> <div class="oc-center"><iframe frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify%3Aalbum%3A6gtGuaSp2Ak9cfZzdQStix" width="300" loading="lazy"></iframe></div> <p>They have elevated even the campiest material through the use of their voices, and further elevated many already great stories by reading them aloud. Bela Lugosi contributed his Hungarian-accented baritone to <a href="http://www.openculture.com/2015/10/hear-edgar-allan-poes-the-tell-tale-heart-read-by-bela-lugosi-star-of-legendary-horror-films-1946.html">a reading of Poe’s “The Telltale Heart,”</a> sounding in every line like he might break into “I vant to suck your blood.” Karloff, the more versatile voice actor, narrated <a href="https://www.youtube.com/watch?v=u44SlWL6d1E" rel="nofollow">Aesop’s Fables</a>, <a href="http://www.amazon.com/Karloff-Reading-Rudyard-Kiplings-Stories/dp/B000SSTU1O">Rudyard Kipling’s <em>Just So Stories</em></a>, and too many other books to list.</p> <div class="oc-center"><iframe loading="lazy" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify%3Aalbum%3A00NBUIdZjpmVO5XAjG5jI5" width="300"></iframe></div> <p>Christopher Lee has <a href="http://www.openculture.com/2015/06/christopher-lee-reads-the-tell-tale-heart-edgar-allan-poes-1843-classic.html">also read Poe</a>, a <a href="http://www.openculture.com/2015/06/christopher-lee-r-i-p-reads-edgar-allan-poes-the-raven-and-from-the-fall-of-the-house-of-usher.html">lot of Poe</a>. And—rather typecast or landing the best voiceover gig of all—he <a href="http://www.amazon.com/Christopher-Lee-Reads-Frankenstein-Hunchback/dp/1906263574">recorded five classic horror novels</a>: <em><a href="https://open.spotify.com/album/6gtGuaSp2Ak9cfZzdQStix">Dracula</a></em>, <em><a href="https://open.spotify.com/album/00NBUIdZjpmVO5XAjG5jI5">Frankenstein</a></em>, <em><a href="https://open.spotify.com/album/1qgf44iofyklpJRTe2017h">Phantom of the Opera</a></em>, <em><a href="https://open.spotify.com/album/5kAPtsK4AAPkxsEcKdzezl">Dr. Jekyll and Mr. Hyde</a></em>, and <em><a href="https://open.spotify.com/album/6mCetIJecx9DF5Wa3eakMU">The Hunchback of Notre Dame</a></em><em>.</em> (Though we might argue about whether Victor Hugo’s novel belongs in this category).</p> <div class="oc-center"><iframe loading="lazy" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify%3Aalbum%3A5kAPtsK4AAPkxsEcKdzezl" width="300"></iframe></div> <p>Lee read Dracula <a href="http://www.openculture.com/2015/11/english-horror-legend-christopher-lee-reads-a-graphic-novel-adaptation-of-bram-stokers-dracula.html">once before</a>, in an adaptation made for a graphic novel in 1966. Here, he reads Bram Stoker’s novel unabridged, unlike some of the other books. You can purchase these <a href="http://amzn.to/1PGT551">in a compilation CD</a>. Or you can hear them on Spotify for free, either in your browser or<a href="https://www.spotify.com/us/"> using their software</a>. (Hear <a href="https://open.spotify.com/album/1qgf44iofyklpJRTe2017h"><em>Phantom of the Opera</em> here</a> and The <a href="https://open.spotify.com/album/6mCetIJecx9DF5Wa3eakMU"><em>Hunchback of Notre Dame</em></a> here). However you hear his readings, like all of Lee’s voicework—even his <a href="http://www.openculture.com/2013/12/horror-legend-christopher-lee-presents-a-heavy-metal-version-of-the-little-drummer-boy.html">heavy metal Christmas album</a>—these narrations practically vibrate with ominous tension and suspense.</p> <p><i><span style="font-weight: 400;">Looking for free, professionally-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start </span></i><a href="http://www.amazon.com/gp/product/B00NB86OYE/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00NB86OYE&linkCode=as2&tag=openculture-20&linkId=FEXAFZTZDKSACWGT"><i><span style="font-weight: 400;">a 30 day free trial with Audible.com</span></i></a><i><span style="font-weight: 400;">, you can download two free audio books of your choice. Get more </span></i><a href="http://www.openculture.com/audible"><i><span style="font-weight: 400;">details on the offer here</span></i></a><i><span style="font-weight: 400;">. </span></i></p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2015/06/christopher-lee-r-i-p-reads-edgar-allan-poes-the-raven-and-from-the-fall-of-the-house-of-usher.html">Christopher Lee Reads Edgar Allan Poe’s “The Raven,” and From “The Fall of the House of Usher”</a></p> <p><a href="http://www.openculture.com/2015/11/english-horror-legend-christopher-lee-reads-a-graphic-novel-adaptation-of-bram-stokers-dracula.html">Horror Legend Christopher Lee Reads Bram Stoker’s Dracula</a></p> <p><a href="http://www.openculture.com/2013/12/horror-legend-christopher-lee-presents-a-heavy-metal-version-of-the-little-drummer-boy.html">Horror Legend Christopher Lee Presents a Heavy Metal Version of The Little Drummer Boy</a></p> <p><a href="http://www.openculture.com/2015/10/hear-edgar-allan-poes-the-tell-tale-heart-read-by-bela-lugosi-star-of-legendary-horror-films-1946.html">Hear Edgar Allan Poe’s “The Tell Tale Heart” Read by the Great Bela Lugosi (1946)</a></p> <p><a href="http://about.me/jonesjoshua"><em>Josh Jones</em></a><em> is a writer and musician based in Durham, NC. Follow him at <a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2016/03/christopher-lee-reads-five-horror-classics.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/christopher-lee-reads-five-horror-classics.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/christopher-lee-reads-five-horror-classics.html#comments">3</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016771" ><a href="https://www.openculture.com/2016/03/an-animated-carl-sagan-talks-with-studs-terkel.html" rel="bookmark" title="Permanent Link to An Animated Carl Sagan Talks with Studs Terkel About Finding Extraterrestrial Life (1985)"> An Animated Carl Sagan Talks with Studs Terkel About Finding Extraterrestrial Life (1985) </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/animation-2" rel="category tag">Animation</a>, <a href="https://www.openculture.com/category/astronomy-2" rel="category tag">Astronomy</a>, <a href="https://www.openculture.com/category/radio-2" rel="category tag">Radio</a> </em> | March 31st, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016771" class="post-1016771 post type-post status-publish format-standard hentry category-animation-2 category-astronomy-2 category-radio-2"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/u9WHs49nlHk?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>This week, <em>Blank on Blank</em> wraps up its series “The Experimenters,” with <a href="http://blankonblank.org/interviews/carl-sagan-extraterrestrials-religion-aliens-life-planets-mars-galaxies-stars/">an episode</a> animating a conversation between <a href="http://ezramagazine.cornell.edu/SUMMER12/CoverStorySidebar3.html">Carl Sagan</a> and <a href="http://studsterkel.wfmt.com" rel="nofollow">Studs Terkel</a>–two figures we’ve highlighted on our site many times before. But never have we brought them together. So here they are.