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-webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Frank Lloyd Wright</h1><div class="u-tcGrayDark">9,907 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Frank Lloyd Wright</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright/MostRecent">Newest Papers</a></li><li><a class="" 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American Orthodox Architecture: Modernism Meets Tradition</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">The paper highlights the innovative attempts to marry the "old world" Orthodox architectural traditions with the American vernacular and American modernism in the works of Louis Sullivan, Frank Lloyd Wright, and Constantine Pertzoff.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/66028248" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ebb605af2268899e5e1b177db3a5f421" rel="nofollow" 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type="text/json">{"id":8177497,"first_name":"Inga","last_name":"Leonova","domain_name":"the-bac","page_name":"IngaLeonova","display_name":"Inga Leonova","profile_url":"https://the-bac.academia.edu/IngaLeonova?f_ri=8466","photo":"https://0.academia-photos.com/8177497/2981952/9555472/s65_inga.leonova.jpg"}</script></span></span></li><li class="js-paper-rank-work_66028248 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="66028248"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 66028248, container: ".js-paper-rank-work_66028248", }); });</script></li><li class="js-percentile-work_66028248 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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}); });</script></span><script>$(function() { $(".js-view-count-work_66028248").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="66028248"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8462" href="https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_">Modernist Architecture (Architectural Modernism)</a>, <script data-card-contents-for-ri="8462" type="text/json">{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16767" href="https://www.academia.edu/Documents/in/Modernism">Modernism</a><script data-card-contents-for-ri="16767" type="text/json">{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=66028248]'), work: {"id":66028248,"title":"The Quest for American Orthodox Architecture: Modernism Meets Tradition","created_at":"2021-12-26T08:42:08.306-08:00","url":"https://www.academia.edu/66028248/The_Quest_for_American_Orthodox_Architecture_Modernism_Meets_Tradition?f_ri=8466","dom_id":"work_66028248","summary":"The paper highlights the innovative attempts to marry the \"old world\" Orthodox architectural traditions with the American vernacular and American modernism in the works of Louis Sullivan, Frank Lloyd Wright, and Constantine Pertzoff.","downloadable_attachments":[{"id":77377832,"asset_id":66028248,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8177497,"first_name":"Inga","last_name":"Leonova","domain_name":"the-bac","page_name":"IngaLeonova","display_name":"Inga Leonova","profile_url":"https://the-bac.academia.edu/IngaLeonova?f_ri=8466","photo":"https://0.academia-photos.com/8177497/2981952/9555472/s65_inga.leonova.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=8466","nofollow":false},{"id":38431,"name":"Louis Henry sullivan","url":"https://www.academia.edu/Documents/in/Louis_Henry_sullivan?f_ri=8466"},{"id":43458,"name":"Sacred Art","url":"https://www.academia.edu/Documents/in/Sacred_Art?f_ri=8466"},{"id":79622,"name":"Sacred Architecture","url":"https://www.academia.edu/Documents/in/Sacred_Architecture?f_ri=8466"},{"id":303989,"name":"Louis Sullivan","url":"https://www.academia.edu/Documents/in/Louis_Sullivan?f_ri=8466"},{"id":1323791,"name":"Orthodox Architecture","url":"https://www.academia.edu/Documents/in/Orthodox_Architecture?f_ri=8466"},{"id":1368992,"name":"Orthodox Christian Church Architecture","url":"https://www.academia.edu/Documents/in/Orthodox_Christian_Church_Architecture?f_ri=8466"},{"id":1441552,"name":"American Modernist Architecture","url":"https://www.academia.edu/Documents/in/American_Modernist_Architecture?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36074217" data-work_id="36074217" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36074217/Superfici_Surfaces">Superfici / Surfaces</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36074217" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c95cd93682e1d77020b2b1a1144fcbe5" rel="nofollow" data-download="{"attachment_id":55962270,"asset_id":36074217,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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data-has-card-for-ri="340210" href="https://www.academia.edu/Documents/in/Adolf_Loos">Adolf Loos</a>, <script data-card-contents-for-ri="340210" type="text/json">{"id":340210,"name":"Adolf Loos","url":"https://www.academia.edu/Documents/in/Adolf_Loos?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="975324" href="https://www.academia.edu/Documents/in/Domus">Domus</a><script data-card-contents-for-ri="975324" type="text/json">{"id":975324,"name":"Domus","url":"https://www.academia.edu/Documents/in/Domus?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36074217]'), work: {"id":36074217,"title":"Superfici / Surfaces","created_at":"2018-03-04T09:02:52.952-08:00","url":"https://www.academia.edu/36074217/Superfici_Surfaces?f_ri=8466","dom_id":"work_36074217","summary":null,"downloadable_attachments":[{"id":55962270,"asset_id":36074217,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28732479,"first_name":"Francesco","last_name":"Maggiore","domain_name":"unirsm","page_name":"FrancescoMaggiore","display_name":"Francesco Maggiore","profile_url":"https://unirsm.academia.edu/FrancescoMaggiore?f_ri=8466","photo":"https://0.academia-photos.com/28732479/8148870/9119617/s65_francesco.maggiore.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":340210,"name":"Adolf Loos","url":"https://www.academia.edu/Documents/in/Adolf_Loos?f_ri=8466","nofollow":false},{"id":975324,"name":"Domus","url":"https://www.academia.edu/Documents/in/Domus?f_ri=8466","nofollow":false},{"id":1265005,"name":"Gio Ponti","url":"https://www.academia.edu/Documents/in/Gio_Ponti?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43315097" data-work_id="43315097" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43315097/Little_Houses_on_the_Prairie_Grant_Wood_and_Frank_Lloyd_Wright">Little Houses on the Prairie: Grant Wood and Frank Lloyd Wright</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">While artist Grant Wood and architect Frank Lloyd Wright were contemporaries from the American Midwest, they were in many ways unlike. In particular, Wood’s most famous painting, American Gothic, makes use of a strict verticality that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43315097" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">While artist Grant Wood and architect Frank Lloyd Wright were contemporaries from the American Midwest, they were in many ways unlike. In particular, Wood’s most famous painting, American Gothic, makes use of a strict verticality that stands in marked contrast to the well-known horizontal stance of Wright’s Prairie Style architecture. Yet, when examined more closely, it is apparent that both men made use of a “grammar” of construction that is heavily based on attribute rhyme.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43315097" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c4db7dfef093f2cb8c784180095ab600" rel="nofollow" data-download="{"attachment_id":63596468,"asset_id":43315097,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63596468/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5207712" href="https://northerniowa.academia.edu/RoyBehrens">Roy R . Behrens</a><script data-card-contents-for-user="5207712" type="text/json">{"id":5207712,"first_name":"Roy","last_name":"Behrens","domain_name":"northerniowa","page_name":"RoyBehrens","display_name":"Roy R . Behrens","profile_url":"https://northerniowa.academia.edu/RoyBehrens?f_ri=8466","photo":"https://0.academia-photos.com/5207712/2926014/106422377/s65_roy.behrens.png"}</script></span></span></li><li class="js-paper-rank-work_43315097 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43315097"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43315097, container: ".js-paper-rank-work_43315097", }); });</script></li><li class="js-percentile-work_43315097 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43315097; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43315097"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43315097 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43315097"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43315097; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43315097]").text(description); $(".js-view-count-work_43315097").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43315097").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43315097"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9846" href="https://www.academia.edu/Documents/in/Ecology">Ecology</a><script data-card-contents-for-ri="9846" type="text/json">{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43315097]'), work: {"id":43315097,"title":"Little Houses on the Prairie: Grant Wood and Frank Lloyd Wright","created_at":"2020-06-11T05:47:18.842-07:00","url":"https://www.academia.edu/43315097/Little_Houses_on_the_Prairie_Grant_Wood_and_Frank_Lloyd_Wright?f_ri=8466","dom_id":"work_43315097","summary":"While artist Grant Wood and architect Frank Lloyd Wright were contemporaries from the American Midwest, they were in many ways unlike. In particular, Wood’s most famous painting, American Gothic, makes use of a strict verticality that stands in marked contrast to the well-known horizontal stance of Wright’s Prairie Style architecture. Yet, when examined more closely, it is apparent that both men made use of a “grammar” of construction that is heavily based on attribute rhyme.","downloadable_attachments":[{"id":63596468,"asset_id":43315097,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5207712,"first_name":"Roy","last_name":"Behrens","domain_name":"northerniowa","page_name":"RoyBehrens","display_name":"Roy R . Behrens","profile_url":"https://northerniowa.academia.edu/RoyBehrens?f_ri=8466","photo":"https://0.academia-photos.com/5207712/2926014/106422377/s65_roy.behrens.png"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8466","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":9846,"name":"Ecology","url":"https://www.academia.edu/Documents/in/Ecology?f_ri=8466","nofollow":false},{"id":23744,"name":"Iowa history","url":"https://www.academia.edu/Documents/in/Iowa_history?f_ri=8466"},{"id":57326,"name":"Gothic architecture","url":"https://www.academia.edu/Documents/in/Gothic_architecture?f_ri=8466"},{"id":161021,"name":"Unity","url":"https://www.academia.edu/Documents/in/Unity?f_ri=8466"},{"id":381930,"name":"Little House on the Prairie","url":"https://www.academia.edu/Documents/in/Little_House_on_the_Prairie?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_934807" data-work_id="934807" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/934807/Riflessioni_per_unetica_del_progetto_la_doppia_metamorfosi_della_storia_e_della_vita">Riflessioni per un'etica del progetto: la doppia metamorfosi della storia e della vita</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La critica condivisa da Paci e Sini alla concezione scientifico-matematica di spazio e tempo che sorregge la concezione tradizionale di storia e la concezione razionalistica dell’architettura si sostanzia dell’appello al mondo della vita,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_934807" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La critica condivisa da Paci e Sini alla concezione scientifico-matematica di spazio e tempo che sorregge la concezione tradizionale di storia e la concezione razionalistica dell’architettura si sostanzia dell’appello al mondo della vita, alla spazialità e temporalità della vita vissuta, della durata e della relazione. <br />Nell'indagare il rapporto tra memoria e progetto tutto ciò ha un ruolo essenziale, così come l'apertura d'orizzonte offerto dalla genealogia e dalla sua costitutiva capacità di farsi carico di <br />quella circolarità delle estasi temporali per cui il passato necessita del futuro per acquistare il suo senso compiuto.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/934807" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3316523d87996f2c8b15f97de7242fe9" rel="nofollow" data-download="{"attachment_id":30192332,"asset_id":934807,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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href="https://www.academia.edu/Documents/in/Phenomenology">Phenomenology</a>, <script data-card-contents-for-ri="5178" type="text/json">{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a><script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=934807]'), work: {"id":934807,"title":"Riflessioni per un'etica del progetto: la doppia metamorfosi della storia e della 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compiuto.","downloadable_attachments":[{"id":30192332,"asset_id":934807,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":767628,"first_name":"Laura","last_name":"Gioeni","domain_name":"independent","page_name":"LauraGioeni","display_name":"Laura Gioeni","profile_url":"https://independent.academia.edu/LauraGioeni?f_ri=8466","photo":"https://0.academia-photos.com/767628/260056/307280/s65_laura.gioeni.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":5114,"name":"Hermeneutics","url":"https://www.academia.edu/Documents/in/Hermeneutics?f_ri=8466","nofollow":false},{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":14640,"name":"Architectural 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Philosophy","url":"https://www.academia.edu/Documents/in/Architectural_Philosophy?f_ri=8466"},{"id":537068,"name":"Conceptions of Space and Time in Architecture","url":"https://www.academia.edu/Documents/in/Conceptions_of_Space_and_Time_in_Architecture?f_ri=8466"},{"id":617369,"name":"Philosophy and Architecture","url":"https://www.academia.edu/Documents/in/Philosophy_and_Architecture?f_ri=8466"},{"id":740947,"name":"Theory and Philosophy in Architecture","url":"https://www.academia.edu/Documents/in/Theory_and_Philosophy_in_Architecture?f_ri=8466"},{"id":1302777,"name":"Carlo Sini","url":"https://www.academia.edu/Documents/in/Carlo_Sini?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38524993" data-work_id="38524993" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38524993/Jaroslav_J_Pol%C3%ADvka_1886_1960">Jaroslav J. Polívka, 1886–1960</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">in: Eva Heyd (ed.), Lístek do nového světa / Ticket to the New World, Praha : Czech National Trust, 2018</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38524993" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="945d2267d6e154944449df717ca564b2" rel="nofollow" data-download="{"attachment_id":58594191,"asset_id":38524993,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58594191/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="359496" href="https://vutbr.academia.edu/LadislavZikmundLender">Ladislav Jackson</a><script data-card-contents-for-user="359496" type="text/json">{"id":359496,"first_name":"Ladislav","last_name":"Jackson","domain_name":"vutbr","page_name":"LadislavZikmundLender","display_name":"Ladislav Jackson","profile_url":"https://vutbr.academia.edu/LadislavZikmundLender?f_ri=8466","photo":"https://0.academia-photos.com/359496/95369/116339339/s65_ladislav.zikmund-lender.jpg"}</script></span></span></li><li class="js-paper-rank-work_38524993 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38524993"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38524993, container: ".js-paper-rank-work_38524993", }); 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$(".js-view-count[data-work-id=38524993]").text(description); $(".js-view-count-work_38524993").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38524993").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38524993"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1632" href="https://www.academia.edu/Documents/in/Design_History">Design History</a>, <script data-card-contents-for-ri="1632" type="text/json">{"id":1632,"name":"Design History","url":"https://www.academia.edu/Documents/in/Design_History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4808" href="https://www.academia.edu/Documents/in/Urban_Planning">Urban Planning</a>, <script data-card-contents-for-ri="4808" type="text/json">{"id":4808,"name":"Urban Planning","url":"https://www.academia.edu/Documents/in/Urban_Planning?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a><script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38524993]'), work: {"id":38524993,"title":"Jaroslav J. 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Each building or design becomes a reflection of the architect, so for Frank Lloyd Wright, those buildings were... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_17631450" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">From antiquity until the present day, architecture has taken many forms and has continually evolved into grand masterpieces. Each building or design becomes a reflection of  the architect, so for Frank Lloyd Wright, those buildings were born from ideas and interpretations of an “organic” architecture, that were harmonious with nature, celestial, and modern in design. They were based upon his theory of how “form and function are one.” However, does his architecture still influence new themes in architecture today, or was it just a period in history, full of natural grandeur, which is now being glossed over by many? While many historians question  and ponder this, his work has, by all means, captivated and inspired those that visit his works that are still standing today, such as the Guggenheim Museum in New York City. Throughout his constant study, vigilance, and determination, his focus and incorporation of nature into the modern and abstract allowed him to create some of the world’s most infamous works which illustrate his organic architecture. This style has allowed for viewers and visitors alike to explore and journey through his creations.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17631450" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ed6c06c153c41d32cbf6ef8deb437ed0" rel="nofollow" data-download="{"attachment_id":39625550,"asset_id":17631450,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39625550/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25479138" href="https://gmu.academia.edu/OliviaValentine">Olivia Valentine</a><script data-card-contents-for-user="25479138" type="text/json">{"id":25479138,"first_name":"Olivia","last_name":"Valentine","domain_name":"gmu","page_name":"OliviaValentine","display_name":"Olivia Valentine","profile_url":"https://gmu.academia.edu/OliviaValentine?f_ri=8466","photo":"https://0.academia-photos.com/25479138/10912131/12177616/s65_olivia.valentine.jpg_oh_91e6386a8ec2d4742657e9c83837f9b3_oe_56dc7308"}</script></span></span></li><li class="js-paper-rank-work_17631450 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="17631450"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 17631450, container: ".js-paper-rank-work_17631450", }); 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Each building or design becomes a reflection of the architect, so for Frank Lloyd Wright, those buildings were born from ideas and interpretations of an “organic” architecture, that were harmonious with nature, celestial, and modern in design. They were based upon his theory of how “form and function are one.” However, does his architecture still influence new themes in architecture today, or was it just a period in history, full of natural grandeur, which is now being glossed over by many? While many historians question and ponder this, his work has, by all means, captivated and inspired those that visit his works that are still standing today, such as the Guggenheim Museum in New York City. Throughout his constant study, vigilance, and determination, his focus and incorporation of nature into the modern and abstract allowed him to create some of the world’s most infamous works which illustrate his organic architecture. This style has allowed for viewers and visitors alike to explore and journey through his creations.","downloadable_attachments":[{"id":39625550,"asset_id":17631450,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25479138,"first_name":"Olivia","last_name":"Valentine","domain_name":"gmu","page_name":"OliviaValentine","display_name":"Olivia Valentine","profile_url":"https://gmu.academia.edu/OliviaValentine?f_ri=8466","photo":"https://0.academia-photos.com/25479138/10912131/12177616/s65_olivia.valentine.jpg_oh_91e6386a8ec2d4742657e9c83837f9b3_oe_56dc7308"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false},{"id":38430,"name":"Organic Architecture","url":"https://www.academia.edu/Documents/in/Organic_Architecture?f_ri=8466","nofollow":false},{"id":49394,"name":"Japanese Architecture","url":"https://www.academia.edu/Documents/in/Japanese_Architecture?