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Prof. ÷÷÷ Executive Director, Southeast Asian Media Studies Association ÷÷÷ Managing Editor-in-Chief, Southeast Asian Media Studies Journal.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://iium.academia.edu/NorDianaMohdMahudin"><img class="profile-avatar u-positionAbsolute" alt="Nor Diana Mohd Mahudin" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/51629520/13677675/14812650/s200_nor_diana.mohd_mahudin.jpg" /></a></div><div 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class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="SEAMSC-Materials" data-toggle="tab" href="#seamscmaterials" role="tab" title="SEAMSC Materials"><span>1</span> <span class="ds2-5-body-sm-bold">SEAMSC Materials</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Edited-Journals" data-toggle="tab" href="#editedjournals" role="tab" title="Edited Journals"><span>9</span> <span class="ds2-5-body-sm-bold">Edited Journals</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Articles" data-toggle="tab" 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data-click-track="profile-works-tab" data-section-name="Thesis" data-toggle="tab" href="#thesis" role="tab" style="border: none;"><span>1</span> Thesis</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Chess" data-toggle="tab" href="#chess" role="tab" style="border: none;"><span>7</span> Chess</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="SEAMSC Materials" id="SEAMSC Materials"><h3 class="profile--tab_heading_container">SEAMSC Materials by Alexander J . Klemm</h3></div><div class="js-work-strip profile--work_container" data-work-id="115744595"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/115744595/SEAMSC_2024_Conference_Handbook"><img alt="Research paper thumbnail of SEAMSC 2024 Conference Handbook" class="work-thumbnail" src="https://attachments.academia-assets.com/112064007/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115744595/SEAMSC_2024_Conference_Handbook">SEAMSC 2024 Conference Handbook</a></div><div class="wp-workCard_item"><span>SEAMSC 2024 Conference Handbook</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alonzo dela Cruz, Alexander J. Klemm, and Jason P. Telles</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d13b009d315c906d32feba5278093d49" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112064007,"asset_id":115744595,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112064007/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115744595"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115744595"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115744595; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115744595]").text(description); $(".js-view-count[data-work-id=115744595]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115744595; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115744595']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d13b009d315c906d32feba5278093d49" } } $('.js-work-strip[data-work-id=115744595]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115744595,"title":"SEAMSC 2024 Conference Handbook","internal_url":"https://www.academia.edu/115744595/SEAMSC_2024_Conference_Handbook","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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Klemm</h3></div><div class="js-work-strip profile--work_container" data-work-id="127060915"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127060915/Southeast_Asian_Media_Studies_Journal_Vol_6_No_1_Digital_Communication_and_Innovative_Technologies_"><img alt="Research paper thumbnail of Southeast Asian Media Studies Journal, Vol. 6, No. 1. "Digital Communication and Innovative Technologies"" class="work-thumbnail" src="https://attachments.academia-assets.com/120849999/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127060915/Southeast_Asian_Media_Studies_Journal_Vol_6_No_1_Digital_Communication_and_Innovative_Technologies_">Southeast Asian Media Studies Journal, Vol. 6, No. 1. "Digital Communication and Innovative Technologies"</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 6, No. 1., 2024 -- Ngo Bich Ngoc &...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 6, No. 1., 2024 -- Ngo Bich Ngoc & Le Thu Mach, Mark Finn, Ngoc-Chau Pham & Lan-Chi Nguyen, Martina Skrubbeltrang Mahnke, Sarah Lynn Aliah Nor Zaidi & Nor Diana Mohd Mahudin, Kahrein A. Salvador, Hien Duong, Reyjane Calicdan-Del Campo, Karl Lewis L. 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"Political Communication"" class="work-thumbnail" src="https://attachments.academia-assets.com/116291621/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121406766/Southeast_Asian_Media_Studies_Journal_Vol_5_No_2_Political_Communication_">Southeast Asian Media Studies Journal, Vol. 5, No. 2. "Political Communication"</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 5, No. 2., 2023 -- Orville B. Tatc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 5, No. 2., 2023 -- Orville B. Tatcho & Jose Carlo G. de Pano; Muthukumaran Kanasan; Jethro Bryan Andrada, Imari Jazmine Tamayo & Nique Jade Tarubal; Andreas Ryan Sanjaya; Gabrielle Carissa Marie A. Paras; Annie Fe G. 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"Critical Mass Media Histories"" class="work-thumbnail" src="https://attachments.academia-assets.com/92270799/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88265180/Southeast_Asian_Media_Studies_Journal_Vol_3_No_2_Critical_Mass_Media_Histories_">Southeast Asian Media Studies Journal, Vol. 3, No. 2. 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"Communication Outbreaks"" class="work-thumbnail" src="https://attachments.academia-assets.com/92268689/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88262722/Southeast_Asian_Media_Studies_Journal_Vol_3_No_1_Communication_Outbreaks_">Southeast Asian Media Studies Journal, Vol. 3, No. 1. "Communication Outbreaks"</a></div><div class="wp-workCard_item"><span>Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 3, No. 1.</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Since early 2020, the Covid-19 epidemic has had a persistent impact on our everyday lives, raisin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Since early 2020, the Covid-19 epidemic has had a persistent impact on our everyday lives, raising our concerns about the value of humanity such as family, friendship, and society, as well as affecting business, healthcare, and education, particularly in the field of communication and media. Not only have the mass media been used to report correct information about the pandemic. Information is either trusted or contested, citizens' movements are increasingly mediated and monitored, and political systems, civil liberties, and governmental responsibilities are hotly debated. Amidst all of these social and political upheavals and the changing media landscape, the Southeast Asian Media Studies Association (SEAMSA) is delighted to present the special edition of Southeast Asian Media Studies Journal (SEAMSJ) titled "Communication Outbreaks" (Vol. 3, No. 1, 2021). The special issue includes six research articles that cover a broad range of media and communication topics related to the global health crisis, including the mediation of digital technologies, the evolving roles of social media platforms and online messaging groups, intersections between digital governance and nationalism, activism through social media, and many more. The research articles are followed by two additional essays about the media and our personal experience of anxiety and detachment as a result of the pandemic. This is the fourth journal issue published by SEAMSA. Under the former journal name Southeast Asian Media Studies, the association previously published a trilogy of special issues focusing on "Singapore</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0a49aa48dbb4f34ff74633c16fb8d57f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92268689,"asset_id":88262722,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92268689/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88262722"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88262722"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88262722; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88262722]").text(description); $(".js-view-count[data-work-id=88262722]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88262722; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88262722']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0a49aa48dbb4f34ff74633c16fb8d57f" } } $('.js-work-strip[data-work-id=88262722]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88262722,"title":"Southeast Asian Media Studies Journal, Vol. 3, No. 1. \"Communication Outbreaks\"","internal_url":"https://www.academia.edu/88262722/Southeast_Asian_Media_Studies_Journal_Vol_3_No_1_Communication_Outbreaks_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":92268689,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92268689/thumbnails/1.jpg","file_name":"SEAMSJ_3.1_FULL_ISSUE_AS_PUBLISHED.pdf","download_url":"https://www.academia.edu/attachments/92268689/download_file","bulk_download_file_name":"Southeast_Asian_Media_Studies_Journal_Vo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92268689/SEAMSJ_3.1_FULL_ISSUE_AS_PUBLISHED-libre.pdf?1665468743=\u0026response-content-disposition=attachment%3B+filename%3DSoutheast_Asian_Media_Studies_Journal_Vo.pdf\u0026Expires=1740061988\u0026Signature=aCBzq-7nNKWSZDWF~vO6tsnFvbyjtg05wBaeawuqBkzqrLUXWR1l~ffNACKKX~4385jsv9IgY6OcAtsNVyPBcoQWJG2GVbPuhk9hQUsdnslezqPJSWDCXznrJhcrDJeUPKvAMPsAKPQskfS0p7oU~8Ue5Q4~S6svAwg15n1RZdIGvwGrvq2tpbT5b8lBmeGBbj-KVy9yb01NPf4717szSVy8eaOugtTQcMSso6C0L99t~SJLKA8wTYZ-2bEmdAMniVkM4RUi47PJ5VvbMdJHzauT7cg6XEzlClsbpdwOTDc8XSqsd-xHGdftJNKYK1J6Sowrfs4s76HSAqbR6LBG-g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50904191"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/50904191/IAFOR_Journal_of_Media_Communication_and_Film_Vol_7_No_1_2020"><img alt="Research paper thumbnail of IAFOR Journal of Media, Communication and Film Vol. 7, No. 1, 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/68776425/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/50904191/IAFOR_Journal_of_Media_Communication_and_Film_Vol_7_No_1_2020">IAFOR Journal of Media, Communication and Film Vol. 7, No. 1, 2020</a></div><div class="wp-workCard_item"><span>Assitant Editor of IAFOR Journal of Media, Communication and Film Vol. 7, No. 1</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">As a graduate of the Bachelor of Communication Studies program, she went on to complete a BCS Hon...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">As a graduate of the Bachelor of Communication Studies program, she went on to complete a BCS Honours (first class) and her PhD. The focus of her thesis was on how organisational communications construct the identities of members. Dr Nairn is currently working on multiple research projects from explorations of morality in television programming, to how organisations encourage identification in their external communications, to the experiences of work among creative people. She recently co-edited the book "Multidisciplinary perspectives on women, voice, and agency," and regularly publishes in the fields of identity, creative industries, intercultural communication, popular culture and public relations.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eaaf7449457d66f133e4fb7f920acc62" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68776425,"asset_id":50904191,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68776425/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50904191"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50904191"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50904191; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50904191]").text(description); $(".js-view-count[data-work-id=50904191]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50904191; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50904191']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eaaf7449457d66f133e4fb7f920acc62" } } $('.js-work-strip[data-work-id=50904191]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50904191,"title":"IAFOR Journal of Media, Communication and Film Vol. 7, No. 1, 2020","internal_url":"https://www.academia.edu/50904191/IAFOR_Journal_of_Media_Communication_and_Film_Vol_7_No_1_2020","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":68776425,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/68776425/thumbnails/1.jpg","file_name":"IAFOR_Journal_of_Media_Communication_and_Film_7.1_2020_.pdf","download_url":"https://www.academia.edu/attachments/68776425/download_file","bulk_download_file_name":"IAFOR_Journal_of_Media_Communication_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/68776425/IAFOR_Journal_of_Media_Communication_and_Film_7.1_2020_-libre.pdf?1629170925=\u0026response-content-disposition=attachment%3B+filename%3DIAFOR_Journal_of_Media_Communication_and.pdf\u0026Expires=1740061988\u0026Signature=N3XDo-S7N3eKZnZazouslY0WDAyhuxIpFQKt15TdNQmGy8QVkBQcDw4lMUlpt7-TCW2yI0kJfL7nhW4MRU1OUs4py7JkSgkdjMf4rgT0YNhXFv5gaY3E2hc5rGITf8gTW-~Wsw~7l2nz9JBgyb1ydvKdQiFuf7tJpXhNw2lShqHcrYLrJL96U8Jo-yAnnbxt58TUWl7n2bRXl8QnYoLfrFT4CrdVcsm6h3FCVz-wFrNlpBTWGIRTSEAJftjJQI~EmAptLpB35RJf5LlJVynsftMoFLzxtxIETGbihuJzAgxoeaVk2-gvopqy7D~eaqO3Q3h49OvhR93ZPW9Oigfx2g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Articles" id="Articles"><h3 class="profile--tab_heading_container">Articles by Alexander J . Klemm</h3></div><div class="js-work-strip profile--work_container" data-work-id="97014835"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/97014835/The_Asian_Journals_Network_Establishing_a_New_Research_Identity_in_the_Humanities_and_Social_Sciences"><img alt="Research paper thumbnail of The Asian Journals Network: Establishing a New Research Identity in the Humanities and Social Sciences" class="work-thumbnail" src="https://attachments.academia-assets.com/98753038/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/97014835/The_Asian_Journals_Network_Establishing_a_New_Research_Identity_in_the_Humanities_and_Social_Sciences">The Asian Journals Network: Establishing a New Research Identity in the Humanities and Social Sciences</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In August 2022, editors of 20 Asian journals in the humanities and social sciences met virtually ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In August 2022, editors of 20 Asian journals in the humanities and social sciences met virtually for the 1 st Asian Journals Network Conference. Among the attendees was the editor of the Southeast Asian Media Studies Journal (SEAMSJ). The Asian Journals Network (AJN) had been initiated by Kritika Kultura of Ateneo de Manila University and the University of Santo Tomas' Unitas. These two academic journals based in the Philippines were also the main organizers of the conference. The editors discussed several issues, including the identity, scope, and limitations of the AJN, as well as the state of academic journal publishing in Asia, as it is influenced by a Western neoliberal publication culture that favors metrics, impact factors, and publishing in the English language. Since this academic culture puts many Asian scholars at a disadvantage, the AJN seeks to foster new ways of knowledge production and dissemination. The conference established a strong sense of community among the participating journal editors and energized the network. On 15 November 2022, the editors of 20 Asian journals formalized their partnership by signing a Memorandum of Understanding. Thus, legitimizing the existence of the AJN and pledged long-term collaboration and knowledge exchange among the member journals. This essay introduces the Asian Journals Network to a wider audience, outlines its possible future role in the humanities and social sciences in Asia, reviews and assesses salient issues and outcomes of the conference, and discusses the possible impact the membership in the network might have on the SEAMSJ.