</p> <p>Recorded in October, 1985, as part of Terkel’s long-running Chicago radio show (<a href="http://www.openculture.com/2013/12/studs-terkel-interviews.html">find an archive of complete episodes here</a>), the conversation touched on some the big questions you might expect: the compatibility between science and religion; the probability we’ll encounter extraterrestrials if given enough time; and more. You can hear more outtakes from their conversation here:</p> <p><iframe loading="lazy" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/255775928&color=000000&show_artwork=false" width="100%"></iframe></p> <p>Other episodes in “The Experimenters” series feature:</p> <ul> <li><a href="http://www.openculture.com/2015/04/what-ignited-richard-feynmans-love-of-science-revealed-in-an-animated-video.html">Richard Feynman</a></li> <li><a href="http://www.openculture.com/2016/02/animated-interview-sally-ride-tells-gloria-steinem-about-the-challenge-of-being-the-first-american-women-in-space-1983.html">Sally Ride and Gloria Steinem</a></li> <li><a href="http://www.openculture.com/2015/03/animated-the-inspirational-story-of-jane-goodall-and-why-she-believes-in-bigfoot.html">Jane Goodall</a></li> <li><a href="http://www.openculture.com/2015/03/an-animated-buckminster-fuller-tells-studs-terkel-about-the-geodesic-life.html">Buckminster Fuller</a></li> </ul> <p><strong>Related Content</strong></p> <p><a title="Permanent Link to Studs Terkel Interviews Bob Dylan, Shel Silverstein, Maya Angelou & More in New Audio Trove" href="http://www.openculture.com/2013/12/studs-terkel-interviews.html" rel="bookmark">Studs Terkel Interviews Bob Dylan, Shel Silverstein, Maya Angelou & More in New Audio Trove</a></p> <p><a title="Permanent Link to Carl Sagan Presents Six Lectures on Earth, Mars & Our Solar System … For Kids (1977)" href="http://www.openculture.com/2012/08/carl_sagan_presents_six_lectures_on_exploring_mars.html" rel="bookmark">Carl Sagan Presents Six Lectures on Earth, Mars & Our Solar System … For Kids (1977)</a></p> <p><a title="Permanent Link to Simone de Beauvoir Tells Studs Terkel How She Became an Intellectual and Feminist (1960)" href="http://www.openculture.com/2014/11/simone-de-beauvoir-talks-with-studs-terkel-1960.html" rel="bookmark">Simone de Beauvoir Tells Studs Terkel How She Became an Intellectual and Feminist (1960)</a></p> <p><a href="http://www.openculture.com/2012/09/two_legends_together_a_young_bob_dylan_talks_and_plays_on_ithe_studs_terkel_programi_1963.html">Two Legends Together: A Young Bob Dylan Talks and Plays on the Studs Terkel Program, 1963</a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/dancolman" title="Posts by OC" rel="author">OC</a> | <a href="https://www.openculture.com/2016/03/an-animated-carl-sagan-talks-with-studs-terkel.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/an-animated-carl-sagan-talks-with-studs-terkel.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/an-animated-carl-sagan-talks-with-studs-terkel.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016703" ><a href="https://www.openculture.com/2016/03/the-met-digitally-restore-the-colors-of-an-ancient-egyptian-temple.html" rel="bookmark" title="Permanent Link to The Met Digitally Restores the Colors of an Ancient Egyptian Temple, Using Projection Mapping Technology"> The Met Digitally Restores the Colors of an Ancient Egyptian Temple, Using Projection Mapping Technology </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/architecture-2" rel="category tag">Architecture</a>, <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a> </em> | March 30th, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016703" class="post-1016703 post type-post status-publish format-standard hentry category-architecture-2 category-art category-history"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/-8oxSG8mUtw?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Thanks to the tireless efforts of archaeologists, we have a pretty clear idea of what much of the ancient world looked like, at least as far as the clothes people wore and the structures in and around which they spent their days. But we seldom imagine these lives among the ruins-before-they-became-ruins in color, despite having read in the history books that some ancient builders and artists created a colorful world indeed, especially when a special architectural occasion like an Egyptian temple called for it.</p> <p class="story-body-text story-content" data-para-count="284" data-total-count="284">“As depicted in popular culture, ancient Egypt is awash with the color beige,” <a href="http://www.nytimes.com/2016/02/02/arts/temple-of-dendurs-lost-colors-brought-to-life-at-the-met.html?_r=0">writes the <em>New York Times</em>’ Joshua Barone</a>. “A trip to the <a href="http://www.metmuseum.org/">Metropolitan Museum of Art</a> would seem to reflect that notion: The <a href="http://www.metmuseum.org/collection/the-collection-online/search/547802">Temple of Dendur</a>, with its weatherworn sandstone, could fit in naturally with the earth tones of <em>Aida</em> or <em>The Mummy</em>.</p> <p class="story-body-text story-content" data-para-count="284" data-total-count="284"></p><div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p class="story-body-text story-content" data-para-count="284" data-total-count="284">But Egyptologists know that this temple, like many others of the ancient world, was painted with vivid colors and patterns. In ‘<a href="http://www.metmuseum.org/blogs/digital-underground/2015/color-the-temple">Color the Temple,’</a> a marriage of research and projection-mapping technology, visitors to <a href="http://www.metmuseum.org">the Met</a> can now glimpse what the Temple of Dendur may have looked like in its original, polychromatic form more than 2,000 years ago.”</p> <div class="oc-center"><img loading="lazy" decoding="async" width="600" height="450" class="alignleft size-full wp-image-1016759 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="temple in color" data-src="https://cdn8.openculture.com/wp-content/uploads/2016/03/temple-in-color.jpg" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/29235157/temple-in-color.jpg 600w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29235157/temple-in-color-150x113.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29235157/temple-in-color-300x225.jpg 300w" data-sizes="auto, (max-width: 600px) 100vw, 600px"><noscript><img loading="lazy" loading="lazy" decoding="async" width="600" height="450" class="alignleft size-full wp-image-1016759" src="https://cdn8.openculture.com/wp-content/uploads/2016/03/temple-in-color.jpg" alt="temple in color" srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/29235157/temple-in-color.jpg 600w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29235157/temple-in-color-150x113.