CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>14th-16th Centuries Counterpoint Research Papers - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "by_tag", 'action': "show_one", 'controller_action': 'by_tag#show_one', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="p3ZKEIk1w9v5Lfp/gIqouQRB4LOHLYoiusVpvkHqKTE88bdpgrFgOZRW2hZlx1YYj1rn8VvtpPsquxjTnS2WVg==" /> <link href="/Documents/in/14th-16th_Centuries_Counterpoint?after=50%2C35722815" rel="next" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-10fa40af19d25203774df2d4a03b9b5771b45109c2304968038e88a81d1215c5.css" /> <meta name="description" content="View 14th-16th Centuries Counterpoint Research Papers on Academia.edu for free." /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'by_tag'; var $action_name = "show_one"; var $rails_env = 'production'; var $app_rev = 'c7c923e13c2d00b99cbe85c9159af2026a636b1c'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":15272,"monthly_visitors":"114 million","monthly_visitor_count":114182280,"monthly_visitor_count_in_millions":114,"user_count":277431163,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1732694704000); window.Aedu.timeDifference = new Date().getTime() - 1732694704000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" rel="stylesheet"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-296162c7af6fd81dcdd76f1a94f1fad04fb5f647401337d136fe8b68742170b1.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-abfe14709f87872daacfe98b00812033ac214684652bef9d49abfed8b549f9f6.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-57c07c4415ad4e6a22ced3639e4df9a5401c1e44346ffeb379134e0f2293c589.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint" /> </head>   <body class='c-by_tag a-show_one logged_out u-bgColorWhite'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav no-sm no-md"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://medium.com/@academia">Blog</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <div class="DesignSystem" style="margin-top:-40px"><div class="PageHeader"><div class="container"><div class="row"><style type="text/css">.sor-abstract { display: -webkit-box; overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">14th-16th Centuries Counterpoint</h1><div class="u-tcGrayDark">229 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>14th-16th Centuries Counterpoint</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/14th-16th_Centuries_Counterpoint">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45080642" data-work_id="45080642" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45080642/Fors_seullement_vocum_quinque_%C3%96NB_Mus_HS_18746_Laura_D%C3%BCmpelmann_Kunstuni_Graz">Fors seullement, vocum quinque - ÖNB Mus. HS. 18746. Laura Dümpelmann, Kunstuni Graz</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die Handschrift Hs. Mus. 18746 in 5 Stimmbüchern, datiert 1523 und heute in der Österreichischen Nationalbibliothek, ist die früheste aktuell bekannte Sammlung ausschließlich 5 - stimmiger weltlicher Musik, dennoch relativ unbeachtet.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45080642" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die Handschrift Hs. Mus. 18746 in 5 Stimmbüchern, datiert 1523 und heute in der Österreichischen Nationalbibliothek, ist die früheste aktuell bekannte Sammlung ausschließlich 5 - stimmiger weltlicher Musik, dennoch relativ unbeachtet. Unter den 56 Kompositionen befindet sich eine signifikant große Anzahl an Wiederbearbeitungen ursprünglich 3 - stimmiger Chansons (Art - Song - Reworkings). Wiederum unter diesen fallen die 7 Bearbeitungen von “Fors seullement” am Ende der Handschrift auf. Ziel der Arbeit ist ein tiefer gehendes Verständnis der Kompositionsweise dieser Stücke. Dafür werden Techniken für die Entstehung von Art - Song - Reworkings erklärt und anhand von Gioseffo Zarlinos “Institutii Harmoniche” (1558) Kriterien für die Stücke, insbesondere für Komposition mit 5 und mehr Stimmen, erarbeitet. Darauf basieren die folgenden Analysen der Stücke, hauptsächlich nach Kadenzen, Modi, cantus firmus - Behandlung und Imitation. Die 7 Kompositionen sind sehr vielfältig und befinden sich auch nach der Analyse nicht eindeutig zuzuordnen im Spannungsfeld zwischen der im 15. Jahrhundert aufblühenden Praxis Chansons zu bearbeiten und einer moderneren Kompositionsweise, die in Theorie und Praxis ab der Mitte des 16. Jahrhunderts zu finden ist.<br /> <br />(incl. Transkriptionen in Partiturform und korrigierten Facsimiles) </div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45080642" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="851b7504a1c440dfb42d85c6a4c8a503" rel="nofollow" data-download="{"attachment_id":65639212,"asset_id":45080642,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65639212/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="125433884" href="https://kug.academia.edu/LauraD%C3%BCmpelmann">Laura Dümpelmann</a><script data-card-contents-for-user="125433884" type="text/json">{"id":125433884,"first_name":"Laura","last_name":"Dümpelmann","domain_name":"kug","page_name":"LauraDümpelmann","display_name":"Laura Dümpelmann","profile_url":"https://kug.academia.edu/LauraD%C3%BCmpelmann?f_ri=22842","photo":"https://0.academia-photos.com/125433884/31866304/29061176/s65_laura.d_mpelmann.jpg"}</script></span></span></li><li class="js-paper-rank-work_45080642 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45080642"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45080642, container: ".js-paper-rank-work_45080642", }); });</script></li><li class="js-percentile-work_45080642 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45080642; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45080642"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45080642 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45080642"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45080642; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45080642]").text(description); $(".js-view-count-work_45080642").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45080642").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45080642"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2366" href="https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books">Manuscripts and Early Printed Books</a>, <script data-card-contents-for-ri="2366" type="text/json">{"id":2366,"name":"Manuscripts and Early Printed Books","url":"https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14871" href="https://www.academia.edu/Documents/in/Johannes_Ockeghem">Johannes Ockeghem</a>, <script data-card-contents-for-ri="14871" type="text/json">{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15841" href="https://www.academia.edu/Documents/in/16th_Century_Counterpoint">16th Century Counterpoint</a>, <script data-card-contents-for-ri="15841" type="text/json">{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a><script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45080642]'), work: {"id":45080642,"title":"Fors seullement, vocum quinque - ÖNB Mus. HS. 18746. Laura Dümpelmann, Kunstuni Graz","created_at":"2021-02-08T13:03:41.101-08:00","url":"https://www.academia.edu/45080642/Fors_seullement_vocum_quinque_%C3%96NB_Mus_HS_18746_Laura_D%C3%BCmpelmann_Kunstuni_Graz?f_ri=22842","dom_id":"work_45080642","summary":"Die Handschrift Hs. Mus. 18746 in 5 Stimmbüchern, datiert 1523 und heute in der Österreichischen Nationalbibliothek, ist die früheste aktuell bekannte Sammlung ausschließlich 5 - stimmiger weltlicher Musik, dennoch relativ unbeachtet. Unter den 56 Kompositionen befindet sich eine signifikant große Anzahl an Wiederbearbeitungen ursprünglich 3 - stimmiger Chansons (Art - Song - Reworkings). Wiederum unter diesen fallen die 7 Bearbeitungen von “Fors seullement” am Ende der Handschrift auf. Ziel der Arbeit ist ein tiefer gehendes Verständnis der Kompositionsweise dieser Stücke. Dafür werden Techniken für die Entstehung von Art - Song - Reworkings erklärt und anhand von Gioseffo Zarlinos “Institutii Harmoniche” (1558) Kriterien für die Stücke, insbesondere für Komposition mit 5 und mehr Stimmen, erarbeitet. Darauf basieren die folgenden Analysen der Stücke, hauptsächlich nach Kadenzen, Modi, cantus firmus - Behandlung und Imitation. Die 7 Kompositionen sind sehr vielfältig und befinden sich auch nach der Analyse nicht eindeutig zuzuordnen im Spannungsfeld zwischen der im 15. Jahrhundert aufblühenden Praxis Chansons zu bearbeiten und einer moderneren Kompositionsweise, die in Theorie und Praxis ab der Mitte des 16. Jahrhunderts zu finden ist.\n \n(incl. Transkriptionen in Partiturform und korrigierten Facsimiles) ","downloadable_attachments":[{"id":65639212,"asset_id":45080642,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":125433884,"first_name":"Laura","last_name":"Dümpelmann","domain_name":"kug","page_name":"LauraDümpelmann","display_name":"Laura Dümpelmann","profile_url":"https://kug.academia.edu/LauraD%C3%BCmpelmann?f_ri=22842","photo":"https://0.academia-photos.com/125433884/31866304/29061176/s65_laura.d_mpelmann.jpg"}],"research_interests":[{"id":2366,"name":"Manuscripts and Early Printed Books","url":"https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books?f_ri=22842","nofollow":false},{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=22842","nofollow":false},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":48389,"name":"Gioseffo Zarlino","url":"https://www.academia.edu/Documents/in/Gioseffo_Zarlino?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":915354,"name":"Petrus Alamire","url":"https://www.academia.edu/Documents/in/Petrus_Alamire?f_ri=22842"},{"id":915360,"name":"Pierre De La Rue","url":"https://www.academia.edu/Documents/in/Pierre_De_La_Rue?f_ri=22842"},{"id":915963,"name":"Fugger Family","url":"https://www.academia.edu/Documents/in/Fugger_Family?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37081566" data-work_id="37081566" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37081566/Canon_a13_from_the_Eton_Choirbook_Robert_Wylkynson_c_1450_c_1515_Jesus_autem_transiens_Credo_in_Deum_Source_Eton_College_Library_Eton_England_GB_WRec_MS_178_fol_126v_">Canon a13 from the Eton Choirbook (Robert Wylkynson, c. 1450 - c. 1515), "Jesus autem transiens, Credo in Deum" (Source: Eton College Library, Eton, England (GB-WRec), MS 178, fol. 126v.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Complete transcription and reconstruction of the canon a13 for Christ and his Twelve Disciples on the Apostles Creed. This piece is found in both the Eton Choirbook and the Baldwin Manuscript. This edition contained both the fully... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37081566" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Complete transcription and reconstruction of the canon a13 for Christ and his Twelve Disciples on the Apostles Creed. This piece is found in both the Eton Choirbook and the Baldwin Manuscript. This edition contained both the fully realized canon as well as a modern reconstruction of the original monophonic version of the canon, as found in the manuscripts. <br /> <br />For a recording with a score animation see the link below: <br /><a href="https://www.youtube.com/watch?v=TBu66rLAv7I" rel="nofollow">https://www.youtube.com/watch?v=TBu66rLAv7I</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37081566" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8bbf8c37309bcdd959389e6fbf82c8b9" rel="nofollow" data-download="{"attachment_id":57033591,"asset_id":37081566,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57033591/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_37081566 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37081566"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37081566, container: ".js-paper-rank-work_37081566", }); });</script></li><li class="js-percentile-work_37081566 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37081566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37081566"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37081566 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37081566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37081566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37081566]").text(description); $(".js-view-count-work_37081566").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37081566").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37081566"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">91</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37081566]'), work: {"id":37081566,"title":"Canon a13 from the Eton Choirbook (Robert Wylkynson, c. 1450 - c. 1515), \"Jesus autem transiens, Credo in Deum\" (Source: Eton College Library, Eton, England (GB-WRec), MS 178, fol. 126v.)","created_at":"2018-07-19T17:24:08.037-07:00","url":"https://www.academia.edu/37081566/Canon_a13_from_the_Eton_Choirbook_Robert_Wylkynson_c_1450_c_1515_Jesus_autem_transiens_Credo_in_Deum_Source_Eton_College_Library_Eton_England_GB_WRec_MS_178_fol_126v_?f_ri=22842","dom_id":"work_37081566","summary":"Complete transcription and reconstruction of the canon a13 for Christ and his Twelve Disciples on the Apostles Creed. This piece is found in both the Eton Choirbook and the Baldwin Manuscript. This edition contained both the fully realized canon as well as a modern reconstruction of the original monophonic version of the canon, as found in the manuscripts.\r\n\r\nFor a recording with a score animation see the link below:\r\nhttps://www.youtube.com/watch?v=TBu66rLAv7I","downloadable_attachments":[{"id":57033591,"asset_id":37081566,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10015,"name":"British Music","url":"https://www.academia.edu/Documents/in/British_Music?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":17548,"name":"English sacred music","url":"https://www.academia.edu/Documents/in/English_sacred_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":19748,"name":"Opera,Choral And Vocal Music","url":"https://www.academia.edu/Documents/in/Opera_Choral_And_Vocal_Music?f_ri=22842"},{"id":21425,"name":"British Isles traditional music","url":"https://www.academia.edu/Documents/in/British_Isles_traditional_music?f_ri=22842"},{"id":21710,"name":"Choral Music","url":"https://www.academia.edu/Documents/in/Choral_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58768,"name":"English Musical Renaissance","url":"https://www.academia.edu/Documents/in/English_Musical_Renaissance?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":64166,"name":"English Music","url":"https://www.academia.edu/Documents/in/English_Music?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":97431,"name":"English Renaissance","url":"https://www.academia.edu/Documents/in/English_Renaissance?f_ri=22842"},{"id":116379,"name":"Choral Music and Church Music","url":"https://www.academia.edu/Documents/in/Choral_Music_and_Church_Music?f_ri=22842"},{"id":126277,"name":"Musicology, art of singing: opera, and choral music","url":"https://www.academia.edu/Documents/in/Musicology_art_of_singing_opera_and_choral_music?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":139751,"name":"Monophonic Counterpoint","url":"https://www.academia.edu/Documents/in/Monophonic_Counterpoint?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170131,"name":"Vocal Music","url":"https://www.academia.edu/Documents/in/Vocal_Music?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":264591,"name":"Historical Musicology \u0026 Vocal Pedagogy","url":"https://www.academia.edu/Documents/in/Historical_Musicology_and_Vocal_Pedagogy?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":348457,"name":"Nicean Creed","url":"https://www.academia.edu/Documents/in/Nicean_Creed?f_ri=22842"},{"id":349245,"name":"English Consort Music","url":"https://www.academia.edu/Documents/in/English_Consort_Music?f_ri=22842"},{"id":350564,"name":"Mensural Music","url":"https://www.academia.edu/Documents/in/Mensural_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":476598,"name":"Eton college","url":"https://www.academia.edu/Documents/in/Eton_college?f_ri=22842"},{"id":573757,"name":"Medieval and Renaissance manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_manuscripts?f_ri=22842"},{"id":582723,"name":"Early Modern English Music","url":"https://www.academia.edu/Documents/in/Early_Modern_English_Music?f_ri=22842"},{"id":601024,"name":"Renaissance Illuminated Manuscripts","url":"https://www.academia.edu/Documents/in/Renaissance_Illuminated_Manuscripts?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":623735,"name":"English Renaissance and Early Modern Sacred Choral Music","url":"https://www.academia.edu/Documents/in/English_Renaissance_and_Early_Modern_Sacred_Choral_Music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":894125,"name":"Sacred Choral Music","url":"https://www.academia.edu/Documents/in/Sacred_Choral_Music?f_ri=22842"},{"id":904434,"name":"Renaissance and Baroque Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music_Theory?f_ri=22842"},{"id":966726,"name":"Early Vocal Performance Practice","url":"https://www.academia.edu/Documents/in/Early_Vocal_Performance_Practice?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1333442,"name":"Renaissance Musicology","url":"https://www.academia.edu/Documents/in/Renaissance_Musicology?f_ri=22842"},{"id":1342722,"name":"White Mensural Notation","url":"https://www.academia.edu/Documents/in/White_Mensural_Notation?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1385429,"name":"Heterophony","url":"https://www.academia.edu/Documents/in/Heterophony?f_ri=22842"},{"id":1396905,"name":"Credo","url":"https://www.academia.edu/Documents/in/Credo?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1635794,"name":"Early Music Notation","url":"https://www.academia.edu/Documents/in/Early_Music_Notation?f_ri=22842"},{"id":1740639,"name":"Apostles Creed","url":"https://www.academia.edu/Documents/in/Apostles_Creed-1?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2543212,"name":"Apostles' Creed","url":"https://www.academia.edu/Documents/in/Apostles_Creed-2?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2851024,"name":"Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Renaissance_Polyphony?f_ri=22842"},{"id":2890911,"name":"Renaissance manuscripts","url":"https://www.academia.edu/Documents/in/Renaissance_manuscripts?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35548797" data-work_id="35548797" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35548797/Leonin_Organum_Purum_Viderunt_Omnes_comparative_manuscript_and_transcription_critical_edition_Sources_Florence_Firenze_Italy_I_Fl_MS_Pluteus_29_1_ff_99v_r_and_Wolfenbu_ttel_Germany_D_W_Cod_Guelf_628_Helmst_Magnus_Liber_Organi_W1_ff_25r_v_">Leonin: Organum Purum, "Viderunt Omnes" (comparative manuscript and transcription critical edition) (Sources: Florence (Firenze), Italy [I-Fl] MS Pluteus 29.1. ff. 99v-r & Wolfenbüttel, Germany (D-W), Cod. Guelf. 628 Helmst. “Magnus Liber Organi; W1”. ff. 25r-v)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A transcription of Leonin's "Viderunt Omnes" (c. mid to late 12th century), showing excerpts of the original two sources with comparative variations and a modern transcription. For a recording and score-video see the link below:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35548797" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A transcription of Leonin's "Viderunt Omnes" (c. mid to late 12th century), showing excerpts of the original two sources with comparative variations and a modern transcription. <br /> <br />For a recording and score-video see the link below: <br /><a href="https://www.youtube.com/watch?v=_p9WQlyVPrA" rel="nofollow">https://www.youtube.com/watch?v=_p9WQlyVPrA</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35548797" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f809b06f93328dbc3b4d6733e5317521" rel="nofollow" data-download="{"attachment_id":55414194,"asset_id":35548797,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55414194/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35548797 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35548797"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35548797, container: ".js-paper-rank-work_35548797", }); });</script></li><li class="js-percentile-work_35548797 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35548797; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35548797"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35548797 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35548797"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35548797; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35548797]").text(description); $(".js-view-count-work_35548797").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35548797").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35548797"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">112</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="684" href="https://www.academia.edu/Documents/in/Music_Theory_Pedagogy">Music Theory Pedagogy</a>, <script data-card-contents-for-ri="684" type="text/json">{"id":684,"name":"Music Theory Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Theory_Pedagogy?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35548797]'), work: {"id":35548797,"title":"Leonin: Organum Purum, \"Viderunt Omnes\" (comparative manuscript and transcription critical edition) (Sources: Florence (Firenze), Italy [I-Fl] MS Pluteus 29.1. ff. 99v-r \u0026 Wolfenbüttel, Germany (D-W), Cod. Guelf. 628 Helmst. “Magnus Liber Organi; W1”. ff. 25r-v)","created_at":"2017-12-31T16:45:26.737-08:00","url":"https://www.academia.edu/35548797/Leonin_Organum_Purum_Viderunt_Omnes_comparative_manuscript_and_transcription_critical_edition_Sources_Florence_Firenze_Italy_I_Fl_MS_Pluteus_29_1_ff_99v_r_and_Wolfenbu_ttel_Germany_D_W_Cod_Guelf_628_Helmst_Magnus_Liber_Organi_W1_ff_25r_v_?f_ri=22842","dom_id":"work_35548797","summary":"A transcription of Leonin's \"Viderunt Omnes\" (c. mid to late 12th century), showing excerpts of the original two sources with comparative variations and a modern transcription.\r\n\r\nFor a recording and score-video see the link below:\r\nhttps://www.youtube.com/watch?v=_p9WQlyVPrA","downloadable_attachments":[{"id":55414194,"asset_id":35548797,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":684,"name":"Music Theory Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Theory_Pedagogy?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":7617,"name":"Medieval Church History","url":"https://www.academia.edu/Documents/in/Medieval_Church_History?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":12525,"name":"Music History Pedagogy","url":"https://www.academia.edu/Documents/in/Music_History_Pedagogy?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":18206,"name":"Gregorian Chant","url":"https://www.academia.edu/Documents/in/Gregorian_Chant?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22386,"name":"Medieval Art","url":"https://www.academia.edu/Documents/in/Medieval_Art?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":25784,"name":"Computational Musicology","url":"https://www.academia.edu/Documents/in/Computational_Musicology?f_ri=22842"},{"id":26891,"name":"Manuscripts (Medieval Studies)","url":"https://www.academia.edu/Documents/in/Manuscripts_Medieval_Studies_?f_ri=22842"},{"id":26892,"name":"Codicology of medieval manuscripts","url":"https://www.academia.edu/Documents/in/Codicology_of_medieval_manuscripts?f_ri=22842"},{"id":26894,"name":"Medieval illuminated manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_illuminated_manuscripts?f_ri=22842"},{"id":28613,"name":"Gregorian Chant (Performing Arts)","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_Performing_Arts_?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":39329,"name":"Late Medieval Manuscripts","url":"https://www.academia.edu/Documents/in/Late_Medieval_Manuscripts?f_ri=22842"},{"id":42885,"name":"Notre dame polyphony","url":"https://www.academia.edu/Documents/in/Notre_dame_polyphony?f_ri=22842"},{"id":43329,"name":"World Music Pedagogy","url":"https://www.academia.edu/Documents/in/World_Music_Pedagogy?f_ri=22842"},{"id":52454,"name":"Medieval Manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_Manuscripts?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67595,"name":"Medieval manuscripts \u0026 early printed books; history of libraries; visual arts \u0026 digital media","url":"https://www.academia.edu/Documents/in/Medieval_manuscripts_and_early_printed_books_history_of_libraries_visual_arts_and_digital_media?f_ri=22842"},{"id":70419,"name":"Christmas","url":"https://www.academia.edu/Documents/in/Christmas?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":99560,"name":"Medieval manuscript and performance culture and the concept of medieval authorship","url":"https://www.academia.edu/Documents/in/Medieval_manuscript_and_performance_culture_and_the_concept_of_medieval_authorship?f_ri=22842"},{"id":99561,"name":"Paleography and editions of medieval manuscripts vs. print-culture editions of medieval texts","url":"https://www.academia.edu/Documents/in/Paleography_and_editions_of_medieval_manuscripts_vs._print-culture_editions_of_medieval_texts?f_ri=22842"},{"id":108052,"name":"Medieval Illumination and Recreation of Manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_Illumination_and_Recreation_of_Manuscripts?f_ri=22842"},{"id":113840,"name":"Medieval Musical Thought","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Thought?f_ri=22842"},{"id":124583,"name":"Chant research","url":"https://www.academia.edu/Documents/in/Chant_research?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165031,"name":"Ars Antiqua Motet","url":"https://www.academia.edu/Documents/in/Ars_Antiqua_Motet?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":172329,"name":"Medieval Art, Illuminated Manuscripts, Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_Art_Illuminated_Manuscripts_Medieval_History?f_ri=22842"},{"id":174729,"name":"Early Music \u0026 Early Tuning Temperaments","url":"https://www.academia.edu/Documents/in/Early_Music_and_Early_Tuning_Temperaments?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":194184,"name":"Ancient Greek Music Theory","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Music_Theory?f_ri=22842"},{"id":208599,"name":"Music Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Pedagogy?f_ri=22842"},{"id":243545,"name":"Liturgical tropes - liturgical chant","url":"https://www.academia.edu/Documents/in/Liturgical_tropes_-_liturgical_chant?f_ri=22842"},{"id":264591,"name":"Historical Musicology \u0026 Vocal Pedagogy","url":"https://www.academia.edu/Documents/in/Historical_Musicology_and_Vocal_Pedagogy?f_ri=22842"},{"id":265870,"name":"Musicology, Medieval Studies, Digital Humanities","url":"https://www.academia.edu/Documents/in/Musicology_Medieval_Studies_Digital_Humanities?f_ri=22842"},{"id":278962,"name":"Medieval Music, Codicology, Notation","url":"https://www.academia.edu/Documents/in/Medieval_Music_Codicology_Notation?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":319518,"name":"Pedagogia musical","url":"https://www.academia.edu/Documents/in/Pedagogia_musical?f_ri=22842"},{"id":341912,"name":"Medieval and Renaissance Keyboard Music","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Keyboard_Music?f_ri=22842"},{"id":349243,"name":"Early Keyboard Music","url":"https://www.academia.edu/Documents/in/Early_Keyboard_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":370426,"name":"Musicologie Médiévale","url":"https://www.academia.edu/Documents/in/Musicologie_Medievale?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":431583,"name":"Chant","url":"https://www.academia.edu/Documents/in/Chant?f_ri=22842"},{"id":450621,"name":"Old-Roman Chant","url":"https://www.academia.edu/Documents/in/Old-Roman_Chant?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":545455,"name":"Georgian Polyphony","url":"https://www.academia.edu/Documents/in/Georgian_Polyphony?f_ri=22842"},{"id":579323,"name":"Medieval liturgical music","url":"https://www.academia.edu/Documents/in/Medieval_liturgical_music?f_ri=22842"},{"id":596183,"name":"Early Organ Music","url":"https://www.academia.edu/Documents/in/Early_Organ_Music?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":615612,"name":"Automatic Music Transcription","url":"https://www.academia.edu/Documents/in/Automatic_Music_Transcription?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":693704,"name":"Music History; Medieval Studies; Cultural History","url":"https://www.academia.edu/Documents/in/Music_History_Medieval_Studies_Cultural_History?f_ri=22842"},{"id":720437,"name":"Early Medieval Music","url":"https://www.academia.edu/Documents/in/Early_Medieval_Music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":866270,"name":"Christmas Hymns and Carols","url":"https://www.academia.edu/Documents/in/Christmas_Hymns_and_Carols?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":986228,"name":"Organum","url":"https://www.academia.edu/Documents/in/Organum?f_ri=22842"},{"id":995035,"name":"Música Medieval","url":"https://www.academia.edu/Documents/in/M%C3%BAsica_Medieval?f_ri=22842"},{"id":1003890,"name":"Parisian Organum","url":"https://www.academia.edu/Documents/in/Parisian_Organum?f_ri=22842"},{"id":1032940,"name":"Medieval Music Performance","url":"https://www.academia.edu/Documents/in/Medieval_Music_Performance?f_ri=22842"},{"id":1037437,"name":"Decorated Letter Forms and Illustration In Medieval Music Manuscripts","url":"https://www.academia.edu/Documents/in/Decorated_Letter_Forms_and_Illustration_In_Medieval_Music_Manuscripts?f_ri=22842"},{"id":1111275,"name":"Ancient Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Ancient_Medieval_Music_Theory?f_ri=22842"},{"id":1127779,"name":"Ars Antiqua","url":"https://www.academia.edu/Documents/in/Ars_Antiqua?f_ri=22842"},{"id":1138669,"name":"Notre-Dame De Paris","url":"https://www.academia.edu/Documents/in/Notre-Dame_De_Paris?f_ri=22842"},{"id":1217329,"name":"Art History (Medieval and Manuscripts)","url":"https://www.academia.edu/Documents/in/Art_History_Medieval_and_Manuscripts_?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1563332,"name":"Medieval Music Notation Compositional Style","url":"https://www.academia.edu/Documents/in/Medieval_Music_Notation_Compositional_Style?f_ri=22842"},{"id":1588624,"name":"Library of Wolfenbüttel","url":"https://www.academia.edu/Documents/in/Library_of_Wolfenbuttel?f_ri=22842"},{"id":1757203,"name":"Ars Antiqua polyphony","url":"https://www.academia.edu/Documents/in/Ars_Antiqua_polyphony?f_ri=22842"},{"id":1874097,"name":"Herzog August Bibliothek Wolfenbüttel","url":"https://www.academia.edu/Documents/in/Herzog_August_Bibliothek_Wolfenb%C3%BCttel?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2151333,"name":"Notre Dame de Paris","url":"https://www.academia.edu/Documents/in/Notre_Dame_de_Paris?f_ri=22842"},{"id":2422848,"name":"August of Brunswick-Wolfenbüttel","url":"https://www.academia.edu/Documents/in/August_of_Brunswick-Wolfenb%C3%BCttel?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2680348,"name":"neumes","url":"https://www.academia.edu/Documents/in/neumes?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28232100" data-work_id="28232100" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28232100/Johannes_Ciconia_Prolation_Canon_Le_ray_au_soleyl_Mancini_Codex_Lucca_Codex_I_PEc_MS_3065_no_9_fol_LXXXIIIr_">Johannes Ciconia - Prolation Canon, "Le ray au soleyl" (Mancini Codex/Lucca Codex, I-PEc MS 3065 no. 9 fol. LXXXIIIr)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A Prolation Canon for three voices by Johannes Ciconia (c. 1370 – 1412). this piece is a unique example of irregular prolation from the French Ars Subtilior. Utilizing a 4:3:1 proportion, this piece creates an interesting rhythmic phasing... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28232100" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A Prolation Canon for three voices by Johannes Ciconia (c. 1370 – 1412). this piece is a unique example of irregular prolation from the French Ars Subtilior. Utilizing a 4:3:1 proportion, this piece creates an interesting rhythmic phasing effect between the triplum and the cantus (top two voices) nearly 600  years before the 20th century composer Steve Reich popularized such musical textures. Check out the score in motion at <a href="https://www.youtube.com/watch?v=YrOEOuwYy3M" rel="nofollow">https://www.youtube.com/watch?v=YrOEOuwYy3M</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28232100" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="37a104b0de0f99a6e76c9e6475f76ede" rel="nofollow" data-download="{"attachment_id":48553387,"asset_id":28232100,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48553387/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_28232100 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28232100"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28232100, container: ".js-paper-rank-work_28232100", }); });</script></li><li class="js-percentile-work_28232100 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28232100; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_28232100"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_28232100 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="28232100"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28232100; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28232100]").text(description); $(".js-view-count-work_28232100").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28232100").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28232100"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">62</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3796" href="https://www.academia.edu/Documents/in/Composition_Music_">Composition (Music)</a><script data-card-contents-for-ri="3796" type="text/json">{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28232100]'), work: {"id":28232100,"title":"Johannes Ciconia - Prolation Canon, \"Le ray au soleyl\" (Mancini Codex/Lucca Codex, I-PEc MS 3065 no. 9 fol. LXXXIIIr)","created_at":"2016-09-03T18:27:28.636-07:00","url":"https://www.academia.edu/28232100/Johannes_Ciconia_Prolation_Canon_Le_ray_au_soleyl_Mancini_Codex_Lucca_Codex_I_PEc_MS_3065_no_9_fol_LXXXIIIr_?f_ri=22842","dom_id":"work_28232100","summary":"A Prolation Canon for three voices by Johannes Ciconia (c. 1370 – 1412). this piece is a unique example of irregular prolation from the French Ars Subtilior. Utilizing a 4:3:1 proportion, this piece creates an interesting rhythmic phasing effect between the triplum and the cantus (top two voices) nearly 600 years before the 20th century composer Steve Reich popularized such musical textures. Check out the score in motion at https://www.youtube.com/watch?v=YrOEOuwYy3M","downloadable_attachments":[{"id":48553387,"asset_id":28232100,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17549,"name":"Italian Music","url":"https://www.academia.edu/Documents/in/Italian_Music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":72241,"name":"Musical riddles","url":"https://www.academia.edu/Documents/in/Musical_riddles?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":104035,"name":"Renaissance Padua","url":"https://www.academia.edu/Documents/in/Renaissance_Padua?f_ri=22842"},{"id":113840,"name":"Medieval Musical Thought","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Thought?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":139751,"name":"Monophonic Counterpoint","url":"https://www.academia.edu/Documents/in/Monophonic_Counterpoint?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":172185,"name":"Lucca","url":"https://www.academia.edu/Documents/in/Lucca?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":184705,"name":"Johannes Ciconia","url":"https://www.academia.edu/Documents/in/Johannes_Ciconia?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":315173,"name":"Ars subtilior","url":"https://www.academia.edu/Documents/in/Ars_subtilior?f_ri=22842"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":503469,"name":"Ciconia ciconia","url":"https://www.academia.edu/Documents/in/Ciconia_ciconia?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":888054,"name":"Early Renaissance Italian Secular Music","url":"https://www.academia.edu/Documents/in/Early_Renaissance_Italian_Secular_Music?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2523559,"name":"prolation canon","url":"https://www.academia.edu/Documents/in/prolation_canon?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2536656,"name":"Mensuration Canon","url":"https://www.academia.edu/Documents/in/Mensuration_Canon?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33449060" data-work_id="33449060" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33449060/Alexander_Agricola_Chanson_De_tous_biens_plaine_a3_Florence_Biblioteca_del_Conservatorio_Luigi_Cherubini_MS_2439_fol_LXVIIv_LXVIIIr_">Alexander Agricola: Chanson "De tous biens plaine" a3 (Florence, Biblioteca del Conservatorio Luigi Cherubini, MS 2439 fol. LXVIIv-LXVIIIr)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A critical and performance edition of Alexander Agricola's chanson "De tous biens plaine" for three voices. The cantus firmus of the tenor is extracted from Hayne Van Ghizeghem's (c. 1445 – 1476 to 1497) eponymous chanson. The text of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33449060" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A critical and performance edition of Alexander Agricola's chanson "De tous biens plaine" for three voices. The cantus firmus of the tenor is extracted from Hayne Van Ghizeghem's (c. 1445 – 1476 to 1497) eponymous chanson.<br /><br />The text of the first verse is underlaid in this edition, though only the first few words actually appear in the manuscript. The complete text as found in a number of Ghizeghem's sources with a complete translation is given at the end.<br /><br />It seems unlikely that the outer voices should be sung, given their continual motion, frequent awkward leaps, and extreme ambitus.  However, the inner voice certainly could be sung.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33449060" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bf2a66c8d1a444170148f39457cfa6bf" rel="nofollow" data-download="{"attachment_id":53497583,"asset_id":33449060,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53497583/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_33449060 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33449060"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33449060, container: ".js-paper-rank-work_33449060", }); });</script></li><li class="js-percentile-work_33449060 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33449060; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33449060"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33449060 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33449060"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33449060; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33449060]").text(description); $(".js-view-count-work_33449060").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33449060").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33449060"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">69</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33449060]'), work: {"id":33449060,"title":"Alexander Agricola: Chanson \"De tous biens plaine\" a3 (Florence, Biblioteca del Conservatorio Luigi Cherubini, MS 2439 fol. LXVIIv-LXVIIIr)","created_at":"2017-06-13T21:09:33.733-07:00","url":"https://www.academia.edu/33449060/Alexander_Agricola_Chanson_De_tous_biens_plaine_a3_Florence_Biblioteca_del_Conservatorio_Luigi_Cherubini_MS_2439_fol_LXVIIv_LXVIIIr_?f_ri=22842","dom_id":"work_33449060","summary":"A critical and performance edition of Alexander Agricola's chanson \"De tous biens plaine\" for three voices. The cantus firmus of the tenor is extracted from Hayne Van Ghizeghem's (c. 1445 – 1476 to 1497) eponymous chanson.\n\nThe text of the first verse is underlaid in this edition, though only the first few words actually appear in the manuscript. The complete text as found in a number of Ghizeghem's sources with a complete translation is given at the end.\n\nIt seems unlikely that the outer voices should be sung, given their continual motion, frequent awkward leaps, and extreme ambitus. However, the inner voice certainly could be sung. ","downloadable_attachments":[{"id":53497583,"asset_id":33449060,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":43254,"name":"Composition","url":"https://www.academia.edu/Documents/in/Composition?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":57636,"name":"Rhetoric and Composition","url":"https://www.academia.edu/Documents/in/Rhetoric_and_Composition?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":174729,"name":"Early Music \u0026 Early Tuning Temperaments","url":"https://www.academia.edu/Documents/in/Early_Music_and_Early_Tuning_Temperaments?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":243299,"name":"Philip III le Bon of Burgundy","url":"https://www.academia.edu/Documents/in/Philip_III_le_Bon_of_Burgundy?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":486007,"name":"Dutch music","url":"https://www.academia.edu/Documents/in/Dutch_music?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1432622,"name":"Dutch Musicology","url":"https://www.academia.edu/Documents/in/Dutch_Musicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34279142" data-work_id="34279142" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34279142/Alexander_Agricola_Motet_Chanson_Belles_sur_toutes_Tota_pulchra_es_Florence_Bibliotea_del_Conservatorio_Luigi_Cherubini_MS_2439_ff_63v_64r_">Alexander Agricola: Motet Chanson, "Belles sur toutes - Tota pulchra es" (Florence, Bibliotea del Conservatorio Luigi Cherubini, MS 2439 ff. 63v-64r)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A non-barred critical transcription of Alexander Agricola's motet-chanson "Belles sur toutes - Tota pulchra es" from Florence, Bibliotea del Conservatorio Luigi Cherubini, MS 2439 ff. 63v-64r. For a recording of the music with a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34279142" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A non-barred critical transcription of Alexander Agricola's motet-chanson "Belles sur toutes - Tota pulchra es" from Florence, Bibliotea del Conservatorio Luigi Cherubini,  MS 2439 ff. 63v-64r. <br /> <br />For a recording of the music with a score-video see link below: <br /><a href="https://www.youtube.com/watch?v=r2N_Ru9xjuA" rel="nofollow">https://www.youtube.com/watch?v=r2N_Ru9xjuA</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34279142" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="da697e1651e91721df7ff0bf086e18d9" rel="nofollow" data-download="{"attachment_id":54185779,"asset_id":34279142,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54185779/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_34279142 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34279142"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34279142, container: ".js-paper-rank-work_34279142", }); });</script></li><li class="js-percentile-work_34279142 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34279142; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34279142"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34279142 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34279142"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34279142; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34279142]").text(description); $(".js-view-count-work_34279142").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34279142").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34279142"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">55</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3612" href="https://www.academia.edu/Documents/in/Renaissance">Renaissance</a><script data-card-contents-for-ri="3612" type="text/json">{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34279142]'), work: {"id":34279142,"title":"Alexander Agricola: Motet Chanson, \"Belles sur toutes - Tota pulchra es\" (Florence, Bibliotea del Conservatorio Luigi Cherubini, MS 2439 ff. 63v-64r)","created_at":"2017-08-19T21:54:03.178-07:00","url":"https://www.academia.edu/34279142/Alexander_Agricola_Motet_Chanson_Belles_sur_toutes_Tota_pulchra_es_Florence_Bibliotea_del_Conservatorio_Luigi_Cherubini_MS_2439_ff_63v_64r_?f_ri=22842","dom_id":"work_34279142","summary":"A non-barred critical transcription of Alexander Agricola's motet-chanson \"Belles sur toutes - Tota pulchra es\" from Florence, Bibliotea del Conservatorio Luigi Cherubini, MS 2439 ff. 63v-64r.\r\n\r\nFor a recording of the music with a score-video see link below:\r\nhttps://www.youtube.com/watch?v=r2N_Ru9xjuA","downloadable_attachments":[{"id":54185779,"asset_id":34279142,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1432622,"name":"Dutch Musicology","url":"https://www.academia.edu/Documents/in/Dutch_Musicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30723397" data-work_id="30723397" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30723397/Francesco_Landini_Madrigal_Musica_Son_Gia_Furon_Ciascun_Vuol_pdf">Francesco Landini: Madrigal, " Musica Son - Già Furon - Ciascun Vuol".pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Performance score of Francesco Landini's madrigal, " Musica Son - Già Furon - Ciascun Vuol" transcribed from the Squarcialupi Codex (121v-122r). For a video of the score with a performance see the link below.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30723397" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Performance score of Francesco Landini's madrigal, " Musica Son - Già Furon - Ciascun Vuol" transcribed from the Squarcialupi Codex (121v-122r). For a video of the score with a performance see the link below.