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term-page-header"> <div class="term-page-header__container"> <div class="term-page-header__content"> <a href="https://observer.com/arts/" class="term-parent-title"> Arts </a> <div class="term-heading"> <h1 class="term-title"> Museums </h1> <div class="term-primary-menu-container"><ul id="menu-museums-primary" class="term-primary-menu"><li id="menu-item-1409424" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1409424"><a href="https://observer.com/art-museum-index/">Museum Index</a></li> </ul></div> </div> <div class="term-secondary-menu-container"><ul id="menu-museums-secondary" class="term-secondary-menu"><li id="menu-item-1409425" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1409425"><a href="https://observer.com/tag/museum-directors/">Museum Directors</a></li> <li id="menu-item-1409426" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-1409426"><a href="https://observer.com/tag/repatriation/">Repatriation</a></li> </ul></div> <p class="term-description add-read-more"> In-depth, thoughtful content that enriches understandings of global cultural treasures. Detailed explorations of significant exhibitions, insightful analysis of museum collections and profiles of curators and institutions shaping the art world. A mix of historical context, critical perspectives and current trends that appreciate the artistic, cultural and social relevance of museum offerings. Expect well-researched articles that go beyond the surface, delving into the stories behind the art and the visionaries who preserve and present it. </p> </div> </div> </header> <div class="headliner-with-border taxonomy-outer-headline"> <div class="section-header channel-content__top"> <h2 class="channel-content__title"> Art Museum News & Reviews </h2> <span class="channel-content__separator"></span> </div> </div> <section class="featured-content__container featured-content--reduced" id="featured-content"> <div class="featured-content__main"> <article class="post-card post-card__post post-1532578 channel--arts"> <a class="post-card__image" href="https://observer.com/2025/02/arts-interview-denny-daniel-museum-of-interesting-things/" aria-hidden="true" tabindex="-1" > <img src="https://observer.com/wp-content/uploads/sites/2/2025/02/image3_f15824.jpg?quality=80&w=635" alt="A man in a black cap and black shirt stands in a cluttered room filled with antiques, books, and vintage memorabilia, with a red couch and a wooden cabinet behind him." loading="eager" > </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/02/arts-interview-denny-daniel-museum-of-interesting-things/" > Meet Denny Daniel, the Alliterative, Elusive Proprietor of the Museum of Interesting Things </a> </h2> <div class="post-card__excerpt"> He's made a career of his zeal for the unusual. </div> <div class="post-card__byline"> By <a href="https://observer.com/author/bella-bromberg/">Bella Bromberg</a> </div> </div> </article> </div> <div class="featured-content__secondary"> <article class="post-card post-card__post post-1532552 channel--arts"> <a class="post-card__image" href="https://observer.com/2025/02/artist-david-hockney-technology-review-perspective-should-be-reversed/" aria-hidden="true" tabindex="-1" > <img src="https://observer.com/wp-content/uploads/sites/2/2025/02/Hockney_05.jpeg?quality=80&w=300" alt="A blue wall holds 19 framed digital paintings of colorful floral arrangements in vases on checkered tablecloths, with two elderly figures seated in wicker chairs facing the artwork, a small table with a water bottle between them." loading="eager" > </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/02/artist-david-hockney-technology-review-perspective-should-be-reversed/" > This Hockney Retrospective Shows He’s Always Been Cutting Edge </a> </h2> <div class="post-card__excerpt"> “Perspective Should Be Reversed" at the Palm Springs Art Museum makes a case for reclassifying Hockney from painter to printmaker. </div> <div class="post-card__byline"> By <a href="https://observer.com/author/renee-reizman/">Renée Reizman</a> </div> </div> </article> <article class="post-card post-card__post post-1531899 channel--arts"> <a class="post-card__image" href="https://observer.com/2025/02/art-exhibition-review-from-the-heart-to-the-hand-at-the-grand-palais/" aria-hidden="true" tabindex="-1" > <img src="https://observer.com/wp-content/uploads/sites/2/2025/02/DU_COEUR_A_LA_MAIN_EXHIBITION_SICILIAN-TRADITION_PH.MARK_BLOWER_0106.jpg?quality=80&w=300" alt="A photograph of an exhibition space showcases a Sicilian-inspired setting filled with bright, geometric patterns covering the walls, floor, and ceiling, with mannequins dressed in highly detailed, colorful gowns featuring traditional motifs, feathered headdresses, and a decorative cart, all under a mirrored ceiling reflecting the vibrant scene." loading="eager" > </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/02/art-exhibition-review-from-the-heart-to-the-hand-at-the-grand-palais/" > One