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29235157/temple-in-color-300x225.jpg 300w" sizes="auto, (max-width: 600px) 100vw, 600px"></noscript></div> <p align="right"><a href="https://twitter.com/Burning_Luke"><small><em>Image via @Burning_Luke</em></small></a></p> <p class="story-body-text story-content" data-para-count="284" data-total-count="284">While the ravages of time haven’t destroyed the various scenes carved into the temple’s walls, they’ve long made it next to impossible for scholars to get an idea of what colors their creators painted them. Originally located on the banks of the Nile, the temple endured century after century of flooding (by the 1920s, almost nine months out of the year) which thoroughly washed away the surface of the images. But after some serious historical research, including the consultation of a 1906 survey by Egyptologist Aylward M. Blackman and t<a href="https://www.wdl.org/en/item/80/">he Napoleonic <em>Description de l’Egypte</em></a>, the Met’s team has come up with a pretty plausible idea of what the scene on the temple’s south wall, in which Emperor Caesar Augustus in Pharaoh garb presents wine to the deities Hathor and Horus, looked like in full color.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <iframe loading="lazy" src="https://player.vimeo.com/video/77830008" width="640" height="385" frameborder="0"></iframe> </div> <p>  </p></div> <p></p> <p>But it would hardly do to buy a few buckets from Sherwin-Williams and simply fill the wall in. Instead, the Met has used a much more advanced technology called digital projection mapping (also known, more <em>Wired</em>-ly, as “spatial augmented reality”) to restore the Temple of Dendur’s colors with light. You can get a sense of the result in the <a href="https://youtu.be/xg8pVmBwmcI" rel="nofollow">two</a> <a href="https://youtu.be/-8oxSG8mUtw">videos</a> at the top of the post, shot during the <a href="http://www.metmuseum.org/blogs/digital-underground/2015/color-the-temple">Color the Temple exhibition</a> which ran through March 19.</p> <p>For a closer look into the process, have a look at <a href="https://vimeo.com/77830008">the video just above</a>, created by Maria Paula Saba, who worked on the project. As you can see, the use of light rather than paint allows for the possibility of a variety of different color schemes, all of them quite possibly what the ancient Egyptians saw when they passed by, all of them fitting right in to the details and contours the ancient Egyptian artists put there — a thrill impossible to overstate for those of us who grew up with ancient-Egypt coloring books.</p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2011/08/how_the_egyptian_pyramids_were_built.html">How the Egyptian Pyramids Were Built: A New Theory in 3D Animation</a></p> <p><a href="http://www.openculture.com/2016/02/oldest-known-recipe-for-toothpaste.html">Try the Oldest Known Recipe For Toothpaste: From Ancient Egypt, Circa the 4th Century BC</a></p> <p><a href="http://www.openculture.com/2014/07/the-turin-erotic-papyrus-the-oldest-known-depiction-of-sex-circa-1150-b-c-e.html">The Turin Erotic Papyrus: The Oldest Known Depiction of Human Sexuality (Circa 1150 B.C.E.)</a></p> <p><a href="http://www.openculture.com/2014/07/the-turin-erotic-papyrus-the-oldest-known-depiction-of-sex-circa-1150-b-c-e.html"><em>Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and style. He’s at work on a book about Los Angeles, </em>A Los Angeles Primer<em>, the video series </em>The City in Cinema,<em> the crowdfunded journalism project </em>Where Is the City of the Future?<em>, and the</em> Los Angeles Review of Books’ <em>Korea Blog</em>.<em> Follow him on Twitter at @colinmarshall or on </em><em>Faceboo</em><em>k.</em></a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2016/03/the-met-digitally-restore-the-colors-of-an-ancient-egyptian-temple.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/the-met-digitally-restore-the-colors-of-an-ancient-egyptian-temple.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/the-met-digitally-restore-the-colors-of-an-ancient-egyptian-temple.html#comments">1</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016724" ><a href="https://www.openculture.com/2016/03/11-shakespeare-tragedies-mapped-out-with-network-visualizations.html" rel="bookmark" title="Permanent Link to 11 Shakespeare Tragedies Mapped Out with Network Visualizations"> 11 Shakespeare Tragedies Mapped Out with Network Visualizations </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/design-2" rel="category tag">Design</a>, <a href="https://www.openculture.com/category/literature" rel="category tag">Literature</a> </em> | March 30th, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016724" class="post-1016724 post type-post status-publish format-standard hentry category-design-2 category-literature"> <p><img loading="lazy" decoding="async" width="600" height="420" class="alignleft size-full wp-image-1016750 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="ShakespeareTragedynetworkdensities" data-src="https://cdn8.openculture.com/wp-content/uploads/2016/03/ShakespeareTragedynetworkdensities-e1459321149674.png" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/29232305/ShakespeareTragedynetworkdensities-e1459321149674.png 600w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29232305/ShakespeareTragedynetworkdensities-e1459321149674-150x105.png 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29232305/ShakespeareTragedynetworkdensities-e1459321149674-300x210.png 300w" data-sizes="auto, (max-width: 600px) 100vw, 600px"><noscript><img loading="lazy" loading="lazy" decoding="async" width="600" height="420" class="alignleft size-full wp-image-1016750" src="https://cdn8.openculture.com/wp-content/uploads/2016/03/ShakespeareTragedynetworkdensities-e1459321149674.png" alt="ShakespeareTragedynetworkdensities" srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/29232305/ShakespeareTragedynetworkdensities-e1459321149674.png 600w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29232305/ShakespeareTragedynetworkdensities-e1459321149674-150x105.png 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29232305/ShakespeareTragedynetworkdensities-e1459321149674-300x210.png 300w" sizes="auto, (max-width: 600px) 100vw, 600px"></noscript></p> <p>Every story has its architecture, its joints and crossbeams, ornaments and deep structure. The boundaries and scope of a story, its built environment, can determine the kind of story it is, tragedy, comedy, or otherwise. And every story also, it appears, generates a network—a web of weak and strong connections, hubs, and nodes.</p> <p>Take Shakespeare’s tragedies. We would expect their networks of characters to be dense, what with all those plays’ intrigues and feasts. And they are, according to digital humanities, data visualization, and network analysis scholar<a href="http://www.martingrandjean.ch/network-visualization-shakespeare/"> Martin Grandjean, who created the charts you see here</a>: “network visualization[s] in which each character is represented by a node connected with the characters that appear in the same scenes.”