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5758759" data-work_id="5758759" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5758759/Pennsylvania_1935_37_2">Pennsylvania 1935-37 2</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5758759" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ee4094a2199d397748d0378d2c9f1955" rel="nofollow" data-download="{"attachment_id":32786226,"asset_id":5758759,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32786226/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8392520" href="https://fh-htwchur.academia.edu/LeaCondrau">Lea Condrau</a><script data-card-contents-for-user="8392520" type="text/json">{"id":8392520,"first_name":"Lea","last_name":"Condrau","domain_name":"fh-htwchur","page_name":"LeaCondrau","display_name":"Lea Condrau","profile_url":"https://fh-htwchur.academia.edu/LeaCondrau?f_ri=8466","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_5758759 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5758759"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5758759, container: ".js-paper-rank-work_5758759", }); 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Modèles et savoirs partagés entre le Japon et le monde occidental / Towards a Modern Architecture and Landscape. Shared dialogues between Japan and the Western world, ed. Nicolas Fiévé & Benoît Jacquet</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The emergence of Modern architecture and landscape design corresponds with the end of the Meiji era (1868-1912) in Japan. This period saw Japan reopen its borders to the Western world and create a dynamic moment which fostered artistic... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_5333992" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The emergence of Modern architecture and landscape design corresponds with the end of the Meiji era (1868-1912) in Japan. This period saw Japan reopen its borders to the Western world and create a dynamic moment which fostered artistic and intellectual exchange between Japan, Europe and America. The (re-)discovery of Japanese architecture and gardening by both Western and Japanese Orientalists and the dissemination of the hitherto undiscovered built forms and conceptual thinking allowed several generations of architects and landscape architects to take part in the creation of new architectural and landscape expressions. The works of Josiah Conder, Bruno Taut, Frank Lloyd Wright, Antonin Raymond, and Isamu Noguchi are all paradigms of these Modern encounters between Japan and the West. <br /> <br />L’apparition d’une modernité architecturale et paysagère correspond à une période particulièrement propice aux échanges artistiques et intellectuels entre le Japon, l’Europe et les Etats-Unis, à partir de la fin de l’ère Meiji (1868-1912). La (re-)découverte de l’architecture et de l’art des jardins japonais par les orientalistes occidentaux et japonais, puis la réception et la diffusion de ses nouveaux modèles et savoirs, vont permettre à plusieurs générations d’architectes et de paysagistes de participer à la création de nouvelles expressions architecturales et paysagères. Les ouvrages de Josiah Conder ou de Bruno Taut, les oeuvres de Frank Lloyd Wright, d’Antonin Raymond, d’Isamu Noguchi, nés de ces rencontres entre le Japon et l’Occident, sont les témoins de cette modernité.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5333992" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1364aac44c2ad8acccd5a5894875af0d" rel="nofollow" data-download="{"attachment_id":32491202,"asset_id":5333992,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32491202/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="275814" href="https://efeo.academia.edu/BenoitJacquet">Benoit Jacquet</a><script data-card-contents-for-user="275814" type="text/json">{"id":275814,"first_name":"Benoit","last_name":"Jacquet","domain_name":"efeo","page_name":"BenoitJacquet","display_name":"Benoit Jacquet","profile_url":"https://efeo.academia.edu/BenoitJacquet?f_ri=8466","photo":"https://0.academia-photos.com/275814/67675/4162279/s65_benoit.jacquet.jpg"}</script></span></span></li><li class="js-paper-rank-work_5333992 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5333992"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5333992, container: ".js-paper-rank-work_5333992", }); 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$(".js-view-count[data-work-id=5333992]").text(description); $(".js-view-count-work_5333992").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5333992").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5333992"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="387" href="https://www.academia.edu/Documents/in/Japanese_Studies">Japanese Studies</a>, <script data-card-contents-for-ri="387" type="text/json">{"id":387,"name":"Japanese Studies","url":"https://www.academia.edu/Documents/in/Japanese_Studies?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2457" href="https://www.academia.edu/Documents/in/History_of_Japan">History of Japan</a>, <script data-card-contents-for-ri="2457" type="text/json">{"id":2457,"name":"History of Japan","url":"https://www.academia.edu/Documents/in/History_of_Japan?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3183" href="https://www.academia.edu/Documents/in/Landscape_Architecture">Landscape Architecture</a><script data-card-contents-for-ri="3183" type="text/json">{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5333992]'), work: {"id":5333992,"title":"Vers une modernité architecturale et paysagère. 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La (re-)découverte de l’architecture et de l’art des jardins japonais par les orientalistes occidentaux et japonais, puis la réception et la diffusion de ses nouveaux modèles et savoirs, vont permettre à plusieurs générations d’architectes et de paysagistes de participer à la création de nouvelles expressions architecturales et paysagères. Les ouvrages de Josiah Conder ou de Bruno Taut, les oeuvres de Frank Lloyd Wright, d’Antonin Raymond, d’Isamu Noguchi, nés de ces rencontres entre le Japon et l’Occident, sont les témoins de cette modernité.","downloadable_attachments":[{"id":32491202,"asset_id":5333992,"asset_type":"Work","always_allow_download":false},{"id":32491195,"asset_id":5333992,"asset_type":"Work","always_allow_download":false},{"id":32491204,"asset_id":5333992,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":275814,"first_name":"Benoit","last_name":"Jacquet","domain_name":"efeo","page_name":"BenoitJacquet","display_name":"Benoit Jacquet","profile_url":"https://efeo.academia.edu/BenoitJacquet?f_ri=8466","photo":"https://0.academia-photos.com/275814/67675/4162279/s65_benoit.jacquet.jpg"}],"research_interests":[{"id":387,"name":"Japanese 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window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6245376"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6245376 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6245376"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6245376; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6245376]").text(description); $(".js-view-count-work_6245376").attr('title', description).tooltip(); }); });</script></span><script>$(function() { 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Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6245376]'), work: {"id":6245376,"title":"12 The Structure And Materials Of Fallingwater","created_at":"2014-02-28T21:28:45.599-08:00","url":"https://www.academia.edu/6245376/12_The_Structure_And_Materials_Of_Fallingwater?f_ri=8466","dom_id":"work_6245376","summary":null,"downloadable_attachments":[{"id":33106152,"asset_id":6245376,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9608967,"first_name":"Oana","last_name":"Gramada","domain_name":"independent","page_name":"OanaGramada","display_name":"Oana 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thematic study of the reception of the Pantheon considered in relation to the: (1) Spread of Religious Tolerance, (2) Birth of Modern Science and Medicine, (3) Rise of Democratic Government, (4) Public Museum, (5) Public Library, (6)... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4423879" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A thematic study of the reception of the Pantheon considered in relation to the: (1) Spread of Religious Tolerance, (2) Birth of Modern Science and Medicine, (3) Rise of Democratic Government, (4) Public Museum, (5) Public Library, (6) Neoclassicism & the Sublime. F. L. Wright, L. Kahn, Asplund, Th. Jefferson, Cret, Schinkel, Boullée, Lequeu, Speer, Gondoin, Legeay, Godefroy, Ramée, McKim, Meade & White.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4423879" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2d8d8db158050e9bc0bbeb3ed82a49ad" rel="nofollow" data-download="{"attachment_id":38300488,"asset_id":4423879,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38300488/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4427973" href="https://umd.academia.edu/RichardEtlin">Richard Etlin</a><script data-card-contents-for-user="4427973" type="text/json">{"id":4427973,"first_name":"Richard","last_name":"Etlin","domain_name":"umd","page_name":"RichardEtlin","display_name":"Richard Etlin","profile_url":"https://umd.academia.edu/RichardEtlin?f_ri=8466","photo":"https://0.academia-photos.com/4427973/1826432/2174335/s65_richard.etlin.jpg"}</script></span></span></li><li class="js-paper-rank-work_4423879 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4423879"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4423879, container: ".js-paper-rank-work_4423879", }); 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$(".js-view-count[data-work-id=4423879]").text(description); $(".js-view-count-work_4423879").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4423879").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4423879"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">27</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="135" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a><script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4423879]'), work: {"id":4423879,"title":"The Pantheon in the Modern Era","created_at":"2013-09-06T07:05:10.198-07:00","url":"https://www.academia.edu/4423879/The_Pantheon_in_the_Modern_Era?f_ri=8466","dom_id":"work_4423879","summary":"A thematic study of the reception of the Pantheon considered in relation to the: (1) Spread of Religious Tolerance, (2) Birth of Modern Science and Medicine, (3) Rise of Democratic Government, (4) Public Museum, (5) Public Library, (6) Neoclassicism \u0026 the Sublime. F. L. Wright, L. Kahn, Asplund, Th. Jefferson, Cret, Schinkel, Boullée, Lequeu, Speer, Gondoin, Legeay, Godefroy, Ramée, McKim, Meade \u0026 White.","downloadable_attachments":[{"id":38300488,"asset_id":4423879,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4427973,"first_name":"Richard","last_name":"Etlin","domain_name":"umd","page_name":"RichardEtlin","display_name":"Richard Etlin","profile_url":"https://umd.academia.edu/RichardEtlin?f_ri=8466","photo":"https://0.academia-photos.com/4427973/1826432/2174335/s65_richard.etlin.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=8466","nofollow":false},{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=8466","nofollow":false},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=8466","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=8466"},{"id":2273,"name":"History of Medicine","url":"https://www.academia.edu/Documents/in/History_of_Medicine?f_ri=8466"},{"id":2933,"name":"Democratic Theory","url":"https://www.academia.edu/Documents/in/Democratic_Theory?f_ri=8466"},{"id":4652,"name":"French Revolution","url":"https://www.academia.edu/Documents/in/French_Revolution?f_ri=8466"},{"id":4809,"name":"Public Libraries","url":"https://www.academia.edu/Documents/in/Public_Libraries?f_ri=8466"},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=8466"},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=8466"},{"id":15573,"name":"American Revolution","url":"https://www.academia.edu/Documents/in/American_Revolution?f_ri=8466"},{"id":20221,"name":"The Sublime","url":"https://www.academia.edu/Documents/in/The_Sublime?f_ri=8466"},{"id":42845,"name":"Religious Toleration","url":"https://www.academia.edu/Documents/in/Religious_Toleration?f_ri=8466"},{"id":43023,"name":"Nazi Germany","url":"https://www.academia.edu/Documents/in/Nazi_Germany?f_ri=8466"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=8466"},{"id":66678,"name":"Nazism","url":"https://www.academia.edu/Documents/in/Nazism?f_ri=8466"},{"id":210995,"name":"Étienne-Louis Boullée","url":"https://www.academia.edu/Documents/in/%C3%89tienne-Louis_Boull%C3%A9e?f_ri=8466"},{"id":219677,"name":"Pantheon","url":"https://www.academia.edu/Documents/in/Pantheon?f_ri=8466"},{"id":305481,"name":"Erik Gunnar Asplund, Stockholm Public Library","url":"https://www.academia.edu/Documents/in/Erik_Gunnar_Asplund_Stockholm_Public_Library?f_ri=8466"},{"id":400810,"name":"Nazi architecture","url":"https://www.academia.edu/Documents/in/Nazi_architecture?f_ri=8466"},{"id":714828,"name":"Louis Kahn","url":"https://www.academia.edu/Documents/in/Louis_Kahn?f_ri=8466"},{"id":748117,"name":"Terrror and the Sublime in Art","url":"https://www.academia.edu/Documents/in/Terrror_and_the_Sublime_in_Art?f_ri=8466"},{"id":859761,"name":"Albert Speer","url":"https://www.academia.edu/Documents/in/Albert_Speer?f_ri=8466"},{"id":962326,"name":"Sublime and Transendence","url":"https://www.academia.edu/Documents/in/Sublime_and_Transendence?f_ri=8466"},{"id":990039,"name":"Religious Tolerance","url":"https://www.academia.edu/Documents/in/Religious_Tolerance?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_62976234" data-work_id="62976234" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/62976234/Spatial_Indeterminacy_Destabilization_of_Dichotomies_in_Modern_and_Contemporary_Architecture">Spatial Indeterminacy: Destabilization of Dichotomies in Modern and Contemporary Architecture</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Since the advent of modern architecture, notions of free plan and transparency have proliferated well into current trends. The movement's notion of a spatially homogeneous, open and limitless 'free plan' contrasts with the spatially... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_62976234" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Since the advent of modern architecture, notions of free plan and transparency have proliferated well into current trends. The movement's notion of a spatially homogeneous, open and limitless 'free plan' contrasts with the spatially heterogeneous 'series of rooms' defined by load bearing walls, which in turn triggered new notions of transparency created by vast expanses of glazed walls. Similarly, transparency was also dichotomized as something that was physical or optical, as well as something conceptual, akin to spatial organization. As opposed to merely accepting the duality and possible incompatibility of these dichotomies, this paper seeks to ask how can space be both literally and phenomenally transparent, as well as exhibit both homogeneous and heterogeneous qualities? This paper explores this potential destabilization or blurring of spatial phenomena by dissecting the transparent layers and volumes of a series of selected case studies to investigate how different architects have devised strategies of spatial ambiguity and interpenetration. Projects by Peter Eisenman, Sou Fujimoto, and SANAA will be discussed and analyzed to show how the superimposition of geometries and spaces achieve different conditions of layering, transparency, and interstitiality. Their particular buildings will be explored to reveal various innovative kinds of spatial interpenetration produced through the articulate relations of the elements of architecture, which challenge conventional perceptions of interior and exterior whereby visual homogeneity blurs with spatial heterogeneity. The results show how spatial conceptions such as interpenetration and transparency have the ability to subvert not only inside-outside dialectics, but could also produce multiple degrees of interiority within complex and indeterminate spatial dimensions in constant flux as well as present alternative forms of social interaction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/62976234" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="836f8dd7b61fda6ad0515a0b9824dd8e" rel="nofollow" data-download="{"attachment_id":75562329,"asset_id":62976234,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/75562329/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="48549365" href="https://thammasat.academia.edu/AdrianLo">Adrian Lo</a><script data-card-contents-for-user="48549365" type="text/json">{"id":48549365,"first_name":"Adrian","last_name":"Lo","domain_name":"thammasat","page_name":"AdrianLo","display_name":"Adrian Lo","profile_url":"https://thammasat.academia.edu/AdrianLo?f_ri=8466","photo":"https://0.academia-photos.com/48549365/18123774/20984123/s65_adrian.lo.jpg"}</script></span></span></li><li class="js-paper-rank-work_62976234 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="62976234"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 62976234, container: ".js-paper-rank-work_62976234", }); 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$(".js-view-count[data-work-id=62976234]").text(description); $(".js-view-count-work_62976234").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_62976234").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="62976234"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8464" href="https://www.academia.edu/Documents/in/Ludwig_Mies_van_der_Rohe">Ludwig Mies van der Rohe</a>, <script data-card-contents-for-ri="8464" type="text/json">{"id":8464,"name":"Ludwig Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Ludwig_Mies_van_der_Rohe?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14647" href="https://www.academia.edu/Documents/in/Modern_Architecture">Modern Architecture</a><script data-card-contents-for-ri="14647" type="text/json">{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=62976234]'), work: {"id":62976234,"title":"Spatial Indeterminacy: Destabilization of Dichotomies in Modern and Contemporary Architecture","created_at":"2021-12-02T06:13:39.886-08:00","url":"https://www.academia.edu/62976234/Spatial_Indeterminacy_Destabilization_of_Dichotomies_in_Modern_and_Contemporary_Architecture?f_ri=8466","dom_id":"work_62976234","summary":"Since the advent of modern architecture, notions of free plan and transparency have proliferated well into current trends. The movement's notion of a spatially homogeneous, open and limitless 'free plan' contrasts with the spatially heterogeneous 'series of rooms' defined by load bearing walls, which in turn triggered new notions of transparency created by vast expanses of glazed walls. Similarly, transparency was also dichotomized as something that was physical or optical, as well as something conceptual, akin to spatial organization. As opposed to merely accepting the duality and possible incompatibility of these dichotomies, this paper seeks to ask how can space be both literally and phenomenally transparent, as well as exhibit both homogeneous and heterogeneous qualities? This paper explores this potential destabilization or blurring of spatial phenomena by dissecting the transparent layers and volumes of a series of selected case studies to investigate how different architects have devised strategies of spatial ambiguity and interpenetration. Projects by Peter Eisenman, Sou Fujimoto, and SANAA will be discussed and analyzed to show how the superimposition of geometries and spaces achieve different conditions of layering, transparency, and interstitiality. Their particular buildings will be explored to reveal various innovative kinds of spatial interpenetration produced through the articulate relations of the elements of architecture, which challenge conventional perceptions of interior and exterior whereby visual homogeneity blurs with spatial heterogeneity. The results show how spatial conceptions such as interpenetration and transparency have the ability to subvert not only inside-outside dialectics, but could also produce multiple degrees of interiority within complex and indeterminate spatial dimensions in constant flux as well as present alternative forms of social interaction.","downloadable_attachments":[{"id":75562329,"asset_id":62976234,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":48549365,"first_name":"Adrian","last_name":"Lo","domain_name":"thammasat","page_name":"AdrianLo","display_name":"Adrian Lo","profile_url":"https://thammasat.academia.edu/AdrianLo?f_ri=8466","photo":"https://0.academia-photos.com/48549365/18123774/20984123/s65_adrian.lo.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8464,"name":"Ludwig Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Ludwig_Mies_van_der_Rohe?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=8466"},{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=8466"},{"id":49394,"name":"Japanese Architecture","url":"https://www.academia.edu/Documents/in/Japanese_Architecture?f_ri=8466"},{"id":59537,"name":"Transparency","url":"https://www.academia.edu/Documents/in/Transparency?f_ri=8466"},{"id":59849,"name":"Contemporary Architecture","url":"https://www.academia.edu/Documents/in/Contemporary_Architecture?f_ri=8466"},{"id":60601,"name":"American Architecture","url":"https://www.academia.edu/Documents/in/American_Architecture?f_ri=8466"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=8466"},{"id":91871,"name":"Le Corbusier","url":"https://www.academia.edu/Documents/in/Le_Corbusier?f_ri=8466"},{"id":174266,"name":"Peter Eisenman","url":"https://www.academia.edu/Documents/in/Peter_Eisenman?f_ri=8466"},{"id":270684,"name":"SANAA","url":"https://www.academia.edu/Documents/in/SANAA?f_ri=8466"},{"id":340210,"name":"Adolf Loos","url":"https://www.academia.edu/Documents/in/Adolf_Loos?f_ri=8466"},{"id":1219396,"name":"Sou Fujimoto","url":"https://www.academia.edu/Documents/in/Sou_Fujimoto?f_ri=8466"},{"id":2425258,"name":"History of Modern Japanese Architecture","url":"https://www.academia.edu/Documents/in/History_of_Modern_Japanese_Architecture?f_ri=8466"},{"id":2859028,"name":"Contemporary Japanese Architecture","url":"https://www.academia.edu/Documents/in/Contemporary_Japanese_Architecture?