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</div> </div> </div> </header> <div id="content" class="site-content">  <div class="ad-wrapper ad-bottom-margin ad-leaderboard ad-has-disclaimer htlad-observer_leaderboard_atf" id="observer_leaderboard_atf"></div>  <div id="single-post-wrapper"> <div id="primary" class="content-area"> <main id="main" class="site-main" role="main"> <div class="article-wrap"> <article id="post-1461990" class="post-1461990 post type-post status-publish format-standard has-post-thumbnail tag-exhibitions tag-new-york-city-ballet tag-photography tag-visu-contemporary channel-arts channel-art-reviews channel-galleries channel-dance nyo_person-marc-happel nyo_person-pari-dukovic nyo_person-valentino-garavani nyo_person-sarah-burton nyo_person-thom-browne nyo_person-prabal-gurung nyo_person-carolina-herrera nyo_person-virgil-abloh" data-post="" data-title="Choreography Meets Couture at Pari Dukovic’s VISU Contemporary Show" data-url="" data-page-url="/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/" data-date="2024-10-31 16:17:52" data-date-iso="2024-10-31T16:17:52-04:00" data-author="Angelica Frey" data-coauthors="Angelica Frey" data-channels="Arts, Art Reviews, Galleries, Dance" data-piped-channels="Arts|Art Reviews|Galleries|Dance" > <header class="entry-header"> <div class="entry-teaser"> <a href="https://observer.com/arts/" aria-label="Read more articles on Arts">Arts</a><span>  •  </span><a href="https://observer.com/art-reviews/" aria-label="Read more articles on Art Reviews">Art Reviews</a> </div> <h1 class="entry-title" itemprop="headline">Choreography Meets Couture at Pari Dukovic’s VISU Contemporary Show</h1> <h2 class="dek">The works in the show come from what was “probably my most challenging shoot, in many ways,” Dukovic told Observer. </h2> <div class="entry-meta nyo-social-comments nyo-social-comments-above"> By <span class="author" itemprop="author"><a rel="author" class="url fn n" href="https://observer.com/author/angelica-frey/" title="View All Posts by Angelica Frey">Angelica Frey</a></span> • <span class="entry-date"><time itemprop="datePublished" datetime="2024-10-31">10/31/24 4:17pm</time></span> <svg aria-hidden="true" style="position: absolute; width: 0; height: 0; overflow: hidden;" version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink"> <defs> <symbol id="icon-envelope" viewBox="0 0 28 28"> <path d="M26 23.5v-12c-0.328 0.375-0.688 0.719-1.078 1.031-2.234 1.719-4.484 3.469-6.656 5.281-1.172 0.984-2.625 2.188-4.25 2.188h-0.031c-1.625 0-3.078-1.203-4.25-2.188-2.172-1.813-4.422-3.563-6.656-5.281-0.391-0.313-0.75-0.656-1.078-1.031v12c0 0.266 0.234 0.5 0.5 0.5h23c0.266 0 0.5-0.234 0.5-0.5zM26 7.078c0-0.391 0.094-1.078-0.5-1.078h-23c-0.266 0-0.5 0.234-0.5 0.5 0 1.781 0.891 3.328 2.297 4.438 2.094 1.641 4.188 3.297 6.266 4.953 0.828 0.672 2.328 2.109 3.422 2.109h0.031c1.094 0 2.594-1.437 3.422-2.109 2.078-1.656 4.172-3.313 6.266-4.953 1.016-0.797 2.297-2.531 2.297-3.859zM28 6.5v17c0 1.375-1.125 2.5-2.5 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4h4.915c.26-1.285.273-2.648 0-4m-12.156-7.729c-3.077.732-5.567 2.886-6.811 5.729h4.653c.435-2.042 1.178-3.985 2.158-5.729m2.355-.048c-1.089 1.77-1.91 3.453-2.463 5.777h4.927c-.534-2.246-1.337-3.948-2.464-5.777m2.368.069c1.013 1.812 1.733 3.76 2.146 5.708h4.654c-1.232-2.816-3.762-4.958-6.8-5.708" fill-rule="evenodd" clip-rule="evenodd"/> </symbol> </defs> </svg> <ul class="social-icons large share-buttons" id="sharing"> <li class="facebook"> <a data-label="facebook" data-social-target="https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/" href="https://www.facebook.com/sharer.php?u=https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/" title="Share on Facebook" target="_blank"> <svg class="social-icon"><use xlink:href="#icon-facebook"></use></svg> </a> </li> <li class="twitter"> <a data-label="twitter" data-social-target="https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/" 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https://observer.com/wp-content/uploads/sites/2/2024/10/Zac-Posen-on-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=300,200 300w, https://observer.com/wp-content/uploads/sites/2/2024/10/Zac-Posen-on-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=768,512 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Zac-Posen-on-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=635,423 