</p> <blockquote><p><em>The result speaks for itself: the longest tragedy (<strong>Hamlet</strong>) is not the most structurally complex and is less dense than <strong>King Lear</strong>, <strong>Titus Andronicus</strong> or <strong>Othello</strong>. Some plays reveal clearly the groups that shape the drama: Montague and Capulets in <strong>Romeo and Juliet</strong>, Trojans and Greeks in <strong>Troilus and Cressida</strong>, the triumvirs parties and Egyptians in <strong>Antony and Cleopatra</strong>, the Volscians and the Romans in <strong>Coriolanus</strong> or the conspirators in <strong>Julius Caesar</strong>.</em></p></blockquote> <p>Grandjean’s visualizations show us how varied the density of these plays is. While <em><a href="http://shakespeare.mit.edu/macbeth/full.html">Macbeth</a></em> has 46 characters, it only achieves 25% network density. <em><a href="http://shakespeare.mit.edu/lear/">King Lear</a>,</em> with 33 characters, reaches 45%.</p> <p><img loading="lazy" decoding="async" width="525" height="583" class="alignleft size-full wp-image-1016748 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="Shakespeare-Network-Romeo-and-Juliet" data-src="https://cdn8.openculture.com/wp-content/uploads/2016/03/Shakespeare-Network-Romeo-and-Juliet.png" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet.png 525w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet-135x150.png 135w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet-270x300.png 270w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet-300x333.png 300w" data-sizes="auto, (max-width: 525px) 100vw, 525px"><noscript><img loading="lazy" loading="lazy" decoding="async" width="525" height="583" class="alignleft size-full wp-image-1016748" src="https://cdn8.openculture.com/wp-content/uploads/2016/03/Shakespeare-Network-Romeo-and-Juliet.png" alt="Shakespeare-Network-Romeo-and-Juliet" srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet.png 525w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet-135x150.png 135w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet-270x300.png 270w, https://cdn8.openculture.com/wp-content/uploads/2016/03/29231640/Shakespeare-Network-Romeo-and-Juliet-300x333.png 300w" sizes="auto, (max-width: 525px) 100vw, 525px"></noscript></p> <p><a href="http://shakespeare.mit.edu/hamlet/"><em>Hamlet</em>’</a>s density score nearly matches its number of characters, while <em><a href="http://shakespeare.mit.edu/titus/full.html">Titus Andronicus</a></em>’ density number exceeds its character number, as does that of <em><a href="http://shakespeare.mit.edu/othello/">Othello</a></em> by over twice as much. Why is this? Grandjean doesn’t tell us. These data maps only provide an answer to the question of whether “Shakespeare’s tragedies” are “all structured in the same way.”</p> <p>But does Grandjean’s “result speak for itself,” as he claims? Though he helps us visualize the way characters cluster around each other, most obviously in <em>Romeo and Juliet</em>, above, it’s not clear what a “density” score does for our understanding of the drama’s intent and purposes. With the exception of the most prominent few characters, the graphics only show various plays’ personae as nameless shaded circles, whereas Shakespeare’s skill was to turn most of those characters, even the most minor, into antitypes and anomalies. Perhaps as important as <em>how</em> they are connected is the question of who they are when they connect.</p> <p>You can view and download a <a href="http://www.martingrandjean.ch/network-visualization-shakespeare/">complete poster of all 11 of Shakespeare’s tragedies at Grandjean’s website</a>.</p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2016/01/74-ways-characters-die-in-shakespeares-plays-shown-in-a-handy-infographic.html">74 Ways Characters Die in Shakespeare’s Plays Shown in a Handy Infographic: From Snakebites to Lack of Sleep</a></p> <p><a href="http://www.openculture.com/2014/03/read-all-of-shakespeares-plays-free-online-courtesy-of-the-folger-shakespeare-library.html">Read All of Shakespeare’s Plays Free Online, Courtesy of the Folger Shakespeare Library</a></p> <p><a href="http://www.openculture.com/2015/07/a-68-hour-playlist-of-shakespeares-plays-being-performed-by-great-actors.html">A 68 Hour Playlist of Shakespeare’s Plays Being Performed by Great Actors: Gielgud, McKellen & More</a></p> <p><a href="http://about.me/jonesjoshua"><em>Josh Jones</em></a><em> is a writer and musician based in Durham, NC. Follow him at <a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2016/03/11-shakespeare-tragedies-mapped-out-with-network-visualizations.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/11-shakespeare-tragedies-mapped-out-with-network-visualizations.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/11-shakespeare-tragedies-mapped-out-with-network-visualizations.html#comments">1</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016696" ><a href="https://www.openculture.com/2016/03/5-books-you-can-read-again-and-again-and-again.html" rel="bookmark" title="Permanent Link to 5 Books You Can Read Again .… and Again and Again: Here’s Our Picks, Now Yours"> 5 Books You Can Read Again .… and Again and Again: Here’s Our Picks, Now Yours </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/books" rel="category tag">Books</a> </em> | March 30th, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016696" class="post-1016696 post type-post status-publish format-standard hentry category-books"> <p><img decoding="async" class="alignleft size-large wp-image-1016744 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="absalom" loading="lazy" data-src="https://cdn8.openculture.com/wp-content/uploads/2016/03/29230518/absalom-1024x576.jpg"><noscript><img loading="lazy" decoding="async" class="alignleft size-large wp-image-1016744" src="https://cdn8.openculture.com/wp-content/uploads/2016/03/29230518/absalom-1024x576.jpg" alt="absalom"></noscript><br> Recently, a <a href="http://ask.metafilter.com/293568/The-Re-Readables">Metafilter user asked the question</a>: which books do you reread again and again, and why— whether for “comfort, difficulty, humour, identification, whatever”? It got me thinking about a few of the ways I’ve discovered such books.</p> <p>Writing an essay or book about a novel is one good way to find out how well it holds up under multiple readings. You stare at plot holes, implausible character development, inconsistent chronologies, and other literary flaws (or maybe features) for weeks, months, sometimes even years. And you also live with the language that first seduced you, the characters who drew you in, the images, places, atmospheres you can’t forget….