CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Betsy Klimasmith - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "profiles/works", 'action': "summary", 'controller_action': 'profiles/works#summary', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="md/RgMYlSsO+2M7Fyp4Yfe2JqMVt6C5SarrZC21Znjdxm6tgAaHoXHTOr/lWunY8ElGC49cMccdxf8f9uWjZwQ==" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/wow-77f7b87cb1583fc59aa8f94756ebfe913345937eb932042b4077563bebb5fb4b.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/social/home-9e8218e1301001388038e3fc3427ed00d079a4760ff7745d1ec1b2d59103170a.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-b2b823dd904da60a48fd1bfa1defd840610c2ff414d3f39ed3af46277ab8df3b.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-3cea6e0ad4715ed965c49bfb15dedfc632787b32ff6d8c3a474182b231146ab7.css" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-10fa40af19d25203774df2d4a03b9b5771b45109c2304968038e88a81d1215c5.css" /> <meta name="author" content="betsy klimasmith" /> <meta name="description" content="Betsy Klimasmith: 6 Followers, 1 Following, 29 Research papers. Research interests: Neoliberalism and Education, Pedro Calderon De La Barca, and Academic…" /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'works'; var $action_name = "summary"; var $rails_env = 'production'; var $app_rev = '6f4a378a129c0b45b661bd1df1a91655b07d2568'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":15262,"monthly_visitors":"113 million","monthly_visitor_count":113485689,"monthly_visitor_count_in_millions":113,"user_count":277881755,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1733181858000); window.Aedu.timeDifference = new Date().getTime() - 1733181858000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" rel="stylesheet"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-bdb9e8c097f01e611f2fc5e2f1a9dc599beede975e2ae5629983543a1726e947.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-1310b5bf07a01aff637a68b50dd86bc3c5e0721a33c641b98684e57be946f819.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-f52c0a30bfa1939980104d25d02ae97412e44798c81b5948e2a28f206faa66d3.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://independent.academia.edu/BetsyKlimasmith" /> </head>   <body class='c-profiles/works a-summary logged_out'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://medium.com/@academia">Blog</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <script src="//a.academia-assets.com/assets/webpack_bundles/profile.wjs-bundle-a81f2e1eecc022d4c894332e7405859cde7127e18c1d42a4f9d9b2aca8bf076f.js" defer="defer"></script><script>Aedu.rankings = { showPaperRankingsLink: false } $viewedUser = Aedu.User.set_viewed( {"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith","photo":"/images/s65_no_pic.png","has_photo":false,"is_analytics_public":false,"interests":[{"id":453278,"name":"Neoliberalism and Education","url":"https://www.academia.edu/Documents/in/Neoliberalism_and_Education"},{"id":55806,"name":"Pedro Calderon De La Barca","url":"https://www.academia.edu/Documents/in/Pedro_Calderon_De_La_Barca"},{"id":21535,"name":"Academic Freedom (Law)","url":"https://www.academia.edu/Documents/in/Academic_Freedom_Law_"},{"id":52010,"name":"Mircea Eliade","url":"https://www.academia.edu/Documents/in/Mircea_Eliade"},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature"}]} ); if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = []</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://independent.academia.edu/BetsyKlimasmith","location":"/BetsyKlimasmith","scheme":"https","host":"independent.academia.edu","port":null,"pathname":"/BetsyKlimasmith","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-abf0aba8-3942-42fe-9950-f679436fa488"></div> <div id="ProfileCheckPaperUpdate-react-component-abf0aba8-3942-42fe-9950-f679436fa488"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Betsy Klimasmith</h1><div class="affiliations-container fake-truncate js-profile-affiliations"></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Betsy" data-follow-user-id="44151013" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="44151013"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">6</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">1</p></div></a><a href="/BetsyKlimasmith/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data">1</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44151013" href="https://www.academia.edu/Documents/in/Neoliberalism_and_Education"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://independent.academia.edu/BetsyKlimasmith","location":"/BetsyKlimasmith","scheme":"https","host":"independent.academia.edu","port":null,"pathname":"/BetsyKlimasmith","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Neoliberalism and Education"]}" data-trace="false" data-dom-id="Pill-react-component-20f9647c-1611-4398-ba04-e5e1ba6b2b48"></div> <div id="Pill-react-component-20f9647c-1611-4398-ba04-e5e1ba6b2b48"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44151013" href="https://www.academia.edu/Documents/in/Pedro_Calderon_De_La_Barca"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Pedro Calderon De La Barca"]}" data-trace="false" data-dom-id="Pill-react-component-96fbfd61-10c5-4b4c-a3df-8bb7bff3ac42"></div> <div id="Pill-react-component-96fbfd61-10c5-4b4c-a3df-8bb7bff3ac42"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44151013" href="https://www.academia.edu/Documents/in/Academic_Freedom_Law_"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Academic Freedom (Law)"]}" data-trace="false" data-dom-id="Pill-react-component-ada22aae-d12b-4a03-8bef-6c21202433d9"></div> <div id="Pill-react-component-ada22aae-d12b-4a03-8bef-6c21202433d9"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44151013" href="https://www.academia.edu/Documents/in/Mircea_Eliade"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Mircea Eliade"]}" data-trace="false" data-dom-id="Pill-react-component-b5679001-70e5-49e8-b9c4-37654dc9d62e"></div> <div id="Pill-react-component-b5679001-70e5-49e8-b9c4-37654dc9d62e"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="44151013" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Eighteenth-Century literature"]}" data-trace="false" data-dom-id="Pill-react-component-005e338b-abc2-4941-9ee4-c2a767b47e2f"></div> <div id="Pill-react-component-005e338b-abc2-4941-9ee4-c2a767b47e2f"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Betsy Klimasmith</h3></div><div class="js-work-strip profile--work_container" data-work-id="113177142"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113177142/West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers"><img alt="Research paper thumbnail of West of the Border: The Multicultural Literature of the Western American Frontiers" class="work-thumbnail" src="https://attachments.academia-assets.com/110204744/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113177142/West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers">West of the Border: The Multicultural Literature of the Western American Frontiers</a></div><div class="wp-workCard_item"><span>American Literature</span><span>, 2001</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3edc460c2407a21d55742853804dd8c0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110204744,"asset_id":113177142,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110204744/download_file?st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113177142"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113177142"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113177142; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113177142]").text(description); $(".js-view-count[data-work-id=113177142]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113177142; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113177142']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113177142, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3edc460c2407a21d55742853804dd8c0" } } $('.js-work-strip[data-work-id=113177142]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113177142,"title":"West of the Border: The Multicultural Literature of the Western American Frontiers","translated_title":"","metadata":{"publisher":"Duke University Press","publication_date":{"day":null,"month":null,"year":2001,"errors":{}},"publication_name":"American Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/113177142/West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers","translated_internal_url":"","created_at":"2024-01-08T12:00:40.961-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":110204744,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110204744/thumbnails/1.jpg","file_name":"wal.2003.006220240108-1-ryy4.pdf","download_url":"https://www.academia.edu/attachments/110204744/download_file?st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"West_of_the_Border_The_Multicultural_Lit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110204744/wal.2003.006220240108-1-ryy4-libre.pdf?1704748148=\u0026response-content-disposition=attachment%3B+filename%3DWest_of_the_Border_The_Multicultural_Lit.pdf\u0026Expires=1733185457\u0026Signature=OuLabEdVNYPfOCQsV-hWfyHTb1OwkMKbDdVTlkbjrgO1yiOZYXa-aWkxPpZlBqD-zOqENi8nYiMgWsnUxHguHxeCAhxSo5etE1V6HIaDxI2ARBkf0OEyg8vjgynrZMLM2DVu8792BwAeRNGSavnCeoZe~xSsQST87cnpBLCQ4FX62u5H6gV-BOEkEFVqXHKLYGVEAUyWZsXQSbspJz83DCoroLlPuqYc0LzsID~9YtypVe3ln1H6JrsgpYU9~~xHfYNlTYSBZWmBLv0MCdOxV-wQHvJOHiUX6O2pP39Zgcsky1DoWIgE6RtUuJf7BQ8samInedI4M5RzP~KiMxqshQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers","translated_slug":"","page_count":3,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[{"id":110204744,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110204744/thumbnails/1.jpg","file_name":"wal.2003.006220240108-1-ryy4.pdf","download_url":"https://www.academia.edu/attachments/110204744/download_file?st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"West_of_the_Border_The_Multicultural_Lit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110204744/wal.2003.006220240108-1-ryy4-libre.pdf?1704748148=\u0026response-content-disposition=attachment%3B+filename%3DWest_of_the_Border_The_Multicultural_Lit.pdf\u0026Expires=1733185457\u0026Signature=OuLabEdVNYPfOCQsV-hWfyHTb1OwkMKbDdVTlkbjrgO1yiOZYXa-aWkxPpZlBqD-zOqENi8nYiMgWsnUxHguHxeCAhxSo5etE1V6HIaDxI2ARBkf0OEyg8vjgynrZMLM2DVu8792BwAeRNGSavnCeoZe~xSsQST87cnpBLCQ4FX62u5H6gV-BOEkEFVqXHKLYGVEAUyWZsXQSbspJz83DCoroLlPuqYc0LzsID~9YtypVe3ln1H6JrsgpYU9~~xHfYNlTYSBZWmBLv0MCdOxV-wQHvJOHiUX6O2pP39Zgcsky1DoWIgE6RtUuJf7BQ8samInedI4M5RzP~KiMxqshQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature"},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":898,"name":"Multiculturalism","url":"https://www.academia.edu/Documents/in/Multiculturalism"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108503575"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108503575/Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_"><img alt="Research paper thumbnail of Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108503575/Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_">Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)</a></div><div class="wp-workCard_item"><span>American Literary Realism</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... studies. With Wounded Hearts Travis makes a contribution to studies in American literature an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... studies. With Wounded Hearts Travis makes a contribution to studies in American literature and culture. ... Woman. A chapter on Sui Sin Far (aka Edith Maude Eaton) discovers types of the Chinese American woman presented as Gibson Girl. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108503575"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108503575"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108503575; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108503575]").text(description); $(".js-view-count[data-work-id=108503575]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108503575; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108503575']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 108503575, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108503575]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108503575,"title":"Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)","translated_title":"","metadata":{"abstract":"... studies. With Wounded Hearts Travis makes a contribution to studies in American literature and culture. ... Woman. A chapter on Sui Sin Far (aka Edith Maude Eaton) discovers types of the Chinese American woman presented as Gibson Girl. ...","publisher":"Project MUSE","publication_date":{"day":null,"month":null,"year":2008,"errors":{}},"publication_name":"American Literary Realism"},"translated_abstract":"... studies. With Wounded Hearts Travis makes a contribution to studies in American literature and culture. ... Woman. A chapter on Sui Sin Far (aka Edith Maude Eaton) discovers types of the Chinese American woman presented as Gibson Girl. ...","internal_url":"https://www.academia.edu/108503575/Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_","translated_internal_url":"","created_at":"2023-10-23T08:17:44.215-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":265958,"name":"Girl","url":"https://www.academia.edu/Documents/in/Girl"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="91877577"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/91877577/At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930"><img alt="Research paper thumbnail of At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930" class="work-thumbnail" src="https://attachments.academia-assets.com/95039884/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/91877577/At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930">At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e269155953b7b1c5295a196bb7224055" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95039884,"asset_id":91877577,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95039884/download_file?st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="91877577"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="91877577"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 91877577; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=91877577]").text(description); $(".js-view-count[data-work-id=91877577]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 91877577; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='91877577']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 