Fine Show: “From the Heart to the Hand – Dolce&Gabbana” at the Grand Palais </a> </h2> <div class="post-card__excerpt"> If we have to live in a time of overbearing nationalism, it's a definite bonus when your national identity looks this good. </div> <div class="post-card__byline"> By <a href="https://observer.com/author/dan-duray/">Dan Duray</a> </div> </div> </article> </div> </section> <div class="child-channel-wrapper"> <div id="primary" class="content-area"> <main id="main" class="site-main" role="main"> <section id="loopwrapper" class="channel-content__main channel-content__main--full-width"> <article id="post-1531238" class="post-card post-card__post" data-post="1531238" data-title="Bridging Art, Nature and Community: Inside The Land Art Museum’s Bold Experiment" data-url="https://observer.com/2025/02/inside-the-creation-of-the-land-art-museum/"> <a class="post-card__image" href="https://observer.com/2025/02/inside-the-creation-of-the-land-art-museum/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" 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sculptural installations by Marguerite Humeau, including organic, flowing bronze and resin structures on the floor resembling hybrid creatures, and suspended textile pieces with long black fringes and yellow details hanging on the white walls." decoding="async" data-srcset="https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg 3500w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=1536,1152 1536w, 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installations by Marguerite Humeau, including organic, flowing bronze and resin structures on the floor resembling hybrid creatures, and suspended textile pieces with long black fringes and yellow details hanging on the white walls." decoding="async" srcset="https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg 3500w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2025/02/Marguerite-Humeau-ICA-Miami-exhibition-review.jpg?resize=1536,1152 1536w, 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class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Petala Ironcloud </div> </div> </div> </article> <article id="post-1528092" class="post-card post-card__post" data-post="1528092" data-title="One Fine Show: ‘Sigmar Polke, Affinities Revealed’ at the Museo Nacional del Prado" data-url="https://observer.com/2025/01/exhibition-review-sigmar-polke-affinities-revealed-museo-nacional-del-prado/"> <a class="post-card__image" href="https://observer.com/2025/01/exhibition-review-sigmar-polke-affinities-revealed-museo-nacional-del-prado/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/6138d397-5b2d-cd08-176f-655bb7b9a151.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A yellow-tinted, stylized photograph shows a person wearing a fur coat hunched over with a tripod in front of two large, framed classical paintings in a museum setting, evoking a vintage or cinematic effect." decoding="async" data-srcset="https://observer.com/wp-content/uploads/sites/2/2025/01/6138d397-5b2d-cd08-176f-655bb7b9a151.jpg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/01/6138d397-5b2d-cd08-176f-655bb7b9a151.jpg?resize=50,38 50w" sizes="(max-width: 768px) 135px, 200px" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/6138d397-5b2d-cd08-176f-655bb7b9a151.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A yellow-tinted, stylized photograph shows a person wearing a fur coat hunched over with a tripod in front of two large, framed classical paintings in a museum setting, evoking a vintage or cinematic effect." decoding="async" srcset="https://observer.com/wp-content/uploads/sites/2/2025/01/6138d397-5b2d-cd08-176f-655bb7b9a151.jpg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/01/6138d397-5b2d-cd08-176f-655bb7b9a151.jpg?resize=50,38 50w" sizes="(max-width: 768px) 135px, 200px" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/exhibition-review-sigmar-polke-affinities-revealed-museo-nacional-del-prado/"> One Fine Show: ‘Sigmar Polke, Affinities Revealed’ at the Museo Nacional del Prado </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Dan Duray </div> </div> </div> </article> <article id="post-1528729" class="post-card post-card__post" data-post="1528729" data-title="Transcending Crisis Mode: Why Arts Philanthropy Must Move from Reactivity to Proactivity" data-url="https://observer.com/2025/01/arts-philanthropy-in-times-of-crisis/"> <a class="post-card__image" href="https://observer.com/2025/01/arts-philanthropy-in-times-of-crisis/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/GettyImages-2192329274.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="US-WEATHER-FIRE" decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/GettyImages-2192329274.