<br /><br /><a href="https://www.youtube.com/watch?v=YNcfZSBF9ow" rel="nofollow">https://www.youtube.com/watch?v=YNcfZSBF9ow</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30723397" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e1344c09ce642cecee9043fd97fe72b8" rel="nofollow" data-download="{"attachment_id":51171987,"asset_id":30723397,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51171987/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_30723397 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30723397"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30723397, container: ".js-paper-rank-work_30723397", }); });</script></li><li class="js-percentile-work_30723397 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30723397; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30723397"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30723397 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30723397"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30723397; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30723397]").text(description); $(".js-view-count-work_30723397").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30723397").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30723397"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">62</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3796" href="https://www.academia.edu/Documents/in/Composition_Music_">Composition (Music)</a>, <script data-card-contents-for-ri="3796" type="text/json">{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8325" href="https://www.academia.edu/Documents/in/History_of_Musical_Composition">History of Musical Composition</a>, <script data-card-contents-for-ri="8325" type="text/json">{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16420" href="https://www.academia.edu/Documents/in/Medieval_Music">Medieval Music</a><script data-card-contents-for-ri="16420" type="text/json">{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30723397]'), work: {"id":30723397,"title":"Francesco Landini: Madrigal, \" Musica Son - Già Furon - Ciascun Vuol\".pdf","created_at":"2017-01-03T17:07:23.311-08:00","url":"https://www.academia.edu/30723397/Francesco_Landini_Madrigal_Musica_Son_Gia_Furon_Ciascun_Vuol_pdf?f_ri=22842","dom_id":"work_30723397","summary":"Performance score of Francesco Landini's madrigal, \" Musica Son - Già Furon - Ciascun Vuol\" transcribed from the Squarcialupi Codex (121v-122r). For a video of the score with a performance see the link below.\n\nhttps://www.youtube.com/watch?v=YNcfZSBF9ow","downloadable_attachments":[{"id":51171987,"asset_id":30723397,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842","nofollow":false},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":17549,"name":"Italian Music","url":"https://www.academia.edu/Documents/in/Italian_Music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19748,"name":"Opera,Choral And Vocal Music","url":"https://www.academia.edu/Documents/in/Opera_Choral_And_Vocal_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":170131,"name":"Vocal Music","url":"https://www.academia.edu/Documents/in/Vocal_Music?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":173190,"name":"14th Century Music","url":"https://www.academia.edu/Documents/in/14th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":201621,"name":"14th Century","url":"https://www.academia.edu/Documents/in/14th_Century?f_ri=22842"},{"id":258734,"name":"Italian madrigal of late 16th century","url":"https://www.academia.edu/Documents/in/Italian_madrigal_of_late_16th_century?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":436716,"name":"Trecento and Quattrocento Italian Art","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Italian_Art?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":553651,"name":"Madrigals","url":"https://www.academia.edu/Documents/in/Madrigals?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":642934,"name":"Music Compostion","url":"https://www.academia.edu/Documents/in/Music_Compostion?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":773164,"name":"Madrigal in XVIth century","url":"https://www.academia.edu/Documents/in/Madrigal_in_XVIth_century?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":843388,"name":"Music Composition, Vocal Performance and Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Composition_Vocal_Performance_and_Pedagogy?f_ri=22842"},{"id":844524,"name":"Madrigali","url":"https://www.academia.edu/Documents/in/Madrigali?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":888054,"name":"Early Renaissance Italian Secular Music","url":"https://www.academia.edu/Documents/in/Early_Renaissance_Italian_Secular_Music?f_ri=22842"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1380308,"name":"Francesco Landini","url":"https://www.academia.edu/Documents/in/Francesco_Landini?f_ri=22842"},{"id":1635794,"name":"Early Music Notation","url":"https://www.academia.edu/Documents/in/Early_Music_Notation?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":2038235,"name":"Italian madrigal","url":"https://www.academia.edu/Documents/in/Italian_madrigal?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2592732,"name":"Codex Squarcialupi","url":"https://www.academia.edu/Documents/in/Codex_Squarcialupi?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6181704" data-work_id="6181704" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6181704/Der_Dufay_Hymnus_als_satztechnisches_Paradigma">Der Dufay-Hymnus als satztechnisches Paradigma</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6181704" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="91ce5cfe8aa201a004148bca29549204" rel="nofollow" data-download="{"attachment_id":49028968,"asset_id":6181704,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49028968/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9428442" href="https://scb.academia.edu/JohannesMenke">Johannes Menke</a><script data-card-contents-for-user="9428442" type="text/json">{"id":9428442,"first_name":"Johannes","last_name":"Menke","domain_name":"scb","page_name":"JohannesMenke","display_name":"Johannes Menke","profile_url":"https://scb.academia.edu/JohannesMenke?f_ri=22842","photo":"https://0.academia-photos.com/9428442/3003557/148816900/s65_johannes.menke.jpg"}</script></span></span></li><li class="js-paper-rank-work_6181704 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6181704"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6181704, container: ".js-paper-rank-work_6181704", }); });</script></li><li class="js-percentile-work_6181704 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6181704; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6181704"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6181704 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6181704"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6181704; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6181704]").text(description); $(".js-view-count-work_6181704").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6181704").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6181704"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31740" href="https://www.academia.edu/Documents/in/Guillaume_Du_Fay">Guillaume Du Fay</a>, <script data-card-contents-for-ri="31740" type="text/json">{"id":31740,"name":"Guillaume Du Fay","url":"https://www.academia.edu/Documents/in/Guillaume_Du_Fay?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="173189" href="https://www.academia.edu/Documents/in/15th_Century_Music">15th Century Music</a><script data-card-contents-for-ri="173189" type="text/json">{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6181704]'), work: {"id":6181704,"title":"Der Dufay-Hymnus als satztechnisches Paradigma","created_at":"2014-02-23T15:39:10.418-08:00","url":"https://www.academia.edu/6181704/Der_Dufay_Hymnus_als_satztechnisches_Paradigma?f_ri=22842","dom_id":"work_6181704","summary":null,"downloadable_attachments":[{"id":49028968,"asset_id":6181704,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9428442,"first_name":"Johannes","last_name":"Menke","domain_name":"scb","page_name":"JohannesMenke","display_name":"Johannes Menke","profile_url":"https://scb.academia.edu/JohannesMenke?f_ri=22842","photo":"https://0.academia-photos.com/9428442/3003557/148816900/s65_johannes.menke.jpg"}],"research_interests":[{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":31740,"name":"Guillaume Du Fay","url":"https://www.academia.edu/Documents/in/Guillaume_Du_Fay?f_ri=22842","nofollow":false},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35696265" data-work_id="35696265" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35696265/Baude_Cordier_Circle_Canon_Tout_par_compas_suy_composes_three_realizations_with_text_translations_Source_late_14th_century_Manuscript_Chantilly_Mus%C3%A9e_Cond%C3%A9_564_fol_12_">Baude Cordier: Circle Canon, "Tout par compas suy composes" (three realizations with text translations) (Source: late 14th century, Manuscript Chantilly, Musée Condé 564, fol 12)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a threefold transcription of Baude Cordier's "circle canon," two versions in rondeau form and one in perpetual canon. Included with the music transcriptions are full translations from Medieval French to English of all the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35696265" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a threefold transcription of Baude Cordier's "circle canon," two versions in rondeau form and one in perpetual canon. Included with the music transcriptions are full translations from Medieval French to English of all the accompanying texts as well as an English text underlay for the music. <br /> <br />Also included is a full explanation of the various mensurations and colorations that appear in the piece. <br /> <br />The design of the scores attempts to illustrate the rondeau form overlaying the canonic conceit. <br /> <br />For a score animation with the transcription and original manuscript, see this link: <br /><a href="https://www.youtube.com/watch?v=iaeOWdXM4Pg" rel="nofollow">https://www.youtube.com/watch?v=iaeOWdXM4Pg</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35696265" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="20a978419a9f2fb4b91a61206ba296f0" rel="nofollow" data-download="{"attachment_id":55567762,"asset_id":35696265,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55567762/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35696265 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35696265"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35696265, container: ".js-paper-rank-work_35696265", }); });</script></li><li class="js-percentile-work_35696265 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35696265; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35696265"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35696265 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35696265"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35696265; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35696265]").text(description); $(".js-view-count-work_35696265").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35696265").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35696265"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">147</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1228" href="https://www.academia.edu/Documents/in/Medieval_Literature">Medieval Literature</a>, <script data-card-contents-for-ri="1228" type="text/json">{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1446" href="https://www.academia.edu/Documents/in/Medieval_History">Medieval History</a><script data-card-contents-for-ri="1446" type="text/json">{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35696265]'), work: {"id":35696265,"title":"Baude Cordier: Circle Canon, \"Tout par compas suy composes\" (three realizations with text translations) (Source: late 14th century, Manuscript Chantilly, Musée Condé 564, fol 12)","created_at":"2018-01-17T16:17:39.734-08:00","url":"https://www.academia.edu/35696265/Baude_Cordier_Circle_Canon_Tout_par_compas_suy_composes_three_realizations_with_text_translations_Source_late_14th_century_Manuscript_Chantilly_Mus%C3%A9e_Cond%C3%A9_564_fol_12_?f_ri=22842","dom_id":"work_35696265","summary":"This is a threefold transcription of Baude Cordier's \"circle canon,\" two versions in rondeau form and one in perpetual canon. Included with the music transcriptions are full translations from Medieval French to English of all the accompanying texts as well as an English text underlay for the music.\r\n\r\nAlso included is a full explanation of the various mensurations and colorations that appear in the piece.\r\n\r\nThe design of the scores attempts to illustrate the rondeau form overlaying the canonic conceit. \r\n\r\nFor a score animation with the transcription and original manuscript, see this link:\r\nhttps://www.youtube.com/watch?v=iaeOWdXM4Pg","downloadable_attachments":[{"id":55567762,"asset_id":35696265,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=22842","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842","nofollow":false},{"id":2332,"name":"Medieval French Literature","url":"https://www.academia.edu/Documents/in/Medieval_French_Literature?f_ri=22842"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":12525,"name":"Music History Pedagogy","url":"https://www.academia.edu/Documents/in/Music_History_Pedagogy?f_ri=22842"},{"id":12938,"name":"Critical Edition (Medieval History)","url":"https://www.academia.edu/Documents/in/Critical_Edition_Medieval_History_?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":26892,"name":"Codicology of medieval manuscripts","url":"https://www.academia.edu/Documents/in/Codicology_of_medieval_manuscripts?f_ri=22842"},{"id":29405,"name":"Graphic representation of music","url":"https://www.academia.edu/Documents/in/Graphic_representation_of_music?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35304,"name":"15th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/15th_Century_Netherlandish_Art?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":42885,"name":"Notre dame polyphony","url":"https://www.academia.edu/Documents/in/Notre_dame_polyphony?f_ri=22842"},{"id":44577,"name":"15th Century English/french Lyric Poetry","url":"https://www.academia.edu/Documents/in/15th_Century_English_french_Lyric_Poetry?f_ri=22842"},{"id":45855,"name":"Medieval French Translations","url":"https://www.academia.edu/Documents/in/Medieval_French_Translations?f_ri=22842"},{"id":49129,"name":"15th Century France","url":"https://www.academia.edu/Documents/in/15th_Century_France?f_ri=22842"},{"id":53197,"name":"14th Century France","url":"https://www.academia.edu/Documents/in/14th_Century_France?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":63149,"name":"Music and Shape","url":"https://www.academia.edu/Documents/in/Music_and_Shape?f_ri=22842"},{"id":64249,"name":"Old French and Old Occitan literature, Medieval French customary law","url":"https://www.academia.edu/Documents/in/Old_French_and_Old_Occitan_literature_Medieval_French_customary_law?f_ri=22842"},{"id":70505,"name":"Music and the Visual Arts","url":"https://www.academia.edu/Documents/in/Music_and_the_Visual_Arts?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":72241,"name":"Musical riddles","url":"https://www.academia.edu/Documents/in/Musical_riddles?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":110249,"name":"Medieval Lyric Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Lyric_Poetry?f_ri=22842"},{"id":113840,"name":"Medieval Musical Thought","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Thought?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":145066,"name":"Medieval Translation","url":"https://www.academia.edu/Documents/in/Medieval_Translation?f_ri=22842"},{"id":158517,"name":"14th and 15th century France and England","url":"https://www.academia.edu/Documents/in/14th_and_15th_century_France_and_England?f_ri=22842"},{"id":164614,"name":"Social History of Music and Musicians","url":"https://www.academia.edu/Documents/in/Social_History_of_Music_and_Musicians?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":173190,"name":"14th Century Music","url":"https://www.academia.edu/Documents/in/14th_Century_Music?f_ri=22842"},{"id":175550,"name":"French Poetry and Poetics","url":"https://www.academia.edu/Documents/in/French_Poetry_and_Poetics?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":184212,"name":"French \u0026 Occitan Medieval Language \u0026 Literature","url":"https://www.academia.edu/Documents/in/French_and_Occitan_Medieval_Language_and_Literature?f_ri=22842"},{"id":197539,"name":"Mannerism","url":"https://www.academia.edu/Documents/in/Mannerism?f_ri=22842"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=22842"},{"id":201621,"name":"14th Century","url":"https://www.academia.edu/Documents/in/14th_Century?f_ri=22842"},{"id":216184,"name":"Codex Chantilly","url":"https://www.academia.edu/Documents/in/Codex_Chantilly?f_ri=22842"},{"id":229805,"name":"Late Medieval French History","url":"https://www.academia.edu/Documents/in/Late_Medieval_French_History?f_ri=22842"},{"id":231801,"name":"Critical editions","url":"https://www.academia.edu/Documents/in/Critical_editions?f_ri=22842"},{"id":265870,"name":"Musicology, Medieval Studies, Digital Humanities","url":"https://www.academia.edu/Documents/in/Musicology_Medieval_Studies_Digital_Humanities?f_ri=22842"},{"id":270043,"name":"Mannerist Art","url":"https://www.academia.edu/Documents/in/Mannerist_Art?f_ri=22842"},{"id":273313,"name":"Late Medieval French Art History","url":"https://www.academia.edu/Documents/in/Late_Medieval_French_Art_History?f_ri=22842"},{"id":278962,"name":"Medieval Music, Codicology, Notation","url":"https://www.academia.edu/Documents/in/Medieval_Music_Codicology_Notation?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":315173,"name":"Ars subtilior","url":"https://www.academia.edu/Documents/in/Ars_subtilior?f_ri=22842"},{"id":350564,"name":"Mensural Music","url":"https://www.academia.edu/Documents/in/Mensural_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":404903,"name":"French poetry","url":"https://www.academia.edu/Documents/in/French_poetry?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":410903,"name":"Rondell","url":"https://www.academia.edu/Documents/in/Rondell?f_ri=22842"},{"id":414362,"name":"Translation of classical and medieval texts in modern languages","url":"https://www.academia.edu/Documents/in/Translation_of_classical_and_medieval_texts_in_modern_languages?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":418787,"name":"Critical edition of medieval documents","url":"https://www.academia.edu/Documents/in/Critical_edition_of_medieval_documents?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":434801,"name":"Chantilly","url":"https://www.academia.edu/Documents/in/Chantilly?f_ri=22842"},{"id":447689,"name":"Medieval French Poetry","url":"https://www.academia.edu/Documents/in/Medieval_French_Poetry?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":509240,"name":"Trent Codices and 15th century polyphony","url":"https://www.academia.edu/Documents/in/Trent_Codices_and_15th_century_polyphony?f_ri=22842"},{"id":515612,"name":"Occitan troubadour poetry; Occitan troubadour manuscripts, textual criticism; medieval french narrative; textual tradition of Jean Renart's \"Lai de l'ombre\"; twentieth-century Portuguese poetry, especially Eugénio de Andrade","url":"https://www.academia.edu/Documents/in/Occitan_troubadour_poetry_Occitan_troubadour_manuscripts_textual_criticism_medieval_french_narrat?f_ri=22842"},{"id":522277,"name":"14th century Flanders","url":"https://www.academia.edu/Documents/in/14th_century_Flanders?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":565362,"name":"Renaissance French poetry","url":"https://www.academia.edu/Documents/in/Renaissance_French_poetry?f_ri=22842"},{"id":579323,"name":"Medieval liturgical music","url":"https://www.academia.edu/Documents/in/Medieval_liturgical_music?f_ri=22842"},{"id":588055,"name":"Medieval Secular Music","url":"https://www.academia.edu/Documents/in/Medieval_Secular_Music?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":616674,"name":"Medieval French","url":"https://www.academia.edu/Documents/in/Medieval_French?f_ri=22842"},{"id":617023,"name":"Medieval Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Poetry?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":693704,"name":"Music History; Medieval Studies; Cultural History","url":"https://www.academia.edu/Documents/in/Music_History_Medieval_Studies_Cultural_History?f_ri=22842"},{"id":710492,"name":"Rondeaux","url":"https://www.academia.edu/Documents/in/Rondeaux?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":753446,"name":"Chantilly Codex","url":"https://www.academia.edu/Documents/in/Chantilly_Codex?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":851650,"name":"French Medieval History","url":"https://www.academia.edu/Documents/in/French_Medieval_History?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":862345,"name":"Mensuralism","url":"https://www.academia.edu/Documents/in/Mensuralism?f_ri=22842"},{"id":904434,"name":"Renaissance and Baroque Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music_Theory?f_ri=22842"},{"id":910746,"name":"Music Composition and Songwriting","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Songwriting?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":987500,"name":"French and Francophone Poetry","url":"https://www.academia.edu/Documents/in/French_and_Francophone_Poetry?f_ri=22842"},{"id":1013348,"name":"Rondel","url":"https://www.academia.edu/Documents/in/Rondel?f_ri=22842"},{"id":1027208,"name":"Critical edition of music","url":"https://www.academia.edu/Documents/in/Critical_edition_of_music?f_ri=22842"},{"id":1032940,"name":"Medieval Music Performance","url":"https://www.academia.edu/Documents/in/Medieval_Music_Performance?f_ri=22842"},{"id":1037437,"name":"Decorated Letter Forms and Illustration In Medieval Music Manuscripts","url":"https://www.academia.edu/Documents/in/Decorated_Letter_Forms_and_Illustration_In_Medieval_Music_Manuscripts?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1177135,"name":"Medieval Love poetry","url":"https://www.academia.edu/Documents/in/Medieval_Love_poetry?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1342722,"name":"White Mensural Notation","url":"https://www.academia.edu/Documents/in/White_Mensural_Notation?f_ri=22842"},{"id":1352458,"name":"Canone Musical","url":"https://www.academia.edu/Documents/in/Canone_Musical?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1366384,"name":"Dutch Mannerism","url":"https://www.academia.edu/Documents/in/Dutch_Mannerism?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1414225,"name":"Chantilly Musée Condé","url":"https://www.academia.edu/Documents/in/Chantilly_Musee_Conde?f_ri=22842"},{"id":1462365,"name":"Shape-Note Music","url":"https://www.academia.edu/Documents/in/Shape-Note_Music?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1557515,"name":"Music and Graphics","url":"https://www.academia.edu/Documents/in/Music_and_Graphics?f_ri=22842"},{"id":1563332,"name":"Medieval Music Notation Compositional Style","url":"https://www.academia.edu/Documents/in/Medieval_Music_Notation_Compositional_Style?f_ri=22842"},{"id":1757203,"name":"Ars Antiqua polyphony","url":"https://www.academia.edu/Documents/in/Ars_Antiqua_polyphony?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2215923,"name":"Graphic music scores","url":"https://www.academia.edu/Documents/in/Graphic_music_scores?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2523559,"name":"prolation canon","url":"https://www.academia.edu/Documents/in/prolation_canon?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2536656,"name":"Mensuration Canon","url":"https://www.academia.edu/Documents/in/Mensuration_Canon?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30502490" data-work_id="30502490" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30502490/Gherardello_da_Firenze_c_1350_Caccia_Tosto_che_lalba_Comparative_manuscript_edition_">Gherardello da Firenze (c. 1350): Caccia, "Tosto che l'alba" (Comparative manuscript edition)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a comparative manuscript edition of Gherardello da Firenze's (c. 1350) caccia "Tosto che l'alba". Herein you can see the difference between the piece's three available sources listed below. For a performable realization of this... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30502490" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a comparative manuscript edition of Gherardello da Firenze's (c. 1350) caccia "Tosto che l'alba". Herein you can see the difference between the piece's three available sources listed below. For a performable realization of this piece taken from these three sources, see the related title under "performance edition".<br /><br />Biblioteca Medicea-Laurenziana [I-Fl], MS Mediceo Palatino 87 “Codex Squarcialupi”, no. 40 fol 25v-26r<br />Bibliothèque Nationale [F-PN], MS fonds italien 568 “Pit”, no. 40 fol. 25v-26r<br />British Library [GB-Lbl], Add. MS 29987, no 31 fol. 25r<br /><br />For a recording and video of the score see<br /><a href="https://www.youtube.com/watch?v=ok4VOFvLE2Y" rel="nofollow">https://www.youtube.com/watch?v=ok4VOFvLE2Y</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30502490" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d3b89cdfcdfe767b62b8cb81df26e7e" rel="nofollow" data-download="{"attachment_id":50955043,"asset_id":30502490,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50955043/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_30502490 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30502490"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30502490, container: ".js-paper-rank-work_30502490", }); });</script></li><li class="js-percentile-work_30502490 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30502490; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30502490"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30502490 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30502490"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30502490; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30502490]").text(description); $(".js-view-count-work_30502490").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30502490").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30502490"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">58</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30502490]'), work: {"id":30502490,"title":"Gherardello da Firenze (c. 1350): Caccia, \"Tosto che l'alba\" (Comparative manuscript edition)","created_at":"2016-12-18T00:32:34.908-08:00","url":"https://www.academia.edu/30502490/Gherardello_da_Firenze_c_1350_Caccia_Tosto_che_lalba_Comparative_manuscript_edition_?f_ri=22842","dom_id":"work_30502490","summary":"This is a comparative manuscript edition of Gherardello da Firenze's (c. 1350) caccia \"Tosto che l'alba\". Herein you can see the difference between the piece's three available sources listed below. For a performable realization of this piece taken from these three sources, see the related title under \"performance edition\".\n\nBiblioteca Medicea-Laurenziana [I-Fl], MS Mediceo Palatino 87 “Codex Squarcialupi”, no. 40 fol 25v-26r\nBibliothèque Nationale [F-PN], MS fonds italien 568 “Pit”, no. 40 fol. 25v-26r\nBritish Library [GB-Lbl], Add. MS 29987, no 31 fol. 25r\n\nFor a recording and video of the score see\nhttps://www.youtube.com/watch?v=ok4VOFvLE2Y","downloadable_attachments":[{"id":50955043,"asset_id":30502490,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":21710,"name":"Choral Music","url":"https://www.academia.edu/Documents/in/Choral_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":42885,"name":"Notre dame polyphony","url":"https://www.academia.edu/Documents/in/Notre_dame_polyphony?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":70733,"name":"Vocal performance","url":"https://www.academia.edu/Documents/in/Vocal_performance?f_ri=22842"},{"id":99301,"name":"Música","url":"https://www.academia.edu/Documents/in/M%C3%BAsica?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":170131,"name":"Vocal Music","url":"https://www.academia.edu/Documents/in/Vocal_Music?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":265870,"name":"Musicology, Medieval Studies, Digital Humanities","url":"https://www.academia.edu/Documents/in/Musicology_Medieval_Studies_Digital_Humanities?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":374820,"name":"Caccia","url":"https://www.academia.edu/Documents/in/Caccia?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":430339,"name":"Trecento","url":"https://www.academia.edu/Documents/in/Trecento?f_ri=22842"},{"id":436716,"name":"Trecento and Quattrocento Italian Art","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Italian_Art?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":496299,"name":"Fugue","url":"https://www.academia.edu/Documents/in/Fugue?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":642934,"name":"Music Compostion","url":"https://www.academia.edu/Documents/in/Music_Compostion?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35844311" data-work_id="35844311" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35844311/Richard_Sampson_Double_Circle_Canon_Salve_Radix_Source_British_Library_London_England_GB_Lbl_Royal_11_E_XI_fol_2v_3r_c_1516_">Richard Sampson: Double Circle Canon, "Salve Radix" (Source: British Library, London, England [GB-Lbl], Royal 11 E XI, fol. 2v-3r, c. 1516)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A pedagogical transcription of Richard Sampson's (attr.) motet in double canon, "Salve radix," written to celebrate the union of Henry VIII to Catherine of Aragon and the birth of their daughter, Mary. For a video with recording... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35844311" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A pedagogical transcription of Richard Sampson's (attr.) motet in double canon, "Salve radix," written to celebrate the union of Henry VIII to Catherine of Aragon and the birth of their daughter, Mary.<br /><br />For a video with recording accompanying the modern transcription with side-by-side animated original notated music see the link below:<br /><a href="https://www.youtube.com/watch?v=R9wl1XqV6Nk" rel="nofollow">https://www.youtube.com/watch?v=R9wl1XqV6Nk</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35844311" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d0e89fec2b85ad3cb4955ae5263981a4" rel="nofollow" data-download="{"attachment_id":55722680,"asset_id":35844311,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55722680/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35844311 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35844311"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35844311, container: ".js-paper-rank-work_35844311", }); });</script></li><li class="js-percentile-work_35844311 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35844311; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35844311"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35844311 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35844311"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35844311; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35844311]").text(description); $(".js-view-count-work_35844311").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35844311").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35844311"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">128</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35844311]'), work: {"id":35844311,"title":"Richard Sampson: Double Circle Canon, \"Salve Radix\" (Source: British Library, London, England [GB-Lbl], Royal 11 E XI, fol. 2v-3r, c. 1516)","created_at":"2018-02-05T11:07:12.951-08:00","url":"https://www.academia.edu/35844311/Richard_Sampson_Double_Circle_Canon_Salve_Radix_Source_British_Library_London_England_GB_Lbl_Royal_11_E_XI_fol_2v_3r_c_1516_?f_ri=22842","dom_id":"work_35844311","summary":"A pedagogical transcription of Richard Sampson's (attr.) motet in double canon, \"Salve radix,\" written to celebrate the union of Henry VIII to Catherine of Aragon and the birth of their daughter, Mary.\n\nFor a video with recording accompanying the modern transcription with side-by-side animated original notated music see the link below:\nhttps://www.youtube.com/watch?v=R9wl1XqV6Nk","downloadable_attachments":[{"id":55722680,"asset_id":35844311,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":2324,"name":"British History","url":"https://www.academia.edu/Documents/in/British_History?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10015,"name":"British Music","url":"https://www.academia.edu/Documents/in/British_Music?f_ri=22842"},{"id":10073,"name":"Sociology of Music","url":"https://www.academia.edu/Documents/in/Sociology_of_Music?f_ri=22842"},{"id":10588,"name":"16th Century (History)","url":"https://www.academia.edu/Documents/in/16th_Century_History_?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15392,"name":"Jordan","url":"https://www.academia.edu/Documents/in/Jordan?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":17548,"name":"English sacred music","url":"https://www.academia.edu/Documents/in/English_sacred_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":33514,"name":"16th Century Music","url":"https://www.academia.edu/Documents/in/16th_Century_Music?f_ri=22842"},{"id":35128,"name":"16th century England","url":"https://www.academia.edu/Documents/in/16th_century_England?f_ri=22842"},{"id":47798,"name":"Graphic notation","url":"https://www.academia.edu/Documents/in/Graphic_notation?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":57321,"name":"Motet","url":"https://www.academia.edu/Documents/in/Motet?f_ri=22842"},{"id":58768,"name":"English Musical Renaissance","url":"https://www.academia.edu/Documents/in/English_Musical_Renaissance?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":63149,"name":"Music and Shape","url":"https://www.academia.edu/Documents/in/Music_and_Shape?f_ri=22842"},{"id":64166,"name":"English Music","url":"https://www.academia.edu/Documents/in/English_Music?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":72241,"name":"Musical riddles","url":"https://www.academia.edu/Documents/in/Musical_riddles?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":80324,"name":"Henry VIII","url":"https://www.academia.edu/Documents/in/Henry_VIII?f_ri=22842"},{"id":97431,"name":"English Renaissance","url":"https://www.academia.edu/Documents/in/English_Renaissance?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":160026,"name":"music education, vocal \u0026 choral music, English Language Learners","url":"https://www.academia.edu/Documents/in/music_education_vocal_and_choral_music_English_Language_Learners?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":165924,"name":"William Byrd","url":"https://www.academia.edu/Documents/in/William_Byrd?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":171224,"name":"Motets","url":"https://www.academia.edu/Documents/in/Motets?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":173528,"name":"Archaeology of Jordan","url":"https://www.academia.edu/Documents/in/Archaeology_of_Jordan?f_ri=22842"},{"id":174729,"name":"Early Music \u0026 Early Tuning Temperaments","url":"https://www.academia.edu/Documents/in/Early_Music_and_Early_Tuning_Temperaments?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":190996,"name":"Graphical Notations","url":"https://www.academia.edu/Documents/in/Graphical_Notations?f_ri=22842"},{"id":250020,"name":"English Renaissance art","url":"https://www.academia.edu/Documents/in/English_Renaissance_art?f_ri=22842"},{"id":256220,"name":"16th Century Sacred Music","url":"https://www.academia.edu/Documents/in/16th_Century_Sacred_Music?f_ri=22842"},{"id":277914,"name":"Renaissance Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Poetry?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":287731,"name":"Mary Tudor","url":"https://www.academia.edu/Documents/in/Mary_Tudor?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":315173,"name":"Ars subtilior","url":"https://www.academia.edu/Documents/in/Ars_subtilior?f_ri=22842"},{"id":349245,"name":"English Consort Music","url":"https://www.academia.edu/Documents/in/English_Consort_Music?f_ri=22842"},{"id":350564,"name":"Mensural Music","url":"https://www.academia.edu/Documents/in/Mensural_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":427711,"name":"16th and 17th Century Music","url":"https://www.academia.edu/Documents/in/16th_and_17th_Century_Music?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":570924,"name":"Music Manuscripts","url":"https://www.academia.edu/Documents/in/Music_Manuscripts?f_ri=22842"},{"id":573757,"name":"Medieval and Renaissance manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_manuscripts?f_ri=22842"},{"id":582723,"name":"Early Modern English Music","url":"https://www.academia.edu/Documents/in/Early_Modern_English_Music?f_ri=22842"},{"id":601024,"name":"Renaissance Illuminated Manuscripts","url":"https://www.academia.edu/Documents/in/Renaissance_Illuminated_Manuscripts?f_ri=22842"},{"id":603999,"name":"• Medieval Studies | Medieval History | Medieval Art and Architecture | Medieval Culture | Agones of Ancient Greece | Tironian Notes | Latin Stenography | Manuscript Illumination | Boethius in the Renaissance | Medieval Churches in Périgord - France •","url":"https://www.academia.edu/Documents/in/_Medieval_Studies_Medieval_History_Medieval_Art_and_Architecture_Medieval_Culture_Agones_of?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":623735,"name":"English Renaissance and Early Modern Sacred Choral Music","url":"https://www.academia.edu/Documents/in/English_Renaissance_and_Early_Modern_Sacred_Choral_Music?f_ri=22842"},{"id":634421,"name":"Musical Manuscripts","url":"https://www.academia.edu/Documents/in/Musical_Manuscripts?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":693472,"name":"Henry VIII and the Church","url":"https://www.academia.edu/Documents/in/Henry_VIII_and_the_Church?f_ri=22842"},{"id":693474,"name":"Queen Mary Tudor","url":"https://www.academia.edu/Documents/in/Queen_Mary_Tudor?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":728638,"name":"Renaissance manuscripts and autographs","url":"https://www.academia.edu/Documents/in/Renaissance_manuscripts_and_autographs?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":745602,"name":"16th Century Music Prints","url":"https://www.academia.edu/Documents/in/16th_Century_Music_Prints?f_ri=22842"},{"id":796584,"name":"Medieval music manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_music_manuscripts?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":889754,"name":"Catherine of Aragon","url":"https://www.academia.edu/Documents/in/Catherine_of_Aragon?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1031786,"name":"16th/17th Century Religious, Cultural and Intellectual Ideas In England and Western Europe","url":"https://www.academia.edu/Documents/in/16th_17th_Century_Religious_Cultural_and_Intellectual_Ideas_In_England_and_Western_Europe?f_ri=22842"},{"id":1034520,"name":"Renaissance Motet","url":"https://www.academia.edu/Documents/in/Renaissance_Motet?f_ri=22842"},{"id":1037437,"name":"Decorated Letter Forms and Illustration In Medieval Music Manuscripts","url":"https://www.academia.edu/Documents/in/Decorated_Letter_Forms_and_Illustration_In_Medieval_Music_Manuscripts?f_ri=22842"},{"id":1143688,"name":"The Six Wives of Henry VIII","url":"https://www.academia.edu/Documents/in/The_Six_Wives_of_Henry_VIII?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1148918,"name":"England Renaissance","url":"https://www.academia.edu/Documents/in/England_Renaissance?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1342722,"name":"White Mensural Notation","url":"https://www.academia.edu/Documents/in/White_Mensural_Notation?f_ri=22842"},{"id":1352458,"name":"Canone Musical","url":"https://www.academia.edu/Documents/in/Canone_Musical?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1393914,"name":"Music Manuscript Studies and Codicology","url":"https://www.academia.edu/Documents/in/Music_Manuscript_Studies_and_Codicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":1820405,"name":"Henry VIII, Images of Power, Foreign Affairs","url":"https://www.academia.edu/Documents/in/Henry_VIII_Images_of_Power_Foreign_Affairs?f_ri=22842"},{"id":2017819,"name":"18th Century Counterpoint","url":"https://www.academia.edu/Documents/in/18th_Century_Counterpoint?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2312368,"name":"King Henry VIII of England","url":"https://www.academia.edu/Documents/in/King_Henry_VIII_of_England?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2781479,"name":"Moteto","url":"https://www.academia.edu/Documents/in/Moteto?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30502533" data-work_id="30502533" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30502533/Gherardello_da_Firenze_c_1350_Caccia_Tosto_che_lalba_Performance_edition_">Gherardello da Firenze (c. 1350): Caccia, "Tosto che l'alba" (Performance edition)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a performance edition of Gherardello da Firenze's (c. 1350) caccia, "Tosto che l'alba." This edition is a combination of the three available sources for this piece, selecting those options which are optimal when differences arise... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30502533" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a performance edition of Gherardello da Firenze's (c. 1350) caccia, "Tosto che l'alba." This edition is a combination of the three available sources for this piece, selecting those options which are optimal when differences arise between the manuscripts. If one desires to see the other available options in each source, please refer to the related title under "comparative manuscript edition". The complete text of the piece is provided with a translation at the end of the score.<br /><br />For a recording and video of the score see<br /><a href="https://www.youtube.com/watch?v=ok4VOFvLE2Y" rel="nofollow">https://www.youtube.com/watch?v=ok4VOFvLE2Y</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30502533" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="63918b1bb03984d2aa07918013630dab" rel="nofollow" data-download="{"attachment_id":50945788,"asset_id":30502533,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50945788/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_30502533 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30502533"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30502533, container: ".js-paper-rank-work_30502533", }); });</script></li><li class="js-percentile-work_30502533 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30502533; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30502533"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30502533 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30502533"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30502533; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30502533]").text(description); $(".js-view-count-work_30502533").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30502533").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30502533"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">65</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30502533]'), work: {"id":30502533,"title":"Gherardello da Firenze (c. 1350): Caccia, \"Tosto che l'alba\" (Performance edition)","created_at":"2016-12-18T00:42:05.732-08:00","url":"https://www.academia.edu/30502533/Gherardello_da_Firenze_c_1350_Caccia_Tosto_che_lalba_Performance_edition_?f_ri=22842","dom_id":"work_30502533","summary":"This is a performance edition of Gherardello da Firenze's (c. 1350) caccia, \"Tosto che l'alba.\" This edition is a combination of the three available sources for this piece, selecting those options which are optimal when differences arise between the manuscripts. If one desires to see the other available options in each source, please refer to the related title under \"comparative manuscript edition\". The complete text of the piece is provided with a translation at the end of the score.\n\nFor a recording and video of the score see\nhttps://www.youtube.com/watch?v=ok4VOFvLE2Y","downloadable_attachments":[{"id":50945788,"asset_id":30502533,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":42885,"name":"Notre dame polyphony","url":"https://www.academia.edu/Documents/in/Notre_dame_polyphony?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":99301,"name":"Música","url":"https://www.academia.edu/Documents/in/M%C3%BAsica?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":152157,"name":"Firenze","url":"https://www.academia.edu/Documents/in/Firenze?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":265870,"name":"Musicology, Medieval Studies, Digital Humanities","url":"https://www.academia.edu/Documents/in/Musicology_Medieval_Studies_Digital_Humanities?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":370426,"name":"Musicologie Médiévale","url":"https://www.academia.edu/Documents/in/Musicologie_Medievale?f_ri=22842"},{"id":374820,"name":"Caccia","url":"https://www.academia.edu/Documents/in/Caccia?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":430339,"name":"Trecento","url":"https://www.academia.edu/Documents/in/Trecento?f_ri=22842"},{"id":436716,"name":"Trecento and Quattrocento Italian Art","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Italian_Art?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":720437,"name":"Early Medieval Music","url":"https://www.academia.edu/Documents/in/Early_Medieval_Music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":804481,"name":"Museo Archeologico di Firenze","url":"https://www.academia.edu/Documents/in/Museo_Archeologico_di_Firenze?