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38163886" data-work_id="38163886" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38163886/La_estampa_japonesa_Frank_Lloyd_Wright">La estampa japonesa - Frank Lloyd Wright</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En 1912 el arquitecto Frank Lloyd Wright (1867-1959) publicó en Chicago un breve ensayo con el título The Japanese Print: An Interpretation (La estampa japonesa: Una interpretación). Para entonces ya era un prestigioso arquitecto y sus... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38163886" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En 1912 el arquitecto Frank Lloyd Wright (1867-1959) publicó en Chicago un breve ensayo con el título The Japanese Print: An Interpretation (La estampa japonesa: Una interpretación). Para entonces ya era un prestigioso arquitecto y sus viajes, primero por Japón y después por Europa, fueron dejando un importante poso en su obra. En concreto, la cultura nipona le mostró una vía para desarrollar la relación entre la arquitectura, la geometría y la naturaleza. En pleno proceso de descubrimiento de los valores estéticos de este arte y dentro del influyente movimiento del Japonismo, esta obra muestra el interés de Wright por el grabado popular japonés, en especial por los grandes paisajistas Katsushika Hokusai (1760-1849) y Andō Hiroshige (1797-1858). Pero Wright no fue únicamente un aficionado a estas creaciones, sino también un verdadero estudioso y un sagaz vendedor profesional, importando más de veinte mil obras para los principales museos y coleccionistas de Estados Unidos. Este contacto tan directo con la estampa japonesa influyó decisivamente en el nacimiento de la arquitectura orgánica, como se desprende de ciertas ideas expresadas en este breve ensayo. Algunas de sus creaciones más famosas, como La casa de la cascada (1936), ejemplifican bien las lecciones aprendidas de Japón. Frank Lloyd Wright vivió rodeado de estampas japonesas desde su juventud hasta su muerte, en 1959, ya consagrado como uno de los grandes genios de la arquitectura moderna.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38163886" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="72a96a51901bc4266409a59a7ed38398" rel="nofollow" data-download="{"attachment_id":58198056,"asset_id":38163886,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58198056/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3508087" href="https://independent.academia.edu/AnderGondraAguirre">Ander Gondra Aguirre</a><script data-card-contents-for-user="3508087" type="text/json">{"id":3508087,"first_name":"Ander","last_name":"Gondra Aguirre","domain_name":"independent","page_name":"AnderGondraAguirre","display_name":"Ander Gondra Aguirre","profile_url":"https://independent.academia.edu/AnderGondraAguirre?f_ri=8466","photo":"https://0.academia-photos.com/3508087/4193904/4883230/s65_ander.gondra_aguirre.jpg"}</script></span></span></li><li class="js-paper-rank-work_38163886 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38163886"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38163886, container: ".js-paper-rank-work_38163886", }); });</script></li><li class="js-percentile-work_38163886 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38163886; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38163886"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38163886 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38163886"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38163886; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38163886]").text(description); $(".js-view-count-work_38163886").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38163886").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38163886"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="387" href="https://www.academia.edu/Documents/in/Japanese_Studies">Japanese Studies</a>, <script data-card-contents-for-ri="387" type="text/json">{"id":387,"name":"Japanese Studies","url":"https://www.academia.edu/Documents/in/Japanese_Studies?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6716" href="https://www.academia.edu/Documents/in/Japanese_Art">Japanese Art</a>, <script data-card-contents-for-ri="6716" type="text/json">{"id":6716,"name":"Japanese Art","url":"https://www.academia.edu/Documents/in/Japanese_Art?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a><script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38163886]'), work: {"id":38163886,"title":"La estampa japonesa - Frank Lloyd Wright","created_at":"2019-01-16T09:25:59.732-08:00","url":"https://www.academia.edu/38163886/La_estampa_japonesa_Frank_Lloyd_Wright?f_ri=8466","dom_id":"work_38163886","summary":"En 1912 el arquitecto Frank Lloyd Wright (1867-1959) publicó en Chicago un breve ensayo con el título The Japanese Print: An Interpretation (La estampa japonesa: Una interpretación). Para entonces ya era un prestigioso arquitecto y sus viajes, primero por Japón y después por Europa, fueron dejando un importante poso en su obra. En concreto, la cultura nipona le mostró una vía para desarrollar la relación entre la arquitectura, la geometría y la naturaleza. En pleno proceso de descubrimiento de los valores estéticos de este arte y dentro del influyente movimiento del Japonismo, esta obra muestra el interés de Wright por el grabado popular japonés, en especial por los grandes paisajistas Katsushika Hokusai (1760-1849) y Andō Hiroshige (1797-1858). Pero Wright no fue únicamente un aficionado a estas creaciones, sino también un verdadero estudioso y un sagaz vendedor profesional, importando más de veinte mil obras para los principales museos y coleccionistas de Estados Unidos. Este contacto tan directo con la estampa japonesa influyó decisivamente en el nacimiento de la arquitectura orgánica, como se desprende de ciertas ideas expresadas en este breve ensayo. Algunas de sus creaciones más famosas, como La casa de la cascada (1936), ejemplifican bien las lecciones aprendidas de Japón. Frank Lloyd Wright vivió rodeado de estampas japonesas desde su juventud hasta su muerte, en 1959, ya consagrado como uno de los grandes genios de la arquitectura moderna.","downloadable_attachments":[{"id":58198056,"asset_id":38163886,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3508087,"first_name":"Ander","last_name":"Gondra Aguirre","domain_name":"independent","page_name":"AnderGondraAguirre","display_name":"Ander Gondra Aguirre","profile_url":"https://independent.academia.edu/AnderGondraAguirre?f_ri=8466","photo":"https://0.academia-photos.com/3508087/4193904/4883230/s65_ander.gondra_aguirre.jpg"}],"research_interests":[{"id":387,"name":"Japanese Studies","url":"https://www.academia.edu/Documents/in/Japanese_Studies?f_ri=8466","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":6716,"name":"Japanese Art","url":"https://www.academia.edu/Documents/in/Japanese_Art?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49322455" data-work_id="49322455" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49322455/LEGACY_OF_FRANK_LLOYD_WRIGHT">LEGACY OF FRANK LLOYD WRIGHT</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Give full credits to my work</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button 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Guggenheim Museum by Frank Lloyd Wright - Pensieri, 2017</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Nel 1943 Frank Lloyd Wright riceve l'incarico di realizzare il Museo di Pittura Non-oggettiva, che Solomon R. Guggenheim, appassionato d'arte e grande collezionista, aveva avviato già alcuni anni prima. E' Hilla Rebay, la curatrice della... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43514697" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Nel 1943 Frank Lloyd Wright riceve l'incarico di realizzare il Museo di Pittura Non-oggettiva, che Solomon R. Guggenheim, appassionato d'arte e grande collezionista, aveva avviato già alcuni anni prima. E' Hilla Rebay, la curatrice della collezione, a sollecitare la vena creativa dell'architetto attraverso una lettera. Nel Giugno dello stesso anno gli scrive infatti la sua richiesta di un'opera che fosse "un tempio dello spirito, un monumento", portando così la progettazione verso ciò che sarebbe stata la realizzazione di un'opera d'arte per esporre arte. Wright inizia subito a immaginare il museo, individuandone le caratteristiche principali: basso, dinamico, anticonformista. Questi, supponendo che si sarebbe trattato di un terreno nella densa Manhattan, inizia a predisporre la committenza verso un volume orizzontale, piuttosto che un dispersivo sviluppo verticale. All'arrivo dei disegni preliminari, la committenza è subito affascinata dalle proposte innovative dell'architetto, in sintonia con le attese e gli scopi dell'opera. Sono necessari tredici anni di trattative prima che il progetto si avvia verso la sua realizzazione. Dopo varie interruzioni, solo il 16 Luglio 1956 hanno avvio i lavori di scavo che gettano le basi di ciò che sarà da subito una delle architetture icona del ventesimo secolo. Nell'Ottobre del 1959, tre anni dopo l'apertura del cantiere, il museo è terminato e inaugurato in assenza del suo ideatore ma anche del suo progettista, scomparso sei mesi prima. Il polo culturale si distingue nella griglia densa di Manhattan, con le sue forme morbide e basse, creando un'eccezione nella successione continua di alti grattacieli scatolari che attorniano Central Park. L'altezza ridotta del complesso e la disomogenea distribuzione delle parti all'interno del lotto, sono infatti in contrasto con l'alta densità e lo sfruttamento intensivo del terreno, tipico dei centri delle grandi città americane. Le forme tondeggianti dei volumi emergenti, si oppongono alla regolarità della maglia newyorkese. Wright preferisce interpretare l'esperienza dell'arte non come un severo indottrinamento ma come una passeggiata. Per evitare l'abituale infilata di sale e il susseguirsi di parti tematiche, l'architetto immagina una struttura in cui il visitatore possa avere un approccio più immediato alle opere e una visione complessiva dell'esposizione.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43514697" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4cd5854e0c04bc470076507a0011e2a9" rel="nofollow" data-download="{"attachment_id":63825537,"asset_id":43514697,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63825537/download_file?st=MTczMjcyNzgyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30865728" href="https://iuav1.academia.edu/GiuliaConti">Giulia Conti</a><script data-card-contents-for-user="30865728" type="text/json">{"id":30865728,"first_name":"Giulia","last_name":"Conti","domain_name":"iuav1","page_name":"GiuliaConti","display_name":"Giulia Conti","profile_url":"https://iuav1.academia.edu/GiuliaConti?f_ri=8466","photo":"https://0.academia-photos.com/30865728/11251591/36138395/s65_giulia.conti.jpeg"}</script></span></span></li><li class="js-paper-rank-work_43514697 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43514697"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43514697, container: ".js-paper-rank-work_43514697", }); 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Questi, supponendo che si sarebbe trattato di un terreno nella densa Manhattan, inizia a predisporre la committenza verso un volume orizzontale, piuttosto che un dispersivo sviluppo verticale. All'arrivo dei disegni preliminari, la committenza è subito affascinata dalle proposte innovative dell'architetto, in sintonia con le attese e gli scopi dell'opera. Sono necessari tredici anni di trattative prima che il progetto si avvia verso la sua realizzazione. Dopo varie interruzioni, solo il 16 Luglio 1956 hanno avvio i lavori di scavo che gettano le basi di ciò che sarà da subito una delle architetture icona del ventesimo secolo. Nell'Ottobre del 1959, tre anni dopo l'apertura del cantiere, il museo è terminato e inaugurato in assenza del suo ideatore ma anche del suo progettista, scomparso sei mesi prima. Il polo culturale si distingue nella griglia densa di Manhattan, con le sue forme morbide e basse, creando un'eccezione nella successione continua di alti grattacieli scatolari che attorniano Central Park. L'altezza ridotta del complesso e la disomogenea distribuzione delle parti all'interno del lotto, sono infatti in contrasto con l'alta densità e lo sfruttamento intensivo del terreno, tipico dei centri delle grandi città americane. Le forme tondeggianti dei volumi emergenti, si oppongono alla regolarità della maglia newyorkese. Wright preferisce interpretare l'esperienza dell'arte non come un severo indottrinamento ma come una passeggiata. Per evitare l'abituale infilata di sale e il susseguirsi di parti tematiche, l'architetto immagina una struttura in cui il visitatore possa avere un approccio più immediato alle opere e una visione complessiva dell'esposizione.","downloadable_attachments":[{"id":63825537,"asset_id":43514697,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30865728,"first_name":"Giulia","last_name":"Conti","domain_name":"iuav1","page_name":"GiuliaConti","display_name":"Giulia Conti","profile_url":"https://iuav1.academia.edu/GiuliaConti?f_ri=8466","photo":"https://0.academia-photos.com/30865728/11251591/36138395/s65_giulia.conti.jpeg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":151023,"name":"Guggenheim Museum New York","url":"https://www.academia.edu/Documents/in/Guggenheim_Museum_New_York?f_ri=8466","nofollow":false},{"id":248366,"name":"New York","url":"https://www.academia.edu/Documents/in/New_York?f_ri=8466"},{"id":729110,"name":"Organic Architecture Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36491533" data-work_id="36491533" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36491533/Frank_Lloyd_Wright">Frank Lloyd Wright</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36491533" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e0ffb1eee268c3f08fe6298643b040b4" rel="nofollow" data-download="{"attachment_id":56410745,"asset_id":36491533,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56410745/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5597102" href="https://uwm.academia.edu/KLHWells">K.L.H. Wells</a><script data-card-contents-for-user="5597102" type="text/json">{"id":5597102,"first_name":"K.L.H.","last_name":"Wells","domain_name":"uwm","page_name":"KLHWells","display_name":"K.L.H. 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Casa Schindler - Chace, R. M. Schindler.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31331276" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="18057e7406c031c0bfdccc550f78c45b" rel="nofollow" data-download="{"attachment_id":51718331,"asset_id":31331276,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51718331/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="372510" href="https://uruguay.academia.edu/AnibalParodi">Anibal Parodi Rebella</a><script data-card-contents-for-user="372510" type="text/json">{"id":372510,"first_name":"Anibal","last_name":"Parodi Rebella","domain_name":"uruguay","page_name":"AnibalParodi","display_name":"Anibal Parodi Rebella","profile_url":"https://uruguay.academia.edu/AnibalParodi?f_ri=8466","photo":"https://0.academia-photos.com/372510/3799267/4446858/s65_anibal.parodi.jpg"}</script></span></span></li><li class="js-paper-rank-work_31331276 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31331276"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31331276, container: ".js-paper-rank-work_31331276", }); 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work_36849224" data-work_id="36849224" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36849224/Frank_Lloyd_Wright_was_an_architectural_individualist">Frank Lloyd Wright was an architectural individualist</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Frank Lloyd Wright was a visionary, a futurist, a master architect and artist who believed architect should be organic, an extension of the land formation and an extension of the human soul.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36849224" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="34565296" href="https://uco-us.academia.edu/MollyFrench">Molly French</a><script data-card-contents-for-user="34565296" type="text/json">{"id":34565296,"first_name":"Molly","last_name":"French","domain_name":"uco-us","page_name":"MollyFrench","display_name":"Molly French","profile_url":"https://uco-us.academia.edu/MollyFrench?f_ri=8466","photo":"https://0.academia-photos.com/34565296/15462461/102699469/s65_molly.french.jpg"}</script></span></span></li><li class="js-paper-rank-work_36849224 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36849224"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36849224, container: ".js-paper-rank-work_36849224", }); });</script></li><li class="js-percentile-work_36849224 InlineList-item 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$('*[data-has-card-for-ri-list=36849224]'), work: {"id":36849224,"title":"Frank Lloyd Wright was an architectural individualist","created_at":"2018-06-15T07:03:02.439-07:00","url":"https://www.academia.edu/36849224/Frank_Lloyd_Wright_was_an_architectural_individualist?f_ri=8466","dom_id":"work_36849224","summary":"Frank Lloyd Wright was a visionary, a futurist, a master architect and artist who believed architect should be organic, an extension of the land formation and an extension of the human soul.","downloadable_attachments":[{"id":56801745,"asset_id":36849224,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":34565296,"first_name":"Molly","last_name":"French","domain_name":"uco-us","page_name":"MollyFrench","display_name":"Molly French","profile_url":"https://uco-us.academia.edu/MollyFrench?f_ri=8466","photo":"https://0.academia-photos.com/34565296/15462461/102699469/s65_molly.french.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd 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data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El legado arquitectónico de Wright puede resumirse en dos conceptos que constituyen el centro de su reflexión: la continuidad exterior del espacio interior dentro de la armonía entre naturaleza y arquitectura y la creación de un espacio expresivo en el interior de un volumen abstracto.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42604956" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3c3a1d21551746bc8e95acc90756da35" rel="nofollow" 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type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="705263" href="https://www.academia.edu/Documents/in/Taliesin">Taliesin</a>, <script data-card-contents-for-ri="705263" type="text/json">{"id":705263,"name":"Taliesin","url":"https://www.academia.edu/Documents/in/Taliesin?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1421379" href="https://www.academia.edu/Documents/in/Arquitectura_Organica">Arquitectura Organica</a><script data-card-contents-for-ri="1421379" type="text/json">{"id":1421379,"name":"Arquitectura Organica","url":"https://www.academia.edu/Documents/in/Arquitectura_Organica?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42604956]'), work: {"id":42604956,"title":"CASA 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class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26596496/Interpretations_of_Space_Within_Space_Concept_in_Contemporary_Open_Plan_Architecture_Primena_koncepta_prostor_u_prostoru_u_savremenoj_arhitekturi_otvorenog_plana_">Interpretations of Space Within Space Concept in Contemporary Open-Plan Architecture [Primena koncepta prostor u prostoru u savremenoj arhitekturi otvorenog plana]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The subject of this study was space within space concept which is one of the universal principles in architecture. This paper analyses typical contemporary and historical examples where this concept has been applied in such a way that one... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26596496" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The subject of this study was space within space concept which is one of the universal principles in architecture. This paper analyses typical contemporary and historical examples where this concept has been applied in such a way that one or more independent spatial and functional unities appear within open plan space. The emphasis was on examining various reasons that resulted in the application of space within space concept in certain situations, with particular attention directed towards generalization and explanation of the key design approaches where this concept has been most frequently applied in practice.<br /><br />Predmet istraživanja ovog rada je koncept prostora u prostoru, koji je jedan od univerzalnih principa u arhitektonskom stvaralaštvu. U radu su analizirani karakteristični savremeni i istorijski primeri kod kojih je ovaj koncept primenjen na takav način da se u okviru prostora otvorenog plana javlja jedna ili više samostalnih prostorno-funkcionalnih celina. Akcenat je na istraživanju različitih povoda koji su u pojedinim situacijama doveli do primene koncepta prostor u prostoru, pri čemu je posebna pažnja usmerena u pravcu generalizacije i pojašnjenja ključnih projektantskih stanovišta sa kojih je koncept u praksi najčešće primenjivan.