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c955941b4cac1913b3549a8ed3f0a065" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98753038,"asset_id":97014835,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98753038/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="97014835"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="97014835"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 97014835; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=97014835]").text(description); $(".js-view-count[data-work-id=97014835]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 97014835; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='97014835']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c955941b4cac1913b3549a8ed3f0a065" } } $('.js-work-strip[data-work-id=97014835]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":97014835,"title":"The Asian Journals Network: Establishing a New Research Identity in the Humanities and Social Sciences","internal_url":"https://www.academia.edu/97014835/The_Asian_Journals_Network_Establishing_a_New_Research_Identity_in_the_Humanities_and_Social_Sciences","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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From 1955 to 1967 U.S. Army documentaries, British Pathé newsreels, and various television reports sought to acquaint viewers in the West with Thai demographics and culture and the airbases from which the U.S. military was operating. They were vehicles to rationalize U.S. military activity in Southeast Asia, economic aid to Thailand, and the necessity to stop communist insurgence in Vietnam, Laos, and the northeastern provinces of Thailand. The films can be grouped according to phases of the Cold War and particular events: 1954-59: SEATO and the U.S.-Thai alliance; 1960: The Thai royal couple in the U.S.; 1961-1963: U.S. military buildup in Thailand; and 1964-67: Conflict escalation. The article discusses the films within their historic contexts and explores their representations of Thailand. An awareness of their underlying messages leads to a deeper understanding of the dynamic U.S.-Thai alliance, Thailand’s complex role during the Vietnam War, and the international effort to prevent the spread of Communism in Southeast Asia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b4b106c7c6612b91507ae39f00bc16b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62456882,"asset_id":42301120,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62456882/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42301120"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42301120"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42301120; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42301120]").text(description); $(".js-view-count[data-work-id=42301120]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42301120; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42301120']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b4b106c7c6612b91507ae39f00bc16b" } } $('.js-work-strip[data-work-id=42301120]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42301120,"title":"Representations of Cold War Thailand in in U.S. Army Documentaries and British Pathé Newsreels 1955-1967","internal_url":"https://www.academia.edu/42301120/Representations_of_Cold_War_Thailand_in_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":62456882,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62456882/thumbnails/1.jpg","file_name":"Klemm_-_Representations_of_Cold_War_T._with_cover20200323-119712-nsle39.pdf","download_url":"https://www.academia.edu/attachments/62456882/download_file","bulk_download_file_name":"Representations_of_Cold_War_Thailand_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62456882/Klemm_-_Representations_of_Cold_War_T._with_cover20200323-119712-nsle39-libre.pdf?1585106625=\u0026response-content-disposition=attachment%3B+filename%3DRepresentations_of_Cold_War_Thailand_in.pdf\u0026Expires=1740061988\u0026Signature=NTOTTM7Jkw5TB9r7KldYku5NL5z5i80J40oyrojcfxNpFYFJ8GpOgUgQ1tzqvQgyLq7do7xwqPzH1zCJfBbEw9t6VWylLFc32JZ6aV-05DMtjo5sCSdfVvH7vP37C87yPtUTxSzC06upyHgry8pvEJWFoMxuONKiDHbtrGTwBdJJM7n0SxqeZTzzgeCS3lA~EdMSVMtMo08Wuz~ala5J6AatO0ndgdlIMGK-Gcp0dFbBrbL5NeZY0rbHKCfbsSAOpzdoMfvq5XW2yWb5S7Rhyt3SawPVtAaF2DD2M3CGd554~2UoI6yRlU6aO7GH8qqGBF1mmcLJJDB8uBHAXK20CQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41556942"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41556942/Thailand_as_a_Foreign_Film_Production_Destination_Developments_and_Challenges_from_2016_to_2018"><img alt="Research paper thumbnail of Thailand as a Foreign Film Production Destination: Developments and Challenges from 2016 to 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/61715062/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41556942/Thailand_as_a_Foreign_Film_Production_Destination_Developments_and_Challenges_from_2016_to_2018">Thailand as a Foreign Film Production Destination: Developments and Challenges from 2016 to 2018</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Foreign film production is a vital source of revenue for Thailand, a job creator and a stimulator...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Foreign film production is a vital source of revenue for Thailand, a job creator and a stimulator of tourism. This article seeks to outline and assess the developments and challenges of Thailand as a foreign film production destination from 2016 to 2018. To this end, it analyzes statistics of annual revenue, production types and the nationalities connected to foreign film projects and<br />discusses the Thailand Film Office’s marketing strategy and activities. Within the context of film-induced tourism, the article also contextualizes the temporary closure of Maya Bay. The results show that (1) the TFO’s promotional strategy is effective as it includes the dissemination of marketing materials and the organization of an annual film festival, competitions and other events that foster international cooperation; (2) Japanese, Indian and continental European productions are the most numerous; (3) the intensity of foreign filmmaking activity in Thailand fluctuates year by year but has stabilized at a high level during the 2016-2018-period; and (4) the high 2018-revenue figures can be attributed in part to the new tax incentives.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="225297527ccbb1dc91dcc61ec96dfde0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61715062,"asset_id":41556942,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61715062/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41556942"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41556942"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41556942; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41556942]").text(description); $(".js-view-count[data-work-id=41556942]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41556942; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41556942']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "225297527ccbb1dc91dcc61ec96dfde0" } } $('.js-work-strip[data-work-id=41556942]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41556942,"title":"Thailand as a Foreign Film Production Destination: Developments and Challenges from 2016 to 2018","internal_url":"https://www.academia.edu/41556942/Thailand_as_a_Foreign_Film_Production_Destination_Developments_and_Challenges_from_2016_to_2018","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":61715062,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61715062/thumbnails/1.jpg","file_name":"ilovepdf_merged_220200108-122987-1d89lbh.pdf","download_url":"https://www.academia.edu/attachments/61715062/download_file","bulk_download_file_name":"Thailand_as_a_Foreign_Film_Production_De.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61715062/ilovepdf_merged_220200108-122987-1d89lbh-libre.pdf?1578485783=\u0026response-content-disposition=attachment%3B+filename%3DThailand_as_a_Foreign_Film_Production_De.pdf\u0026Expires=1740061988\u0026Signature=NWSXZ8MHULrIqiBAZoy5K4cQINmQVSDhKEyi8Fxxn~f7RcW4yXZe~n8cUN1wmwwHsVNWlxhRITXgC-yGJw2~e2C7tIRz8WNPAyb35XZlH3NWiHcklE76zidN8960Cyu1zBCkmvgyG3TG5CYq6nkyx9Ciosl8Gi2n0Q6h39NIcWfVtouTyvPD7I9P9RASmfGtdTmZi3~fkijvZPfFlnaP~Kb051RMEg0kiWjfmec8b8Yp7aWXA0D3-Eb0AVHLQzUkXEIUej0RwUH7KdwH2C2yQurd6suFTBpr4igVUPEdwjSUDSCispEO1HvLStUa2bfnbX522-k3dXsBhz0niuchfQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41236681"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41236681/Thailand_in_the_European_Cinematic_Imagination_The_Phenomenon_and_Legacy_of_Emmanuelle_Fr_1974_"><img alt="Research paper thumbnail of Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of "Emmanuelle" (Fr 1974)" class="work-thumbnail" src="https://attachments.academia-assets.com/61465083/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41236681/Thailand_in_the_European_Cinematic_Imagination_The_Phenomenon_and_Legacy_of_Emmanuelle_Fr_1974_">Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of "Emmanuelle" (Fr 1974)</a></div><div class="wp-workCard_item"><span>International Academic Forum Journal of Cultural Studies</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Movie markets in Europe and the United States saw a considerable increase in the number of erotic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Movie markets in Europe and the United States saw a considerable increase in the number of erotic films in the first half of the 1970s, followed by a transition to predominantly X-rated films in the second half. The development and rapid proliferation of the soft- and hardcore film genres can be attributed to the Sexual Liberation Movement of the 1960s, changed viewer expectations, the liberalization of film exhibition laws, and the development of new film technologies. A substantial number of European erotic and pornographic films were made in Thailand. The film Emmanuelle (Fr 1974, dir. Just Jaeckin) marked the beginning and became an international box-office hit, followed by several French, Italian, Swiss, German, and Danish productions that sought to ride on the wave of Emmanuelle’s success. This article seeks to give a concise overview of Emmanuelle’s legacy, that is, European adult-oriented films made from 1974 to 1980 because they shaped western representations and popular perceptions of Thailand for many years. It seeks to explore the cinematic portrayals of Thailand in selected films to determine the extent to which the country plays a significant role as a setting, and it explores the relevance of western interracial desires as well as the films’ appropriation of the enduring allure of the East felt by many Europeans.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1580911e47639e5f7b0e40ee0dfce695" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61465083,"asset_id":41236681,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61465083/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41236681"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41236681"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41236681; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41236681]").text(description); $(".js-view-count[data-work-id=41236681]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41236681; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41236681']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1580911e47639e5f7b0e40ee0dfce695" } } $('.js-work-strip[data-work-id=41236681]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41236681,"title":"Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of \"Emmanuelle\" (Fr 1974)","internal_url":"https://www.academia.edu/41236681/Thailand_in_the_European_Cinematic_Imagination_The_Phenomenon_and_Legacy_of_Emmanuelle_Fr_1974_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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His itinerary included Siam, where he shot impressions of Bangkok and the celebration of the 40-year jubilee of the reign of King Chulalongkorn. European photographers had been coming to Siam since the 1860s, documenting people, places, and culture, but Lippert’s visit marked the first time that a European filmmaker came to Siam on a mission to make scenic films, commonly known as ‘scenics’, meant for distribution in Europe. Between 1910 and 1913 the French company Pathé Frères also produced its first scenics in Siam. Thus, before the outbreak of World War I, film productions by Nordisk Film and Pathé Frères constituted the first cinematic representations of Siam. Most of these scenics have been lost because of the brittleness of early celluloid and the turmoil of history. As a consequence, no in-depth academic discussion about them has taken place. This paper seeks to close this research gap. By way of contextualizing the Nordisk Film and Pathé Frères productions, outlining relevant film-historic circumstances, and drawing connections to 19th-century representations of Siam in photography, the paper offers insights into the beginnings of European filmmaking in Siam and makes an original contribution to the study of western portrayals of this Southeast Asian nation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="141b6c6ef135546e7d4b4206d3200384" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59462151,"asset_id":39323022,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59462151/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39323022"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39323022"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39323022; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39323022]").text(description); $(".js-view-count[data-work-id=39323022]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39323022; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39323022']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "141b6c6ef135546e7d4b4206d3200384" } } $('.js-work-strip[data-work-id=39323022]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39323022,"title":"The Beginnings of European Filmmaking in Siam","internal_url":"https://www.academia.edu/39323022/The_Beginnings_of_European_Filmmaking_in_Siam","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":59462151,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59462151/thumbnails/1.jpg","file_name":"The_Beginnings_of_European_Filmmaking_in_Siam_published20190531-16059-ync70.pdf","download_url":"https://www.academia.edu/attachments/59462151/download_file","bulk_download_file_name":"The_Beginnings_of_European_Filmmaking_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59462151/The_Beginnings_of_European_Filmmaking_in_Siam_published20190531-16059-ync70-libre.pdf?1559295339=\u0026response-content-disposition=attachment%3B+filename%3DThe_Beginnings_of_European_Filmmaking_in.pdf\u0026Expires=1740061988\u0026Signature=S0-B40IIRUA9g3HxJ9LPnMn~ZEC7cJgZA7yWqtQ-I7BpFKU6aOlDIDB4Wa9rfmXRbzZ3rjn6nvLN2H-zg4uIlxOQIrS-oi38OH3-jNicCCidfQP0UmrPyvW2ATZQWtvYE3iHWmB9CnXISi3WKHuivR~uaMLUd8gkyEqLHaRNeAnkOAqoWf21mL1Lhn8yXZqqXpr8e5AQQtZOHqGpjJuV3ebp5ta44A4MYbKq0hKdTyRQYznSidGGRRYBP6Lm-mi-RIinLAjite1RqwPeMxTHPzVKPzny67GYmxhYP4Iq4uv9nluRsudoCZBSTHwYO-E1---8g0ZQhbcUMuNHE~lePw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38088720"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38088720/Representations_of_Cold_War_Thailand_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967"><img alt="Research paper thumbnail of Representations of Cold War Thailand in U.S. Army Documentaries and British Pathé Newsreels 1955-1967" class="work-thumbnail" src="https://attachments.academia-assets.com/58115925/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38088720/Representations_of_Cold_War_Thailand_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967">Representations of Cold War Thailand in U.S. Army Documentaries and British Pathé Newsreels 1955-1967</a></div><div class="wp-workCard_item"><span>Proceedings Article - The Asian Congress for Media and Communication Conference, Taipei, Taiwan</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rising Cold War tensions between the United States, USSR and China, fear of an unstoppable expans...