91877577, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e269155953b7b1c5295a196bb7224055" } } $('.js-work-strip[data-work-id=91877577]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":91877577,"title":"At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930","translated_title":"","metadata":{"publication_date":{"day":4,"month":11,"year":2005,"errors":{}}},"translated_abstract":null,"internal_url":"https://www.academia.edu/91877577/At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930","translated_internal_url":"","created_at":"2022-11-29T13:14:15.556-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":95039884,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/95039884/thumbnails/1.jpg","file_name":"2509468520221129-1-10qv0yb.pdf","download_url":"https://www.academia.edu/attachments/95039884/download_file?st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"At_Home_in_the_City_Urban_Domesticity_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/95039884/2509468520221129-1-10qv0yb-libre.pdf?1669760826=\u0026response-content-disposition=attachment%3B+filename%3DAt_Home_in_the_City_Urban_Domesticity_in.pdf\u0026Expires=1733185457\u0026Signature=fcPXkmZBA03Bnwhh9z0KRfBxQ6fVvx2kEtGHDyfTRnIm-X1OnBHHMPybeQcEYk~s6SudI1aJKk0Wd8HeExr0uIqn~nLv~8A5rn3nxZ0Jd6tyMw6LJHxVzvNvQrzZFuEvxse8q5YneUm7cWmfaMujhb9VrCONWhdASn1~wyg1sSBTbxmpuSchnpx546n6mSybHseTcJvgTdL9ghEsN6wcmS1NYk~npU~DKKCnDSOjTa3-SFPa9rBlj2gkmf~kGdzJdSR5HEmhuoMnK4H6s5dZH4xysNKu96Kn-EC3PxjfMjZ-NjUpUH2H1JwpqY1n~JwrJd-CZm9JogpWnK-ot6CowQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930","translated_slug":"","page_count":1,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[{"id":95039884,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/95039884/thumbnails/1.jpg","file_name":"2509468520221129-1-10qv0yb.pdf","download_url":"https://www.academia.edu/attachments/95039884/download_file?st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"At_Home_in_the_City_Urban_Domesticity_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/95039884/2509468520221129-1-10qv0yb-libre.pdf?1669760826=\u0026response-content-disposition=attachment%3B+filename%3DAt_Home_in_the_City_Urban_Domesticity_in.pdf\u0026Expires=1733185457\u0026Signature=fcPXkmZBA03Bnwhh9z0KRfBxQ6fVvx2kEtGHDyfTRnIm-X1OnBHHMPybeQcEYk~s6SudI1aJKk0Wd8HeExr0uIqn~nLv~8A5rn3nxZ0Jd6tyMw6LJHxVzvNvQrzZFuEvxse8q5YneUm7cWmfaMujhb9VrCONWhdASn1~wyg1sSBTbxmpuSchnpx546n6mSybHseTcJvgTdL9ghEsN6wcmS1NYk~npU~DKKCnDSOjTa3-SFPa9rBlj2gkmf~kGdzJdSR5HEmhuoMnK4H6s5dZH4xysNKu96Kn-EC3PxjfMjZ-NjUpUH2H1JwpqY1n~JwrJd-CZm9JogpWnK-ot6CowQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity"},{"id":14150,"name":"Urban Culture","url":"https://www.academia.edu/Documents/in/Urban_Culture"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":231945,"name":"Scholarship","url":"https://www.academia.edu/Documents/in/Scholarship"},{"id":257992,"name":"Historical Studies","url":"https://www.academia.edu/Documents/in/Historical_Studies"},{"id":328957,"name":"Witness","url":"https://www.academia.edu/Documents/in/Witness"},{"id":1806413,"name":"Journal of the Society of Architectural Historians","url":"https://www.academia.edu/Documents/in/Journal_of_the_Society_of_Architectural_Historians"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419963"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419963/_I_have_seen_America_emerging_Mary_Austins_Regionalism"><img alt="Research paper thumbnail of “I have seen America emerging”: Mary Austin's Regionalism" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419963/_I_have_seen_America_emerging_Mary_Austins_Regionalism">“I have seen America emerging”: Mary Austin's Regionalism</a></div><div class="wp-workCard_item"><span>Crow/Companion</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Her best-known and most widely available work, the text is a composite of fiction and nonfict...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Her best-known and most widely available work, the text is a composite of fiction and nonfiction episodes – what Carl Bredahl (1989) terms a ... Lois Rudnick claims that “Austin is the first feminist critic to have argued for the importance of what she called the &#39;homecentric novel.&#39; It ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419963"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419963"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419963; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419963]").text(description); $(".js-view-count[data-work-id=84419963]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419963; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419963']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419963, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=84419963]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419963,"title":"“I have seen America emerging”: Mary Austin's Regionalism","translated_title":"","metadata":{"abstract":"... Her best-known and most widely available work, the text is a composite of fiction and nonfiction episodes – what Carl Bredahl (1989) terms a ... Lois Rudnick claims that “Austin is the first feminist critic to have argued for the importance of what she called the \u0026#39;homecentric novel.\u0026#39; It ...","publication_date":{"day":null,"month":null,"year":2007,"errors":{}},"publication_name":"Crow/Companion"},"translated_abstract":"... Her best-known and most widely available work, the text is a composite of fiction and nonfiction episodes – what Carl Bredahl (1989) terms a ... Lois Rudnick claims that “Austin is the first feminist critic to have argued for the importance of what she called the \u0026#39;homecentric novel.\u0026#39; It ...","internal_url":"https://www.academia.edu/84419963/_I_have_seen_America_emerging_Mary_Austins_Regionalism","translated_internal_url":"","created_at":"2022-08-10T06:10:19.676-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"_I_have_seen_America_emerging_Mary_Austins_Regionalism","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":261,"name":"Geography","url":"https://www.academia.edu/Documents/in/Geography"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419962"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419962/Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper"><img alt="Research paper thumbnail of Review: Sites Unseen: Architecture, Race, and American Literature William A. Gleason , Sites Unseen: Architecture, Race, and American Literature . New York : New York University Press , 2011 . Pp. xiv + 271. $65 cloth; $22 paper" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419962/Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper">Review: Sites Unseen: Architecture, Race, and American Literature William A. Gleason , Sites Unseen: Architecture, Race, and American Literature . New York : New York University Press , 2011 . Pp. xiv + 271. $65 cloth; $22 paper</a></div><div class="wp-workCard_item"><span>Nineteenth-Century Literature</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419962"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419962"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419962; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419962]").text(description); $(".js-view-count[data-work-id=84419962]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419962; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419962']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419962, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=84419962]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419962,"title":"Review: Sites Unseen: Architecture, Race, and American Literature William A. Gleason , Sites Unseen: Architecture, Race, and American Literature . New York : New York University Press , 2011 . Pp. xiv + 271. $65 cloth; $22 paper","translated_title":"","metadata":{"publisher":"University of California Press","publication_date":{"day":null,"month":null,"year":2012,"errors":{}},"publication_name":"Nineteenth-Century Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/84419962/Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper","translated_internal_url":"","created_at":"2022-08-10T06:10:19.549-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":26801,"name":"Nineteenth Century Literature","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Literature"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":734113,"name":"University of Southern California","url":"https://www.academia.edu/Documents/in/University_of_Southern_California"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419961"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419961/Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent"><img alt="Research paper thumbnail of Review Reading The Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893 Noonan Mark J. Kent State Univ. Press Kent" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419961/Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent">Review Reading The Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893 Noonan Mark J. Kent State Univ. Press Kent</a></div><div class="wp-workCard_item"><span>American Literary Realism</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419961]").text(description); $(".js-view-count[data-work-id=84419961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=84419961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419961,"title":"Review Reading The Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893 Noonan Mark J. Kent State Univ. Press Kent","translated_title":"","metadata":{"publisher":"University of Illinois Press","publication_date":{"day":null,"month":null,"year":2012,"errors":{}},"publication_name":"American Literary Realism"},"translated_abstract":null,"internal_url":"https://www.academia.edu/84419961/Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent","translated_internal_url":"","created_at":"2022-08-10T06:10:19.373-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419958"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419958/Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence"><img alt="Research paper thumbnail of Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence" class="work-thumbnail" src="https://attachments.academia-assets.com/89451572/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419958/Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence">Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence</a></div><div class="wp-workCard_item"><span>American Literature</span><span>, 2008</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="62308675589c975b5ee5b830d34c681e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":89451572,"asset_id":84419958,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/89451572/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419958"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419958"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419958; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419958]").text(description); $(".js-view-count[data-work-id=84419958]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419958; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419958']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419958, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "62308675589c975b5ee5b830d34c681e" } } $('.js-work-strip[data-work-id=84419958]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419958,"title":"Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence","translated_title":"","metadata":{"publisher":"Duke University Press","publication_date":{"day":null,"month":null,"year":2008,"errors":{}},"publication_name":"American Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/84419958/Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence","translated_internal_url":"","created_at":"2022-08-10T06:09:59.659-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":89451572,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89451572/thumbnails/1.jpg","file_name":"00029831-2008-02220220810-1-1wtn62x.pdf","download_url":"https://www.academia.edu/attachments/89451572/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salvaging_History_Modern_Philosophies_of.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89451572/00029831-2008-02220220810-1-1wtn62x-libre.pdf?1660137113=\u0026response-content-disposition=attachment%3B+filename%3DSalvaging_History_Modern_Philosophies_of.pdf\u0026Expires=1733185458\u0026Signature=Ne1KhCWzR05uLfGf-~4qeNUtbAZ3hinfQuTl5dEiy5inOdHlSplUhdzEdgJKkdivfIfb4F~RgD7IeNeg9bRD4wVZtkt6qmdm3bfCRKugiPOJLtM2H8BskymKaWzNNljBNRM2xKckPCM51vngWVOFs26Ubp9PbDcrNpUQke~v4LxQCMBuzWQbFbqqkbT5~SJOWSnU2fkSY1V2BlWFZwKaDdkB8brbf1PwP03mP8jPNNCNXQIFq~gFGHrXi9MfJtbxv75yqiDn8aucwtJHNKbBirU6ZWcA-yBv~6prmQkNJldpNBP6CoaP~3g08p4gxASl4ym-aIu3nqop5fMjR41~qQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence","translated_slug":"","page_count":27,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[{"id":89451572,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89451572/thumbnails/1.jpg","file_name":"00029831-2008-02220220810-1-1wtn62x.pdf","download_url":"https://www.academia.edu/attachments/89451572/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salvaging_History_Modern_Philosophies_of.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89451572/00029831-2008-02220220810-1-1wtn62x-libre.pdf?1660137113=\u0026response-content-disposition=attachment%3B+filename%3DSalvaging_History_Modern_Philosophies_of.pdf\u0026Expires=1733185458\u0026Signature=Ne1KhCWzR05uLfGf-~4qeNUtbAZ3hinfQuTl5dEiy5inOdHlSplUhdzEdgJKkdivfIfb4F~RgD7IeNeg9bRD4wVZtkt6qmdm3bfCRKugiPOJLtM2H8BskymKaWzNNljBNRM2xKckPCM51vngWVOFs26Ubp9PbDcrNpUQke~v4LxQCMBuzWQbFbqqkbT5~SJOWSnU2fkSY1V2BlWFZwKaDdkB8brbf1PwP03mP8jPNNCNXQIFq~gFGHrXi9MfJtbxv75yqiDn8aucwtJHNKbBirU6ZWcA-yBv~6prmQkNJldpNBP6CoaP~3g08p4gxASl4ym-aIu3nqop5fMjR41~qQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature"},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="78503462"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/78503462/MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00"><img alt="Research paper thumbnail of MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/78503462/MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00">MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00</a></div><div class="wp-workCard_item"><span>The American Historical Review</span><span>, 2006</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="78503462"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="78503462"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 78503462; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=78503462]").text(description); $(".js-view-count[data-work-id=78503462]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 78503462; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='78503462']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 78503462, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=78503462]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":78503462,"title":"MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00","translated_title":"","metadata":{"publisher":"Oxford University Press (OUP)","publication_date":{"day":null,"month":null,"year":2006,"errors":{}},"publication_name":"The American Historical Review"},"translated_abstract":null,"internal_url":"https://www.academia.edu/78503462/MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00","translated_internal_url":"","created_at":"2022-05-05T03:44:22.014-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":257992,"name":"Historical Studies","url":"https://www.academia.edu/Documents/in/Historical_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250332"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250332/Finale"><img alt="Research paper thumbnail of Finale" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250332/Finale">Finale</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The F...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250332"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250332"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250332; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250332]").text(description); $(".js-view-count[data-work-id=72250332]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250332; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250332']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250332, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250332]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250332,"title":"Finale","translated_title":"","metadata":{"abstract":"In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably ...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably ...","internal_url":"https://www.academia.edu/72250332/Finale","translated_internal_url":"","created_at":"2022-02-22T12:31:52.911-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Finale","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250331"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250331/Entr_acte"><img alt="Research paper thumbnail of Entr’acte" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250331/Entr_acte">Entr’acte</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that dep...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that depict different aspects of the same Philadelphia streetscape, conveying the necessity of imaginative perspective to construct Philadelphia as a city. To use Birch’s words, these images, and the literary texts I read in Part II, meditate on Philadelphia as a city “raised, as it were, by magic power.”</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250331"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250331"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250331; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250331]").text(description); $(".js-view-count[data-work-id=72250331]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250331; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250331']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250331, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250331]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250331,"title":"Entr’acte","translated_title":"","metadata":{"abstract":"The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that depict different aspects of the same Philadelphia streetscape, conveying the necessity of imaginative perspective to construct Philadelphia as a city. To use Birch’s words, these images, and the literary texts I read in Part II, meditate on Philadelphia as a city “raised, as it were, by magic power.”","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that depict different aspects of the same Philadelphia streetscape, conveying the necessity of imaginative perspective to construct Philadelphia as a city. To use Birch’s words, these images, and the literary texts I read in Part II, meditate on Philadelphia as a city “raised, as it were, by magic power.”","internal_url":"https://www.academia.edu/72250331/Entr_acte","translated_internal_url":"","created_at":"2022-02-22T12:31:52.837-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Entr_acte","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250330"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250330/Obliged_to_Wander"><img alt="Research paper thumbnail of Obliged to Wander" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250330/Obliged_to_Wander">Obliged to Wander</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of peop...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gende...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250330"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250330"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250330; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250330]").text(description); $(".js-view-count[data-work-id=72250330]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250330; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250330']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250330, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250330]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250330,"title":"Obliged to Wander","translated_title":"","metadata":{"abstract":"Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gende...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gende...","internal_url":"https://www.academia.edu/72250330/Obliged_to_Wander","translated_internal_url":"","created_at":"2022-02-22T12:31:52.761-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Obliged_to_Wander","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250329"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250329/Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending"><img alt="Research paper thumbnail of Naturist as Tourist: Mary Austin’s “Automobile Eye View” in The Land of Journeys’ Ending" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250329/Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending">Naturist as Tourist: Mary Austin’s “Automobile Eye View” in The Land of Journeys’ Ending</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only rhetorically, as her final resting place. As she writes in The Land of Journeys’ Ending, “Here, at least, I shall haunt, and as the time-streams bend and swirl about the Rock, I shall see again all the times that I have loved, and know certainly all that now I guess at” (231). Whether or not Austin’s ghost remains at El Morro, her shade certainly haunts Lawrence Clark Powell’s novel of the same name. In El Morro (1984), Powell pairs his Austin-obsessed heroine Aria with an attractive western guide named Stone, who remembers hoisting the cantankerous Austin up El M ono’s steep trails in the early days of his career. With Stone’s help, Aria reconstructs the journey through Arizona and New Mexico that Austin describes in The Land of Journeys’ Ending. Aria is devoted to Austin’s text. She has committed long passages to memory, presses flowers between appropriate pages of</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250329"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250329"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250329; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250329]").text(description); $(".js-view-count[data-work-id=72250329]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250329; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250329']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250329, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250329]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250329,"title":"Naturist as Tourist: Mary Austin’s “Automobile Eye View” in The Land of Journeys’ Ending","translated_title":"","metadata":{"abstract":"When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only rhetorically, as her final resting place. As she writes in The Land of Journeys’ Ending, “Here, at least, I shall haunt, and as the time-streams bend and swirl about the Rock, I shall see again all the times that I have loved, and know certainly all that now I guess at” (231). Whether or not Austin’s ghost remains at El Morro, her shade certainly haunts Lawrence Clark Powell’s novel of the same name. In El Morro (1984), Powell pairs his Austin-obsessed heroine Aria with an attractive western guide named Stone, who remembers hoisting the cantankerous Austin up El M ono’s steep trails in the early days of his career. With Stone’s help, Aria reconstructs the journey through Arizona and New Mexico that Austin describes in The Land of Journeys’ Ending. Aria is devoted to Austin’s text. She has committed long passages to memory, presses flowers between appropriate pages of","publication_date":{"day":null,"month":null,"year":2004,"errors":{}}},"translated_abstract":"When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only rhetorically, as her final resting place. As she writes in The Land of Journeys’ Ending, “Here, at least, I shall haunt, and as the time-streams bend and swirl about the Rock, I shall see again all the times that I have loved, and know certainly all that now I guess at” (231). Whether or not Austin’s ghost remains at El Morro, her shade certainly haunts Lawrence Clark Powell’s novel of the same name. In El Morro (1984), Powell pairs his Austin-obsessed heroine Aria with an attractive western guide named Stone, who remembers hoisting the cantankerous Austin up El M ono’s steep trails in the early days of his career. With Stone’s help, Aria reconstructs the journey through Arizona and New Mexico that Austin describes in The Land of Journeys’ Ending. Aria is devoted to Austin’s text. She has committed long passages to memory, presses flowers between appropriate pages of","internal_url":"https://www.academia.edu/72250329/Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending","translated_internal_url":"","created_at":"2022-02-22T12:31:52.679-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250328"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250328/Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography"><img alt="Research paper thumbnail of Circling the Squares: City-Building in Benjamin Franklin’s Autobiography" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250328/Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography">Circling the Squares: City-Building in Benjamin Franklin’s Autobiography</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobiography shifts from the realm of metaphor to play a concrete role in Philadelphia’s early development. In the narrative, itself recursive, Franklin becomes urban by circulating through London’s streets and performing a cosmopolitan self. On his return home to Philadelphia, he continues this pattern of performative circulation, circling city blocks and cycling through his self-designed grid of improvement. And in a distinctly American move, Franklin leverages this persona by circulating his name—on petitions, bonds, and currency—to build the city of Philadelphia. Franklin’s circulation through locales such as Boston, Philadelphia, London, and Paris transformed Philadelphia’s built spaces; his literary formulations of these processes in the Autobiography reveal him to be a major theorist, as well as a builder, of eighteenth-century American urbanity. As Franklin circles the squares—of grid...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250328"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250328"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250328; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250328]").text(description); $(".js-view-count[data-work-id=72250328]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250328; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250328']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250328, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250328]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250328,"title":"Circling the Squares: City-Building in Benjamin Franklin’s Autobiography","translated_title":"","metadata":{"abstract":"This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobiography shifts from the realm of metaphor to play a concrete role in Philadelphia’s early development. In the narrative, itself recursive, Franklin becomes urban by circulating through London’s streets and performing a cosmopolitan self. On his return home to Philadelphia, he continues this pattern of performative circulation, circling city blocks and cycling through his self-designed grid of improvement. And in a distinctly American move, Franklin leverages this persona by circulating his name—on petitions, bonds, and currency—to build the city of Philadelphia. Franklin’s circulation through locales such as Boston, Philadelphia, London, and Paris transformed Philadelphia’s built spaces; his literary formulations of these processes in the Autobiography reveal him to be a major theorist, as well as a builder, of eighteenth-century American urbanity. As Franklin circles the squares—of grid...","publication_date":{"day":null,"month":null,"year":2017,"errors":{}}},"translated_abstract":"This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobiography shifts from the realm of metaphor to play a concrete role in Philadelphia’s early development. In the narrative, itself recursive, Franklin becomes urban by circulating through London’s streets and performing a cosmopolitan self. On his return home to Philadelphia, he continues this pattern of performative circulation, circling city blocks and cycling through his self-designed grid of improvement. And in a distinctly American move, Franklin leverages this persona by circulating his name—on petitions, bonds, and currency—to build the city of Philadelphia. Franklin’s circulation through locales such as Boston, Philadelphia, London, and Paris transformed Philadelphia’s built spaces; his literary formulations of these processes in the Autobiography reveal him to be a major theorist, as well as a builder, of eighteenth-century American urbanity. As Franklin circles the squares—of grid...","internal_url":"https://www.academia.edu/72250328/Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography","translated_internal_url":"","created_at":"2022-02-22T12:31:52.595-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250327"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250327/Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City"><img alt="Research paper thumbnail of Urban Rehearsals and Novel Plots in the Early American City" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250327/Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City">Urban Rehearsals and Novel Plots in the Early American City</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic’s aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Through...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250327"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250327"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250327; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250327]").text(description); $(".js-view-count[data-work-id=72250327]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250327; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250327']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250327, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250327]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250327,"title":"Urban Rehearsals and Novel Plots in the Early American City","translated_title":"","metadata":{"abstract":"Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic’s aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Through...","publisher":"Oxford University Press"},"translated_abstract":"Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic’s aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Through...","internal_url":"https://www.academia.edu/72250327/Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City","translated_internal_url":"","created_at":"2022-02-22T12:31:52.518-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250326"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250326/Prologue_Open_House_in_New_York"><img alt="Research paper thumbnail of Prologue: Open House in New York" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250326/Prologue_Open_House_in_New_York">Prologue: Open House in New York</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel prin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel printed in the American colonies, to the most widely known literary representation of the eighteenth-century US city, Royall Tyler’s 1787 play The Contrast. Though printing Pamela was not a successful venture for Benjamin Franklin, abridged versions of Pamela that eliminated Richardson’s use of dialogue would become popular with US readers later on. But Americans could find snappy repartée on stage in English comedies both before and after independence. The Contrast borrows from these forms to theatrically open an imagined New York home to a local audience largely for comic effect; novels would take up the play’s use of dialogue and direct address as they began to draw the curtain on the urban home.