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26596496" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="896b3d5fbe48a33856b97b11edc0774a" rel="nofollow" data-download="{"attachment_id":50253297,"asset_id":26596496,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50253297/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4913744" href="https://bg.academia.edu/%C4%90or%C4%91eAlfirevi%C4%87">Đorđe Alfirević</a><script data-card-contents-for-user="4913744" type="text/json">{"id":4913744,"first_name":"Đorđe","last_name":"Alfirević","domain_name":"bg","page_name":"ĐorđeAlfirević","display_name":"Đorđe Alfirević","profile_url":"https://bg.academia.edu/%C4%90or%C4%91eAlfirevi%C4%87?f_ri=8466","photo":"https://0.academia-photos.com/4913744/2117773/127466591/s65__or_e.alfirevi_.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-26596496">+1</span><div class="hidden js-additional-users-26596496"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/SanjaSimonovicAlfirevicPhD">Sanja Simonovic Alfirevic, PhD</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-26596496'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-26596496').html(); 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SANAA","url":"https://www.academia.edu/Documents/in/Architecture_of_SANAA?f_ri=8466"},{"id":1714018,"name":"Art and Architecture of Japan","url":"https://www.academia.edu/Documents/in/Art_and_Architecture_of_Japan?f_ri=8466"},{"id":1829670,"name":"Sverre Fehn","url":"https://www.academia.edu/Documents/in/Sverre_Fehn?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_60580367 coauthored" data-work_id="60580367" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/60580367/The_galleria_progressiva_in_the_Solomon_R_Guggenheim_Museum_and_the_Museum_of_Unlimited_Growth">The galleria progressiva in the Solomon R. Guggenheim Museum and the Museum of Unlimited Growth</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright (1943-1959) and the Museum of Unlimited Growth (1939), by Le Corbusier, are examples of the galleria progressiva, a type of architectural configuration containing... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_60580367" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright (1943-1959) and the Museum of Unlimited Growth (1939), by Le Corbusier, are examples of the galleria progressiva, a type of architectural configuration containing sequentially uninterrupted spaces, emerged after the French Revolution, that generates specific sets of linear events and has the potential to guide the visitor's experience relying more on the building geometry than on symbolic or guidance artifices. In Wright's design visitors would take the elevator up and descend, on a leisure mode drift, through a fixed journey on the sloping plane, from which they would sidestep into exhibition rooms and then return to the skewed plane of the spiral gallery in the rotunda. In a similarly deterministic configuration concept, Le Corbusier designed a museum to be accessed from an atrium in the mid-point of the structure, from where visitors would take a ramp to the upper floor, occupied by galleries, laid out in a squareshaped spiral overlaid with a 4-axis cross, that could grow endlessly as more exhibiting spaces were needed. As part of a broader PhD research on visitors' engagement in the galleria progressiva museum type, the interest of this paper relies on finding clues on the morphology of the concepts by two of the most iconic architects in the twentiethcentury that might lead to their potential in facilitating engagement. To investigate morphological aspects, space syntax was used as the main theoretical ground, relying on justified graphs, convex, axial and visual analysis maps as topological representations of both spatial structures. Some of the key questions in future developments of this research are: Are both spiral-like configurations equally deterministic when it comes to route alternatives? Doe ones favor a more exploratory visit than the other? Which spatial system is easier to navigate? How does Le Corbusier's architectural promenade concept cope with an apparently very restrictive layout? By addressing these issues, we hope to revisit two important museum designs and, at the same time, bring light on the history of museum types by examining the galleria progressiva.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/60580367" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d692bd7e9380c49a7a77bd444d975cc" rel="nofollow" data-download="{"attachment_id":73961226,"asset_id":60580367,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/73961226/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17839764" href="https://unicap-br.academia.edu/AnaRolim">Ana Luisa Rolim</a><script data-card-contents-for-user="17839764" type="text/json">{"id":17839764,"first_name":"Ana Luisa","last_name":"Rolim","domain_name":"unicap-br","page_name":"AnaRolim","display_name":"Ana Luisa Rolim","profile_url":"https://unicap-br.academia.edu/AnaRolim?f_ri=8466","photo":"https://0.academia-photos.com/17839764/11691814/55777108/s65_ana_luisa.rolim.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-60580367">+1</span><div class="hidden js-additional-users-60580367"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ufpe.academia.edu/LuizAmorim">Luiz Amorim</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-60580367'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-60580367').html(); 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In Wright's design visitors would take the elevator up and descend, on a leisure mode drift, through a fixed journey on the sloping plane, from which they would sidestep into exhibition rooms and then return to the skewed plane of the spiral gallery in the rotunda. In a similarly deterministic configuration concept, Le Corbusier designed a museum to be accessed from an atrium in the mid-point of the structure, from where visitors would take a ramp to the upper floor, occupied by galleries, laid out in a squareshaped spiral overlaid with a 4-axis cross, that could grow endlessly as more exhibiting spaces were needed. As part of a broader PhD research on visitors' engagement in the galleria progressiva museum type, the interest of this paper relies on finding clues on the morphology of the concepts by two of the most iconic architects in the twentiethcentury that might lead to their potential in facilitating engagement. To investigate morphological aspects, space syntax was used as the main theoretical ground, relying on justified graphs, convex, axial and visual analysis maps as topological representations of both spatial structures. Some of the key questions in future developments of this research are: Are both spiral-like configurations equally deterministic when it comes to route alternatives? Doe ones favor a more exploratory visit than the other? Which spatial system is easier to navigate? How does Le Corbusier's architectural promenade concept cope with an apparently very restrictive layout? By addressing these issues, we hope to revisit two important museum designs and, at the same time, bring light on the history of museum types by examining the galleria progressiva.","downloadable_attachments":[{"id":73961226,"asset_id":60580367,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17839764,"first_name":"Ana Luisa","last_name":"Rolim","domain_name":"unicap-br","page_name":"AnaRolim","display_name":"Ana Luisa Rolim","profile_url":"https://unicap-br.academia.edu/AnaRolim?f_ri=8466","photo":"https://0.academia-photos.com/17839764/11691814/55777108/s65_ana_luisa.rolim.jpg"},{"id":5056519,"first_name":"Luiz","last_name":"Amorim","domain_name":"ufpe","page_name":"LuizAmorim","display_name":"Luiz Amorim","profile_url":"https://ufpe.academia.edu/LuizAmorim?f_ri=8466","photo":"https://0.academia-photos.com/5056519/2429748/2825772/s65_luiz.amorim.jpg"}],"research_interests":[{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false},{"id":79557,"name":"Architectural Morphology","url":"https://www.academia.edu/Documents/in/Architectural_Morphology?f_ri=8466","nofollow":false},{"id":91871,"name":"Le Corbusier","url":"https://www.academia.edu/Documents/in/Le_Corbusier?f_ri=8466"},{"id":197922,"name":"Museum Architecture","url":"https://www.academia.edu/Documents/in/Museum_Architecture?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23062463" data-work_id="23062463" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23062463/IB_EXTENDED_ESSAY_IN_VISUAL_ARTS_Topic_The_influence_of_Frank_Lloyd_Wrights_organic_architecture_in_Fallingwater_">IB EXTENDED ESSAY IN VISUAL ARTS Topic: The influence of Frank Lloyd Wright's organic architecture in " Fallingwater "</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">¿How does the organic style of Frank Lloyd Wright is reflected in the “Fallingwater” house of Edgar Kaufmann, 1936?</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23062463" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d747aa81390896315e3036545bd0ad45" rel="nofollow" data-download="{"attachment_id":43564822,"asset_id":23062463,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43564822/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="41362474" href="https://itesm.academia.edu/LilyAlvarezRabadan">Lily Alvarez Rabadan</a><script data-card-contents-for-user="41362474" type="text/json">{"id":41362474,"first_name":"Lily","last_name":"Alvarez Rabadan","domain_name":"itesm","page_name":"LilyAlvarezRabadan","display_name":"Lily Alvarez Rabadan","profile_url":"https://itesm.academia.edu/LilyAlvarezRabadan?f_ri=8466","photo":"https://0.academia-photos.com/41362474/11219770/13519586/s65_lily.alvarez_rabadan.jpg"}</script></span></span></li><li class="js-paper-rank-work_23062463 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23062463"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23062463, container: ".js-paper-rank-work_23062463", }); 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$(".js-view-count[data-work-id=23062463]").text(description); $(".js-view-count-work_23062463").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_23062463").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="23062463"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="729110" href="https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright">Organic Architecture Frank Lloyd Wright</a><script data-card-contents-for-ri="729110" type="text/json">{"id":729110,"name":"Organic Architecture Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=23062463]'), work: {"id":23062463,"title":"IB EXTENDED ESSAY IN VISUAL ARTS Topic: The influence of Frank Lloyd Wright's organic architecture in \" Fallingwater \"","created_at":"2016-03-09T16:57:22.286-08:00","url":"https://www.academia.edu/23062463/IB_EXTENDED_ESSAY_IN_VISUAL_ARTS_Topic_The_influence_of_Frank_Lloyd_Wrights_organic_architecture_in_Fallingwater_?f_ri=8466","dom_id":"work_23062463","summary":"¿How does the organic style of Frank Lloyd Wright is reflected in the “Fallingwater” house of Edgar Kaufmann, 1936?","downloadable_attachments":[{"id":43564822,"asset_id":23062463,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":41362474,"first_name":"Lily","last_name":"Alvarez Rabadan","domain_name":"itesm","page_name":"LilyAlvarezRabadan","display_name":"Lily Alvarez Rabadan","profile_url":"https://itesm.academia.edu/LilyAlvarezRabadan?f_ri=8466","photo":"https://0.academia-photos.com/41362474/11219770/13519586/s65_lily.alvarez_rabadan.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":729110,"name":"Organic Architecture Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12756561" data-work_id="12756561" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12756561/Le_Corbusier_Neutra_Scarpa_e_Wright_Architetti_modernisti_a_Venezia_Documenti_progetti_scritti_e_testimonianze_dall_archivio_di_Egle_Trincanato">Le Corbusier, Neutra, Scarpa e Wright. Architetti modernisti a Venezia. Documenti, progetti, scritti e testimonianze dall’archivio di Egle Trincanato</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La miscellanea di scritti illustra tematicamente le conferenze tenute a Venezia negli anni '50 e '60 del Novecento e le proposte progettuali ideate per la città insulare da alcuni maestri del modernismo architettonico, ovvero Richard... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12756561" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La miscellanea di scritti illustra tematicamente le conferenze tenute a Venezia negli anni '50 e '60 del Novecento e le proposte progettuali ideate per la città insulare da alcuni maestri del modernismo architettonico, ovvero Richard Neutra, Le Corbusier, Frank Lloyd Wright e Carlo Scarpa; i singoli saggi sono raccordati ed integrati da schede del redattore con note ed informazioni storiche, bibliografiche e d’archivio; il filo conduttore del volume è la documentazione conservata nel Fondo Trincanato donato all’Archivio Progetti dell’Università di Architettura di Venezia nel 2004 e subito notificato come bene di interesse storico dalla Soprintendenza Archivistica per il Veneto. <br /> <br />In allegato la scheda di referaggio del volume a cura del prof. Maurizio Oddo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12756561" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="07dde857ac1d0d36b10b7047d8975411" rel="nofollow" data-download="{"attachment_id":54641603,"asset_id":12756561,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54641603/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3388134" href="https://unive.academia.edu/BalisteriEmiliano">Emiliano Balistreri</a><script data-card-contents-for-user="3388134" type="text/json">{"id":3388134,"first_name":"Emiliano","last_name":"Balistreri","domain_name":"unive","page_name":"BalisteriEmiliano","display_name":"Emiliano Balistreri","profile_url":"https://unive.academia.edu/BalisteriEmiliano?f_ri=8466","photo":"https://0.academia-photos.com/3388134/1143998/7310966/s65_emiliano.balistreri.jpg"}</script></span></span></li><li class="js-paper-rank-work_12756561 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12756561"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12756561, container: ".js-paper-rank-work_12756561", }); 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$(".js-view-count[data-work-id=12756561]").text(description); $(".js-view-count-work_12756561").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12756561").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12756561"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="45408" href="https://www.academia.edu/Documents/in/History_of_architecture">History of architecture</a>, <script data-card-contents-for-ri="45408" type="text/json">{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="52880" href="https://www.academia.edu/Documents/in/Richard_Neutra">Richard Neutra</a><script data-card-contents-for-ri="52880" type="text/json">{"id":52880,"name":"Richard Neutra","url":"https://www.academia.edu/Documents/in/Richard_Neutra?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12756561]'), work: {"id":12756561,"title":"Le Corbusier, Neutra, Scarpa e Wright. Architetti modernisti a Venezia. Documenti, progetti, scritti e testimonianze dall’archivio di Egle Trincanato","created_at":"2015-06-02T12:30:03.058-07:00","url":"https://www.academia.edu/12756561/Le_Corbusier_Neutra_Scarpa_e_Wright_Architetti_modernisti_a_Venezia_Documenti_progetti_scritti_e_testimonianze_dall_archivio_di_Egle_Trincanato?f_ri=8466","dom_id":"work_12756561","summary":"La miscellanea di scritti illustra tematicamente le conferenze tenute a Venezia negli anni '50 e '60 del Novecento e le proposte progettuali ideate per la città insulare da alcuni maestri del modernismo architettonico, ovvero Richard Neutra, Le Corbusier, Frank Lloyd Wright e Carlo Scarpa; i singoli saggi sono raccordati ed integrati da schede del redattore con note ed informazioni storiche, bibliografiche e d’archivio; il filo conduttore del volume è la documentazione conservata nel Fondo Trincanato donato all’Archivio Progetti dell’Università di Architettura di Venezia nel 2004 e subito notificato come bene di interesse storico dalla Soprintendenza Archivistica per il Veneto.\r\n\r\nIn allegato la scheda di referaggio del volume a cura del prof. Maurizio Oddo.\r\n\r\n","downloadable_attachments":[{"id":54641603,"asset_id":12756561,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3388134,"first_name":"Emiliano","last_name":"Balistreri","domain_name":"unive","page_name":"BalisteriEmiliano","display_name":"Emiliano Balistreri","profile_url":"https://unive.academia.edu/BalisteriEmiliano?f_ri=8466","photo":"https://0.academia-photos.com/3388134/1143998/7310966/s65_emiliano.balistreri.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=8466","nofollow":false},{"id":52880,"name":"Richard Neutra","url":"https://www.academia.edu/Documents/in/Richard_Neutra?f_ri=8466","nofollow":false},{"id":81667,"name":"Venice","url":"https://www.academia.edu/Documents/in/Venice?f_ri=8466"},{"id":91871,"name":"Le Corbusier","url":"https://www.academia.edu/Documents/in/Le_Corbusier?f_ri=8466"},{"id":128712,"name":"Carlo Scarpa","url":"https://www.academia.edu/Documents/in/Carlo_Scarpa?f_ri=8466"},{"id":1219907,"name":"Giuseppe Samonà","url":"https://www.academia.edu/Documents/in/Giuseppe_Samona?f_ri=8466"},{"id":1244586,"name":"Egle Renata Trincanato","url":"https://www.academia.edu/Documents/in/Egle_Renata_Trincanato?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43317710" data-work_id="43317710" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43317710/Solomon_R_Guggenheim_Museum_by_Frank_Lloyd_Wright_Pensieri">Solomon R. Guggenheim Museum by Frank Lloyd Wright - Pensieri</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il paper è comprensivo di una breve analisi dei principi compositivi e, parallelamente, costruttivi riguardo uno dei progetti probabilmente più noti dell'architetto americano Frank Lloyd Wright. Il Solomon R. Guggenheim di New York si... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43317710" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il paper è comprensivo di una breve analisi dei principi compositivi e, parallelamente, costruttivi riguardo uno dei progetti probabilmente più noti dell'architetto americano Frank Lloyd Wright. Il Solomon R. Guggenheim di New York si inserisce all'interno di un tessuto urbano profondamente eterogeneo la cui stratificazione ha permesso il puntuale e riconoscibile inserimento del museo stesso tra gli anni 1943 e 1959. <br /> <br />Nel 1943 Frank Lloyd Wright riceve l'incarico di realizzare il Museo di Pittura Non-oggettiva, che Solomon R. Guggenheim, appassionato d'arte e grande collezionista, aveva avviato già alcuni anni prima. E' Hilla Rebay, la curatrice della collezione, a sollecitare la vena creativa dell'architetto attraverso una lettera. Nel Giugno dello stesso anno gli scrive infatti la sua richiesta di un'opera che fosse "un tempio dello spirito, un monumento", portando così la progettazione verso ciò che sarebbe stata la realizzazione di un'opera d'arte per esporre arte. Wright inizia subito a immaginare il museo, individuandone le caratteristiche principali: basso, dinamico, anticonformista. Questi, supponendo che si sarebbe trattato di un terreno nella densa Manhattan, inizia a predisporre la committenza verso un volume orizzontale, piuttosto che un dispersivo sviluppo verticale. All'arrivo dei disegni preliminari, la committenza è subito affascinata dalle proposte innovative dell'architetto, in sintonia con le attese e gli scopi dell'opera. Sono necessari tredici anni di trattative prima che il progetto si avvia verso la sua realizzazione. Dopo varie interruzioni, solo il 16 Luglio 1956 hanno avvio i lavori di scavo che gettano le basi di ciò che sarà da subito una delle architetture icona del ventesimo secolo. Nell'Ottobre del 1959, tre anni dopo l'apertura del cantiere, il museo è terminato e inaugurato in assenza del suo ideatore ma anche del suo progettista, scomparso sei mesi prima. Il polo culturale si distingue nella griglia densa di Manhattan, con le sue forme morbide e basse, creando un'eccezione nella successione continua di alti grattacieli scatolari che attorniano Central Park. L'altezza ridotta del complesso e la disomogenea distribuzione delle parti all'interno del lotto, sono infatti in contrasto con l'alta densità e lo sfruttamento intensivo del terreno, tipico dei centri delle grandi città americane. Le forme tondeggianti dei volumi emergenti, si oppongono alla regolarità della maglia newyorkese. Wright preferisce interpretare l'esperienza dell'arte non come un severo indottrinamento ma come una passeggiata. Per evitare l'abituale infilata di sale e il susseguirsi di parti tematiche, l'architetto immagina una struttura in cui il visitatore possa avere un approccio più immediato alle opere e una visione complessiva dell'esposizione.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43317710" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eb4a9e5edd4dd65591ab4eac183322b5" rel="nofollow" data-download="{"attachment_id":63599644,"asset_id":43317710,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63599644/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30865728" href="https://iuav1.academia.edu/GiuliaConti">Giulia Conti</a><script data-card-contents-for-user="30865728" type="text/json">{"id":30865728,"first_name":"Giulia","last_name":"Conti","domain_name":"iuav1","page_name":"GiuliaConti","display_name":"Giulia Conti","profile_url":"https://iuav1.academia.edu/GiuliaConti?f_ri=8466","photo":"https://0.academia-photos.com/30865728/11251591/36138395/s65_giulia.conti.jpeg"}</script></span></span></li><li class="js-paper-rank-work_43317710 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43317710"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43317710, container: ".js-paper-rank-work_43317710", }); 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$(".js-view-count[data-work-id=43317710]").text(description); $(".js-view-count-work_43317710").