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="US-WEATHER-FIRE" decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/arts-philanthropy-in-times-of-crisis/"> Transcending Crisis Mode: Why Arts Philanthropy Must Move from Reactivity to Proactivity </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Aurelie Cauchy </div> </div> </div> </article> <article id="post-1528091" class="post-card post-card__post" data-post="1528091" data-title="Storm King Art Center’s Nora Lawrence On Watching the Open-Air Museum Evolve" data-url="https://observer.com/2025/01/arts-interview-nora-lawrence-executive-director-storm-king-art-center/"> <a class="post-card__image" href="https://observer.com/2025/01/arts-interview-nora-lawrence-executive-director-storm-king-art-center/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/Erin-Baiano-e1738078217327.png?w=300&h=225&crop=1&quality=80" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A portrait photograph of a woman in a black suit captures her standing in front of a background of dark wooden beams, with a confident expression, shoulder-length light brown hair, and gold hoop earrings, suggesting a professional or artistic setting." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/Erin-Baiano-e1738078217327.png?w=300&h=225&crop=1&quality=80" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A portrait photograph of a woman in a black suit captures her standing in front of a background of dark wooden beams, with a confident expression, shoulder-length light brown hair, and gold hoop earrings, suggesting a professional or artistic setting." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/arts-interview-nora-lawrence-executive-director-storm-king-art-center/"> Storm King Art Center’s Nora Lawrence On Watching the Open-Air Museum Evolve </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Dan Duray </div> </div> </div> </article> <article id="post-1528065" class="post-card post-card__post" data-post="1528065" data-title="As the Louvre Seeks €1B for Renovations, Italy Offers to (Temporarily) Take Back the Mona Lisa" data-url="https://observer.com/2025/01/louvre-billion-euro-renovations-italy-mona-lisa-move/"> <a class="post-card__image" href="https://observer.com/2025/01/louvre-billion-euro-renovations-italy-mona-lisa-move/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/GettyImages-2195853947.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="President Emmanuel Macron dressed in a blue suit speaking to the audience in front of Mona Lisa painting." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/GettyImages-2195853947.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="President Emmanuel Macron dressed in a blue suit speaking to the audience in front of Mona Lisa painting." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/louvre-billion-euro-renovations-italy-mona-lisa-move/"> As the Louvre Seeks €1B for Renovations, Italy Offers to (Temporarily) Take Back the Mona Lisa </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Elisa Carollo </div> </div> </div> </article> <article id="post-1527347" class="post-card post-card__post" data-post="1527347" data-title="One Fine Show: ‘Picasso and Paper’ at the Cleveland Museum of Art" data-url="https://observer.com/2025/01/exhibition-review-picasso-and-paper-at-the-cleveland-museum-of-art/"> <a class="post-card__image" href="https://observer.com/2025/01/exhibition-review-picasso-and-paper-at-the-cleveland-museum-of-art/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/5_2025-01-20_Picasso_Paper_visitors_005.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="Two visitors stand in front of a large framed painting from Picasso’s Blue Period, depicting melancholic figures in shades of blue, with a museum label on the right side of the frame." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/5_2025-01-20_Picasso_Paper_visitors_005.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="Two visitors stand in front of a large framed painting from Picasso’s Blue Period, depicting melancholic figures in shades of blue, with a museum label on the right side of the frame." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/exhibition-review-picasso-and-paper-at-the-cleveland-museum-of-art/"> One Fine Show: ‘Picasso and Paper’ at the Cleveland Museum of Art </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Dan Duray </div> </div> </div> </article> <article id="post-1527039" class="post-card post-card__post" data-post="1527039" data-title="Art World Comings and Goings: The Andy Warhol Museum’s New Director and More" data-url="https://observer.com/2025/01/art-news-warhol-museum-director-hans-neuendorf-retiring/"> <a class="post-card__image" href="https://observer.com/2025/01/art-news-warhol-museum-director-hans-neuendorf-retiring/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?w=300&h=225&crop=1&quality=80" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="" decoding="async" data-srcset="https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png 2000w, 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/><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?w=300&h=225&crop=1&quality=80" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="" decoding="async" srcset="https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png 