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250326"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250326"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250326; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250326]").text(description); $(".js-view-count[data-work-id=72250326]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250326; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250326']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250326, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250326]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250326,"title":"Prologue: Open House in New York","translated_title":"","metadata":{"abstract":"The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel printed in the American colonies, to the most widely known literary representation of the eighteenth-century US city, Royall Tyler’s 1787 play The Contrast. Though printing Pamela was not a successful venture for Benjamin Franklin, abridged versions of Pamela that eliminated Richardson’s use of dialogue would become popular with US readers later on. But Americans could find snappy repartée on stage in English comedies both before and after independence. The Contrast borrows from these forms to theatrically open an imagined New York home to a local audience largely for comic effect; novels would take up the play’s use of dialogue and direct address as they began to draw the curtain on the urban home.","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel printed in the American colonies, to the most widely known literary representation of the eighteenth-century US city, Royall Tyler’s 1787 play The Contrast. Though printing Pamela was not a successful venture for Benjamin Franklin, abridged versions of Pamela that eliminated Richardson’s use of dialogue would become popular with US readers later on. But Americans could find snappy repartée on stage in English comedies both before and after independence. The Contrast borrows from these forms to theatrically open an imagined New York home to a local audience largely for comic effect; novels would take up the play’s use of dialogue and direct address as they began to draw the curtain on the urban home.","internal_url":"https://www.academia.edu/72250326/Prologue_Open_House_in_New_York","translated_internal_url":"","created_at":"2022-02-22T12:31:52.445-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Prologue_Open_House_in_New_York","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250325"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250325/Getting_Around_the_Protocity"><img alt="Research paper thumbnail of Getting Around the Protocity" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250325/Getting_Around_the_Protocity">Getting Around the Protocity</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative netwo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative networks through the practices of urban visiting and letter writing that structure Hannah Webster Foster’s epistolary texts The Coquette (1797) and The Boarding School (1798). I highlight gendered models of urban mobility and education by contrasting Foster’s texts to the first Franklinian formulations of city- and self-making that had become available to American readers in 1794. Uniquely among the texts in Urban Rehearsals, Foster’s books are set in the present and contain letters written by young white urban characters that describe the particular places within and among which they move. Most readers of early American novels are familiar with The Coquette, in which seduction turns Eliza Wharton’s spirited mobility into tragic stasis, just as it did for the real Elizabeth Whitman and the fictional Charlotte Temple. Foster’s second book, The Boarding School, features an all-female cast of ch...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250325"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250325"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250325; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250325]").text(description); $(".js-view-count[data-work-id=72250325]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250325; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250325']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250325, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250325]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250325,"title":"Getting Around the Protocity","translated_title":"","metadata":{"abstract":"Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative networks through the practices of urban visiting and letter writing that structure Hannah Webster Foster’s epistolary texts The Coquette (1797) and The Boarding School (1798). I highlight gendered models of urban mobility and education by contrasting Foster’s texts to the first Franklinian formulations of city- and self-making that had become available to American readers in 1794. Uniquely among the texts in Urban Rehearsals, Foster’s books are set in the present and contain letters written by young white urban characters that describe the particular places within and among which they move. Most readers of early American novels are familiar with The Coquette, in which seduction turns Eliza Wharton’s spirited mobility into tragic stasis, just as it did for the real Elizabeth Whitman and the fictional Charlotte Temple. Foster’s second book, The Boarding School, features an all-female cast of ch...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative networks through the practices of urban visiting and letter writing that structure Hannah Webster Foster’s epistolary texts The Coquette (1797) and The Boarding School (1798). I highlight gendered models of urban mobility and education by contrasting Foster’s texts to the first Franklinian formulations of city- and self-making that had become available to American readers in 1794. Uniquely among the texts in Urban Rehearsals, Foster’s books are set in the present and contain letters written by young white urban characters that describe the particular places within and among which they move. Most readers of early American novels are familiar with The Coquette, in which seduction turns Eliza Wharton’s spirited mobility into tragic stasis, just as it did for the real Elizabeth Whitman and the fictional Charlotte Temple. Foster’s second book, The Boarding School, features an all-female cast of ch...","internal_url":"https://www.academia.edu/72250325/Getting_Around_the_Protocity","translated_internal_url":"","created_at":"2022-02-22T12:31:52.370-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Getting_Around_the_Protocity","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250324"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250324/Urban_Illuminations_in_Ormond"><img alt="Research paper thumbnail of Urban Illuminations in Ormond" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250324/Urban_Illuminations_in_Ormond">Urban Illuminations in Ormond</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Concerned that the city’s water supply might have contributed to the devastating 1793 yellow feve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology tha...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250324"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250324"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250324; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250324]").text(description); $(".js-view-count[data-work-id=72250324]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250324; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250324']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250324, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250324]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250324,"title":"Urban Illuminations in Ormond","translated_title":"","metadata":{"abstract":"Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology tha...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology tha...","internal_url":"https://www.academia.edu/72250324/Urban_Illuminations_in_Ormond","translated_internal_url":"","created_at":"2022-02-22T12:31:52.292-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Urban_Illuminations_in_Ormond","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250323"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250323/Philadelphia_s_Fevered_Readers"><img alt="Research paper thumbnail of Philadelphia’s Fevered Readers" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250323/Philadelphia_s_Fevered_Readers">Philadelphia’s Fevered Readers</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fev...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fever epidemic. Philadelphia was the young republic’s most cosmopolitan and diverse city. Yet its social landscape was fragmented and fragile, threatened by disease, economic instability, and national consolidation. The crisis of repeated fever outbreaks forced Philadelphians out of their religious and class circles toward a more connected urbanity. This chapter argues that in the wake of the epidemic, readers in Philadelphia initially bypassed realistic narratives of suffering, including printer Mathew Carey’s multiple Accounts of the Yellow Fever (1793–94) to seek the shared comfort of sympathy in the more generic tragedy of Susanna Rowson’s Charlotte, A Tale of Truth (1791, London; 1794, Philadelphia), the novel we now know as Charlotte Temple. Just as Carey found refuge in the theater, his customers eagerly immersed themselves in Rowson’s melodramatic text, making Charlotte the nation’s...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250323"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250323"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250323; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250323]").text(description); $(".js-view-count[data-work-id=72250323]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250323; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250323']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250323, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250323]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250323,"title":"Philadelphia’s Fevered Readers","translated_title":"","metadata":{"abstract":"Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fever epidemic. Philadelphia was the young republic’s most cosmopolitan and diverse city. Yet its social landscape was fragmented and fragile, threatened by disease, economic instability, and national consolidation. The crisis of repeated fever outbreaks forced Philadelphians out of their religious and class circles toward a more connected urbanity. This chapter argues that in the wake of the epidemic, readers in Philadelphia initially bypassed realistic narratives of suffering, including printer Mathew Carey’s multiple Accounts of the Yellow Fever (1793–94) to seek the shared comfort of sympathy in the more generic tragedy of Susanna Rowson’s Charlotte, A Tale of Truth (1791, London; 1794, Philadelphia), the novel we now know as Charlotte Temple. Just as Carey found refuge in the theater, his customers eagerly immersed themselves in Rowson’s melodramatic text, making Charlotte the nation’s...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fever epidemic. Philadelphia was the young republic’s most cosmopolitan and diverse city. Yet its social landscape was fragmented and fragile, threatened by disease, economic instability, and national consolidation. The crisis of repeated fever outbreaks forced Philadelphians out of their religious and class circles toward a more connected urbanity. This chapter argues that in the wake of the epidemic, readers in Philadelphia initially bypassed realistic narratives of suffering, including printer Mathew Carey’s multiple Accounts of the Yellow Fever (1793–94) to seek the shared comfort of sympathy in the more generic tragedy of Susanna Rowson’s Charlotte, A Tale of Truth (1791, London; 1794, Philadelphia), the novel we now know as Charlotte Temple. Just as Carey found refuge in the theater, his customers eagerly immersed themselves in Rowson’s melodramatic text, making Charlotte the nation’s...","internal_url":"https://www.academia.edu/72250323/Philadelphia_s_Fevered_Readers","translated_internal_url":"","created_at":"2022-02-22T12:31:52.194-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Philadelphia_s_Fevered_Readers","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250322"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250322/Kelroy_s_Shifting_City"><img alt="Research paper thumbnail of Kelroy’s Shifting City" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250322/Kelroy_s_Shifting_City">Kelroy’s Shifting City</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, wh...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Ke...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250322"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250322"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250322; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250322]").text(description); $(".js-view-count[data-work-id=72250322]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250322; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250322']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250322, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250322]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250322,"title":"Kelroy’s Shifting City","translated_title":"","metadata":{"abstract":"Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Ke...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Ke...","internal_url":"https://www.academia.edu/72250322/Kelroy_s_Shifting_City","translated_internal_url":"","created_at":"2022-02-22T12:31:52.109-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Kelroy_s_Shifting_City","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250321"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250321/Drama_Uncloseted_in_Boston"><img alt="Research paper thumbnail of Drama Uncloseted in Boston" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250321/Drama_Uncloseted_in_Boston">Drama Uncloseted in Boston</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where p...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250321"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250321"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250321; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250321]").text(description); $(".js-view-count[data-work-id=72250321]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250321; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250321']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250321, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250321]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250321,"title":"Drama Uncloseted in Boston","translated_title":"","metadata":{"abstract":"Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where p...