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rising Cold War tensions between the United States, USSR and China, fear of an unstoppable expansion of Communism in Southeast Asia, and France’s withdrawal from Vietnam in 1954 resulted in the foundation of<br />SEATO (Southeast Asian Treaty Organization) and a rapid increase in U.S. military presence in Thailand. From 1955 to 1967 U.S. Army documentaries, British Pathé newsreels, and various television reports sought to acquaint viewers in the West with Thai demographics and culture, and the air bases from which the U.S. military was operating. They were vehicles to rationalize U.S. military activity in Southeast Asia, economic aid to Thailand, and the necessity to stop communist insurgence in Vietnam, Laos, and the northeast provinces of Thailand. The films can be grouped according to phases of the Cold War and particular events:1955-59: SEATO and the U.S.-Thai alliance; 1960: The Thai royal couple in the U.S.; 1961-1963: U.S. military buildup in<br />Thailand; and 1964-67: Conflict escalation. The paper discusses the films within their historic contexts and explores their representations of Thailand. An awareness of their underlying messages leads to a deeper<br />understanding of the dynamic U.S.-Thai alliance, Thailand’s complex role during the Vietnam War, and the international effort to prevent the spread of Communism in Southeast Asia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="64a305232892a2c836b5bba46aa4dbb4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58115925,"asset_id":38088720,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58115925/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38088720"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38088720"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38088720; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38088720]").text(description); $(".js-view-count[data-work-id=38088720]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38088720; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38088720']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "64a305232892a2c836b5bba46aa4dbb4" } } $('.js-work-strip[data-work-id=38088720]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38088720,"title":"Representations of Cold War Thailand in U.S. Army Documentaries and British Pathé Newsreels 1955-1967","internal_url":"https://www.academia.edu/38088720/Representations_of_Cold_War_Thailand_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":58115925,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58115925/thumbnails/1.jpg","file_name":"ACMC_PROCEEDINGS_2018_-_cutted.pdf","download_url":"https://www.academia.edu/attachments/58115925/download_file","bulk_download_file_name":"Representations_of_Cold_War_Thailand_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58115925/ACMC_PROCEEDINGS_2018_-_cutted-libre.pdf?1546628569=\u0026response-content-disposition=attachment%3B+filename%3DRepresentations_of_Cold_War_Thailand_in.pdf\u0026Expires=1740061988\u0026Signature=g1CentYlQQxzGlyDhPKzlhhutdWrxk~maV-cdBoDRUvHhzT4Xp5puEoQyfp6QLMUJobzFCubz0-DUWztkAa4obVeFyJ9aWZUvhcigkXopdpoX6PqHNQda0WHlz8y8b00sJ9CyY3E1w4YlWIuphBtyBZRbNFzRG4Jy4LiKhvtRX7mT~wBFMoQYbqRDidUItTftK0kdpJPh7gpVZsxbpc5MgpllXIDl0IWecjd9lb9DTw0GYTXFI4CRIsa7MUaZfxnpMPGecKYaw9BqVnzFKwLQUawJ6b~66~neXQDFJSIr4c~ay6sL025z1fU1GqpLvcTTSQyuOAMq-fjYV8y4RJmZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37435627"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37435627/Staging_Authenticity_in_the_Jungle_of_Siam_Chang_A_Drama_of_the_Wilderness_USA_1927_"><img alt="Research paper thumbnail of Staging Authenticity in the Jungle of Siam: Chang: A Drama of the Wilderness (USA 1927)" class="work-thumbnail" src="https://attachments.academia-assets.com/57401594/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37435627/Staging_Authenticity_in_the_Jungle_of_Siam_Chang_A_Drama_of_the_Wilderness_USA_1927_">Staging Authenticity in the Jungle of Siam: Chang: A Drama of the Wilderness (USA 1927)</a></div><div class="wp-workCard_item"><span>Proceedings Article - 5th Social Sciences, Arts and Media International Conference, Bangkok, Thailand</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After the success of their directorial debut Grass: A Nation’s Battle for Life (USA 1925), the Am...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After the success of their directorial debut Grass: A Nation’s Battle for Life (USA 1925), the American directors Ernest B. Schoedsack and Merian C. Cooper ventured to Nan province in Siam to shoot Chang: A Drama of the Wilderness. A hybrid of drama, documentary and ethnographic study, Chang was critically well received and a box-office triumph. As the first full-length Hollywood film made in Siam, it holds a special place in film history. Getting wild animals such as tigers, leopards, elephants, and monkeys very close in front of the camera, Chang took wildlife photography to a new level and won an Oscar for “Unique and Artistic Production”. Nevertheless, Chang has been studied too little because Schoedsack and Cooper’s now iconic King Kong (USA 1933) has garnered the main share of academic attention. This paper seeks to locate Chang in the history of Western photography and filmmaking activity in Siam in order to appreciate its representation of the nation. The paper’s second objective is to deconstruct Schoedsack and Cooper’s deliberate crossing of genres and staging of events to make them look authentic. An investigation into audience expectations, Chang’s narrative structure, the role of intertitles, as well as the portrayal of the jungle, the natives, and wild animals help in reaching these goals.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c58190ccdfc07ed876bc010f94b3ff7e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57401594,"asset_id":37435627,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57401594/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37435627"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37435627"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37435627; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37435627]").text(description); $(".js-view-count[data-work-id=37435627]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37435627; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37435627']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c58190ccdfc07ed876bc010f94b3ff7e" } } $('.js-work-strip[data-work-id=37435627]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37435627,"title":"Staging Authenticity in the Jungle of Siam: Chang: A Drama of the Wilderness (USA 1927)","internal_url":"https://www.academia.edu/37435627/Staging_Authenticity_in_the_Jungle_of_Siam_Chang_A_Drama_of_the_Wilderness_USA_1927_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35428071"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35428071/Foreign_Film_Production_in_Thailand_from_2003_to_2015"><img alt="Research paper thumbnail of Foreign Film Production in Thailand from 2003 to 2015" class="work-thumbnail" src="https://attachments.academia-assets.com/55289031/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35428071/Foreign_Film_Production_in_Thailand_from_2003_to_2015">Foreign Film Production in Thailand from 2003 to 2015</a></div><div class="wp-workCard_item"><span>International Journal of Cultural and Creative Industries</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is the thoroughly revised version of my article Foreign Film Production in Thailand: Past, P...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is the thoroughly revised version of my article Foreign Film Production in Thailand: Past, Present and Future (published in 2015)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="53e5dc7da2b7e556c03cd31c25ba2278" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55289031,"asset_id":35428071,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55289031/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35428071"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35428071"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35428071; 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The development and rapid proliferation of the soft- and hardcore film genres can be attributed to the so-called “Sexual Liberation Movement” of the 1960s, changed viewer expectations, the liberalization of film contents, and the development of new film technology. A substantial number of European erotic films were made in Thailand. The film Emmanuelle (Fr 1974, dir. Just Jaeckin) marked the beginning and became an international box-office hit, followed by several French, Italian, Swiss, German, and Danish productions that sought to ride on the wave of Emmanuelle’s success. This paper seeks to give a concise overview of Emmanuelle’s legacy, i.e. European adult-oriented films made from 1974 to 1980 because they shaped Western representations and popular perceptions of Thailand for many years. It seeks to explore the cinematic portrayals of Thailand in selected films in order to determine the extent to which the country plays a significant role as a setting, and it explores the relevance of western interracial desires as well as the films’ appropriation of the enduring allure of the East felt by many Europeans. The analyses are supported by theories of the erotic and exploitation film genres and discusses Western tendencies to mystify, sensualize and exoticize Thailand.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="184ca0325225d90677aa625e3b9cfc73" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54894009,"asset_id":35031533,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54894009/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35031533"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35031533"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35031533; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35031533]").text(description); $(".js-view-count[data-work-id=35031533]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35031533; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35031533']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "184ca0325225d90677aa625e3b9cfc73" } } $('.js-work-strip[data-work-id=35031533]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35031533,"title":"The Legacy of Emmanuelle: Oriental Desire and Interracial Encounters in European Films Set in Thailand 1974-1980","internal_url":"https://www.academia.edu/35031533/The_Legacy_of_Emmanuelle_Oriental_Desire_and_Interracial_Encounters_in_European_Films_Set_in_Thailand_1974_1980","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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Lippert’s visit marked the first time that a Westerner made documentaries in Siam intended for distribution in Europe, and around 1911 to 1913 the French company Pathé Frères also produced its first films in Siam. The outbreak of World War I, however, brought a temporary end to European filmmaking activity in Siam. These films by Nordisk Film and Pathé Frères offer important insights into the beginnings of Western filmmaking activity in Siam and early cinematic representations of this Southeast Asian nation. Most of these early films have been lost, which may be the reason why there has been a lack of academic engagement with them as well as their film-historic contexts. This paper seeks to close this research gap. To this end, it gives a detailed overview of the films shot by Nordisk Film and Pathé Frères. By way of analyzing relevant historic and film-industrial circumstances and drawing connections to 19th-century representations of Siam in Western photography, the paper makes an original contribution to the study of Western portrayals of Siam during the early silent film period.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="673743d77c4707739fb74102521b8d5c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54128480,"asset_id":34212690,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54128480/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34212690"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34212690"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34212690; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34212690]").text(description); $(".js-view-count[data-work-id=34212690]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34212690; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34212690']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "673743d77c4707739fb74102521b8d5c" } } $('.js-work-strip[data-work-id=34212690]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":34212690,"title":"Nordisk Film, Pathé Frères, and the First European Films Made in Siam 1908-1913","internal_url":"https://www.academia.edu/34212690/Nordisk_Film_Path%C3%A9_Fr%C3%A8res_and_the_First_European_Films_Made_in_Siam_1908_1913","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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Klemm, and Jason P. 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"Digital Communication and Innovative Technologies"" class="work-thumbnail" src="https://attachments.academia-assets.com/120849999/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127060915/Southeast_Asian_Media_Studies_Journal_Vol_6_No_1_Digital_Communication_and_Innovative_Technologies_">Southeast Asian Media Studies Journal, Vol. 6, No. 1. "Digital Communication and Innovative Technologies"</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 6, No. 1., 2024 -- Ngo Bich Ngoc &...