</p> <p>But reading alone can mean that blind spots never get addressed. We hold to our biases, positive and negative, despite ourselves. Another great way to test the durability of work of fiction is to teach it for years, or otherwise read it in a group of engaged people, who will see what you don’t, can’t, or won’t, and help better your appreciation (or deepen your dislike).</p> <p>Having spent many years doing both of these things as a student and teacher, there are a few books that survived semester after semester, and still sit prominently on my shelves, where at any time I can pull them down, open them up, and be immediately absorbed. Then there are books I read when younger, and which seemed so mysterious, so possessed of an almost religious significance, I returned to them again and again—looking for the most enchanted sentences.</p> <p>If I had to narrow down to a short list the books I consistently reread, those books would come out of all three experiences above, and they would include, in no necessary order—</p> <p><strong><em><a href="http://amzn.to/1RHoyIB">Absalom, Absalom!</a></em>, by William Faulkner</strong>: I’ve written several essays on this novel, over the course of several years, and I love it as much or more as when I first picked it up. It’s a book that becomes both more grim and more darkly humorous as time goes on; its vertiginous narrative strategy creates an inexhaustible number of ways to see the story.</p> <p><strong><em><a href="https://www.google.com/search?client=opera&q=Wuthering+Heights&sourceid=opera&ie=UTF-8&oe=UTF-8#q=Wuthering+Heights+adelaide">Wuthering Heights</a></em>, by Emily Bronte</strong>: I read this novel as a child and understood almost nothing about it but the ghostly setting of “wiley, windy moors” (<a href="https://www.youtube.com/watch?v=BW3gKKiTvjs" rel="nofollow">as Kate Bush described it</a>) and the furious emotional intensity of Heathcliff and Catherine. These elements kept me coming back to discover just how much Bronte—like Faulkner—encircles her reader in a cyclone of possibility; multiple stories, told from multiple characters, times, and places, swirl around, never settling on what we most want in real life but never get there either—simple answers.</p> <p><strong><em><a href="http://amzn.to/22NlZgy">Song of Solomon</a></em>, by Toni Morrison</strong>: Morrison’s novel extracts from the 20th century African American experience a tale of profound individual struggle, as characters in her fictional family fight to define themselves against social inequities and to transcend oppressive identities. Their failures to do so are just as poignant as their successes, and characters like Pilate and Milkman achieve an almost archetypal significance through the course of the novel. Morrison creates modern myth.</p> <p><strong><em><a href="http://amzn.to/1RHoGb9">The Yiddish Policeman’s Union</a></em>, by Michael Chabon</strong>. I taught this novel for years because it seemed like, and was, a great way to introduce students to the complications of plot, the joys of speculative fiction, and the empathetic imagining of other people and cultures that the novel can enable. I can think of many ways some critics might find Chabon’s book politically “problematic,” but my consistent enjoyment of its wild-eyed story has never diminished since I first picked up the book and read it straight through in a couple of days, fully convinced by its fictional world.</p> <p><strong><em><a href="http://amzn.to/1RHoHfb">Labyrinths</a></em>, by Jorge Luis Borges</strong>. The Argentinian writer’s best-known collection of stories and essays requires patient rereading. My first encounter with the book early in college provoked amazement, but little comprehension. I still can’t say that I understand Borges, but every time I reread him, I seem to discover some new alcove, and sometimes a whole other room, filled with inscrutable, mysterious treasures.</p> <p>This list is not in any way comprehensive, but it covers a few of the books that have stayed with me, each of them for well over a decade, and a few of the reasons why. What books do you reread, and why? What is it about them that keeps you returning, and how did you discover these books? While I stuck with fiction above, I could also make a list of philosophical books, as well as poetry. Feel free to include such books in the comments section below as well.</p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2013/09/the-10-greatest-books-ever.html">The 10 Greatest Books Ever, According to 125 Top Authors (Download Them for Free)</a></p> <p><a href="http://www.openculture.com/2015/01/vladimir-nabokov-names-the-greatest-novels-of-the-20th-century.html">Vladimir Nabokov Names the Greatest (and Most Overrated) Novels of the 20th Century</a></p> <p><a href="http://www.openculture.com/2014/01/read-700-free-ebooks-made-available-by-the-university-of-california-press.html">Read 700 Free eBooks Made Available by the University of California Press</a></p> <p><a href="http://about.me/jonesjoshua"><em>Josh Jones</em></a><em> is a writer and musician based in Durham, NC. Follow him at <a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2016/03/5-books-you-can-read-again-and-again-and-again.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/5-books-you-can-read-again-and-again-and-again.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/5-books-you-can-read-again-and-again-and-again.html#comments">21</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016710" ><a href="https://www.openculture.com/2016/03/city-out-of-time-narrated-by-william-shatner-1959.html" rel="bookmark" title="Permanent Link to Watch <i>City Out of Time</i>, A Short Tribute to Venice, Narrated by William Shatner in 1959"> Watch <i>City Out of Time</i>, A Short Tribute to Venice, Narrated by William Shatner in 1959 </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/film" rel="category tag">Film</a> </em> | March 30th, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016710" class="post-1016710 post type-post status-publish format-standard hentry category-film"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/9l_HySdf6E4?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Last month, Canada lost one of its important filmmakers, <a href="http://www.theglobeandmail.com/arts/film/colin-low-a-gentleman-genius-of-documentary-cinema/article29193112/">Colin Low</a>. Over a career spanning six decades, Low worked on over 200 productions at the <a href="https://www.nfb.ca">National Film Board of Canada</a>. He won countless awards, including two Short Film Palme d’Or awards at the Cannes Film Festival. His work inspired other soon-to-be-influential filmmakers, like Ken Burns and Stanley Kubrick. And he helped pioneer the giant-screen IMAX format.