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where p...","internal_url":"https://www.academia.edu/72250321/Drama_Uncloseted_in_Boston","translated_internal_url":"","created_at":"2022-02-22T12:31:51.542-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Drama_Uncloseted_in_Boston","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="11784370" id="papers"><div class="js-work-strip profile--work_container" data-work-id="113177142"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113177142/West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers"><img alt="Research paper thumbnail of West of the Border: The Multicultural Literature of the Western American Frontiers" class="work-thumbnail" src="https://attachments.academia-assets.com/110204744/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113177142/West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers">West of the Border: The Multicultural Literature of the Western American Frontiers</a></div><div class="wp-workCard_item"><span>American Literature</span><span>, 2001</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3edc460c2407a21d55742853804dd8c0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110204744,"asset_id":113177142,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110204744/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113177142"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113177142"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113177142; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113177142]").text(description); $(".js-view-count[data-work-id=113177142]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113177142; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113177142']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113177142, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3edc460c2407a21d55742853804dd8c0" } } $('.js-work-strip[data-work-id=113177142]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113177142,"title":"West of the Border: The Multicultural Literature of the Western American Frontiers","translated_title":"","metadata":{"publisher":"Duke University Press","publication_date":{"day":null,"month":null,"year":2001,"errors":{}},"publication_name":"American Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/113177142/West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers","translated_internal_url":"","created_at":"2024-01-08T12:00:40.961-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":110204744,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110204744/thumbnails/1.jpg","file_name":"wal.2003.006220240108-1-ryy4.pdf","download_url":"https://www.academia.edu/attachments/110204744/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"West_of_the_Border_The_Multicultural_Lit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110204744/wal.2003.006220240108-1-ryy4-libre.pdf?1704748148=\u0026response-content-disposition=attachment%3B+filename%3DWest_of_the_Border_The_Multicultural_Lit.pdf\u0026Expires=1733185457\u0026Signature=OuLabEdVNYPfOCQsV-hWfyHTb1OwkMKbDdVTlkbjrgO1yiOZYXa-aWkxPpZlBqD-zOqENi8nYiMgWsnUxHguHxeCAhxSo5etE1V6HIaDxI2ARBkf0OEyg8vjgynrZMLM2DVu8792BwAeRNGSavnCeoZe~xSsQST87cnpBLCQ4FX62u5H6gV-BOEkEFVqXHKLYGVEAUyWZsXQSbspJz83DCoroLlPuqYc0LzsID~9YtypVe3ln1H6JrsgpYU9~~xHfYNlTYSBZWmBLv0MCdOxV-wQHvJOHiUX6O2pP39Zgcsky1DoWIgE6RtUuJf7BQ8samInedI4M5RzP~KiMxqshQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"West_of_the_Border_The_Multicultural_Literature_of_the_Western_American_Frontiers","translated_slug":"","page_count":3,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[{"id":110204744,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110204744/thumbnails/1.jpg","file_name":"wal.2003.006220240108-1-ryy4.pdf","download_url":"https://www.academia.edu/attachments/110204744/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"West_of_the_Border_The_Multicultural_Lit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110204744/wal.2003.006220240108-1-ryy4-libre.pdf?1704748148=\u0026response-content-disposition=attachment%3B+filename%3DWest_of_the_Border_The_Multicultural_Lit.pdf\u0026Expires=1733185457\u0026Signature=OuLabEdVNYPfOCQsV-hWfyHTb1OwkMKbDdVTlkbjrgO1yiOZYXa-aWkxPpZlBqD-zOqENi8nYiMgWsnUxHguHxeCAhxSo5etE1V6HIaDxI2ARBkf0OEyg8vjgynrZMLM2DVu8792BwAeRNGSavnCeoZe~xSsQST87cnpBLCQ4FX62u5H6gV-BOEkEFVqXHKLYGVEAUyWZsXQSbspJz83DCoroLlPuqYc0LzsID~9YtypVe3ln1H6JrsgpYU9~~xHfYNlTYSBZWmBLv0MCdOxV-wQHvJOHiUX6O2pP39Zgcsky1DoWIgE6RtUuJf7BQ8samInedI4M5RzP~KiMxqshQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature"},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":898,"name":"Multiculturalism","url":"https://www.academia.edu/Documents/in/Multiculturalism"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108503575"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108503575/Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_"><img alt="Research paper thumbnail of Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108503575/Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_">Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)</a></div><div class="wp-workCard_item"><span>American Literary Realism</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... studies. With Wounded Hearts Travis makes a contribution to studies in American literature an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... studies. With Wounded Hearts Travis makes a contribution to studies in American literature and culture. ... Woman. A chapter on Sui Sin Far (aka Edith Maude Eaton) discovers types of the Chinese American woman presented as Gibson Girl. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108503575"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108503575"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108503575; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108503575]").text(description); $(".js-view-count[data-work-id=108503575]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108503575; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108503575']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 108503575, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=108503575]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108503575,"title":"Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)","translated_title":"","metadata":{"abstract":"... studies. With Wounded Hearts Travis makes a contribution to studies in American literature and culture. ... Woman. A chapter on Sui Sin Far (aka Edith Maude Eaton) discovers types of the Chinese American woman presented as Gibson Girl. ...","publisher":"Project MUSE","publication_date":{"day":null,"month":null,"year":2008,"errors":{}},"publication_name":"American Literary Realism"},"translated_abstract":"... studies. With Wounded Hearts Travis makes a contribution to studies in American literature and culture. ... Woman. A chapter on Sui Sin Far (aka Edith Maude Eaton) discovers types of the Chinese American woman presented as Gibson Girl. ...","internal_url":"https://www.academia.edu/108503575/Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_","translated_internal_url":"","created_at":"2023-10-23T08:17:44.215-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_review_","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":265958,"name":"Girl","url":"https://www.academia.edu/Documents/in/Girl"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="91877577"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/91877577/At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930"><img alt="Research paper thumbnail of At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930" class="work-thumbnail" src="https://attachments.academia-assets.com/95039884/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/91877577/At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930">At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e269155953b7b1c5295a196bb7224055" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95039884,"asset_id":91877577,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95039884/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="91877577"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="91877577"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 91877577; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=91877577]").text(description); $(".js-view-count[data-work-id=91877577]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 91877577; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='91877577']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 91877577, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e269155953b7b1c5295a196bb7224055" } } $('.js-work-strip[data-work-id=91877577]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":91877577,"title":"At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930","translated_title":"","metadata":{"publication_date":{"day":4,"month":11,"year":2005,"errors":{}}},"translated_abstract":null,"internal_url":"https://www.academia.edu/91877577/At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930","translated_internal_url":"","created_at":"2022-11-29T13:14:15.556-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":95039884,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/95039884/thumbnails/1.jpg","file_name":"2509468520221129-1-10qv0yb.pdf","download_url":"https://www.academia.edu/attachments/95039884/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"At_Home_in_the_City_Urban_Domesticity_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/95039884/2509468520221129-1-10qv0yb-libre.pdf?1669760826=\u0026response-content-disposition=attachment%3B+filename%3DAt_Home_in_the_City_Urban_Domesticity_in.pdf\u0026Expires=1733185457\u0026Signature=fcPXkmZBA03Bnwhh9z0KRfBxQ6fVvx2kEtGHDyfTRnIm-X1OnBHHMPybeQcEYk~s6SudI1aJKk0Wd8HeExr0uIqn~nLv~8A5rn3nxZ0Jd6tyMw6LJHxVzvNvQrzZFuEvxse8q5YneUm7cWmfaMujhb9VrCONWhdASn1~wyg1sSBTbxmpuSchnpx546n6mSybHseTcJvgTdL9ghEsN6wcmS1NYk~npU~DKKCnDSOjTa3-SFPa9rBlj2gkmf~kGdzJdSR5HEmhuoMnK4H6s5dZH4xysNKu96Kn-EC3PxjfMjZ-NjUpUH2H1JwpqY1n~JwrJd-CZm9JogpWnK-ot6CowQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"At_Home_in_the_City_Urban_Domesticity_in_American_Literature_and_Culture_1850_1930","translated_slug":"","page_count":1,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[{"id":95039884,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/95039884/thumbnails/1.jpg","file_name":"2509468520221129-1-10qv0yb.pdf","download_url":"https://www.academia.edu/attachments/95039884/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"At_Home_in_the_City_Urban_Domesticity_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/95039884/2509468520221129-1-10qv0yb-libre.pdf?1669760826=\u0026response-content-disposition=attachment%3B+filename%3DAt_Home_in_the_City_Urban_Domesticity_in.pdf\u0026Expires=1733185457\u0026Signature=fcPXkmZBA03Bnwhh9z0KRfBxQ6fVvx2kEtGHDyfTRnIm-X1OnBHHMPybeQcEYk~s6SudI1aJKk0Wd8HeExr0uIqn~nLv~8A5rn3nxZ0Jd6tyMw6LJHxVzvNvQrzZFuEvxse8q5YneUm7cWmfaMujhb9VrCONWhdASn1~wyg1sSBTbxmpuSchnpx546n6mSybHseTcJvgTdL9ghEsN6wcmS1NYk~npU~DKKCnDSOjTa3-SFPa9rBlj2gkmf~kGdzJdSR5HEmhuoMnK4H6s5dZH4xysNKu96Kn-EC3PxjfMjZ-NjUpUH2H1JwpqY1n~JwrJd-CZm9JogpWnK-ot6CowQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity"},{"id":14150,"name":"Urban Culture","url":"https://www.academia.edu/Documents/in/Urban_Culture"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":231945,"name":"Scholarship","url":"https://www.academia.edu/Documents/in/Scholarship"},{"id":257992,"name":"Historical Studies","url":"https://www.academia.edu/Documents/in/Historical_Studies"},{"id":328957,"name":"Witness","url":"https://www.academia.edu/Documents/in/Witness"},{"id":1806413,"name":"Journal of the Society of Architectural Historians","url":"https://www.academia.edu/Documents/in/Journal_of_the_Society_of_Architectural_Historians"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419963"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419963/_I_have_seen_America_emerging_Mary_Austins_Regionalism"><img alt="Research paper thumbnail of “I have seen America emerging”: Mary Austin's Regionalism" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419963/_I_have_seen_America_emerging_Mary_Austins_Regionalism">“I have seen America emerging”: Mary Austin's Regionalism</a></div><div class="wp-workCard_item"><span>Crow/Companion</span><span>, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Her best-known and most widely available work, the text is a composite of fiction and nonfict...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Her best-known and most widely available work, the text is a composite of fiction and nonfiction episodes – what Carl Bredahl (1989) terms a ... Lois Rudnick claims that “Austin is the first feminist critic to have argued for the importance of what she called the &#39;homecentric novel.&#39; It ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419963"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419963"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419963; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419963]").text(description); $(".js-view-count[data-work-id=84419963]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419963; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419963']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419963, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=84419963]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419963,"title":"“I have seen America emerging”: Mary Austin's Regionalism","translated_title":"","metadata":{"abstract":"... Her best-known and most widely available work, the text is a composite of fiction and nonfiction episodes – what Carl Bredahl (1989) terms a ... Lois Rudnick claims that “Austin is the first feminist critic to have argued for the importance of what she called the \u0026#39;homecentric novel.\u0026#39; It ...","publication_date":{"day":null,"month":null,"year":2007,"errors":{}},"publication_name":"Crow/Companion"},"translated_abstract":"... Her best-known and most widely available work, the text is a composite of fiction and nonfiction episodes – what Carl Bredahl (1989) terms a ... Lois Rudnick claims that “Austin is the first feminist critic to have argued for the importance of what she called the \u0026#39;homecentric novel.