635w, https://observer.com/wp-content/uploads/sites/2/2024/10/Zac-Posen-on-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=970,647 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Zac-Posen-on-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=320,213 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Zac-Posen-on-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=50,33 50w" sizes="(max-width: 600px) 300px, 620px" /></a><figcaption id="caption-attachment-1462015" class="wp-caption-text">Zac Posen on Mimi Staker. <span class="media-credit">Copyright Pari Dukovic</span></figcaption></figure> <p>When it came to documenting the collaboration between the New York City Ballet and certain high-profile heritage fashion houses, award-winning photographer <a href="https://observer.com/person/pari-dukovic/" title="Pari Dukovic" class="company-link">Pari Dukovic</a> had to balance several contrasting forces: the stillness of portraiture and the dynamism of dancers… the individuality of each designer and the cohesive narrative of an institution like the NYCB… the flat two-dimensionality of a photograph and the immersive tridimensional nature of ballet. On top of it all, the 130 looks pulled by director of costumes <a href="https://observer.com/person/marc-happel/" title="Marc Happel" class="company-link">Marc Happel</a> had to be shot in a span of just six days. “This was probably my most challenging shoot, in many ways,” Dukovic told Observer.</p> <section class="wp-block-observer-newsletters observer-newsletters--in-content"> <form class="newsletters-block__container" method="post" action="#" id="newsletter-6747bbc3645b24.44856830" data-form="subscribe-newsletter" data-recaptcha-key="6LexvRggAAAAAF1HvCWrHtG4UAa7m0WIdyIgstAo" data-form-action="https://observer.com/newsletter-subscribe.json"> <div class="observer-newsletters__in-content-icon"> <svg fill="none" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 51 51" width="50" height="50"><path d="M18.124 15.961C23.25 8.783 30.096 4.967 33.682 7.305a4.04 4.04 0 0 1 1.013.97c0 .028 8.3 16.017 8.3 16.017l4.634 2.989a6.39 6.39 0 0 1 1.793 1.732c.472.684.798 1.45.96 2.253.161.804.154 1.63-.02 2.432a6.075 6.075 0 0 1-.995 2.24l-.209.291c-.977 1.355-2.475 2.288-4.17 2.598a6.827 6.827 0 0 1-4.883-.943L32.662 48.32c-1.095 1.285-3.197 2.564-5.792 1.059a3.834 3.834 0 0 1-1.15-1.093 3.63 3.63 0 0 1-.587-1.444 3.763 3.763 0 0 1 .008-1.55 3.85 3.85 0 0 1 .635-1.427l6.556-9.208s-15.5-1.174-15.557-1.196a3.812 3.812 0 0 1-1.35-.552c-1.842-1.19-2.502-3.688-1.865-7.035.573-3.082 2.2-6.572 4.564-9.914Zm29.349 19.182.208-.292c.334-.467.567-.992.687-1.545a4.09 4.09 0 0 0 .012-1.678 4.18 4.18 0 0 0-.665-1.555 4.407 4.407 0 0 0-1.239-1.193l-4.002-2.592-5.282 7.405 4.002 2.592a4.64 4.64 0 0 0 1.624.655c.581.114 1.18.119 1.764.013a4.65 4.65 0 0 0 1.634-.631 4.42 4.42 0 0 0 1.257-1.179Zm-20.03 9.809a1.96 1.96 0 0 0-.324 1.528c.108.53.433.998.904 1.3.472.302 1.05.413 1.608.31A2.158 2.158 0 0 0 31 47.23l7.42-10.405-2.983-1.93-.788-.06-7.205 10.117Zm7.832-12.009 5.757-8.072-5.491-10.657c-.533 2.993-2.091 6.55-4.582 10.04-2.49 3.49-5.386 6.18-8.108 7.758l12.424.931ZM18.188 31.66c2.768-.171 7.275-3.143 11.092-8.497s5.056-10.42 4.205-12.94a2.354 2.354 0 0 0-.877-1.185 2.55 2.55 0 0 0-1.44-.47c-2.746 0-7.42 2.989-11.347 8.497-2.212 3.099-3.823 6.34-4.263 9.175-.863 5.42 2.63 5.42 2.63 5.42Z" fill="#000"/><path d="M25.364 16.165a5.726 5.726 0 0 1 2.148.01c.708.14 1.38.412 1.976.8.11.073.204.166.276.272a.941.941 0 0 1 .14.73.947.947 0 0 1-.158.347.998.998 0 0 1-.285.263 1.047 1.047 0 0 1-.767.133 1.046 1.046 0 0 1-.364-.15 3.572 3.572 0 0 0-1.25-.503 3.648 3.648 0 0 0-1.355-.01 3.574 3.574 0 0 0-1.257.486c-.381.238-.71.546-.966.906s-.436.763-.528 1.189a3.152 3.152 0 0 0-.01 1.29c.086.427.26.834.51 1.197.25.363.574.675.952.92a.972.972 0 0 1 .382.48c.07.194.074.405.01.602a.969.969 0 0 1-.37.49 1.048 1.048 0 0 1-.601.186 1.026 1.026 0 0 1-.58-.165 5.305 5.305 0 0 1-2.01-2.363 4.999 4.999 0 0 1-.29-3.028 5.165 5.165 0 0 1 1.527-2.67 5.592 5.592 0 0 1 2.83-1.412h.04Zm-8.491-6.914h-.098c-.25 0-.493-.088-.679-.248a.95.95 0 0 1-.329-.617l-.782-7.234a.919.919 0 0 1 .21-.725c.083-.1.188-.185.306-.247a1.05 1.05 0 0 1 1.14.105.974.974 0 0 1 .36.668l.776 7.24a.933.933 0 0 1-.222.707c-.17.199-.414.325-.682.351ZM3.771 7.763c.149-.214.38-.363.644-.414.264-.052.538-.002.764.138l7.06 4.41a.974.974 0 0 1 .396.482.922.922 0 0 