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":909591,"name":"Trecento Florence","url":"https://www.academia.edu/Documents/in/Trecento_Florence?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":995035,"name":"Música Medieval","url":"https://www.academia.edu/Documents/in/M%C3%BAsica_Medieval?f_ri=22842"},{"id":1032940,"name":"Medieval Music Performance","url":"https://www.academia.edu/Documents/in/Medieval_Music_Performance?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1563332,"name":"Medieval Music Notation Compositional Style","url":"https://www.academia.edu/Documents/in/Medieval_Music_Notation_Compositional_Style?f_ri=22842"},{"id":1582435,"name":"Trecento Italy","url":"https://www.academia.edu/Documents/in/Trecento_Italy?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":1785979,"name":"Caccia Medievale","url":"https://www.academia.edu/Documents/in/Caccia_Medievale?f_ri=22842"},{"id":1807763,"name":"Museo di Storia Naturale Firenze","url":"https://www.academia.edu/Documents/in/Museo_di_Storia_Naturale_Firenze?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2592732,"name":"Codex Squarcialupi","url":"https://www.academia.edu/Documents/in/Codex_Squarcialupi?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36736070" data-work_id="36736070" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36736070/Canonic_Ballade_on_a_Labyrinth_En_la_maison_Dedalus_Anon_ca_1375_Source_University_Library_Berkeley_United_States_US_BE_Tractatus_de_Musica_Guidonis_dArezzo_fol_31v_">Canonic Ballade on a Labyrinth, "En la maison Dedalus" Anon. ca. 1375 (Source: University Library, Berkeley, United States [US-BE], "Tractatus de Musica Guidonis d'Arezzo." fol. 31v.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">For an audio-video animation of the manuscript with the modern transcription see the link below: <a href="https://www.youtube.com/watch?v=dO56v7qltNo" rel="nofollow">https://www.youtube.com/watch?v=dO56v7qltNo</a> An edition of the anonymous labyrinthine ballade on three canons, "En la maison Dedalus" (In the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36736070" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For an audio-video animation of the manuscript with the modern transcription see the link below:<br /><a href="https://www.youtube.com/watch?v=dO56v7qltNo" rel="nofollow">https://www.youtube.com/watch?v=dO56v7qltNo</a><br /><br />An edition of the anonymous labyrinthine ballade on three canons, "En la maison Dedalus" (In the House of Dedalus) from the Berkeley Manuscript. <br /><br />This edition includes a modern transcription of the music, the original manuscript excerpted, poetic and literal translations of the text, reconstruction of the 11-tier labyrinth upon which the music is overlain, and pedagogical materials/explanations of the musical and poetic medieval Ballade forme-fixe.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36736070" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="770a4396356dc1a8591d4dcb98d6b5b5" rel="nofollow" data-download="{"attachment_id":56678937,"asset_id":36736070,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56678937/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_36736070 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36736070"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36736070, container: ".js-paper-rank-work_36736070", }); });</script></li><li class="js-percentile-work_36736070 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36736070; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36736070"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36736070 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36736070"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36736070; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36736070]").text(description); $(".js-view-count-work_36736070").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36736070").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36736070"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">155</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="684" href="https://www.academia.edu/Documents/in/Music_Theory_Pedagogy">Music Theory Pedagogy</a><script data-card-contents-for-ri="684" type="text/json">{"id":684,"name":"Music Theory Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Theory_Pedagogy?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36736070]'), work: {"id":36736070,"title":"Canonic Ballade on a Labyrinth, \"En la maison Dedalus\" Anon. ca. 1375 (Source: University Library, Berkeley, United States [US-BE], \"Tractatus de Musica Guidonis d'Arezzo.\" fol. 31v.)","created_at":"2018-05-28T21:27:22.359-07:00","url":"https://www.academia.edu/36736070/Canonic_Ballade_on_a_Labyrinth_En_la_maison_Dedalus_Anon_ca_1375_Source_University_Library_Berkeley_United_States_US_BE_Tractatus_de_Musica_Guidonis_dArezzo_fol_31v_?f_ri=22842","dom_id":"work_36736070","summary":"For an audio-video animation of the manuscript with the modern transcription see the link below:\nhttps://www.youtube.com/watch?v=dO56v7qltNo\n\nAn edition of the anonymous labyrinthine ballade on three canons, \"En la maison Dedalus\" (In the House of Dedalus) from the Berkeley Manuscript. \n\nThis edition includes a modern transcription of the music, the original manuscript excerpted, poetic and literal translations of the text, reconstruction of the 11-tier labyrinth upon which the music is overlain, and pedagogical materials/explanations of the musical and poetic medieval Ballade forme-fixe.","downloadable_attachments":[{"id":56678937,"asset_id":36736070,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":684,"name":"Music Theory Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Theory_Pedagogy?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842"},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=22842"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842"},{"id":2041,"name":"Music and Language","url":"https://www.academia.edu/Documents/in/Music_and_Language?f_ri=22842"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":6531,"name":"Labyrinths (Religion)","url":"https://www.academia.edu/Documents/in/Labyrinths_Religion_?f_ri=22842"},{"id":6538,"name":"Labyrinths","url":"https://www.academia.edu/Documents/in/Labyrinths?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16387,"name":"Notation (Music)","url":"https://www.academia.edu/Documents/in/Notation_Music_?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22386,"name":"Medieval Art","url":"https://www.academia.edu/Documents/in/Medieval_Art?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":25888,"name":"Berkeley","url":"https://www.academia.edu/Documents/in/Berkeley?f_ri=22842"},{"id":26891,"name":"Manuscripts (Medieval Studies)","url":"https://www.academia.edu/Documents/in/Manuscripts_Medieval_Studies_?f_ri=22842"},{"id":26892,"name":"Codicology of medieval manuscripts","url":"https://www.academia.edu/Documents/in/Codicology_of_medieval_manuscripts?f_ri=22842"},{"id":26894,"name":"Medieval illuminated manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_illuminated_manuscripts?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":29405,"name":"Graphic representation of music","url":"https://www.academia.edu/Documents/in/Graphic_representation_of_music?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35946,"name":"Renaissance Lyric Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Lyric_Poetry?f_ri=22842"},{"id":39329,"name":"Late Medieval Manuscripts","url":"https://www.academia.edu/Documents/in/Late_Medieval_Manuscripts?f_ri=22842"},{"id":42885,"name":"Notre dame polyphony","url":"https://www.academia.edu/Documents/in/Notre_dame_polyphony?f_ri=22842"},{"id":52454,"name":"Medieval Manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_Manuscripts?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67595,"name":"Medieval manuscripts \u0026 early printed books; history of libraries; visual arts \u0026 digital media","url":"https://www.academia.edu/Documents/in/Medieval_manuscripts_and_early_printed_books_history_of_libraries_visual_arts_and_digital_media?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":99560,"name":"Medieval manuscript and performance culture and the concept of medieval authorship","url":"https://www.academia.edu/Documents/in/Medieval_manuscript_and_performance_culture_and_the_concept_of_medieval_authorship?f_ri=22842"},{"id":99561,"name":"Paleography and editions of medieval manuscripts vs. print-culture editions of medieval texts","url":"https://www.academia.edu/Documents/in/Paleography_and_editions_of_medieval_manuscripts_vs._print-culture_editions_of_medieval_texts?f_ri=22842"},{"id":108052,"name":"Medieval Illumination and Recreation of Manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_Illumination_and_Recreation_of_Manuscripts?f_ri=22842"},{"id":108906,"name":"Historia Medieval","url":"https://www.academia.edu/Documents/in/Historia_Medieval?f_ri=22842"},{"id":110249,"name":"Medieval Lyric Poetry","url":"https://www.academia.edu/Documents/in/Medieval_Lyric_Poetry?f_ri=22842"},{"id":113840,"name":"Medieval Musical Thought","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Thought?f_ri=22842"},{"id":127672,"name":"Trecento Painting","url":"https://www.academia.edu/Documents/in/Trecento_Painting?f_ri=22842"},{"id":134513,"name":"Love Poetry","url":"https://www.academia.edu/Documents/in/Love_Poetry?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":139751,"name":"Monophonic Counterpoint","url":"https://www.academia.edu/Documents/in/Monophonic_Counterpoint?f_ri=22842"},{"id":141521,"name":"Manuscript studies, codicology, palaeography, medieval paper, Chaucer, circulation of texts and books, history of the book, electronic editing and digital humanities","url":"https://www.academia.edu/Documents/in/Manuscript_studies_codicology_palaeography_medieval_paper_Chaucer_circulation_of_texts_and_book?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":147798,"name":"History of musical notation systems","url":"https://www.academia.edu/Documents/in/History_of_musical_notation_systems?f_ri=22842"},{"id":164614,"name":"Social History of Music and Musicians","url":"https://www.academia.edu/Documents/in/Social_History_of_Music_and_Musicians?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":172329,"name":"Medieval Art, Illuminated Manuscripts, Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_Art_Illuminated_Manuscripts_Medieval_History?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":235713,"name":"Arezzo","url":"https://www.academia.edu/Documents/in/Arezzo?f_ri=22842"},{"id":265870,"name":"Musicology, Medieval Studies, Digital Humanities","url":"https://www.academia.edu/Documents/in/Musicology_Medieval_Studies_Digital_Humanities?f_ri=22842"},{"id":277914,"name":"Renaissance Poetry","url":"https://www.academia.edu/Documents/in/Renaissance_Poetry?f_ri=22842"},{"id":278962,"name":"Medieval Music, Codicology, Notation","url":"https://www.academia.edu/Documents/in/Medieval_Music_Codicology_Notation?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":286550,"name":"History of Music Education","url":"https://www.academia.edu/Documents/in/History_of_Music_Education?f_ri=22842"},{"id":291516,"name":"Labyrinth","url":"https://www.academia.edu/Documents/in/Labyrinth?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":370426,"name":"Musicologie Médiévale","url":"https://www.academia.edu/Documents/in/Musicologie_Medievale?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":400654,"name":"Ballades","url":"https://www.academia.edu/Documents/in/Ballades?f_ri=22842"},{"id":409297,"name":"Medieval and Renaissance Italian Literature, Contemporary Italian Literature and Cinema, Interdisciplinary relations between literature, cinema, music, and art","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Italian_Literature_Contemporary_Italian_Literature_and_Cinema_Interdiscip?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":426128,"name":"Text/Image Relations in Medieval Manuscripts","url":"https://www.academia.edu/Documents/in/Text_Image_Relations_in_Medieval_Manuscripts?f_ri=22842"},{"id":436716,"name":"Trecento and Quattrocento Italian Art","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Italian_Art?f_ri=22842"},{"id":447689,"name":"Medieval French Poetry","url":"https://www.academia.edu/Documents/in/Medieval_French_Poetry?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":509240,"name":"Trent Codices and 15th century polyphony","url":"https://www.academia.edu/Documents/in/Trent_Codices_and_15th_century_polyphony?f_ri=22842"},{"id":535171,"name":"Musical notation","url":"https://www.academia.edu/Documents/in/Musical_notation?f_ri=22842"},{"id":565362,"name":"Renaissance French poetry","url":"https://www.academia.edu/Documents/in/Renaissance_French_poetry?f_ri=22842"},{"id":573757,"name":"Medieval and Renaissance manuscripts","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_manuscripts?f_ri=22842"},{"id":579323,"name":"Medieval liturgical music","url":"https://www.academia.edu/Documents/in/Medieval_liturgical_music?f_ri=22842"},{"id":586496,"name":"Medieval Manuscripts and Incunabula","url":"https://www.academia.edu/Documents/in/Medieval_Manuscripts_and_Incunabula?f_ri=22842"},{"id":588055,"name":"Medieval Secular Music","url":"https://www.academia.edu/Documents/in/Medieval_Secular_Music?f_ri=22842"},{"id":601024,"name":"Renaissance Illuminated Manuscripts","url":"https://www.academia.edu/Documents/in/Renaissance_Illuminated_Manuscripts?f_ri=22842"},{"id":603999,"name":"• Medieval Studies | Medieval History | Medieval Art and Architecture | Medieval Culture | Agones of Ancient Greece | Tironian Notes | Latin Stenography | Manuscript Illumination | Boethius in the Renaissance | Medieval Churches in Périgord - France •","url":"https://www.academia.edu/Documents/in/_Medieval_Studies_Medieval_History_Medieval_Art_and_Architecture_Medieval_Culture_Agones_of?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":693704,"name":"Music History; Medieval Studies; Cultural History","url":"https://www.academia.edu/Documents/in/Music_History_Medieval_Studies_Cultural_History?f_ri=22842"},{"id":720437,"name":"Early Medieval Music","url":"https://www.academia.edu/Documents/in/Early_Medieval_Music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":728638,"name":"Renaissance manuscripts and autographs","url":"https://www.academia.edu/Documents/in/Renaissance_manuscripts_and_autographs?f_ri=22842"},{"id":736329,"name":"Medieval Manuscript Illumination","url":"https://www.academia.edu/Documents/in/Medieval_Manuscript_Illumination?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":745822,"name":"Music Notation","url":"https://www.academia.edu/Documents/in/Music_Notation?f_ri=22842"},{"id":760059,"name":"Guido of Arezzo","url":"https://www.academia.edu/Documents/in/Guido_of_Arezzo?f_ri=22842"},{"id":764905,"name":"UC Berkeley","url":"https://www.academia.edu/Documents/in/UC_Berkeley?f_ri=22842"},{"id":786044,"name":"Labyrinthe","url":"https://www.academia.edu/Documents/in/Labyrinthe?f_ri=22842"},{"id":791946,"name":"Music Notations","url":"https://www.academia.edu/Documents/in/Music_Notations?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":859105,"name":"trecento Italian Art","url":"https://www.academia.edu/Documents/in/trecento_Italian_Art?f_ri=22842"},{"id":904434,"name":"Renaissance and Baroque Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music_Theory?f_ri=22842"},{"id":910746,"name":"Music Composition and Songwriting","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Songwriting?f_ri=22842"},{"id":913139,"name":"Labyrinthitis","url":"https://www.academia.edu/Documents/in/Labyrinthitis?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":968196,"name":"Ballade","url":"https://www.academia.edu/Documents/in/Ballade?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":995035,"name":"Música Medieval","url":"https://www.academia.edu/Documents/in/M%C3%BAsica_Medieval?f_ri=22842"},{"id":1032940,"name":"Medieval Music Performance","url":"https://www.academia.edu/Documents/in/Medieval_Music_Performance?f_ri=22842"},{"id":1037437,"name":"Decorated Letter Forms and Illustration In Medieval Music Manuscripts","url":"https://www.academia.edu/Documents/in/Decorated_Letter_Forms_and_Illustration_In_Medieval_Music_Manuscripts?f_ri=22842"},{"id":1111275,"name":"Ancient Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Ancient_Medieval_Music_Theory?f_ri=22842"},{"id":1122769,"name":"Balladen","url":"https://www.academia.edu/Documents/in/Balladen?f_ri=22842"},{"id":1177135,"name":"Medieval Love poetry","url":"https://www.academia.edu/Documents/in/Medieval_Love_poetry?f_ri=22842"},{"id":1213546,"name":"University of California at Berkeley","url":"https://www.academia.edu/Documents/in/University_of_California_at_Berkeley?f_ri=22842"},{"id":1217329,"name":"Art History (Medieval and Manuscripts)","url":"https://www.academia.edu/Documents/in/Art_History_Medieval_and_Manuscripts_?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1385429,"name":"Heterophony","url":"https://www.academia.edu/Documents/in/Heterophony?f_ri=22842"},{"id":1557515,"name":"Music and Graphics","url":"https://www.academia.edu/Documents/in/Music_and_Graphics?f_ri=22842"},{"id":1563332,"name":"Medieval Music Notation Compositional Style","url":"https://www.academia.edu/Documents/in/Medieval_Music_Notation_Compositional_Style?f_ri=22842"},{"id":1594543,"name":"Historically Informed Composition (Music)","url":"https://www.academia.edu/Documents/in/Historically_Informed_Composition_Music_?f_ri=22842"},{"id":1635794,"name":"Early Music Notation","url":"https://www.academia.edu/Documents/in/Early_Music_Notation?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2215923,"name":"Graphic music scores","url":"https://www.academia.edu/Documents/in/Graphic_music_scores?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2697894,"name":"Medieval and Renaissance Manuscripts; Books of Hours","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Manuscripts_Books_of_Hours?f_ri=22842"},{"id":2851024,"name":"Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Renaissance_Polyphony?f_ri=22842"},{"id":2890911,"name":"Renaissance manuscripts","url":"https://www.academia.edu/Documents/in/Renaissance_manuscripts?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38137485" data-work_id="38137485" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38137485/Approaching_Renaissance_Music_using_Taneyevs_Theories_of_Movable_Counterpoint">Approaching Renaissance Music using Taneyev's Theories of Movable Counterpoint</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This study situates theories of movable counterpoint by the Russian composer and theorist Sergei Ivanovich Taneyev (1856–1915) against current scholarship on Renaissance music. Analytical approaches that draw upon Taneyev’s theories can... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38137485" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This study situates theories of movable counterpoint by the Russian composer and theorist Sergei Ivanovich Taneyev (1856–1915) against current scholarship on Renaissance music. Analytical approaches that draw upon Taneyev’s theories can lead to rich insights into the inner workings of Renaissance counterpoint, most especially processes that have hitherto escaped attention. Through reference to specific repertoire examples discussed in recent scholarship, the present study demonstrates how Taneyev’s methodology and terminology can provide a basis for systematic identification of key procedures prevalent in Renaissance music. This study also considers how knowledge of Taneyev’s work can inform an approach that points to new possibilities for analyzing contrapuntal processes that operate across fifteenth- and sixteenth-century music.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38137485" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2345e4f2a201ef82ad9f2afff5c35d3b" rel="nofollow" data-download="{"attachment_id":61617561,"asset_id":38137485,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61617561/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="56696863" href="https://uq.academia.edu/DenisCollins">Denis Collins</a><script data-card-contents-for-user="56696863" type="text/json">{"id":56696863,"first_name":"Denis","last_name":"Collins","domain_name":"uq","page_name":"DenisCollins","display_name":"Denis Collins","profile_url":"https://uq.academia.edu/DenisCollins?f_ri=22842","photo":"https://0.academia-photos.com/56696863/18735731/18696903/s65_denis.collins.jpg"}</script></span></span></li><li class="js-paper-rank-work_38137485 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38137485"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38137485, container: ".js-paper-rank-work_38137485", }); });</script></li><li class="js-percentile-work_38137485 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38137485; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38137485"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38137485 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38137485"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38137485; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38137485]").text(description); $(".js-view-count-work_38137485").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38137485").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38137485"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10604" href="https://www.academia.edu/Documents/in/History_of_Music_Theory">History of Music Theory</a><script data-card-contents-for-ri="10604" type="text/json">{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38137485]'), work: {"id":38137485,"title":"Approaching Renaissance Music using Taneyev's Theories of Movable Counterpoint","created_at":"2019-01-12T01:42:19.926-08:00","url":"https://www.academia.edu/38137485/Approaching_Renaissance_Music_using_Taneyevs_Theories_of_Movable_Counterpoint?f_ri=22842","dom_id":"work_38137485","summary":"This study situates theories of movable counterpoint by the Russian composer and theorist Sergei Ivanovich Taneyev (1856–1915) against current scholarship on Renaissance music. Analytical approaches that draw upon Taneyev’s theories can lead to rich insights into the inner workings of Renaissance counterpoint, most especially processes that have hitherto escaped attention. Through reference to specific repertoire examples discussed in recent scholarship, the present study demonstrates how Taneyev’s methodology and terminology can provide a basis for systematic identification of key procedures prevalent in Renaissance music. This study also considers how knowledge of Taneyev’s work can inform an approach that points to new possibilities for analyzing contrapuntal processes that operate across fifteenth- and sixteenth-century music. ","downloadable_attachments":[{"id":61617561,"asset_id":38137485,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":56696863,"first_name":"Denis","last_name":"Collins","domain_name":"uq","page_name":"DenisCollins","display_name":"Denis Collins","profile_url":"https://uq.academia.edu/DenisCollins?f_ri=22842","photo":"https://0.academia-photos.com/56696863/18735731/18696903/s65_denis.collins.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842","nofollow":false},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842"},{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":24364,"name":"Historiography of Music","url":"https://www.academia.edu/Documents/in/Historiography_of_Music?f_ri=22842"},{"id":28170,"name":"Adrian Willaert","url":"https://www.academia.edu/Documents/in/Adrian_Willaert?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":414193,"name":"Sergei Taneyev","url":"https://www.academia.edu/Documents/in/Sergei_Taneyev?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":3103930,"name":"invertible counterpoint","url":"https://www.academia.edu/Documents/in/invertible_counterpoint?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36792758" data-work_id="36792758" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36792758/Johannes_Mittner_d_c_1530_Sanctus_from_Missa_Hercules_Dux_Ferrarae_Source_Das_Chorbuch_Regensburg_Staatliche_Bibliothek_Ms_2o_Liturg_18_1543_ff_1v_32r_aka_Chorbuch_S_im_Kapell_Inventar_des_Pfalzgrafen_Ottheinrich_1544_">Johannes Mittner (d. c. 1530): "Sanctus" from "Missa Hercules Dux Ferrarae" (Source: Das Chorbuch Regensburg, Staatliche Bibliothek, Ms. 2o Liturg. 18 (1543), ff. 1v-32r. aka "Chorbuch S im Kapell-Inventar des Pfalzgrafen Ottheinrich, 1544")</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A transcription of a lesser known masterpiece from the early 16th century. The only known work by composer Johannes Mittner, this Mass, and particularly its Sanctus movement, demonstrates one of the largest mensuration canons from the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36792758" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A transcription of a lesser known masterpiece from the early 16th century. The only known work by composer Johannes Mittner, this Mass, and particularly its Sanctus movement, demonstrates one of the largest mensuration canons from the Renaissance - five voices from one.<br /><br />For a audio-visual animation with recording see the link here:<br /><a href="https://www.youtube.com/watch?v=FCe7WGoJVLI" rel="nofollow">https://www.youtube.com/watch?v=FCe7WGoJVLI</a><br /><br />Johannes Mittner: Missa Hercules Dux Ferrarae, Sanctus<br />Sanctus a4, <br />Pleni sunt coeli a2, <br />Osanna I a5 mensuration canon,<br />Benedictus a4<br />Osanna II a3</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36792758" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="97127b5d5dbfa835b5143442ede06617" rel="nofollow" data-download="{"attachment_id":56741442,"asset_id":36792758,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56741442/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_36792758 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36792758"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36792758, container: ".js-paper-rank-work_36792758", }); });</script></li><li class="js-percentile-work_36792758 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36792758; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36792758"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36792758 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36792758"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36792758; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36792758]").text(description); $(".js-view-count-work_36792758").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36792758").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36792758"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">94</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36792758]'), work: {"id":36792758,"title":"Johannes Mittner (d. c. 1530): \"Sanctus\" from \"Missa Hercules Dux Ferrarae\" (Source: Das Chorbuch Regensburg, Staatliche Bibliothek, Ms. 2o Liturg. 18 (1543), ff. 1v-32r. aka \"Chorbuch S im Kapell-Inventar des Pfalzgrafen Ottheinrich, 1544\")","created_at":"2018-06-06T09:07:48.982-07:00","url":"https://www.academia.edu/36792758/Johannes_Mittner_d_c_1530_Sanctus_from_Missa_Hercules_Dux_Ferrarae_Source_Das_Chorbuch_Regensburg_Staatliche_Bibliothek_Ms_2o_Liturg_18_1543_ff_1v_32r_aka_Chorbuch_S_im_Kapell_Inventar_des_Pfalzgrafen_Ottheinrich_1544_?f_ri=22842","dom_id":"work_36792758","summary":"A transcription of a lesser known masterpiece from the early 16th century. The only known work by composer Johannes Mittner, this Mass, and particularly its Sanctus movement, demonstrates one of the largest mensuration canons from the Renaissance - five voices from one.\n\nFor a audio-visual animation with recording see the link here:\nhttps://www.youtube.com/watch?v=FCe7WGoJVLI\n\nJohannes Mittner: Missa Hercules Dux Ferrarae, Sanctus\nSanctus a4, \nPleni sunt coeli a2, \nOsanna I a5 mensuration canon,\nBenedictus a4\nOsanna II a3","downloadable_attachments":[{"id":56741442,"asset_id":36792758,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10588,"name":"16th Century (History)","url":"https://www.academia.edu/Documents/in/16th_Century_History_?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":26460,"name":"Medieval and Renaissance Studies","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Studies?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":30850,"name":"16th century Europe","url":"https://www.academia.edu/Documents/in/16th_century_Europe?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":33514,"name":"16th Century Music","url":"https://www.academia.edu/Documents/in/16th_Century_Music?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":232859,"name":"Regensburg","url":"https://www.academia.edu/Documents/in/Regensburg?f_ri=22842"},{"id":256220,"name":"16th Century Sacred Music","url":"https://www.academia.edu/Documents/in/16th_Century_Sacred_Music?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":350561,"name":"Polyphonic mass","url":"https://www.academia.edu/Documents/in/Polyphonic_mass?f_ri=22842"},{"id":354306,"name":"Musical Edition","url":"https://www.academia.edu/Documents/in/Musical_Edition?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":361404,"name":"Music edition","url":"https://www.academia.edu/Documents/in/Music_edition?f_ri=22842"},{"id":371688,"name":"Polyphonic","url":"https://www.academia.edu/Documents/in/Polyphonic?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":389439,"name":"Polyphonic Mass Propers","url":"https://www.academia.edu/Documents/in/Polyphonic_Mass_Propers?f_ri=22842"},{"id":389492,"name":"Editions of Music","url":"https://www.academia.edu/Documents/in/Editions_of_Music?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":509240,"name":"Trent Codices and 15th century polyphony","url":"https://www.academia.edu/Documents/in/Trent_Codices_and_15th_century_polyphony?f_ri=22842"},{"id":518695,"name":"music printing, early modern Germany, history of the book","url":"https://www.academia.edu/Documents/in/music_printing_early_modern_Germany_history_of_the_book?f_ri=22842"},{"id":545455,"name":"Georgian Polyphony","url":"https://www.academia.edu/Documents/in/Georgian_Polyphony?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":730985,"name":"Historical Music Edition","url":"https://www.academia.edu/Documents/in/Historical_Music_Edition?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":745602,"name":"16th Century Music Prints","url":"https://www.academia.edu/Documents/in/16th_Century_Music_Prints?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1027208,"name":"Critical edition of music","url":"https://www.academia.edu/Documents/in/Critical_edition_of_music?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1187047,"name":"16th century Germany","url":"https://www.academia.edu/Documents/in/16th_century_Germany?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1352458,"name":"Canone Musical","url":"https://www.academia.edu/Documents/in/Canone_Musical?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2523559,"name":"prolation canon","url":"https://www.academia.edu/Documents/in/prolation_canon?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2536656,"name":"Mensuration Canon","url":"https://www.academia.edu/Documents/in/Mensuration_Canon?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2851024,"name":"Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Renaissance_Polyphony?f_ri=22842"},{"id":2893705,"name":"Sanctus","url":"https://www.academia.edu/Documents/in/Sanctus?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30059997" data-work_id="30059997" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30059997/Llibre_Vermell_Caca_O_Virgo_Splendens_c_14th_century_Monasterio_de_Santa_Maria_E_MO_MS_1_Llibre_Vermell_de_Montserrat_no_1_fols_21v_22r">Llibre Vermell: Caca, "O Virgo Splendens" (c. 14th century): Monasterio de Santa Maria [E-MO] MS 1 "Llibre Vermell de Montserrat" no. 1 fols. 21v. - 22r.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A critical transcription of the three-voice Caça (“chace” or canon) known as “O Virgo Splendens” (“O splendorous virgin”), the first in the small collection of music from the Llibre Vermell. It is perhaps the oddest of the set, being the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30059997" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A critical transcription of the three-voice Caça (“chace” or canon) known as “O Virgo Splendens” (“O splendorous virgin”), the first in the small collection of music from the Llibre Vermell. It is perhaps the oddest of the set, being the most stylistically remote. It is the only piece not notated or composed in the contemporary style of the Ars Nova. Rather, its notation and style harken to previous centuries, possibly as recent as the discant style of the Parisian school of Notre Dame or of Santiago de Compostela from the 12th and 13th century, or as old as the free organum style of the 10th and 11th centuries such as that found in the Ad organum faciendum. Given its apparent lack of rhythmic mode of any kind, its relation to the 10th and 11th centuries seem more likely.<br /><br />For a video of the score with a recorded performance visit <br /><a href="https://www.youtube.com/watch?v=5BkzBK5-oDw" rel="nofollow">https://www.youtube.com/watch?v=5BkzBK5-oDw</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30059997" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1f069a5a084041d21dd9be7ccfbe27ea" rel="nofollow" data-download="{"attachment_id":50510112,"asset_id":30059997,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50510112/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_30059997 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30059997"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30059997, container: ".js-paper-rank-work_30059997", }); });</script></li><li class="js-percentile-work_30059997 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30059997; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30059997"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30059997 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30059997"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30059997; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30059997]").text(description); $(".js-view-count-work_30059997").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30059997").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30059997"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">64</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="976" href="https://www.academia.edu/Documents/in/Composition_and_Rhetoric">Composition and Rhetoric</a>, <script data-card-contents-for-ri="976" type="text/json">{"id":976,"name":"Composition and Rhetoric","url":"https://www.academia.edu/Documents/in/Composition_and_Rhetoric?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3796" href="https://www.academia.edu/Documents/in/Composition_Music_">Composition (Music)</a><script data-card-contents-for-ri="3796" type="text/json">{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30059997]'), work: {"id":30059997,"title":"Llibre Vermell: Caca, \"O Virgo Splendens\" (c. 14th century): Monasterio de Santa Maria [E-MO] MS 1 \"Llibre Vermell de Montserrat\" no. 1 fols. 21v. - 22r.","created_at":"2016-11-23T15:19:07.593-08:00","url":"https://www.academia.edu/30059997/Llibre_Vermell_Caca_O_Virgo_Splendens_c_14th_century_Monasterio_de_Santa_Maria_E_MO_MS_1_Llibre_Vermell_de_Montserrat_no_1_fols_21v_22r?f_ri=22842","dom_id":"work_30059997","summary":"A critical transcription of the three-voice Caça (“chace” or canon) known as “O Virgo Splendens” (“O splendorous virgin”), the first in the small collection of music from the Llibre Vermell. It is perhaps the oddest of the set, being the most stylistically remote. It is the only piece not notated or composed in the contemporary style of the Ars Nova. Rather, its notation and style harken to previous centuries, possibly as recent as the discant style of the Parisian school of Notre Dame or of Santiago de Compostela from the 12th and 13th century, or as old as the free organum style of the 10th and 11th centuries such as that found in the Ad organum faciendum. Given its apparent lack of rhythmic mode of any kind, its relation to the 10th and 11th centuries seem more likely.\n\nFor a video of the score with a recorded performance visit \nhttps://www.youtube.com/watch?v=5BkzBK5-oDw","downloadable_attachments":[{"id":50510112,"asset_id":30059997,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":976,"name":"Composition and Rhetoric","url":"https://www.academia.edu/Documents/in/Composition_and_Rhetoric?f_ri=22842","nofollow":false},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":19748,"name":"Opera,Choral And Vocal Music","url":"https://www.academia.edu/Documents/in/Opera_Choral_And_Vocal_Music?f_ri=22842"},{"id":21710,"name":"Choral Music","url":"https://www.academia.edu/Documents/in/Choral_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":23808,"name":"Christian liturgical music","url":"https://www.academia.edu/Documents/in/Christian_liturgical_music?f_ri=22842"},{"id":28612,"name":"Sacred Music","url":"https://www.academia.edu/Documents/in/Sacred_Music?f_ri=22842"},{"id":42885,"name":"Notre dame polyphony","url":"https://www.academia.edu/Documents/in/Notre_dame_polyphony?f_ri=22842"},{"id":43254,"name":"Composition","url":"https://www.academia.edu/Documents/in/Composition?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":113840,"name":"Medieval Musical Thought","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Thought?f_ri=22842"},{"id":116379,"name":"Choral Music and Church Music","url":"https://www.academia.edu/Documents/in/Choral_Music_and_Church_Music?f_ri=22842"},{"id":126277,"name":"Musicology, art of singing: opera, and choral music","url":"https://www.academia.edu/Documents/in/Musicology_art_of_singing_opera_and_choral_music?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":139751,"name":"Monophonic Counterpoint","url":"https://www.academia.edu/Documents/in/Monophonic_Counterpoint?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":255267,"name":"Liturgical Music","url":"https://www.academia.edu/Documents/in/Liturgical_Music?f_ri=22842"},{"id":270908,"name":"Liturgy, Sacred Music","url":"https://www.academia.edu/Documents/in/Liturgy_Sacred_Music?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":374820,"name":"Caccia","url":"https://www.academia.edu/Documents/in/Caccia?f_ri=22842"},{"id":405673,"name":"Montserrat","url":"https://www.academia.edu/Documents/in/Montserrat?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":579323,"name":"Medieval liturgical music","url":"https://www.academia.edu/Documents/in/Medieval_liturgical_music?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":720437,"name":"Early Medieval Music","url":"https://www.academia.edu/Documents/in/Early_Medieval_Music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":894125,"name":"Sacred Choral Music","url":"https://www.academia.edu/Documents/in/Sacred_Choral_Music?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":986228,"name":"Organum","url":"https://www.academia.edu/Documents/in/Organum?f_ri=22842"},{"id":1003890,"name":"Parisian Organum","url":"https://www.academia.edu/Documents/in/Parisian_Organum?f_ri=22842"},{"id":1032940,"name":"Medieval Music Performance","url":"https://www.academia.edu/Documents/in/Medieval_Music_Performance?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1393910,"name":"Spanish Polyphony","url":"https://www.academia.edu/Documents/in/Spanish_Polyphony?f_ri=22842"},{"id":1563332,"name":"Medieval Music Notation Compositional Style","url":"https://www.academia.edu/Documents/in/Medieval_Music_Notation_Compositional_Style?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":1850788,"name":"Spanish Liturgical Music Manuscripts","url":"https://www.academia.edu/Documents/in/Spanish_Liturgical_Music_Manuscripts?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35489748" data-work_id="35489748" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35489748/Pierre_de_la_Rue_Missa_lHomme_arme_Agnus_Dei_II_mensuration_canon_scroll_edition_Source_Bibliotheque_Royale_Albert_I_Brussels_Belgium_B_BR_MS_9126_FOL_40v_43r_">Pierre de la Rue: Missa l'Homme arme, Agnus Dei II (mensuration canon scroll edition) (Source: Bibliotheque Royale Albert I, Brussels, Belgium (B-BR), MS 9126, FOL. 40v-43r)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">A scroll edition of Pierre de la Rue's "Agnus dei II" from his "Missa l'Homme arme" featuring his famous 4-voiced prolation canon.<br /><br />For a recording and score-video of the piece see the link:<br /><a href="https://www.youtube.com/watch?v=IrTtLNfq0x0" rel="nofollow">https://www.youtube.com/watch?v=IrTtLNfq0x0</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35489748" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d93f05bd6e39cba04570e80ee92a5742" rel="nofollow" data-download="{"attachment_id":55352652,"asset_id":35489748,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55352652/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35489748 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35489748"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35489748, container: ".js-paper-rank-work_35489748", }); });</script></li><li class="js-percentile-work_35489748 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35489748; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35489748"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35489748 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35489748"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35489748; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35489748]").text(description); $(".js-view-count-work_35489748").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35489748").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35489748"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">99</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35489748]'), work: {"id":35489748,"title":"Pierre de la Rue: Missa l'Homme arme, Agnus Dei II (mensuration canon scroll edition) (Source: Bibliotheque Royale Albert I, Brussels, Belgium (B-BR), MS 9126, FOL. 40v-43r)","created_at":"2017-12-21T19:23:12.191-08:00","url":"https://www.academia.edu/35489748/Pierre_de_la_Rue_Missa_lHomme_arme_Agnus_Dei_II_mensuration_canon_scroll_edition_Source_Bibliotheque_Royale_Albert_I_Brussels_Belgium_B_BR_MS_9126_FOL_40v_43r_?f_ri=22842","dom_id":"work_35489748","summary":"A scroll edition of Pierre de la Rue's \"Agnus dei II\" from his \"Missa l'Homme arme\" featuring his famous 4-voiced prolation canon.\n\nFor a recording and score-video of the piece see the link:\nhttps://www.youtube.com/watch?v=IrTtLNfq0x0","downloadable_attachments":[{"id":55352652,"asset_id":35489748,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19748,"name":"Opera,Choral And Vocal Music","url":"https://www.academia.edu/Documents/in/Opera_Choral_And_Vocal_Music?f_ri=22842"},{"id":21710,"name":"Choral Music","url":"https://www.academia.edu/Documents/in/Choral_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":24818,"name":"Belgian History","url":"https://www.academia.edu/Documents/in/Belgian_History?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28612,"name":"Sacred Music","url":"https://www.academia.edu/Documents/in/Sacred_Music?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35304,"name":"15th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/15th_Century_Netherlandish_Art?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":116379,"name":"Choral Music and Church Music","url":"https://www.academia.edu/Documents/in/Choral_Music_and_Church_Music?f_ri=22842"},{"id":126277,"name":"Musicology, art of singing: opera, and choral music","url":"https://www.academia.edu/Documents/in/Musicology_art_of_singing_opera_and_choral_music?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":199283,"name":"Choral Music, Choral Conducting","url":"https://www.academia.edu/Documents/in/Choral_Music_Choral_Conducting?f_ri=22842"},{"id":236426,"name":"dukes of Burgundy","url":"https://www.academia.edu/Documents/in/dukes_of_Burgundy?f_ri=22842"},{"id":256220,"name":"16th Century Sacred Music","url":"https://www.academia.edu/Documents/in/16th_Century_Sacred_Music?f_ri=22842"},{"id":270908,"name":"Liturgy, Sacred Music","url":"https://www.academia.edu/Documents/in/Liturgy_Sacred_Music?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":350564,"name":"Mensural Music","url":"https://www.academia.edu/Documents/in/Mensural_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":863256,"name":"Belgian Music","url":"https://www.academia.edu/Documents/in/Belgian_Music?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":894125,"name":"Sacred Choral Music","url":"https://www.academia.edu/Documents/in/Sacred_Choral_Music?f_ri=22842"},{"id":915360,"name":"Pierre De La Rue","url":"https://www.academia.edu/Documents/in/Pierre_De_La_Rue?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1260406,"name":"Belgian Musicians","url":"https://www.academia.edu/Documents/in/Belgian_Musicians?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1342722,"name":"White Mensural Notation","url":"https://www.academia.edu/Documents/in/White_Mensural_Notation?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1432622,"name":"Dutch Musicology","url":"https://www.academia.edu/Documents/in/Dutch_Musicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2523559,"name":"prolation canon","url":"https://www.academia.edu/Documents/in/prolation_canon?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2536656,"name":"Mensuration Canon","url":"https://www.academia.edu/Documents/in/Mensuration_Canon?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2815165,"name":"Dutch Music History","url":"https://www.academia.edu/Documents/in/Dutch_Music_History?