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43317710").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43317710"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="151023" href="https://www.academia.edu/Documents/in/Guggenheim_Museum_New_York">Guggenheim Museum New York</a>, <script data-card-contents-for-ri="151023" type="text/json">{"id":151023,"name":"Guggenheim Museum New York","url":"https://www.academia.edu/Documents/in/Guggenheim_Museum_New_York?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="248366" href="https://www.academia.edu/Documents/in/New_York">New York</a><script data-card-contents-for-ri="248366" type="text/json">{"id":248366,"name":"New York","url":"https://www.academia.edu/Documents/in/New_York?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43317710]'), work: {"id":43317710,"title":"Solomon R. Guggenheim Museum by Frank Lloyd Wright - Pensieri","created_at":"2020-06-11T10:28:51.398-07:00","url":"https://www.academia.edu/43317710/Solomon_R_Guggenheim_Museum_by_Frank_Lloyd_Wright_Pensieri?f_ri=8466","dom_id":"work_43317710","summary":"Il paper è comprensivo di una breve analisi dei principi compositivi e, parallelamente, costruttivi riguardo uno dei progetti probabilmente più noti dell'architetto americano Frank Lloyd Wright. Il Solomon R. Guggenheim di New York si inserisce all'interno di un tessuto urbano profondamente eterogeneo la cui stratificazione ha permesso il puntuale e riconoscibile inserimento del museo stesso tra gli anni 1943 e 1959.\r\n\r\nNel 1943 Frank Lloyd Wright riceve l'incarico di realizzare il Museo di Pittura Non-oggettiva, che Solomon R. Guggenheim, appassionato d'arte e grande collezionista, aveva avviato già alcuni anni prima. E' Hilla Rebay, la curatrice della collezione, a sollecitare la vena creativa dell'architetto attraverso una lettera. Nel Giugno dello stesso anno gli scrive infatti la sua richiesta di un'opera che fosse \"un tempio dello spirito, un monumento\", portando così la progettazione verso ciò che sarebbe stata la realizzazione di un'opera d'arte per esporre arte. Wright inizia subito a immaginare il museo, individuandone le caratteristiche principali: basso, dinamico, anticonformista. Questi, supponendo che si sarebbe trattato di un terreno nella densa Manhattan, inizia a predisporre la committenza verso un volume orizzontale, piuttosto che un dispersivo sviluppo verticale. All'arrivo dei disegni preliminari, la committenza è subito affascinata dalle proposte innovative dell'architetto, in sintonia con le attese e gli scopi dell'opera. Sono necessari tredici anni di trattative prima che il progetto si avvia verso la sua realizzazione. Dopo varie interruzioni, solo il 16 Luglio 1956 hanno avvio i lavori di scavo che gettano le basi di ciò che sarà da subito una delle architetture icona del ventesimo secolo. Nell'Ottobre del 1959, tre anni dopo l'apertura del cantiere, il museo è terminato e inaugurato in assenza del suo ideatore ma anche del suo progettista, scomparso sei mesi prima. Il polo culturale si distingue nella griglia densa di Manhattan, con le sue forme morbide e basse, creando un'eccezione nella successione continua di alti grattacieli scatolari che attorniano Central Park. L'altezza ridotta del complesso e la disomogenea distribuzione delle parti all'interno del lotto, sono infatti in contrasto con l'alta densità e lo sfruttamento intensivo del terreno, tipico dei centri delle grandi città americane. Le forme tondeggianti dei volumi emergenti, si oppongono alla regolarità della maglia newyorkese. Wright preferisce interpretare l'esperienza dell'arte non come un severo indottrinamento ma come una passeggiata. Per evitare l'abituale infilata di sale e il susseguirsi di parti tematiche, l'architetto immagina una struttura in cui il visitatore possa avere un approccio più immediato alle opere e una visione complessiva dell'esposizione.","downloadable_attachments":[{"id":63599644,"asset_id":43317710,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30865728,"first_name":"Giulia","last_name":"Conti","domain_name":"iuav1","page_name":"GiuliaConti","display_name":"Giulia Conti","profile_url":"https://iuav1.academia.edu/GiuliaConti?f_ri=8466","photo":"https://0.academia-photos.com/30865728/11251591/36138395/s65_giulia.conti.jpeg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":151023,"name":"Guggenheim Museum New York","url":"https://www.academia.edu/Documents/in/Guggenheim_Museum_New_York?f_ri=8466","nofollow":false},{"id":248366,"name":"New York","url":"https://www.academia.edu/Documents/in/New_York?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7262243" data-work_id="7262243" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7262243/Frank_LLoyd_Wright_vida_y_obra">Frank LLoyd Wright: vida y obra</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7262243" 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class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9606759" href="https://upm-es.academia.edu/JuanLuisUribeDavies">Juan Luis Uribe Davies</a><script data-card-contents-for-user="9606759" type="text/json">{"id":9606759,"first_name":"Juan Luis","last_name":"Uribe Davies","domain_name":"upm-es","page_name":"JuanLuisUribeDavies","display_name":"Juan Luis Uribe Davies","profile_url":"https://upm-es.academia.edu/JuanLuisUribeDavies?f_ri=8466","photo":"https://0.academia-photos.com/9606759/3029575/3559728/s65_juan_luis.uribe_davies.jpg"}</script></span></span></li><li class="js-paper-rank-work_7262243 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7262243"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 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type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49836" href="https://www.academia.edu/Documents/in/Arquitectura">Arquitectura</a>, <script data-card-contents-for-ri="49836" type="text/json">{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="216691" href="https://www.academia.edu/Documents/in/Arquitectura_y_urbanismo">Arquitectura y urbanismo</a><script data-card-contents-for-ri="216691" type="text/json">{"id":216691,"name":"Arquitectura y urbanismo","url":"https://www.academia.edu/Documents/in/Arquitectura_y_urbanismo?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7262243]'), work: {"id":7262243,"title":"Frank LLoyd Wright: vida y obra","created_at":"2014-06-04T21:15:43.052-07:00","url":"https://www.academia.edu/7262243/Frank_LLoyd_Wright_vida_y_obra?f_ri=8466","dom_id":"work_7262243","summary":null,"downloadable_attachments":[{"id":33875565,"asset_id":7262243,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9606759,"first_name":"Juan Luis","last_name":"Uribe Davies","domain_name":"upm-es","page_name":"JuanLuisUribeDavies","display_name":"Juan Luis Uribe Davies","profile_url":"https://upm-es.academia.edu/JuanLuisUribeDavies?f_ri=8466","photo":"https://0.academia-photos.com/9606759/3029575/3559728/s65_juan_luis.uribe_davies.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=8466","nofollow":false},{"id":216691,"name":"Arquitectura y urbanismo","url":"https://www.academia.edu/Documents/in/Arquitectura_y_urbanismo?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19534656 coauthored" data-work_id="19534656" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19534656/LArchitettura_di_Carlo_Scarpa">L'Architettura di Carlo Scarpa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Storia dell'Architettura Contemporanea<br />Prof. Naser Eslami<br />Facoltà di Architettura di Genova.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19534656" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4d0529182c8d31f4e1d0d327e95381f2" rel="nofollow" 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type="text/json">{"id":29233766,"first_name":"Federica","last_name":"la forgia","domain_name":"independent","page_name":"Federicalaforgia","display_name":"Federica la forgia","profile_url":"https://independent.academia.edu/Federicalaforgia?f_ri=8466","photo":"https://0.academia-photos.com/29233766/11450046/12771208/s65_federica.la_forgia.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-19534656">+1</span><div class="hidden js-additional-users-19534656"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unige-it.academia.edu/EnricoBertetti">Enrico Bertetti</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-19534656'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-19534656').html(); } } new 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container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19534656 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19534656"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19534656; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19534656]").text(description); $(".js-view-count-work_19534656").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19534656").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19534656"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="128712" href="https://www.academia.edu/Documents/in/Carlo_Scarpa">Carlo Scarpa</a>, <script data-card-contents-for-ri="128712" type="text/json">{"id":128712,"name":"Carlo Scarpa","url":"https://www.academia.edu/Documents/in/Carlo_Scarpa?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="472884" href="https://www.academia.edu/Documents/in/Archiettura">Archiettura</a>, <script data-card-contents-for-ri="472884" type="text/json">{"id":472884,"name":"Archiettura","url":"https://www.academia.edu/Documents/in/Archiettura?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="529055" href="https://www.academia.edu/Documents/in/Olivetti">Olivetti</a><script data-card-contents-for-ri="529055" type="text/json">{"id":529055,"name":"Olivetti","url":"https://www.academia.edu/Documents/in/Olivetti?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19534656]'), work: {"id":19534656,"title":"L'Architettura di Carlo Scarpa","created_at":"2015-12-07T04:37:50.541-08:00","url":"https://www.academia.edu/19534656/LArchitettura_di_Carlo_Scarpa?f_ri=8466","dom_id":"work_19534656","summary":"Storia dell'Architettura Contemporanea\nProf. Naser Eslami\nFacoltà di Architettura di Genova.","downloadable_attachments":[{"id":40679478,"asset_id":19534656,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":29233766,"first_name":"Federica","last_name":"la forgia","domain_name":"independent","page_name":"Federicalaforgia","display_name":"Federica la forgia","profile_url":"https://independent.academia.edu/Federicalaforgia?f_ri=8466","photo":"https://0.academia-photos.com/29233766/11450046/12771208/s65_federica.la_forgia.jpg"},{"id":14013991,"first_name":"Enrico","last_name":"Bertetti","domain_name":"unige-it","page_name":"EnricoBertetti","display_name":"Enrico Bertetti","profile_url":"https://unige-it.academia.edu/EnricoBertetti?f_ri=8466","photo":"https://0.academia-photos.com/14013991/3868847/14333329/s65_enrico.bertetti.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":128712,"name":"Carlo Scarpa","url":"https://www.academia.edu/Documents/in/Carlo_Scarpa?f_ri=8466","nofollow":false},{"id":472884,"name":"Archiettura","url":"https://www.academia.edu/Documents/in/Archiettura?f_ri=8466","nofollow":false},{"id":529055,"name":"Olivetti","url":"https://www.academia.edu/Documents/in/Olivetti?f_ri=8466","nofollow":false},{"id":804581,"name":"Muqarnas","url":"https://www.academia.edu/Documents/in/Muqarnas?f_ri=8466"},{"id":1701680,"name":"Gipsoteca canoviana","url":"https://www.academia.edu/Documents/in/Gipsoteca_canoviana?f_ri=8466"},{"id":2031088,"name":"Architettura islamica","url":"https://www.academia.edu/Documents/in/Architettura_islamica?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44507208" data-work_id="44507208" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44507208/Intersecting_Identities_in_Geoffrey_Woodfall_s_Woolnorth_Homestead_1969_70">Intersecting Identities in Geoffrey Woodfall’s Woolnorth Homestead, 1969-70</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In 1825, the Van Diemen’s Land Company (VDL Co.) was chartered in London and granted the right to select 250,000 acres for pastoral enterprise in Van Diemen’s Land (Tasmania), ultimately located across the island’s isolated north-west... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44507208" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In 1825, the Van Diemen’s Land Company (VDL Co.) was chartered in London and granted the right to select 250,000 acres for pastoral enterprise in Van Diemen’s Land (Tasmania), ultimately located across the island’s isolated north-west frontier at Circular Head (Stanley), Emu Bay (Burnie) and Woolnorth. The company established its headquarters in a fashionable Regency villa, Highfield, at Circular Head, designed by VDL Co. Surveyor, Henry Hellyer, (c.1835) and built with prefabricated elements imported from England.  The company’s subsequent enterprises served remote colonial expansion through the establishment of regional infrastructure and commissioning of architecture extending across the remainder of the nineteenth century.  In 1966, the VDL Co. appointed its first Australian Governor, the Victorian Western District pastoralist and the company’s largest single shareholder, Alan Ritchie (1895-1974). Under Ritchie, the company’s operations were consolidated at Woolnorth, with the construction of a large Frank Lloyd Wright cum Sydney School homestead designed by Melbourne architect, Geoffrey Woodfall (1930-2016). Occupying one of Australia’s oldest, continuously-held company land holdings—with a known history of violent dispossession of northwest Tasmania’s Aboriginal people—, the Woolnorth Homestead carries company, family and architectural lineages of colonial origin. For Woodfall, the commission also precipitated a plethora of unexamined commercial, community and residential buildings across north-west Tasmania from the 1970s into the early 2000s, effectively reconstituting the dynamics of the VDL Co.’s earlier regional influence.  This article is based on research across three archives, those of: the VDL Co. (Tasmanian Heritage and Archives Office); former VDL Co. Governor, Alan Ritchie (University of Melbourne Archive), and crucially the architect, Geoffrey Woodfall (RMIT Design Archive).  It seeks to understand the intersecting histories and identities at stake in the architecture of Woolnorth.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44507208" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c199d4bd92724ddbec7b9c19732c611b" rel="nofollow" data-download="{"attachment_id":64945425,"asset_id":44507208,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64945425/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6280248" href="https://umel.academia.edu/StuartKing">Stuart A King</a><script data-card-contents-for-user="6280248" type="text/json">{"id":6280248,"first_name":"Stuart","last_name":"King","domain_name":"umel","page_name":"StuartKing","display_name":"Stuart A King","profile_url":"https://umel.academia.edu/StuartKing?f_ri=8466","photo":"https://0.academia-photos.com/6280248/2577300/37425663/s65_stuart.king.jpg"}</script></span></span></li><li class="js-paper-rank-work_44507208 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44507208"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44507208, container: ".js-paper-rank-work_44507208", }); 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$(".js-view-count[data-work-id=44507208]").text(description); $(".js-view-count-work_44507208").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44507208").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44507208"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10871" href="https://www.academia.edu/Documents/in/Regionalism">Regionalism</a>, <script data-card-contents-for-ri="10871" type="text/json">{"id":10871,"name":"Regionalism","url":"https://www.academia.edu/Documents/in/Regionalism?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="54201" href="https://www.academia.edu/Documents/in/Australian_architecture">Australian architecture</a>, <script data-card-contents-for-ri="54201" type="text/json">{"id":54201,"name":"Australian architecture","url":"https://www.academia.edu/Documents/in/Australian_architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="666360" href="https://www.academia.edu/Documents/in/Tasmanian_History">Tasmanian History</a><script data-card-contents-for-ri="666360" type="text/json">{"id":666360,"name":"Tasmanian History","url":"https://www.academia.edu/Documents/in/Tasmanian_History?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44507208]'), work: {"id":44507208,"title":"Intersecting Identities in Geoffrey Woodfall’s Woolnorth Homestead, 1969-70","created_at":"2020-11-15T17:50:32.813-08:00","url":"https://www.academia.edu/44507208/Intersecting_Identities_in_Geoffrey_Woodfall_s_Woolnorth_Homestead_1969_70?f_ri=8466","dom_id":"work_44507208","summary":"In 1825, the Van Diemen’s Land Company (VDL Co.) was chartered in London and granted the right to select 250,000 acres for pastoral enterprise in Van Diemen’s Land (Tasmania), ultimately located across the island’s isolated north-west frontier at Circular Head (Stanley), Emu Bay (Burnie) and Woolnorth. The company established its headquarters in a fashionable Regency villa, Highfield, at Circular Head, designed by VDL Co. Surveyor, Henry Hellyer, (c.1835) and built with prefabricated elements imported from England. The company’s subsequent enterprises served remote colonial expansion through the establishment of regional infrastructure and commissioning of architecture extending across the remainder of the nineteenth century. In 1966, the VDL Co. appointed its first Australian Governor, the Victorian Western District pastoralist and the company’s largest single shareholder, Alan Ritchie (1895-1974). Under Ritchie, the company’s operations were consolidated at Woolnorth, with the construction of a large Frank Lloyd Wright cum Sydney School homestead designed by Melbourne architect, Geoffrey Woodfall (1930-2016). Occupying one of Australia’s oldest, continuously-held company land holdings—with a known history of violent dispossession of northwest Tasmania’s Aboriginal people—, the Woolnorth Homestead carries company, family and architectural lineages of colonial origin. For Woodfall, the commission also precipitated a plethora of unexamined commercial, community and residential buildings across north-west Tasmania from the 1970s into the early 2000s, effectively reconstituting the dynamics of the VDL Co.’s earlier regional influence. This article is based on research across three archives, those of: the VDL Co. (Tasmanian Heritage and Archives Office); former VDL Co. Governor, Alan Ritchie (University of Melbourne Archive), and crucially the architect, Geoffrey Woodfall (RMIT Design Archive). It seeks to understand the intersecting histories and identities at stake in the architecture of Woolnorth.","downloadable_attachments":[{"id":64945425,"asset_id":44507208,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6280248,"first_name":"Stuart","last_name":"King","domain_name":"umel","page_name":"StuartKing","display_name":"Stuart A King","profile_url":"https://umel.academia.edu/StuartKing?f_ri=8466","photo":"https://0.academia-photos.com/6280248/2577300/37425663/s65_stuart.king.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":10871,"name":"Regionalism","url":"https://www.academia.edu/Documents/in/Regionalism?f_ri=8466","nofollow":false},{"id":54201,"name":"Australian architecture","url":"https://www.academia.edu/Documents/in/Australian_architecture?f_ri=8466","nofollow":false},{"id":666360,"name":"Tasmanian History","url":"https://www.academia.edu/Documents/in/Tasmanian_History?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45566871" data-work_id="45566871" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45566871/LArchitettura_Organica_Il_Maestro_Frank_Lloyd_Wright">L'Architettura Organica - Il Maestro Frank Lloyd Wright</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45566871" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="182430535" href="https://independent.academia.edu/GiuliaMarcantognini">Giulia Marcantognini</a><script data-card-contents-for-user="182430535" type="text/json">{"id":182430535,"first_name":"Giulia","last_name":"Marcantognini","domain_name":"independent","page_name":"GiuliaMarcantognini","display_name":"Giulia Marcantognini","profile_url":"https://independent.academia.edu/GiuliaMarcantognini?f_ri=8466","photo":"https://0.academia-photos.com/182430535/50538547/38566773/s65_giulia.marcantognini.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45566871 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45566871"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45566871, container: ".js-paper-rank-work_45566871", }); 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{"id":45566871,"title":"L'Architettura Organica - Il Maestro Frank Lloyd Wright","created_at":"2021-03-17T03:17:33.539-07:00","url":"https://www.academia.edu/45566871/LArchitettura_Organica_Il_Maestro_Frank_Lloyd_Wright?f_ri=8466","dom_id":"work_45566871","summary":null,"downloadable_attachments":[{"id":66041129,"asset_id":45566871,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":182430535,"first_name":"Giulia","last_name":"Marcantognini","domain_name":"independent","page_name":"GiuliaMarcantognini","display_name":"Giulia Marcantognini","profile_url":"https://independent.academia.edu/GiuliaMarcantognini?f_ri=8466","photo":"https://0.academia-photos.com/182430535/50538547/38566773/s65_giulia.marcantognini.jpeg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":38430,"name":"Organic Architecture","url":"https://www.academia.edu/Documents/in/Organic_Architecture?