\u0026#39; It ...","internal_url":"https://www.academia.edu/84419963/_I_have_seen_America_emerging_Mary_Austins_Regionalism","translated_internal_url":"","created_at":"2022-08-10T06:10:19.676-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"_I_have_seen_America_emerging_Mary_Austins_Regionalism","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":261,"name":"Geography","url":"https://www.academia.edu/Documents/in/Geography"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419962"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419962/Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper"><img alt="Research paper thumbnail of Review: Sites Unseen: Architecture, Race, and American Literature William A. Gleason , Sites Unseen: Architecture, Race, and American Literature . New York : New York University Press , 2011 . Pp. xiv + 271. $65 cloth; $22 paper" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419962/Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper">Review: Sites Unseen: Architecture, Race, and American Literature William A. Gleason , Sites Unseen: Architecture, Race, and American Literature . New York : New York University Press , 2011 . Pp. xiv + 271. $65 cloth; $22 paper</a></div><div class="wp-workCard_item"><span>Nineteenth-Century Literature</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419962"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419962"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419962; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419962]").text(description); $(".js-view-count[data-work-id=84419962]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419962; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419962']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419962, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=84419962]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419962,"title":"Review: Sites Unseen: Architecture, Race, and American Literature William A. Gleason , Sites Unseen: Architecture, Race, and American Literature . New York : New York University Press , 2011 . Pp. xiv + 271. $65 cloth; $22 paper","translated_title":"","metadata":{"publisher":"University of California Press","publication_date":{"day":null,"month":null,"year":2012,"errors":{}},"publication_name":"Nineteenth-Century Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/84419962/Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper","translated_internal_url":"","created_at":"2022-08-10T06:10:19.549-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Review_Sites_Unseen_Architecture_Race_and_American_Literature_William_A_Gleason_Sites_Unseen_Architecture_Race_and_American_Literature_New_York_New_York_University_Press_2011_Pp_xiv_271_65_cloth_22_paper","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":26801,"name":"Nineteenth Century Literature","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Literature"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":734113,"name":"University of Southern California","url":"https://www.academia.edu/Documents/in/University_of_Southern_California"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419961"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419961/Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent"><img alt="Research paper thumbnail of Review Reading The Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893 Noonan Mark J. Kent State Univ. Press Kent" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419961/Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent">Review Reading The Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893 Noonan Mark J. Kent State Univ. Press Kent</a></div><div class="wp-workCard_item"><span>American Literary Realism</span><span>, 2012</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419961]").text(description); $(".js-view-count[data-work-id=84419961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=84419961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419961,"title":"Review Reading The Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893 Noonan Mark J. Kent State Univ. Press Kent","translated_title":"","metadata":{"publisher":"University of Illinois Press","publication_date":{"day":null,"month":null,"year":2012,"errors":{}},"publication_name":"American Literary Realism"},"translated_abstract":null,"internal_url":"https://www.academia.edu/84419961/Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent","translated_internal_url":"","created_at":"2022-08-10T06:10:19.373-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Review_Reading_The_Century_Illustrated_Monthly_Magazine_American_Literature_and_Culture_1870_1893_Noonan_Mark_J_Kent_State_Univ_Press_Kent","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="84419958"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/84419958/Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence"><img alt="Research paper thumbnail of Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence" class="work-thumbnail" src="https://attachments.academia-assets.com/89451572/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/84419958/Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence">Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence</a></div><div class="wp-workCard_item"><span>American Literature</span><span>, 2008</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="62308675589c975b5ee5b830d34c681e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":89451572,"asset_id":84419958,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/89451572/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="84419958"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="84419958"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 84419958; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=84419958]").text(description); $(".js-view-count[data-work-id=84419958]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 84419958; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='84419958']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 84419958, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "62308675589c975b5ee5b830d34c681e" } } $('.js-work-strip[data-work-id=84419958]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":84419958,"title":"Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence","translated_title":"","metadata":{"publisher":"Duke University Press","publication_date":{"day":null,"month":null,"year":2008,"errors":{}},"publication_name":"American Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/84419958/Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence","translated_internal_url":"","created_at":"2022-08-10T06:09:59.659-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":89451572,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89451572/thumbnails/1.jpg","file_name":"00029831-2008-02220220810-1-1wtn62x.pdf","download_url":"https://www.academia.edu/attachments/89451572/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salvaging_History_Modern_Philosophies_of.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89451572/00029831-2008-02220220810-1-1wtn62x-libre.pdf?1660137113=\u0026response-content-disposition=attachment%3B+filename%3DSalvaging_History_Modern_Philosophies_of.pdf\u0026Expires=1733185458\u0026Signature=Ne1KhCWzR05uLfGf-~4qeNUtbAZ3hinfQuTl5dEiy5inOdHlSplUhdzEdgJKkdivfIfb4F~RgD7IeNeg9bRD4wVZtkt6qmdm3bfCRKugiPOJLtM2H8BskymKaWzNNljBNRM2xKckPCM51vngWVOFs26Ubp9PbDcrNpUQke~v4LxQCMBuzWQbFbqqkbT5~SJOWSnU2fkSY1V2BlWFZwKaDdkB8brbf1PwP03mP8jPNNCNXQIFq~gFGHrXi9MfJtbxv75yqiDn8aucwtJHNKbBirU6ZWcA-yBv~6prmQkNJldpNBP6CoaP~3g08p4gxASl4ym-aIu3nqop5fMjR41~qQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Salvaging_History_Modern_Philosophies_of_Memory_and_Time_in_The_Age_of_Innocence","translated_slug":"","page_count":27,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[{"id":89451572,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89451572/thumbnails/1.jpg","file_name":"00029831-2008-02220220810-1-1wtn62x.pdf","download_url":"https://www.academia.edu/attachments/89451572/download_file?st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&st=MTczMzE4MTg1OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salvaging_History_Modern_Philosophies_of.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89451572/00029831-2008-02220220810-1-1wtn62x-libre.pdf?1660137113=\u0026response-content-disposition=attachment%3B+filename%3DSalvaging_History_Modern_Philosophies_of.pdf\u0026Expires=1733185458\u0026Signature=Ne1KhCWzR05uLfGf-~4qeNUtbAZ3hinfQuTl5dEiy5inOdHlSplUhdzEdgJKkdivfIfb4F~RgD7IeNeg9bRD4wVZtkt6qmdm3bfCRKugiPOJLtM2H8BskymKaWzNNljBNRM2xKckPCM51vngWVOFs26Ubp9PbDcrNpUQke~v4LxQCMBuzWQbFbqqkbT5~SJOWSnU2fkSY1V2BlWFZwKaDdkB8brbf1PwP03mP8jPNNCNXQIFq~gFGHrXi9MfJtbxv75yqiDn8aucwtJHNKbBirU6ZWcA-yBv~6prmQkNJldpNBP6CoaP~3g08p4gxASl4ym-aIu3nqop5fMjR41~qQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature"},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="78503462"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/78503462/MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00"><img alt="Research paper thumbnail of MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/78503462/MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00">MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00</a></div><div class="wp-workCard_item"><span>The American Historical Review</span><span>, 2006</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="78503462"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="78503462"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 78503462; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=78503462]").text(description); $(".js-view-count[data-work-id=78503462]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 78503462; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='78503462']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 78503462, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=78503462]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":78503462,"title":"MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00","translated_title":"","metadata":{"publisher":"Oxford University Press (OUP)","publication_date":{"day":null,"month":null,"year":2006,"errors":{}},"publication_name":"The American Historical Review"},"translated_abstract":null,"internal_url":"https://www.academia.edu/78503462/MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00","translated_internal_url":"","created_at":"2022-05-05T03:44:22.014-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"MARTHA_H_PATTERSON_Beyond_the_Gibson_Girl_Reimagining_the_American_New_Woman_1895_1915_Urbana_and_Chicago_University_of_Illinois_Press_2005_Pp_xii_230_35_00","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":257992,"name":"Historical Studies","url":"https://www.academia.edu/Documents/in/Historical_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250332"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250332/Finale"><img alt="Research paper thumbnail of Finale" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250332/Finale">Finale</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The F...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250332"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250332"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250332; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250332]").text(description); $(".js-view-count[data-work-id=72250332]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250332; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250332']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250332, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250332]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250332,"title":"Finale","translated_title":"","metadata":{"abstract":"In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably ...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably ...","internal_url":"https://www.academia.edu/72250332/Finale","translated_internal_url":"","created_at":"2022-02-22T12:31:52.911-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Finale","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250331"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250331/Entr_acte"><img alt="Research paper thumbnail of Entr’acte" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250331/Entr_acte">Entr’acte</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that dep...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that depict different aspects of the same Philadelphia streetscape, conveying the necessity of imaginative perspective to construct Philadelphia as a city. To use Birch’s words, these images, and the literary texts I read in Part II, meditate on Philadelphia as a city “raised, as it were, by magic power.”</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250331"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250331"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250331; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250331]").text(description); $(".js-view-count[data-work-id=72250331]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250331; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250331']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250331, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250331]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250331,"title":"Entr’acte","translated_title":"","metadata":{"abstract":"The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that depict different aspects of the same Philadelphia streetscape, conveying the necessity of imaginative perspective to construct Philadelphia as a city. To use Birch’s words, these images, and the literary texts I read in Part II, meditate on Philadelphia as a city “raised, as it were, by magic power.”","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"The entr’acte, “Framing Urban Spaces,” focuses on two images by William and Thomas Birch that depict different aspects of the same Philadelphia streetscape, conveying the necessity of imaginative perspective to construct Philadelphia as a city. To use Birch’s words, these images, and the literary texts I read in Part II, meditate on Philadelphia as a city “raised, as it were, by magic power.”","internal_url":"https://www.academia.edu/72250331/Entr_acte","translated_internal_url":"","created_at":"2022-02-22T12:31:52.837-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Entr_acte","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250330"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250330/Obliged_to_Wander"><img alt="Research paper thumbnail of Obliged to Wander" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250330/Obliged_to_Wander">Obliged to Wander</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of peop...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gende...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250330"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250330"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250330; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250330]").text(description); $(".js-view-count[data-work-id=72250330]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250330; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250330']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250330, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250330]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250330,"title":"Obliged to Wander","translated_title":"","metadata":{"abstract":"Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gende...