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 6, No. 1., 2024 -- Ngo Bich Ngoc & Le Thu Mach, Mark Finn, Ngoc-Chau Pham & Lan-Chi Nguyen, Martina Skrubbeltrang Mahnke, Sarah Lynn Aliah Nor Zaidi & Nor Diana Mohd Mahudin, Kahrein A. Salvador, Hien Duong, Reyjane Calicdan-Del Campo, Karl Lewis L. Cruz</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1d948cde4150b70172af4ab794da7a82" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":120849999,"asset_id":127060915,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/120849999/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127060915"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127060915"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127060915; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127060915]").text(description); $(".js-view-count[data-work-id=127060915]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127060915; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127060915']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1d948cde4150b70172af4ab794da7a82" } } $('.js-work-strip[data-work-id=127060915]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127060915,"title":"Southeast Asian Media Studies Journal, Vol. 6, No. 1. \"Digital Communication and Innovative Technologies\"","internal_url":"https://www.academia.edu/127060915/Southeast_Asian_Media_Studies_Journal_Vol_6_No_1_Digital_Communication_and_Innovative_Technologies_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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"Political Communication"" class="work-thumbnail" src="https://attachments.academia-assets.com/116291621/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121406766/Southeast_Asian_Media_Studies_Journal_Vol_5_No_2_Political_Communication_">Southeast Asian Media Studies Journal, Vol. 5, No. 2. "Political Communication"</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 5, No. 2., 2023 -- Orville B. Tatc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 5, No. 2., 2023 -- Orville B. Tatcho & Jose Carlo G. de Pano; Muthukumaran Kanasan; Jethro Bryan Andrada, Imari Jazmine Tamayo & Nique Jade Tarubal; Andreas Ryan Sanjaya; Gabrielle Carissa Marie A. Paras; Annie Fe G. 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"Critical Mass Media Histories"" class="work-thumbnail" src="https://attachments.academia-assets.com/92270799/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88265180/Southeast_Asian_Media_Studies_Journal_Vol_3_No_2_Critical_Mass_Media_Histories_">Southeast Asian Media Studies Journal, Vol. 3, No. 2. 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"Communication Outbreaks"" class="work-thumbnail" src="https://attachments.academia-assets.com/92268689/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88262722/Southeast_Asian_Media_Studies_Journal_Vol_3_No_1_Communication_Outbreaks_">Southeast Asian Media Studies Journal, Vol. 3, No. 1. "Communication Outbreaks"</a></div><div class="wp-workCard_item"><span>Editor-in-Chief of Southeast Asian Media Studies Journal, Vol. 3, No. 1.</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Since early 2020, the Covid-19 epidemic has had a persistent impact on our everyday lives, raisin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Since early 2020, the Covid-19 epidemic has had a persistent impact on our everyday lives, raising our concerns about the value of humanity such as family, friendship, and society, as well as affecting business, healthcare, and education, particularly in the field of communication and media. Not only have the mass media been used to report correct information about the pandemic. Information is either trusted or contested, citizens' movements are increasingly mediated and monitored, and political systems, civil liberties, and governmental responsibilities are hotly debated. Amidst all of these social and political upheavals and the changing media landscape, the Southeast Asian Media Studies Association (SEAMSA) is delighted to present the special edition of Southeast Asian Media Studies Journal (SEAMSJ) titled "Communication Outbreaks" (Vol. 3, No. 1, 2021). The special issue includes six research articles that cover a broad range of media and communication topics related to the global health crisis, including the mediation of digital technologies, the evolving roles of social media platforms and online messaging groups, intersections between digital governance and nationalism, activism through social media, and many more. The research articles are followed by two additional essays about the media and our personal experience of anxiety and detachment as a result of the pandemic. This is the fourth journal issue published by SEAMSA. Under the former journal name Southeast Asian Media Studies, the association previously published a trilogy of special issues focusing on "Singapore</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0a49aa48dbb4f34ff74633c16fb8d57f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92268689,"asset_id":88262722,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92268689/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88262722"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88262722"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88262722; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88262722]").text(description); $(".js-view-count[data-work-id=88262722]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88262722; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88262722']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0a49aa48dbb4f34ff74633c16fb8d57f" } } $('.js-work-strip[data-work-id=88262722]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88262722,"title":"Southeast Asian Media Studies Journal, Vol. 3, No. 1. \"Communication Outbreaks\"","internal_url":"https://www.academia.edu/88262722/Southeast_Asian_Media_Studies_Journal_Vol_3_No_1_Communication_Outbreaks_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":92268689,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92268689/thumbnails/1.jpg","file_name":"SEAMSJ_3.1_FULL_ISSUE_AS_PUBLISHED.pdf","download_url":"https://www.academia.edu/attachments/92268689/download_file","bulk_download_file_name":"Southeast_Asian_Media_Studies_Journal_Vo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92268689/SEAMSJ_3.1_FULL_ISSUE_AS_PUBLISHED-libre.pdf?1665468743=\u0026response-content-disposition=attachment%3B+filename%3DSoutheast_Asian_Media_Studies_Journal_Vo.pdf\u0026Expires=1740061988\u0026Signature=aCBzq-7nNKWSZDWF~vO6tsnFvbyjtg05wBaeawuqBkzqrLUXWR1l~ffNACKKX~4385jsv9IgY6OcAtsNVyPBcoQWJG2GVbPuhk9hQUsdnslezqPJSWDCXznrJhcrDJeUPKvAMPsAKPQskfS0p7oU~8Ue5Q4~S6svAwg15n1RZdIGvwGrvq2tpbT5b8lBmeGBbj-KVy9yb01NPf4717szSVy8eaOugtTQcMSso6C0L99t~SJLKA8wTYZ-2bEmdAMniVkM4RUi47PJ5VvbMdJHzauT7cg6XEzlClsbpdwOTDc8XSqsd-xHGdftJNKYK1J6Sowrfs4s76HSAqbR6LBG-g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50904191"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/50904191/IAFOR_Journal_of_Media_Communication_and_Film_Vol_7_No_1_2020"><img alt="Research paper thumbnail of IAFOR Journal of Media, Communication and Film Vol. 7, No. 1, 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/68776425/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/50904191/IAFOR_Journal_of_Media_Communication_and_Film_Vol_7_No_1_2020">IAFOR Journal of Media, Communication and Film Vol. 7, No. 1, 2020</a></div><div class="wp-workCard_item"><span>Assitant Editor of IAFOR Journal of Media, Communication and Film Vol. 7, No. 1</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">As a graduate of the Bachelor of Communication Studies program, she went on to complete a BCS Hon...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">As a graduate of the Bachelor of Communication Studies program, she went on to complete a BCS Honours (first class) and her PhD. The focus of her thesis was on how organisational communications construct the identities of members. Dr Nairn is currently working on multiple research projects from explorations of morality in television programming, to how organisations encourage identification in their external communications, to the experiences of work among creative people. She recently co-edited the book "Multidisciplinary perspectives on women, voice, and agency," and regularly publishes in the fields of identity, creative industries, intercultural communication, popular culture and public relations.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eaaf7449457d66f133e4fb7f920acc62" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68776425,"asset_id":50904191,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68776425/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50904191"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50904191"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50904191; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50904191]").text(description); $(".js-view-count[data-work-id=50904191]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50904191; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50904191']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eaaf7449457d66f133e4fb7f920acc62" } } $('.js-work-strip[data-work-id=50904191]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50904191,"title":"IAFOR Journal of Media, Communication and Film Vol. 7, No. 1, 2020","internal_url":"https://www.academia.edu/50904191/IAFOR_Journal_of_Media_Communication_and_Film_Vol_7_No_1_2020","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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Among the attendees was the editor of the Southeast Asian Media Studies Journal (SEAMSJ). The Asian Journals Network (AJN) had been initiated by Kritika Kultura of Ateneo de Manila University and the University of Santo Tomas' Unitas. These two academic journals based in the Philippines were also the main organizers of the conference. The editors discussed several issues, including the identity, scope, and limitations of the AJN, as well as the state of academic journal publishing in Asia, as it is influenced by a Western neoliberal publication culture that favors metrics, impact factors, and publishing in the English language. Since this academic culture puts many Asian scholars at a disadvantage, the AJN seeks to foster new ways of knowledge production and dissemination. The conference established a strong sense of community among the participating journal editors and energized the network. On 15 November 2022, the editors of 20 Asian journals formalized their partnership by signing a Memorandum of Understanding. Thus, legitimizing the existence of the AJN and pledged long-term collaboration and knowledge exchange among the member journals. This essay introduces the Asian Journals Network to a wider audience, outlines its possible future role in the humanities and social sciences in Asia, reviews and assesses salient issues and outcomes of the conference, and discusses the possible impact the membership in the network might have on the SEAMSJ.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c955941b4cac1913b3549a8ed3f0a065" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98753038,"asset_id":97014835,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98753038/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="97014835"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="97014835"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 97014835; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=97014835]").text(description); $(".js-view-count[data-work-id=97014835]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 97014835; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='97014835']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c955941b4cac1913b3549a8ed3f0a065" } } $('.js-work-strip[data-work-id=97014835]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":97014835,"title":"The Asian Journals Network: Establishing a New Research Identity in the Humanities and Social Sciences","internal_url":"https://www.academia.edu/97014835/The_Asian_Journals_Network_Establishing_a_New_Research_Identity_in_the_Humanities_and_Social_Sciences","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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From 1955 to 1967 U.S. Army documentaries, British Pathé newsreels, and various television reports sought to acquaint viewers in the West with Thai demographics and culture and the airbases from which the U.S. military was operating. They were vehicles to rationalize U.S. military activity in Southeast Asia, economic aid to Thailand, and the necessity to stop communist insurgence in Vietnam, Laos, and the northeastern provinces of Thailand. The films can be grouped according to phases of the Cold War and particular events: 1954-59: SEATO and the U.S.-Thai alliance; 1960: The Thai royal couple in the U.S.; 1961-1963: U.S. military buildup in Thailand; and 1964-67: Conflict escalation. The article discusses the films within their historic contexts and explores their representations of Thailand. An awareness of their underlying messages leads to a deeper understanding of the dynamic U.S.-Thai alliance, Thailand’s complex role during the Vietnam War, and the international effort to prevent the spread of Communism in Southeast Asia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b4b106c7c6612b91507ae39f00bc16b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62456882,"asset_id":42301120,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62456882/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42301120"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42301120"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42301120; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42301120]").text(description); $(".js-view-count[data-work-id=42301120]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42301120; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42301120']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b4b106c7c6612b91507ae39f00bc16b" } } $('.js-work-strip[data-work-id=42301120]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42301120,"title":"Representations of Cold War Thailand in in U.S. Army Documentaries and British Pathé Newsreels 1955-1967","internal_url":"https://www.academia.edu/42301120/Representations_of_Cold_War_Thailand_in_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":62456882,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62456882/thumbnails/1.jpg","file_name":"Klemm_-_Representations_of_Cold_War_T._with_cover20200323-119712-nsle39.pdf","download_url":"https://www.academia.edu/attachments/62456882/download_file","bulk_download_file_name":"Representations_of_Cold_War_Thailand_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62456882/Klemm_-_Representations_of_Cold_War_T._with_cover20200323-119712-nsle39-libre.pdf?1585106625=\u0026response-content-disposition=attachment%3B+filename%3DRepresentations_of_Cold_War_Thailand_in.pdf\u0026Expires=1740061988\u0026Signature=NTOTTM7Jkw5TB9r7KldYku5NL5z5i80J40oyrojcfxNpFYFJ8GpOgUgQ1tzqvQgyLq7do7xwqPzH1zCJfBbEw9t6VWylLFc32JZ6aV-05DMtjo5sCSdfVvH7vP37C87yPtUTxSzC06upyHgry8pvEJWFoMxuONKiDHbtrGTwBdJJM7n0SxqeZTzzgeCS3lA~EdMSVMtMo08Wuz~ala5J6AatO0ndgdlIMGK-Gcp0dFbBrbL5NeZY0rbHKCfbsSAOpzdoMfvq5XW2yWb5S7Rhyt3SawPVtAaF2DD2M3CGd554~2UoI6yRlU6aO7GH8qqGBF1mmcLJJDB8uBHAXK20CQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41556942"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41556942/Thailand_as_a_Foreign_Film_Production_Destination_Developments_and_Challenges_from_2016_to_2018"><img alt="Research paper thumbnail of Thailand as a Foreign Film Production Destination: Developments and Challenges from 2016 to 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/61715062/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41556942/Thailand_as_a_Foreign_Film_Production_Destination_Developments_and_Challenges_from_2016_to_2018">Thailand as a Foreign Film Production Destination: Developments and Challenges from 2016 to 2018</a></div><div class="wp-workCard_item"><span>Southeast Asian Media Studies Journal</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Foreign film production is a vital source of revenue for Thailand, a job creator and a stimulator...