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37666667" data-work_id="37666667" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37666667/Frank_Lloyd_Wright_in_Florence_and_Fiesole_1909_1910">Frank Lloyd Wright in Florence and Fiesole, 1909-1910</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm 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});</script></span><script>$(function() { $(".js-view-count-work_2339439").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2339439"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12887" href="https://www.academia.edu/Documents/in/Islamic_Architecture">Islamic' Architecture</a>, <script data-card-contents-for-ri="12887" type="text/json">{"id":12887,"name":"Islamic' Architecture","url":"https://www.academia.edu/Documents/in/Islamic_Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14647" href="https://www.academia.edu/Documents/in/Modern_Architecture">Modern Architecture</a>, <script data-card-contents-for-ri="14647" type="text/json">{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="139592" href="https://www.academia.edu/Documents/in/Quran_and_Sunnah_Studies">Quran and Sunnah Studies</a><script data-card-contents-for-ri="139592" type="text/json">{"id":139592,"name":"Quran and Sunnah Studies","url":"https://www.academia.edu/Documents/in/Quran_and_Sunnah_Studies?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2339439]'), work: {"id":2339439,"title":"2012, Book:Melihat Arsitektur Islam dari Perspektif Sunnah dan Arsitektur Organik Frank Lloyd Wright ","created_at":"2012-12-29T07:51:11.389-08:00","url":"https://www.academia.edu/2339439/2012_Book_Melihat_Arsitektur_Islam_dari_Perspektif_Sunnah_dan_Arsitektur_Organik_Frank_Lloyd_Wright?f_ri=8466","dom_id":"work_2339439","summary":null,"downloadable_attachments":[{"id":30382065,"asset_id":2339439,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":937062,"first_name":"Nangkula","last_name":"Utaberta","domain_name":"ucsi","page_name":"NangkulaUtaberta","display_name":"Nangkula Utaberta","profile_url":"https://ucsi.academia.edu/NangkulaUtaberta?f_ri=8466","photo":"https://0.academia-photos.com/937062/827767/147027657/s65_nangkula.utaberta.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":12887,"name":"Islamic' Architecture","url":"https://www.academia.edu/Documents/in/Islamic_Architecture?f_ri=8466","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false},{"id":139592,"name":"Quran and Sunnah Studies","url":"https://www.academia.edu/Documents/in/Quran_and_Sunnah_Studies?f_ri=8466","nofollow":false},{"id":668296,"name":"Arsitektur Islam","url":"https://www.academia.edu/Documents/in/Arsitektur_Islam?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43633554" data-work_id="43633554" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43633554/The_Stones_of_Taliesin_West_Frank_Lloyd_Wright_and_the_Petroglyphs_of_Paradise_Valley">The Stones of Taliesin West: Frank Lloyd Wright and the Petroglyphs of Paradise Valley</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43633554" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17d73cb2e7924c14f916e879cb341c2a" rel="nofollow" data-download="{"attachment_id":63934702,"asset_id":43633554,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63934702/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28555460" href="https://archaeologysouthwest.academia.edu/AaronWright">Aaron Wright</a><script data-card-contents-for-user="28555460" type="text/json">{"id":28555460,"first_name":"Aaron","last_name":"Wright","domain_name":"archaeologysouthwest","page_name":"AaronWright","display_name":"Aaron Wright","profile_url":"https://archaeologysouthwest.academia.edu/AaronWright?f_ri=8466","photo":"https://0.academia-photos.com/28555460/11695704/13039791/s65_aaron.wright.jpg"}</script></span></span></li><li class="js-paper-rank-work_43633554 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43633554"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43633554, container: ".js-paper-rank-work_43633554", }); });</script></li><li class="js-percentile-work_43633554 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43633554; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43633554"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43633554 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43633554"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43633554; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43633554]").text(description); $(".js-view-count-work_43633554").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43633554").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43633554"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2787" href="https://www.academia.edu/Documents/in/Southwestern_United_States_Archaeology_in_North_America_">Southwestern United States (Archaeology in North America)</a>, <script data-card-contents-for-ri="2787" type="text/json">{"id":2787,"name":"Southwestern United States (Archaeology in North America)","url":"https://www.academia.edu/Documents/in/Southwestern_United_States_Archaeology_in_North_America_?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3834" href="https://www.academia.edu/Documents/in/Rock_Art_Archaeology_">Rock Art (Archaeology)</a>, <script data-card-contents-for-ri="3834" type="text/json">{"id":3834,"name":"Rock Art (Archaeology)","url":"https://www.academia.edu/Documents/in/Rock_Art_Archaeology_?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22562" href="https://www.academia.edu/Documents/in/Southwestern_Archaeology">Southwestern Archaeology</a><script data-card-contents-for-ri="22562" type="text/json">{"id":22562,"name":"Southwestern Archaeology","url":"https://www.academia.edu/Documents/in/Southwestern_Archaeology?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43633554]'), work: {"id":43633554,"title":"The Stones of Taliesin West: Frank Lloyd Wright and the Petroglyphs of Paradise Valley","created_at":"2020-07-15T23:21:31.587-07:00","url":"https://www.academia.edu/43633554/The_Stones_of_Taliesin_West_Frank_Lloyd_Wright_and_the_Petroglyphs_of_Paradise_Valley?f_ri=8466","dom_id":"work_43633554","summary":null,"downloadable_attachments":[{"id":63934702,"asset_id":43633554,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28555460,"first_name":"Aaron","last_name":"Wright","domain_name":"archaeologysouthwest","page_name":"AaronWright","display_name":"Aaron Wright","profile_url":"https://archaeologysouthwest.academia.edu/AaronWright?f_ri=8466","photo":"https://0.academia-photos.com/28555460/11695704/13039791/s65_aaron.wright.jpg"}],"research_interests":[{"id":2787,"name":"Southwestern United States (Archaeology in North America)","url":"https://www.academia.edu/Documents/in/Southwestern_United_States_Archaeology_in_North_America_?f_ri=8466","nofollow":false},{"id":3834,"name":"Rock Art (Archaeology)","url":"https://www.academia.edu/Documents/in/Rock_Art_Archaeology_?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":22562,"name":"Southwestern Archaeology","url":"https://www.academia.edu/Documents/in/Southwestern_Archaeology?f_ri=8466","nofollow":false},{"id":26471,"name":"Petroglyphs and Pictographs","url":"https://www.academia.edu/Documents/in/Petroglyphs_and_Pictographs?f_ri=8466"},{"id":38430,"name":"Organic Architecture","url":"https://www.academia.edu/Documents/in/Organic_Architecture?f_ri=8466"},{"id":40061,"name":"Archaeology of the U.S. Southwest","url":"https://www.academia.edu/Documents/in/Archaeology_of_the_U.S._Southwest?f_ri=8466"},{"id":158900,"name":"Arizona History","url":"https://www.academia.edu/Documents/in/Arizona_History?f_ri=8466"},{"id":159890,"name":"The History of Phoenix Arizona","url":"https://www.academia.edu/Documents/in/The_History_of_Phoenix_Arizona?f_ri=8466"},{"id":207937,"name":"Hohokam Archaeology","url":"https://www.academia.edu/Documents/in/Hohokam_Archaeology?f_ri=8466"},{"id":220287,"name":"Rock art research","url":"https://www.academia.edu/Documents/in/Rock_art_research?f_ri=8466"},{"id":729110,"name":"Organic Architecture Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright?f_ri=8466"},{"id":1391243,"name":"Hohokam Culture","url":"https://www.academia.edu/Documents/in/Hohokam_Culture?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35537173" data-work_id="35537173" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35537173/Comentarios_sobre_12_obras_de_Frank_Lloyd_Wright_AV_Monograf%C3%ADas_Monographs_Madrid_no_54_1995_7_8_pp_32_36_44_46_48_56_60_68_72_80_88_94_100_English_too_">Comentarios sobre 12 obras de Frank Lloyd Wright, 'AV Monografías Monographs' (Madrid), nº 54, 1995.7-8, pp. 32, 36, 44, 46, 48, 56, 60, 68. 72, 80, 88, 94, 100. [English too]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Frank Lloyd Wright is among the great masters of 20th-century architecture. A frenzied personal life helped create the myth of a rebellious, non-conformist artist, and his extensive career – he died at almost 92 and dedicated 72 years to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35537173" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Frank Lloyd Wright is among the great masters of 20th-century architecture. A frenzied personal life helped create the myth of a rebellious, non-conformist artist, and his extensive career – he died at almost 92 and dedicated 72 years to the profession – produced one of the most prolific oeuvres of all times. And his extraordinary creativity made him conceive some of the finest buildings in history. The project and building commentaries are by Jorge Sainz.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35537173" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="68b1bc728984c55ee87545933c4647c8" rel="nofollow" data-download="{"attachment_id":55402724,"asset_id":35537173,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55402724/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35304439" href="https://upm-es.academia.edu/JorgeSainz">Jorge Sainz Avia</a><script data-card-contents-for-user="35304439" type="text/json">{"id":35304439,"first_name":"Jorge","last_name":"Sainz Avia","domain_name":"upm-es","page_name":"JorgeSainz","display_name":"Jorge Sainz Avia","profile_url":"https://upm-es.academia.edu/JorgeSainz?f_ri=8466","photo":"https://0.academia-photos.com/35304439/10261409/11451577/s65_jorge.sainz.jpg"}</script></span></span></li><li class="js-paper-rank-work_35537173 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35537173"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35537173, container: ".js-paper-rank-work_35537173", }); });</script></li><li class="js-percentile-work_35537173 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35537173; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35537173"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35537173 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35537173"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35537173; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35537173]").text(description); $(".js-view-count-work_35537173").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35537173").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35537173"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14647" href="https://www.academia.edu/Documents/in/Modern_Architecture">Modern Architecture</a><script data-card-contents-for-ri="14647" type="text/json">{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35537173]'), work: {"id":35537173,"title":"Comentarios sobre 12 obras de Frank Lloyd Wright, 'AV Monografías Monographs' (Madrid), nº 54, 1995.7-8, pp. 32, 36, 44, 46, 48, 56, 60, 68. 72, 80, 88, 94, 100. [English too]","created_at":"2017-12-29T10:11:00.382-08:00","url":"https://www.academia.edu/35537173/Comentarios_sobre_12_obras_de_Frank_Lloyd_Wright_AV_Monograf%C3%ADas_Monographs_Madrid_no_54_1995_7_8_pp_32_36_44_46_48_56_60_68_72_80_88_94_100_English_too_?f_ri=8466","dom_id":"work_35537173","summary":"Frank Lloyd Wright is among the great masters of 20th-century architecture. A frenzied personal life helped create the myth of a rebellious, non-conformist artist, and his extensive career – he died at almost 92 and dedicated 72 years to the profession – produced one of the most prolific oeuvres of all times. And his extraordinary creativity made him conceive some of the finest buildings in history. The project and building commentaries are by Jorge Sainz.","downloadable_attachments":[{"id":55402724,"asset_id":35537173,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":35304439,"first_name":"Jorge","last_name":"Sainz Avia","domain_name":"upm-es","page_name":"JorgeSainz","display_name":"Jorge Sainz Avia","profile_url":"https://upm-es.academia.edu/JorgeSainz?f_ri=8466","photo":"https://0.academia-photos.com/35304439/10261409/11451577/s65_jorge.sainz.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37864004" data-work_id="37864004" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37864004/The_Suburbanity_of_Frank_Lloyd_Wrights_Broadacre_City">The Suburbanity of Frank Lloyd Wright's Broadacre City</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Frank Lloyd Wright's Broadacre City seems anomalous in twentieth century urban history. First presented in 1930 as a critique of existing American cities, the project developed into a program for territorial decentralization over the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37864004" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Frank Lloyd Wright's Broadacre City seems anomalous in twentieth century urban history. First presented in 1930 as a critique of existing American cities, the project developed into a program for territorial decentralization over the ensuing decade. Although Wright's often elliptical rhetoric can seem disengaged from urban discourse, this article argues that Broadacre City was based on prevailing suburban trends that it attempted to intensify. In doing so, the article makes two significant claims about Wright's work. The first is that Broadacre City was not a utopian master plan but rather a hermeneutical framework for managing socio-spatial change. The second is that the project was as critically attentive to changes in and around American cities as it was uncritically informed by existing forms of privilege and prejudice. If Broadacre City appears to be better grounded in urban history as a result, then its historiographic status needs to be revisited.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37864004" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cdff9dcc84211d3d90923358609900fd" rel="nofollow" data-download="{"attachment_id":57869581,"asset_id":37864004,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57869581/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2259062" href="https://ksu.academia.edu/JosephMWatson">Joseph M Watson</a><script data-card-contents-for-user="2259062" type="text/json">{"id":2259062,"first_name":"Joseph","last_name":"Watson","domain_name":"ksu","page_name":"JosephMWatson","display_name":"Joseph M Watson","profile_url":"https://ksu.academia.edu/JosephMWatson?f_ri=8466","photo":"https://0.academia-photos.com/2259062/719687/14133045/s65_joseph.watson.jpg"}</script></span></span></li><li class="js-paper-rank-work_37864004 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37864004"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37864004, container: ".js-paper-rank-work_37864004", }); 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$(".js-view-count[data-work-id=37864004]").text(description); $(".js-view-count-work_37864004").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37864004").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37864004"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3209" href="https://www.academia.edu/Documents/in/Suburban_Studies">Suburban Studies</a>, <script data-card-contents-for-ri="3209" type="text/json">{"id":3209,"name":"Suburban Studies","url":"https://www.academia.edu/Documents/in/Suburban_Studies?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3277" href="https://www.academia.edu/Documents/in/Race_and_Racism">Race and Racism</a>, <script data-card-contents-for-ri="3277" type="text/json">{"id":3277,"name":"Race and Racism","url":"https://www.academia.edu/Documents/in/Race_and_Racism?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3410" href="https://www.academia.edu/Documents/in/Urban_History">Urban History</a><script data-card-contents-for-ri="3410" type="text/json">{"id":3410,"name":"Urban History","url":"https://www.academia.edu/Documents/in/Urban_History?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37864004]'), work: {"id":37864004,"title":"The Suburbanity of Frank Lloyd Wright's Broadacre City","created_at":"2018-11-27T15:22:45.715-08:00","url":"https://www.academia.edu/37864004/The_Suburbanity_of_Frank_Lloyd_Wrights_Broadacre_City?f_ri=8466","dom_id":"work_37864004","summary":"Frank Lloyd Wright's Broadacre City seems anomalous in twentieth century urban history. First presented in 1930 as a critique of existing American cities, the project developed into a program for territorial decentralization over the ensuing decade. Although Wright's often elliptical rhetoric can seem disengaged from urban discourse, this article argues that Broadacre City was based on prevailing suburban trends that it attempted to intensify. In doing so, the article makes two significant claims about Wright's work. The first is that Broadacre City was not a utopian master plan but rather a hermeneutical framework for managing socio-spatial change. The second is that the project was as critically attentive to changes in and around American cities as it was uncritically informed by existing forms of privilege and prejudice. If Broadacre City appears to be better grounded in urban history as a result, then its historiographic status needs to be revisited.","downloadable_attachments":[{"id":57869581,"asset_id":37864004,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2259062,"first_name":"Joseph","last_name":"Watson","domain_name":"ksu","page_name":"JosephMWatson","display_name":"Joseph M Watson","profile_url":"https://ksu.academia.edu/JosephMWatson?f_ri=8466","photo":"https://0.academia-photos.com/2259062/719687/14133045/s65_joseph.watson.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false},{"id":3209,"name":"Suburban Studies","url":"https://www.academia.edu/Documents/in/Suburban_Studies?f_ri=8466","nofollow":false},{"id":3277,"name":"Race and Racism","url":"https://www.academia.edu/Documents/in/Race_and_Racism?f_ri=8466","nofollow":false},{"id":3410,"name":"Urban History","url":"https://www.academia.edu/Documents/in/Urban_History?f_ri=8466","nofollow":false},{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=8466"},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466"},{"id":41153,"name":"Chicago History","url":"https://www.academia.edu/Documents/in/Chicago_History?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8427268" data-work_id="8427268" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8427268/Jaroslav_Polivka_and_the_Guggenheim_Museum_of_New_York">Jaroslav Polivka and the Guggenheim Museum of New York</a></div></div><div class="u-pb4x u-mt3x"></div><ul 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href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38430" href="https://www.academia.edu/Documents/in/Organic_Architecture">Organic Architecture</a>, <script data-card-contents-for-ri="38430" type="text/json">{"id":38430,"name":"Organic Architecture","url":"https://www.academia.edu/Documents/in/Organic_Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46654" href="https://www.academia.edu/Documents/in/Plates_and_shells">Plates and shells</a><script data-card-contents-for-ri="46654" type="text/json">{"id":46654,"name":"Plates and shells","url":"https://www.academia.edu/Documents/in/Plates_and_shells?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8427268]'), work: {"id":8427268,"title":"Jaroslav Polivka and the Guggenheim Museum of New York","created_at":"2014-09-21T17:23:27.334-07:00","url":"https://www.academia.edu/8427268/Jaroslav_Polivka_and_the_Guggenheim_Museum_of_New_York?f_ri=8466","dom_id":"work_8427268","summary":null,"downloadable_attachments":[{"id":34818231,"asset_id":8427268,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17094768,"first_name":"Diego","last_name":"Martín-Sáiz","domain_name":"independent","page_name":"DiegoMartínSáiz","display_name":"Diego 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Torroja","url":"https://www.academia.edu/Documents/in/Eduardo_Torroja?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4310486" data-work_id="4310486" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4310486/Frank_Lloyd_Wright_and_Le_Corbusier_The_Romantic_Legacy">Frank Lloyd Wright and Le Corbusier: The Romantic Legacy </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Publication of this book was aided by an illustrations grant from the Graham Foundation for Advanced Studies in the Fine Arts.