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/7rWt33EpSoQ?wmode=transparent&fs=1&hl=en&showsearch=0&rel=0&theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p>  </p></div> <p></p> <p>Above you can watch <em>City Out of Time</em>, Low’s short tribute to Venice. The 1959 film, writes the National Film Board of Canada, “depicts Venice in all its splendor. In the tradition of Venetian painter <a href="https://www.nationalgallery.org.uk/artists/canaletto">Canaletto</a>, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky.” The film also features a narration by a young William Shatner, then only 28 years old, whose voice sounds nothing like the one we’d hear several years later in <em>Star Trek</em>, never mind those unforgettable <a href="https://www.youtube.com/watch?v=V2OA-WCFYv4">spoken-word albums</a> he started releasing in the late 1960s.</p> <p><span style="font-weight: 400;"><em>City Out of Time</em> will be added to our list of </span><a href="http://www.openculture.com/free-documentaries-online"><span style="font-weight: 400;">Free Documentaries</span></a><span style="font-weight: 400;">, a subset of our collection </span><span style="font-weight: 400;"><a href="https://www.openculture.com/freemoviesonline">4,000+ Free Movies Online: Great Classics, Indies, Noir, Westerns, Documentaries & More</a>.</span></p> <p>The second film on the page is Low’s 1952 animation, <em>The Romance of Transportation in Canada</em>, which won a Short Film Palme d’Or at the Cannes Film Festival.</p> <p><strong>Related Content:</strong></p> <p><a title="Permanent Link to William Shatner Narrates Space Shuttle Documentary" href="http://www.openculture.com/2011/07/william_shatner_narrates_space_shuttle_documentary.html" rel="bookmark">William Shatner Narrates Space Shuttle Documentary</a></p> <p><a title="Permanent Link to National Film Board of Canada Launches Free iPad App" href="http://www.openculture.com/2010/06/national_film_board_of_canada_launches_free_ipad_app.html" rel="bookmark">National Film Board of Canada Launches Free iPad App</a></p> <p><a title="Permanent Link to Take a Virtual Tour of Venice (Its Streets, Plazas & Canals) with Google Street View" href="http://www.openculture.com/2013/11/google-street-view-presents-a-virtual-tour-of-venice.html" rel="bookmark">Take a Virtual Tour of Venice (Its Streets, Plazas & Canals) with Google Street View</a></p> <p><a title="Permanent Link to A Short History of the Venice Biennale, the World’s Most Important Art Exhibition" href="http://www.openculture.com/2015/05/a-short-history-of-the-venice-biennale-the-worlds-most-important-art-exhibition.html" rel="bookmark">A Short History of the Venice Biennale, the World’s Most Important Art Exhibition</a></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/dancolman" title="Posts by OC" rel="author">OC</a> | <a href="https://www.openculture.com/2016/03/city-out-of-time-narrated-by-william-shatner-1959.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/city-out-of-time-narrated-by-william-shatner-1959.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/city-out-of-time-narrated-by-william-shatner-1959.html#respond">None</a> ) | </p>   </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1016653" ><a href="https://www.openculture.com/2016/03/a-massive-800-track-playlist-of-90s-indie-alternative-music.html" rel="bookmark" title="Permanent Link to A Massive 800-Track Playlist of 90s Indie & Alternative Music, in Chronological Order"> A Massive 800-Track Playlist of 90s Indie & Alternative Music, in Chronological Order </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/music" rel="category tag">Music</a> </em> | March 29th, 2016 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>  <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1016653" class="post-1016653 post type-post status-publish format-standard has-post-thumbnail hentry category-music"> <p><img loading="lazy" decoding="async" width="504" height="343" class="alignleft size-full wp-image-1016667 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt="800 indie tracks" data-src="https://cdn8.openculture.com/wp-content/uploads/2016/03/800-indie-tracks.jpg" data-srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/28233808/800-indie-tracks.jpg 504w, https://cdn8.openculture.com/wp-content/uploads/2016/03/28233808/800-indie-tracks-150x102.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/28233808/800-indie-tracks-300x204.jpg 300w" data-sizes="auto, (max-width: 504px) 100vw, 504px"><noscript><img loading="lazy" loading="lazy" decoding="async" width="504" height="343" class="alignleft size-full wp-image-1016667" src="https://cdn8.openculture.com/wp-content/uploads/2016/03/800-indie-tracks.jpg" alt="800 indie tracks" srcset="https://cdn8.openculture.com/wp-content/uploads/2016/03/28233808/800-indie-tracks.jpg 504w, https://cdn8.openculture.com/wp-content/uploads/2016/03/28233808/800-indie-tracks-150x102.jpg 150w, https://cdn8.openculture.com/wp-content/uploads/2016/03/28233808/800-indie-tracks-300x204.jpg 300w" sizes="auto, (max-width: 504px) 100vw, 504px"></noscript>In the time it’s taken me to grow out of my wayward 90s youth and into mostly solid citizen adulthood, cultural memories of that decade have crystalized around a few genres that have seen some renewal of late. I’m more than pleased to find current musicians reviving shoegaze, 90s electronica, and neo-soul. And with so many artists who peaked twenty or so years ago still releasing records or getting back together for impressive reunions, it often seems like the music I grew up with never left, even if a whole raft of stars I couldn’t pick out of a lineup have emerged in the meantime.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>And yet, though the veneration of 90s music has become a thing in recent years, the perspective of it by people perhaps not even born when the decade ended tends to be somewhat limited. Perhaps all of us forget how strange and eclectic 90s music was. Even at the time, pop and alternative cultures were almost instantly reduced in films, compilation albums, and more-or-less every show on MTV. It was an era when subcultures were quickly commodified, sanitized, and sold back to us in theaters and on record shelves.</p> <div class="oc-center"><iframe loading="lazy" src="https://embed.spotify.com/?uri=spotify%3Auser%3Aaroonk%3Aplaylist%3A0AobtqBqO5K8g4rYxe1kjY" width="300" height="380" frameborder="0"></iframe></div> <p>To remind ourselves of just how wide-ranging the 90s were, we might turn to the expansive “giant 90s alt/indie/etc” playlist here, compiled by Aroon Korvna (born in 1982, but precociously “musically conscious” during the decade). The journey begins with the nasal chamber pop of They Might Be Giants’ “Birdhouse in Your Soul”—a classic of DIY dork-rock—and ends with Jay Z’s “Big Pimpin,” a song heralding the triumph of radio-ready rap and club hits over the decades’ many quirky rock and hip-hop guises.