2000w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=768,574 768w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=635,475 635w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=1536,1149 1536w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=970,726 970w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=320,239 320w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=1920,1436 1920w, https://observer.com/wp-content/uploads/sites/2/2025/01/art-news-january-2025-e1737577381375.png?resize=50,37 50w" sizes="(max-width: 768px) 135px, 200px" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/art-news-warhol-museum-director-hans-neuendorf-retiring/"> Art World Comings and Goings: The Andy Warhol Museum’s New Director and More </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Christa Terry </div> </div> </div> </article> <article id="post-1527021" class="post-card post-card__post" data-post="1527021" data-title="An Empire of Splendor: What to Expect at ‘The Great Mughals’ in London" data-url="https://observer.com/2025/01/review-the-great-mughals-art-architecture-and-opulence-va-museum-london/"> <a class="post-card__image" href="https://observer.com/2025/01/review-the-great-mughals-art-architecture-and-opulence-va-museum-london/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/Taj-Mahal-video-c-Victoria-and-Albert-Museum-London-12.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A grand exhibition space features a large, red Mughal-era carpet with intricate floral designs mounted on the wall, with a projected image of the Taj Mahal in the background and framed artworks displayed along the walls." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/Taj-Mahal-video-c-Victoria-and-Albert-Museum-London-12.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A grand exhibition space features a large, red Mughal-era carpet with intricate floral designs mounted on the wall, with a projected image of the Taj Mahal in the background and framed artworks displayed along the walls." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/review-the-great-mughals-art-architecture-and-opulence-va-museum-london/"> An Empire of Splendor: What to Expect at ‘The Great Mughals’ in London </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Simon Coates </div> </div> </div> </article> <article id="post-1527134" class="post-card post-card__post" data-post="1527134" data-title="Brooklyn Museum Is Breaking the Mold: An Interview With Director of Curatorial Affairs Catherine Futter" data-url="https://observer.com/2025/01/art-interview-brooklyn-museum-director-of-curatorial-affairs-catherine-futter/"> <a class="post-card__image" href="https://observer.com/2025/01/art-interview-brooklyn-museum-director-of-curatorial-affairs-catherine-futter/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/BKM_Catherine_Futter_2020_DIG_01_Jonathan_Dorado_PS11-General-Use-JPEG-4-e1737578885804.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="An image of a woman with short white hair, black-framed glasses, and light skin, wearing a dark green jacket over a white blouse, standing inside a modern building with a neutral expression and slight smile, identified as Catherine Futter, a museum professional." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/BKM_Catherine_Futter_2020_DIG_01_Jonathan_Dorado_PS11-General-Use-JPEG-4-e1737578885804.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="An image of a woman with short white hair, black-framed glasses, and light skin, wearing a dark green jacket over a white blouse, standing inside a modern building with a neutral expression and slight smile, identified as Catherine Futter, a museum professional." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/art-interview-brooklyn-museum-director-of-curatorial-affairs-catherine-futter/"> Brooklyn Museum Is Breaking the Mold: An Interview With Director of Curatorial Affairs Catherine Futter </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Dan Duray </div> </div> </div> </article> <article id="post-1526017" class="post-card post-card__post" data-post="1526017" data-title="What Happens to the Art When Museums Close?" data-url="https://observer.com/2025/01/museum-closures-art-collections/"> <a class="post-card__image" href="https://observer.com/2025/01/museum-closures-art-collections/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2024/10/Rubin-Art-Museum-Arno-1.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="" decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2024/10/Rubin-Art-Museum-Arno-1.