1 .014.611.969.969 0 0 1-.376.496 1.05 1.05 0 0 1-.613.182 1.07 1.07 0 0 1-.58-.155l-7.06-4.41a.961.961 0 0 1-.415-.622.928.928 0 0 1 .166-.718ZM1.61 19.54l8.214-1.406c.265-.045.538.011.759.158.221.146.372.37.42.622a.93.93 0 0 1-.166.723c-.154.21-.389.354-.654.4l-8.207 1.405h-.18c-.258.007-.51-.08-.703-.243A.933.933 0 0 1 .97 19.88a1.03 1.03 0 0 1 .646-.358l-.005.017Z" fill="#000"/></svg> </div> <div class="observer-newsletters__in-content-inner"> <header class="newsletters-block__header"> <h2 class="newsletters-block__title"> Sign Up For Our Daily Newsletter </h2> </header> <div class="newsletters-block__form"> <input type="hidden" name="action" value="subscribe_newsletter"> <input type="hidden" name="newsletters[]" value="newsletter-daily" id="newsletter-daily"> <div class="newsletters-block__fields wp-block-button"> <input class="newsletters-block__input" aria-label="Email Address" placeholder="Email Address" type="email" name="email" required=""> <button class="wp-block-button__link in_article_single_newsletter_button" type="submit"> Sign Up </button> </div> <p class="newsletter-block__success"> Thank you for signing up! </p> <p class="newsletter-block__error"></p> <p class="newsletters-block__disclaimer"> By clicking submit, you agree to our <a href="http://observermedia.com/terms">terms of service</a> and acknowledge we may use your information to send you emails, product samples, and promotions on this website and other properties. You can opt out anytime. </p> </div> <a href="https://observer.com/subscribe/" class="newsletters-block__see-all in_article_single_newsletter_see_all_link"> See all of our newsletters </a> </div> </form> </section> <p>The resultant photographs were the subject of the 2023 Rizzoli book <a target="_blank" target="_blank" rel="noopener" href="https://www.rizzoliusa.com/book/9780847873203/" data-lasso-id="2631766"><i>New York City Ballet: Choreography & Couture</i></a> and are now being exhibited at VISU Contemporary in Miami in the first stop on what Dukovic envisions as a multi-venue tour. The exhibition features twenty-five prints showcasing nearly thirty couture costumes created for the NYCB’s annual Fall Fashion Gala, first conceived of by Sarah Jessica Parker in 2012. Among them are striking prints of the Company’s dancers wearing <a href="https://observer.com/person/sarah-burton/" title="Sarah Burton" class="company-link">Sarah Burton</a>, <a href="https://observer.com/person/thom-browne/" title="Thom Browne" class="company-link">Thom Browne</a>, <a href="https://observer.com/person/prabal-gurung/" title="Prabal Gurung" class="company-link">Prabal Gurung</a>, <a href="https://observer.com/person/carolina-herrera/" title="Carolina Herrera" class="company-link">Carolina Herrera</a> and the late <a href="https://observer.com/person/virgil-abloh/" title="Virgil Abloh" class="company-link">Virgil Abloh</a>, among others—it’s rare to see dance and fashion and art as masterfully melded as they are here.</p><div data-ad="1" class="ad-wrapper ad-top-margin ad-has-disclaimer ad-incontent ad-mobile htlad-observer_article_instream_mobile_1" id="observer_article_instream_mobile_1"></div><div class="ad-wrapper ad-top-margin ad-desktop ad-has-disclaimer ad-incontent htlad-observer_article_instream_dsk_1" id="observer_article_instream_dsk_1"></div> <figure id="attachment_1462008" aria-describedby="caption-attachment-1462008" style="width: 970px" class="wp-caption aligncenter"><a href="https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/christopher-grant-in-alejandro-gomez-palomo-for-palomo-spain_copyright-pari-dukovic/" rel="attachment wp-att-1462008" data-lasso-id="2631767"><img decoding="async" class="lazyload size-full-width wp-image-1462008" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="598" data-srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg 5000w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=300,185 300w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=768,474 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=635,392 635w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=1536,947 1536w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=2048,1263 2048w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=970,598 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=320,197 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=1920,1184 1920w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=50,31 