</p> <div class="oc-center"><iframe loading="lazy" src="https://embed.spotify.com/?uri=spotify%3Auser%3Aaroonk%3Aplaylist%3A5yrUuAfnQsW9ulh2UvMhBe" width="300" height="380" frameborder="0"></iframe></div> <p>Hear the playlist in three parts: <a href="https://open.spotify.com/user/aroonk/playlist/0AobtqBqO5K8g4rYxe1kjY">Part I (1990–94)</a> and <a href="https://open.spotify.com/user/aroonk/playlist/5yrUuAfnQsW9ulh2UvMhBe">II (1995–96)</a> above; <a href="https://open.spotify.com/user/aroonk/playlist/666eHSlGkeanMlsEn9F0am">Part III (1997–99)</a> below. (If you need Spotify’s software, <a href="http://www.spotify.com/us/download">download it here</a>.) Along the way, we run into forgotten songs by under-the-radar bands like The Dwarves, Red House Painters, Guided By Voices, The Beta Band, and The Microphones; leftfield choices from one-hit wonders like Ned’s Atomic Dustbin and Information Society; the first stirrings from now-superstars like Daft Punk and Jack White; and cuts from just about every other artist on college or alternative radio throughout the decade.</p> <div class="oc-center"><iframe loading="lazy" src="https://embed.spotify.com/?uri=spotify%3Auser%3Aaroonk%3Aplaylist%3A666eHSlGkeanMlsEn9F0am" width="300" height="380" frameborder="0"></iframe></div> <p>“The inspiration for this playlist,” <a href="https://medium.com/@naxuu/here-s-a-giant-800-track-alt-indie-focused-90-s-playlist-in-chronological-order-5d2402fd4a61#.imlmx94pe">writes Korvna</a>, “came from seeing one too many of those nostalgia-bait pieces aimed at my cohort: ‘You totally forgot about these 20 amazing hits from the 90’s.… After the 6th or 7th of these articles all listing off the same obvious things, you start to think you really have heard everything from the 90s. But we all know that’s not true.”</p> <p>By doing a bit of internet research to fill gaps in memory, Korvna compiled “a mix of things everyone is familiar with, and more obscure artifacts, the sorts of songs you might have only been familiar with if you were, say, listening to college rock in 1991.”</p> <p>If the 90s is to you an unknown country, you’ll find that this three-part Spotify playlist offers a comprehensive walk-through of the decades’ diverse musical culture—and it doesn’t just play the hits. If you’re a gentleman or lady of a certain age, it will refresh a few memories, make you smile and wince with nostalgia, and perhaps fill you with indignation over all the songs you think need to be on there but aren’t.</p> <p>Feel free to leave your suggestions in the comments—or to make your own 90s playlist. And while you’re at it, you might want to take a look at Flavorwire’s surprising list of “<a href="http://flavorwire.com/182592/an-alphabetical-list-of-105-90s-alternative-bands-that-still-exist">105 ‘90s Alternative Bands that Still Exist</a>.”</p> <p>via <a href="http://www.metafilter.com/150791/Why-did-I-write-so-much-about-this-shit-Who-cares-Enjoy">Metafilter</a>/<a href="https://medium.com/@naxuu/here-s-a-giant-800-track-alt-indie-focused-90-s-playlist-in-chronological-order-5d2402fd4a61#.3669smcx9">Medium</a></p> <p><strong>Related Content:</strong></p> <p><a href="http://www.openculture.com/2016/02/1000-recordings-to-hear-before-you-die-playlist.html">1,000 Recordings to Hear Before You Die: Stream a Huge Playlist of Songs Based on the Bestselling Book</a></p> <p><a href="http://www.openculture.com/2014/05/62-psychedelic-classics-a-free-playlist-created-by-sean-lennon.html">62 Psychedelic Classics: A Free Playlist Created by Sean Lennon</a></p> <p><a href="http://www.openculture.com/2014/11/radio-david-byrne.html">Radio David Byrne: Stream Free Music Playlists Created Every Month by the Frontman of Talking Heads</a></p> <p><a href="http://about.me/jonesjoshua"><em>Josh Jones</em></a><em> is a writer and musician based in Durham, NC. Follow him at <a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2016/03/a-massive-800-track-playlist-of-90s-indie-alternative-music.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2016/03/a-massive-800-track-playlist-of-90s-indie-alternative-music.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2016/03/a-massive-800-track-playlist-of-90s-indie-alternative-music.html#comments">12</a> ) | </p>   </div> </div> </div> </div> <div class="cleared"></div> <a href="https://www.openculture.com/2016/03/page/2" >More in this category... »</a> </div>  <div class="middle_sidebar"> <ul id="middle_sidebarwidgeted"> <li id="execphp-431254483" class="widget widget_execphp"><h2 class="widgettitle">Essentials</h2> <div class="execphpwidget"><div class="widgetbox"> <ul> <li><a href="https://www.openculture.com/freeonlinecourses">1,700 Free Online Courses</a></li> <li><a href="https://www.openculture.com/online-certificate-programs">200 Online Certificate Programs</a></li> <li><a href="https://www.openculture.com/online-degrees">100+ Online Degree & Mini-Degree Programs</a></li> <li><a href="https://www.openculture.com/freemoviesonline">1,150 Free Movies</a></li> <li><a href="https://www.openculture.com/freeaudiobooks">1,000 Free Audio Books</a></li> <li><a href="https://www.openculture.com/great-podcasts">150+ Best Podcasts</a></li> <li><a href="https://www.openculture.com/free_ebooks">800 Free eBooks</a></li> <li><a href="https://www.openculture.com/free_textbooks">200 Free Textbooks</a></li> <li><a href="https://www.openculture.com/freelanguagelessons">300 Free Language Lessons</a></li> <li><a href="https://www.openculture.com/business_free_courses">150 Free Business Courses</a></li> <li><a href="https://www.openculture.com/free_k-12_educational_resources">Free K-12 Education</a></li> <li><a href="https://www.openculture.com/dailyemail">Get Our Daily Email</a></li> </ul> </div></div> </li><li id="execphp-431254506" class="widget widget_execphp"><h2 class="widgettitle">Support Us</h2> <div class="execphpwidget"><div class="widgetbox noborder"> <br> We're hoping to rely on loyal readers, rather than erratic ads. 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Eliot Reads Waste Land</a></li> <li><a href="https://www.openculture.com/2013/05/hear_sylvia_plath_read_fifteen_poems_from_her_final_collection_ariel_in_1962_recording.html">Sylvia Plath - Ariel</a></li> <li><a href="https://www.openculture.com/2013/06/on_bloomsday_hear_james_joyce_read_from_his_epic_iulyssesi_1924.html">Joyce Reads Ulysses</a></li> <li><a href="https://www.openculture.com/2012/02/james_joyce_reads_anna_livia_plurabelle_from_ifinnegans_wakei.html">Joyce - Finnegans Wake</a></li> <li><a href="https://www.openculture.com/2013/01/watch_patti_smith_read_from_virginia_woolf_and_hear_the_only_surviving_recording_of_woolfs_voice.html">Patti Smith Reads Virginia Woolf</a></li> <li><a href="https://www.openculture.com/2013/03/listen_as_albert_einstein_reads_the_common_language_of_science_1941.html">Albert Einstein</a></li> <li><a href="https://www.openculture.com/2013/08/charles-bukowski-poem-read-by-bukowski-tom-waits-and-bono.html">Charles Bukowski</a></li> <li><a href="https://www.openculture.com/2013/07/bill-murray-reads-poetry-by-billy-collins-cole-porter-and-sarah-manguso.html">Bill Murray</a></li> <li><a href="https://www.openculture.com/2010/04/ernest_hemingway_reads_in_harrys_bar_in_venice.html">Hemingway</a></li> <li><a