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class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-19981"><a href="http://www.sensesofcinema.com/category/book-reviews/">Book Reviews</a><div class="cb-big-menu"><div class="cb-articles"> <div class="cb-featured"> <div class="cb-mega-title h2"><span style="border-bottom-color:#e9cc20;">Random</span></div> <ul><li class="cb-article cb-relative cb-grid-entry cb-style-overlay clearfix"><div class="cb-mask" style="background-color:#e9cc20;"><a href="http://www.sensesofcinema.com/2019/book-reviews/revealing-the-soul-of-a-cinematic-passeur-mysteries-of-cinema-reflections-on-film-theory-history-and-culture-1982-2016-by-adrian-martin/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2019/03/Chaplin-Image-3-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a></div><div class="cb-meta cb-article-meta"><h2 class="cb-post-title"><a 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Sellers Johnson" class="author url fn" rel="author">M. Sellers Johnson</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-05-21">May 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Introduction Terrence Malick studies have circulated with considerable attention over the past two decades. 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Public Enemy, “Fight the Power” (1989) “And where does the power come from, to see t<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-48164" class="cb-blog-style-c clearfix cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2024/feature-articles/no-unknown-soldiers/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/05/no-unknown-soldier-lead-2-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2024/05/no-unknown-soldier-lead-2-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2024/05/no-unknown-soldier-lead-2-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/feature-articles/no-unknown-soldiers/">No Unknown Soldiers…</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/dina-iordanova/" title="Posts by Dina Iordanova" class="author url fn" rel="author">Dina Iordanova</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-05-21">May 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt"> Acknowledgments I would like to thank Prof. Vitaly Chernetsky for his encouragement and assistance with writing this piece. All images used as illu<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-48237" class="cb-blog-style-c clearfix cb-last cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2024/feature-articles/a-look-at-invisible-indian-cinema-pariah-and-i-am-not-the-river-jhelum/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/05/Invisible-India-lead-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2024/05/Invisible-India-lead-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2024/05/Invisible-India-lead-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/feature-articles/a-look-at-invisible-indian-cinema-pariah-and-i-am-not-the-river-jhelum/">A look at ‘invisible’ Indian cinema: <i>Pariah</i> and <i>I Am Not The River Jhelum</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/jon-jost/" title="Posts by Jon Jost" class="author url fn" rel="author">Jon Jost</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-05-21">May 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Pariah (Riddhi Majumder, 2020) As occasionally happens with me, a few years back I was sent a film to look at by someone I did not know. It was from <span class="cb-excerpt-dots">...</span></div> </div> </article> </div><div class="cb-line clearfix"> <article id="post-47562" class="cb-blog-style-c clearfix cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2024/feature-articles/echoes-of-illusions-mythical-reverberations-exploring-folklore-and-tazieh-in-ballad-of-tara/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/01/The-Ballad-of-Tara-lead-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2024/01/The-Ballad-of-Tara-lead-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2024/01/The-Ballad-of-Tara-lead-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/feature-articles/echoes-of-illusions-mythical-reverberations-exploring-folklore-and-tazieh-in-ballad-of-tara/">Echoes of Illusions: Mythical Reverberations: Exploring Folklore and Ta’zieh in <i>Ballad of Tara</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/amir-hossein-siadat/" title="Posts by Amir Hossein Siadat" class="author url fn" rel="author">Amir Hossein Siadat</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-01-19">January 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Cherike-ye Tārā (Ballads of Tara, 1979), the fourth feature film by Bahram Beyzaie,[1. For more information about Bahram Bayzaei's career, refer to: S<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47428" class="cb-blog-style-c clearfix cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2024/feature-articles/cinema-and-guerrilla-an-incomplete-biography-of-the-film-iracema-uma-transa-amazonica/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/01/Iracema-–-Uma-Transa-Amazônica-Lead-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2024/01/Iracema-–-Uma-Transa-Amazônica-Lead-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2024/01/Iracema-–-Uma-Transa-Amazônica-Lead-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/feature-articles/cinema-and-guerrilla-an-incomplete-biography-of-the-film-iracema-uma-transa-amazonica/">Cinema and Guerrilla: An Incomplete Biography of the Film <i>Iracema – Uma Transa Amazônica</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/orlando-senna/" title="Posts by Orlando Senna" class="author