50w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload size-full-width wp-image-1462008" src="https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="598" srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg 5000w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=300,185 300w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=768,474 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=635,392 635w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=1536,947 1536w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=2048,1263 2048w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=970,598 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=320,197 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=1920,1184 1920w, https://observer.com/wp-content/uploads/sites/2/2024/10/Christopher-Grant-in-Alejandro-Gomez-Palomo-for-Palomo-Spain_Copyright-Pari-Dukovic.jpg?resize=50,31 50w" sizes="(max-width: 600px) 300px, 620px" /></noscript></a><figcaption id="caption-attachment-1462008" class="wp-caption-text">Christopher Grant in Alejandro Gómez Palomo for Palomo Spain. <span class="media-credit">Copyright Pari Dukovic</span></figcaption></figure> <p>Dukovic, in the 2010s, was a staff photographer at the New Yorker and shot the likes of Barack Obama, Gayle King, Taylor Swift and Nancy Pelosi. He started working for the NYCB in 2019, shooting the annual marketing campaigns that promote each year’s program, and was soon tapped to photograph the regular artistic partnerships between the Company and top fashion designers. (<a href="https://observer.com/person/valentino-garavani/" title="Valentino Garavani" class="company-link">Valentino Garavani</a> designed the first Fall Fashion Gala costumes for then-company director Peter Martins, who choreographed four ballets for the inaugural event around the designer’s concepts.) Dukovic was scheduled to start shooting in 2020. “Of course, that didn’t happen,” he said. “On the flip side, it provided me with the time to focus on tailoring a creative direction for the book.”</p> <figure id="attachment_1462010" aria-describedby="caption-attachment-1462010" style="width: 970px" class="wp-caption aligncenter"><a href="https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/iris-van-herpen-on-india-bradley-and-alec-knight_copyright-pari-dukovic/" rel="attachment wp-att-1462010" data-lasso-id="2631768"><img decoding="async" class="lazyload size-full-width wp-image-1462010" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="1213" data-srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg 1112w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=240,300 240w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=768,961 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=480,600 480w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=970,1213 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=320,400 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=40,50 40w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload size-full-width wp-image-1462010" src="https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="1213" srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg 1112w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=240,300 240w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=768,961 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=480,600 480w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=970,1213 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=320,400 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Iris-Van-Herpen-on-India-Bradley-and-Alec-Knight_Copyright-Pari-Dukovic.jpg?resize=40,50 40w" sizes="(max-width: 600px) 300px, 620px" /></noscript></a><figcaption id="caption-attachment-1462010" class="wp-caption-text">Iris Van Herpen on India Bradley and Alec Knight. <span class="media-credit">Copyright Pari Dukovic</span></figcaption></figure> <p>The two-year hiatus between the project kickoff date and the actual photoshoots, which happened in 2022, gave him time to unleash his inner nerd. “I had an Excel sheet with a picture of each dancer and a picture of each costume, and I had a grid of this dancer with this costume or these three dancers with this costume collection,” he explained. His copious notes include background colors along with the potential perspective and angle for each shot.