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gende...","internal_url":"https://www.academia.edu/72250330/Obliged_to_Wander","translated_internal_url":"","created_at":"2022-02-22T12:31:52.761-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Obliged_to_Wander","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250329"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250329/Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending"><img alt="Research paper thumbnail of Naturist as Tourist: Mary Austin’s “Automobile Eye View” in The Land of Journeys’ Ending" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250329/Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending">Naturist as Tourist: Mary Austin’s “Automobile Eye View” in The Land of Journeys’ Ending</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only rhetorically, as her final resting place. As she writes in The Land of Journeys’ Ending, “Here, at least, I shall haunt, and as the time-streams bend and swirl about the Rock, I shall see again all the times that I have loved, and know certainly all that now I guess at” (231). Whether or not Austin’s ghost remains at El Morro, her shade certainly haunts Lawrence Clark Powell’s novel of the same name. In El Morro (1984), Powell pairs his Austin-obsessed heroine Aria with an attractive western guide named Stone, who remembers hoisting the cantankerous Austin up El M ono’s steep trails in the early days of his career. With Stone’s help, Aria reconstructs the journey through Arizona and New Mexico that Austin describes in The Land of Journeys’ Ending. Aria is devoted to Austin’s text. She has committed long passages to memory, presses flowers between appropriate pages of</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250329"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250329"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250329; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250329]").text(description); $(".js-view-count[data-work-id=72250329]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250329; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250329']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250329, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250329]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250329,"title":"Naturist as Tourist: Mary Austin’s “Automobile Eye View” in The Land of Journeys’ Ending","translated_title":"","metadata":{"abstract":"When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only rhetorically, as her final resting place. As she writes in The Land of Journeys’ Ending, “Here, at least, I shall haunt, and as the time-streams bend and swirl about the Rock, I shall see again all the times that I have loved, and know certainly all that now I guess at” (231). Whether or not Austin’s ghost remains at El Morro, her shade certainly haunts Lawrence Clark Powell’s novel of the same name. In El Morro (1984), Powell pairs his Austin-obsessed heroine Aria with an attractive western guide named Stone, who remembers hoisting the cantankerous Austin up El M ono’s steep trails in the early days of his career. With Stone’s help, Aria reconstructs the journey through Arizona and New Mexico that Austin describes in The Land of Journeys’ Ending. Aria is devoted to Austin’s text. She has committed long passages to memory, presses flowers between appropriate pages of","publication_date":{"day":null,"month":null,"year":2004,"errors":{}}},"translated_abstract":"When Mary Austin visited El Morro, New Mexico, in 1923, she was moved to choose the site, if only rhetorically, as her final resting place. As she writes in The Land of Journeys’ Ending, “Here, at least, I shall haunt, and as the time-streams bend and swirl about the Rock, I shall see again all the times that I have loved, and know certainly all that now I guess at” (231). Whether or not Austin’s ghost remains at El Morro, her shade certainly haunts Lawrence Clark Powell’s novel of the same name. In El Morro (1984), Powell pairs his Austin-obsessed heroine Aria with an attractive western guide named Stone, who remembers hoisting the cantankerous Austin up El M ono’s steep trails in the early days of his career. With Stone’s help, Aria reconstructs the journey through Arizona and New Mexico that Austin describes in The Land of Journeys’ Ending. Aria is devoted to Austin’s text. She has committed long passages to memory, presses flowers between appropriate pages of","internal_url":"https://www.academia.edu/72250329/Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending","translated_internal_url":"","created_at":"2022-02-22T12:31:52.679-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Naturist_as_Tourist_Mary_Austin_s_Automobile_Eye_View_in_The_Land_of_Journeys_Ending","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250328"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250328/Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography"><img alt="Research paper thumbnail of Circling the Squares: City-Building in Benjamin Franklin’s Autobiography" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250328/Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography">Circling the Squares: City-Building in Benjamin Franklin’s Autobiography</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobiography shifts from the realm of metaphor to play a concrete role in Philadelphia’s early development. In the narrative, itself recursive, Franklin becomes urban by circulating through London’s streets and performing a cosmopolitan self. On his return home to Philadelphia, he continues this pattern of performative circulation, circling city blocks and cycling through his self-designed grid of improvement. And in a distinctly American move, Franklin leverages this persona by circulating his name—on petitions, bonds, and currency—to build the city of Philadelphia. Franklin’s circulation through locales such as Boston, Philadelphia, London, and Paris transformed Philadelphia’s built spaces; his literary formulations of these processes in the Autobiography reveal him to be a major theorist, as well as a builder, of eighteenth-century American urbanity. As Franklin circles the squares—of grid...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250328"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250328"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250328; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250328]").text(description); $(".js-view-count[data-work-id=72250328]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250328; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250328']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250328, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250328]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250328,"title":"Circling the Squares: City-Building in Benjamin Franklin’s Autobiography","translated_title":"","metadata":{"abstract":"This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobiography shifts from the realm of metaphor to play a concrete role in Philadelphia’s early development. In the narrative, itself recursive, Franklin becomes urban by circulating through London’s streets and performing a cosmopolitan self. On his return home to Philadelphia, he continues this pattern of performative circulation, circling city blocks and cycling through his self-designed grid of improvement. And in a distinctly American move, Franklin leverages this persona by circulating his name—on petitions, bonds, and currency—to build the city of Philadelphia. Franklin’s circulation through locales such as Boston, Philadelphia, London, and Paris transformed Philadelphia’s built spaces; his literary formulations of these processes in the Autobiography reveal him to be a major theorist, as well as a builder, of eighteenth-century American urbanity. As Franklin circles the squares—of grid...","publication_date":{"day":null,"month":null,"year":2017,"errors":{}}},"translated_abstract":"This essay argues that the pattern of recursive circulation visible in Benjamin Franklin’s Autobiography shifts from the realm of metaphor to play a concrete role in Philadelphia’s early development. In the narrative, itself recursive, Franklin becomes urban by circulating through London’s streets and performing a cosmopolitan self. On his return home to Philadelphia, he continues this pattern of performative circulation, circling city blocks and cycling through his self-designed grid of improvement. And in a distinctly American move, Franklin leverages this persona by circulating his name—on petitions, bonds, and currency—to build the city of Philadelphia. Franklin’s circulation through locales such as Boston, Philadelphia, London, and Paris transformed Philadelphia’s built spaces; his literary formulations of these processes in the Autobiography reveal him to be a major theorist, as well as a builder, of eighteenth-century American urbanity. As Franklin circles the squares—of grid...","internal_url":"https://www.academia.edu/72250328/Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography","translated_internal_url":"","created_at":"2022-02-22T12:31:52.595-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Circling_the_Squares_City_Building_in_Benjamin_Franklin_s_Autobiography","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250327"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250327/Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City"><img alt="Research paper thumbnail of Urban Rehearsals and Novel Plots in the Early American City" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250327/Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City">Urban Rehearsals and Novel Plots in the Early American City</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic’s aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Through...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250327"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250327"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250327; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250327]").text(description); $(".js-view-count[data-work-id=72250327]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250327; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250327']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250327, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250327]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250327,"title":"Urban Rehearsals and Novel Plots in the Early American City","translated_title":"","metadata":{"abstract":"Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic’s aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Through...","publisher":"Oxford University Press"},"translated_abstract":"Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how texts, theater, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic’s aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Through...","internal_url":"https://www.academia.edu/72250327/Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City","translated_internal_url":"","created_at":"2022-02-22T12:31:52.518-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Urban_Rehearsals_and_Novel_Plots_in_the_Early_American_City","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250326"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250326/Prologue_Open_House_in_New_York"><img alt="Research paper thumbnail of Prologue: Open House in New York" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250326/Prologue_Open_House_in_New_York">Prologue: Open House in New York</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel prin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel printed in the American colonies, to the most widely known literary representation of the eighteenth-century US city, Royall Tyler’s 1787 play The Contrast. Though printing Pamela was not a successful venture for Benjamin Franklin, abridged versions of Pamela that eliminated Richardson’s use of dialogue would become popular with US readers later on. But Americans could find snappy repartée on stage in English comedies both before and after independence. The Contrast borrows from these forms to theatrically open an imagined New York home to a local audience largely for comic effect; novels would take up the play’s use of dialogue and direct address as they began to draw the curtain on the urban home.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250326"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250326"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250326; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250326]").text(description); $(".js-view-count[data-work-id=72250326]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250326; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250326']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250326, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250326]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250326,"title":"Prologue: Open House in New York","translated_title":"","metadata":{"abstract":"The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel printed in the American colonies, to the most widely known literary representation of the eighteenth-century US city, Royall Tyler’s 1787 play The Contrast. Though printing Pamela was not a successful venture for Benjamin Franklin, abridged versions of Pamela that eliminated Richardson’s use of dialogue would become popular with US readers later on. But Americans could find snappy repartée on stage in English comedies both before and after independence. The Contrast borrows from these forms to theatrically open an imagined New York home to a local audience largely for comic effect; novels would take up the play’s use of dialogue and direct address as they began to draw the curtain on the urban home.","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"The prologue, “Open House in New York,” connects Samuel Richardson’s Pamela, the first novel printed in the American colonies, to the most widely known literary representation of the eighteenth-century US city, Royall Tyler’s 1787 play The Contrast. Though printing Pamela was not a successful venture for Benjamin Franklin, abridged versions of Pamela that eliminated Richardson’s use of dialogue would become popular with US readers later on. But Americans could find snappy repartée on stage in English comedies both before and after independence. The Contrast borrows from these forms to theatrically open an imagined New York home to a local audience largely for comic effect; novels would take up the play’s use of dialogue and direct address as they began to draw the curtain on the urban home.","internal_url":"https://www.academia.edu/72250326/Prologue_Open_House_in_New_York","translated_internal_url":"","created_at":"2022-02-22T12:31:52.445-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Prologue_Open_House_in_New_York","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250325"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250325/Getting_Around_the_Protocity"><img alt="Research paper thumbnail of Getting Around the Protocity" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250325/Getting_Around_the_Protocity">Getting Around the Protocity</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative netwo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative networks through the practices of urban visiting and letter writing that structure Hannah Webster Foster’s epistolary texts The Coquette (1797) and The Boarding School (1798). I highlight gendered models of urban mobility and education by contrasting Foster’s texts to the first Franklinian formulations of city- and self-making that had become available to American readers in 1794. Uniquely among the texts in Urban Rehearsals, Foster’s books are set in the present and contain letters written by young white urban characters that describe the particular places within and among which they move. Most readers of early American novels are familiar with The Coquette, in which seduction turns Eliza Wharton’s spirited mobility into tragic stasis, just as it did for the real Elizabeth Whitman and the fictional Charlotte Temple. Foster’s second book, The Boarding School, features an all-female cast of ch...