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="" decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/museum-closures-art-collections/"> What Happens to the Art When Museums Close? </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Daniel Grant </div> </div> </div> </article> <article id="post-1526410" class="post-card post-card__post" data-post="1526410" data-title="L.A. Museums Launch a $12M Emergency Fund as Felix and Frieze Go Ahead as Planned" data-url="https://observer.com/2025/01/los-angeles-museums-launch-12-million-emergency-fund-felix-art-fair-goes-ahead/"> <a class="post-card__image" href="https://observer.com/2025/01/los-angeles-museums-launch-12-million-emergency-fund-felix-art-fair-goes-ahead/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/Felix-Art-Fair-2023-85.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="People hanging around an hotel's pool" decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/Felix-Art-Fair-2023-85.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="People hanging around an hotel's pool" decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/los-angeles-museums-launch-12-million-emergency-fund-felix-art-fair-goes-ahead/"> L.A. Museums Launch a $12M Emergency Fund as Felix and Frieze Go Ahead as Planned </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Elisa Carollo </div> </div> </div> </article> <article id="post-1526119" class="post-card post-card__post" data-post="1526119" data-title="Italian Museums Test Free Dog-Sitting Services for Visitors’ Four-Legged Friends" data-url="https://observer.com/2025/01/bauadvisor-free-dog-sitting-museums-rome-italy/"> <a class="post-card__image" href="https://observer.com/2025/01/bauadvisor-free-dog-sitting-museums-rome-italy/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/GettyImages-2147877320.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A dog inside a Venice Biennale pavilion." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/GettyImages-2147877320.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A dog inside a Venice Biennale pavilion." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/bauadvisor-free-dog-sitting-museums-rome-italy/"> Italian Museums Test Free Dog-Sitting Services for Visitors’ Four-Legged Friends </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Elisa Carollo </div> </div> </div> </article> <article id="post-1525995" class="post-card post-card__post" data-post="1525995" data-title="Power, Innovation and Art Collide in ‘Versailles: Science and Splendour’" data-url="https://observer.com/2025/01/art-review-versailles-science-and-splendour-london-science-museum/"> <a class="post-card__image" href="https://observer.com/2025/01/art-review-versailles-science-and-splendour-london-science-museum/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/View-of-the-Marly-machine-and-of-the-Louveciennes-castle-©-Chateau-de-Versailles-Dist.-RMN-©-Jean-Marc-Manai.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A landscape painting depicting the Marly Machine, a complex water system, with an aqueduct and a castle in the background, framed by rolling hills and a group of horseback riders observing the scene in the foreground." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/View-of-the-Marly-machine-and-of-the-Louveciennes-castle-©-Chateau-de-Versailles-Dist.-RMN-©-Jean-Marc-Manai.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="A landscape painting depicting the Marly Machine, a complex water system, with an aqueduct and a castle in the background, framed by rolling hills and a group of horseback riders observing the scene in the foreground." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/art-review-versailles-science-and-splendour-london-science-museum/"> Power, Innovation and Art Collide in ‘Versailles: Science and Splendour’ </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Frances Forbes-Carbines </div> </div> </div> </article> <article id="post-1526044" class="post-card post-card__post" data-post="1526044" data-title="One Fine Show: ‘The Living End, Painting and Other Technologies, 1970-2020’ at MCA Chicago" data-url="https://observer.com/2025/01/one-fine-show-the-living-end-painting-and-other-technologies-1970-2020-at-mca-chicago/"> <a class="post-card__image" href="https://observer.com/2025/01/one-fine-show-the-living-end-painting-and-other-technologies-1970-2020-at-mca-chicago/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/tle_aw_021.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="An Amiga computer system from the 1980s is displayed with its monitor showing a colorful, pixelated digital artwork of a person’s face, accompanied by a keyboard, mouse, and cables, showcasing early personal computing and digital art capabilities." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/tle_aw_021.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="An Amiga computer system from the 1980s is displayed with its monitor showing a colorful, pixelated digital artwork of a person’s face, accompanied by a keyboard, mouse, and cables, showcasing early personal computing and digital art capabilities." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/one-fine-show-the-living-end-painting-and-other-technologies-1970-2020-at-mca-chicago/"> One Fine Show: ‘The Living End, Painting and Other Technologies, 1970-2020’ at MCA Chicago </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Dan Duray </div> </div> </div> </article> <article id="post-1525861" class="post-card post-card__post" data-post="1525861" data-title="This Exhibition of George Loudon’s Collection in Venice Resurrects the 17th-Century Wunderkammer" data-url="https://observer.com/2025/01/review-palazzo-grimani-a-cabinet-of-wonders-venice-exhibition/"> <a class="post-card__image" href="https://observer.com/2025/01/review-palazzo-grimani-a-cabinet-of-wonders-venice-exhibition/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="An installation view of a museum display with anatomical specimens, mounted skeletons, coral, and framed scientific illustrations arranged on a table and wall against a deep blue background." decoding="async" data-srcset="https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg 5000w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=1536,1152 1536w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=2048,1536 2048w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=970,728 970w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=320,240 320w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=1920,1440 1920w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=50,38 50w" sizes="(max-width: 768px) 135px, 200px" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="An installation view of a museum display with anatomical specimens, mounted skeletons, coral, and framed scientific illustrations arranged on a table and wall against a deep blue background." decoding="async" srcset="https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg 5000w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=300,225 300w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=768,576 768w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=635,476 635w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=1536,1152 1536w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=2048,1536 2048w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=970,728 970w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=320,240 320w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=1920,1440 1920w, https://observer.com/wp-content/uploads/sites/2/2025/01/Museo-di-Palazzo-Grimani_A-CABINET-OF-WONDERS_installation-view_ph-Massimo-Listri_3.jpg?resize=50,38 50w" sizes="(max-width: 768px) 135px, 200px" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/review-palazzo-grimani-a-cabinet-of-wonders-venice-exhibition/"> This Exhibition of George Loudon’s Collection in Venice Resurrects the 17th-Century Wunderkammer </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Nadja Sayej </div> </div> </div> </article> <article id="post-1525898" class="post-card post-card__post" data-post="1525898" data-title="A Roman Statue of Athena Is Unveiled at Wrightwood 659 Ahead of ‘Myth and Marble’ at the Art Institute of Chicago" data-url="https://observer.com/2025/01/halsted-athena-myth-and-marble-art-institute-of-chicago/"> <a class="post-card__image" href="https://observer.com/2025/01/halsted-athena-myth-and-marble-art-institute-of-chicago/" aria-hidden="true" tabindex="-1"> <div class="entry-thumbnail-wrapper"> <img width="300" height="225" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-src="https://observer.com/wp-content/uploads/sites/2/2025/01/image01-e1736893087135.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="Roman marble statue of Athena inside a pink niche." decoding="async" /><noscript><img width="300" height="225" src="https://observer.com/wp-content/uploads/sites/2/2025/01/image01-e1736893087135.jpg?quality=80&w=300&h=225&crop=1" class="lazyload attachment-grid-thumbnail size-grid-thumbnail" alt="Roman marble statue of Athena inside a pink niche." decoding="async" /></noscript> </div> </a> <div class="post-card__text"> <div class="post-card__meta"> </div> <h2 class="post-card__title"> <a href="https://observer.com/2025/01/halsted-athena-myth-and-marble-art-institute-of-chicago/"> A Roman Statue of Athena Is Unveiled at Wrightwood 659 Ahead of ‘Myth and Marble’ at the Art Institute of Chicago </a> </h2> <div class="entry-by-and-channel-wrapper">  <div class="post-card__byline"> By Elisa Carollo </div> </div> </div> </article> <div id="more-button" class="wp-block-button"> <a href="https://observer.com/museums/page/2/">More</a> </div> </section> </main> </div> <div id="secondary" class="widget-area" role="complementary"> <div id="nyo-before-sidebar"> </div>    <aside class="ad-widget">  <div class="ad-wrapper ad-bottom-margin ad-desktop ad-right-rail ad-has-disclaimer htlad-observer_right_rail" id="observer_right_rail"></div>  <div class="ad-wrapper ad-bottom-margin ad-desktop ad-right-rail ad-has-disclaimer htlad-observer_right_rail_2" id="observer_right_rail_2"></div> </aside> <div id="nyo-sidebars"> <div class="OUTBRAIN" 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