</p> <blockquote><p><em><strong>SEE ALSO: <a href="https://observer.com/2024/10/art-review-andrew-wyeth-botanical-imagination-bruce-museum/" data-gtm-vis-recent-on-screen460147_156="2094" data-gtm-vis-first-on-screen460147_156="2094" data-gtm-vis-total-visible-time460147_156="100" data-gtm-vis-has-fired460147_156="1" data-gtm-vis-recent-on-screen460147_316="2115" data-gtm-vis-first-on-screen460147_316="2115" data-gtm-vis-total-visible-time460147_316="100" data-gtm-vis-has-fired460147_316="1" data-lasso-id="2631769">‘Andrew Wyeth’s Botanical Imagination’ at the Bruce Museum </a></strong></em></p></blockquote> <p>His fascination with art history, which informs his practice, proved to be the winning element. “I’m originally from Istanbul, and I double-majored in photography and art history,” he said. “Being born and raised there, you’re kind of surrounded by art history. For the Company, I was thinking, how do I bring dancers together to be able to almost pay homage to that? You know, in my own way, through my own visual vocabulary.”</p><div data-ad="1" class="ad-wrapper ad-top-margin ad-has-disclaimer ad-incontent ad-mobile htlad-observer_article_instream_mobile_2" id="observer_article_instream_mobile_2"></div><div class="ad-wrapper ad-top-margin ad-desktop ad-has-disclaimer ad-incontent htlad-observer_article_instream_dsk_2" id="observer_article_instream_dsk_2"></div> <p>The sleek, geometric Rosie Assoulin costumes that reference suiting, created in 2016 for the ballet <i>Unframed, </i>reminded him of Picasso’s line drawings. With Olivier Theyskens’ costumes for the 2013 production of <i>The Crucible, </i>with their loose, weightless fabric, Dukovic wanted to channel the Nike of Samothrakia. For Humberto Leon’s costumes for <i>New Blood, </i>a series of destructured unitards that drew inspiration from Jane Fonda’s aerobics, he staged an ensemble shot that recreated the structure of Matisse’s <i>La Danse</i>.</p> <figure id="attachment_1462014" aria-describedby="caption-attachment-1462014" style="width: 970px" class="wp-caption aligncenter"><a href="https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/valentino-on-chun-wai-chan-and-mimi-staker_copyright-pari-dukovic/" rel="attachment wp-att-1462014" data-lasso-id="2631770"><img decoding="async" class="lazyload size-full-width wp-image-1462014" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="1295" data-srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg 972w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=225,300 225w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=768,1026 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=449,600 449w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=970,1295 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=320,427 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=37,50 37w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload size-full-width wp-image-1462014" src="https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="1295" srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg 972w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=225,300 225w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=768,1026 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=449,600 449w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=970,1295 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=320,427 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Valentino-on-Chun-Wai-Chan-and-Mimi-Staker_Copyright-Pari-Dukovic.jpg?resize=37,50 37w" sizes="(max-width: 600px) 300px, 620px" /></noscript></a><figcaption id="caption-attachment-1462014" class="wp-caption-text">Valentino on Chun Wai Chan and Mimi Staker. <span class="media-credit">Copyright Pari Dukovic</span></figcaption></figure> <p>Dukovic speaks highly of the collaborative process and those who participated in it—particularly of the dancers who showed up for six ten-hour days. “The beauty of working with a dancer is you give them a note, and they know exactly how to execute it—the timing of it is phenomenal,” he said. But they also were forthright about calibrating Dukovic’s expectations. “You know, because I’m not a ballet dancer, they were able to guide me.” In one instance, it turned out a costume designed by Sarah Burton for Alexander McQueen that combined an ornate bodice with a full, multi-layered skirt that only <i>looked</i> weightless. The dancer helped Dukovic, who thought the costume would be lighter, get the shot he’d envisioned.