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39658803" data-work_id="39658803" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39658803/Nathaniel_Giles_1558_1633_34_A_duo_on_38_rhythmic_proportions_Miserere_Source_British_Library_London_England_GB_Lbl_RM_24_d_2_Baldwin_Commonplace_Book_fol_102v_103r_">Nathaniel Giles (1558 - 1633/34): A duo on 38 rhythmic proportions, "Miserere" (Source: British Library, London, England [GB-Lbl], RM 24 d. 2 “Baldwin Commonplace Book.” fol. 102v-103r)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A modern edition of Nathaniel Giles (1558 - 1633/34) mensural bicinia, "Miserere," on 38 rhythmic proportions from the "Baldwin Commonplace Book" (1594). For a recording and animated score-video see this link:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39658803" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A modern edition of Nathaniel Giles (1558 - 1633/34) mensural bicinia, "Miserere," on 38 rhythmic proportions from the "Baldwin Commonplace Book" (1594). For a recording and animated score-video see this link: <a href="https://www.youtube.com/watch?v=zRMx9koROOI" rel="nofollow">https://www.youtube.com/watch?v=zRMx9koROOI</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39658803" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="474e20a7133c3431c4dc4fef8211de02" rel="nofollow" data-download="{"attachment_id":59824535,"asset_id":39658803,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59824535/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_39658803 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39658803"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39658803, container: ".js-paper-rank-work_39658803", }); });</script></li><li class="js-percentile-work_39658803 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39658803; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39658803"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39658803 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39658803"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39658803; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39658803]").text(description); $(".js-view-count-work_39658803").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39658803").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39658803"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39658803]'), work: {"id":39658803,"title":"Nathaniel Giles (1558 - 1633/34): A duo on 38 rhythmic proportions, \"Miserere\" (Source: British Library, London, England [GB-Lbl], RM 24 d. 2 “Baldwin Commonplace Book.” fol. 102v-103r)","created_at":"2019-06-21T18:05:51.842-07:00","url":"https://www.academia.edu/39658803/Nathaniel_Giles_1558_1633_34_A_duo_on_38_rhythmic_proportions_Miserere_Source_British_Library_London_England_GB_Lbl_RM_24_d_2_Baldwin_Commonplace_Book_fol_102v_103r_?f_ri=22842","dom_id":"work_39658803","summary":"A modern edition of Nathaniel Giles (1558 - 1633/34) mensural bicinia, \"Miserere,\" on 38 rhythmic proportions from the \"Baldwin Commonplace Book\" (1594). For a recording and animated score-video see this link: https://www.youtube.com/watch?v=zRMx9koROOI","downloadable_attachments":[{"id":59824535,"asset_id":39658803,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3886,"name":"Rhythm","url":"https://www.academia.edu/Documents/in/Rhythm?f_ri=22842"},{"id":10015,"name":"British Music","url":"https://www.academia.edu/Documents/in/British_Music?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":58768,"name":"English Musical Renaissance","url":"https://www.academia.edu/Documents/in/English_Musical_Renaissance?f_ri=22842"},{"id":116864,"name":"Recorder repertoire","url":"https://www.academia.edu/Documents/in/Recorder_repertoire?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":241061,"name":"Meter and Rhythm","url":"https://www.academia.edu/Documents/in/Meter_and_Rhythm?f_ri=22842"},{"id":249454,"name":"Elizabethan drama","url":"https://www.academia.edu/Documents/in/Elizabethan_drama?f_ri=22842"},{"id":252743,"name":"Elizabethan England","url":"https://www.academia.edu/Documents/in/Elizabethan_England?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31868286" data-work_id="31868286" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31868286/The_Tacit_Principles_of_Tinctoriss_Interval_Successions_1">The Tacit Principles of Tinctoris's Interval Successions 1</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Medieval and Renaissance counterpoint treatises offer a practical guide to composing and improvising polyphony that respects stylistic norms. These counterpoint treatises are also replete with theoretical implications and can serve as a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31868286" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Medieval and Renaissance counterpoint treatises offer a practical guide to composing and improvising polyphony that respects stylistic norms. These counterpoint treatises are also replete with theoretical implications and can serve as a penetrating window into Renaissance musical thought, training, and style. Sarah Fuller has described Tinctoris's Liber de arte contrapuncti (hereafter LAC) as a " culmination of contrapunctus theory from the preceding two centuries, " underlining its importance to our understanding of the period. 2 In this chapter I reexamine the LAC in order to rectify the common misconception that its interval-succession list is exhaustive, and to reveal nine tacit contrapuntal principles that Tinctoris systematically followed in the examples in the treatise. In addition to providing insight into Tinctoris's intervallic thinking, my methodology also serves as a general model for taking a corpus-study approach in researching the examples in counterpoint treatises in order to enrich our understanding of them.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31868286" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="95a8371182986ab0bcc0f7829c410f52" rel="nofollow" data-download="{"attachment_id":52156616,"asset_id":31868286,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52156616/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4490328" href="https://instituteofpolicyscience.academia.edu/AlexanderMorgan">Alexander Morgan</a><script data-card-contents-for-user="4490328" type="text/json">{"id":4490328,"first_name":"Alexander","last_name":"Morgan","domain_name":"instituteofpolicyscience","page_name":"AlexanderMorgan","display_name":"Alexander Morgan","profile_url":"https://instituteofpolicyscience.academia.edu/AlexanderMorgan?f_ri=22842","photo":"https://0.academia-photos.com/4490328/16314787/18990264/s65_alexander.morgan.jpg"}</script></span></span></li><li class="js-paper-rank-work_31868286 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31868286"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31868286, container: ".js-paper-rank-work_31868286", }); });</script></li><li class="js-percentile-work_31868286 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31868286; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31868286"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31868286 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31868286"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31868286; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31868286]").text(description); $(".js-view-count-work_31868286").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31868286").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31868286"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="413593" href="https://www.academia.edu/Documents/in/Tinctoris">Tinctoris</a><script data-card-contents-for-ri="413593" type="text/json">{"id":413593,"name":"Tinctoris","url":"https://www.academia.edu/Documents/in/Tinctoris?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31868286]'), work: {"id":31868286,"title":"The Tacit Principles of Tinctoris's Interval Successions 1","created_at":"2017-03-14T16:30:22.502-07:00","url":"https://www.academia.edu/31868286/The_Tacit_Principles_of_Tinctoriss_Interval_Successions_1?f_ri=22842","dom_id":"work_31868286","summary":"Medieval and Renaissance counterpoint treatises offer a practical guide to composing and improvising polyphony that respects stylistic norms. These counterpoint treatises are also replete with theoretical implications and can serve as a penetrating window into Renaissance musical thought, training, and style. Sarah Fuller has described Tinctoris's Liber de arte contrapuncti (hereafter LAC) as a \" culmination of contrapunctus theory from the preceding two centuries, \" underlining its importance to our understanding of the period. 2 In this chapter I reexamine the LAC in order to rectify the common misconception that its interval-succession list is exhaustive, and to reveal nine tacit contrapuntal principles that Tinctoris systematically followed in the examples in the treatise. In addition to providing insight into Tinctoris's intervallic thinking, my methodology also serves as a general model for taking a corpus-study approach in researching the examples in counterpoint treatises in order to enrich our understanding of them.","downloadable_attachments":[{"id":52156616,"asset_id":31868286,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4490328,"first_name":"Alexander","last_name":"Morgan","domain_name":"instituteofpolicyscience","page_name":"AlexanderMorgan","display_name":"Alexander Morgan","profile_url":"https://instituteofpolicyscience.academia.edu/AlexanderMorgan?f_ri=22842","photo":"https://0.academia-photos.com/4490328/16314787/18990264/s65_alexander.morgan.jpg"}],"research_interests":[{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":413593,"name":"Tinctoris","url":"https://www.academia.edu/Documents/in/Tinctoris?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41586845" data-work_id="41586845" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41586845/De_fundamento_discanti_Structure_and_Elaboration_in_Fourteenth_Century_Diminished_Counterpoint">De fundamento discanti: Structure and Elaboration in Fourteenth-Century Diminished Counterpoint</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The primary goal of this dissertation is to produce a rigorous methodology for distinguishing between the contrapunctus structure and its elaboration in performing structural analysis of fourteenth-century diminished counterpoint. This... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41586845" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The primary goal of this dissertation is to produce a rigorous methodology for distinguishing between the contrapunctus structure and its elaboration in performing structural analysis of fourteenth-century diminished counterpoint. This methodology is based on historical thought by carefully analyzing contemporaneous treatises and their musical examples in order to better understand the compositional process conveyed both explicitly and implicitly in the treatises. In Chapter 1, I examine the various uses of the phrase “fundamentum discanti” (“foundation of discant”) in thirteenth- and fourteenth-century treatises and discuss its connection to contrapunctus as the structural foundation to support its embellishment, demonstrated through analysis of the musical examples in De diminutione contrapuncti and the Compendium de discantu mensurabili by Petrus dictus Palma Ociosa. Chapter 2 further contextualizes this argument by illustrating the significant conceptual shift regarding the relationship between tonal structure and elaboration from the thirteenth to the fourteenth century. I then consider the relationship between theory and practice in Chapter 3 through a detailed analysis of dissonance treatment in the treatise examples and contemporaneous repertoires in order to determine which repertoires most relate to the teachings of contrapunctus treatises. Finally, Chapter 4 presents structural analyses of fourteenth-century motets and motet-style liturgical polyphony. First, I build upon the analytical methodology presented in Chapter 1 by presenting a number of analytical criteria for determining the contrapunctus structure. Then, I discuss the prevalence of particular elaborative figures and their implications for structural analysis. Finally, I demonstrate how my analytical methodology may be used in conjunction with other methodologies of sonority and cadence to analyze large-scale tonal structures, illustrated with an analysis of Machaut’s Motet 17 as well as a comparison of Vitry’s Flos/Celsa and Gloria Ivrea 64.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41586845" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1f855c3bd7b9b6ab71b343f9999fb2ba" rel="nofollow" data-download="{"attachment_id":61743720,"asset_id":41586845,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61743720/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11522853" href="https://roosevelt.academia.edu/RyanTaycher">Ryan Taycher</a><script data-card-contents-for-user="11522853" type="text/json">{"id":11522853,"first_name":"Ryan","last_name":"Taycher","domain_name":"roosevelt","page_name":"RyanTaycher","display_name":"Ryan Taycher","profile_url":"https://roosevelt.academia.edu/RyanTaycher?f_ri=22842","photo":"https://0.academia-photos.com/11522853/3346573/17533932/s65_ryan.taycher.jpg"}</script></span></span></li><li class="js-paper-rank-work_41586845 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41586845"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41586845, container: ".js-paper-rank-work_41586845", }); });</script></li><li class="js-percentile-work_41586845 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41586845; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_41586845"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_41586845 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="41586845"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41586845; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41586845]").text(description); $(".js-view-count-work_41586845").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41586845").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41586845"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10604" href="https://www.academia.edu/Documents/in/History_of_Music_Theory">History of Music Theory</a>, <script data-card-contents-for-ri="10604" type="text/json">{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16420" href="https://www.academia.edu/Documents/in/Medieval_Music">Medieval Music</a><script data-card-contents-for-ri="16420" type="text/json">{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41586845]'), work: {"id":41586845,"title":"De fundamento discanti: Structure and Elaboration in Fourteenth-Century Diminished Counterpoint","created_at":"2020-01-10T12:30:26.362-08:00","url":"https://www.academia.edu/41586845/De_fundamento_discanti_Structure_and_Elaboration_in_Fourteenth_Century_Diminished_Counterpoint?f_ri=22842","dom_id":"work_41586845","summary":"The primary goal of this dissertation is to produce a rigorous methodology for distinguishing between the contrapunctus structure and its elaboration in performing structural analysis of fourteenth-century diminished counterpoint. This methodology is based on historical thought by carefully analyzing contemporaneous treatises and their musical examples in order to better understand the compositional process conveyed both explicitly and implicitly in the treatises. In Chapter 1, I examine the various uses of the phrase “fundamentum discanti” (“foundation of discant”) in thirteenth- and fourteenth-century treatises and discuss its connection to contrapunctus as the structural foundation to support its embellishment, demonstrated through analysis of the musical examples in De diminutione contrapuncti and the Compendium de discantu mensurabili by Petrus dictus Palma Ociosa. Chapter 2 further contextualizes this argument by illustrating the significant conceptual shift regarding the relationship between tonal structure and elaboration from the thirteenth to the fourteenth century. I then consider the relationship between theory and practice in Chapter 3 through a detailed analysis of dissonance treatment in the treatise examples and contemporaneous repertoires in order to determine which repertoires most relate to the teachings of contrapunctus treatises. Finally, Chapter 4 presents structural analyses of fourteenth-century motets and motet-style liturgical polyphony. First, I build upon the analytical methodology presented in Chapter 1 by presenting a number of analytical criteria for determining the contrapunctus structure. Then, I discuss the prevalence of particular elaborative figures and their implications for structural analysis. Finally, I demonstrate how my analytical methodology may be used in conjunction with other methodologies of sonority and cadence to analyze large-scale tonal structures, illustrated with an analysis of Machaut’s Motet 17 as well as a comparison of Vitry’s Flos/Celsa and Gloria Ivrea 64.","downloadable_attachments":[{"id":61743720,"asset_id":41586845,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":11522853,"first_name":"Ryan","last_name":"Taycher","domain_name":"roosevelt","page_name":"RyanTaycher","display_name":"Ryan Taycher","profile_url":"https://roosevelt.academia.edu/RyanTaycher?f_ri=22842","photo":"https://0.academia-photos.com/11522853/3346573/17533932/s65_ryan.taycher.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842","nofollow":false},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":31741,"name":"Guillaume de Machaut","url":"https://www.academia.edu/Documents/in/Guillaume_de_Machaut?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":171224,"name":"Motets","url":"https://www.academia.edu/Documents/in/Motets?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":1180162,"name":"Philippe De Vitry","url":"https://www.academia.edu/Documents/in/Philippe_De_Vitry?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34279163" data-work_id="34279163" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34279163/Alexander_Agricola_Contrafacta_Motet_Virgo_sub_ethereis_Source_Berlin_Deutsche_Staatsbibliothek_MS_40021_ff_131v_132r_">Alexander Agricola: Contrafacta Motet, "Virgo sub ethereis" (Source: Berlin, Deutsche Staatsbibliothek, MS 40021 ff. 131v-132r)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A non-barred critical transcription of Alexander Agricola's contrafacta motet, "Virgo sub ethereis" (Source: Berlin, Deutsche Staatsbibliothek, MS 40021 ff. 131v-132r) as derived from his "Comme femme desconfortée". For a video of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34279163" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A non-barred critical transcription of Alexander Agricola's contrafacta motet, "Virgo sub ethereis" (Source: Berlin, Deutsche Staatsbibliothek, MS 40021 ff. 131v-132r) as derived from his "Comme femme desconfortée". <br /> <br />For a video of the score with a performance recording see the link below: <br /><a href="https://www.youtube.com/watch?v=5_nnTzNXeUY" rel="nofollow">https://www.youtube.com/watch?v=5_nnTzNXeUY</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34279163" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5b9b4f6440478430a8f7417bc4de8ba9" rel="nofollow" data-download="{"attachment_id":54185801,"asset_id":34279163,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54185801/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_34279163 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34279163"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34279163, container: ".js-paper-rank-work_34279163", }); });</script></li><li class="js-percentile-work_34279163 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34279163; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34279163"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34279163 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34279163"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34279163; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34279163]").text(description); $(".js-view-count-work_34279163").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34279163").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34279163"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">51</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34279163]'), work: {"id":34279163,"title":"Alexander Agricola: Contrafacta Motet, \"Virgo sub ethereis\" (Source: Berlin, Deutsche Staatsbibliothek, MS 40021 ff. 131v-132r)","created_at":"2017-08-19T22:06:56.556-07:00","url":"https://www.academia.edu/34279163/Alexander_Agricola_Contrafacta_Motet_Virgo_sub_ethereis_Source_Berlin_Deutsche_Staatsbibliothek_MS_40021_ff_131v_132r_?f_ri=22842","dom_id":"work_34279163","summary":"A non-barred critical transcription of Alexander Agricola's contrafacta motet, \"Virgo sub ethereis\" (Source: Berlin, Deutsche Staatsbibliothek, MS 40021 ff. 131v-132r) as derived from his \"Comme femme desconfortée\".\r\n\r\nFor a video of the score with a performance recording see the link below:\r\nhttps://www.youtube.com/watch?v=5_nnTzNXeUY","downloadable_attachments":[{"id":54185801,"asset_id":34279163,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35489650" data-work_id="35489650" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35489650/Pierre_de_la_Rue_Missa_lHomme_arme_Agnus_Dei_with_4v_prolation_canon_Source_Bibliotheque_Royale_Albert_I_Brussels_Belgium_B_BR_MS_9126_FOL_40v_43r_">Pierre de la Rue: Missa l'Homme arme, Agnus Dei (with 4v prolation canon) (Source: Bibliotheque Royale Albert I, Brussels, Belgium (B-BR), MS 9126, FOL. 40v-43r)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">A transcription of Pierre de la Rue's "Agnus Dei" from his "Missa l'Homme arme," which includes his famous 4 voice prolation canon.<br /><br />For a recording and score video, see the link here:<br /><a href="https://www.youtube.com/watch?v=IrTtLNfq0x0" rel="nofollow">https://www.youtube.com/watch?v=IrTtLNfq0x0</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35489650" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="203804579dc8dd7727b2fea10994182d" rel="nofollow" data-download="{"attachment_id":55352529,"asset_id":35489650,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55352529/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35489650 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35489650"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35489650, container: ".js-paper-rank-work_35489650", }); });</script></li><li class="js-percentile-work_35489650 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35489650; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35489650"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35489650 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35489650"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35489650; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35489650]").text(description); $(".js-view-count-work_35489650").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35489650").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35489650"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">82</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35489650]'), work: {"id":35489650,"title":"Pierre de la Rue: Missa l'Homme arme, Agnus Dei (with 4v prolation canon) (Source: Bibliotheque Royale Albert I, Brussels, Belgium (B-BR), MS 9126, FOL. 40v-43r)","created_at":"2017-12-21T19:04:12.588-08:00","url":"https://www.academia.edu/35489650/Pierre_de_la_Rue_Missa_lHomme_arme_Agnus_Dei_with_4v_prolation_canon_Source_Bibliotheque_Royale_Albert_I_Brussels_Belgium_B_BR_MS_9126_FOL_40v_43r_?f_ri=22842","dom_id":"work_35489650","summary":"A transcription of Pierre de la Rue's \"Agnus Dei\" from his \"Missa l'Homme arme,\" which includes his famous 4 voice prolation canon.\n\nFor a recording and score video, see the link here:\nhttps://www.youtube.com/watch?v=IrTtLNfq0x0","downloadable_attachments":[{"id":55352529,"asset_id":35489650,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24818,"name":"Belgian History","url":"https://www.academia.edu/Documents/in/Belgian_History?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28612,"name":"Sacred Music","url":"https://www.academia.edu/Documents/in/Sacred_Music?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":40862,"name":"Belgium","url":"https://www.academia.edu/Documents/in/Belgium?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":236426,"name":"dukes of Burgundy","url":"https://www.academia.edu/Documents/in/dukes_of_Burgundy?f_ri=22842"},{"id":256220,"name":"16th Century Sacred Music","url":"https://www.academia.edu/Documents/in/16th_Century_Sacred_Music?f_ri=22842"},{"id":265809,"name":"Burgundy and England 1400-1500","url":"https://www.academia.edu/Documents/in/Burgundy_and_England_1400-1500?f_ri=22842"},{"id":270908,"name":"Liturgy, Sacred Music","url":"https://www.academia.edu/Documents/in/Liturgy_Sacred_Music?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":863256,"name":"Belgian Music","url":"https://www.academia.edu/Documents/in/Belgian_Music?f_ri=22842"},{"id":894125,"name":"Sacred Choral Music","url":"https://www.academia.edu/Documents/in/Sacred_Choral_Music?f_ri=22842"},{"id":915360,"name":"Pierre De La Rue","url":"https://www.academia.edu/Documents/in/Pierre_De_La_Rue?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1109640,"name":"L'Homme Arme Tradition","url":"https://www.academia.edu/Documents/in/LHomme_Arme_Tradition?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1238566,"name":"Medieval Burgundy","url":"https://www.academia.edu/Documents/in/Medieval_Burgundy?f_ri=22842"},{"id":1260406,"name":"Belgian Musicians","url":"https://www.academia.edu/Documents/in/Belgian_Musicians?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1313089,"name":"Burgundians","url":"https://www.academia.edu/Documents/in/Burgundians?f_ri=22842"},{"id":1352458,"name":"Canone Musical","url":"https://www.academia.edu/Documents/in/Canone_Musical?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":1747896,"name":"Belgian art history","url":"https://www.academia.edu/Documents/in/Belgian_art_history?f_ri=22842"},{"id":1831552,"name":"Music in Belgium","url":"https://www.academia.edu/Documents/in/Music_in_Belgium?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2523559,"name":"prolation canon","url":"https://www.academia.edu/Documents/in/prolation_canon?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2536656,"name":"Mensuration Canon","url":"https://www.academia.edu/Documents/in/Mensuration_Canon?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33186580" data-work_id="33186580" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33186580/Lorenzo_da_Firenze_d_1372_73_Caccia_A_poste_messe_with_Italian_and_English_lyrical_text_underlay_Source_Biblioteca_Medicea_Laurenziana_I_Fl_MS_Mediceo_Palatino_87_Codex_Squarcialupi_fol_25v_26r_">Lorenzo da Firenze (d. 1372/73): Caccia, "A poste messe" (with Italian and English lyrical text underlay) Source: Biblioteca Medicea-Laurenziana [I-Fl], MS Mediceo Palatino 87 “Codex Squarcialupi”, fol 25v-26r.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Edition of Lorenzo da Firenze's caccia, "A poste messe" with english lyrical text underlay. For a video-score of this edition with a recording see the link below: <a href="https://www.youtube.com/watch?v=UN1dFq0jK-U" rel="nofollow">https://www.youtube.com/watch?v=UN1dFq0jK-U</a> Transcribed from the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33186580" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Edition of Lorenzo da Firenze's caccia, "A poste messe" with english lyrical text underlay. For a video-score of this edition with a recording see the link below:<br /><br /><a href="https://www.youtube.com/watch?v=UN1dFq0jK-U" rel="nofollow">https://www.youtube.com/watch?v=UN1dFq0jK-U</a><br /><br />Transcribed from the Biblioteca Medicea-Laurenziana [I-Fl], MS Mediceo Palatino 87, “Codex Squarcialupi”, fol 25v-26r and the<br />Biblioteca Nazionale Centrale, Florence (Firenze), Italy [I-Fn], MS Panciatichiano 26, "Panciatichi", fol. 76v-77r.<br /><br />The form of this piece is canonic with monophonic (?) ritornello. As indicated in the codices, the first part of the piece is clearly a canon for ether two or three voices. The second part, however, gives no sign that it should be performed canonically. Furthermore, there seems to be no reasonable way to render the second half of this piece as a canon without numerous and egregious counterpoint errors. Thus, it is generally accepted that the Ritornello is not a canon like the first part. <br /><br />The second part can be performed monophonically or by many voices in octaves. However, many recordings have taken the liberty to arrange polyphonic parts to fit with the given monophonic line. Most such arrangements borrow material from the monophonic line, parts of which work contrapuntally well together when isolated and extracted arbitrarily.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33186580" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="22c212725590004b85633f6e9433bca4" rel="nofollow" data-download="{"attachment_id":53269471,"asset_id":33186580,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53269471/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_33186580 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33186580"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33186580, container: ".js-paper-rank-work_33186580", }); });</script></li><li class="js-percentile-work_33186580 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33186580; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33186580"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33186580 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33186580"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33186580; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33186580]").text(description); $(".js-view-count-work_33186580").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33186580").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33186580"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">80</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33186580]'), work: {"id":33186580,"title":"Lorenzo da Firenze (d. 1372/73): Caccia, \"A poste messe\" (with Italian and English lyrical text underlay) Source: Biblioteca Medicea-Laurenziana [I-Fl], MS Mediceo Palatino 87 “Codex Squarcialupi”, fol 25v-26r.)","created_at":"2017-05-24T21:24:13.681-07:00","url":"https://www.academia.edu/33186580/Lorenzo_da_Firenze_d_1372_73_Caccia_A_poste_messe_with_Italian_and_English_lyrical_text_underlay_Source_Biblioteca_Medicea_Laurenziana_I_Fl_MS_Mediceo_Palatino_87_Codex_Squarcialupi_fol_25v_26r_?f_ri=22842","dom_id":"work_33186580","summary":"Edition of Lorenzo da Firenze's caccia, \"A poste messe\" with english lyrical text underlay. For a video-score of this edition with a recording see the link below:\n\nhttps://www.youtube.com/watch?v=UN1dFq0jK-U\n\nTranscribed from the Biblioteca Medicea-Laurenziana [I-Fl], MS Mediceo Palatino 87, “Codex Squarcialupi”, fol 25v-26r and the\nBiblioteca Nazionale Centrale, Florence (Firenze), Italy [I-Fn], MS Panciatichiano 26, \"Panciatichi\", fol. 76v-77r.\n\nThe form of this piece is canonic with monophonic (?) ritornello. As indicated in the codices, the first part of the piece is clearly a canon for ether two or three voices. The second part, however, gives no sign that it should be performed canonically. Furthermore, there seems to be no reasonable way to render the second half of this piece as a canon without numerous and egregious counterpoint errors. Thus, it is generally accepted that the Ritornello is not a canon like the first part. \n\nThe second part can be performed monophonically or by many voices in octaves. However, many recordings have taken the liberty to arrange polyphonic parts to fit with the given monophonic line. Most such arrangements borrow material from the monophonic line, parts of which work contrapuntally well together when isolated and extracted arbitrarily.","downloadable_attachments":[{"id":53269471,"asset_id":33186580,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":17549,"name":"Italian Music","url":"https://www.academia.edu/Documents/in/Italian_Music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":19748,"name":"Opera,Choral And Vocal Music","url":"https://www.academia.edu/Documents/in/Opera_Choral_And_Vocal_Music?f_ri=22842"},{"id":21710,"name":"Choral Music","url":"https://www.academia.edu/Documents/in/Choral_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":71580,"name":"Late Medieval History","url":"https://www.academia.edu/Documents/in/Late_Medieval_History?f_ri=22842"},{"id":98737,"name":"Italian Renaissance","url":"https://www.academia.edu/Documents/in/Italian_Renaissance?f_ri=22842"},{"id":116379,"name":"Choral Music and Church Music","url":"https://www.academia.edu/Documents/in/Choral_Music_and_Church_Music?f_ri=22842"},{"id":126277,"name":"Musicology, art of singing: opera, and choral music","url":"https://www.academia.edu/Documents/in/Musicology_art_of_singing_opera_and_choral_music?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":139751,"name":"Monophonic Counterpoint","url":"https://www.academia.edu/Documents/in/Monophonic_Counterpoint?f_ri=22842"},{"id":152157,"name":"Firenze","url":"https://www.academia.edu/Documents/in/Firenze?f_ri=22842"},{"id":160026,"name":"music education, vocal \u0026 choral music, English Language Learners","url":"https://www.academia.edu/Documents/in/music_education_vocal_and_choral_music_English_Language_Learners?f_ri=22842"},{"id":170131,"name":"Vocal Music","url":"https://www.academia.edu/Documents/in/Vocal_Music?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":199283,"name":"Choral Music, Choral Conducting","url":"https://www.academia.edu/Documents/in/Choral_Music_Choral_Conducting?f_ri=22842"},{"id":264591,"name":"Historical Musicology \u0026 Vocal Pedagogy","url":"https://www.academia.edu/Documents/in/Historical_Musicology_and_Vocal_Pedagogy?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":374820,"name":"Caccia","url":"https://www.academia.edu/Documents/in/Caccia?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":430339,"name":"Trecento","url":"https://www.academia.edu/Documents/in/Trecento?f_ri=22842"},{"id":436716,"name":"Trecento and Quattrocento Italian Art","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Italian_Art?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":843388,"name":"Music Composition, Vocal Performance and Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Composition_Vocal_Performance_and_Pedagogy?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":888054,"name":"Early Renaissance Italian Secular Music","url":"https://www.academia.edu/Documents/in/Early_Renaissance_Italian_Secular_Music?f_ri=22842"},{"id":909591,"name":"Trecento Florence","url":"https://www.academia.edu/Documents/in/Trecento_Florence?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1582435,"name":"Trecento Italy","url":"https://www.academia.edu/Documents/in/Trecento_Italy?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2592732,"name":"Codex Squarcialupi","url":"https://www.academia.edu/Documents/in/Codex_Squarcialupi?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19817564" data-work_id="19817564" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19817564/The_Grammar_of_Early_Music_Preconditions_for_Analysis">The Grammar of Early Music: Preconditions for Analysis</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19817564" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a10fca0769edeac2e9ba739315e3ec8f" rel="nofollow" data-download="{"attachment_id":40861355,"asset_id":19817564,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40861355/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5702421" href="https://oxford.academia.edu/MBent">Margaret Bent</a><script data-card-contents-for-user="5702421" type="text/json">{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}</script></span></span></li><li class="js-paper-rank-work_19817564 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19817564"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19817564, container: ".js-paper-rank-work_19817564", }); });</script></li><li class="js-percentile-work_19817564 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19817564; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19817564"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19817564 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19817564"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19817564; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19817564]").text(description); $(".js-view-count-work_19817564").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19817564").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19817564"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a><script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19817564]'), work: {"id":19817564,"title":"The Grammar of Early Music: Preconditions for Analysis","created_at":"2015-12-24T08:35:30.463-08:00","url":"https://www.academia.edu/19817564/The_Grammar_of_Early_Music_Preconditions_for_Analysis?f_ri=22842","dom_id":"work_19817564","summary":null,"downloadable_attachments":[{"id":40861355,"asset_id":19817564,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}],"research_interests":[{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39521685" data-work_id="39521685" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39521685/Jacquet_de_Mantua_1483_1559_motet_a5_Aspice_Domine_Source_Biblioteca_Vallicelliana_Rome_Italy_I_Rv_S1_35_38_and_40_fol_7_">Jacquet de Mantua (1483 - 1559): motet a5, "Aspice Domine" (Source: Biblioteca Vallicelliana, Rome, Italy [I-Rv], S1 35-38 & 40, fol. 7)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">An edition of Jacquet de Mantua's famous 16th century five-voiced motet "Aspice Domine." For a complete recording and animated score-video see link --- <a href="https://www.youtube.com/watch?v=FpdbJPxWJ5s" rel="nofollow">https://www.youtube.com/watch?v=FpdbJPxWJ5s</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39521685" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="beef5022487af0373cf5ecf4d32be417" rel="nofollow" data-download="{"attachment_id":59671218,"asset_id":39521685,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59671218/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_39521685 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39521685"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39521685, container: ".js-paper-rank-work_39521685", }); });</script></li><li class="js-percentile-work_39521685 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39521685; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39521685"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39521685 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39521685"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39521685; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39521685]").text(description); $(".js-view-count-work_39521685").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39521685").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39521685"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39521685]'), work: {"id":39521685,"title":"Jacquet de Mantua (1483 - 1559): motet a5, \"Aspice Domine\" (Source: Biblioteca Vallicelliana, Rome, Italy [I-Rv], S1 35-38 \u0026 40, fol. 7)","created_at":"2019-06-11T15:13:51.750-07:00","url":"https://www.academia.edu/39521685/Jacquet_de_Mantua_1483_1559_motet_a5_Aspice_Domine_Source_Biblioteca_Vallicelliana_Rome_Italy_I_Rv_S1_35_38_and_40_fol_7_?f_ri=22842","dom_id":"work_39521685","summary":"An edition of Jacquet de Mantua's famous 16th century five-voiced motet \"Aspice Domine.\" For a complete recording and animated score-video see link --- https://www.youtube.com/watch?v=FpdbJPxWJ5s","downloadable_attachments":[{"id":59671218,"asset_id":39521685,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28612,"name":"Sacred Music","url":"https://www.academia.edu/Documents/in/Sacred_Music?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":270908,"name":"Liturgy, Sacred Music","url":"https://www.academia.edu/Documents/in/Liturgy_Sacred_Music?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35468277" data-work_id="35468277" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35468277/Alexander_Agricola_Instrumental_chanson_Tandernaken_op_den_rijn_Source_Segovia_Catedral_Archivo_musical_codex_without_shelf_number_fol_CLXIv_CLXIr_">Alexander Agricola: Instrumental chanson, "Tandernaken, op den rijn" (Source: Segovia Catedral, Archivo musical, codex without shelf number, fol. CLXIv - CLXIr)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">A transcription of Alexander Agricola's (1457/58 - 1506) "Tandernaken." For a recording with a score video see the link below: <br /><a href="https://www.youtube.com/watch?v=nac6QU2rhGQ" rel="nofollow">https://www.youtube.com/watch?v=nac6QU2rhGQ</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35468277" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fa026a1dc0daa1cd406437df68ec5078" rel="nofollow" data-download="{"attachment_id":55330854,"asset_id":35468277,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55330854/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35468277 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35468277"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35468277, container: ".js-paper-rank-work_35468277", }); });</script></li><li class="js-percentile-work_35468277 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35468277; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35468277"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35468277 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35468277"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35468277; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35468277]").text(description); $(".js-view-count-work_35468277").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35468277").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35468277"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">89</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35468277]'), work: {"id":35468277,"title":"Alexander Agricola: Instrumental chanson, \"Tandernaken, op den rijn\" (Source: Segovia Catedral, Archivo musical, codex without shelf number, fol. CLXIv - CLXIr)","created_at":"2017-12-19T07:24:31.501-08:00","url":"https://www.academia.edu/35468277/Alexander_Agricola_Instrumental_chanson_Tandernaken_op_den_rijn_Source_Segovia_Catedral_Archivo_musical_codex_without_shelf_number_fol_CLXIv_CLXIr_?f_ri=22842","dom_id":"work_35468277","summary":"A transcription of Alexander Agricola's (1457/58 - 1506) \"Tandernaken.\" For a recording with a score video see the link below: \nhttps://www.youtube.com/watch?v=nac6QU2rhGQ","downloadable_attachments":[{"id":55330854,"asset_id":35468277,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":17550,"name":"Lute","url":"https://www.academia.edu/Documents/in/Lute?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24818,"name":"Belgian History","url":"https://www.academia.edu/Documents/in/Belgian_History?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=22842"},{"id":35304,"name":"15th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/15th_Century_Netherlandish_Art?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":64536,"name":"Lute Music","url":"https://www.academia.edu/Documents/in/Lute_Music?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":115524,"name":"Segovia","url":"https://www.academia.edu/Documents/in/Segovia?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":174729,"name":"Early Music \u0026 Early Tuning Temperaments","url":"https://www.academia.edu/Documents/in/Early_Music_and_Early_Tuning_Temperaments?f_ri=22842"},{"id":174929,"name":"Lute, Baroque Music","url":"https://www.academia.edu/Documents/in/Lute_Baroque_Music?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":199988,"name":"Renaissance lute music","url":"https://www.academia.edu/Documents/in/Renaissance_lute_music?f_ri=22842"},{"id":243299,"name":"Philip III le Bon of Burgundy","url":"https://www.academia.edu/Documents/in/Philip_III_le_Bon_of_Burgundy?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":393881,"name":"Renaissance and Baroque Instrumental Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Instrumental_Music?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":486007,"name":"Dutch music","url":"https://www.academia.edu/Documents/in/Dutch_music?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":537738,"name":"Spanish Renaissance Music","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Music?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":681100,"name":"Baroque Lute","url":"https://www.academia.edu/Documents/in/Baroque_Lute?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":784917,"name":"Iberian renaissance music","url":"https://www.academia.edu/Documents/in/Iberian_renaissance_music?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":863256,"name":"Belgian Music","url":"https://www.academia.edu/Documents/in/Belgian_Music?f_ri=22842"},{"id":894186,"name":"Baroque and Renaissance Lute Music","url":"https://www.academia.edu/Documents/in/Baroque_and_Renaissance_Lute_Music?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1260406,"name":"Belgian Musicians","url":"https://www.academia.edu/Documents/in/Belgian_Musicians?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1432622,"name":"Dutch Musicology","url":"https://www.academia.edu/Documents/in/Dutch_Musicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":1747896,"name":"Belgian art history","url":"https://www.academia.edu/Documents/in/Belgian_art_history?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"},{"id":2815165,"name":"Dutch Music History","url":"https://www.academia.edu/Documents/in/Dutch_Music_History?