href="https://www.openculture.com/2012/09/f_scott_fitzgerald_reads_from_shakespeares_iothelloi_and_john_masefields_on_growing_old_c1940.html">Fitzgerald Reads Shakespeare</a></li> <li><a href="https://www.openculture.com/2010/04/william_faulkner_reads_from_as_i_lay_dying.html">William Faulkner</a></li> <li><a href="https://www.openculture.com/2012/05/rare_1959_audio_flannery_oconnor_reads_a_good_man_is_hard_to_find.html">Flannery O'Connor</a></li> <li><a href="https://www.openculture.com/2013/07/j-r-r-tolkien-reads-from-the-two-towers-the-second-book-of-the-lord-of-the-rings-trilogy.html">Tolkien - The Hobbit</a></li> <li><a href="https://www.openculture.com/2012/06/allen_ginsberg_reads_his_beat_classic_poem_howl.html">Allen Ginsberg - Howl</a></li> <li><a href="https://www.openculture.com/2012/06/rare_1930s_audio_wb_yeats_reads_four_of_his_poems.html">W.B Yeats</a></li> <li><a href="https://www.openculture.com/2012/10/ezra_pounds_fiery_1939_reading_of_his_early_poem_isestina_altafortei.html">Ezra Pound</a></li> <li><a href="https://www.openculture.com/2012/08/dylan_thomas_recites_do_not_go_gentle_into_that_good_night_and_other_poems.html">Dylan Thomas</a></li> <li><a href="https://www.openculture.com/2013/02/anne_sexton_confessional_poet_reads_wanting_to_die_in_ominous_1966_video.html">Anne Sexton</a></li> <li><a href="https://www.openculture.com/2014/06/john-cheever-reads-the-swimmer.html">John Cheever</a></li> <li><a href="https://www.openculture.com/2014/09/hear-david-foster-wallace-read-his-own-essays-and-short-fiction.html">David Foster Wallace</a></li> </ul> </div></div> </li><li id="execphp-431254484" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Book Lists By</h2> <ul> <li><a href="https://www.openculture.com/2011/12/neil_degrasse_tyson_8_books_every_intelligent_person_should_read.html">Neil deGrasse Tyson</a></li> <li><a href="https://www.openculture.com/2013/05/ernest_hemingways_reading_list_for_a_young_writer_1934.html">Ernest Hemingway</a></li> <li><a href="https://www.openculture.com/2013/08/f-scott-fitzgerald-creates-a-list-of-22-essential-books-1936.html">F. Scott Fitzgerald</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2015/04/patti-smiths-list-of-favorite-books.html">Patti Smith</a></li> <li><a href="https://www.openculture.com/2015/08/brian-eno-book-lists.html">Brian Eno</a></li> <li><a href="https://www.openculture.com/2015/04/henry-miller-makes-a-list-of-the-100-books-that-influenced-me-most.html">Henry Miller</a></li> <li><a href="https://www.openculture.com/2012/09/christopher_hitchens_creates_a_reading_list_for_eight-year-old_girl.html">Christopher Hitchens</a></li> <li><a href="https://www.openculture.com/2013/11/joseph-brodskys-reading-list-for-having-an-intelligent-conversation.html">Joseph Brodsky</a></li> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">W.H. Auden</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2012/07/carl_sagans_undergrad_reading_list_from_plato_and_shakespeare_to_huxley_and_gide.html">Carl Sagan</a></li> <li><a href="https://www.openculture.com/2013/10/david-bowies-list-of-top-100-books.html">David Bowie</a></li> <li><a href="https://www.openculture.com/2015/03/the-books-samuel-beckett-really-liked.html">Samuel Beckett</a></li> <li><a href="https://www.openculture.com/2014/09/art-garfunkel-lists-1195-books.html">Art Garfunkel</a></li> <li><a href="https://www.openculture.com/2014/10/the-430-books-in-marilyn-monroes-library.html">Marilyn Monroe</a></li> <li><a href="https://www.openculture.com/2015/03/jorge-luis-borges-personal-library.html">Jorge Luis Borges</a></li> <li><a href="https://www.openculture.com/2015/03/74-books-curated-by-female-creatives.html">Picks by Female Creatives</a></li> </ul> </div> </div> </li><li id="execphp-431254513" class="widget widget_execphp"> <div class="execphpwidget"></div> </li><li id="execphp-431254490" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Syllabi</h2> <ul> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">WH Auden</a></li> <li><a href="https://www.openculture.com/2013/02/david_foster_wallaces_1994_syllabus.html">David Foster Wallace</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2013/08/zadie-smith-and-gary-shteyngarts-syllabi-from-columbia-university.html">Zadie Smith & Gary Shteyngart</a></li> <li><a href="https://www.openculture.com/2013/07/spike-lee-shares-his-nyu-teaching-list-of-87-essential-films-every-aspiring-director-should-see.html">Spike Lee</a></li> <li><a href="https://www.openculture.com/2014/11/lynda-barrys-wonderfully-illustrated-syllabus-homework-assignments-from-her-uw-madison-class-the-unthinkable-mind.html">Lynda Barry</a></li> <li><a href="https://www.openculture.com/2015/02/junot-diazs-syllabi-for-his-mit-writing-classes.html">Junot Diaz</a></li> </ul> </div></div> </li><li id="execphp-431254491" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Favorite Movies</h2> <ul> <li><a href="https://www.openculture.com/2013/07/stanley-kubricks-list-of-top-ten-films.html">Kubrick</a></li> <li><a href="https://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html">Kurosawa's 100</a></li> <li><a href="https://www.openculture.com/2013/08/quentin-tarantino-lists-the-12-greatest-films-of-all-time.html">Tarantino</a></li> <li><a href="https://www.openculture.com/2013/07/martin-scorsese-reveals-his-10-favorite-movies.html">Scorsese</a></li> <li><a href="https://www.openculture.com/2014/08/andrei-tarkovsky-creates-a-list-of-his-10-favorite-films-1972.html">Tarkovsky</a></li> <li><a href="https://www.openculture.com/2013/09/david-lynch-on-his-favorite-directors-including-fellini-wilder-tati-and-hitchcock.html">David Lynch</a></li> <li><a href="https://www.openculture.com/2014/05/werner-herzog-picks-his-5-favorite-films.html">Werner Herzog</a></li> <li><a href="https://www.openculture.com/2013/08/woody-allen-lists-the-greatest-films-of-all-time.html">Woody Allen</a></li> <li><a href="https://www.openculture.com/2014/03/wes-andersons-favorite-films.html">Wes Anderson</a></li> <li><a href="https://www.openculture.com/2015/05/the-10-favorite-films-of-avant-garde-surrealist-filmmaker-luis-bunuel-including-his-own-collaboration-with-salvador-dali.html">Luis Buñuel</a></li> <li><a href="https://www.openculture.com/2014/07/roger-eberts-final-list-of-his-top-10-favorite-films-2012.html">Roger Ebert</a></li> <li><a href="https://www.openculture.com/2013/12/susan-sontags-50-favorite-films.html">Susan Sontag</a></li> <li><a href="https://www.openculture.com/2014/10/scorseses-list-of-39-essential-foreign-films.html">Scorsese Foreign Films</a></li> <li><a href="https://www.openculture.com/2014/10/44-essential-movies-for-the-student-of-philosophy.html">Philosophy Films</a></li> </ul> </div></div> </li><li id="archives-3" class="widget widget_archive"><h2 class="widgettitle">Archives</h2> <ul> <li><a href='https://www.openculture.com/2025/03'>March 2025</a></li> <li><a href='https://www.openculture.com/2025/02'>February 2025</a></li> <li><a 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