</p> <p>The VISU Contemporary show marks the first time Dukovic’s photos are being shown outside the book and the first time they’ve been enlarged—some to near life-size. “It’s my first time getting to see these photographs printed on a large scale,” the photographer said with excitement in his voice.</p> <p><b>“</b><a target="_blank" target="_blank" rel="noopener" href="https://visugallery.com/exhibitions/19/overview/" data-lasso-id="2631771"><b>En Pointe: Dance & Fashion</b></a><b>” is on view at Miami’s </b><b>VISU Contemporary</b><b> through November 16. From there, the exhibition will travel to several additional venues yet to be announced.</b></p><div data-ad="1" class="ad-wrapper ad-top-margin ad-has-disclaimer ad-incontent ad-mobile htlad-observer_article_instream_mobile_3" id="observer_article_instream_mobile_3"></div><div class="ad-wrapper ad-top-margin ad-desktop ad-has-disclaimer ad-incontent htlad-observer_article_instream_dsk_3" id="observer_article_instream_dsk_3"></div> <figure id="attachment_1462011" aria-describedby="caption-attachment-1462011" style="width: 970px" class="wp-caption aligncenter"><a href="https://observer.com/2024/10/en-pointe-pari-dukovic-visu-contemporary-show/jovani-furlan-and-india-bradley-in-rosie-assoulin_copyright-pari-dukovic/" rel="attachment wp-att-1462011" data-lasso-id="2631772"><img decoding="async" class="lazyload size-full-width wp-image-1462011" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="621" data-srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg 4687w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=300,192 300w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=768,492 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=635,406 635w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=1536,983 1536w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=2048,1311 2048w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=970,621 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=320,205 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=1920,1229 1920w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=50,32 50w" sizes="(max-width: 600px) 300px, 620px" /><noscript><img decoding="async" class="lazyload size-full-width wp-image-1462011" src="https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="" width="970" height="621" srcset="https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg 4687w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=300,192 300w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=768,492 768w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=635,406 635w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=1536,983 1536w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=2048,1311 2048w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=970,621 970w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=320,205 320w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=1920,1229 1920w, https://observer.com/wp-content/uploads/sites/2/2024/10/Jovani-Furlan-and-India-Bradley-in-Rosie-Assoulin_Copyright-Pari-Dukovic.jpg?resize=50,32 50w" sizes="(max-width: 600px) 300px, 620px" /></noscript></a><figcaption id="caption-attachment-1462011" class="wp-caption-text">Jovani Furlan and India Bradley in Rosie Assoulin. <span class="media-credit">Copyright Pari Dukovic</span></figcaption></figure> </p> <img itemprop="image" src="https://observer.com/wp-content/uploads/sites/2/2024/10/Carolina-Herrera-on-Chun-Wai-Chan_Copyright-Pari-Dukovic.jpg?quality=80&w=970" alt="Choreography Meets Couture at Pari Dukovic’s VISU Contemporary Show" style="display:none;width:0;"> </div> <footer class="entry-meta"> </footer> </article> <div class="breadcrumbs"> <span class="before-text"> Filed Under:</span> <a href="https://observer.com/arts/" aria-label="Read articles filed under Arts">Arts</a>, <a href="https://observer.com/art-reviews/" aria-label="Read articles filed under Art Reviews">Art Reviews</a>, <a href="https://observer.com/galleries/" aria-label="Read articles filed under Galleries">Galleries</a>, <a href="https://observer.com/dance/" aria-label="Read articles filed under Dance">Dance</a>, <a href="https://observer.com/person/pari-dukovic/" aria-label="Read articles filed under Pari Dukovic">Pari Dukovic</a>, <a 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