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38119619" data-work_id="38119619" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38119619/Jacob_Obrecht_Duet_on_Regina_Caeli_Source_Segovia_Catedral_Archivo_Musical_codex_without_shelf_number_fol_CCv_Regina_caeli_i_i_Jacobus_Hobrecht_">Jacob Obrecht: Duet on "Regina Caeli" (Source: Segovia, Catedral, Archivo Musical, codex without shelf number, fol. CCv. "Regina caeli" (i, i), "Jacobus Hobrecht")</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">A transcription of Jacob Obrecht's duet on the Marian Antiphon for the Hour of Compline, "Regina Caeli." This is one of Obrecht's unicum. For a recording and score video see the link below: <a href="https://www.youtube.com/watch?v=Igtd4bnBlwQ" rel="nofollow">https://www.youtube.com/watch?v=Igtd4bnBlwQ</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38119619" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8f9474e5c2d17503bb1393350bb9f4ad" rel="nofollow" data-download="{"attachment_id":58149091,"asset_id":38119619,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58149091/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_38119619 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38119619"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38119619, container: ".js-paper-rank-work_38119619", }); });</script></li><li class="js-percentile-work_38119619 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38119619; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38119619"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38119619 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38119619"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38119619; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38119619]").text(description); $(".js-view-count-work_38119619").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38119619").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38119619"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14869" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a><script data-card-contents-for-ri="14869" type="text/json">{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38119619]'), work: {"id":38119619,"title":"Jacob Obrecht: Duet on \"Regina Caeli\" (Source: Segovia, Catedral, Archivo Musical, codex without shelf number, fol. CCv. \"Regina caeli\" (i, i), \"Jacobus Hobrecht\")","created_at":"2019-01-09T08:12:12.958-08:00","url":"https://www.academia.edu/38119619/Jacob_Obrecht_Duet_on_Regina_Caeli_Source_Segovia_Catedral_Archivo_Musical_codex_without_shelf_number_fol_CCv_Regina_caeli_i_i_Jacobus_Hobrecht_?f_ri=22842","dom_id":"work_38119619","summary":"A transcription of Jacob Obrecht's duet on the Marian Antiphon for the Hour of Compline, \"Regina Caeli.\" This is one of Obrecht's unicum. For a recording and score video see the link below: https://www.youtube.com/watch?v=Igtd4bnBlwQ","downloadable_attachments":[{"id":58149091,"asset_id":38119619,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842","nofollow":false},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":115524,"name":"Segovia","url":"https://www.academia.edu/Documents/in/Segovia?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":696848,"name":"Pipe Organ Music","url":"https://www.academia.edu/Documents/in/Pipe_Organ_Music?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":1635741,"name":"Jacob Obrecht","url":"https://www.academia.edu/Documents/in/Jacob_Obrecht?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3851998 coauthored" data-work_id="3851998" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3851998/%D0%9A%D0%BB%D0%B0%D0%B4_%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D1%8B%D1%85_%D0%BC%D0%BE%D0%BD%D0%B5%D1%82_%D0%B8%D0%B7_%D1%81%D0%B5%D0%BB%D0%B0_%D0%A1%D1%82%D0%B8%D0%B6%D0%BE%D0%BA_%D0%BD%D0%B0_%D0%97%D0%B0%D0%BF%D0%B0%D0%B4%D0%B5_%D0%A3%D0%BA%D1%80%D0%B0%D0%B8%D0%BD%D1%8B_%D0%B8_%D0%BD%D0%B5%D0%BA%D0%BE%D1%82%D0%BE%D1%80%D1%8B%D0%B5_%D0%B2%D0%BE%D0%BF%D1%80%D0%BE%D1%81%D1%8B_%D0%B4%D0%B5%D0%BD%D0%B5%D0%B6%D0%BD%D0%BE%D0%B3%D0%BE_%D0%BE%D0%B1%D1%80%D0%B0%D1%89%D0%B5%D0%BD%D0%B8%D1%8F_XV_%D0%B2_The_Hoard_of_Medieval_Coins_from_the_Village_Stizhok_and_Some_Remarks_on_Money_Circulation_in_15th_Century_Tezaur_de_monede_medievale_din_satul_Stijok_%C5%9Fi_unele_aspecte_ale_circula%C5%A3iei_monetare">Клад средневековых монет из села Стижок на Западе Украины и некоторые вопросы денежного обращения XV в. The Hoard of Medieval Coins from the Village Stizhok and Some Remarks on Money Circulation in 15th Century. Tezaur de monede medievale din satul Stijok şi unele aspecte ale circulaţiei monetare</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Hoard of Medieval Coins from the Village Stizhok. In the spring of 2011, a clay pot was found in a ﬁeld nearby the village Stizhok (Shumsk district, Ternopil’ region,Ukraine). The pot contained about 2500 silver coins struck in the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3851998" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Hoard of Medieval Coins from the Village Stizhok. In the spring of 2011, a clay pot was found in a ﬁeld nearby the village Stizhok (Shumsk district, Ternopil’ region,Ukraine). The pot contained about 2500 silver coins struck in the Golden Horde, Crimean Khanate, Caffa, Principalities of Wallachia and Moldavia, and Lithuania. The signiﬁcant part of oriental coins bears the Tartar, Moldavian and Lithuanian countermarks. Most likely, the treasure was hidden during the Tartar military expansion atthe end of 15th and beginning of 16th centuries. <br /> <br />Keywords. Numismatics, medieval numismatics, coin hoard, Genoese colonies in Crimea,  Genoese history, Poland, Ukraine, Golden Horde, Grand Duchy of Lithuania, Moldova, Romania, Wallachia, Asprokastron, 15th century, Svidrigailo, Vladislav II. Нумизматика, средневековая нумизматика, клады монет, генуэзские колонии в Крыму, Аспрокастрон, надчеканы на монетах Золотой Орды и Крымского Ханства, денежное обращение 15-го века, каталог монет с надчеканами, Каффа, Молдавия, Мунтения, Владислав II, Свидригайла."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3851998" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="587023c708f3b4a3fbfc344dc69e1907" rel="nofollow" data-download="{"attachment_id":31495472,"asset_id":3851998,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31495472/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4740569" href="https://independent.academia.edu/APetrov">Alexander Petrov</a><script data-card-contents-for-user="4740569" type="text/json">{"id":4740569,"first_name":"Alexander","last_name":"Petrov","domain_name":"independent","page_name":"APetrov","display_name":"Alexander Petrov","profile_url":"https://independent.academia.edu/APetrov?f_ri=22842","photo":"https://0.academia-photos.com/4740569/2009331/132039080/s65_alexander.petrov.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-3851998">+1</span><div class="hidden js-additional-users-3851998"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://univie.academia.edu/DergaciovaLilia">Dergaciova Lilia</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-3851998'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-3851998').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_3851998 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3851998"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3851998, container: ".js-paper-rank-work_3851998", }); });</script></li><li class="js-percentile-work_3851998 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3851998; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3851998"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3851998 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3851998"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3851998; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3851998]").text(description); $(".js-view-count-work_3851998").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3851998").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3851998"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">430</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="131" href="https://www.academia.edu/Documents/in/European_History">European History</a>, <script data-card-contents-for-ri="131" type="text/json">{"id":131,"name":"European History","url":"https://www.academia.edu/Documents/in/European_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="137" href="https://www.academia.edu/Documents/in/Economic_History">Economic History</a>, <script data-card-contents-for-ri="137" type="text/json">{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="382" href="https://www.academia.edu/Documents/in/Eastern_European_Studies">Eastern European Studies</a><script data-card-contents-for-ri="382" type="text/json">{"id":382,"name":"Eastern European Studies","url":"https://www.academia.edu/Documents/in/Eastern_European_Studies?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3851998]'), work: {"id":3851998,"title":"Клад средневековых монет из села Стижок на Западе Украины и некоторые вопросы денежного обращения XV в. The Hoard of Medieval Coins from the Village Stizhok and Some Remarks on Money Circulation in 15th Century. Tezaur de monede medievale din satul Stijok şi unele aspecte ale circulaţiei monetare","created_at":"2013-07-03T22:39:29.440-07:00","url":"https://www.academia.edu/3851998/%D0%9A%D0%BB%D0%B0%D0%B4_%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D1%8B%D1%85_%D0%BC%D0%BE%D0%BD%D0%B5%D1%82_%D0%B8%D0%B7_%D1%81%D0%B5%D0%BB%D0%B0_%D0%A1%D1%82%D0%B8%D0%B6%D0%BE%D0%BA_%D0%BD%D0%B0_%D0%97%D0%B0%D0%BF%D0%B0%D0%B4%D0%B5_%D0%A3%D0%BA%D1%80%D0%B0%D0%B8%D0%BD%D1%8B_%D0%B8_%D0%BD%D0%B5%D0%BA%D0%BE%D1%82%D0%BE%D1%80%D1%8B%D0%B5_%D0%B2%D0%BE%D0%BF%D1%80%D0%BE%D1%81%D1%8B_%D0%B4%D0%B5%D0%BD%D0%B5%D0%B6%D0%BD%D0%BE%D0%B3%D0%BE_%D0%BE%D0%B1%D1%80%D0%B0%D1%89%D0%B5%D0%BD%D0%B8%D1%8F_XV_%D0%B2_The_Hoard_of_Medieval_Coins_from_the_Village_Stizhok_and_Some_Remarks_on_Money_Circulation_in_15th_Century_Tezaur_de_monede_medievale_din_satul_Stijok_%C5%9Fi_unele_aspecte_ale_circula%C5%A3iei_monetare?f_ri=22842","dom_id":"work_3851998","summary":"The Hoard of Medieval Coins from the Village Stizhok. In the spring of 2011, a clay pot was found in a ﬁeld nearby the village Stizhok (Shumsk district, Ternopil’ region,Ukraine). The pot contained about 2500 silver coins struck in the Golden Horde, Crimean Khanate, Caffa, Principalities of Wallachia and Moldavia, and Lithuania. The signiﬁcant part of oriental coins bears the Tartar, Moldavian and Lithuanian countermarks. Most likely, the treasure was hidden during the Tartar military expansion atthe end of 15th and beginning of 16th centuries. \r\n\r\nKeywords. Numismatics, medieval numismatics, coin hoard, Genoese colonies in Crimea, Genoese history, Poland, Ukraine, Golden Horde, Grand Duchy of Lithuania, Moldova, Romania, Wallachia, Asprokastron, 15th century, Svidrigailo, Vladislav II. Нумизматика, средневековая нумизматика, клады монет, генуэзские колонии в Крыму, Аспрокастрон, надчеканы на монетах Золотой Орды и Крымского Ханства, денежное обращение 15-го века, каталог монет с надчеканами, Каффа, Молдавия, Мунтения, Владислав II, Свидригайла.\"","downloadable_attachments":[{"id":31495472,"asset_id":3851998,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4740569,"first_name":"Alexander","last_name":"Petrov","domain_name":"independent","page_name":"APetrov","display_name":"Alexander Petrov","profile_url":"https://independent.academia.edu/APetrov?f_ri=22842","photo":"https://0.academia-photos.com/4740569/2009331/132039080/s65_alexander.petrov.jpg"},{"id":6725372,"first_name":"Dergaciova","last_name":"Lilia","domain_name":"univie","page_name":"DergaciovaLilia","display_name":"Dergaciova Lilia","profile_url":"https://univie.academia.edu/DergaciovaLilia?f_ri=22842","photo":"https://0.academia-photos.com/6725372/2930425/25700637/s65_dergaciova.lili.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=22842","nofollow":false},{"id":131,"name":"European History","url":"https://www.academia.edu/Documents/in/European_History?f_ri=22842","nofollow":false},{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=22842","nofollow":false},{"id":382,"name":"Eastern European Studies","url":"https://www.academia.edu/Documents/in/Eastern_European_Studies?f_ri=22842","nofollow":false},{"id":389,"name":"Russian Studies","url":"https://www.academia.edu/Documents/in/Russian_Studies?f_ri=22842"},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=22842"},{"id":1187,"name":"Ottoman History","url":"https://www.academia.edu/Documents/in/Ottoman_History?f_ri=22842"},{"id":1366,"name":"Late Middle Ages","url":"https://www.academia.edu/Documents/in/Late_Middle_Ages?f_ri=22842"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842"},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=22842"},{"id":1730,"name":"Czech History","url":"https://www.academia.edu/Documents/in/Czech_History?f_ri=22842"},{"id":1744,"name":"Italian (European History)","url":"https://www.academia.edu/Documents/in/Italian_European_History_?f_ri=22842"},{"id":2021,"name":"Romanian History","url":"https://www.academia.edu/Documents/in/Romanian_History?f_ri=22842"},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=22842"},{"id":2327,"name":"Transnational and World History","url":"https://www.academia.edu/Documents/in/Transnational_and_World_History?f_ri=22842"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842"},{"id":3067,"name":"South East European Studies","url":"https://www.academia.edu/Documents/in/South_East_European_Studies?f_ri=22842"},{"id":3283,"name":"Medieval","url":"https://www.academia.edu/Documents/in/Medieval?f_ri=22842"},{"id":3308,"name":"Belarusian Studies","url":"https://www.academia.edu/Documents/in/Belarusian_Studies?f_ri=22842"},{"id":3409,"name":"Balkan History","url":"https://www.academia.edu/Documents/in/Balkan_History?f_ri=22842"},{"id":3622,"name":"Polish History","url":"https://www.academia.edu/Documents/in/Polish_History?f_ri=22842"},{"id":5821,"name":"Ukrainian Studies","url":"https://www.academia.edu/Documents/in/Ukrainian_Studies?f_ri=22842"},{"id":6032,"name":"Central Asian Studies","url":"https://www.academia.edu/Documents/in/Central_Asian_Studies?f_ri=22842"},{"id":6034,"name":"Mongolian Studies","url":"https://www.academia.edu/Documents/in/Mongolian_Studies?f_ri=22842"},{"id":6326,"name":"Central European history","url":"https://www.academia.edu/Documents/in/Central_European_history?f_ri=22842"},{"id":6327,"name":"Eastern European history","url":"https://www.academia.edu/Documents/in/Eastern_European_history?f_ri=22842"},{"id":6541,"name":"World History","url":"https://www.academia.edu/Documents/in/World_History?f_ri=22842"},{"id":6561,"name":"Late Medieval","url":"https://www.academia.edu/Documents/in/Late_Medieval?f_ri=22842"},{"id":6741,"name":"Asian History","url":"https://www.academia.edu/Documents/in/Asian_History?f_ri=22842"},{"id":6893,"name":"First Global Age, 1400-1800","url":"https://www.academia.edu/Documents/in/First_Global_Age_1400-1800?f_ri=22842"},{"id":7155,"name":"Central Asia (History)","url":"https://www.academia.edu/Documents/in/Central_Asia_History_?f_ri=22842"},{"id":7238,"name":"Heraldry","url":"https://www.academia.edu/Documents/in/Heraldry?f_ri=22842"},{"id":7282,"name":"Numismatics","url":"https://www.academia.edu/Documents/in/Numismatics?f_ri=22842"},{"id":7354,"name":"Early Modern Europe","url":"https://www.academia.edu/Documents/in/Early_Modern_Europe?f_ri=22842"},{"id":8105,"name":"Numismatic","url":"https://www.academia.edu/Documents/in/Numismatic?f_ri=22842"},{"id":8122,"name":"Ottoman Studies","url":"https://www.academia.edu/Documents/in/Ottoman_Studies?f_ri=22842"},{"id":8211,"name":"Local Economic Development","url":"https://www.academia.edu/Documents/in/Local_Economic_Development?f_ri=22842"},{"id":8700,"name":"Turkish and Middle East Studies","url":"https://www.academia.edu/Documents/in/Turkish_and_Middle_East_Studies?f_ri=22842"},{"id":8743,"name":"Romanian Studies","url":"https://www.academia.edu/Documents/in/Romanian_Studies?f_ri=22842"},{"id":9282,"name":"Turkish History","url":"https://www.academia.edu/Documents/in/Turkish_History?f_ri=22842"},{"id":9941,"name":"Czech \u0026 Slovak Studies","url":"https://www.academia.edu/Documents/in/Czech_and_Slovak_Studies?f_ri=22842"},{"id":11059,"name":"Sigillography","url":"https://www.academia.edu/Documents/in/Sigillography?f_ri=22842"},{"id":11180,"name":"History of Hungary","url":"https://www.academia.edu/Documents/in/History_of_Hungary?f_ri=22842"},{"id":12432,"name":"Monetary history","url":"https://www.academia.edu/Documents/in/Monetary_history?f_ri=22842"},{"id":12829,"name":"History of the Mongol Empire","url":"https://www.academia.edu/Documents/in/History_of_the_Mongol_Empire?f_ri=22842"},{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe?f_ri=22842"},{"id":13334,"name":"Global History","url":"https://www.academia.edu/Documents/in/Global_History?f_ri=22842"},{"id":14544,"name":"Islamic Numismatics","url":"https://www.academia.edu/Documents/in/Islamic_Numismatics?f_ri=22842"},{"id":15129,"name":"Early modern Ottoman History","url":"https://www.academia.edu/Documents/in/Early_modern_Ottoman_History?f_ri=22842"},{"id":15455,"name":"Russian History","url":"https://www.academia.edu/Documents/in/Russian_History?f_ri=22842"},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies?f_ri=22842"},{"id":15800,"name":"Islamic History","url":"https://www.academia.edu/Documents/in/Islamic_History?f_ri=22842"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy?f_ri=22842"},{"id":18795,"name":"History of Central and Southeastern Europe","url":"https://www.academia.edu/Documents/in/History_of_Central_and_Southeastern_Europe?f_ri=22842"},{"id":18924,"name":"Central Asian History (Area Studies)","url":"https://www.academia.edu/Documents/in/Central_Asian_History_Area_Studies_?f_ri=22842"},{"id":19885,"name":"Monetary History (in History/Economic History)","url":"https://www.academia.edu/Documents/in/Monetary_History_in_History_Economic_History_?f_ri=22842"},{"id":21133,"name":"The Italian communes and signories (1300-1450)","url":"https://www.academia.edu/Documents/in/The_Italian_communes_and_signories_1300-1450_?f_ri=22842"},{"id":21670,"name":"Medieval Italy","url":"https://www.academia.edu/Documents/in/Medieval_Italy?f_ri=22842"},{"id":21999,"name":"Ukraine (History)","url":"https://www.academia.edu/Documents/in/Ukraine_History_?f_ri=22842"},{"id":22650,"name":"Central Asia","url":"https://www.academia.edu/Documents/in/Central_Asia?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":25118,"name":"Medieval Islamic History","url":"https://www.academia.edu/Documents/in/Medieval_Islamic_History?f_ri=22842"},{"id":27236,"name":"Crimean Tatar","url":"https://www.academia.edu/Documents/in/Crimean_Tatar?f_ri=22842"},{"id":27363,"name":"Poland","url":"https://www.academia.edu/Documents/in/Poland?f_ri=22842"},{"id":28225,"name":"Medieval Balkans","url":"https://www.academia.edu/Documents/in/Medieval_Balkans?f_ri=22842"},{"id":28583,"name":"Money","url":"https://www.academia.edu/Documents/in/Money?f_ri=22842"},{"id":29613,"name":"Central asian history","url":"https://www.academia.edu/Documents/in/Central_asian_history?f_ri=22842"},{"id":30129,"name":"History of Golden Horde","url":"https://www.academia.edu/Documents/in/History_of_Golden_Horde?f_ri=22842"},{"id":31467,"name":"Economic and Social History of the Ottoman Empire","url":"https://www.academia.edu/Documents/in/Economic_and_Social_History_of_the_Ottoman_Empire?f_ri=22842"},{"id":32773,"name":"History of Moldova","url":"https://www.academia.edu/Documents/in/History_of_Moldova?f_ri=22842"},{"id":32895,"name":"Medieval trade","url":"https://www.academia.edu/Documents/in/Medieval_trade?f_ri=22842"},{"id":34415,"name":"Medieval Islamic Numismatics","url":"https://www.academia.edu/Documents/in/Medieval_Islamic_Numismatics?f_ri=22842"},{"id":36082,"name":"History of Polish-Lithuanian Commonwealth","url":"https://www.academia.edu/Documents/in/History_of_Polish-Lithuanian_Commonwealth?f_ri=22842"},{"id":37597,"name":"Moldova","url":"https://www.academia.edu/Documents/in/Moldova?f_ri=22842"},{"id":39554,"name":"Lithuanian History","url":"https://www.academia.edu/Documents/in/Lithuanian_History?f_ri=22842"},{"id":39556,"name":"History of the Polish-Lithuanian Commonwealth","url":"https://www.academia.edu/Documents/in/History_of_the_Polish-Lithuanian_Commonwealth?f_ri=22842"},{"id":41863,"name":"Russia","url":"https://www.academia.edu/Documents/in/Russia?f_ri=22842"},{"id":45040,"name":"Fifteenth century history","url":"https://www.academia.edu/Documents/in/Fifteenth_century_history?f_ri=22842"},{"id":45426,"name":"Central and Eastern Europe","url":"https://www.academia.edu/Documents/in/Central_and_Eastern_Europe?f_ri=22842"},{"id":46989,"name":"Ukraine","url":"https://www.academia.edu/Documents/in/Ukraine?f_ri=22842"},{"id":47143,"name":"Medieval numismatics","url":"https://www.academia.edu/Documents/in/Medieval_numismatics?f_ri=22842"},{"id":48952,"name":"Romania","url":"https://www.academia.edu/Documents/in/Romania?f_ri=22842"},{"id":49537,"name":"Monetary circulation","url":"https://www.academia.edu/Documents/in/Monetary_circulation?f_ri=22842"},{"id":49655,"name":"Dark Ages History","url":"https://www.academia.edu/Documents/in/Dark_Ages_History?f_ri=22842"},{"id":49837,"name":"Historia","url":"https://www.academia.edu/Documents/in/Historia?f_ri=22842"},{"id":51775,"name":"Coin Collections","url":"https://www.academia.edu/Documents/in/Coin_Collections?f_ri=22842"},{"id":51777,"name":"Coin Hoards","url":"https://www.academia.edu/Documents/in/Coin_Hoards?f_ri=22842"},{"id":52849,"name":"History of Commerce","url":"https://www.academia.edu/Documents/in/History_of_Commerce?f_ri=22842"},{"id":52982,"name":"Commerce","url":"https://www.academia.edu/Documents/in/Commerce?f_ri=22842"},{"id":55450,"name":"14th century Italy","url":"https://www.academia.edu/Documents/in/14th_century_Italy?f_ri=22842"},{"id":58201,"name":"Ukrainian History","url":"https://www.academia.edu/Documents/in/Ukrainian_History?f_ri=22842"},{"id":58937,"name":"Slavic Studies","url":"https://www.academia.edu/Documents/in/Slavic_Studies?f_ri=22842"},{"id":65192,"name":"Storia medievale","url":"https://www.academia.edu/Documents/in/Storia_medievale?f_ri=22842"},{"id":66042,"name":"Moldavia","url":"https://www.academia.edu/Documents/in/Moldavia?f_ri=22842"},{"id":67248,"name":"Genoese History","url":"https://www.academia.edu/Documents/in/Genoese_History?f_ri=22842"},{"id":68136,"name":"Alta Edad Media","url":"https://www.academia.edu/Documents/in/Alta_Edad_Media?f_ri=22842"},{"id":69091,"name":"Transizione tra tardo medioevo e prima età moderna","url":"https://www.academia.edu/Documents/in/Transizione_tra_tardo_medioevo_e_prima_eta_moderna?f_ri=22842"},{"id":71049,"name":"Беларусазнаўства","url":"https://www.academia.edu/Documents/in/%D0%91%D0%B5%D0%BB%D0%B0%D1%80%D1%83%D1%81%D0%B0%D0%B7%D0%BD%D0%B0%D1%9E%D1%81%D1%82%D0%B2%D0%B0?f_ri=22842"},{"id":71060,"name":"Беларусь","url":"https://www.academia.edu/Documents/in/%D0%91%D0%B5%D0%BB%D0%B0%D1%80%D1%83%D1%81%D1%8C?f_ri=22842"},{"id":71580,"name":"Late Medieval History","url":"https://www.academia.edu/Documents/in/Late_Medieval_History?f_ri=22842"},{"id":75826,"name":"Europe","url":"https://www.academia.edu/Documents/in/Europe?f_ri=22842"},{"id":76023,"name":"археология","url":"https://www.academia.edu/Documents/in/%D0%B0%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F?f_ri=22842"},{"id":78029,"name":"Mehmed II","url":"https://www.academia.edu/Documents/in/Mehmed_II?f_ri=22842"},{"id":80431,"name":"Countermarked Coins","url":"https://www.academia.edu/Documents/in/Countermarked_Coins?f_ri=22842"},{"id":81127,"name":"Fourteenth-Century History","url":"https://www.academia.edu/Documents/in/Fourteenth-Century_History?f_ri=22842"},{"id":81315,"name":"Ottoman Archaeology, Ottoman Palaeography and Diplomatics, Ottoman Warfare, Navy, Economy, and Black Sea Studies, Islamic Architecture, History of Archaeology in Ottoman Lands","url":"https://www.academia.edu/Documents/in/Ottoman_Archaeology_Ottoman_Palaeography_and_Diplomatics_Ottoman_Warfare_Navy_Economy_and_Black?f_ri=22842"},{"id":81867,"name":"Hoards","url":"https://www.academia.edu/Documents/in/Hoards?f_ri=22842"},{"id":81894,"name":"Middle Ages","url":"https://www.academia.edu/Documents/in/Middle_Ages?f_ri=22842"},{"id":81910,"name":"Hoard finds","url":"https://www.academia.edu/Documents/in/Hoard_finds?f_ri=22842"},{"id":85201,"name":"Medieval Coinage","url":"https://www.academia.edu/Documents/in/Medieval_Coinage?f_ri=22842"},{"id":87320,"name":"Nomads temporary dwelling area - Eastern Europe steppes","url":"https://www.academia.edu/Documents/in/Nomads_temporary_dwelling_area_-_Eastern_Europe_steppes?f_ri=22842"},{"id":89969,"name":"Fifteenth and Sixteenth century culture","url":"https://www.academia.edu/Documents/in/Fifteenth_and_Sixteenth_century_culture?f_ri=22842"},{"id":90938,"name":"Belarusian History","url":"https://www.academia.edu/Documents/in/Belarusian_History?f_ri=22842"},{"id":92821,"name":"Late Medieval Bohemia and Central Europe","url":"https://www.academia.edu/Documents/in/Late_Medieval_Bohemia_and_Central_Europe?f_ri=22842"},{"id":94544,"name":"Early modern history Ukraine, Chronicle Theatrum Europaeum, The military religious orders of the Middle Ages : the Hospitallers, the Templars, the Teutonic knights, and others","url":"https://www.academia.edu/Documents/in/Early_modern_history_Ukraine_Chronicle_Theatrum_Europaeum_The_military_religious_orders_of_the_Mid?f_ri=22842"},{"id":100587,"name":"Україна","url":"https://www.academia.edu/Documents/in/%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%B0?f_ri=22842"},{"id":104788,"name":"História","url":"https://www.academia.edu/Documents/in/Hist%C3%B3ria?f_ri=22842"},{"id":104797,"name":"Histoire","url":"https://www.academia.edu/Documents/in/Histoire?f_ri=22842"},{"id":105033,"name":"history of Poland","url":"https://www.academia.edu/Documents/in/history_of_Poland?f_ri=22842"},{"id":105288,"name":"Belarus","url":"https://www.academia.edu/Documents/in/Belarus?f_ri=22842"},{"id":106417,"name":"Numismatic (Late Roman; Dark Ages, Early Byzant)","url":"https://www.academia.edu/Documents/in/Numismatic_Late_Roman_Dark_Ages_Early_Byzant_?f_ri=22842"},{"id":106419,"name":"Numismatic (Late Roman, Dark Ages, Early Byzantine)","url":"https://www.academia.edu/Documents/in/Numismatic_Late_Roman_Dark_Ages_Early_Byzantine_?f_ri=22842"},{"id":106886,"name":"Moldavian History","url":"https://www.academia.edu/Documents/in/Moldavian_History?f_ri=22842"},{"id":108906,"name":"Historia Medieval","url":"https://www.academia.edu/Documents/in/Historia_Medieval?f_ri=22842"},{"id":115760,"name":"Crimea","url":"https://www.academia.edu/Documents/in/Crimea?f_ri=22842"},{"id":116798,"name":"Istorie","url":"https://www.academia.edu/Documents/in/Istorie?f_ri=22842"},{"id":118889,"name":"Mittelalter","url":"https://www.academia.edu/Documents/in/Mittelalter?f_ri=22842"},{"id":120563,"name":"Mongolian and Central Asian Studies","url":"https://www.academia.edu/Documents/in/Mongolian_and_Central_Asian_Studies?f_ri=22842"},{"id":125714,"name":"Numismatica medievale","url":"https://www.academia.edu/Documents/in/Numismatica_medievale?f_ri=22842"},{"id":127959,"name":"Early Romanian History, Moldavian Principality, relationships between Romnaian and Ukrainians","url":"https://www.academia.edu/Documents/in/Early_Romanian_History_Moldavian_Principality_relationships_between_Romnaian_and_Ukrainians?f_ri=22842"},{"id":129635,"name":"Россия","url":"https://www.academia.edu/Documents/in/%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D1%8F?f_ri=22842"},{"id":132312,"name":"Lithuanian Studies","url":"https://www.academia.edu/Documents/in/Lithuanian_Studies?f_ri=22842"},{"id":137009,"name":"Russian and Slavonic Studies","url":"https://www.academia.edu/Documents/in/Russian_and_Slavonic_Studies?f_ri=22842"},{"id":138314,"name":"Russie","url":"https://www.academia.edu/Documents/in/Russie?f_ri=22842"},{"id":138654,"name":"Mongol empire","url":"https://www.academia.edu/Documents/in/Mongol_empire?f_ri=22842"},{"id":139702,"name":"Edad Media","url":"https://www.academia.edu/Documents/in/Edad_Media?f_ri=22842"},{"id":140295,"name":"Medieval Russia","url":"https://www.academia.edu/Documents/in/Medieval_Russia?f_ri=22842"},{"id":149705,"name":"социальная история","url":"https://www.academia.edu/Documents/in/sotsialnaia_istoriia?f_ri=22842"},{"id":149706,"name":"военная история","url":"https://www.academia.edu/Documents/in/voiennaia_istoriia?f_ri=22842"},{"id":149707,"name":"история России","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%A0%D0%BE%D1%81%D1%81%D0%B8%D0%B8?f_ri=22842"},{"id":149716,"name":"междисциплинарные исследования в области истории","url":"https://www.academia.edu/Documents/in/miezhdistsiplinarnyie_issliedovaniia_v_oblasti_istorii?f_ri=22842"},{"id":151471,"name":"Mints","url":"https://www.academia.edu/Documents/in/Mints?f_ri=22842"},{"id":151867,"name":"Islam and Muslims in Poland and wider Europe","url":"https://www.academia.edu/Documents/in/Islam_and_Muslims_in_Poland_and_wider_Europe?f_ri=22842"},{"id":172905,"name":"Numismatica","url":"https://www.academia.edu/Documents/in/Numismatica?f_ri=22842"},{"id":183631,"name":"Coins","url":"https://www.academia.edu/Documents/in/Coins?f_ri=22842"},{"id":186513,"name":"História da Idade Média","url":"https://www.academia.edu/Documents/in/Historia_da_Idade_Media?f_ri=22842"},{"id":187516,"name":"Medieval Poland","url":"https://www.academia.edu/Documents/in/Medieval_Poland?f_ri=22842"},{"id":192437,"name":"Trésor Monétaire","url":"https://www.academia.edu/Documents/in/Tresor_Monetaire?f_ri=22842"},{"id":192847,"name":"Tatars","url":"https://www.academia.edu/Documents/in/Tatars?f_ri=22842"},{"id":201285,"name":"Lithuania","url":"https://www.academia.edu/Documents/in/Lithuania?f_ri=22842"},{"id":201993,"name":"Dirham Hoards","url":"https://www.academia.edu/Documents/in/Dirham_Hoards?f_ri=22842"},{"id":202039,"name":"Dirham Studies","url":"https://www.academia.edu/Documents/in/Dirham_Studies?f_ri=22842"},{"id":206418,"name":"Minting technology","url":"https://www.academia.edu/Documents/in/Minting_technology?f_ri=22842"},{"id":208061,"name":"Crimean Tatars","url":"https://www.academia.edu/Documents/in/Crimean_Tatars?f_ri=22842"},{"id":225203,"name":"Hoarding","url":"https://www.academia.edu/Documents/in/Hoarding?f_ri=22842"},{"id":229548,"name":"Genoa","url":"https://www.academia.edu/Documents/in/Genoa?f_ri=22842"},{"id":231158,"name":"Slavonic Studies","url":"https://www.academia.edu/Documents/in/Slavonic_Studies?f_ri=22842"},{"id":231937,"name":"Turks","url":"https://www.academia.edu/Documents/in/Turks?f_ri=22842"},{"id":232471,"name":"история","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F?f_ri=22842"},{"id":233980,"name":"Украина","url":"https://www.academia.edu/Documents/in/%D0%A3%D0%BA%D1%80%D0%B0%D0%B8%D0%BD%D0%B0?f_ri=22842"},{"id":233989,"name":"Черноморский регион","url":"https://www.academia.edu/Documents/in/%D0%A7%D0%B5%D1%80%D0%BD%D0%BE%D0%BC%D0%BE%D1%80%D1%81%D0%BA%D0%B8%D0%B9_%D1%80%D0%B5%D0%B3%D0%B8%D0%BE%D0%BD?f_ri=22842"},{"id":234666,"name":"Belarus History","url":"https://www.academia.edu/Documents/in/Belarus_History?f_ri=22842"},{"id":245301,"name":"Orta çağ","url":"https://www.academia.edu/Documents/in/Orta_%C3%A7a%C4%9F?f_ri=22842"},{"id":253329,"name":"Jagiellonians","url":"https://www.academia.edu/Documents/in/Jagiellonians?f_ri=22842"},{"id":253344,"name":"Jagiellonowie","url":"https://www.academia.edu/Documents/in/Jagiellonowie?f_ri=22842"},{"id":253359,"name":"Aleksander Jagiellończyk","url":"https://www.academia.edu/Documents/in/Aleksander_Jagiellonczyk?f_ri=22842"},{"id":254443,"name":"History of Genoa","url":"https://www.academia.edu/Documents/in/History_of_Genoa?f_ri=22842"},{"id":255837,"name":"Ancient - Medieval Crimea","url":"https://www.academia.edu/Documents/in/Ancient_-_Medieval_Crimea?f_ri=22842"},{"id":258814,"name":"Archeologia, Numismatica","url":"https://www.academia.edu/Documents/in/Archeologia_Numismatica?f_ri=22842"},{"id":261846,"name":"Alto Medioevo","url":"https://www.academia.edu/Documents/in/Alto_Medioevo?f_ri=22842"},{"id":261999,"name":"История Беларуси","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%91%D0%B5%D0%BB%D0%B0%D1%80%D1%83%D1%81%D0%B8?f_ri=22842"},{"id":263041,"name":"Istorija","url":"https://www.academia.edu/Documents/in/Istorija?f_ri=22842"},{"id":266236,"name":"Medioevo","url":"https://www.academia.edu/Documents/in/Medioevo?f_ri=22842"},{"id":268659,"name":"Numismatica medieval y moderna","url":"https://www.academia.edu/Documents/in/Numismatica_medieval_y_moderna?f_ri=22842"},{"id":272605,"name":"Arqueología y numismática","url":"https://www.academia.edu/Documents/in/Arqueologia_y_numismatica?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":281925,"name":"Monnaies","url":"https://www.academia.edu/Documents/in/Monnaies?f_ri=22842"},{"id":283629,"name":"Jagiellon dynasty","url":"https://www.academia.edu/Documents/in/Jagiellon_dynasty?f_ri=22842"},{"id":285931,"name":"Reino De Polonia Y Ducado De Lituania","url":"https://www.academia.edu/Documents/in/Reino_De_Polonia_Y_Ducado_De_Lituania?f_ri=22842"},{"id":293219,"name":"восточные славяне","url":"https://www.academia.edu/Documents/in/%D0%B2%D0%BE%D1%81%D1%82%D0%BE%D1%87%D0%BD%D1%8B%D0%B5_%D1%81%D0%BB%D0%B0%D0%B2%D1%8F%D0%BD%D0%B5?f_ri=22842"},{"id":296387,"name":"Tesoro","url":"https://www.academia.edu/Documents/in/Tesoro?f_ri=22842"},{"id":301535,"name":"history of Great Duchy of Lithuania (XIV-XV)","url":"https://www.academia.edu/Documents/in/history_of_Great_Duchy_of_Lithuania_XIV-XV_?f_ri=22842"},{"id":307363,"name":"Tatar populations of Ottoman Empire, Crimean Khanate","url":"https://www.academia.edu/Documents/in/Tatar_populations_of_Ottoman_Empire_Crimean_Khanate?f_ri=22842"},{"id":308459,"name":"историческая реконструкция","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B0%D1%8F_%D1%80%D0%B5%D0%BA%D0%BE%D0%BD%D1%81%D1%82%D1%80%D1%83%D0%BA%D1%86%D0%B8%D1%8F?f_ri=22842"},{"id":308461,"name":"Нижний Днестр","url":"https://www.academia.edu/Documents/in/%D0%9D%D0%B8%D0%B6%D0%BD%D0%B8%D0%B9_%D0%94%D0%BD%D0%B5%D1%81%D1%82%D1%80?f_ri=22842"},{"id":308526,"name":"Днестр","url":"https://www.academia.edu/Documents/in/%D0%94%D0%BD%D0%B5%D1%81%D1%82%D1%80?f_ri=22842"},{"id":313851,"name":"Alta-Idade-Média","url":"https://www.academia.edu/Documents/in/Alta-Idade-Media?f_ri=22842"},{"id":325991,"name":"Dirhams","url":"https://www.academia.edu/Documents/in/Dirhams?f_ri=22842"},{"id":332088,"name":"Geschichte des Mittelalters und der Renaissance, Personengeschichte, Stadtgeschichte","url":"https://www.academia.edu/Documents/in/Geschichte_des_Mittelalters_und_der_Renaissance_Personengeschichte_Stadtgeschichte?f_ri=22842"},{"id":341111,"name":"Alta Idade Média","url":"https://www.academia.edu/Documents/in/Alta_Idade_Media?f_ri=22842"},{"id":344791,"name":"Polonia","url":"https://www.academia.edu/Documents/in/Polonia?f_ri=22842"},{"id":349346,"name":"Heralds in the Late middle Ages","url":"https://www.academia.edu/Documents/in/Heralds_in_the_Late_middle_Ages?f_ri=22842"},{"id":351941,"name":"Османска История","url":"https://www.academia.edu/Documents/in/%D0%9E%D1%81%D0%BC%D0%B0%D0%BD%D1%81%D0%BA%D0%B0_%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F?f_ri=22842"},{"id":353203,"name":"Mitteleuropa","url":"https://www.academia.edu/Documents/in/Mitteleuropa?f_ri=22842"},{"id":354396,"name":"История Крыма","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%9A%D1%80%D1%8B%D0%BC%D0%B0?f_ri=22842"},{"id":361277,"name":"Moldau","url":"https://www.academia.edu/Documents/in/Moldau?f_ri=22842"},{"id":369736,"name":"Middelalder","url":"https://www.academia.edu/Documents/in/Middelalder?f_ri=22842"},{"id":374521,"name":"Médiévistique","url":"https://www.academia.edu/Documents/in/Medievistique?f_ri=22842"},{"id":378620,"name":"Heraldics","url":"https://www.academia.edu/Documents/in/Heraldics?f_ri=22842"},{"id":386898,"name":"торговля","url":"https://www.academia.edu/Documents/in/%D1%82%D0%BE%D1%80%D0%B3%D0%BE%D0%B2%D0%BB%D1%8F?f_ri=22842"},{"id":392743,"name":"Golden Horde","url":"https://www.academia.edu/Documents/in/Golden_Horde?f_ri=22842"},{"id":394158,"name":"Italie","url":"https://www.academia.edu/Documents/in/Italie?f_ri=22842"},{"id":404144,"name":"Mittelalterliche Geschichte","url":"https://www.academia.edu/Documents/in/Mittelalterliche_Geschichte?f_ri=22842"},{"id":406520,"name":"Numismatics Countermarks","url":"https://www.academia.edu/Documents/in/Numismatics_Countermarks?f_ri=22842"},{"id":406610,"name":"історія україни","url":"https://www.academia.edu/Documents/in/%D1%96%D1%81%D1%82%D0%BE%D1%80%D1%96%D1%8F_%D1%83%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%B8?f_ri=22842"},{"id":408285,"name":"Kırım","url":"https://www.academia.edu/Documents/in/Kirim?f_ri=22842"},{"id":414275,"name":"Medieval Kiev","url":"https://www.academia.edu/Documents/in/Medieval_Kiev?f_ri=22842"},{"id":417176,"name":"History of Mongol Empire and Juchi Ulus (Golden Horde)","url":"https://www.academia.edu/Documents/in/History_of_Mongol_Empire_and_Juchi_Ulus_Golden_Horde_?f_ri=22842"},{"id":417177,"name":"Numismatics of Juchi Ulus (Golden Horde)","url":"https://www.academia.edu/Documents/in/Numismatics_of_Juchi_Ulus_Golden_Horde_?f_ri=22842"},{"id":417365,"name":"Історія","url":"https://www.academia.edu/Documents/in/%D0%86%D1%81%D1%82%D0%BE%D1%80%D1%96%D1%8F?f_ri=22842"},{"id":420589,"name":"Romanian Principalities","url":"https://www.academia.edu/Documents/in/Romanian_Principalities?f_ri=22842"},{"id":424847,"name":"средневековье","url":"https://www.academia.edu/Documents/in/%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D1%8C%D0%B5?f_ri=22842"},{"id":426770,"name":"Medieval Ukraine Archaeology","url":"https://www.academia.edu/Documents/in/Medieval_Ukraine_Archaeology?f_ri=22842"},{"id":430873,"name":"Речь Посполита","url":"https://www.academia.edu/Documents/in/%D0%A0%D0%B5%D1%87%D1%8C_%D0%9F%D0%BE%D1%81%D0%BF%D0%BE%D0%BB%D0%B8%D1%82%D0%B0?f_ri=22842"},{"id":437215,"name":"XiiI century","url":"https://www.academia.edu/Documents/in/XiiI_century?f_ri=22842"},{"id":438161,"name":"Historia de Polonia","url":"https://www.academia.edu/Documents/in/Historia_de_Polonia?f_ri=22842"},{"id":452415,"name":"Historia Da Polônia","url":"https://www.academia.edu/Documents/in/Historia_Da_Polonia?f_ri=22842"},{"id":453209,"name":"Tatar","url":"https://www.academia.edu/Documents/in/Tatar?f_ri=22842"},{"id":455955,"name":"Medieval Heraldry","url":"https://www.academia.edu/Documents/in/Medieval_Heraldry?f_ri=22842"},{"id":457845,"name":"Heraldic","url":"https://www.academia.edu/Documents/in/Heraldic?f_ri=22842"},{"id":463738,"name":"XIV-XV century","url":"https://www.academia.edu/Documents/in/XIV-XV_century?f_ri=22842"},{"id":469882,"name":"Krimea","url":"https://www.academia.edu/Documents/in/Krimea?f_ri=22842"},{"id":470633,"name":"Idade Média","url":"https://www.academia.edu/Documents/in/Idade_M%C3%A9dia?f_ri=22842"},{"id":478083,"name":"Heráldica","url":"https://www.academia.edu/Documents/in/Her%C3%A1ldica?f_ri=22842"},{"id":484855,"name":"Lituania","url":"https://www.academia.edu/Documents/in/Lituania?f_ri=22842"},{"id":487033,"name":"Evul Mediu","url":"https://www.academia.edu/Documents/in/Evul_Mediu?f_ri=22842"},{"id":495048,"name":"Археологија","url":"https://www.academia.edu/Documents/in/%D0%90%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%98%D0%B0?f_ri=22842"},{"id":500727,"name":"Europa del Este","url":"https://www.academia.edu/Documents/in/Europa_del_Este?f_ri=22842"},{"id":506314,"name":"Crimean Khanate history","url":"https://www.academia.edu/Documents/in/Crimean_Khanate_history?f_ri=22842"},{"id":506961,"name":"изкуствознание, археология","url":"https://www.academia.edu/Documents/in/%D0%B8%D0%B7%D0%BA%D1%83%D1%81%D1%82%D0%B2%D0%BE%D0%B7%D0%BD%D0%B0%D0%BD%D0%B8%D0%B5_%D0%B0%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F?f_ri=22842"},{"id":508393,"name":"Dark Ages","url":"https://www.academia.edu/Documents/in/Dark_Ages?f_ri=22842"},{"id":515480,"name":"Ottoman Anatolia (1200-1500)","url":"https://www.academia.edu/Documents/in/Ottoman_Anatolia_1200-1500_?f_ri=22842"},{"id":515481,"name":"Anatolia (1200-1500)","url":"https://www.academia.edu/Documents/in/Anatolia_1200-1500_?f_ri=22842"},{"id":515485,"name":"Ottoman Anatolia (1200-1500) Comparative empire","url":"https://www.academia.edu/Documents/in/Ottoman_Anatolia_1200-1500_Comparative_empire?f_ri=22842"},{"id":518407,"name":"XIV century","url":"https://www.academia.edu/Documents/in/XIV_century?f_ri=22842"},{"id":519523,"name":"Grand Duchy of Lithuania","url":"https://www.academia.edu/Documents/in/Grand_Duchy_of_Lithuania?f_ri=22842"},{"id":520080,"name":"Medievistic","url":"https://www.academia.edu/Documents/in/Medievistic?f_ri=22842"},{"id":525530,"name":"татары","url":"https://www.academia.edu/Documents/in/%D1%82%D0%B0%D1%82%D0%B0%D1%80%D1%8B?f_ri=22842"},{"id":525532,"name":"Османская империя","url":"https://www.academia.edu/Documents/in/%D0%9E%D1%81%D0%BC%D0%B0%D0%BD%D1%81%D0%BA%D0%B0%D1%8F_%D0%B8%D0%BC%D0%BF%D0%B5%D1%80%D0%B8%D1%8F?f_ri=22842"},{"id":531781,"name":"Republic of Genoa","url":"https://www.academia.edu/Documents/in/Republic_of_Genoa?f_ri=22842"},{"id":533917,"name":"History of Central, Eastern and Southeastern Europe","url":"https://www.academia.edu/Documents/in/History_of_Central_Eastern_and_Southeastern_Europe?f_ri=22842"},{"id":537167,"name":"History of Commerce, History of Genoa, History of the Mediterranean, Mediterranean Studies, and Maritime History, Trade routes, Mediterranean, Ports, Port cities, Islands","url":"https://www.academia.edu/Documents/in/History_of_Commerce_History_of_Genoa_History_of_the_Mediterranean_Mediterranean_Studies_and_Mari?f_ri=22842"},{"id":537250,"name":"Fourteenth century","url":"https://www.academia.edu/Documents/in/Fourteenth_century?f_ri=22842"},{"id":537723,"name":"Crimean Khanate","url":"https://www.academia.edu/Documents/in/Crimean_Khanate?f_ri=22842"},{"id":537725,"name":"Khanates after the Golden Horde","url":"https://www.academia.edu/Documents/in/Khanates_after_the_Golden_Horde?f_ri=22842"},{"id":543379,"name":"XV Century","url":"https://www.academia.edu/Documents/in/XV_Century?f_ri=22842"},{"id":555239,"name":"Kora Középkor","url":"https://www.academia.edu/Documents/in/Kora_Kozepkor?f_ri=22842"},{"id":555430,"name":"Fifteenth Century","url":"https://www.academia.edu/Documents/in/Fifteenth_Century?f_ri=22842"},{"id":572666,"name":"кочевые культуры","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%BE%D1%87%D0%B5%D0%B2%D1%8B%D0%B5_%D0%BA%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D1%8B?f_ri=22842"},{"id":580151,"name":"Early Crimean Khanate Crimea","url":"https://www.academia.edu/Documents/in/Early_Crimean_Khanate_Crimea?f_ri=22842"},{"id":588921,"name":"Historia Edad Media","url":"https://www.academia.edu/Documents/in/Historia_Edad_Media?f_ri=22842"},{"id":589815,"name":"Trésor","url":"https://www.academia.edu/Documents/in/Tresor?f_ri=22842"},{"id":589822,"name":"Trésors","url":"https://www.academia.edu/Documents/in/Tresors?f_ri=22842"},{"id":590374,"name":"Middeleeuwen","url":"https://www.academia.edu/Documents/in/Middeleeuwen?f_ri=22842"},{"id":592100,"name":"History of the Baltic Sea Region","url":"https://www.academia.edu/Documents/in/History_of_the_Baltic_Sea_Region?f_ri=22842"},{"id":593830,"name":"Польша","url":"https://www.academia.edu/Documents/in/%D0%9F%D0%BE%D0%BB%D1%8C%D1%88%D0%B0?f_ri=22842"},{"id":593963,"name":"Srednji vijek","url":"https://www.academia.edu/Documents/in/Srednji_vijek?f_ri=22842"},{"id":594145,"name":"Mitteleuropa / Central European studies","url":"https://www.academia.edu/Documents/in/Mitteleuropa_Central_European_studies?f_ri=22842"},{"id":598640,"name":"Ucrania","url":"https://www.academia.edu/Documents/in/Ucrania?f_ri=22842"},{"id":601911,"name":"Heraldica","url":"https://www.academia.edu/Documents/in/Heraldica?f_ri=22842"},{"id":604427,"name":"Trésors monétaires","url":"https://www.academia.edu/Documents/in/Tresors_monetaires?f_ri=22842"},{"id":616655,"name":"Kasni Srednji Vijek","url":"https://www.academia.edu/Documents/in/Kasni_Srednji_Vijek?f_ri=22842"},{"id":629415,"name":"History of Ukraine","url":"https://www.academia.edu/Documents/in/History_of_Ukraine?f_ri=22842"},{"id":630322,"name":"History of Grand Duchy of Lithuania In the XVI-XVIII C.","url":"https://www.academia.edu/Documents/in/History_of_Grand_Duchy_of_Lithuania_In_the_XVI-XVIII_C?f_ri=22842"},{"id":630411,"name":"średniowiecze","url":"https://www.academia.edu/Documents/in/sredniowiecze?f_ri=22842"},{"id":634503,"name":"Storia della Polonia","url":"https://www.academia.edu/Documents/in/Storia_della_Polonia?f_ri=22842"},{"id":640699,"name":"деньги","url":"https://www.academia.edu/Documents/in/%D0%B4%D0%B5%D0%BD%D1%8C%D0%B3%D0%B8?f_ri=22842"},{"id":646634,"name":"History of the Crimean Khanate","url":"https://www.academia.edu/Documents/in/History_of_the_Crimean_Khanate?f_ri=22842"},{"id":649516,"name":"Heraldy","url":"https://www.academia.edu/Documents/in/Heraldy?f_ri=22842"},{"id":661008,"name":"Stredovek","url":"https://www.academia.edu/Documents/in/Stredovek?f_ri=22842"},{"id":662357,"name":"Вялікае Княства Літоўскае","url":"https://www.academia.edu/Documents/in/%D0%92%D1%8F%D0%BB%D1%96%D0%BA%D0%B0%D0%B5_%D0%9A%D0%BD%D1%8F%D1%81%D1%82%D0%B2%D0%B0_%D0%9B%D1%96%D1%82%D0%BE%D1%9E%D1%81%D0%BA%D0%B0%D0%B5?f_ri=22842"},{"id":662359,"name":"Wielkie Księstwo Litewskie","url":"https://www.academia.edu/Documents/in/Wielkie_Ksiestwo_Litewskie?f_ri=22842"},{"id":664902,"name":"крымские татары","url":"https://www.academia.edu/Documents/in/%D0%BA%D1%80%D1%8B%D0%BC%D1%81%D0%BA%D0%B8%D0%B5_%D1%82%D0%B0%D1%82%D0%B0%D1%80%D1%8B?f_ri=22842"},{"id":666809,"name":"кочевники","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%BE%D1%87%D0%B5%D0%B2%D0%BD%D0%B8%D0%BA%D0%B8?f_ri=22842"},{"id":666920,"name":"Numismatica