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1258" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a>, <script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a><script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4310486]'), work: {"id":4310486,"title":"Frank Lloyd Wright and Le Corbusier: The Romantic Legacy ","created_at":"2013-08-23T08:30:29.523-07:00","url":"https://www.academia.edu/4310486/Frank_Lloyd_Wright_and_Le_Corbusier_The_Romantic_Legacy?f_ri=8466","dom_id":"work_4310486","summary":"Publication of this book was aided by an illustrations grant from the Graham Foundation for Advanced Studies in the Fine Arts.","downloadable_attachments":[{"id":31768707,"asset_id":4310486,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4427973,"first_name":"Richard","last_name":"Etlin","domain_name":"umd","page_name":"RichardEtlin","display_name":"Richard 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philhellenism","url":"https://www.academia.edu/Documents/in/Romantic_Hellenism_and_philhellenism?f_ri=8466"},{"id":675781,"name":"Choisy","url":"https://www.academia.edu/Documents/in/Choisy?f_ri=8466"},{"id":729110,"name":"Organic Architecture Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright?f_ri=8466"},{"id":917261,"name":"Spirit of the Age","url":"https://www.academia.edu/Documents/in/Spirit_of_the_Age?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23731360" data-work_id="23731360" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23731360/Le_b%C3%A2timent_des_deuxi%C3%A8me_et_troisi%C3%A8me_cycles_de_la_Facult%C3%A9_des_sciences_et_technologies_de_Nancy_Un_patrimoine_pour_luniversit%C3%A9_un_patrimoine_pour_Nancy_et_la_Lorraine">Le bâtiment des deuxième et troisième cycles de la Faculté des sciences et technologies de Nancy, Un patrimoine pour l'université, un patrimoine pour Nancy et la Lorraine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Méconnu, le bâtiment des deuxième et troisième cycles de la Faculté des Sciences et Technologies de Nancy (accompagné de sa bibliothèque) est l'un des témoignages les plus impressionnants de l'influence de Frank Lloyd Wright et du... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23731360" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Méconnu, le bâtiment des deuxième et troisième cycles de la Faculté des Sciences et Technologies de Nancy (accompagné de sa bibliothèque) est l'un des témoignages les plus impressionnants de l'influence de Frank Lloyd Wright et du Brutalisme en France. Officiellement attribué à Georges Tourry et Claude Goclowski, l'édifice serait avant tout l’œuvre de l'architecte pyrénéen Edmond Lay. Ce livret de 48 pages, abondamment illustré, est destiné à la (re)valorisation patrimoniale de cet édifice.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23731360" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0db0a5b022fd24f6c93ee30aaa906fb9" rel="nofollow" data-download="{"attachment_id":44165179,"asset_id":23731360,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44165179/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33366487" href="https://univ-lorraine.academia.edu/GillesMARSEILLE">Gilles MARSEILLE</a><script data-card-contents-for-user="33366487" type="text/json">{"id":33366487,"first_name":"Gilles","last_name":"MARSEILLE","domain_name":"univ-lorraine","page_name":"GillesMARSEILLE","display_name":"Gilles MARSEILLE","profile_url":"https://univ-lorraine.academia.edu/GillesMARSEILLE?f_ri=8466","photo":"https://0.academia-photos.com/33366487/9973123/11121880/s65_gilles.marseille.jpg"}</script></span></span></li><li class="js-paper-rank-work_23731360 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23731360"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23731360, container: ".js-paper-rank-work_23731360", }); });</script></li><li class="js-percentile-work_23731360 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23731360; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_23731360"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_23731360 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="23731360"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23731360; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23731360]").text(description); $(".js-view-count-work_23731360").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_23731360").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="23731360"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48193" href="https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture">History and Theory of Modern Architecture</a>, <script data-card-contents-for-ri="48193" type="text/json">{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="135382" href="https://www.academia.edu/Documents/in/Brutalism">Brutalism</a>, <script data-card-contents-for-ri="135382" type="text/json">{"id":135382,"name":"Brutalism","url":"https://www.academia.edu/Documents/in/Brutalism?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="297644" href="https://www.academia.edu/Documents/in/arts_in_Lorraine">arts in Lorraine</a><script data-card-contents-for-ri="297644" type="text/json">{"id":297644,"name":"arts in Lorraine","url":"https://www.academia.edu/Documents/in/arts_in_Lorraine?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=23731360]'), work: {"id":23731360,"title":"Le bâtiment des deuxième et troisième cycles de la Faculté des sciences et technologies de Nancy, Un patrimoine pour l'université, un patrimoine pour Nancy et la Lorraine","created_at":"2016-03-28T05:25:25.137-07:00","url":"https://www.academia.edu/23731360/Le_b%C3%A2timent_des_deuxi%C3%A8me_et_troisi%C3%A8me_cycles_de_la_Facult%C3%A9_des_sciences_et_technologies_de_Nancy_Un_patrimoine_pour_luniversit%C3%A9_un_patrimoine_pour_Nancy_et_la_Lorraine?f_ri=8466","dom_id":"work_23731360","summary":"Méconnu, le bâtiment des deuxième et troisième cycles de la Faculté des Sciences et Technologies de Nancy (accompagné de sa bibliothèque) est l'un des témoignages les plus impressionnants de l'influence de Frank Lloyd Wright et du Brutalisme en France. Officiellement attribué à Georges Tourry et Claude Goclowski, l'édifice serait avant tout l’œuvre de l'architecte pyrénéen Edmond Lay. Ce livret de 48 pages, abondamment illustré, est destiné à la (re)valorisation patrimoniale de cet édifice.","downloadable_attachments":[{"id":44165179,"asset_id":23731360,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33366487,"first_name":"Gilles","last_name":"MARSEILLE","domain_name":"univ-lorraine","page_name":"GillesMARSEILLE","display_name":"Gilles MARSEILLE","profile_url":"https://univ-lorraine.academia.edu/GillesMARSEILLE?f_ri=8466","photo":"https://0.academia-photos.com/33366487/9973123/11121880/s65_gilles.marseille.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=8466","nofollow":false},{"id":135382,"name":"Brutalism","url":"https://www.academia.edu/Documents/in/Brutalism?f_ri=8466","nofollow":false},{"id":297644,"name":"arts in Lorraine","url":"https://www.academia.edu/Documents/in/arts_in_Lorraine?f_ri=8466","nofollow":false},{"id":707627,"name":"Architecture of Universities","url":"https://www.academia.edu/Documents/in/Architecture_of_Universities?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38497167" data-work_id="38497167" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38497167/CATALOGO_FRANK_LLOYD_pdf">CATALOGO FRANK LLOYD.pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Catálogo de obras: Frank Lloyd Wright</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38497167" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f43525a88bb49a85e3708d1035dcfd53" rel="nofollow" data-download="{"attachment_id":58564008,"asset_id":38497167,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58564008/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="49782706" href="https://uvmnet.academia.edu/MMearsMariezcurrena">Miren Mears Mariezcurrena</a><script data-card-contents-for-user="49782706" type="text/json">{"id":49782706,"first_name":"Miren","last_name":"Mears Mariezcurrena","domain_name":"uvmnet","page_name":"MMearsMariezcurrena","display_name":"Miren Mears Mariezcurrena","profile_url":"https://uvmnet.academia.edu/MMearsMariezcurrena?f_ri=8466","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38497167 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38497167"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38497167, container: ".js-paper-rank-work_38497167", }); 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$(".js-view-count[data-work-id=38497167]").text(description); $(".js-view-count-work_38497167").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38497167").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38497167"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a><script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38497167]'), work: {"id":38497167,"title":"CATALOGO FRANK LLOYD.pdf","created_at":"2019-03-05T22:05:44.796-08:00","url":"https://www.academia.edu/38497167/CATALOGO_FRANK_LLOYD_pdf?f_ri=8466","dom_id":"work_38497167","summary":"Catálogo de obras: Frank Lloyd Wright","downloadable_attachments":[{"id":58564008,"asset_id":38497167,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":49782706,"first_name":"Miren","last_name":"Mears Mariezcurrena","domain_name":"uvmnet","page_name":"MMearsMariezcurrena","display_name":"Miren Mears Mariezcurrena","profile_url":"https://uvmnet.academia.edu/MMearsMariezcurrena?f_ri=8466","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_487814" data-work_id="487814" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/487814/_When_Democracy_Builds_Ein_Werk_von_Frank_Lloyd_Wright">„When Democracy Builds“ – Ein Werk von Frank Lloyd Wright</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The US-American Frank Lloyd Wright was one of the most important architects of the 20th century. But not only was he a famous designer, he also was a social mastermind. In his book When Democracy Builds he developed a vision for the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_487814" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The US-American Frank Lloyd Wright was one of the most important architects of the 20th century. But not only was he a famous designer, he also was a social mastermind. In his book When Democracy Builds he developed a vision for the modern society, including an all-embracing model for cities of the future, called Broadacre City.<br />The paper in hand gives an introduction to his enlightening concept for modern living, based on a fundamental critic on the capitalist society.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/487814" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d243234c02f9770160180ec3a9e14e26" rel="nofollow" data-download="{"attachment_id":2229537,"asset_id":487814,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/2229537/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="221167" href="https://uni-kiel.academia.edu/FabianFaller">Fabian Faller</a><script data-card-contents-for-user="221167" type="text/json">{"id":221167,"first_name":"Fabian","last_name":"Faller","domain_name":"uni-kiel","page_name":"FabianFaller","display_name":"Fabian Faller","profile_url":"https://uni-kiel.academia.edu/FabianFaller?f_ri=8466","photo":"https://0.academia-photos.com/221167/2049504/13604053/s65_fabian.faller.jpg"}</script></span></span></li><li class="js-paper-rank-work_487814 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="487814"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 487814, container: ".js-paper-rank-work_487814", }); 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But not only was he a famous designer, he also was a social mastermind. In his book When Democracy Builds he developed a vision for the modern society, including an all-embracing model for cities of the future, called Broadacre City.\nThe paper in hand gives an introduction to his enlightening concept for modern living, based on a fundamental critic on the capitalist society.","downloadable_attachments":[{"id":2229537,"asset_id":487814,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":221167,"first_name":"Fabian","last_name":"Faller","domain_name":"uni-kiel","page_name":"FabianFaller","display_name":"Fabian Faller","profile_url":"https://uni-kiel.academia.edu/FabianFaller?f_ri=8466","photo":"https://0.academia-photos.com/221167/2049504/13604053/s65_fabian.faller.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2544613" data-work_id="2544613" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2544613/2006_Organic_Architecture_of_Frank_Lloyd_Wright_Ide_Arsitektur_Organik_Frank_Lloyd_Wright_Jurnal_TEKNISIA_Fakultas_Teknik_Sipil_dan_Perencanaan_Universitas_Islam_Indonesia_August_2006">2006: Organic Architecture of Frank Lloyd Wright (Ide Arsitektur Organik Frank Lloyd Wright), Jurnal TEKNISIA, Fakultas Teknik Sipil dan Perencanaan, Universitas Islam Indonesia, August 2006</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2544613" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="72ad21f09700309839e3bc4dde4ae28d" rel="nofollow" data-download="{"attachment_id":30558519,"asset_id":2544613,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30558519/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="937062" href="https://ucsi.academia.edu/NangkulaUtaberta">Nangkula Utaberta</a><script data-card-contents-for-user="937062" type="text/json">{"id":937062,"first_name":"Nangkula","last_name":"Utaberta","domain_name":"ucsi","page_name":"NangkulaUtaberta","display_name":"Nangkula Utaberta","profile_url":"https://ucsi.academia.edu/NangkulaUtaberta?f_ri=8466","photo":"https://0.academia-photos.com/937062/827767/147027657/s65_nangkula.utaberta.jpg"}</script></span></span></li><li class="js-paper-rank-work_2544613 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2544613"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2544613, container: ".js-paper-rank-work_2544613", }); 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Interpretation the structure rol on the collaboration betwen Frank Lloyd Wright and Jaroslav Polivka</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8430775" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="795cf078b3743b22d6c0140ca42261c6" rel="nofollow" data-download="{"attachment_id":34821037,"asset_id":8430775,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34821037/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17094768" href="https://independent.academia.edu/DiegoMart%C3%ADnS%C3%A1iz">Diego Martín-Sáiz</a><script data-card-contents-for-user="17094768" type="text/json">{"id":17094768,"first_name":"Diego","last_name":"Martín-Sáiz","domain_name":"independent","page_name":"DiegoMartínSáiz","display_name":"Diego Martín-Sáiz","profile_url":"https://independent.academia.edu/DiegoMart%C3%ADnS%C3%A1iz?f_ri=8466","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_8430775 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8430775"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8430775, container: ".js-paper-rank-work_8430775", }); 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work_7078640" data-work_id="7078640" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7078640/Gli_architetti_e_l_architettura_nel_cinema_protagonisti_cronaca_e_storie">Gli architetti e l’architettura nel cinema: protagonisti, cronaca e storie</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7078640" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="edc72ad53f09c46a32b73a44bc645bc1" rel="nofollow" data-download="{"attachment_id":42875530,"asset_id":7078640,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/42875530/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10578790" href="https://unicam.academia.edu/GiuseppeBonaccorso">Giuseppe Bonaccorso</a><script data-card-contents-for-user="10578790" 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});</script></span><script>$(function() { $(".js-view-count-work_7078640").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7078640"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="28082" href="https://www.academia.edu/Documents/in/Michelangelo_Antonioni">Michelangelo Antonioni</a>, <script data-card-contents-for-ri="28082" type="text/json">{"id":28082,"name":"Michelangelo Antonioni","url":"https://www.academia.edu/Documents/in/Michelangelo_Antonioni?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="70975" href="https://www.academia.edu/Documents/in/Peter_Greenaway">Peter Greenaway</a>, <script data-card-contents-for-ri="70975" type="text/json">{"id":70975,"name":"Peter Greenaway","url":"https://www.academia.edu/Documents/in/Peter_Greenaway?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="182228" href="https://www.academia.edu/Documents/in/History_of_Cinema">History of Cinema</a><script data-card-contents-for-ri="182228" type="text/json">{"id":182228,"name":"History of Cinema","url":"https://www.academia.edu/Documents/in/History_of_Cinema?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7078640]'), work: {"id":7078640,"title":"Gli architetti e l’architettura nel cinema: protagonisti, cronaca e storie","created_at":"2014-05-18T00:35:24.590-07:00","url":"https://www.academia.edu/7078640/Gli_architetti_e_l_architettura_nel_cinema_protagonisti_cronaca_e_storie?f_ri=8466","dom_id":"work_7078640","summary":null,"downloadable_attachments":[{"id":42875530,"asset_id":7078640,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10578790,"first_name":"Giuseppe","last_name":"Bonaccorso","domain_name":"unicam","page_name":"GiuseppeBonaccorso","display_name":"Giuseppe Bonaccorso","profile_url":"https://unicam.academia.edu/GiuseppeBonaccorso?f_ri=8466","photo":"https://0.academia-photos.com/10578790/3359760/37509759/s65_giuseppe.bonaccorso.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":28082,"name":"Michelangelo Antonioni","url":"https://www.academia.edu/Documents/in/Michelangelo_Antonioni?f_ri=8466","nofollow":false},{"id":70975,"name":"Peter Greenaway","url":"https://www.academia.edu/Documents/in/Peter_Greenaway?f_ri=8466","nofollow":false},{"id":182228,"name":"History of Cinema","url":"https://www.academia.edu/Documents/in/History_of_Cinema?f_ri=8466","nofollow":false},{"id":309014,"name":"Periferie","url":"https://www.academia.edu/Documents/in/Periferie?f_ri=8466"},{"id":430685,"name":"Antonio gaudi","url":"https://www.academia.edu/Documents/in/Antonio_gaudi?f_ri=8466"},{"id":524335,"name":"Vittorio De Sica","url":"https://www.academia.edu/Documents/in/Vittorio_De_Sica?f_ri=8466"},{"id":561360,"name":"Metropolis Y Periferia","url":"https://www.academia.edu/Documents/in/Metropolis_Y_Periferia?f_ri=8466"},{"id":588328,"name":"Periferia","url":"https://www.academia.edu/Documents/in/Periferia?f_ri=8466"},{"id":599576,"name":"Italian Neorealism","url":"https://www.academia.edu/Documents/in/Italian_Neorealism?f_ri=8466"},{"id":714828,"name":"Louis Kahn","url":"https://www.academia.edu/Documents/in/Louis_Kahn?f_ri=8466"},{"id":1164545,"name":"Antonioni","url":"https://www.academia.edu/Documents/in/Antonioni?f_ri=8466"},{"id":1277915,"name":"Neorealismo","url":"https://www.academia.edu/Documents/in/Neorealismo?f_ri=8466"},{"id":1390109,"name":"Antoni Gaudi","url":"https://www.academia.edu/Documents/in/Antoni_Gaudi?f_ri=8466"},{"id":1662184,"name":"Architettura E Cinema","url":"https://www.academia.edu/Documents/in/Architettura_E_Cinema?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40329985" data-work_id="40329985" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40329985/Frank_Lloyd_Wright_historiograf%C3%ADa_en_espa%C3%B1ol">Frank Lloyd Wright historiografía en español</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Recopilación bibliográfica de libros en español dedicados a Frank Lloyd Wright abarcando un período de tiempo de 1955 a 2015.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40329985" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2abb0a9f4ad17c08121f8392f34cc408" rel="nofollow" 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}); });</script></span><script>$(function() { $(".js-view-count-work_40329985").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40329985"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3403" href="https://www.academia.edu/Documents/in/Bibliography">Bibliography</a>, <script data-card-contents-for-ri="3403" type="text/json">{"id":3403,"name":"Bibliography","url":"https://www.academia.edu/Documents/in/Bibliography?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3524" href="https://www.academia.edu/Documents/in/Historiography">Historiography</a><script data-card-contents-for-ri="3524" type="text/json">{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40329985]'), work: {"id":40329985,"title":"Frank Lloyd Wright historiografía en español","created_at":"2019-09-12T10:46:56.135-07:00","url":"https://www.academia.edu/40329985/Frank_Lloyd_Wright_historiograf%C3%ADa_en_espa%C3%B1ol?f_ri=8466","dom_id":"work_40329985","summary":"Recopilación bibliográfica de libros en español dedicados a Frank Lloyd Wright abarcando un período de tiempo de 1955 a 2015.","downloadable_attachments":[{"id":60573352,"asset_id":40329985,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7676658,"first_name":"Fredy","last_name":"Ovando Grajales","domain_name":"unach","page_name":"FredyOvandoGrajales","display_name":"Fredy Ovando Grajales","profile_url":"https://unach.academia.edu/FredyOvandoGrajales?f_ri=8466","photo":"https://0.academia-photos.com/7676658/159356001/149016552/s65_fredy.ovando_grajales.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=8466","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=8466","nofollow":false},{"id":3403,"name":"Bibliography","url":"https://www.academia.edu/Documents/in/Bibliography?f_ri=8466","nofollow":false},{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=8466","nofollow":false},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466"},{"id":21938,"name":"History of Historiography","url":"https://www.academia.edu/Documents/in/History_of_Historiography?f_ri=8466"},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=8466"},{"id":49837,"name":"Historia","url":"https://www.academia.edu/Documents/in/Historia?f_ri=8466"},{"id":51632,"name":"Historia de la Arquitectura","url":"https://www.academia.edu/Documents/in/Historia_de_la_Arquitectura?f_ri=8466"},{"id":114566,"name":"Historia Cultural","url":"https://www.academia.edu/Documents/in/Historia_Cultural?f_ri=8466"},{"id":665684,"name":"Arquitectura Moderna","url":"https://www.academia.edu/Documents/in/Arquitectura_Moderna?