url fn" rel="author">Orlando Senna</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-01-19">January 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Translated from Portuguese by Matt Losada. This text originally appeared in Revista Piauí, no. 180, September 2021. Translated and reprinted here w<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47435" class="cb-blog-style-c clearfix cb-last cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2024/feature-articles/the-future-made-and-unmade-andrew-legges-lola-2021/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/01/LOLA-1-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2024/01/LOLA-1-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2024/01/LOLA-1-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/feature-articles/the-future-made-and-unmade-andrew-legges-lola-2021/">The Future Made and Unmade: Andrew Legge’s LOLA (2021)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/wheeler-winston-dixon/" title="Posts by Wheeler Winston Dixon" class="author url fn" rel="author">Wheeler Winston Dixon</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-01-19">January 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">In 1941, during World War II, two sisters in Great Britain, Thomasina “Thom” Hanbury (Emma Appleton) and Martha “Mars” Hanbury (Stefanie Martini), inv<span class="cb-excerpt-dots">...</span></div> </div> </article> </div><div class="cb-line clearfix"> <article id="post-47418" class="cb-blog-style-c clearfix cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2024/feature-articles/looking-to-the-other-side-dismantlement-and-reimposition-of-borders-in-sicario-and-the-three-burials-of-melquiades-estrada/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/01/Borders-Lead-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2024/01/Borders-Lead-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2024/01/Borders-Lead-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/feature-articles/looking-to-the-other-side-dismantlement-and-reimposition-of-borders-in-sicario-and-the-three-burials-of-melquiades-estrada/">Looking to the other side: Dismantlement and reimposition of borders in <i>Sicario</i> and <i>The Three Burials of Melquiades Estrada</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/callum-mcgrath/" title="Posts by Callum McGrath" class="author url fn" rel="author">Callum McGrath</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-01-19">January 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Introduction Recent political events, such as the “Title 42” expulsions, have led to growing prominence in United States-Mexico border discourses. Th<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47039" class="cb-blog-style-c clearfix cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2023/feature-articles/a-face-in-the-crowd-ritual-mythological-and-political-contexts-in-stranger-and-the-fog-bahram-beiyzaie-1974/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2023/10/Stranger-lead-360x240.png" class="attachment-cb-360-240 size-cb-360-240 wp-post-image" alt="" loading="lazy" srcset="http://www.sensesofcinema.com/wp-content/uploads/2023/10/Stranger-lead-360x240.png 360w, http://www.sensesofcinema.com/wp-content/uploads/2023/10/Stranger-lead-600x400.png 600w" sizes="(max-width: 360px) 100vw, 360px" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2023/feature-articles/a-face-in-the-crowd-ritual-mythological-and-political-contexts-in-stranger-and-the-fog-bahram-beiyzaie-1974/">A Face in the Crowd: Ritual, Mythological and Political contexts in <i>Stranger and the Fog</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/amir-hossein-siadat/" title="Posts by Amir Hossein Siadat" class="author url fn" rel="author">Amir Hossein Siadat</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2023-11-05">November 2023</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Renowned as one of Iran's most esteemed cultural and artistic personas, Bahram Beyzaie's depth of knowledge in theatre is unparalleled. 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<div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/oliver-kenny/" title="Posts by Oliver Kenny" class="author url fn" rel="author">Oliver Kenny</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2023-11-05">November 2023</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">An explicit didactic short about a threesome with identical twin sisters, Good Boys Use Condoms (1998) provides a fascinating insight into Lucile Hadž<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47041" class="cb-blog-style-c clearfix cb-last cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a 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cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2023-08-04">August 2023</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/feature-articles/" title="View all posts in Feature Articles">Feature Articles</a></div></div> <div class="cb-excerpt">Cate Blanchett: “There’s so much to talk about.” Todd Field: “There’s a lot to talk about.” CB: “In fact, it’s very hard to pin the movie down, whic<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-46773" class="cb-blog-style-c clearfix cb-light-blog" role="article"> <div class="cb-mask" style="background-color:#148FFF;"> <a href="http://www.sensesofcinema.com/2023/feature-articles/the-aesthetics-and-politics-of-melodrama-reconsidered-delitto-damore-crime-of-love/"><img width="360" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2023/07/Delitto-damore-feature-lead-360x240.png" 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