Medioevale","url":"https://www.academia.edu/Documents/in/Numismatica_Medioevale?f_ri=22842"},{"id":667292,"name":"Молдова","url":"https://www.academia.edu/Documents/in/%D0%9C%D0%BE%D0%BB%D0%B4%D0%BE%D0%B2%D0%B0?f_ri=22842"},{"id":667293,"name":"Румунія","url":"https://www.academia.edu/Documents/in/%D0%A0%D1%83%D0%BC%D1%83%D0%BD%D1%96%D1%8F?f_ri=22842"},{"id":667295,"name":"Білорусь","url":"https://www.academia.edu/Documents/in/%D0%91%D1%96%D0%BB%D0%BE%D1%80%D1%83%D1%81%D1%8C?f_ri=22842"},{"id":667297,"name":"Польща","url":"https://www.academia.edu/Documents/in/%D0%9F%D0%BE%D0%BB%D1%8C%D1%89%D0%B0?f_ri=22842"},{"id":668020,"name":"Lithuanian heraldry","url":"https://www.academia.edu/Documents/in/Lithuanian_heraldry?f_ri=22842"},{"id":670365,"name":"The Grand Duchy of Lithuania","url":"https://www.academia.edu/Documents/in/The_Grand_Duchy_of_Lithuania?f_ri=22842"},{"id":672095,"name":"Srednji Vek Middle Ages","url":"https://www.academia.edu/Documents/in/Srednji_Vek_Middle_Ages?f_ri=22842"},{"id":672096,"name":"Srednji Vek","url":"https://www.academia.edu/Documents/in/Srednji_Vek?f_ri=22842"},{"id":684783,"name":"Причерноморье","url":"https://www.academia.edu/Documents/in/%D0%9F%D1%80%D0%B8%D1%87%D0%B5%D1%80%D0%BD%D0%BE%D0%BC%D0%BE%D1%80%D1%8C%D0%B5?f_ri=22842"},{"id":686808,"name":"Medieval Hoards","url":"https://www.academia.edu/Documents/in/Medieval_Hoards?f_ri=22842"},{"id":690230,"name":"финансирование, экономика","url":"https://www.academia.edu/Documents/in/%D1%84%D0%B8%D0%BD%D0%B0%D0%BD%D1%81%D0%B8%D1%80%D0%BE%D0%B2%D0%B0%D0%BD%D0%B8%D0%B5_%D1%8D%D0%BA%D0%BE%D0%BD%D0%BE%D0%BC%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":695275,"name":"History of Lithuanian","url":"https://www.academia.edu/Documents/in/History_of_Lithuanian?f_ri=22842"},{"id":705997,"name":"Silver Dirham","url":"https://www.academia.edu/Documents/in/Silver_Dirham?f_ri=22842"},{"id":709912,"name":"Keskaeg","url":"https://www.academia.edu/Documents/in/Keskaeg?f_ri=22842"},{"id":710497,"name":"XVIe siècle","url":"https://www.academia.edu/Documents/in/XVIe_siecle?f_ri=22842"},{"id":720440,"name":"Монголия","url":"https://www.academia.edu/Documents/in/%D0%9C%D0%BE%D0%BD%D0%B3%D0%BE%D0%BB%D0%B8%D1%8F?f_ri=22842"},{"id":726662,"name":"Медиевистика","url":"https://www.academia.edu/Documents/in/%D0%9C%D0%B5%D0%B4%D0%B8%D0%B5%D0%B2%D0%B8%D1%81%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":733890,"name":"Historia Del Cuerpo En La Edad Media","url":"https://www.academia.edu/Documents/in/Historia_Del_Cuerpo_En_La_Edad_Media?f_ri=22842"},{"id":738967,"name":"Storia Dell Europa Orientale","url":"https://www.academia.edu/Documents/in/Storia_Dell_Europa_Orientale?f_ri=22842"},{"id":750434,"name":"Minting Technique","url":"https://www.academia.edu/Documents/in/Minting_Technique?f_ri=22842"},{"id":758279,"name":"Krymchaks","url":"https://www.academia.edu/Documents/in/Krymchaks?f_ri=22842"},{"id":758703,"name":"Финансовый рынок","url":"https://www.academia.edu/Documents/in/%D0%A4%D0%B8%D0%BD%D0%B0%D0%BD%D1%81%D0%BE%D0%B2%D1%8B%D0%B9_%D1%80%D1%8B%D0%BD%D0%BE%D0%BA?f_ri=22842"},{"id":760837,"name":"Genoese Colonies In Crimea","url":"https://www.academia.edu/Documents/in/Genoese_Colonies_In_Crimea?f_ri=22842"},{"id":771400,"name":"история украины","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D1%83%D0%BA%D1%80%D0%B0%D0%B8%D0%BD%D1%8B?f_ri=22842"},{"id":789127,"name":"Belarusian Nobility","url":"https://www.academia.edu/Documents/in/Belarusian_Nobility?f_ri=22842"},{"id":789956,"name":"востоковедение","url":"https://www.academia.edu/Documents/in/%D0%B2%D0%BE%D1%81%D1%82%D0%BE%D0%BA%D0%BE%D0%B2%D0%B5%D0%B4%D0%B5%D0%BD%D0%B8%D0%B5?f_ri=22842"},{"id":793475,"name":"Moldavie","url":"https://www.academia.edu/Documents/in/Moldavie?f_ri=22842"},{"id":806802,"name":"Золотая орда","url":"https://www.academia.edu/Documents/in/%D0%97%D0%BE%D0%BB%D0%BE%D1%82%D0%B0%D1%8F_%D0%BE%D1%80%D0%B4%D0%B0?f_ri=22842"},{"id":808250,"name":"Schatzfund","url":"https://www.academia.edu/Documents/in/Schatzfund?f_ri=22842"},{"id":824538,"name":"золотоордынское наследие","url":"https://www.academia.edu/Documents/in/%D0%B7%D0%BE%D0%BB%D0%BE%D1%82%D0%BE%D0%BE%D1%80%D0%B4%D1%8B%D0%BD%D1%81%D0%BA%D0%BE%D0%B5_%D0%BD%D0%B0%D1%81%D0%BB%D0%B5%D0%B4%D0%B8%D0%B5?f_ri=22842"},{"id":827274,"name":"中世纪","url":"https://www.academia.edu/Documents/in/%E4%B8%AD%E4%B8%96%E7%BA%AA?f_ri=22842"},{"id":831387,"name":"История на българите ХV-ХVІІІ век; Османската империя и нейните институции","url":"https://www.academia.edu/Documents/in/_V-_V_?f_ri=22842"},{"id":835352,"name":"Medieval Genoa","url":"https://www.academia.edu/Documents/in/Medieval_Genoa?f_ri=22842"},{"id":836346,"name":"Medieval and Modern Mints","url":"https://www.academia.edu/Documents/in/Medieval_and_Modern_Mints?f_ri=22842"},{"id":842984,"name":"история стран Азии и Африки","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D1%81%D1%82%D1%80%D0%B0%D0%BD_%D0%90%D0%B7%D0%B8%D0%B8_%D0%B8_%D0%90%D1%84%D1%80%D0%B8%D0%BA%D0%B8?f_ri=22842"},{"id":847433,"name":"история, археология, этнография Крыма","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%B0%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F_%D1%8D%D1%82%D0%BD%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%8F_%D0%9A%D1%80%D1%8B%D0%BC%D0%B0?f_ri=22842"},{"id":853313,"name":"белгород-днестровская крепость","url":"https://www.academia.edu/Documents/in/%D0%B1%D0%B5%D0%BB%D0%B3%D0%BE%D1%80%D0%BE%D0%B4-%D0%B4%D0%BD%D0%B5%D1%81%D1%82%D1%80%D0%BE%D0%B2%D1%81%D0%BA%D0%B0%D1%8F_%D0%BA%D1%80%D0%B5%D0%BF%D0%BE%D1%81%D1%82%D1%8C?f_ri=22842"},{"id":873870,"name":"Ternopil","url":"https://www.academia.edu/Documents/in/Ternopil?f_ri=22842"},{"id":878303,"name":"History of Belarus","url":"https://www.academia.edu/Documents/in/History_of_Belarus?f_ri=22842"},{"id":879158,"name":"Monnaies Medievales","url":"https://www.academia.edu/Documents/in/Monnaies_Medievales?f_ri=22842"},{"id":894423,"name":"Всемирная археология","url":"https://www.academia.edu/Documents/in/%D0%92%D1%81%D0%B5%D0%BC%D0%B8%D1%80%D0%BD%D0%B0%D1%8F_%D0%B0%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F?f_ri=22842"},{"id":900191,"name":"Polish Heraldry","url":"https://www.academia.edu/Documents/in/Polish_Heraldry?f_ri=22842"},{"id":900719,"name":"датировка исторических источников","url":"https://www.academia.edu/Documents/in/%D0%B4%D0%B0%D1%82%D0%B8%D1%80%D0%BE%D0%B2%D0%BA%D0%B0_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D1%85_%D0%B8%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%B8%D0%BA%D0%BE%D0%B2?f_ri=22842"},{"id":900734,"name":"феодализм","url":"https://www.academia.edu/Documents/in/%D1%84%D0%B5%D0%BE%D0%B4%D0%B0%D0%BB%D0%B8%D0%B7%D0%BC?f_ri=22842"},{"id":904325,"name":"Podolia","url":"https://www.academia.edu/Documents/in/Podolia?f_ri=22842"},{"id":904328,"name":"West Ukraine","url":"https://www.academia.edu/Documents/in/West_Ukraine?f_ri=22842"},{"id":911658,"name":"История Венгрии","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%92%D0%B5%D0%BD%D0%B3%D1%80%D0%B8%D0%B8?f_ri=22842"},{"id":924596,"name":"The Golden Horde History Tatar History Ottoman History Turkish and Persian Manuscripts Russian History","url":"https://www.academia.edu/Documents/in/The_Golden_Horde_History_Tatar_History_Ottoman_History_Turkish_and_Persian_Manuscripts_Russian_Histo?f_ri=22842"},{"id":935264,"name":"Midden- En Oost-Europa","url":"https://www.academia.edu/Documents/in/Midden-_En_Oost-Europa?f_ri=22842"},{"id":949681,"name":"Principautés De Valachie Et De Moldavie","url":"https://www.academia.edu/Documents/in/Principautes_De_Valachie_Et_De_Moldavie?f_ri=22842"},{"id":958551,"name":"Polen","url":"https://www.academia.edu/Documents/in/Polen?f_ri=22842"},{"id":961413,"name":"Индия","url":"https://www.academia.edu/Documents/in/%D0%98%D0%BD%D0%B4%D0%B8%D1%8F?f_ri=22842"},{"id":962515,"name":"казанское ханство","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%B0%D0%B7%D0%B0%D0%BD%D1%81%D0%BA%D0%BE%D0%B5_%D1%85%D0%B0%D0%BD%D1%81%D1%82%D0%B2%D0%BE?f_ri=22842"},{"id":968669,"name":"Great Silk Road","url":"https://www.academia.edu/Documents/in/Great_Silk_Road?f_ri=22842"},{"id":968679,"name":"History of Nimismatics and Archaeology","url":"https://www.academia.edu/Documents/in/History_of_Nimismatics_and_Archaeology?f_ri=22842"},{"id":968682,"name":"Historical Geography and Cartography of Medieval Eurasia","url":"https://www.academia.edu/Documents/in/Historical_Geography_and_Cartography_of_Medieval_Eurasia?f_ri=22842"},{"id":975479,"name":"Prague Grossi (Groats)","url":"https://www.academia.edu/Documents/in/Prague_Grossi_Groats_?f_ri=22842"},{"id":978866,"name":"Crimee","url":"https://www.academia.edu/Documents/in/Crimee?f_ri=22842"},{"id":981320,"name":"Krimtataren","url":"https://www.academia.edu/Documents/in/Krimtataren?f_ri=22842"},{"id":981536,"name":"Krim","url":"https://www.academia.edu/Documents/in/Krim?f_ri=22842"},{"id":985218,"name":"Central Asian History and Anthropology","url":"https://www.academia.edu/Documents/in/Central_Asian_History_and_Anthropology?f_ri=22842"},{"id":987364,"name":"Kırım Tatarcası","url":"https://www.academia.edu/Documents/in/Kirim_Tatarcasi?f_ri=22842"},{"id":988749,"name":"Litvanya","url":"https://www.academia.edu/Documents/in/Litvanya?f_ri=22842"},{"id":988756,"name":"Vytautas","url":"https://www.academia.edu/Documents/in/Vytautas?f_ri=22842"},{"id":990294,"name":"Латвия","url":"https://www.academia.edu/Documents/in/%D0%9B%D0%B0%D1%82%D0%B2%D0%B8%D1%8F?f_ri=22842"},{"id":1006078,"name":"Bielorusses","url":"https://www.academia.edu/Documents/in/Bielorusses?f_ri=22842"},{"id":1007798,"name":"Central and Eastern European Studies","url":"https://www.academia.edu/Documents/in/Central_and_Eastern_European_Studies?f_ri=22842"},{"id":1011577,"name":"Caffa","url":"https://www.academia.edu/Documents/in/Caffa?f_ri=22842"},{"id":1011838,"name":"Крым","url":"https://www.academia.edu/Documents/in/%D0%9A%D1%80%D1%8B%D0%BC?f_ri=22842"},{"id":1014255,"name":"Osteuropa","url":"https://www.academia.edu/Documents/in/Osteuropa?f_ri=22842"},{"id":1014743,"name":"палеография","url":"https://www.academia.edu/Documents/in/%D0%BF%D0%B0%D0%BB%D0%B5%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D1%8F?f_ri=22842"},{"id":1014748,"name":"нумизматика","url":"https://www.academia.edu/Documents/in/%D0%BD%D1%83%D0%BC%D0%B8%D0%B7%D0%BC%D0%B0%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1014749,"name":"геральдика","url":"https://www.academia.edu/Documents/in/%D0%B3%D0%B5%D1%80%D0%B0%D0%BB%D1%8C%D0%B4%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1028170,"name":"Италия","url":"https://www.academia.edu/Documents/in/%D0%98%D1%82%D0%B0%D0%BB%D0%B8%D1%8F?f_ri=22842"},{"id":1035485,"name":"Medieval Central Asia and Iran","url":"https://www.academia.edu/Documents/in/Medieval_Central_Asia_and_Iran?f_ri=22842"},{"id":1107397,"name":"колониальная торговля","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%BE%D0%BB%D0%BE%D0%BD%D0%B8%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0%D1%8F_%D1%82%D0%BE%D1%80%D0%B3%D0%BE%D0%B2%D0%BB%D1%8F?f_ri=22842"},{"id":1107400,"name":"международная торговля","url":"https://www.academia.edu/Documents/in/%D0%BC%D0%B5%D0%B6%D0%B4%D1%83%D0%BD%D0%B0%D1%80%D0%BE%D0%B4%D0%BD%D0%B0%D1%8F_%D1%82%D0%BE%D1%80%D0%B3%D0%BE%D0%B2%D0%BB%D1%8F?f_ri=22842"},{"id":1107401,"name":"купечество","url":"https://www.academia.edu/Documents/in/%D0%BA%D1%83%D0%BF%D0%B5%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%BE?f_ri=22842"},{"id":1107402,"name":"экономическая история","url":"https://www.academia.edu/Documents/in/%D1%8D%D0%BA%D0%BE%D0%BD%D0%BE%D0%BC%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B0%D1%8F_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F?f_ri=22842"},{"id":1108089,"name":"History of the Golden Horde","url":"https://www.academia.edu/Documents/in/History_of_the_Golden_Horde?f_ri=22842"},{"id":1108854,"name":"мировая торговля","url":"https://www.academia.edu/Documents/in/%D0%BC%D0%B8%D1%80%D0%BE%D0%B2%D0%B0%D1%8F_%D1%82%D0%BE%D1%80%D0%B3%D0%BE%D0%B2%D0%BB%D1%8F?f_ri=22842"},{"id":1111449,"name":"коллекционирование","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%BE%D0%BB%D0%BB%D0%B5%D0%BA%D1%86%D0%B8%D0%BE%D0%BD%D0%B8%D1%80%D0%BE%D0%B2%D0%B0%D0%BD%D0%B8%D0%B5?f_ri=22842"},{"id":1125420,"name":"Ukrayna","url":"https://www.academia.edu/Documents/in/Ukrayna?f_ri=22842"},{"id":1135913,"name":"История Великого княжества Литовского","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%92%D0%B5%D0%BB%D0%B8%D0%BA%D0%BE%D0%B3%D0%BE_%D0%BA%D0%BD%D1%8F%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%9B%D0%B8%D1%82%D0%BE%D0%B2%D1%81%D0%BA%D0%BE%D0%B3%D0%BE?f_ri=22842"},{"id":1148086,"name":"Belorussia","url":"https://www.academia.edu/Documents/in/Belorussia?f_ri=22842"},{"id":1164246,"name":"антропология денег","url":"https://www.academia.edu/Documents/in/%D0%B0%D0%BD%D1%82%D1%80%D0%BE%D0%BF%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F_%D0%B4%D0%B5%D0%BD%D0%B5%D0%B3?f_ri=22842"},{"id":1168290,"name":"Центральная Азия","url":"https://www.academia.edu/Documents/in/%D0%A6%D0%B5%D0%BD%D1%82%D1%80%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0%D1%8F_%D0%90%D0%B7%D0%B8%D1%8F?f_ri=22842"},{"id":1169115,"name":"Giray","url":"https://www.academia.edu/Documents/in/Giray?f_ri=22842"},{"id":1169867,"name":"коллекционеры","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%BE%D0%BB%D0%BB%D0%B5%D0%BA%D1%86%D0%B8%D0%BE%D0%BD%D0%B5%D1%80%D1%8B?f_ri=22842"},{"id":1174871,"name":"Vladislav II","url":"https://www.academia.edu/Documents/in/Vladislav_II?f_ri=22842"},{"id":1174880,"name":"Muntenia Ducat","url":"https://www.academia.edu/Documents/in/Muntenia_Ducat?f_ri=22842"},{"id":1174882,"name":"Muntenia","url":"https://www.academia.edu/Documents/in/Muntenia?f_ri=22842"},{"id":1174904,"name":"Litauen","url":"https://www.academia.edu/Documents/in/Litauen?f_ri=22842"},{"id":1175010,"name":"Muscovite–Lithuanian Wars","url":"https://www.academia.edu/Documents/in/Muscovite-Lithuanian_Wars?f_ri=22842"},{"id":1185709,"name":"Средновековна и римо-византийска археология","url":"https://www.academia.edu/Documents/in/%D0%A1%D1%80%D0%B5%D0%B4%D0%BD%D0%BE%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D0%BD%D0%B0_%D0%B8_%D1%80%D0%B8%D0%BC%D0%BE-%D0%B2%D0%B8%D0%B7%D0%B0%D0%BD%D1%82%D0%B8%D0%B9%D1%81%D0%BA%D0%B0_%D0%B0%D1%80%D1%85%D0%B5%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F?f_ri=22842"},{"id":1189044,"name":"україно-румунські відносини","url":"https://www.academia.edu/Documents/in/%D1%83%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%BE-%D1%80%D1%83%D0%BC%D1%83%D0%BD%D1%81%D1%8C%D0%BA%D1%96_%D0%B2%D1%96%D0%B4%D0%BD%D0%BE%D1%81%D0%B8%D0%BD%D0%B8?f_ri=22842"},{"id":1194151,"name":"финансы","url":"https://www.academia.edu/Documents/in/%D1%84%D0%B8%D0%BD%D0%B0%D0%BD%D1%81%D1%8B?f_ri=22842"},{"id":1211091,"name":"позднее средневековье","url":"https://www.academia.edu/Documents/in/%D0%BF%D0%BE%D0%B7%D0%B4%D0%BD%D0%B5%D0%B5_%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D1%8C%D0%B5?f_ri=22842"},{"id":1211092,"name":"Восточная Европа","url":"https://www.academia.edu/Documents/in/%D0%92%D0%BE%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%B0%D1%8F_%D0%95%D0%B2%D1%80%D0%BE%D0%BF%D0%B0?f_ri=22842"},{"id":1218221,"name":"Lietuvos istorija","url":"https://www.academia.edu/Documents/in/Lietuvos_istorija?f_ri=22842"},{"id":1218881,"name":"Vesture","url":"https://www.academia.edu/Documents/in/Vesture?f_ri=22842"},{"id":1224225,"name":"Polônia","url":"https://www.academia.edu/Documents/in/Pol%C3%B4nia?f_ri=22842"},{"id":1231827,"name":"Україна Карпатська","url":"https://www.academia.edu/Documents/in/%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%B0_%D0%9A%D0%B0%D1%80%D0%BF%D0%B0%D1%82%D1%81%D1%8C%D0%BA%D0%B0?f_ri=22842"},{"id":1232281,"name":"Османско царство","url":"https://www.academia.edu/Documents/in/%D0%9E%D1%81%D0%BC%D0%B0%D0%BD%D1%81%D0%BA%D0%BE_%D1%86%D0%B0%D1%80%D1%81%D1%82%D0%B2%D0%BE?f_ri=22842"},{"id":1232566,"name":"история Чехии","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%A7%D0%B5%D1%85%D0%B8%D0%B8?f_ri=22842"},{"id":1232571,"name":"Центрально-Восточная Европа","url":"https://www.academia.edu/Documents/in/%D0%A6%D0%B5%D0%BD%D1%82%D1%80%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE-%D0%92%D0%BE%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%B0%D1%8F_%D0%95%D0%B2%D1%80%D0%BE%D0%BF%D0%B0?f_ri=22842"},{"id":1232572,"name":"история Центральной Европы","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%A6%D0%B5%D0%BD%D1%82%D1%80%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B9_%D0%95%D0%B2%D1%80%D0%BE%D0%BF%D1%8B?f_ri=22842"},{"id":1243055,"name":"Украинистика","url":"https://www.academia.edu/Documents/in/%D0%A3%D0%BA%D1%80%D0%B0%D0%B8%D0%BD%D0%B8%D1%81%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1261087,"name":"монеты","url":"https://www.academia.edu/Documents/in/%D0%BC%D0%BE%D0%BD%D0%B5%D1%82%D1%8B?f_ri=22842"},{"id":1263007,"name":"Geschichte Polens","url":"https://www.academia.edu/Documents/in/Geschichte_Polens?f_ri=22842"},{"id":1263476,"name":"Monede Vladislav Al II-lea","url":"https://www.academia.edu/Documents/in/Monede_Vladislav_Al_II-lea?f_ri=22842"},{"id":1263956,"name":"Великое княжество Литовское","url":"https://www.academia.edu/Documents/in/%D0%92%D0%B5%D0%BB%D0%B8%D0%BA%D0%BE%D0%B5_%D0%BA%D0%BD%D1%8F%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%BE_%D0%9B%D0%B8%D1%82%D0%BE%D0%B2%D1%81%D0%BA%D0%BE%D0%B5?f_ri=22842"},{"id":1264373,"name":"History and Culture of Golden Horde","url":"https://www.academia.edu/Documents/in/History_and_Culture_of_Golden_Horde?f_ri=22842"},{"id":1266188,"name":"экономическая история Беларуси","url":"https://www.academia.edu/Documents/in/%D1%8D%D0%BA%D0%BE%D0%BD%D0%BE%D0%BC%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%B0%D1%8F_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%91%D0%B5%D0%BB%D0%B0%D1%80%D1%83%D1%81%D0%B8?f_ri=22842"},{"id":1273719,"name":"Ουκρανία","url":"https://www.academia.edu/Documents/in/%CE%9F%CF%85%CE%BA%CF%81%CE%B1%CE%BD%CE%AF%CE%B1?f_ri=22842"},{"id":1278292,"name":"История Османской империи","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%9E%D1%81%D0%BC%D0%B0%D0%BD%D1%81%D0%BA%D0%BE%D0%B9_%D0%B8%D0%BC%D0%BF%D0%B5%D1%80%D0%B8%D0%B8?f_ri=22842"},{"id":1282365,"name":"история средних веков, каноническое право, источниковедение","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B8%D1%85_%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2_%D0%BA%D0%B0%D0%BD%D0%BE%D0%BD%D0%B8%D1%87%D0%B5%D1%81%D0%BA%D0%BE%D0%B5_%D0%BF%D1%80%D0%B0%D0%B2%D0%BE_%D0%B8%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%B8%D0%BA%D0%BE%D0%B2%D0%B5%D0%B4%D0%B5%D0%BD%D0%B8%D0%B5?f_ri=22842"},{"id":1288887,"name":"коллекции","url":"https://www.academia.edu/Documents/in/%D0%BA%D0%BE%D0%BB%D0%BB%D0%B5%D0%BA%D1%86%D0%B8%D0%B8?f_ri=22842"},{"id":1300049,"name":"История Средних веков","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%A1%D1%80%D0%B5%D0%B4%D0%BD%D0%B8%D1%85_%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2?f_ri=22842"},{"id":1303991,"name":"Jagiellonian Poland","url":"https://www.academia.edu/Documents/in/Jagiellonian_Poland?f_ri=22842"},{"id":1327953,"name":"Новое время","url":"https://www.academia.edu/Documents/in/%D0%9D%D0%BE%D0%B2%D0%BE%D0%B5_%D0%B2%D1%80%D0%B5%D0%BC%D1%8F?f_ri=22842"},{"id":1340352,"name":"Гісторыя Беларусі","url":"https://www.academia.edu/Documents/in/%D0%93%D1%96%D1%81%D1%82%D0%BE%D1%80%D1%8B%D1%8F_%D0%91%D0%B5%D0%BB%D0%B0%D1%80%D1%83%D1%81%D1%96?f_ri=22842"},{"id":1342178,"name":"история тюрко-татарских государств средневековья","url":"https://www.academia.edu/Documents/in/%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D1%82%D1%8E%D1%80%D0%BA%D0%BE-%D1%82%D0%B0%D1%82%D0%B0%D1%80%D1%81%D0%BA%D0%B8%D1%85_%D0%B3%D0%BE%D1%81%D1%83%D0%B4%D0%B0%D1%80%D1%81%D1%82%D0%B2_%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D1%8C%D1%8F?f_ri=22842"},{"id":1343740,"name":"Tartary","url":"https://www.academia.edu/Documents/in/Tartary?f_ri=22842"},{"id":1356987,"name":"Монети","url":"https://www.academia.edu/Documents/in/%D0%9C%D0%BE%D0%BD%D0%B5%D1%82%D0%B8?f_ri=22842"},{"id":1370847,"name":"Средновековна история","url":"https://www.academia.edu/Documents/in/%D0%A1%D1%80%D0%B5%D0%B4%D0%BD%D0%BE%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D0%BD%D0%B0_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F?f_ri=22842"},{"id":1396974,"name":"денежно-кредитная политика","url":"https://www.academia.edu/Documents/in/%D0%B4%D0%B5%D0%BD%D0%B5%D0%B6%D0%BD%D0%BE-%D0%BA%D1%80%D0%B5%D0%B4%D0%B8%D1%82%D0%BD%D0%B0%D1%8F_%D0%BF%D0%BE%D0%BB%D0%B8%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1399569,"name":"История Италии","url":"https://www.academia.edu/Documents/in/%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%98%D1%82%D0%B0%D0%BB%D0%B8%D0%B8?f_ri=22842"},{"id":1404250,"name":"Western Ukraine","url":"https://www.academia.edu/Documents/in/Western_Ukraine?f_ri=22842"},{"id":1416158,"name":"крымское ханство","url":"https://www.academia.edu/Documents/in/%D0%BA%D1%80%D1%8B%D0%BC%D1%81%D0%BA%D0%BE%D0%B5_%D1%85%D0%B0%D0%BD%D1%81%D1%82%D0%B2%D0%BE?f_ri=22842"},{"id":1426796,"name":"тюркология, монголистика, тунгусо-маньчжуристика","url":"https://www.academia.edu/Documents/in/%D1%82%D1%8E%D1%80%D0%BA%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F_%D0%BC%D0%BE%D0%BD%D0%B3%D0%BE%D0%BB%D0%B8%D1%81%D1%82%D0%B8%D0%BA%D0%B0_%D1%82%D1%83%D0%BD%D0%B3%D1%83%D1%81%D0%BE-%D0%BC%D0%B0%D0%BD%D1%8C%D1%87%D0%B6%D1%83%D1%80%D0%B8%D1%81%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1438409,"name":"частные коллекции","url":"https://www.academia.edu/Documents/in/%D1%87%D0%B0%D1%81%D1%82%D0%BD%D1%8B%D0%B5_%D0%BA%D0%BE%D0%BB%D0%BB%D0%B5%D0%BA%D1%86%D0%B8%D0%B8?f_ri=22842"},{"id":1482950,"name":"Средневековая Русь","url":"https://www.academia.edu/Documents/in/%D0%A1%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D0%B0%D1%8F_%D0%A0%D1%83%D1%81%D1%8C?f_ri=22842"},{"id":1482951,"name":"удельные княжества","url":"https://www.academia.edu/Documents/in/%D1%83%D0%B4%D0%B5%D0%BB%D1%8C%D0%BD%D1%8B%D0%B5_%D0%BA%D0%BD%D1%8F%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B0?f_ri=22842"},{"id":1482952,"name":"служилый город","url":"https://www.academia.edu/Documents/in/%D1%81%D0%BB%D1%83%D0%B6%D0%B8%D0%BB%D1%8B%D0%B9_%D0%B3%D0%BE%D1%80%D0%BE%D0%B4?f_ri=22842"},{"id":1482953,"name":"Русское государство","url":"https://www.academia.edu/Documents/in/%D0%A0%D1%83%D1%81%D1%81%D0%BA%D0%BE%D0%B5_%D0%B3%D0%BE%D1%81%D1%83%D0%B4%D0%B0%D1%80%D1%81%D1%82%D0%B2%D0%BE?f_ri=22842"},{"id":1482954,"name":"служилые люди","url":"https://www.academia.edu/Documents/in/%D1%81%D0%BB%D1%83%D0%B6%D0%B8%D0%BB%D1%8B%D0%B5_%D0%BB%D1%8E%D0%B4%D0%B8?f_ri=22842"},{"id":1483399,"name":"русь","url":"https://www.academia.edu/Documents/in/%D1%80%D1%83%D1%81%D1%8C?f_ri=22842"},{"id":1486293,"name":"тюрки","url":"https://www.academia.edu/Documents/in/%D1%82%D1%8E%D1%80%D0%BA%D0%B8?f_ri=22842"},{"id":1486296,"name":"огузы","url":"https://www.academia.edu/Documents/in/%D0%BE%D0%B3%D1%83%D0%B7%D1%8B?f_ri=22842"},{"id":1486562,"name":"Сарай","url":"https://www.academia.edu/Documents/in/%D0%A1%D0%B0%D1%80%D0%B0%D0%B9?f_ri=22842"},{"id":1536880,"name":"средневековая торговля","url":"https://www.academia.edu/Documents/in/%D1%81%D1%80%D0%B5%D0%B4%D0%BD%D0%B5%D0%B2%D0%B5%D0%BA%D0%BE%D0%B2%D0%B0%D1%8F_%D1%82%D0%BE%D1%80%D0%B3%D0%BE%D0%B2%D0%BB%D1%8F?f_ri=22842"},{"id":1568394,"name":"Литва","url":"https://www.academia.edu/Documents/in/%D0%9B%D0%B8%D1%82%D0%B2%D0%B0?f_ri=22842"},{"id":1593216,"name":"восточная нумизматика","url":"https://www.academia.edu/Documents/in/%D0%B2%D0%BE%D1%81%D1%82%D0%BE%D1%87%D0%BD%D0%B0%D1%8F_%D0%BD%D1%83%D0%BC%D0%B8%D0%B7%D0%BC%D0%B0%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1645966,"name":"Гісторыя ВКЛ","url":"https://www.academia.edu/Documents/in/%D0%93%D1%96%D1%81%D1%82%D0%BE%D1%80%D1%8B%D1%8F_%D0%92%D0%9A%D0%9B?f_ri=22842"},{"id":1645967,"name":"гісторыя Рэчы Паспалітай","url":"https://www.academia.edu/Documents/in/%D0%B3%D1%96%D1%81%D1%82%D0%BE%D1%80%D1%8B%D1%8F_%D0%A0%D1%8D%D1%87%D1%8B_%D0%9F%D0%B0%D1%81%D0%BF%D0%B0%D0%BB%D1%96%D1%82%D0%B0%D0%B9?f_ri=22842"},{"id":1668663,"name":"ордынская нумизматика","url":"https://www.academia.edu/Documents/in/%D0%BE%D1%80%D0%B4%D1%8B%D0%BD%D1%81%D0%BA%D0%B0%D1%8F_%D0%BD%D1%83%D0%BC%D0%B8%D0%B7%D0%BC%D0%B0%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1668664,"name":"молдавская нумизматика","url":"https://www.academia.edu/Documents/in/%D0%BC%D0%BE%D0%BB%D0%B4%D0%B0%D0%B2%D1%81%D0%BA%D0%B0%D1%8F_%D0%BD%D1%83%D0%BC%D0%B8%D0%B7%D0%BC%D0%B0%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1668669,"name":"нумизматика итальянских колоний в Крыму","url":"https://www.academia.edu/Documents/in/%D0%BD%D1%83%D0%BC%D0%B8%D0%B7%D0%BC%D0%B0%D1%82%D0%B8%D0%BA%D0%B0_%D0%B8%D1%82%D0%B0%D0%BB%D1%8C%D1%8F%D0%BD%D1%81%D0%BA%D0%B8%D1%85_%D0%BA%D0%BE%D0%BB%D0%BE%D0%BD%D0%B8%D0%B9_%D0%B2_%D0%9A%D1%80%D1%8B%D0%BC%D1%83?f_ri=22842"},{"id":1668675,"name":"геральдика и нумизматика","url":"https://www.academia.edu/Documents/in/%D0%B3%D0%B5%D1%80%D0%B0%D0%BB%D1%8C%D0%B4%D0%B8%D0%BA%D0%B0_%D0%B8_%D0%BD%D1%83%D0%BC%D0%B8%D0%B7%D0%BC%D0%B0%D1%82%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":1668678,"name":"литовская геральдика","url":"https://www.academia.edu/Documents/in/%D0%BB%D0%B8%D1%82%D0%BE%D0%B2%D1%81%D0%BA%D0%B0%D1%8F_%D0%B3%D0%B5%D1%80%D0%B0%D0%BB%D1%8C%D0%B4%D0%B8%D0%BA%D0%B0?f_ri=22842"},{"id":2899814,"name":"Medieval Islamic and Turco-Iranian world, Mongol world empire","url":"https://www.academia.edu/Documents/in/Medieval_Islamic_and_Turco-Iranian_world_Mongol_world_empire?f_ri=22842"},{"id":2899815,"name":"Seljuk, Mongol, post-Mongol, and Ottoman Anatolia (1200-1500)","url":"https://www.academia.edu/Documents/in/Seljuk_Mongol_post-Mongol_and_Ottoman_Anatolia_1200-1500_?f_ri=22842"},{"id":2899816,"name":"Comparative empire, frontier, and political culture","url":"https://www.academia.edu/Documents/in/Comparative_empire_frontier_and_political_culture?f_ri=22842"},{"id":2899817,"name":"Persian and Ottoman Turkish historical writing","url":"https://www.academia.edu/Documents/in/Persian_and_Ottoman_Turkish_historical_writing?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19818884" data-work_id="19818884" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19818884/Ciconia_Prosdocimus_and_the_Workings_of_Musical_Grammar_as_Exemplified_in_O_felix_templum_and_O_Padua">Ciconia, Prosdocimus, and the Workings of Musical Grammar as Exemplified in O felix templum and O Padua</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19818884" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3c8d4b8ed1bd4542159435f45362e3ff" rel="nofollow" data-download="{"attachment_id":40861950,"asset_id":19818884,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40861950/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5702421" href="https://oxford.academia.edu/MBent">Margaret Bent</a><script data-card-contents-for-user="5702421" type="text/json">{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}</script></span></span></li><li class="js-paper-rank-work_19818884 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19818884"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19818884, container: ".js-paper-rank-work_19818884", }); });</script></li><li class="js-percentile-work_19818884 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19818884; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19818884"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19818884 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19818884"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19818884; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19818884]").text(description); $(".js-view-count-work_19818884").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19818884").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19818884"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="184705" href="https://www.academia.edu/Documents/in/Johannes_Ciconia">Johannes Ciconia</a><script data-card-contents-for-ri="184705" type="text/json">{"id":184705,"name":"Johannes Ciconia","url":"https://www.academia.edu/Documents/in/Johannes_Ciconia?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19818884]'), work: {"id":19818884,"title":"Ciconia, Prosdocimus, and the Workings of Musical Grammar as Exemplified in O felix templum and O Padua","created_at":"2015-12-24T10:28:21.935-08:00","url":"https://www.academia.edu/19818884/Ciconia_Prosdocimus_and_the_Workings_of_Musical_Grammar_as_Exemplified_in_O_felix_templum_and_O_Padua?f_ri=22842","dom_id":"work_19818884","summary":null,"downloadable_attachments":[{"id":40861950,"asset_id":19818884,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}],"research_interests":[{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":184705,"name":"Johannes Ciconia","url":"https://www.academia.edu/Documents/in/Johannes_Ciconia?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28372093" data-work_id="28372093" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28372093/La_teor%C3%ADa_de_canto_de_%C3%B3rgano_y_contrapunto_en_el_Renacimiento_espa%C3%B1ol_La_Sumula_de_canto_de_organo_de_Domingo_Marcos_Dur%C3%A1n_como_modelo">La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Primer volumen en la serie Estudios de música antigua, coordinada por Maricarmen Gómez. En la historia de la teoría musical, el Renacimiento español temprano representa una etapa crucial en la que se centra el estudio del presente... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28372093" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Primer volumen en la serie Estudios de música antigua, coordinada por Maricarmen Gómez. En la historia de la teoría musical, el Renacimiento español temprano representa una etapa crucial en la que se centra el estudio del presente volumen. A lo largo suyo son tres los puntos de vista que se entrecruzan: la relación de los teóricos españoles con el resto de sus colegas contemporáneos, la proliferación de tratados teóricos publicados en lengua castellana a finales del siglo XV y los aspectos de la práctica musical relativos a la teoría que se expone en ellos.<br />Presentamos aquí la primera edición crítica de la Sumula de canto de organo de Domingo Marcos, el primer tratado sobre polifonía impreso en español, brindando al lector la oportunidad de profundizar en el pensamiento de los músicos de la época, ejecutantes prácticos capaces tanto de improvisar contrapunto como de leer la polifonía al uso. Además y por vez primera, se aportan los datos necesarios para comprender las características de la producción teórica española del momento y así colocarla en justa correspondencia con la que se gestaba en paralelo en el entorno cultural europeo.<br /><br />Reworking and review of my PhD Thesis. First volume in the series Studies on Early Music, edited by Maricarmen Gómez. In the history of musical theory, the early Spanish Renaissance represents a crucial stage in which the study of the present volume focuses. Throughout this work, there are three points of view that intersect: the relationship of Spanish theorists with the rest of their contemporary colleagues, the proliferation of theoretical treatises published in the Castilian language at the end of the 15th century and the aspects of musical practice related to the theory that is exposed in them.<br />We present here the first critical edition of the Domingo Marcos Sumula de Canto de Organo, the first treatise on polyphony printed in Spanish, giving the reader the opportunity to deepen the thought of the musicians of the time, practical performers capable of improvising counterpoint as well as to read polyphony. In addition and for the first time, the necessary data are provided to understand the characteristics of the Spanish theoretical production of the moment and thus place it in fair correspondence with that which was developed in parallel in the European cultural environment.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28372093" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="173c3f6b4328cac520d992684bb4bfc9" rel="nofollow" data-download="{"attachment_id":48732167,"asset_id":28372093,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48732167/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4529878" href="https://independent.academia.edu/SantiagoGal%C3%A1n">Santiago Galán</a><script data-card-contents-for-user="4529878" type="text/json">{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}</script></span></span></li><li class="js-paper-rank-work_28372093 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28372093"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28372093, container: ".js-paper-rank-work_28372093", }); });</script></li><li class="js-percentile-work_28372093 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 28372093; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_28372093"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_28372093 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="28372093"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 28372093; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=28372093]").text(description); $(".js-view-count-work_28372093").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28372093").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28372093"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">55</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28372093]'), work: {"id":28372093,"title":"La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo","created_at":"2016-09-09T09:11:52.498-07:00","url":"https://www.academia.edu/28372093/La_teor%C3%ADa_de_canto_de_%C3%B3rgano_y_contrapunto_en_el_Renacimiento_espa%C3%B1ol_La_Sumula_de_canto_de_organo_de_Domingo_Marcos_Dur%C3%A1n_como_modelo?f_ri=22842","dom_id":"work_28372093","summary":"Primer volumen en la serie Estudios de música antigua, coordinada por Maricarmen Gómez. En la historia de la teoría musical, el Renacimiento español temprano representa una etapa crucial en la que se centra el estudio del presente volumen. A lo largo suyo son tres los puntos de vista que se entrecruzan: la relación de los teóricos españoles con el resto de sus colegas contemporáneos, la proliferación de tratados teóricos publicados en lengua castellana a finales del siglo XV y los aspectos de la práctica musical relativos a la teoría que se expone en ellos.\nPresentamos aquí la primera edición crítica de la Sumula de canto de organo de Domingo Marcos, el primer tratado sobre polifonía impreso en español, brindando al lector la oportunidad de profundizar en el pensamiento de los músicos de la época, ejecutantes prácticos capaces tanto de improvisar contrapunto como de leer la polifonía al uso. Además y por vez primera, se aportan los datos necesarios para comprender las características de la producción teórica española del momento y así colocarla en justa correspondencia con la que se gestaba en paralelo en el entorno cultural europeo.\n\nReworking and review of my PhD Thesis. First volume in the series Studies on Early Music, edited by Maricarmen Gómez. In the history of musical theory, the early Spanish Renaissance represents a crucial stage in which the study of the present volume focuses. Throughout this work, there are three points of view that intersect: the relationship of Spanish theorists with the rest of their contemporary colleagues, the proliferation of theoretical treatises published in the Castilian language at the end of the 15th century and the aspects of musical practice related to the theory that is exposed in them.\nWe present here the first critical edition of the Domingo Marcos Sumula de Canto de Organo, the first treatise on polyphony printed in Spanish, giving the reader the opportunity to deepen the thought of the musicians of the time, practical performers capable of improvising counterpoint as well as to read polyphony. In addition and for the first time, the necessary data are provided to understand the characteristics of the Spanish theoretical production of the moment and thus place it in fair correspondence with that which was developed in parallel in the European cultural environment.","downloadable_attachments":[{"id":48732167,"asset_id":28372093,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}],"research_interests":[{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=22842","nofollow":false},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=22842","nofollow":false},{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":937,"name":"Improvisation","url":"https://www.academia.edu/Documents/in/Improvisation?f_ri=22842"},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842"},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":4674,"name":"Incunabula","url":"https://www.academia.edu/Documents/in/Incunabula?f_ri=22842"},{"id":6880,"name":"Spanish History","url":"https://www.academia.edu/Documents/in/Spanish_History?f_ri=22842"},{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":22386,"name":"Medieval Art","url":"https://www.academia.edu/Documents/in/Medieval_Art?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":34477,"name":"Music Performance","url":"https://www.academia.edu/Documents/in/Music_Performance?f_ri=22842"},{"id":47241,"name":"Estudios Culturales","url":"https://www.academia.edu/Documents/in/Estudios_Culturales?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":53278,"name":"Music Improvisation","url":"https://www.academia.edu/Documents/in/Music_Improvisation?f_ri=22842"},{"id":59652,"name":"Humanismo","url":"https://www.academia.edu/Documents/in/Humanismo?f_ri=22842"},{"id":64029,"name":"Siglo XVI","url":"https://www.academia.edu/Documents/in/Siglo_XVI?f_ri=22842"},{"id":66737,"name":"Rennaissance Art","url":"https://www.academia.edu/Documents/in/Rennaissance_Art?f_ri=22842"},{"id":70910,"name":"Cultura y Mentalidades Baja Edad Media","url":"https://www.academia.edu/Documents/in/Cultura_y_Mentalidades_Baja_Edad_Media?f_ri=22842"},{"id":92549,"name":"Music performance and improvisation","url":"https://www.academia.edu/Documents/in/Music_performance_and_improvisation?f_ri=22842"},{"id":135396,"name":"Renacimiento","url":"https://www.academia.edu/Documents/in/Renacimiento?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170513,"name":"Incunables","url":"https://www.academia.edu/Documents/in/Incunables?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":202346,"name":"Música y estudios culturales","url":"https://www.academia.edu/Documents/in/Musica_y_estudios_culturales?f_ri=22842"},{"id":220910,"name":"Spanish Humanism","url":"https://www.academia.edu/Documents/in/Spanish_Humanism?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":314750,"name":"Salamanca","url":"https://www.academia.edu/Documents/in/Salamanca?f_ri=22842"},{"id":323719,"name":"Teoría Musical Del Renacimiento","url":"https://www.academia.edu/Documents/in/Teoria_Musical_Del_Renacimiento?f_ri=22842"},{"id":390602,"name":"Music Printing","url":"https://www.academia.edu/Documents/in/Music_Printing?f_ri=22842"},{"id":392953,"name":"Historia de la imprenta","url":"https://www.academia.edu/Documents/in/Historia_de_la_imprenta?f_ri=22842"},{"id":482350,"name":"Teoria Musical","url":"https://www.academia.edu/Documents/in/Teoria_Musical?f_ri=22842"},{"id":518695,"name":"music printing, early modern Germany, history of the book","url":"https://www.academia.edu/Documents/in/music_printing_early_modern_Germany_history_of_the_book?f_ri=22842"},{"id":537738,"name":"Spanish Renaissance Music","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Music?f_ri=22842"},{"id":586496,"name":"Medieval Manuscripts and Incunabula","url":"https://www.academia.edu/Documents/in/Medieval_Manuscripts_and_Incunabula?f_ri=22842"},{"id":611835,"name":"Music printing in the 16th and 17th centuries","url":"https://www.academia.edu/Documents/in/Music_printing_in_the_16th_and_17th_centuries?f_ri=22842"},{"id":630696,"name":"Humanismo y Renacimiento","url":"https://www.academia.edu/Documents/in/Humanismo_y_Renacimiento?f_ri=22842"},{"id":631712,"name":"Music Printing and Publishing","url":"https://www.academia.edu/Documents/in/Music_Printing_and_Publishing?f_ri=22842"},{"id":789462,"name":"University of Salamanca In Middle Ages","url":"https://www.academia.edu/Documents/in/University_of_Salamanca_In_Middle_Ages?f_ri=22842"},{"id":879885,"name":"Baja Edad Media","url":"https://www.academia.edu/Documents/in/Baja_Edad_Media?f_ri=22842"},{"id":1010044,"name":"Catholic Kings","url":"https://www.academia.edu/Documents/in/Catholic_Kings?f_ri=22842"},{"id":1159936,"name":"Universidad de Salamanca (Spain)","url":"https://www.academia.edu/Documents/in/Universidad_de_Salamanca_Spain_?f_ri=22842"},{"id":1225248,"name":"Reyes Catolicos Fernando E Isabel","url":"https://www.academia.edu/Documents/in/Reyes_Catolicos_Fernando_E_Isabel?f_ri=22842"},{"id":1316744,"name":"Música Española Del Renacimiento","url":"https://www.academia.edu/Documents/in/Musica_Espanola_Del_Renacimiento?f_ri=22842"},{"id":1366368,"name":"Catedral De Salamanca","url":"https://www.academia.edu/Documents/in/Catedral_De_Salamanca?f_ri=22842"},{"id":1462988,"name":"Música Del Renacimiento Español","url":"https://www.academia.edu/Documents/in/Musica_Del_Renacimiento_Espanol?f_ri=22842"},{"id":2453616,"name":"Historia de la imprenta española antigua","url":"https://www.academia.edu/Documents/in/Historia_de_la_imprenta_espa%C3%B1ola_antigua?f_ri=22842"},{"id":2596333,"name":"Arte de la Baja Edad Media","url":"https://www.academia.edu/Documents/in/Arte_de_la_Baja_Edad_Media?f_ri=22842"},{"id":2883876,"name":"Historia de la imprenta en España","url":"https://www.academia.edu/Documents/in/Historia_de_la_imprenta_en_Espa%C3%B1a?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3088979" data-work_id="3088979" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3088979/Una_nuova_fonte_per_la_musica_di_Ghiselino_Danckerts_musico_e_cantore_cappellano_della_cappella_del_papa_">Una nuova fonte per la musica di Ghiselino Danckerts «musico e cantore cappellano della cappella del papa»</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3088979" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7c436f91b9d0c3d15ab0480ebc478b79" rel="nofollow" data-download="{"attachment_id":37587483,"asset_id":3088979,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37587483/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3543934" href="https://univaq.academia.edu/ArnaldoMorelli">Arnaldo Morelli</a><script data-card-contents-for-user="3543934" type="text/json">{"id":3543934,"first_name":"Arnaldo","last_name":"Morelli","domain_name":"univaq","page_name":"ArnaldoMorelli","display_name":"Arnaldo Morelli","profile_url":"https://univaq.academia.edu/ArnaldoMorelli?f_ri=22842","photo":"https://0.academia-photos.com/3543934/1225095/1548924/s65_arnaldo.morelli.jpg"}</script></span></span></li><li class="js-paper-rank-work_3088979 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3088979"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3088979, container: ".js-paper-rank-work_3088979", }); });</script></li><li class="js-percentile-work_3088979 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3088979; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3088979"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3088979 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3088979"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3088979; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3088979]").text(description); $(".js-view-count-work_3088979").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3088979").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3088979"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="803" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a><script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3088979]'), work: {"id":3088979,"title":"Una nuova fonte per la musica di Ghiselino Danckerts «musico e cantore cappellano della cappella del papa»","created_at":"2013-03-23T09:13:48.596-07:00","url":"https://www.academia.edu/3088979/Una_nuova_fonte_per_la_musica_di_Ghiselino_Danckerts_musico_e_cantore_cappellano_della_cappella_del_papa_?f_ri=22842","dom_id":"work_3088979","summary":null,"downloadable_attachments":[{"id":37587483,"asset_id":3088979,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3543934,"first_name":"Arnaldo","last_name":"Morelli","domain_name":"univaq","page_name":"ArnaldoMorelli","display_name":"Arnaldo Morelli","profile_url":"https://univaq.academia.edu/ArnaldoMorelli?f_ri=22842","photo":"https://0.academia-photos.com/3543934/1225095/1548924/s65_arnaldo.morelli.jpg"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=22842","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":71841,"name":"Music sociology","url":"https://www.academia.edu/Documents/in/Music_sociology?f_ri=22842"},{"id":74005,"name":"Musical sources","url":"https://www.academia.edu/Documents/in/Musical_sources?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":208599,"name":"Music Pedagogy","url":"https://www.academia.edu/Documents/in/Music_Pedagogy?f_ri=22842"},{"id":256220,"name":"16th Century Sacred Music","url":"https://www.academia.edu/Documents/in/16th_Century_Sacred_Music?f_ri=22842"},{"id":975983,"name":"Chorus Conducting","url":"https://www.academia.edu/Documents/in/Chorus_Conducting?f_ri=22842"},{"id":1353406,"name":"Papal Chapel","url":"https://www.academia.edu/Documents/in/Papal_Chapel?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35647570" data-work_id="35647570" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35647570/_Aut_propter_devotionem_aut_propter_sonorositatem_Compositional_Design_of_Late_Fifteenth_Century_Elevation_Motets_in_Perspective">"Aut propter devotionem, aut propter sonorositatem". Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The homophonic passages usually found in fifteenth-century motets to be sung at the culmination of the mass, the elevation, play a paradoxical role in modern scholarship. On the one hand, these passages serve to identify the liturgical... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35647570" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The homophonic passages usually found in fifteenth-century motets to be sung at the culmination of the mass, the elevation, play a paradoxical role in modern scholarship. On the one hand, these passages serve to identify the liturgical function of the motets and the cycles surrounding them; on the other hand, they are hardly ever analyzed in detail, not only because their homophonic austerity seems to be of little interest, but also because they defy normal analytical procedures. To explain what happens when ‘nothing’ happens, this paper gathers a repertoire of contrapuntal-harmonic stock formulas distinguishable as clausulae, gymel, and tabula naturalis progressions. These progressions can be seen working in very different ways in elevation motets. To imagine composers with these polyphonic complexes at their disposal is to imagine theoretical and practical ways beyond a simple dichotomy between ‘counterpoint’ and ‘harmony’. In the discussion of elevation motets, questions of compositional design, of theoretical context, of performance, and of cultural context coalesce.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35647570" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="79a0aa54ec09dfd8ea2bc1d98e32ea0a" rel="nofollow" data-download="{"attachment_id":56058245,"asset_id":35647570,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56058245/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1987898" href="https://hslu.academia.edu/FelixDiergarten">Felix Diergarten</a><script data-card-contents-for-user="1987898" type="text/json">{"id":1987898,"first_name":"Felix","last_name":"Diergarten","domain_name":"hslu","page_name":"FelixDiergarten","display_name":"Felix Diergarten","profile_url":"https://hslu.academia.edu/FelixDiergarten?f_ri=22842","photo":"https://0.academia-photos.com/1987898/4121969/4804265/s65_felix.diergarten.jpg"}</script></span></span></li><li class="js-paper-rank-work_35647570 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35647570"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35647570, container: ".js-paper-rank-work_35647570", }); });</script></li><li class="js-percentile-work_35647570 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35647570; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35647570"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35647570 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35647570"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35647570; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35647570]").text(description); $(".js-view-count-work_35647570").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35647570").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35647570"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15841" href="https://www.academia.edu/Documents/in/16th_Century_Counterpoint">16th Century Counterpoint</a>, <script data-card-contents-for-ri="15841" type="text/json">{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22845" href="https://www.academia.edu/Documents/in/Renaissance_Music_Theory">Renaissance Music Theory</a><script data-card-contents-for-ri="22845" type="text/json">{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35647570]'), work: {"id":35647570,"title":"\"Aut propter devotionem, aut propter sonorositatem\". Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective","created_at":"2018-01-12T00:14:30.009-08:00","url":"https://www.academia.edu/35647570/_Aut_propter_devotionem_aut_propter_sonorositatem_Compositional_Design_of_Late_Fifteenth_Century_Elevation_Motets_in_Perspective?f_ri=22842","dom_id":"work_35647570","summary":"The homophonic passages usually found in fifteenth-century motets to be sung at the culmination of the mass, the elevation, play a paradoxical role in modern scholarship. On the one hand, these passages serve to identify the liturgical function of the motets and the cycles surrounding them; on the other hand, they are hardly ever analyzed in detail, not only because their homophonic austerity seems to be of little interest, but also because they defy normal analytical procedures. To explain what happens when ‘nothing’ happens, this paper gathers a repertoire of contrapuntal-harmonic stock formulas distinguishable as clausulae, gymel, and tabula naturalis progressions. These progressions can be seen working in very different ways in elevation motets. To imagine composers with these polyphonic complexes at their disposal is to imagine theoretical and practical ways beyond a simple dichotomy between ‘counterpoint’ and ‘harmony’. In the discussion of elevation motets, questions of compositional design, of theoretical context, of performance, and of cultural context coalesce.","downloadable_attachments":[{"id":56058245,"asset_id":35647570,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1987898,"first_name":"Felix","last_name":"Diergarten","domain_name":"hslu","page_name":"FelixDiergarten","display_name":"Felix Diergarten","profile_url":"https://hslu.academia.edu/FelixDiergarten?f_ri=22842","photo":"https://0.academia-photos.com/1987898/4121969/4804265/s65_felix.diergarten.jpg"}],"research_interests":[{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842","nofollow":false},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":276479,"name":"Historically Informed Theory","url":"https://www.academia.edu/Documents/in/Historically_Informed_Theory?f_ri=22842"},{"id":1792945,"name":"Historische Satzlehre","url":"https://www.academia.edu/Documents/in/Historische_Satzlehre?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_67757238" data-work_id="67757238" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/67757238/Pedro_Mart%C3%ADnez_de_Osma_Tractatus_musice_Tratado_de_m%C3%BAsica_">Pedro Martínez de Osma - Tractatus musice (Tratado de música)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Con este volumen presentamos un nuevo tratado de teoría musical del Renacimiento español, escrito en 1465 por el catedrático de Teología de la Universidad de Salamanca Pedro Martínez de Osma. Alumno de Alonso de Madrigal "el Tostado" y... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_67757238" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Con este volumen presentamos un nuevo tratado de teoría musical del Renacimiento español, escrito en 1465 por el catedrático de Teología de la Universidad de<br />Salamanca Pedro Martínez de Osma. Alumno de Alonso de Madrigal "el Tostado" y maestro de Antonio de Nebrija, Pedro de Osma fue un activo renovador del pensamiento aristotélico en el Estudio salmantino, prolijo escritor y polemista en estos años del despertar humanista en Castilla, acabando sus días con una condena eclesiástica por sus atrevidos postulados reformistas.<br />Este nuevo tratado musical viene a enriquecer el conocimiento de unas décadas hasta hoy poco tratadas por la falta de fuentes, demostrando cómo en Salamanca, a mediados de siglo, se vivía un rico ambiente intelectual a propósito de los temas musicales, tanto teóricos como prácticos, digno de la secular tradición propia del Estudio salmantino, en consonancia con los debates que en esos años florecían en otros centros intelectuales europeos.<br />With this volume we present a new treatise on music theory of the Spanish Renaissance, written in 1465 by the professor of Theology at the University of Salamanca Pedro Martínez de Osma. A student of Alonso de Madrigal "el Tostado" and teacher of Antonio de Nebrija, Pedro de Osma was an active renovator of Aristotelian thought in the Salamanca Study, prolific writer and polemicist in these years of the humanist awakening in Castile, ending his days with an ecclesiastical conviction for its daring reformist postulates.<br />This new musical treatise enriches the knowledge of a few decades until now little treated due to the lack of sources, demonstrating the rich intellectual life in mid 15th-century Salamanca regarding musical subjects, both theoretical and practical, worthy of the centuries-long tradition of the Salamanca Study, in line with the debates that flourished in those years in other European intellectual centers.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/67757238" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="750f5d11d0b2a558c47675dc8568256d" rel="nofollow" data-download="{"attachment_id":78468202,"asset_id":67757238,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/78468202/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4529878" href="https://independent.academia.edu/SantiagoGal%C3%A1n">Santiago Galán</a><script data-card-contents-for-user="4529878" type="text/json">{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}</script></span></span></li><li class="js-paper-rank-work_67757238 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="67757238"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 67757238, container: ".js-paper-rank-work_67757238", }); });</script></li><li class="js-percentile-work_67757238 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 67757238; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_67757238"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_67757238 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="67757238"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67757238; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=67757238]").text(description); $(".js-view-count-work_67757238").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_67757238").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="67757238"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3027" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a>, <script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10604" href="https://www.academia.edu/Documents/in/History_of_Music_Theory">History of Music Theory</a>, <script data-card-contents-for-ri="10604" type="text/json">{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12936" href="https://www.academia.edu/Documents/in/Medieval_Europe">Medieval Europe</a>, <script data-card-contents-for-ri="12936" type="text/json">{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16420" href="https://www.academia.edu/Documents/in/Medieval_Music">Medieval Music</a><script data-card-contents-for-ri="16420" type="text/json">{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=67757238]'), work: {"id":67757238,"title":"Pedro Martínez de Osma - Tractatus musice (Tratado de música)","created_at":"2022-01-10T08:41:08.654-08:00","url":"https://www.academia.edu/67757238/Pedro_Mart%C3%ADnez_de_Osma_Tractatus_musice_Tratado_de_m%C3%BAsica_?f_ri=22842","dom_id":"work_67757238","summary":"Con este volumen presentamos un nuevo tratado de teoría musical del Renacimiento español, escrito en 1465 por el catedrático de Teología de la Universidad de\nSalamanca Pedro Martínez de Osma. Alumno de Alonso de Madrigal \"el Tostado\" y maestro de Antonio de Nebrija, Pedro de Osma fue un activo renovador del pensamiento aristotélico en el Estudio salmantino, prolijo escritor y polemista en estos años del despertar humanista en Castilla, acabando sus días con una condena eclesiástica por sus atrevidos postulados reformistas.\nEste nuevo tratado musical viene a enriquecer el conocimiento de unas décadas hasta hoy poco tratadas por la falta de fuentes, demostrando cómo en Salamanca, a mediados de siglo, se vivía un rico ambiente intelectual a propósito de los temas musicales, tanto teóricos como prácticos, digno de la secular tradición propia del Estudio salmantino, en consonancia con los debates que en esos años florecían en otros centros intelectuales europeos.\nWith this volume we present a new treatise on music theory of the Spanish Renaissance, written in 1465 by the professor of Theology at the University of Salamanca Pedro Martínez de Osma. A student of Alonso de Madrigal \"el Tostado\" and teacher of Antonio de Nebrija, Pedro de Osma was an active renovator of Aristotelian thought in the Salamanca Study, prolific writer and polemicist in these years of the humanist awakening in Castile, ending his days with an ecclesiastical conviction for its daring reformist postulates.\nThis new musical treatise enriches the knowledge of a few decades until now little treated due to the lack of sources, demonstrating the rich intellectual life in mid 15th-century Salamanca regarding musical subjects, both theoretical and practical, worthy of the centuries-long tradition of the Salamanca Study, in line with the debates that flourished in those years in other European intellectual centers.","downloadable_attachments":[{"id":78468202,"asset_id":67757238,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}],"research_interests":[{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842","nofollow":false},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842","nofollow":false},{"id":12936,"name":"Medieval Europe","url":"https://www.academia.edu/Documents/in/Medieval_Europe?f_ri=22842","nofollow":false},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":59652,"name":"Humanismo","url":"https://www.academia.edu/Documents/in/Humanismo?f_ri=22842"},{"id":79357,"name":"Historia medieval de España","url":"https://www.academia.edu/Documents/in/Historia_medieval_de_Espana?f_ri=22842"},{"id":135396,"name":"Renacimiento","url":"https://www.academia.edu/Documents/in/Renacimiento?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":537738,"name":"Spanish Renaissance Music","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Music?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":630696,"name":"Humanismo y Renacimiento","url":"https://www.academia.edu/Documents/in/Humanismo_y_Renacimiento?f_ri=22842"},{"id":1395601,"name":"Universidad De Salamanca","url":"https://www.academia.edu/Documents/in/Universidad_De_Salamanca?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_77091637" data-work_id="77091637" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/77091637/Rondeau_Quatrain_upon_a_Heart_Belle_Bonne_Sage_Baude_Cordier_c_1380_c_1440_Source_Mus%C3%A9e_Cond%C3%A9_Chantilly_France_F_CH_MS_564_Chantilly_Codex_f_11v_">Rondeau Quatrain upon a Heart, "Belle, Bonne, Sage," Baude Cordier (c. 1380 - c. 1440) (Source: Musée Condé, Chantilly, France [F-CH], MS 564 “Chantilly Codex," f. 11v.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">For a complete annimated score video of this work containing the original manuscript, modern score, and translation, see: <a href="https://www.youtube.com/watch?v=ZcOtQNR8lzE" rel="nofollow">https://www.youtube.com/watch?v=ZcOtQNR8lzE</a> This is a pedagogical edition of Baude Cordier's' famous piece of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_77091637" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For a complete annimated score video of this work containing the original manuscript, modern score, and translation, see: <a href="https://www.youtube.com/watch?v=ZcOtQNR8lzE" rel="nofollow">https://www.youtube.com/watch?v=ZcOtQNR8lzE</a> <br /> <br />This is a pedagogical edition of Baude Cordier's' famous piece of augenmusik, "Belle, Bonne, Sage" from the 14th century. Find herein complete explanations of all parts of the piece (pictorial, poetical, musical, formal, etc.). Complete translations of all texts are provided along with an explanation of translations methodology and problems. Complete high-resolution graphics of the two sources are included.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/77091637" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="84eae4bc7fe62dca7203ee78ab0be209" rel="nofollow" data-download="{"attachment_id":84553662,"asset_id":77091637,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/84553662/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_77091637 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="77091637"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 77091637, container: ".js-paper-rank-work_77091637", }); });</script></li><li class="js-percentile-work_77091637 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 77091637; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_77091637"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_77091637 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="77091637"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 77091637; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=77091637]").text(description); $(".js-view-count-work_77091637").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_77091637").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="77091637"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3796" href="https://www.academia.edu/Documents/in/Composition_Music_">Composition (Music)</a><script data-card-contents-for-ri="3796" type="text/json">{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=77091637]'), work: {"id":77091637,"title":"Rondeau Quatrain upon a Heart, \"Belle, Bonne, Sage,\" Baude Cordier (c. 1380 - c. 1440) (Source: Musée Condé, Chantilly, France [F-CH], MS 564 “Chantilly Codex,\" f. 11v.)","created_at":"2022-04-20T09:28:43.295-07:00","url":"https://www.academia.edu/77091637/Rondeau_Quatrain_upon_a_Heart_Belle_Bonne_Sage_Baude_Cordier_c_1380_c_1440_Source_Mus%C3%A9e_Cond%C3%A9_Chantilly_France_F_CH_MS_564_Chantilly_Codex_f_11v_?f_ri=22842","dom_id":"work_77091637","summary":"For a complete annimated score video of this work containing the original manuscript, modern score, and translation, see: https://www.youtube.com/watch?v=ZcOtQNR8lzE\r\n\r\nThis is a pedagogical edition of Baude Cordier's' famous piece of augenmusik, \"Belle, Bonne, Sage\" from the 14th century. Find herein complete explanations of all parts of the piece (pictorial, poetical, musical, formal, etc.). Complete translations of all texts are provided along with an explanation of translations methodology and problems. Complete high-resolution graphics of the two sources are included.","downloadable_attachments":[{"id":84553662,"asset_id":77091637,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16387,"name":"Notation (Music)","url":"https://www.academia.edu/Documents/in/Notation_Music_?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":29405,"name":"Graphic representation of music","url":"https://www.academia.edu/Documents/in/Graphic_representation_of_music?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":315173,"name":"Ars subtilior","url":"https://www.academia.edu/Documents/in/Ars_subtilior?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36083653" data-work_id="36083653" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36083653/Matteo_da_Perusio_or_Perugia_d_c_1418_Canonic_Gloria_in_excelsis_Deo_Mass_movement_for_three_voices_in_caccia_style_Source_Source_Biblioteca_Estense_Modena_Italy_I_MOe_MS_A_M_5_24_Modena_A_ModA_fol_10v_11r_">Matteo da Perusio (or Perugia) (d. c. 1418) - Canonic "Gloria in excelsis Deo" (Mass movement for three voices in caccia style) [Source: Source: Biblioteca Estense, Modena, Italy (I-MOe), MS A.M.5.24 “Modena A; ModA." fol. 10v-11r.]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Transcription of Matteo da Perusio's canonic Gloria from Codex Modena A. For a score-video with recording see the link below.<br /><br /><a href="https://www.youtube.com/watch?v=ycYi7NDG92k" rel="nofollow">https://www.youtube.com/watch?v=ycYi7NDG92k</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36083653" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9cab498a0a55313391421697c0e3b3cd" rel="nofollow" data-download="{"attachment_id":55972539,"asset_id":36083653,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55972539/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_36083653 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36083653"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36083653, container: ".js-paper-rank-work_36083653", }); });</script></li><li class="js-percentile-work_36083653 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36083653; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36083653"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36083653 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36083653"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36083653; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36083653]").text(description); $(".js-view-count-work_36083653").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36083653").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36083653"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">114</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3796" href="https://www.academia.edu/Documents/in/Composition_Music_">Composition (Music)</a><script data-card-contents-for-ri="3796" type="text/json">{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36083653]'), work: {"id":36083653,"title":"Matteo da Perusio (or Perugia) (d. c. 1418) - Canonic \"Gloria in excelsis Deo\" (Mass movement for three voices in caccia style) [Source: Source: Biblioteca Estense, Modena, Italy (I-MOe), MS A.M.5.24 “Modena A; ModA.\" fol. 10v-11r.]","created_at":"2018-03-05T12:43:17.395-08:00","url":"https://www.academia.edu/36083653/Matteo_da_Perusio_or_Perugia_d_c_1418_Canonic_Gloria_in_excelsis_Deo_Mass_movement_for_three_voices_in_caccia_style_Source_Source_Biblioteca_Estense_Modena_Italy_I_MOe_MS_A_M_5_24_Modena_A_ModA_fol_10v_11r_?f_ri=22842","dom_id":"work_36083653","summary":"Transcription of Matteo da Perusio's canonic Gloria from Codex Modena A. For a score-video with recording see the link below.\n\nhttps://www.youtube.com/watch?v=ycYi7NDG92k","downloadable_attachments":[{"id":55972539,"asset_id":36083653,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":21670,"name":"Medieval Italy","url":"https://www.academia.edu/Documents/in/Medieval_Italy?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28612,"name":"Sacred Music","url":"https://www.academia.edu/Documents/in/Sacred_Music?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32242,"name":"Form (Music Theory)","url":"https://www.academia.edu/Documents/in/Form_Music_Theory_?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":33425,"name":"15th Century Italian Art","url":"https://www.academia.edu/Documents/in/15th_Century_Italian_Art?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":49129,"name":"15th Century France","url":"https://www.academia.edu/Documents/in/15th_Century_France?f_ri=22842"},{"id":53197,"name":"14th Century France","url":"https://www.academia.edu/Documents/in/14th_Century_France?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":55450,"name":"14th century Italy","url":"https://www.academia.edu/Documents/in/14th_century_Italy?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":79737,"name":"15th century Italian humanism","url":"https://www.academia.edu/Documents/in/15th_century_Italian_humanism?f_ri=22842"},{"id":91089,"name":"Modena","url":"https://www.academia.edu/Documents/in/Modena?f_ri=22842"},{"id":113840,"name":"Medieval Musical Thought","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Thought?f_ri=22842"},{"id":127672,"name":"Trecento Painting","url":"https://www.academia.edu/Documents/in/Trecento_Painting?f_ri=22842"},{"id":127673,"name":"Trecento and Quattrocento Painting","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Painting?f_ri=22842"},{"id":136113,"name":"Ars nova","url":"https://www.academia.edu/Documents/in/Ars_nova?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":145524,"name":"Renaissance Italy","url":"https://www.academia.edu/Documents/in/Renaissance_Italy?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":173187,"name":"Trecento Music","url":"https://www.academia.edu/Documents/in/Trecento_Music?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":173190,"name":"14th Century Music","url":"https://www.academia.edu/Documents/in/14th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":201621,"name":"14th Century","url":"https://www.academia.edu/Documents/in/14th_Century?f_ri=22842"},{"id":212948,"name":"Perugia - Middle Ages / Perugia - medioevo","url":"https://www.academia.edu/Documents/in/Perugia_-_Middle_Ages_Perugia_-_medioevo?f_ri=22842"},{"id":216186,"name":"Modena A","url":"https://www.academia.edu/Documents/in/Modena_A?f_ri=22842"},{"id":249297,"name":"Early Medieval Italy","url":"https://www.academia.edu/Documents/in/Early_Medieval_Italy?f_ri=22842"},{"id":265870,"name":"Musicology, Medieval Studies, Digital Humanities","url":"https://www.academia.edu/Documents/in/Musicology_Medieval_Studies_Digital_Humanities?f_ri=22842"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=22842"},{"id":270908,"name":"Liturgy, Sacred Music","url":"https://www.academia.edu/Documents/in/Liturgy_Sacred_Music?f_ri=22842"},{"id":271475,"name":"13th and 14th Century Italian Art","url":"https://www.academia.edu/Documents/in/13th_and_14th_Century_Italian_Art?f_ri=22842"},{"id":278962,"name":"Medieval Music, Codicology, Notation","url":"https://www.academia.edu/Documents/in/Medieval_Music_Codicology_Notation?f_ri=22842"},{"id":279354,"name":"Medieval and Experimental Music, Codicology, Graphic Notation","url":"https://www.academia.edu/Documents/in/Medieval_and_Experimental_Music_Codicology_Graphic_Notation?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":281760,"name":"Musical Canon","url":"https://www.academia.edu/Documents/in/Musical_Canon?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":315173,"name":"Ars subtilior","url":"https://www.academia.edu/Documents/in/Ars_subtilior?f_ri=22842"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374820,"name":"Caccia","url":"https://www.academia.edu/Documents/in/Caccia?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":430339,"name":"Trecento","url":"https://www.academia.edu/Documents/in/Trecento?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":436716,"name":"Trecento and Quattrocento Italian Art","url":"https://www.academia.edu/Documents/in/Trecento_and_Quattrocento_Italian_Art?f_ri=22842"},{"id":469251,"name":"Western Musical Canon","url":"https://www.academia.edu/Documents/in/Western_Musical_Canon?f_ri=22842"},{"id":509240,"name":"Trent Codices and 15th century polyphony","url":"https://www.academia.edu/Documents/in/Trent_Codices_and_15th_century_polyphony?f_ri=22842"},{"id":579323,"name":"Medieval liturgical music","url":"https://www.academia.edu/Documents/in/Medieval_liturgical_music?f_ri=22842"},{"id":581295,"name":"Perugia","url":"https://www.academia.edu/Documents/in/Perugia?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":634422,"name":"Medieval Musical Notation","url":"https://www.academia.edu/Documents/in/Medieval_Musical_Notation?f_ri=22842"},{"id":693704,"name":"Music History; Medieval Studies; Cultural History","url":"https://www.academia.edu/Documents/in/Music_History_Medieval_Studies_Cultural_History?f_ri=22842"},{"id":720437,"name":"Early Medieval Music","url":"https://www.academia.edu/Documents/in/Early_Medieval_Music?f_ri=22842"},{"id":723651,"name":"Canons (music)","url":"https://www.academia.edu/Documents/in/Canons_music_?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":825850,"name":"Musical Canons","url":"https://www.academia.edu/Documents/in/Musical_Canons?f_ri=22842"},{"id":837908,"name":"Italian Trecento","url":"https://www.academia.edu/Documents/in/Italian_Trecento?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":859105,"name":"trecento Italian Art","url":"https://www.academia.edu/Documents/in/trecento_Italian_Art?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":894125,"name":"Sacred Choral Music","url":"https://www.academia.edu/Documents/in/Sacred_Choral_Music?f_ri=22842"},{"id":909591,"name":"Trecento Florence","url":"https://www.academia.edu/Documents/in/Trecento_Florence?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":1006959,"name":"Cacciari","url":"https://www.academia.edu/Documents/in/Cacciari?f_ri=22842"},{"id":1032940,"name":"Medieval Music Performance","url":"https://www.academia.edu/Documents/in/Medieval_Music_Performance?f_ri=22842"},{"id":1129673,"name":"Late Medievale/renaissance Italy","url":"https://www.academia.edu/Documents/in/Late_Medievale_renaissance_Italy?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1235258,"name":"Medieval History of Italy","url":"https://www.academia.edu/Documents/in/Medieval_History_of_Italy?f_ri=22842"},{"id":1236838,"name":"Canons In Early Music","url":"https://www.academia.edu/Documents/in/Canons_In_Early_Music?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1352458,"name":"Canone Musical","url":"https://www.academia.edu/Documents/in/Canone_Musical?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1416632,"name":"Modena Cathedral","url":"https://www.academia.edu/Documents/in/Modena_Cathedral?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1563332,"name":"Medieval Music Notation Compositional Style","url":"https://www.academia.edu/Documents/in/Medieval_Music_Notation_Compositional_Style?f_ri=22842"},{"id":1582435,"name":"Trecento Italy","url":"https://www.academia.edu/Documents/in/Trecento_Italy?f_ri=22842"},{"id":1594543,"name":"Historically Informed Composition (Music)","url":"https://www.academia.edu/Documents/in/Historically_Informed_Composition_Music_?f_ri=22842"},{"id":1645170,"name":"Perusia (Perugia)","url":"https://www.academia.edu/Documents/in/Perusia_Perugia_?f_ri=22842"},{"id":1757203,"name":"Ars Antiqua polyphony","url":"https://www.academia.edu/Documents/in/Ars_Antiqua_polyphony?f_ri=22842"},{"id":1757209,"name":"Ars Nova Polyphony","url":"https://www.academia.edu/Documents/in/Ars_Nova_Polyphony?f_ri=22842"},{"id":1785979,"name":"Caccia Medievale","url":"https://www.academia.edu/Documents/in/Caccia_Medievale?f_ri=22842"},{"id":1846720,"name":"Court and courtly Arts in Renaissance Italy","url":"https://www.academia.edu/Documents/in/Court_and_courtly_Arts_in_Renaissance_Italy?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2505246,"name":"french ars nova","url":"https://www.academia.edu/Documents/in/french_ars_nova?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2568011,"name":"History of Modena","url":"https://www.academia.edu/Documents/in/History_of_Modena?f_ri=22842"},{"id":2903963,"name":"Matteo da Perugia","url":"https://www.academia.edu/Documents/in/Matteo_da_Perugia?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30319889" data-work_id="30319889" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30319889/Brumels_Laudate_Dominum_de_caelis_and_the_French_Court_Motet">Brumel's Laudate Dominum de caelis and the 'French-Court' Motet</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The motet Laudate Dominum de caelis, copied in Vatican City, Biblioteca Apostolica Vaticana, Ms. Cappella Sistina 42 c. 1509-12, is distinctive in Brumel's output, bearing many of the hallmarks of the so-called 'Milanese' style. This... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30319889" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The motet Laudate Dominum de caelis, copied in Vatican City, Biblioteca Apostolica Vaticana, Ms. Cappella Sistina 42 c. 1509-12, is distinctive in Brumel's output, bearing many of the hallmarks of the so-called 'Milanese' style. This article addresses its sources, style, and technical construction in the context of some of Brumel's other motets and of Joshua Rifkin's recent research on the French-court motet around 1500, as exemplified by the motets of Josquin and Mouton. Analyses of local contrapuntal structures and of the motet's overall form offer a view of Brumel's working methods. These considerations lead to a picture of the motet as a product of Brumel's engagement with a French-court motet repertory in the first decade of the sixteenth century.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30319889" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6b450078cb7fa8f89b527834ae3f5d1a" rel="nofollow" data-download="{"attachment_id":50776404,"asset_id":30319889,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50776404/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27969795" href="https://cornell.academia.edu/MatthewHall">Matthew Hall</a><script data-card-contents-for-user="27969795" type="text/json">{"id":27969795,"first_name":"Matthew","last_name":"Hall","domain_name":"cornell","page_name":"MatthewHall","display_name":"Matthew Hall","profile_url":"https://cornell.academia.edu/MatthewHall?f_ri=22842","photo":"https://0.academia-photos.com/27969795/11955214/13321382/s65_matthew.hall.jpg_oh_4a96e311295a77f03d47f7ce435ed6dc_oe_579270f1"}</script></span></span></li><li class="js-paper-rank-work_30319889 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30319889"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30319889, container: ".js-paper-rank-work_30319889", }); });</script></li><li class="js-percentile-work_30319889 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30319889; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30319889"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30319889 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30319889"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30319889; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30319889]").text(description); $(".js-view-count-work_30319889").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30319889").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30319889"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14869" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a>, <script data-card-contents-for-ri="14869" type="text/json">{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15841" href="https://www.academia.edu/Documents/in/16th_Century_Counterpoint">16th Century Counterpoint</a>, <script data-card-contents-for-ri="15841" type="text/json">{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17547" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a>, <script data-card-contents-for-ri="17547" type="text/json">{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a><script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30319889]'), work: {"id":30319889,"title":"Brumel's Laudate Dominum de caelis and the 'French-Court' Motet","created_at":"2016-12-07T20:01:31.127-08:00","url":"https://www.academia.edu/30319889/Brumels_Laudate_Dominum_de_caelis_and_the_French_Court_Motet?f_ri=22842","dom_id":"work_30319889","summary":"The motet Laudate Dominum de caelis, copied in Vatican City, Biblioteca Apostolica Vaticana, Ms. Cappella Sistina 42 c. 1509-12, is distinctive in Brumel's output, bearing many of the hallmarks of the so-called 'Milanese' style. This article addresses its sources, style, and technical construction in the context of some of Brumel's other motets and of Joshua Rifkin's recent research on the French-court motet around 1500, as exemplified by the motets of Josquin and Mouton. Analyses of local contrapuntal structures and of the motet's overall form offer a view of Brumel's working methods. These considerations lead to a picture of the motet as a product of Brumel's engagement with a French-court motet repertory in the first decade of the sixteenth century.","downloadable_attachments":[{"id":50776404,"asset_id":30319889,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27969795,"first_name":"Matthew","last_name":"Hall","domain_name":"cornell","page_name":"MatthewHall","display_name":"Matthew Hall","profile_url":"https://cornell.academia.edu/MatthewHall?f_ri=22842","photo":"https://0.academia-photos.com/27969795/11955214/13321382/s65_matthew.hall.jpg_oh_4a96e311295a77f03d47f7ce435ed6dc_oe_579270f1"}],"research_interests":[{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842","nofollow":false},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842","nofollow":false},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842","nofollow":false},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":171224,"name":"Motets","url":"https://www.academia.edu/Documents/in/Motets?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19818876" data-work_id="19818876" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19818876/The_Harmony_of_the_Machaut_Mass">The 'Harmony' of the Machaut Mass</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19818876" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4585d850a9a659ea82da2a8d42ff4f8b" rel="nofollow" data-download="{"attachment_id":117420867,"asset_id":19818876,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/117420867/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5702421" href="https://oxford.academia.edu/MBent">Margaret Bent</a><script data-card-contents-for-user="5702421" type="text/json">{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}</script></span></span></li><li class="js-paper-rank-work_19818876 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19818876"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19818876, container: ".js-paper-rank-work_19818876", }); });</script></li><li class="js-percentile-work_19818876 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19818876; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19818876"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19818876 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19818876"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19818876; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19818876]").text(description); $(".js-view-count-work_19818876").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19818876").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19818876"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31741" href="https://www.academia.edu/Documents/in/Guillaume_de_Machaut">Guillaume de Machaut</a>, <script data-card-contents-for-ri="31741" type="text/json">{"id":31741,"name":"Guillaume de Machaut","url":"https://www.academia.edu/Documents/in/Guillaume_de_Machaut?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="173190" href="https://www.academia.edu/Documents/in/14th_Century_Music">14th Century Music</a><script data-card-contents-for-ri="173190" type="text/json">{"id":173190,"name":"14th Century Music","url":"https://www.academia.edu/Documents/in/14th_Century_Music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19818876]'), work: {"id":19818876,"title":"The 'Harmony' of the Machaut Mass","created_at":"2015-12-24T10:25:51.611-08:00","url":"https://www.academia.edu/19818876/The_Harmony_of_the_Machaut_Mass?f_ri=22842","dom_id":"work_19818876","summary":null,"downloadable_attachments":[{"id":117420867,"asset_id":19818876,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}],"research_interests":[{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":31741,"name":"Guillaume de Machaut","url":"https://www.academia.edu/Documents/in/Guillaume_de_Machaut?f_ri=22842","nofollow":false},{"id":173190,"name":"14th Century Music","url":"https://www.academia.edu/Documents/in/14th_Century_Music?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33448720" data-work_id="33448720" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33448720/Alexander_Agricola_Gaudeamus_omnes_Segovia_Catedral_Archivo_Musical_El_cancionero_de_la_Catedral_de_Segovia_fol_CCr_">Alexander Agricola: "Gaudeamus omnes" (Segovia, Catedral, Archivo Musical, "El cancionero de la Catedral de Segovia", fol. CCr.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A performance and critical edition of Agricola's two voiced polyphonic setting of "Gaudeamus omnes", Introit for the Feast of the Assumption. For two different recordings and video-scores of the piece see the links below:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33448720" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A performance and critical edition of Agricola's two voiced polyphonic setting of "Gaudeamus omnes", Introit for the Feast of the Assumption. For two different recordings and video-scores of the piece see the links below:<br /><br /><a href="https://www.youtube.com/watch?v=FZnRmQ-B2Zc" rel="nofollow">https://www.youtube.com/watch?v=FZnRmQ-B2Zc</a><br /><a href="https://www.youtube.com/watch?v=LxK8zd2hLEM" rel="nofollow">https://www.youtube.com/watch?v=LxK8zd2hLEM</a><br /><br />Only the incipit "Gaudeamus omnes in domino" appears with Agricola's music. The Introit text set to the chant cantus firmus used in this transcription is the text for the Introit for the Feast of the Assumption (also Gaudeamus omnes in domino).<br /><br />Furthermore, Agricola only set down as semibreves each of the first 38 notes of the "Gaudeamus omnes in domino" chant. This transcription, following the example of Edward Learner's edition, reconstructs the remaining tenor notes. This edition differs from Learner's in that it uses the Introit chant for Assumption from Cambrai, Bibliotheque Municipale [F-CA], MS B-12, fol. 49r-v (c. 1500), rather than a British version from the Sarum rite.<br /><br />______________________________<br /><br />Gaudeamus omnes in domino, <br />diem festum celebrantes sub honore Mariae Virginis: <br />de cujus assumptione gaudent angeli, <br />et collaudant filium dei.<br /><br />Let us all rejoice in the Lord <br />celebrating this day the feast in honor of the Virgin Mary,<br />in whose solemnity the angels rejoice, <br />and praising the Son of God.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33448720" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ccc7fb8876db96aaa8d4066c8ddeef4a" rel="nofollow" data-download="{"attachment_id":58213355,"asset_id":33448720,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58213355/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_33448720 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33448720"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33448720, container: ".js-paper-rank-work_33448720", }); });</script></li><li class="js-percentile-work_33448720 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33448720; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33448720"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33448720 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33448720"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33448720; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33448720]").text(description); $(".js-view-count-work_33448720").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33448720").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33448720"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">79</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33448720]'), work: {"id":33448720,"title":"Alexander Agricola: \"Gaudeamus omnes\" (Segovia, Catedral, Archivo Musical, \"El cancionero de la Catedral de Segovia\", fol. CCr.)","created_at":"2017-06-13T20:40:43.498-07:00","url":"https://www.academia.edu/33448720/Alexander_Agricola_Gaudeamus_omnes_Segovia_Catedral_Archivo_Musical_El_cancionero_de_la_Catedral_de_Segovia_fol_CCr_?f_ri=22842","dom_id":"work_33448720","summary":"A performance and critical edition of Agricola's two voiced polyphonic setting of \"Gaudeamus omnes\", Introit for the Feast of the Assumption. For two different recordings and video-scores of the piece see the links below:\n\nhttps://www.youtube.com/watch?v=FZnRmQ-B2Zc\nhttps://www.youtube.com/watch?v=LxK8zd2hLEM\n\nOnly the incipit \"Gaudeamus omnes in domino\" appears with Agricola's music. The Introit text set to the chant cantus firmus used in this transcription is the text for the Introit for the Feast of the Assumption (also Gaudeamus omnes in domino).\n\nFurthermore, Agricola only set down as semibreves each of the first 38 notes of the \"Gaudeamus omnes in domino\" chant. This transcription, following the example of Edward Learner's edition, reconstructs the remaining tenor notes. This edition differs from Learner's in that it uses the Introit chant for Assumption from Cambrai, Bibliotheque Municipale [F-CA], MS B-12, fol. 49r-v (c. 1500), rather than a British version from the Sarum rite.\n\n______________________________\n\nGaudeamus omnes in domino, \ndiem festum celebrantes sub honore Mariae Virginis: \nde cujus assumptione gaudent angeli, \net collaudant filium dei.\n\nLet us all rejoice in the Lord \ncelebrating this day the feast in honor of the Virgin Mary,\nin whose solemnity the angels rejoice, \nand praising the Son of God.","downloadable_attachments":[{"id":58213355,"asset_id":33448720,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":10820,"name":"French Renaissance","url":"https://www.academia.edu/Documents/in/French_Renaissance?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":115524,"name":"Segovia","url":"https://www.academia.edu/Documents/in/Segovia?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":159686,"name":"16th and 17th century Dutch and Flemish Art","url":"https://www.academia.edu/Documents/in/16th_and_17th_century_Dutch_and_Flemish_Art?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":243299,"name":"Philip III le Bon of Burgundy","url":"https://www.academia.edu/Documents/in/Philip_III_le_Bon_of_Burgundy?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":314378,"name":"Marian devotion","url":"https://www.academia.edu/Documents/in/Marian_devotion?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":350564,"name":"Mensural Music","url":"https://www.academia.edu/Documents/in/Mensural_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":486007,"name":"Dutch music","url":"https://www.academia.edu/Documents/in/Dutch_music?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":537738,"name":"Spanish Renaissance Music","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Music?f_ri=22842"},{"id":538872,"name":"Marian Devotions","url":"https://www.academia.edu/Documents/in/Marian_Devotions?f_ri=22842"},{"id":545455,"name":"Georgian Polyphony","url":"https://www.academia.edu/Documents/in/Georgian_Polyphony?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":862345,"name":"Mensuralism","url":"https://www.academia.edu/Documents/in/Mensuralism?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1198421,"name":"Improvvised counterpoint","url":"https://www.academia.edu/Documents/in/Improvvised_counterpoint?