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5997365" data-work_id="5997365" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5997365/Karsten_Harries_Natural_Symbols_as_a_Means_for_Interpreting_Architecture_Inside_and_Outside_in_Frank_Lloyd_Wright_s_Fallingwater_and_Alvar_Aalto_s_Villa_Mairea_2007_">Karsten Harries’ Natural Symbols as a Means for Interpreting Architecture: Inside and Outside in Frank Lloyd Wright’s Fallingwater and Alvar Aalto’s Villa Mairea (2007)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article uses two seminal 20th-century houses—Frank Lloyd Wright’s Fallingwater and Alvar Aalto’s Villa Mairea—to examine the natural symbol of inside and outside, which for Karsten Harries (1988, 1993, 1997) is one important lived... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_5997365" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article uses two seminal 20th-century houses—Frank Lloyd Wright’s Fallingwater and Alvar Aalto’s Villa Mairea—to examine the natural symbol of inside and outside, which for Karsten Harries (1988, 1993, 1997)  is one important lived relationship sustaining successful architecture and place.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share 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InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="93547" href="https://ksu.academia.edu/DavidSeamon">David Seamon</a><script data-card-contents-for-user="93547" type="text/json">{"id":93547,"first_name":"David","last_name":"Seamon","domain_name":"ksu","page_name":"DavidSeamon","display_name":"David Seamon","profile_url":"https://ksu.academia.edu/DavidSeamon?f_ri=8466","photo":"https://0.academia-photos.com/93547/25922/29662134/s65_david.seamon.jpg"}</script></span></span></li><li class="js-paper-rank-work_5997365 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5997365"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ 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5997365; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5997365]").text(description); $(".js-view-count-work_5997365").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5997365").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5997365"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">23</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="808" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a>, <script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2194" href="https://www.academia.edu/Documents/in/The_Everyday_Architecture_">The Everyday (Architecture)</a>, <script data-card-contents-for-ri="2194" type="text/json">{"id":2194,"name":"The Everyday (Architecture)","url":"https://www.academia.edu/Documents/in/The_Everyday_Architecture_?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2251" href="https://www.academia.edu/Documents/in/Environmental_Psychology">Environmental Psychology</a>, <script data-card-contents-for-ri="2251" type="text/json">{"id":2251,"name":"Environmental Psychology","url":"https://www.academia.edu/Documents/in/Environmental_Psychology?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3116" href="https://www.academia.edu/Documents/in/Space_and_Place">Space and Place</a><script data-card-contents-for-ri="3116" type="text/json">{"id":3116,"name":"Space and Place","url":"https://www.academia.edu/Documents/in/Space_and_Place?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5997365]'), work: {"id":5997365,"title":"Karsten Harries’ Natural Symbols as a Means for Interpreting Architecture: Inside and Outside in Frank Lloyd Wright’s Fallingwater and Alvar Aalto’s Villa Mairea (2007)","created_at":"2014-02-08T06:12:59.648-08:00","url":"https://www.academia.edu/5997365/Karsten_Harries_Natural_Symbols_as_a_Means_for_Interpreting_Architecture_Inside_and_Outside_in_Frank_Lloyd_Wright_s_Fallingwater_and_Alvar_Aalto_s_Villa_Mairea_2007_?f_ri=8466","dom_id":"work_5997365","summary":"This article uses two seminal 20th-century houses—Frank Lloyd Wright’s Fallingwater and Alvar Aalto’s Villa Mairea—to examine the natural symbol of inside and outside, which for Karsten Harries (1988, 1993, 1997) is one important lived relationship sustaining successful architecture and place.","downloadable_attachments":[{"id":32948055,"asset_id":5997365,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":93547,"first_name":"David","last_name":"Seamon","domain_name":"ksu","page_name":"DavidSeamon","display_name":"David Seamon","profile_url":"https://ksu.academia.edu/DavidSeamon?f_ri=8466","photo":"https://0.academia-photos.com/93547/25922/29662134/s65_david.seamon.jpg"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=8466","nofollow":false},{"id":2194,"name":"The Everyday (Architecture)","url":"https://www.academia.edu/Documents/in/The_Everyday_Architecture_?f_ri=8466","nofollow":false},{"id":2251,"name":"Environmental Psychology","url":"https://www.academia.edu/Documents/in/Environmental_Psychology?f_ri=8466","nofollow":false},{"id":3116,"name":"Space and Place","url":"https://www.academia.edu/Documents/in/Space_and_Place?f_ri=8466","nofollow":false},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=8466"},{"id":7773,"name":"Everyday Aesthetics","url":"https://www.academia.edu/Documents/in/Everyday_Aesthetics?f_ri=8466"},{"id":7775,"name":"Environmental Aesthetics","url":"https://www.academia.edu/Documents/in/Environmental_Aesthetics?f_ri=8466"},{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=8466"},{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466"},{"id":11750,"name":"Environmental Design","url":"https://www.academia.edu/Documents/in/Environmental_Design?f_ri=8466"},{"id":14617,"name":"Phenomenology of the body","url":"https://www.academia.edu/Documents/in/Phenomenology_of_the_body?f_ri=8466"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=8466"},{"id":23367,"name":"Philosophy of Architecture","url":"https://www.academia.edu/Documents/in/Philosophy_of_Architecture?f_ri=8466"},{"id":25618,"name":"Phenomenology of Space and Place","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Space_and_Place?f_ri=8466"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=8466"},{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=8466"},{"id":71872,"name":"Architectural Phenomenology","url":"https://www.academia.edu/Documents/in/Architectural_Phenomenology?f_ri=8466"},{"id":324094,"name":"Phenomenology of Architecture","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Architecture?f_ri=8466"},{"id":324103,"name":"Insideness","url":"https://www.academia.edu/Documents/in/Insideness?f_ri=8466"},{"id":688365,"name":"Karsten Harries","url":"https://www.academia.edu/Documents/in/Karsten_Harries?f_ri=8466"},{"id":970695,"name":"Environmental Phenomenology","url":"https://www.academia.edu/Documents/in/Environmental_Phenomenology?f_ri=8466"},{"id":1011219,"name":"Environment behavior Research","url":"https://www.academia.edu/Documents/in/Environment_behavior_Research?f_ri=8466"},{"id":1252709,"name":"Fallingwater","url":"https://www.academia.edu/Documents/in/Fallingwater?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33049738" data-work_id="33049738" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33049738/KARYA_ARSITEKTUR_MODERN">KARYA ARSITEKTUR MODERN</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Beberapa karya dari Pelopor Arsitektur Modern</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33049738" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3c5970b4070b837606c7de1c6ab825a7" 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type="text/json">{"id":34194405,"first_name":"Deni","last_name":"Efendi","domain_name":"protbrut","page_name":"DeniEfendi","display_name":"Deni Efendi","profile_url":"https://protbrut.academia.edu/DeniEfendi?f_ri=8466","photo":"https://0.academia-photos.com/34194405/10408723/20563911/s65_deni.efendi.jpg"}</script></span></span></li><li class="js-paper-rank-work_33049738 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33049738"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33049738, container: ".js-paper-rank-work_33049738", }); });</script></li><li class="js-percentile-work_33049738 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33049738; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33049738"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33049738 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33049738"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33049738; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33049738]").text(description); $(".js-view-count-work_33049738").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33049738").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33049738"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="91871" href="https://www.academia.edu/Documents/in/Le_Corbusier">Le Corbusier</a>, <script data-card-contents-for-ri="91871" type="text/json">{"id":91871,"name":"Le Corbusier","url":"https://www.academia.edu/Documents/in/Le_Corbusier?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="137921" href="https://www.academia.edu/Documents/in/Mies_van_der_Rohe">Mies van der Rohe</a>, <script data-card-contents-for-ri="137921" type="text/json">{"id":137921,"name":"Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Mies_van_der_Rohe?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1172418" href="https://www.academia.edu/Documents/in/Modern_Arsitektur">Modern Arsitektur</a><script data-card-contents-for-ri="1172418" type="text/json">{"id":1172418,"name":"Modern Arsitektur","url":"https://www.academia.edu/Documents/in/Modern_Arsitektur?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33049738]'), work: {"id":33049738,"title":"KARYA ARSITEKTUR MODERN","created_at":"2017-05-17T00:24:43.048-07:00","url":"https://www.academia.edu/33049738/KARYA_ARSITEKTUR_MODERN?f_ri=8466","dom_id":"work_33049738","summary":"Beberapa karya dari Pelopor Arsitektur Modern","downloadable_attachments":[{"id":53157555,"asset_id":33049738,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":34194405,"first_name":"Deni","last_name":"Efendi","domain_name":"protbrut","page_name":"DeniEfendi","display_name":"Deni Efendi","profile_url":"https://protbrut.academia.edu/DeniEfendi?f_ri=8466","photo":"https://0.academia-photos.com/34194405/10408723/20563911/s65_deni.efendi.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":91871,"name":"Le Corbusier","url":"https://www.academia.edu/Documents/in/Le_Corbusier?f_ri=8466","nofollow":false},{"id":137921,"name":"Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Mies_van_der_Rohe?f_ri=8466","nofollow":false},{"id":1172418,"name":"Modern Arsitektur","url":"https://www.academia.edu/Documents/in/Modern_Arsitektur?f_ri=8466","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_69448961" data-work_id="69448961" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/69448961/A_Touch_of_Genius_or_Pragramtic_Exchange_Czech_Architects_and_Engineers_in_Frank_Lloyd_Wrights_Service">A Touch of Genius or Pragramtic Exchange? Czech Architects and Engineers in Frank Lloyd Wright's Service</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Architect Frank Lloyd Wright (1867–1959) is one of the most published but also mythical figures in globalized architectural historiography. Although Wright sought to construct and consolidate his public image through the development of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_69448961" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Architect Frank Lloyd Wright (1867–1959) is one of the most published but also mythical figures in globalized architectural historiography. Although Wright sought to construct and consolidate his public image through the development of the mass media, without the help of his collaborators, who were willing to reproduce and disseminate his myth, he probably would not have achieved such results. Three Czech architects, Antonín Raymond, Vladimír Karfík and Jaroslav Josef Polívka, left the author's texts, which had the same function and in which they described their experience of working with Wright as a "touch of genius". Due to the transition of the Wright Archive, its organization and partial digitization, from the Wright Foundation to the Avery Library at Columbia University, it was possible to reconstruct these Czech architects' relations with Frank Lloyd Wright and their development, which showed a marked contradiction to their own testimony in published texts. texts to be published in the case of Polívka). The present study deals with these discrepancies between the autobiographical testimonies of Czech architects and the reality that can be reconstructed on the basis of correspondence and other archival materials. It turned out that the historical social practice, matrix and social habitus, to the phenomena of which Professor Kroupa deals in his life's work, is often distorted by the schematized image and traditional myths.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/69448961" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b57f62c49410ab3be36ae1817dc95ec2" rel="nofollow" data-download="{"attachment_id":80912914,"asset_id":69448961,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/80912914/download_file?st=MTczMjcyNzgyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="359496" href="https://vutbr.academia.edu/LadislavZikmundLender">Ladislav Jackson</a><script data-card-contents-for-user="359496" type="text/json">{"id":359496,"first_name":"Ladislav","last_name":"Jackson","domain_name":"vutbr","page_name":"LadislavZikmundLender","display_name":"Ladislav Jackson","profile_url":"https://vutbr.academia.edu/LadislavZikmundLender?f_ri=8466","photo":"https://0.academia-photos.com/359496/95369/116339339/s65_ladislav.zikmund-lender.jpg"}</script></span></span></li><li class="js-paper-rank-work_69448961 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="69448961"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 69448961, container: ".js-paper-rank-work_69448961", }); 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$(".js-view-count[data-work-id=69448961]").text(description); $(".js-view-count-work_69448961").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_69448961").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="69448961"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14647" href="https://www.academia.edu/Documents/in/Modern_Architecture">Modern Architecture</a>, <script data-card-contents-for-ri="14647" type="text/json">{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48193" href="https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture">History and Theory of Modern Architecture</a>, <script data-card-contents-for-ri="48193" type="text/json">{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="60601" href="https://www.academia.edu/Documents/in/American_Architecture">American Architecture</a><script data-card-contents-for-ri="60601" type="text/json">{"id":60601,"name":"American Architecture","url":"https://www.academia.edu/Documents/in/American_Architecture?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=69448961]'), work: {"id":69448961,"title":"A Touch of Genius or Pragramtic Exchange? Czech Architects and Engineers in Frank Lloyd Wright's Service","created_at":"2022-01-25T16:48:29.324-08:00","url":"https://www.academia.edu/69448961/A_Touch_of_Genius_or_Pragramtic_Exchange_Czech_Architects_and_Engineers_in_Frank_Lloyd_Wrights_Service?f_ri=8466","dom_id":"work_69448961","summary":"Architect Frank Lloyd Wright (1867–1959) is one of the most published but also mythical figures in globalized architectural historiography. Although Wright sought to construct and consolidate his public image through the development of the mass media, without the help of his collaborators, who were willing to reproduce and disseminate his myth, he probably would not have achieved such results. Three Czech architects, Antonín Raymond, Vladimír Karfík and Jaroslav Josef Polívka, left the author's texts, which had the same function and in which they described their experience of working with Wright as a \"touch of genius\". Due to the transition of the Wright Archive, its organization and partial digitization, from the Wright Foundation to the Avery Library at Columbia University, it was possible to reconstruct these Czech architects' relations with Frank Lloyd Wright and their development, which showed a marked contradiction to their own testimony in published texts. texts to be published in the case of Polívka). The present study deals with these discrepancies between the autobiographical testimonies of Czech architects and the reality that can be reconstructed on the basis of correspondence and other archival materials. It turned out that the historical social practice, matrix and social habitus, to the phenomena of which Professor Kroupa deals in his life's work, is often distorted by the schematized image and traditional myths.\n","downloadable_attachments":[{"id":80912914,"asset_id":69448961,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":359496,"first_name":"Ladislav","last_name":"Jackson","domain_name":"vutbr","page_name":"LadislavZikmundLender","display_name":"Ladislav Jackson","profile_url":"https://vutbr.academia.edu/LadislavZikmundLender?f_ri=8466","photo":"https://0.academia-photos.com/359496/95369/116339339/s65_ladislav.zikmund-lender.jpg"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=8466","nofollow":false},{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=8466","nofollow":false},{"id":60601,"name":"American Architecture","url":"https://www.academia.edu/Documents/in/American_Architecture?f_ri=8466","nofollow":false},{"id":729110,"name":"Organic Architecture Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Organic_Architecture_Frank_Lloyd_Wright?f_ri=8466"},{"id":1301935,"name":"Modernism and Postmodernism In Architecture","url":"https://www.academia.edu/Documents/in/Modernism_and_Postmodernism_In_Architecture?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8156249" data-work_id="8156249" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8156249/ARQUITECTURA_ORGANICA_ORGANICISMO">ARQUITECTURA ORGANICA - ORGANICISMO</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">FRANK LLOYD WRIGHT Y ALVAR AALTO CON SUS RESPECTIVAS ETAPAS Y OBRAS</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8156249" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="47d091a76636f8366543de72fa6b900e" rel="nofollow" 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$(".js-view-count-work_8156249").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8156249"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8466" href="https://www.academia.edu/Documents/in/Frank_Lloyd_Wright">Frank Lloyd Wright</a>, <script data-card-contents-for-ri="8466" type="text/json">{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49836" href="https://www.academia.edu/Documents/in/Arquitectura">Arquitectura</a>, <script data-card-contents-for-ri="49836" type="text/json">{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="51632" href="https://www.academia.edu/Documents/in/Historia_de_la_Arquitectura">Historia de la Arquitectura</a>, <script data-card-contents-for-ri="51632" type="text/json">{"id":51632,"name":"Historia de la Arquitectura","url":"https://www.academia.edu/Documents/in/Historia_de_la_Arquitectura?f_ri=8466","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="916252" href="https://www.academia.edu/Documents/in/Organicismo">Organicismo</a><script data-card-contents-for-ri="916252" type="text/json">{"id":916252,"name":"Organicismo","url":"https://www.academia.edu/Documents/in/Organicismo?f_ri=8466","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8156249]'), work: {"id":8156249,"title":"ARQUITECTURA ORGANICA - ORGANICISMO","created_at":"2014-09-01T06:05:01.325-07:00","url":"https://www.academia.edu/8156249/ARQUITECTURA_ORGANICA_ORGANICISMO?f_ri=8466","dom_id":"work_8156249","summary":"FRANK LLOYD WRIGHT Y ALVAR AALTO CON SUS RESPECTIVAS ETAPAS Y OBRAS","downloadable_attachments":[{"id":34594280,"asset_id":8156249,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15912858,"first_name":"CAROLINA","last_name":"LOPEZ","domain_name":"independent","page_name":"CAROLINALOPEZ21","display_name":"CAROLINA LOPEZ","profile_url":"https://independent.academia.edu/CAROLINALOPEZ21?f_ri=8466","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":8466,"name":"Frank Lloyd Wright","url":"https://www.academia.edu/Documents/in/Frank_Lloyd_Wright?f_ri=8466","nofollow":false},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=8466","nofollow":false},{"id":51632,"name":"Historia de la Arquitectura","url":"https://www.academia.edu/Documents/in/Historia_de_la_Arquitectura?f_ri=8466","nofollow":false},{"id":916252,"name":"Organicismo","url":"https://www.academia.edu/Documents/in/Organicismo?f_ri=8466","nofollow":false},{"id":1421379,"name":"Arquitectura Organica","url":"https://www.academia.edu/Documents/in/Arquitectura_Organica?f_ri=8466"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Frank_Lloyd_Wright?after=50%2C8156249" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Frank_Lloyd_Wright?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x 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