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Foreign film production is a vital source of revenue for Thailand, a job creator and a stimulator of tourism. This article seeks to outline and assess the developments and challenges of Thailand as a foreign film production destination from 2016 to 2018. To this end, it analyzes statistics of annual revenue, production types and the nationalities connected to foreign film projects and<br />discusses the Thailand Film Office’s marketing strategy and activities. Within the context of film-induced tourism, the article also contextualizes the temporary closure of Maya Bay. The results show that (1) the TFO’s promotional strategy is effective as it includes the dissemination of marketing materials and the organization of an annual film festival, competitions and other events that foster international cooperation; (2) Japanese, Indian and continental European productions are the most numerous; (3) the intensity of foreign filmmaking activity in Thailand fluctuates year by year but has stabilized at a high level during the 2016-2018-period; and (4) the high 2018-revenue figures can be attributed in part to the new tax incentives.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="225297527ccbb1dc91dcc61ec96dfde0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61715062,"asset_id":41556942,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61715062/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41556942"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41556942"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41556942; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41556942]").text(description); $(".js-view-count[data-work-id=41556942]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41556942; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41556942']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "225297527ccbb1dc91dcc61ec96dfde0" } } $('.js-work-strip[data-work-id=41556942]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41556942,"title":"Thailand as a Foreign Film Production Destination: Developments and Challenges from 2016 to 2018","internal_url":"https://www.academia.edu/41556942/Thailand_as_a_Foreign_Film_Production_Destination_Developments_and_Challenges_from_2016_to_2018","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":61715062,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61715062/thumbnails/1.jpg","file_name":"ilovepdf_merged_220200108-122987-1d89lbh.pdf","download_url":"https://www.academia.edu/attachments/61715062/download_file","bulk_download_file_name":"Thailand_as_a_Foreign_Film_Production_De.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61715062/ilovepdf_merged_220200108-122987-1d89lbh-libre.pdf?1578485783=\u0026response-content-disposition=attachment%3B+filename%3DThailand_as_a_Foreign_Film_Production_De.pdf\u0026Expires=1740061988\u0026Signature=NWSXZ8MHULrIqiBAZoy5K4cQINmQVSDhKEyi8Fxxn~f7RcW4yXZe~n8cUN1wmwwHsVNWlxhRITXgC-yGJw2~e2C7tIRz8WNPAyb35XZlH3NWiHcklE76zidN8960Cyu1zBCkmvgyG3TG5CYq6nkyx9Ciosl8Gi2n0Q6h39NIcWfVtouTyvPD7I9P9RASmfGtdTmZi3~fkijvZPfFlnaP~Kb051RMEg0kiWjfmec8b8Yp7aWXA0D3-Eb0AVHLQzUkXEIUej0RwUH7KdwH2C2yQurd6suFTBpr4igVUPEdwjSUDSCispEO1HvLStUa2bfnbX522-k3dXsBhz0niuchfQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41236681"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41236681/Thailand_in_the_European_Cinematic_Imagination_The_Phenomenon_and_Legacy_of_Emmanuelle_Fr_1974_"><img alt="Research paper thumbnail of Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of "Emmanuelle" (Fr 1974)" class="work-thumbnail" src="https://attachments.academia-assets.com/61465083/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41236681/Thailand_in_the_European_Cinematic_Imagination_The_Phenomenon_and_Legacy_of_Emmanuelle_Fr_1974_">Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of "Emmanuelle" (Fr 1974)</a></div><div class="wp-workCard_item"><span>International Academic Forum Journal of Cultural Studies</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Movie markets in Europe and the United States saw a considerable increase in the number of erotic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Movie markets in Europe and the United States saw a considerable increase in the number of erotic films in the first half of the 1970s, followed by a transition to predominantly X-rated films in the second half. The development and rapid proliferation of the soft- and hardcore film genres can be attributed to the Sexual Liberation Movement of the 1960s, changed viewer expectations, the liberalization of film exhibition laws, and the development of new film technologies. A substantial number of European erotic and pornographic films were made in Thailand. The film Emmanuelle (Fr 1974, dir. Just Jaeckin) marked the beginning and became an international box-office hit, followed by several French, Italian, Swiss, German, and Danish productions that sought to ride on the wave of Emmanuelle’s success. This article seeks to give a concise overview of Emmanuelle’s legacy, that is, European adult-oriented films made from 1974 to 1980 because they shaped western representations and popular perceptions of Thailand for many years. It seeks to explore the cinematic portrayals of Thailand in selected films to determine the extent to which the country plays a significant role as a setting, and it explores the relevance of western interracial desires as well as the films’ appropriation of the enduring allure of the East felt by many Europeans.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1580911e47639e5f7b0e40ee0dfce695" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61465083,"asset_id":41236681,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61465083/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41236681"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41236681"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41236681; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41236681]").text(description); $(".js-view-count[data-work-id=41236681]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41236681; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41236681']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1580911e47639e5f7b0e40ee0dfce695" } } $('.js-work-strip[data-work-id=41236681]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41236681,"title":"Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of \"Emmanuelle\" (Fr 1974)","internal_url":"https://www.academia.edu/41236681/Thailand_in_the_European_Cinematic_Imagination_The_Phenomenon_and_Legacy_of_Emmanuelle_Fr_1974_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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His itinerary included Siam, where he shot impressions of Bangkok and the celebration of the 40-year jubilee of the reign of King Chulalongkorn. European photographers had been coming to Siam since the 1860s, documenting people, places, and culture, but Lippert’s visit marked the first time that a European filmmaker came to Siam on a mission to make scenic films, commonly known as ‘scenics’, meant for distribution in Europe. Between 1910 and 1913 the French company Pathé Frères also produced its first scenics in Siam. Thus, before the outbreak of World War I, film productions by Nordisk Film and Pathé Frères constituted the first cinematic representations of Siam. Most of these scenics have been lost because of the brittleness of early celluloid and the turmoil of history. As a consequence, no in-depth academic discussion about them has taken place. This paper seeks to close this research gap. By way of contextualizing the Nordisk Film and Pathé Frères productions, outlining relevant film-historic circumstances, and drawing connections to 19th-century representations of Siam in photography, the paper offers insights into the beginnings of European filmmaking in Siam and makes an original contribution to the study of western portrayals of this Southeast Asian nation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="141b6c6ef135546e7d4b4206d3200384" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59462151,"asset_id":39323022,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59462151/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39323022"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39323022"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39323022; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39323022]").text(description); $(".js-view-count[data-work-id=39323022]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39323022; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39323022']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "141b6c6ef135546e7d4b4206d3200384" } } $('.js-work-strip[data-work-id=39323022]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39323022,"title":"The Beginnings of European Filmmaking in Siam","internal_url":"https://www.academia.edu/39323022/The_Beginnings_of_European_Filmmaking_in_Siam","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":59462151,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59462151/thumbnails/1.jpg","file_name":"The_Beginnings_of_European_Filmmaking_in_Siam_published20190531-16059-ync70.pdf","download_url":"https://www.academia.edu/attachments/59462151/download_file","bulk_download_file_name":"The_Beginnings_of_European_Filmmaking_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59462151/The_Beginnings_of_European_Filmmaking_in_Siam_published20190531-16059-ync70-libre.pdf?1559295339=\u0026response-content-disposition=attachment%3B+filename%3DThe_Beginnings_of_European_Filmmaking_in.pdf\u0026Expires=1740061988\u0026Signature=S0-B40IIRUA9g3HxJ9LPnMn~ZEC7cJgZA7yWqtQ-I7BpFKU6aOlDIDB4Wa9rfmXRbzZ3rjn6nvLN2H-zg4uIlxOQIrS-oi38OH3-jNicCCidfQP0UmrPyvW2ATZQWtvYE3iHWmB9CnXISi3WKHuivR~uaMLUd8gkyEqLHaRNeAnkOAqoWf21mL1Lhn8yXZqqXpr8e5AQQtZOHqGpjJuV3ebp5ta44A4MYbKq0hKdTyRQYznSidGGRRYBP6Lm-mi-RIinLAjite1RqwPeMxTHPzVKPzny67GYmxhYP4Iq4uv9nluRsudoCZBSTHwYO-E1---8g0ZQhbcUMuNHE~lePw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38088720"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38088720/Representations_of_Cold_War_Thailand_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967"><img alt="Research paper thumbnail of Representations of Cold War Thailand in U.S. Army Documentaries and British Pathé Newsreels 1955-1967" class="work-thumbnail" src="https://attachments.academia-assets.com/58115925/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38088720/Representations_of_Cold_War_Thailand_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967">Representations of Cold War Thailand in U.S. Army Documentaries and British Pathé Newsreels 1955-1967</a></div><div class="wp-workCard_item"><span>Proceedings Article - The Asian Congress for Media and Communication Conference, Taipei, Taiwan</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rising Cold War tensions between the United States, USSR and China, fear of an unstoppable expans...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rising Cold War tensions between the United States, USSR and China, fear of an unstoppable expansion of Communism in Southeast Asia, and France’s withdrawal from Vietnam in 1954 resulted in the foundation of<br />SEATO (Southeast Asian Treaty Organization) and a rapid increase in U.S. military presence in Thailand. From 1955 to 1967 U.S. Army documentaries, British Pathé newsreels, and various television reports sought to acquaint viewers in the West with Thai demographics and culture, and the air bases from which the U.S. military was operating. They were vehicles to rationalize U.S. military activity in Southeast Asia, economic aid to Thailand, and the necessity to stop communist insurgence in Vietnam, Laos, and the northeast provinces of Thailand. The films can be grouped according to phases of the Cold War and particular events:1955-59: SEATO and the U.S.-Thai alliance; 1960: The Thai royal couple in the U.S.; 1961-1963: U.S. military buildup in<br />Thailand; and 1964-67: Conflict escalation. The paper discusses the films within their historic contexts and explores their representations of Thailand. An awareness of their underlying messages leads to a deeper<br />understanding of the dynamic U.S.-Thai alliance, Thailand’s complex role during the Vietnam War, and the international effort to prevent the spread of Communism in Southeast Asia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="64a305232892a2c836b5bba46aa4dbb4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58115925,"asset_id":38088720,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58115925/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38088720"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38088720"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38088720; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38088720]").text(description); $(".js-view-count[data-work-id=38088720]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38088720; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38088720']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "64a305232892a2c836b5bba46aa4dbb4" } } $('.js-work-strip[data-work-id=38088720]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38088720,"title":"Representations of Cold War Thailand in U.S. Army Documentaries and British Pathé Newsreels 1955-1967","internal_url":"https://www.academia.edu/38088720/Representations_of_Cold_War_Thailand_in_U_S_Army_Documentaries_and_British_Path%C3%A9_Newsreels_1955_1967","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":58115925,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58115925/thumbnails/1.jpg","file_name":"ACMC_PROCEEDINGS_2018_-_cutted.pdf","download_url":"https://www.academia.edu/attachments/58115925/download_file","bulk_download_file_name":"Representations_of_Cold_War_Thailand_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58115925/ACMC_PROCEEDINGS_2018_-_cutted-libre.pdf?1546628569=\u0026response-content-disposition=attachment%3B+filename%3DRepresentations_of_Cold_War_Thailand_in.pdf\u0026Expires=1740061988\u0026Signature=g1CentYlQQxzGlyDhPKzlhhutdWrxk~maV-cdBoDRUvHhzT4Xp5puEoQyfp6QLMUJobzFCubz0-DUWztkAa4obVeFyJ9aWZUvhcigkXopdpoX6PqHNQda0WHlz8y8b00sJ9CyY3E1w4YlWIuphBtyBZRbNFzRG4Jy4LiKhvtRX7mT~wBFMoQYbqRDidUItTftK0kdpJPh7gpVZsxbpc5MgpllXIDl0IWecjd9lb9DTw0GYTXFI4CRIsa7MUaZfxnpMPGecKYaw9BqVnzFKwLQUawJ6b~66~neXQDFJSIr4c~ay6sL025z1fU1GqpLvcTTSQyuOAMq-fjYV8y4RJmZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37435627"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37435627/Staging_Authenticity_in_the_Jungle_of_Siam_Chang_A_Drama_of_the_Wilderness_USA_1927_"><img alt="Research paper thumbnail of Staging Authenticity in the Jungle of Siam: Chang: A Drama of the Wilderness (USA 1927)" class="work-thumbnail" src="https://attachments.academia-assets.com/57401594/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37435627/Staging_Authenticity_in_the_Jungle_of_Siam_Chang_A_Drama_of_the_Wilderness_USA_1927_">Staging Authenticity in the Jungle of Siam: Chang: A Drama of the Wilderness (USA 1927)</a></div><div class="wp-workCard_item"><span>Proceedings Article - 5th Social Sciences, Arts and Media International Conference, Bangkok, Thailand</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After the success of their directorial debut Grass: A Nation’s Battle for Life (USA 1925), the Am...