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250325"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250325"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250325; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250325]").text(description); $(".js-view-count[data-work-id=72250325]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250325; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250325']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250325, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250325]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250325,"title":"Getting Around the Protocity","translated_title":"","metadata":{"abstract":"Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative networks through the practices of urban visiting and letter writing that structure Hannah Webster Foster’s epistolary texts The Coquette (1797) and The Boarding School (1798). I highlight gendered models of urban mobility and education by contrasting Foster’s texts to the first Franklinian formulations of city- and self-making that had become available to American readers in 1794. Uniquely among the texts in Urban Rehearsals, Foster’s books are set in the present and contain letters written by young white urban characters that describe the particular places within and among which they move. Most readers of early American novels are familiar with The Coquette, in which seduction turns Eliza Wharton’s spirited mobility into tragic stasis, just as it did for the real Elizabeth Whitman and the fictional Charlotte Temple. Foster’s second book, The Boarding School, features an all-female cast of ch...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 3, “Getting Around the Protocity,” tracks the emerging city’s local and associative networks through the practices of urban visiting and letter writing that structure Hannah Webster Foster’s epistolary texts The Coquette (1797) and The Boarding School (1798). I highlight gendered models of urban mobility and education by contrasting Foster’s texts to the first Franklinian formulations of city- and self-making that had become available to American readers in 1794. Uniquely among the texts in Urban Rehearsals, Foster’s books are set in the present and contain letters written by young white urban characters that describe the particular places within and among which they move. Most readers of early American novels are familiar with The Coquette, in which seduction turns Eliza Wharton’s spirited mobility into tragic stasis, just as it did for the real Elizabeth Whitman and the fictional Charlotte Temple. Foster’s second book, The Boarding School, features an all-female cast of ch...","internal_url":"https://www.academia.edu/72250325/Getting_Around_the_Protocity","translated_internal_url":"","created_at":"2022-02-22T12:31:52.370-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Getting_Around_the_Protocity","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250324"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250324/Urban_Illuminations_in_Ormond"><img alt="Research paper thumbnail of Urban Illuminations in Ormond" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250324/Urban_Illuminations_in_Ormond">Urban Illuminations in Ormond</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Concerned that the city’s water supply might have contributed to the devastating 1793 yellow feve...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology tha...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250324"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250324"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250324; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250324]").text(description); $(".js-view-count[data-work-id=72250324]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250324; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250324']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250324, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250324]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250324,"title":"Urban Illuminations in Ormond","translated_title":"","metadata":{"abstract":"Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology tha...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology tha...","internal_url":"https://www.academia.edu/72250324/Urban_Illuminations_in_Ormond","translated_internal_url":"","created_at":"2022-02-22T12:31:52.292-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Urban_Illuminations_in_Ormond","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250323"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250323/Philadelphia_s_Fevered_Readers"><img alt="Research paper thumbnail of Philadelphia’s Fevered Readers" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250323/Philadelphia_s_Fevered_Readers">Philadelphia’s Fevered Readers</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fev...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fever epidemic. Philadelphia was the young republic’s most cosmopolitan and diverse city. Yet its social landscape was fragmented and fragile, threatened by disease, economic instability, and national consolidation. The crisis of repeated fever outbreaks forced Philadelphians out of their religious and class circles toward a more connected urbanity. This chapter argues that in the wake of the epidemic, readers in Philadelphia initially bypassed realistic narratives of suffering, including printer Mathew Carey’s multiple Accounts of the Yellow Fever (1793–94) to seek the shared comfort of sympathy in the more generic tragedy of Susanna Rowson’s Charlotte, A Tale of Truth (1791, London; 1794, Philadelphia), the novel we now know as Charlotte Temple. Just as Carey found refuge in the theater, his customers eagerly immersed themselves in Rowson’s melodramatic text, making Charlotte the nation’s...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250323"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250323"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250323; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250323]").text(description); $(".js-view-count[data-work-id=72250323]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250323; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250323']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250323, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250323]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250323,"title":"Philadelphia’s Fevered Readers","translated_title":"","metadata":{"abstract":"Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fever epidemic. Philadelphia was the young republic’s most cosmopolitan and diverse city. Yet its social landscape was fragmented and fragile, threatened by disease, economic instability, and national consolidation. The crisis of repeated fever outbreaks forced Philadelphians out of their religious and class circles toward a more connected urbanity. This chapter argues that in the wake of the epidemic, readers in Philadelphia initially bypassed realistic narratives of suffering, including printer Mathew Carey’s multiple Accounts of the Yellow Fever (1793–94) to seek the shared comfort of sympathy in the more generic tragedy of Susanna Rowson’s Charlotte, A Tale of Truth (1791, London; 1794, Philadelphia), the novel we now know as Charlotte Temple. Just as Carey found refuge in the theater, his customers eagerly immersed themselves in Rowson’s melodramatic text, making Charlotte the nation’s...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 2, “Philadelphia’s Fevered Readers,” explores the literary aftermath of 1793’s yellow fever epidemic. Philadelphia was the young republic’s most cosmopolitan and diverse city. Yet its social landscape was fragmented and fragile, threatened by disease, economic instability, and national consolidation. The crisis of repeated fever outbreaks forced Philadelphians out of their religious and class circles toward a more connected urbanity. This chapter argues that in the wake of the epidemic, readers in Philadelphia initially bypassed realistic narratives of suffering, including printer Mathew Carey’s multiple Accounts of the Yellow Fever (1793–94) to seek the shared comfort of sympathy in the more generic tragedy of Susanna Rowson’s Charlotte, A Tale of Truth (1791, London; 1794, Philadelphia), the novel we now know as Charlotte Temple. Just as Carey found refuge in the theater, his customers eagerly immersed themselves in Rowson’s melodramatic text, making Charlotte the nation’s...","internal_url":"https://www.academia.edu/72250323/Philadelphia_s_Fevered_Readers","translated_internal_url":"","created_at":"2022-02-22T12:31:52.194-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Philadelphia_s_Fevered_Readers","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250322"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250322/Kelroy_s_Shifting_City"><img alt="Research paper thumbnail of Kelroy’s Shifting City" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250322/Kelroy_s_Shifting_City">Kelroy’s Shifting City</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, wh...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Ke...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250322"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250322"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250322; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250322]").text(description); $(".js-view-count[data-work-id=72250322]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250322; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250322']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250322, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250322]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250322,"title":"Kelroy’s Shifting City","translated_title":"","metadata":{"abstract":"Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Ke...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Ke...","internal_url":"https://www.academia.edu/72250322/Kelroy_s_Shifting_City","translated_internal_url":"","created_at":"2022-02-22T12:31:52.109-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Kelroy_s_Shifting_City","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="72250321"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72250321/Drama_Uncloseted_in_Boston"><img alt="Research paper thumbnail of Drama Uncloseted in Boston" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72250321/Drama_Uncloseted_in_Boston">Drama Uncloseted in Boston</a></div><div class="wp-workCard_item"><span>Urban Rehearsals and Novel Plots in the Early American City</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where p...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72250321"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72250321"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72250321; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72250321]").text(description); $(".js-view-count[data-work-id=72250321]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72250321; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='72250321']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 72250321, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=72250321]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":72250321,"title":"Drama Uncloseted in Boston","translated_title":"","metadata":{"abstract":"Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where p...","publisher":"Oxford University Press","publication_name":"Urban Rehearsals and Novel Plots in the Early American City"},"translated_abstract":"Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where p...","internal_url":"https://www.academia.edu/72250321/Drama_Uncloseted_in_Boston","translated_internal_url":"","created_at":"2022-02-22T12:31:51.542-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":44151013,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Drama_Uncloseted_in_Boston","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":44151013,"first_name":"Betsy","middle_initials":null,"last_name":"Klimasmith","page_name":"BetsyKlimasmith","domain_name":"independent","created_at":"2016-02-29T06:04:10.662-08:00","display_name":"Betsy Klimasmith","url":"https://independent.academia.edu/BetsyKlimasmith"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/google_contacts-0dfb882d836b94dbcb4a2d123d6933fc9533eda5be911641f20b4eb428429600.js"], function() { // from javascript_helper.rb $('.js-google-connect-button').click(function(e) { e.preventDefault(); GoogleContacts.authorize_and_show_contacts(); Aedu.Dismissibles.recordClickthrough("WowProfileImportContactsPrompt"); }); $('.js-update-biography-button').click(function(e) { e.preventDefault(); Aedu.Dismissibles.recordClickthrough("UpdateUserBiographyPrompt"); $.ajax({ url: $r.api_v0_profiles_update_about_path({ subdomain_param: 'api', about: "", }), type: 'PUT', success: function(response) { location.reload(); } }); }); $('.js-work-creator-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_document_path({ source: encodeURIComponent(""), }); }); $('.js-video-upload-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_video_path({ source: encodeURIComponent(""), }); }); $('.js-do-this-later-button').click(function() { $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("WowProfileImportContactsPrompt"); }); $('.js-update-biography-do-this-later-button').click(function(){ $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("UpdateUserBiographyPrompt"); }); $('.wow-profile-mentions-upsell--close').click(function(){ $('.wow-profile-mentions-upsell--panel').hide(); Aedu.Dismissibles.recordDismissal("WowProfileMentionsUpsell"); }); $('.wow-profile-mentions-upsell--button').click(function(){ Aedu.Dismissibles.recordClickthrough("WowProfileMentionsUpsell"); }); new WowProfile.SocialRedesignUserWorks({ initialWorksOffset: 20, allWorksOffset: 20, maxSections: 1 }) }); </script> </div></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile_edit-5ea339ee107c863779f560dd7275595239fed73f1a13d279d2b599a28c0ecd33.js","https://a.academia-assets.com/assets/add_coauthor-22174b608f9cb871d03443cafa7feac496fb50d7df2d66a53f5ee3c04ba67f53.js","https://a.academia-assets.com/assets/tab-dcac0130902f0cc2d8cb403714dd47454f11fc6fb0e99ae6a0827b06613abc20.js","https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js"], function() { // from javascript_helper.rb window.ae = window.ae || {}; window.ae.WowProfile = window.ae.WowProfile || {}; if(Aedu.User.current && Aedu.User.current.id === $viewedUser.id) { window.ae.WowProfile.current_user_edit = {}; new WowProfileEdit.EditUploadView({ el: '.js-edit-upload-button-wrapper', model: window.$current_user, }); new AddCoauthor.AddCoauthorsController(); } var userInfoView = new WowProfile.SocialRedesignUserInfo({ recaptcha_key: "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB" }); WowProfile.router = new WowProfile.Router({ userInfoView: userInfoView }); Backbone.history.start({ pushState: true, root: "/" + $viewedUser.page_name }); new WowProfile.UserWorksNav() }); </script> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "207168e5605131e44a9decf25f5274027759262838b082d7c8fbfcf38700026d", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="Aqfu3u2L5Hw4CNaGGqBuepkfmqjy9qoklNzLLvUCejzq45Q+Kg9G4/Iet7qGhAA7ZsewjkgS9bGPGdXYITM9yg==" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://independent.academia.edu/BetsyKlimasmith" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="lakllb03/Gs9kOnEX994xoqdqADf4a9u4WWthoflGMx97V91erNe9PeGiPjD+xaHdUWCJmUF8Pv6oLNwU9RfOg==" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a rel="nofollow" href="https://medium.com/academia">Blog</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2024</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>