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After the success of their directorial debut Grass: A Nation’s Battle for Life (USA 1925), the American directors Ernest B. Schoedsack and Merian C. Cooper ventured to Nan province in Siam to shoot Chang: A Drama of the Wilderness. A hybrid of drama, documentary and ethnographic study, Chang was critically well received and a box-office triumph. As the first full-length Hollywood film made in Siam, it holds a special place in film history. Getting wild animals such as tigers, leopards, elephants, and monkeys very close in front of the camera, Chang took wildlife photography to a new level and won an Oscar for “Unique and Artistic Production”. Nevertheless, Chang has been studied too little because Schoedsack and Cooper’s now iconic King Kong (USA 1933) has garnered the main share of academic attention. This paper seeks to locate Chang in the history of Western photography and filmmaking activity in Siam in order to appreciate its representation of the nation. The paper’s second objective is to deconstruct Schoedsack and Cooper’s deliberate crossing of genres and staging of events to make them look authentic. An investigation into audience expectations, Chang’s narrative structure, the role of intertitles, as well as the portrayal of the jungle, the natives, and wild animals help in reaching these goals.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c58190ccdfc07ed876bc010f94b3ff7e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57401594,"asset_id":37435627,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57401594/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37435627"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37435627"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37435627; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37435627]").text(description); $(".js-view-count[data-work-id=37435627]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37435627; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37435627']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c58190ccdfc07ed876bc010f94b3ff7e" } } $('.js-work-strip[data-work-id=37435627]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37435627,"title":"Staging Authenticity in the Jungle of Siam: Chang: A Drama of the Wilderness (USA 1927)","internal_url":"https://www.academia.edu/37435627/Staging_Authenticity_in_the_Jungle_of_Siam_Chang_A_Drama_of_the_Wilderness_USA_1927_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35428071"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35428071/Foreign_Film_Production_in_Thailand_from_2003_to_2015"><img alt="Research paper thumbnail of Foreign Film Production in Thailand from 2003 to 2015" class="work-thumbnail" src="https://attachments.academia-assets.com/55289031/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35428071/Foreign_Film_Production_in_Thailand_from_2003_to_2015">Foreign Film Production in Thailand from 2003 to 2015</a></div><div class="wp-workCard_item"><span>International Journal of Cultural and Creative Industries</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This is the thoroughly revised version of my article Foreign Film Production in Thailand: Past, P...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This is the thoroughly revised version of my article Foreign Film Production in Thailand: Past, Present and Future (published in 2015)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="53e5dc7da2b7e556c03cd31c25ba2278" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55289031,"asset_id":35428071,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55289031/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35428071"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35428071"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35428071; 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The development and rapid proliferation of the soft- and hardcore film genres can be attributed to the so-called “Sexual Liberation Movement” of the 1960s, changed viewer expectations, the liberalization of film contents, and the development of new film technology. A substantial number of European erotic films were made in Thailand. The film Emmanuelle (Fr 1974, dir. Just Jaeckin) marked the beginning and became an international box-office hit, followed by several French, Italian, Swiss, German, and Danish productions that sought to ride on the wave of Emmanuelle’s success. This paper seeks to give a concise overview of Emmanuelle’s legacy, i.e. European adult-oriented films made from 1974 to 1980 because they shaped Western representations and popular perceptions of Thailand for many years. It seeks to explore the cinematic portrayals of Thailand in selected films in order to determine the extent to which the country plays a significant role as a setting, and it explores the relevance of western interracial desires as well as the films’ appropriation of the enduring allure of the East felt by many Europeans. The analyses are supported by theories of the erotic and exploitation film genres and discusses Western tendencies to mystify, sensualize and exoticize Thailand.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="184ca0325225d90677aa625e3b9cfc73" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54894009,"asset_id":35031533,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54894009/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35031533"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35031533"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35031533; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35031533]").text(description); $(".js-view-count[data-work-id=35031533]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35031533; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35031533']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "184ca0325225d90677aa625e3b9cfc73" } } $('.js-work-strip[data-work-id=35031533]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35031533,"title":"The Legacy of Emmanuelle: Oriental Desire and Interracial Encounters in European Films Set in Thailand 1974-1980","internal_url":"https://www.academia.edu/35031533/The_Legacy_of_Emmanuelle_Oriental_Desire_and_Interracial_Encounters_in_European_Films_Set_in_Thailand_1974_1980","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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Lippert’s visit marked the first time that a Westerner made documentaries in Siam intended for distribution in Europe, and around 1911 to 1913 the French company Pathé Frères also produced its first films in Siam. The outbreak of World War I, however, brought a temporary end to European filmmaking activity in Siam. These films by Nordisk Film and Pathé Frères offer important insights into the beginnings of Western filmmaking activity in Siam and early cinematic representations of this Southeast Asian nation. Most of these early films have been lost, which may be the reason why there has been a lack of academic engagement with them as well as their film-historic contexts. This paper seeks to close this research gap. To this end, it gives a detailed overview of the films shot by Nordisk Film and Pathé Frères. By way of analyzing relevant historic and film-industrial circumstances and drawing connections to 19th-century representations of Siam in Western photography, the paper makes an original contribution to the study of Western portrayals of Siam during the early silent film period.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="673743d77c4707739fb74102521b8d5c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54128480,"asset_id":34212690,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54128480/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34212690"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34212690"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34212690; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34212690]").text(description); $(".js-view-count[data-work-id=34212690]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34212690; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34212690']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "673743d77c4707739fb74102521b8d5c" } } $('.js-work-strip[data-work-id=34212690]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":34212690,"title":"Nordisk Film, Pathé Frères, and the First European Films Made in Siam 1908-1913","internal_url":"https://www.academia.edu/34212690/Nordisk_Film_Path%C3%A9_Fr%C3%A8res_and_the_First_European_Films_Made_in_Siam_1908_1913","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":54128480,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/54128480/thumbnails/1.jpg","file_name":"SSAMICPaperCUTTED.pdf","download_url":"https://www.academia.edu/attachments/54128480/download_file","bulk_download_file_name":"Nordisk_Film_Pathe_Freres_and_the_First.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/54128480/SSAMICPaperCUTTED-libre.pdf?1502588416=\u0026response-content-disposition=attachment%3B+filename%3DNordisk_Film_Pathe_Freres_and_the_First.pdf\u0026Expires=1740061988\u0026Signature=eeXalBCsgdxIJntigfslW5ha3n0Pncpuz4n2j5n3k6ienX6rf5C4~KA9C2mjDTytpwtgfmsh9WrSq9ws1nkVTjwYa04dm~LC6hptM-AVf7IEKeCs~KqnzvaYQ83c~1zlDauWT~n4YYacq97S3AvpI9w3s~RuPyCoW~XsKOqyPqPppmaSVvu1MTpvvAqVIgqvu4rrRKHyDZWJNg3XkAvwuAqpXNLBTCeu45EK9YVCs9p9tlD~2OwuD1gldRfwuXWzwPvdxaUAuywMiyrOXlX8j8J9oJbSAIdY3rgT6jkO2uOX5S9vHiytagnDMCAbaGEVFm3nwpok9-muBjTTrPWlDA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="33972767"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33972767/German_Films_Set_in_Thailand_from_1960_to_2016_Genres_Representations_and_Trends"><img alt="Research paper thumbnail of German Films Set in Thailand from 1960 to 2016: Genres, Representations and Trends" class="work-thumbnail" src="https://attachments.academia-assets.com/53927193/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33972767/German_Films_Set_in_Thailand_from_1960_to_2016_Genres_Representations_and_Trends">German Films Set in Thailand from 1960 to 2016: Genres, Representations and Trends</a></div><div class="wp-workCard_item"><span>Proceedings Article - 9th International Conference on Humanities and Social Sciences, Hat Yai, Thailand</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the 1950s, many Western companies, particularly Hollywood studios, began to produce fiction fi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the 1950s, many Western companies, particularly Hollywood studios, began to produce fiction films in Thailand, and in the 1960s German film companies also discovered Thailand as a viable story setting. The number of German fiction films made in Thailand was modest at first, but since the late 1980s the growing demand for television films series and other factors led to a gradual increase in the quantity and quality of these films. To this date, no comprehensive study about Western films set in Thailand has been conducted, and the corpus of German films set in Thailand has been downright ignored. The present study seeks to remedy this research gap because German films set in Thailand need to be analyzed for their representation of the Thai nation and contextualized for our understanding of the developments in the German film and television industry. The study offers an overview of German fiction films made in Thailand since the 1960s, engages with the question whether these films are narratively innovative or formulaic, and explores their representations of Thailand. Results show that from 1960 to 2016, about 11 German theatrical films, 16 television films, and 22 television series episodes were fully or partially set in Thailand. The three leading companies have been Rapid Film, Lisa Film, and Ziegler Film, each being involved in several productions. The German films and series episodes set in Thailand are often based on narrative formulas, and the films could be divided into eight broad categories, where television dramas and light-hearted television series episodes are the two leaders. Regarding the representation of Thailand, the majority of analyzed films emphasize the country's beautiful landscapes and seaside views, treating it as a desirable travel destination for affluent Germans. Thai people are often just incidental to the adventures of the main characters. A small group of films breaks away from stereotypes, portraying Thailand more realistically and with more immediacy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="38eae8dd9ed1e9f67ba6832ba0f21721" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53927193,"asset_id":33972767,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53927193/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33972767"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33972767"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33972767; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33972767]").text(description); $(".js-view-count[data-work-id=33972767]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33972767; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33972767']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "38eae8dd9ed1e9f67ba6832ba0f21721" } } $('.js-work-strip[data-work-id=33972767]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33972767,"title":"German Films Set in Thailand from 1960 to 2016: Genres, Representations and Trends","internal_url":"https://www.academia.edu/33972767/German_Films_Set_in_Thailand_from_1960_to_2016_Genres_Representations_and_Trends","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":53927193,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/53927193/thumbnails/1.jpg","file_name":"Proceedings-9_-_cutted.pdf","download_url":"https://www.academia.edu/attachments/53927193/download_file","bulk_download_file_name":"German_Films_Set_in_Thailand_from_1960_t.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/53927193/Proceedings-9_-_cutted-libre.pdf?1500576229=\u0026response-content-disposition=attachment%3B+filename%3DGerman_Films_Set_in_Thailand_from_1960_t.pdf\u0026Expires=1739615759\u0026Signature=SUCied~3VCc7GXztkQcOtGCiAafrMZ7mAm-Py6d9ZTaW4YhSjCbVk-xMf-TR8c6cghM0c1oBzSnwtIU5Jzz5csUIoQSRgQ1yqokPaitqfawyg~gnwb911CcmQ9guOvJtKHTgJD5KIeCerke3dmG0ReWe0bEULdtQDl69du~xC9xUXiizCWNx8k8Ja-ObHMfCnoOb4msjfJgu-ZnfPhVc~hq-ZiGyTZ3mkK2Tlgcs46aZGoasyAIAA1wgzrpb3r4H5tcFFUgT3yYPOEjGqKa9vDJA6-WTfpd1xtQ0LfV58xUNxcSMR7CcNqv-3ZH23Aj7jbCbjIhWMXgQgC0UynQN4Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="28116769"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/28116769/Foreign_Film_Production_in_Thailand_Past_Present_and_Future"><img alt="Research paper thumbnail of Foreign Film Production in Thailand: Past, Present and Future" class="work-thumbnail" src="https://attachments.academia-assets.com/48432369/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/28116769/Foreign_Film_Production_in_Thailand_Past_Present_and_Future">Foreign Film Production in Thailand: Past, Present and Future</a></div><div class="wp-workCard_item"><span>Proceedings Article - Bangkok University Communication Arts International Conference, Rangsit, Thailand</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Since the 1960s Thailand has succeeded in positioning itself as the leading Southeast Asian count...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Since the 1960s Thailand has succeeded in positioning itself as the leading Southeast Asian country for foreign film-related projects. Every year hundreds of foreign feature films, documentaries, commercials, TV programs, music videos, etc. are shot everywhere in Thailand. Thus, foreign film production is a crucial factor in the condition of the Thai film<br />industry and an important generator of revenue. With various marketing tools the Thailand Film Office promotes the country as an attractive location for foreign talent and film production companies. Furthermore, an increasing number of Thai screen talents and crews play key roles in foreign film-related productions. The foreign film production companies<br />usually collaborate with domestic ones that have specialized in providing services needed by their international counterparts. This paper seeks to take stock of the last twelve years and the current situation of foreign film production in Thailand and to explore the support international filmmakers receive. To this end, the paper reviews the following: statistics about foreign film productions and generated revenue, the role of the Thailand Film Office, rules and regulations of foreign filmmaking in Thailand, and the role of Thailand-based film<br />production service companies. Furthermore, based on a SWOT analysis the paper makes predictions about the future of foreign filmmaking in Thailand. Results of the analyses show the following: The increase in the number of foreign productions and the generated revenue have increased significantly since 2003. The Thailand Film Office is very active in promoting Thailand as a film location destination and greatly facilitates the application process for shooting permits. The rules and regulations for foreign filmmakers are straightforward. Thai film production service companies are vital to the success of foreign film-related productions in Thailand. Moreover, the outlook for the number of foreign film productions in Thailand and the revenue generated by this industry is positive due to the country‘s established<br />reputation as a film destination hub, modern film equipment, and a new financial incentive scheme to be implemented in 2017.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6cd9870f1c37ce7f50b5543b5712ec83" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48432369,"asset_id":28116769,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48432369/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="28116769"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="28116769"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28116769; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28116769]").text(description); $(".js-view-count[data-work-id=28116769]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28116769; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='28116769']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6cd9870f1c37ce7f50b5543b5712ec83" } } $('.js-work-strip[data-work-id=28116769]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":28116769,"title":"Foreign Film Production in Thailand: Past, Present and Future","internal_url":"https://www.academia.edu/28116769/Foreign_Film_Production_in_Thailand_Past_Present_and_Future","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":48432369,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/48432369/thumbnails/1.jpg","file_name":"BUCA_proceedings_-_cutted.pdf","download_url":"https://www.academia.edu/attachments/48432369/download_file","bulk_download_file_name":"Foreign_Film_Production_in_Thailand_Past.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/48432369/BUCA_proceedings_-_cutted-libre.pdf?1472548071=\u0026response-content-disposition=attachment%3B+filename%3DForeign_Film_Production_in_Thailand_Past.pdf\u0026Expires=1739615759\u0026Signature=UCxUf6DUFF42ksyClR~jKZJGr1--xdg3FJyZgF-J18TL3kr6Turw7ETiAKn8sVNSAFvaiHnfNtB-SesMC2U4bE-EcapAmPXXglY6u5-TjNlJrPAO7rYudyHIwPYpl7T3Z9XMDEAf0Kc30G02oNPRmsbPFN29kGIQ~4s2VauPYnnSlNuISLosfQO4XemML4sNmVGPdaKTN6S1mTi~H2AGPr9c9jdxp9ZUYqB3hG8uYow-Y0J2L4LIsSwyrmdKguvJS7K1XOKjXg~qCqBUVlHHKpTOIyUvOIROilvT8il-mxQcAwpIOf9JM-fKvuHJtFQXMb5-sjzKHJxYVbCotiE1MA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="26127432"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26127432/Cinematic_Journeys_through_Bangkok_in_the_Early_Sound_Film_Period_Exploring_James_A_FitzPatrick_s_Siam_to_Korea_USA_1931_and_Serene_Siam_USA_1937_"><img alt="Research paper thumbnail of Cinematic Journeys through Bangkok in the Early Sound Film Period: Exploring James A. FitzPatrick’s "Siam to Korea" (USA 1931) and "Serene Siam" (USA 1937)" class="work-thumbnail" src="https://attachments.academia-assets.com/46466504/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26127432/Cinematic_Journeys_through_Bangkok_in_the_Early_Sound_Film_Period_Exploring_James_A_FitzPatrick_s_Siam_to_Korea_USA_1931_and_Serene_Siam_USA_1937_">Cinematic Journeys through Bangkok in the Early Sound Film Period: Exploring James A. FitzPatrick’s "Siam to Korea" (USA 1931) and "Serene Siam" (USA 1937)</a></div><div class="wp-workCard_item"><span>Proceedings Article - 7th International Conference on Language and Communication, Bangkok, Thailand</span><span>, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Representations of Thailand in western films have received little attention by film scholars, not...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Representations of Thailand in western films have received little attention by film scholars, notable exceptions being widely popular films such as "Anna and the King of Siam" (USA 1946), "The King and I" (USA 1956), and "The Beach" (USA & UK 2000). This gap in research is astonishing, given the fact that the first western films made in Thailand date back to the emergence of the travelogue film genre in the 1910s. Travelogues are documentary-style scenic films engaging with cultures and peoples around the globe. During the silent film period (1895-1927), western films depicting Siam were almost exclusively travelogues. They sought to entertain and ‘educate’ western audiences about this ostensibly ‘exotic’ Asian nation. The 1930s marked the first decade of the sound film period and coincided with the beginning of Hollywood’s Golden Era, when travelogues became more sophisticated and voiceover narration took on a central role. This paper seeks to make an original contribution to the study of western visual representations of Siam in the 1930s. To this end, its objects of interest are western films made in Siam during that decade. The paper focuses on two travelogues in particular: "Siam to Korea" (USA 1931) and "Serene Siam" (USA 1937). Both films were made by James A. FitzPatrick, aka ‘The Voice of the Globe’. The paper discusses and contextualizes these two films’ representations of Bangkok, Siamese society and culture, focusing especially on their chosen subjects and FitzPatrick’s guiding voiceover commentaries.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fb5c7aa4783fe7da4ecfa52a49c1d8e0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":46466504,"asset_id":26127432,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/46466504/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="26127432"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="26127432"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26127432; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=26127432]").text(description); $(".js-view-count[data-work-id=26127432]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 26127432; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='26127432']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fb5c7aa4783fe7da4ecfa52a49c1d8e0" } } $('.js-work-strip[data-work-id=26127432]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":26127432,"title":"Cinematic Journeys through Bangkok in the Early Sound Film Period: Exploring James A. 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However, over a hundred spy and action adventure films were produced in Europe at the height of the 1960s spy-mania, six of which were co-produced by West Germany, France and/or Italy and shot and set in Thailand, among them Thirteen Days to Die (WG, It, Fr 1965) and Island of Lost Girls (WG, It 1969). They are the products of a prolific period of internationalization and diversification in European cinema. This paper seeks to explore the representations of Thailand in these films. To this end, it will engage with the landscape of European co-productions in the 1960s, popular fears of an escalating Cold War, the influence of the Bond film series on an entire genre, and the treatment of Thailand in western travel literature as it extended to film.<br /><br />Keywords: Eurospy, James Bond, representations of Thailand, Cold War</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6fc0ea7767d08cd3f54268878fceb83e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43264829,"asset_id":22685361,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43264829/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22685361"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22685361"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22685361; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22685361]").text(description); $(".js-view-count[data-work-id=22685361]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22685361; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22685361']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6fc0ea7767d08cd3f54268878fceb83e" } } $('.js-work-strip[data-work-id=22685361]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22685361,"title":"Representations of Thailand in European Spy and Action Adventure Films of the 1960s: \"Thirteen Days to Die\" (1965) and \"Island of Lost Girls\" (1969)","internal_url":"https://www.academia.edu/22685361/Representations_of_Thailand_in_European_Spy_and_Action_Adventure_Films_of_the_1960s_Thirteen_Days_to_Die_1965_and_Island_of_Lost_Girls_1969_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":43264829,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43264829/thumbnails/1.jpg","file_name":"Representations_of_Thailand_in_European.pdf","download_url":"https://www.academia.edu/attachments/43264829/download_file","bulk_download_file_name":"Representations_of_Thailand_in_European.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43264829/Representations_of_Thailand_in_European-libre.pdf?1456924373=\u0026response-content-disposition=attachment%3B+filename%3DRepresentations_of_Thailand_in_European.pdf\u0026Expires=1740061988\u0026Signature=c23djza5cnlAOcLML6Q-9nI1sMPyAgGeX5xkdClEqR2I-fafEKCxQK5eySEWRst3e55rE~tYcVS35vXAOah3qgzKXIHpYFX1Qrhts5p7vyn8ziFfDa1xbNnxWFbbYhNmkxEWnKPGHz6tj9MwJZOOKgtS~Ky3CWnh4UWcg3yRv5mzhtIc2GkMf~uGVm9vKbkk2j8lemdq0HxiNUG8o1c8PT9wJzTcP3C6DdLi7YjT0PZM~bNdq1YV~4c10Mre7JyRJS1No6FaenqyI4HOQbV0NpG266neOSvyYovkakZdRrjWdtPs8Vm1DPdF7k4a4n0hHl67KzOw4QkwNh-udBuU5A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22685520"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22685520/Western_Travelogue_Films_Set_in_Siam_during_the_Silent_Film_Era_A_Case_Study_of_In_Siamese_Society_USA_1919_"><img alt="Research paper thumbnail of Western Travelogue Films Set in Siam during the Silent Film Era: A Case Study of "In Siamese Society" (USA 1919)" class="work-thumbnail" src="https://attachments.academia-assets.com/43264979/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22685520/Western_Travelogue_Films_Set_in_Siam_during_the_Silent_Film_Era_A_Case_Study_of_In_Siamese_Society_USA_1919_">Western Travelogue Films Set in Siam during the Silent Film Era: A Case Study of "In Siamese Society" (USA 1919)</a></div><div class="wp-workCard_item"><span>Proceedings Article - 6th International Conference on Language and Communication, Bangkok, Thailand</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thailand's great variety of panoramas, its thriving domestic film industry and the country's well...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thailand's great variety of panoramas, its thriving domestic film industry and the country's well-developed infrastructure, have been attracting western filmmakers for over one hundred years. Hence, the number of western-produced films in Thailand in the 20 th century is substantial. However, only little research about selected films made after the Second World War has been conducted. And studies of relevant films made prior, when Thailand was still named Siam, are virtually non-existent. This apparent lack of academic interest in these films may be attributed to the difficulty of actually finding them or because they were not preserved and are therefore lost forever. Incomplete and misleading information in particular about early films also poses a considerable problem. Nevertheless, a film-historical investigation into the corpus of western-produced films shot and set in Siam is called for because they were shaped by colonial and imperial worldviews of the West in the 19th century and by the modern interest in travelling. Therefore, they presented Siam, Siamese people and cultures to western viewers in very specific ways. These representations of Siam lasted well into the second half of the 20th century. The films that meet the necessary criteria ‒ made by westerners, in Siam, to show Siam ‒ are either travelogues, i.e. travel documentaries with a strong interest in the exploration of foreign cultures, or semi-documentaries/semi-narratives associated with the travelogue genre. The corpus of travelogues set in Siam can be divided into films of the silent period, which officially ended in 1927, and films of the sound period. In order to limit the scope, this paper gives an overview of travelogues made during the silent film period only, and provides an in-depth analysis of "In Siamese Society" (USA 1919, Burton Holmes Travel Pictures) as a case study of Siam’s depiction in western travelogues.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="581245a9f5da8a674d4f953a4c5a0caf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43264979,"asset_id":22685520,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43264979/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22685520"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22685520"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22685520; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22685520]").text(description); $(".js-view-count[data-work-id=22685520]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22685520; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22685520']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "581245a9f5da8a674d4f953a4c5a0caf" } } $('.js-work-strip[data-work-id=22685520]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22685520,"title":"Western Travelogue Films Set in Siam during the Silent Film Era: A Case Study of \"In Siamese Society\" (USA 1919)","internal_url":"https://www.academia.edu/22685520/Western_Travelogue_Films_Set_in_Siam_during_the_Silent_Film_Era_A_Case_Study_of_In_Siamese_Society_USA_1919_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . Klemm","url":"https://paragoniu.academia.edu/AlexanderKlemm"},"attachments":[{"id":43264979,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/43264979/thumbnails/1.jpg","file_name":"Western_Travelogue_Films_Set_in_Siam_dur.pdf","download_url":"https://www.academia.edu/attachments/43264979/download_file","bulk_download_file_name":"Western_Travelogue_Films_Set_in_Siam_dur.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/43264979/Western_Travelogue_Films_Set_in_Siam_dur-libre.pdf?1456924289=\u0026response-content-disposition=attachment%3B+filename%3DWestern_Travelogue_Films_Set_in_Siam_dur.pdf\u0026Expires=1739615759\u0026Signature=ekjc0SGRKaSLIBV1C-2PTreTMmWpnAmMIja7eGj~XuX3DJpZS~uZNIPn3k6XewaDvLLHQsODS0Q5F7TfXHRduMP1F0dTNoYK-EQBf2VY48zTa~rwLo1f0JwednmixWyj5Q-tf9KdTkb2OMKXxiUMvkCUlMEggpumDUbgR~dKFzuXGWWZRpmZa149Fm~BhkN3zeA4RI1KzY9UdH1JjybuORPkXqgfInkG0uN9bvdDiuD0WtPx-GAWHKVC6XldQaIWDnvcbpe9PFsLBcny2l74cgqWlLw6Zy6ojRtUp41hNc6uy6G2dCbrmrE5lW2zIHIsEvyQn8LikIkf3~aolNYe4A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22685112"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22685112/City_and_Representation_Tokyos_Role_in_Sofia_Coppolas_Lost_in_Translation_2003_"><img alt="Research paper thumbnail of City and Representation: Tokyo's Role in Sofia Coppola's "Lost in Translation" (2003)" class="work-thumbnail" src="https://attachments.academia-assets.com/43264738/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22685112/City_and_Representation_Tokyos_Role_in_Sofia_Coppolas_Lost_in_Translation_2003_">City and Representation: Tokyo's Role in Sofia Coppola's "Lost in Translation" (2003)</a></div><div class="wp-workCard_item"><span>Proceedings Article - The Asian Conference on Arts and Humanities, International Academic Forum, Osaka, Japan</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper analyzes Tokyo’s multifaceted role in "Lost in Translation" (2003), as the film highli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper analyzes Tokyo’s multifaceted role in "Lost in Translation" (2003), as the film highlights the urban experience in Japan’s capital from a non-Japanese point-of-view. The story follows two Americans, a young and introverted woman and a seasoned actor, as they meet by chance and go on a journey of (self-)discovery that leads them through various city spaces. These characters serve as flâneur figures that wander through seemingly enigmatic spaces and fill them with astonishment. In order to analyze Tokyo’s function in the film, the paper draws from various sources that explore the visuals, themes and narrative techniques commonly employed in the portrayal of cities in works of fiction. This leads to important questions: In what ways are the characters soul-searching flâneurs on a journey of discovery? How does the relationship between the characters and the city lead to a deeper understanding of our fascination with urban spaces? What are some Western notions and (mis)representations of life and culture in Japan that the film builds on, and how do such allusions contribute to the cinematic rendering of Tokyo? By discussing these and related issues, the paper intends to shed light on the current roles of cities in film, and on the pleasures and potential pitfalls of emphasizing a complex metropolis such as Tokyo as a fictional setting.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="132fbe9830e8f35167d889cd7e92264d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43264738,"asset_id":22685112,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43264738/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22685112"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22685112"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22685112; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22685112]").text(description); $(".js-view-count[data-work-id=22685112]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22685112; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22685112']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "132fbe9830e8f35167d889cd7e92264d" } } $('.js-work-strip[data-work-id=22685112]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22685112,"title":"City and Representation: Tokyo's Role in Sofia Coppola's \"Lost in Translation\" (2003)","internal_url":"https://www.academia.edu/22685112/City_and_Representation_Tokyos_Role_in_Sofia_Coppolas_Lost_in_Translation_2003_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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The story is about the personal development of a renegade yakuza who lives in Bangkok, searches for the meaning of life and quietly contemplates suicide. Through existential experiences, violent interruptions and an emotional odyssey with a carefree Thai girl, who is the antithesis of his character, he enters a process of self-recognition and discovers his own voice, as well as a new desire to stay in this world. They negotiate meaning through code-switching between English, Thai and Japanese, which provides this paper with the basis for a discussion of various issues, such as the force and fragility of language, the uncertainty of existence, the oscillation between chaos and order, and the redemptive power of personal expression in an intercultural relationship. The paper suggests that the film’s cinematography and the main characters’ ways of communication merge on various levels not only to create narrative unity, but also to demonstrate how language and life necessitate each other.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bba35dc1c0ddf507004a9fffb6f7cde7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43264074,"asset_id":22683775,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43264074/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22683775"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22683775"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22683775; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22683775]").text(description); $(".js-view-count[data-work-id=22683775]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22683775; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22683775']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bba35dc1c0ddf507004a9fffb6f7cde7" } } $('.js-work-strip[data-work-id=22683775]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22683775,"title":"Language and Existence in Pen-Ek Ratanaruang’s \"Last Life in the Universe\" (2003)","internal_url":"https://www.academia.edu/22683775/Language_and_Existence_in_Pen_Ek_Ratanaruang_s_Last_Life_in_the_Universe_2003_","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22684928"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22684928/Emotions_Unleashed_Impressions_of_the_8th_World_Film_Festival_of_Bangkok_2010"><img alt="Research paper thumbnail of Emotions Unleashed: Impressions of the 8th World Film Festival of Bangkok 2010" class="work-thumbnail" src="https://attachments.academia-assets.com/43264720/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22684928/Emotions_Unleashed_Impressions_of_the_8th_World_Film_Festival_of_Bangkok_2010">Emotions Unleashed: Impressions of the 8th World Film Festival of Bangkok 2010</a></div><div class="wp-workCard_item"><span>Asian Journal of Literature, Culture and Society</span><span>, 2011</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7216d81fd47aa7352fdb4fb2672c351f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43264720,"asset_id":22684928,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43264720/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22684928"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22684928"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22684928; 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Fassbinder's "Fear Eats the Soul" (Germany 1973)" class="work-thumbnail" src="https://attachments.academia-assets.com/43261092/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22679723/Nation_and_Representation_Staging_Racism_in_R_W_Fassbinders_Fear_Eats_the_Soul_Germany_1973_">Nation and Representation: Staging Racism in R.W. Fassbinder's "Fear Eats the Soul" (Germany 1973)</a></div><div class="wp-workCard_item"><span>Journal of the University of the Thai Chamber of Commerce</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Germany is one of the most transient European countries, with its ever changing borders and redef...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Germany is one of the most transient European countries, with its ever changing borders and redefinition through conflict and peace, division and unification, migration and exile. With these events in mind, this paper discusses the historic perception of racial others in Germany post World War II and examines how this awareness is paramount in Rainer Werner Fassbinder's construction and study of racist behavior in his narrative film "Angst Essen Seele auf" ("Fear Eats the Soul", Germany 1973). <br /><br />Keywords: New German Cinema, Racism, Germany</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bdace22c81f550aff5b7af5a95d22cc5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43261092,"asset_id":22679723,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43261092/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22679723"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22679723"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22679723; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22679723]").text(description); $(".js-view-count[data-work-id=22679723]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22679723; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22679723']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bdace22c81f550aff5b7af5a95d22cc5" } } $('.js-work-strip[data-work-id=22679723]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22679723,"title":"Nation and Representation: Staging Racism in R.W. 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Einleitung." class="work-thumbnail" src="https://attachments.academia-assets.com/43267054/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22688448/Schriftzeichen_der_Wahrheit_Zur_Philosophie_der_Filmsprache_New_York_Atropos_Press_2009_Einleitung">Schriftzeichen der Wahrheit: Zur Philosophie der Filmsprache (New York: Atropos Press 2009). Einleitung.</a></div><div class="wp-workCard_item"><span>Atropos Press, USA. Available on Amazon.com</span><span>, 2009</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Die vorliegende Studie hat interdisziplinärer Charakter und beruft sich hauptsächlich auf die Spr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Die vorliegende Studie hat interdisziplinärer Charakter und beruft sich hauptsächlich auf die Sprachphilosophie, Kontinentalphilosophie und Medienphilosophie. Sie zielt darauf ab, einen Diskurs über das Sich-zeigen von Wahrheit in der Sprache des Films zu führen. Um dies zu erreichen, werden die Kräfte von sprachlichen und visuellen Zeichen, Schriftzeichen im Besonderen, als Bedeutungs- und Wahrheitsträger in Kommunikationsprozessen erforscht und die Erscheinungsformen dieser Schriftzeichen der Wahrheit, wie wir sie hier nennen, ermittelt. Auch Analogien zwischen einzelnen Schriftzeichen und Filmbildern einerseits sowie zwischen Sequenzen von Schriftzeichen und der Bildmontage im Film andererseits werden deshalb untersucht. Eine Analyse der Phänomene Fiktion, Täuschung und Illusion, die sich zur Wahrheit gegensätzlich verhalten und doch mit ihr verwandt sind, fließt in den Diskurs über die Schriftzeichen der Wahrheit ein. Dadurch wird ersichtlich, inwieweit Film dem Wesen nach eine der Kommunikation dienende Bilderschrift ist, die sich aus einem vielschichtigen und spannenden Zusammenspiel von Zeichen, Wahrheit und Fiktion konstituiert. Auf diese Weise entsteht ein Forschungsbeitrag, der Wahrheit im Film untersucht und zu einer originellen Philosophie der Filmsprache führt. <br />ISBN-10: 0982530927<br />ISBN-13: 978-0982530924</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f3af75b905d14362446b721e3fcff48c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":43267054,"asset_id":22688448,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/43267054/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="22688448"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="22688448"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 22688448; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=22688448]").text(description); $(".js-view-count[data-work-id=22688448]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 22688448; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='22688448']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f3af75b905d14362446b721e3fcff48c" } } $('.js-work-strip[data-work-id=22688448]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":22688448,"title":"Schriftzeichen der Wahrheit: Zur Philosophie der Filmsprache (New York: Atropos Press 2009). 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Binswanger)</a></div><div class="wp-workCard_item"><span>Ecological, Social and Economic Sustainability: Perspectives for Thailand and ASEAN</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Over the past few decades the Thai economy has been developing and gradually integrating with oth...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Over the past few decades the Thai economy has been developing and gradually integrating with other economies in and beyond the ASEAN region. Due to the ASEAN countries' integration processes, the community is facing political, economic, social, educational and environmental challenges. In order to turn challenges into opportunities that serve Thailand and the ASEAN region in an inter-generational way, it is pertinent to draft, disseminate and discuss perspectives for sustainability and well-being. This anthology aims to extend and deepen our awareness of ecological, social and economic sustainability in Thailand and the ASEAN region and thus to intensify the discourse amongst decision makers, academics, students and the wider public. 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Zurich University (unpublished)</span><span>, 2001</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ab140c6e9feb69841d0d2cb0ffc31124" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61627376,"asset_id":41453209,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61627376/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41453209"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41453209"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41453209; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41453209]").text(description); $(".js-view-count[data-work-id=41453209]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41453209; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41453209']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ab140c6e9feb69841d0d2cb0ffc31124" } } $('.js-work-strip[data-work-id=41453209]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41453209,"title":"The Films and Music of Wim Wenders","internal_url":"https://www.academia.edu/41453209/The_Films_and_Music_of_Wim_Wenders","owner_id":13851262,"coauthors_can_edit":true,"owner":{"id":13851262,"first_name":"Alexander","middle_initials":"J .","last_name":"Klemm","page_name":"AlexanderKlemm","domain_name":"paragoniu","created_at":"2014-07-12T22:46:43.341-07:00","display_name":"Alexander J . 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