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1342722,"name":"White Mensural Notation","url":"https://www.academia.edu/Documents/in/White_Mensural_Notation?f_ri=22842"},{"id":1393910,"name":"Spanish Polyphony","url":"https://www.academia.edu/Documents/in/Spanish_Polyphony?f_ri=22842"},{"id":1432622,"name":"Dutch Musicology","url":"https://www.academia.edu/Documents/in/Dutch_Musicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_809600" data-work_id="809600" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/809600/Interpretation_and_Counterpoint_The_Case_of_Guillaume_de_Machauts_De_toutes_flours_B31_">Interpretation and Counterpoint: The Case of Guillaume de Machaut's _De toutes flours_(B31)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/809600" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ad74a076d7569a5f44263b4b7c6151cf" rel="nofollow" data-download="{"attachment_id":51230552,"asset_id":809600,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51230552/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="521483" href="https://oxford.academia.edu/ElizabethEvaLeach">Elizabeth Eva Leach</a><script data-card-contents-for-user="521483" type="text/json">{"id":521483,"first_name":"Elizabeth Eva","last_name":"Leach","domain_name":"oxford","page_name":"ElizabethEvaLeach","display_name":"Elizabeth Eva Leach","profile_url":"https://oxford.academia.edu/ElizabethEvaLeach?f_ri=22842","photo":"https://0.academia-photos.com/521483/183613/2554387/s65_elizabeth_eva.leach.jpg"}</script></span></span></li><li class="js-paper-rank-work_809600 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="809600"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 809600, container: ".js-paper-rank-work_809600", }); });</script></li><li class="js-percentile-work_809600 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 809600; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_809600"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_809600 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="809600"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 809600; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=809600]").text(description); $(".js-view-count-work_809600").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_809600").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="809600"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19642" href="https://www.academia.edu/Documents/in/Medieval_Music_Theory">Medieval Music Theory</a>, <script data-card-contents-for-ri="19642" type="text/json">{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31741" href="https://www.academia.edu/Documents/in/Guillaume_de_Machaut">Guillaume de Machaut</a><script data-card-contents-for-ri="31741" type="text/json">{"id":31741,"name":"Guillaume de Machaut","url":"https://www.academia.edu/Documents/in/Guillaume_de_Machaut?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=809600]'), work: {"id":809600,"title":"Interpretation and Counterpoint: The Case of Guillaume de Machaut's _De toutes flours_(B31)","created_at":"2011-08-06T20:43:38.561-07:00","url":"https://www.academia.edu/809600/Interpretation_and_Counterpoint_The_Case_of_Guillaume_de_Machauts_De_toutes_flours_B31_?f_ri=22842","dom_id":"work_809600","summary":null,"downloadable_attachments":[{"id":51230552,"asset_id":809600,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":521483,"first_name":"Elizabeth Eva","last_name":"Leach","domain_name":"oxford","page_name":"ElizabethEvaLeach","display_name":"Elizabeth Eva Leach","profile_url":"https://oxford.academia.edu/ElizabethEvaLeach?f_ri=22842","photo":"https://0.academia-photos.com/521483/183613/2554387/s65_elizabeth_eva.leach.jpg"}],"research_interests":[{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842","nofollow":false},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":31741,"name":"Guillaume de Machaut","url":"https://www.academia.edu/Documents/in/Guillaume_de_Machaut?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36811843" data-work_id="36811843" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36811843/Das_etwas_harte_Schliessen_Dissonanze_Kadenzbildungen_in_der_Ars_Nova">Das etwas harte Schliessen. Dissonanze Kadenzbildungen in der Ars Nova</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This essay examines instances of strikingly dissonant cadences in fourteenth-century French song. These dissonant clashes result not from a lack of dissonance “control” in medieval music, but rather from a deliberately employed musical... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36811843" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay examines instances of strikingly dissonant cadences in fourteenth-century French song. These dissonant clashes result not from a lack of dissonance “control” in medieval music, but rather from a deliberately employed musical figure that can be found especially in otherwise consonant settings. The history of this musical figure can be traced from the Ars nova across the age of prima prattica counterpoint and into the seconda prattica. At the core of this gesture is the progression from dissonances through imperfect consonances to perfect consonances. Thus, the rhetorical purpose of the dissonance is to intensify the final arrival at a perfect interval. Four case studies will track this figure in pieces by Machaut and his contemporaries. The case studies are augmented by reflections on various historiographic and methodological aspects: medieval three- and four-part counterpoint, strategies and theories of dissonance treatment in the fourteenth century, attempts at a Figurenlehre avant la lettre, and the song repertoire of Machaut’s contemporaries.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36811843" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3f3cb445689f74c8b4987b8f70b81ac0" rel="nofollow" data-download="{"attachment_id":56762186,"asset_id":36811843,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56762186/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1987898" href="https://hslu.academia.edu/FelixDiergarten">Felix Diergarten</a><script data-card-contents-for-user="1987898" type="text/json">{"id":1987898,"first_name":"Felix","last_name":"Diergarten","domain_name":"hslu","page_name":"FelixDiergarten","display_name":"Felix Diergarten","profile_url":"https://hslu.academia.edu/FelixDiergarten?f_ri=22842","photo":"https://0.academia-photos.com/1987898/4121969/4804265/s65_felix.diergarten.jpg"}</script></span></span></li><li class="js-paper-rank-work_36811843 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36811843"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36811843, container: ".js-paper-rank-work_36811843", }); });</script></li><li class="js-percentile-work_36811843 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36811843; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36811843"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36811843 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36811843"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36811843; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36811843]").text(description); $(".js-view-count-work_36811843").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36811843").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36811843"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16420" href="https://www.academia.edu/Documents/in/Medieval_Music">Medieval Music</a>, <script data-card-contents-for-ri="16420" type="text/json">{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19642" href="https://www.academia.edu/Documents/in/Medieval_Music_Theory">Medieval Music Theory</a>, <script data-card-contents-for-ri="19642" type="text/json">{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a><script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36811843]'), work: {"id":36811843,"title":"Das etwas harte Schliessen. Dissonanze Kadenzbildungen in der Ars Nova","created_at":"2018-06-09T07:10:17.232-07:00","url":"https://www.academia.edu/36811843/Das_etwas_harte_Schliessen_Dissonanze_Kadenzbildungen_in_der_Ars_Nova?f_ri=22842","dom_id":"work_36811843","summary":"This essay examines instances of strikingly dissonant cadences in fourteenth-century French song. These dissonant clashes result not from a lack of dissonance “control” in medieval music, but rather from a deliberately employed musical figure that can be found especially in otherwise consonant settings. The history of this musical figure can be traced from the Ars nova across the age of prima prattica counterpoint and into the seconda prattica. At the core of this gesture is the progression from dissonances through imperfect consonances to perfect consonances. Thus, the rhetorical purpose of the dissonance is to intensify the final arrival at a perfect interval. Four case studies will track this figure in pieces by Machaut and his contemporaries. The case studies are augmented by reflections on various historiographic and methodological aspects: medieval three- and four-part counterpoint, strategies and theories of dissonance treatment in the fourteenth century, attempts at a Figurenlehre avant la lettre, and the song repertoire of Machaut’s contemporaries.","downloadable_attachments":[{"id":56762186,"asset_id":36811843,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1987898,"first_name":"Felix","last_name":"Diergarten","domain_name":"hslu","page_name":"FelixDiergarten","display_name":"Felix Diergarten","profile_url":"https://hslu.academia.edu/FelixDiergarten?f_ri=22842","photo":"https://0.academia-photos.com/1987898/4121969/4804265/s65_felix.diergarten.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":16420,"name":"Medieval Music","url":"https://www.academia.edu/Documents/in/Medieval_Music?f_ri=22842","nofollow":false},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842","nofollow":false},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":31741,"name":"Guillaume de Machaut","url":"https://www.academia.edu/Documents/in/Guillaume_de_Machaut?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45653214" data-work_id="45653214" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45653214/Buttstett_Johann_Heinrich_1666_1727_Fugue_in_G_Minor_performance_edition_">Buttstett, Johann Heinrich (1666-1727): Fugue in G Minor (performance edition)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">For a live recording see: <a href="https://www.youtube.com/watch?v=6AWnLR2cd7Y" rel="nofollow">https://www.youtube.com/watch?v=6AWnLR2cd7Y</a> Johann Heinrich Buttstett (1666-1727) is an under-recognized composer of the late 17th and early 18th century. His works were influential on the oeuvre of Johann... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45653214" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For a live recording see: <a href="https://www.youtube.com/watch?v=6AWnLR2cd7Y" rel="nofollow">https://www.youtube.com/watch?v=6AWnLR2cd7Y</a><br /><br />Johann Heinrich Buttstett (1666-1727) is an under-recognized composer of the late 17th and early 18th century. His works were influential on the oeuvre of Johann Sebastian Bach, who transcribed a number of Buttstett's works into his own notebooks. Buttstett's fugal design is somewhat unique and idiomatic, often using rhythmically motoric themes with numerous repeated notes and fugal forms that have two distinct expositions.<br /><br />Here is a performance edition of his quirky fugue in g-minor. The performance edition is based on the registrations of and performance by Jordan Alexander Key.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45653214" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b544124320d5fa95ea35ec4dba670e90" rel="nofollow" data-download="{"attachment_id":66152292,"asset_id":45653214,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66152292/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_45653214 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45653214"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45653214, container: ".js-paper-rank-work_45653214", }); });</script></li><li class="js-percentile-work_45653214 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45653214; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45653214"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45653214 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45653214"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45653214; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45653214]").text(description); $(".js-view-count-work_45653214").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45653214").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45653214"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3796" href="https://www.academia.edu/Documents/in/Composition_Music_">Composition (Music)</a><script data-card-contents-for-ri="3796" type="text/json">{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45653214]'), work: {"id":45653214,"title":"Buttstett, Johann Heinrich (1666-1727): Fugue in G Minor (performance edition)","created_at":"2021-03-31T11:27:15.629-07:00","url":"https://www.academia.edu/45653214/Buttstett_Johann_Heinrich_1666_1727_Fugue_in_G_Minor_performance_edition_?f_ri=22842","dom_id":"work_45653214","summary":"For a live recording see: https://www.youtube.com/watch?v=6AWnLR2cd7Y\n\nJohann Heinrich Buttstett (1666-1727) is an under-recognized composer of the late 17th and early 18th century. His works were influential on the oeuvre of Johann Sebastian Bach, who transcribed a number of Buttstett's works into his own notebooks. Buttstett's fugal design is somewhat unique and idiomatic, often using rhythmically motoric themes with numerous repeated notes and fugal forms that have two distinct expositions.\n\nHere is a performance edition of his quirky fugue in g-minor. The performance edition is based on the registrations of and performance by Jordan Alexander Key.","downloadable_attachments":[{"id":66152292,"asset_id":45653214,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842","nofollow":false},{"id":14954,"name":"Baroque Music","url":"https://www.academia.edu/Documents/in/Baroque_Music?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17551,"name":"Organ (pipe)","url":"https://www.academia.edu/Documents/in/Organ_pipe_?f_ri=22842"},{"id":20815,"name":"German Baroque Music","url":"https://www.academia.edu/Documents/in/German_Baroque_Music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":24642,"name":"Historic Pipe Organ","url":"https://www.academia.edu/Documents/in/Historic_Pipe_Organ?f_ri=22842"},{"id":58612,"name":"Johann Sebastian Bach","url":"https://www.academia.edu/Documents/in/Johann_Sebastian_Bach?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":349243,"name":"Early Keyboard Music","url":"https://www.academia.edu/Documents/in/Early_Keyboard_Music?f_ri=22842"},{"id":390824,"name":"Keyboard Music","url":"https://www.academia.edu/Documents/in/Keyboard_Music?f_ri=22842"},{"id":496299,"name":"Fugue","url":"https://www.academia.edu/Documents/in/Fugue?f_ri=22842"},{"id":576990,"name":"Music Literature for the Pipe Organ","url":"https://www.academia.edu/Documents/in/Music_Literature_for_the_Pipe_Organ?f_ri=22842"},{"id":696848,"name":"Pipe Organ Music","url":"https://www.academia.edu/Documents/in/Pipe_Organ_Music?f_ri=22842"},{"id":897709,"name":"Musical perfromance","url":"https://www.academia.edu/Documents/in/Musical_perfromance?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33448945" data-work_id="33448945" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33448945/Alexander_Agricola_Gaudeamus_omnes_with_study_manuscript_comparison_Segovia_Catedral_Archivo_Musical_El_cancionero_de_la_Catedral_de_Segovia_fol_CCr_">Alexander Agricola: "Gaudeamus omnes" with study manuscript comparison (Segovia, Catedral, Archivo Musical, "El cancionero de la Catedral de Segovia", fol. CCr.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A study and critical edition of Agricola's two voiced polyphonic setting of "Gaudeamus omnes", Introit for the Feast of the Assumption. This is intended for teaching various 14th and 15th century mensuration signs and their modern... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33448945" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A study and critical edition of Agricola's two voiced polyphonic setting of "Gaudeamus omnes", Introit for the Feast of the Assumption. This is intended for teaching various 14th and 15th century mensuration signs and their modern translations and persisting problems. <br /><br />For two recordings and video-scores of the piece see the link below:<br /><br /><a href="https://www.youtube.com/watch?v=FZnRmQ-B2Zc" rel="nofollow">https://www.youtube.com/watch?v=FZnRmQ-B2Zc</a><br /><a href="https://www.youtube.com/watch?v=LxK8zd2hLEM" rel="nofollow">https://www.youtube.com/watch?v=LxK8zd2hLEM</a><br /><br />Only the incipit "Gaudeamus omnes in domino" appears with Agricola's music. The Introit text set to the chant cantus firmus used in this transcription is the text for the Introit for the Feast of the Assumption (also Gaudeamus omnes in domino).<br /><br />Furthermore, Agricola only set down as semibreves each of the first 38 notes of the "Gaudeamus omnes in domino" chant. This transcription, following the example of Edward Learner's edition, reconstructs the remaining tenor notes. This edition differs from Learner's in that it uses the Introit chant for Assumption from Cambrai, Bibliotheque Municipale [F-CA], MS B-12, fol. 49r-v (c. 1500), rather than a British version from the Sarum rite.<br /><br />______________________________<br /><br />Gaudeamus omnes in domino, <br />diem festum celebrantes sub honore Mariae Virginis: <br />de cujus assumptione gaudent angeli, <br />et collaudant filium dei.<br /><br />Let us all rejoice in the Lord <br />celebrating this day the feast in honor of the Virgin Mary,<br />in whose solemnity the angels rejoice, <br />and praising the Son of God.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33448945" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="337b970c98506c8b967e613463925e0f" rel="nofollow" data-download="{"attachment_id":58213354,"asset_id":33448945,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58213354/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_33448945 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33448945"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33448945, container: ".js-paper-rank-work_33448945", }); });</script></li><li class="js-percentile-work_33448945 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33448945; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33448945"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33448945 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33448945"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33448945; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33448945]").text(description); $(".js-view-count-work_33448945").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33448945").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33448945"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">85</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a><script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33448945]'), work: {"id":33448945,"title":"Alexander Agricola: \"Gaudeamus omnes\" with study manuscript comparison (Segovia, Catedral, Archivo Musical, \"El cancionero de la Catedral de Segovia\", fol. CCr.)","created_at":"2017-06-13T20:57:24.094-07:00","url":"https://www.academia.edu/33448945/Alexander_Agricola_Gaudeamus_omnes_with_study_manuscript_comparison_Segovia_Catedral_Archivo_Musical_El_cancionero_de_la_Catedral_de_Segovia_fol_CCr_?f_ri=22842","dom_id":"work_33448945","summary":"A study and critical edition of Agricola's two voiced polyphonic setting of \"Gaudeamus omnes\", Introit for the Feast of the Assumption. This is intended for teaching various 14th and 15th century mensuration signs and their modern translations and persisting problems. \n\nFor two recordings and video-scores of the piece see the link below:\n\nhttps://www.youtube.com/watch?v=FZnRmQ-B2Zc\nhttps://www.youtube.com/watch?v=LxK8zd2hLEM\n\nOnly the incipit \"Gaudeamus omnes in domino\" appears with Agricola's music. The Introit text set to the chant cantus firmus used in this transcription is the text for the Introit for the Feast of the Assumption (also Gaudeamus omnes in domino).\n\nFurthermore, Agricola only set down as semibreves each of the first 38 notes of the \"Gaudeamus omnes in domino\" chant. This transcription, following the example of Edward Learner's edition, reconstructs the remaining tenor notes. This edition differs from Learner's in that it uses the Introit chant for Assumption from Cambrai, Bibliotheque Municipale [F-CA], MS B-12, fol. 49r-v (c. 1500), rather than a British version from the Sarum rite.\n\n______________________________\n\nGaudeamus omnes in domino, \ndiem festum celebrantes sub honore Mariae Virginis: \nde cujus assumptione gaudent angeli, \net collaudant filium dei.\n\nLet us all rejoice in the Lord \ncelebrating this day the feast in honor of the Virgin Mary,\nin whose solemnity the angels rejoice, \nand praising the Son of God.","downloadable_attachments":[{"id":58213354,"asset_id":33448945,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":19947,"name":"Music Therapy","url":"https://www.academia.edu/Documents/in/Music_Therapy?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":49917,"name":"Dutch History","url":"https://www.academia.edu/Documents/in/Dutch_History?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":243299,"name":"Philip III le Bon of Burgundy","url":"https://www.academia.edu/Documents/in/Philip_III_le_Bon_of_Burgundy?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":350564,"name":"Mensural Music","url":"https://www.academia.edu/Documents/in/Mensural_Music?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":374317,"name":"Early Music Performance","url":"https://www.academia.edu/Documents/in/Early_Music_Performance?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":479066,"name":"Mensuration","url":"https://www.academia.edu/Documents/in/Mensuration?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":537738,"name":"Spanish Renaissance Music","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Music?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":545455,"name":"Georgian Polyphony","url":"https://www.academia.edu/Documents/in/Georgian_Polyphony?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":642934,"name":"Music Compostion","url":"https://www.academia.edu/Documents/in/Music_Compostion?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":784917,"name":"Iberian renaissance music","url":"https://www.academia.edu/Documents/in/Iberian_renaissance_music?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":862345,"name":"Mensuralism","url":"https://www.academia.edu/Documents/in/Mensuralism?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":928859,"name":"Mensuration Signs","url":"https://www.academia.edu/Documents/in/Mensuration_Signs?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1342722,"name":"White Mensural Notation","url":"https://www.academia.edu/Documents/in/White_Mensural_Notation?f_ri=22842"},{"id":1393910,"name":"Spanish Polyphony","url":"https://www.academia.edu/Documents/in/Spanish_Polyphony?f_ri=22842"},{"id":1432622,"name":"Dutch Musicology","url":"https://www.academia.edu/Documents/in/Dutch_Musicology?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19820400" data-work_id="19820400" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19820400/Some_Factors_in_the_Control_of_Consonance_and_Sonority_Successive_Composition_and_the_Solus_Tenor">Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19820400" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="543ec6afaa102a88ee0c844d66a94cc7" rel="nofollow" data-download="{"attachment_id":40862767,"asset_id":19820400,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40862767/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5702421" href="https://oxford.academia.edu/MBent">Margaret Bent</a><script data-card-contents-for-user="5702421" type="text/json">{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}</script></span></span></li><li class="js-paper-rank-work_19820400 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19820400"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19820400, container: ".js-paper-rank-work_19820400", }); });</script></li><li class="js-percentile-work_19820400 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19820400; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19820400"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19820400 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19820400"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19820400; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19820400]").text(description); $(".js-view-count-work_19820400").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19820400").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19820400"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="22842" href="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint">14th-16th Centuries Counterpoint</a>, <script data-card-contents-for-ri="22842" type="text/json">{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="432306" href="https://www.academia.edu/Documents/in/14th_15th_Century_Music">14th / 15th Century Music</a><script data-card-contents-for-ri="432306" type="text/json">{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19820400]'), work: {"id":19820400,"title":"Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor","created_at":"2015-12-24T13:59:51.995-08:00","url":"https://www.academia.edu/19820400/Some_Factors_in_the_Control_of_Consonance_and_Sonority_Successive_Composition_and_the_Solus_Tenor?f_ri=22842","dom_id":"work_19820400","summary":null,"downloadable_attachments":[{"id":40862767,"asset_id":19820400,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5702421,"first_name":"Margaret","last_name":"Bent","domain_name":"oxford","page_name":"MBent","display_name":"Margaret Bent","profile_url":"https://oxford.academia.edu/MBent?f_ri=22842","photo":"https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg"}],"research_interests":[{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842","nofollow":false},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27395799" data-work_id="27395799" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27395799/Rhetoric_Prolixity_and_Agricola_Alexander_Agricolas_Salve_Regina_I_as_a_Defense_of_Polystylism_During_the_Late_15th_Century">Rhetoric, Prolixity, and Agricola: Alexander Agricola's Salve Regina I as a Defense of Polystylism During the Late 15th Century</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Despite the frequently critiqued prolixity in much of his oeuvre, Alexander Agricola (1445/46-1506) crafted music comprehensible enough to elicit great praise from numerous contemporaries. What is then inherently praiseworthy in this... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27395799" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Despite the frequently critiqued prolixity in much of his oeuvre, Alexander Agricola (1445/46-1506) crafted music comprehensible enough to elicit great praise from numerous contemporaries. What is then inherently praiseworthy in this abstruse music? In his Salve Regina I, Agricola crafts a musical argument for his garrulity, the thesis of which aims to clarify and justify the virtue of his style. While Agricola employed cantus firmus conventions to provide formal scaffolding, he also imbues discursiveness with comprehensibility through rhetorical techniques, such as inflection of cadence, clearness of imitation, phraseology of text, and varied implementation of cantus firmus. Articulating the micro-structure of his music, these components are then couched in the discourse of the classical argument: an introduction, confirmation, and refutation of a thesis. In Agricola’s Salve Regina I, motet becomes a medium for the exhibition and logical justification of his musical thesis of abstract polystylism.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27395799" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="912c3b04595423c8349529bd810eeb43" rel="nofollow" data-download="{"attachment_id":47650272,"asset_id":27395799,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47650272/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_27395799 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27395799"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27395799, container: ".js-paper-rank-work_27395799", }); });</script></li><li class="js-percentile-work_27395799 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27395799; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_27395799"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_27395799 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="27395799"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27395799; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27395799]").text(description); $(".js-view-count-work_27395799").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27395799").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27395799"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">60</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="953" href="https://www.academia.edu/Documents/in/Rhetoric">Rhetoric</a><script data-card-contents-for-ri="953" type="text/json">{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27395799]'), work: {"id":27395799,"title":"Rhetoric, Prolixity, and Agricola: Alexander Agricola's Salve Regina I as a Defense of Polystylism During the Late 15th Century","created_at":"2016-07-30T10:01:20.032-07:00","url":"https://www.academia.edu/27395799/Rhetoric_Prolixity_and_Agricola_Alexander_Agricolas_Salve_Regina_I_as_a_Defense_of_Polystylism_During_the_Late_15th_Century?f_ri=22842","dom_id":"work_27395799","summary":"Despite the frequently critiqued prolixity in much of his oeuvre, Alexander Agricola (1445/46-1506) crafted music comprehensible enough to elicit great praise from numerous contemporaries. What is then inherently praiseworthy in this abstruse music? In his Salve Regina I, Agricola crafts a musical argument for his garrulity, the thesis of which aims to clarify and justify the virtue of his style. While Agricola employed cantus firmus conventions to provide formal scaffolding, he also imbues discursiveness with comprehensibility through rhetorical techniques, such as inflection of cadence, clearness of imitation, phraseology of text, and varied implementation of cantus firmus. Articulating the micro-structure of his music, these components are then couched in the discourse of the classical argument: an introduction, confirmation, and refutation of a thesis. In Agricola’s Salve Regina I, motet becomes a medium for the exhibition and logical justification of his musical thesis of abstract polystylism.","downloadable_attachments":[{"id":47650272,"asset_id":27395799,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric?f_ri=22842","nofollow":false},{"id":976,"name":"Composition and Rhetoric","url":"https://www.academia.edu/Documents/in/Composition_and_Rhetoric?f_ri=22842"},{"id":2041,"name":"Music and Language","url":"https://www.academia.edu/Documents/in/Music_and_Language?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":14869,"name":"Josquin des Prez","url":"https://www.academia.edu/Documents/in/Josquin_des_Prez?f_ri=22842"},{"id":14871,"name":"Johannes Ockeghem","url":"https://www.academia.edu/Documents/in/Johannes_Ockeghem?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":27723,"name":"Rhetoric in Music","url":"https://www.academia.edu/Documents/in/Rhetoric_in_Music?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":49129,"name":"15th Century France","url":"https://www.academia.edu/Documents/in/15th_Century_France?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":57321,"name":"Motet","url":"https://www.academia.edu/Documents/in/Motet?f_ri=22842"},{"id":58775,"name":"French Music","url":"https://www.academia.edu/Documents/in/French_Music?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":171224,"name":"Motets","url":"https://www.academia.edu/Documents/in/Motets?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":446980,"name":"Rhetoric and Music","url":"https://www.academia.edu/Documents/in/Rhetoric_and_Music?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":705895,"name":"Music and Rhetoric","url":"https://www.academia.edu/Documents/in/Music_and_Rhetoric?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":904434,"name":"Renaissance and Baroque Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music_Theory?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1034520,"name":"Renaissance Motet","url":"https://www.academia.edu/Documents/in/Renaissance_Motet?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1314083,"name":"Musical Rhetoric","url":"https://www.academia.edu/Documents/in/Musical_Rhetoric?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35463109" data-work_id="35463109" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35463109/Alexander_Agricola_Office_Hymn_Ave_maris_stella_Source_Source_Berlin_Deutsche_Staatsbibliothek_MS_40021_fol_99v_100r_A_A_">Alexander Agricola: Office Hymn, "Ave maris stella" (Source: Source: Berlin, Deutsche Staatsbibliothek MS 40021, fol. 99v - 100r, "A. A.")</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A transcription of Alexander Agricola's office hymn to the Virgin Mary, "Ave maris stella." Note the canonic inner tenor voices. This is one of Agricola's unicum. For a recording and score video see the link below:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35463109" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A transcription of Alexander Agricola's office hymn to the Virgin Mary, "Ave maris stella." Note the canonic inner tenor voices. This is one of Agricola's unicum.<br /><br />For a recording and score video see the link below:<br /><a href="https://www.youtube.com/watch?v=9hE0rMPcBvo" rel="nofollow">https://www.youtube.com/watch?v=9hE0rMPcBvo</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35463109" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="26e91cbdacfa3cda450e973f4a5b3413" rel="nofollow" data-download="{"attachment_id":62678075,"asset_id":35463109,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62678075/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_35463109 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35463109"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35463109, container: ".js-paper-rank-work_35463109", }); });</script></li><li class="js-percentile-work_35463109 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35463109; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35463109"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35463109 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35463109"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35463109; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35463109]").text(description); $(".js-view-count-work_35463109").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35463109").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35463109"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">81</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35463109]'), work: {"id":35463109,"title":"Alexander Agricola: Office Hymn, \"Ave maris stella\" (Source: Source: Berlin, Deutsche Staatsbibliothek MS 40021, fol. 99v - 100r, \"A. A.\")","created_at":"2017-12-18T17:20:24.145-08:00","url":"https://www.academia.edu/35463109/Alexander_Agricola_Office_Hymn_Ave_maris_stella_Source_Source_Berlin_Deutsche_Staatsbibliothek_MS_40021_fol_99v_100r_A_A_?f_ri=22842","dom_id":"work_35463109","summary":"A transcription of Alexander Agricola's office hymn to the Virgin Mary, \"Ave maris stella.\" Note the canonic inner tenor voices. This is one of Agricola's unicum.\n\nFor a recording and score video see the link below:\nhttps://www.youtube.com/watch?v=9hE0rMPcBvo","downloadable_attachments":[{"id":62678075,"asset_id":35463109,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":16850,"name":"History of music theory (Music)","url":"https://www.academia.edu/Documents/in/History_of_music_theory_Music_?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":19642,"name":"Medieval Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_Music_Theory?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35304,"name":"15th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/15th_Century_Netherlandish_Art?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":71582,"name":"Valois Burgundy","url":"https://www.academia.edu/Documents/in/Valois_Burgundy?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165039,"name":"Musical Rhythm Theory","url":"https://www.academia.edu/Documents/in/Musical_Rhythm_Theory?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":173189,"name":"15th Century Music","url":"https://www.academia.edu/Documents/in/15th_Century_Music?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":243299,"name":"Philip III le Bon of Burgundy","url":"https://www.academia.edu/Documents/in/Philip_III_le_Bon_of_Burgundy?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":314378,"name":"Marian devotion","url":"https://www.academia.edu/Documents/in/Marian_devotion?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":410582,"name":"Medieval Polyphony","url":"https://www.academia.edu/Documents/in/Medieval_Polyphony?f_ri=22842"},{"id":426130,"name":"Culture at the court of Valois Burgundy","url":"https://www.academia.edu/Documents/in/Culture_at_the_court_of_Valois_Burgundy?f_ri=22842"},{"id":432306,"name":"14th / 15th Century Music","url":"https://www.academia.edu/Documents/in/14th_15th_Century_Music?f_ri=22842"},{"id":455647,"name":"Early music and historically informed performance practice","url":"https://www.academia.edu/Documents/in/Early_music_and_historically_informed_performance_practice?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":538872,"name":"Marian Devotions","url":"https://www.academia.edu/Documents/in/Marian_Devotions?f_ri=22842"},{"id":540530,"name":"Valois dukes of Burgundy","url":"https://www.academia.edu/Documents/in/Valois_dukes_of_Burgundy?f_ri=22842"},{"id":555346,"name":"Composition history","url":"https://www.academia.edu/Documents/in/Composition_history?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":667764,"name":"Theory of Music","url":"https://www.academia.edu/Documents/in/Theory_of_Music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":863256,"name":"Belgian Music","url":"https://www.academia.edu/Documents/in/Belgian_Music?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1147318,"name":"Music Composition/Theory","url":"https://www.academia.edu/Documents/in/Music_Composition_Theory?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1243501,"name":"Marian Antiphon","url":"https://www.academia.edu/Documents/in/Marian_Antiphon?f_ri=22842"},{"id":1260406,"name":"Belgian Musicians","url":"https://www.academia.edu/Documents/in/Belgian_Musicians?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1393779,"name":"Music In 15th Century","url":"https://www.academia.edu/Documents/in/Music_In_15th_Century?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1465811,"name":"15th-century Music","url":"https://www.academia.edu/Documents/in/15th-century_Music?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2011810,"name":"Medieval Counterpoint","url":"https://www.academia.edu/Documents/in/Medieval_Counterpoint?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35434958" data-work_id="35434958" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35434958/Estudiando_m%C3%BAsica_en_la_Espa%C3%B1a_bajomedieval_el_Ms_2044_de_la_Universidad_de_Barcelona_Studying_music_in_Late_Medieval_Spain_The_Ms_2044_from_the_University_of_Barcelona_">Estudiando música en la España bajomedieval: el Ms 2044 de la Universidad de Barcelona (Studying music in Late Medieval Spain: The Ms. 2044 from the University of Barcelona)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Con este trabajo estudiamos el manuscrito 2044 conservado en la Biblioteca de Reserva de la Universitat de Barcelona, datado a principios del siglo XVI, una colección miscelánea de nociones de teoría musical, ejemplo de lo que se conoce... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35434958" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Con este trabajo estudiamos el manuscrito 2044 conservado en la Biblioteca de Reserva de la Universitat de Barcelona, datado a principios del siglo XVI, una colección miscelánea de nociones de teoría musical, ejemplo de lo que se conoce como “apuntes de estudiante de música”. Gracias a este tipo de documentos es posible profundizar en el conocimiento de los contextos de aprendizaje musical a fines de la Edad Media, la transmisión de la teoría musical y la teoría de la práctica, y el papel de la imprenta en este proceso que enriqueció y a la vez unificó las prácticas musicales hispanas en tiempos de los Reyes Católicos. <br /> <br />We discuss the Ms. 2044 preserved in the Biblioteca de Reserva of the University of Barcelona, from the beginning of the sixteenth century, a miscellany of notions of musical theory, and an example of what is known as "student notebook". Thanks to this type of documents it is possible to deepen the knowledge of the contexts of musical learning in the late Middle Ages, the transmission of musical theory and the theory of practice, and the role of the musical press in this process that enriched and unified Hispanic musical prac-tices in the time of the Catholic Monarchs. <br /><a href="http://www.epccm.es/index.php?journal=epccm&page=article&op=view&path%5B%5D=427" rel="nofollow">http://www.epccm.es/index.php?journal=epccm&page=article&op=view&path%5B%5D=427</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35434958" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="09383a1772caaf2d60a6096f70ea491f" rel="nofollow" data-download="{"attachment_id":55296207,"asset_id":35434958,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55296207/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4529878" href="https://independent.academia.edu/SantiagoGal%C3%A1n">Santiago Galán</a><script data-card-contents-for-user="4529878" type="text/json">{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}</script></span></span></li><li class="js-paper-rank-work_35434958 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35434958"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35434958, container: ".js-paper-rank-work_35434958", }); });</script></li><li class="js-percentile-work_35434958 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35434958; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35434958"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35434958 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35434958"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35434958; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35434958]").text(description); $(".js-view-count-work_35434958").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35434958").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35434958"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">28</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="681" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a>, <script data-card-contents-for-ri="681" type="text/json">{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35434958]'), work: {"id":35434958,"title":"Estudiando música en la España bajomedieval: el Ms 2044 de la Universidad de Barcelona (Studying music in Late Medieval Spain: The Ms. 2044 from the University of Barcelona)","created_at":"2017-12-15T00:58:41.527-08:00","url":"https://www.academia.edu/35434958/Estudiando_m%C3%BAsica_en_la_Espa%C3%B1a_bajomedieval_el_Ms_2044_de_la_Universidad_de_Barcelona_Studying_music_in_Late_Medieval_Spain_The_Ms_2044_from_the_University_of_Barcelona_?f_ri=22842","dom_id":"work_35434958","summary":"Con este trabajo estudiamos el manuscrito 2044 conservado en la Biblioteca de Reserva de la Universitat de Barcelona, datado a principios del siglo XVI, una colección miscelánea de nociones de teoría musical, ejemplo de lo que se conoce como “apuntes de estudiante de música”. Gracias a este tipo de documentos es posible profundizar en el conocimiento de los contextos de aprendizaje musical a fines de la Edad Media, la transmisión de la teoría musical y la teoría de la práctica, y el papel de la imprenta en este proceso que enriqueció y a la vez unificó las prácticas musicales hispanas en tiempos de los Reyes Católicos.\r\n\r\nWe discuss the Ms. 2044 preserved in the Biblioteca de Reserva of the University of Barcelona, from the beginning of the sixteenth century, a miscellany of notions of musical theory, and an example of what is known as \"student notebook\". Thanks to this type of documents it is possible to deepen the knowledge of the contexts of musical learning in the late Middle Ages, the transmission of musical theory and the theory of practice, and the role of the musical press in this process that enriched and unified Hispanic musical prac-tices in the time of the Catholic Monarchs.\r\nhttp://www.epccm.es/index.php?journal=epccm\u0026page=article\u0026op=view\u0026path%5B%5D=427\r\n","downloadable_attachments":[{"id":55296207,"asset_id":35434958,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}],"research_interests":[{"id":681,"name":"Early Music","url":"https://www.academia.edu/Documents/in/Early_Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":1446,"name":"Medieval History","url":"https://www.academia.edu/Documents/in/Medieval_History?f_ri=22842"},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=22842"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":22386,"name":"Medieval Art","url":"https://www.academia.edu/Documents/in/Medieval_Art?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":26892,"name":"Codicology of medieval manuscripts","url":"https://www.academia.edu/Documents/in/Codicology_of_medieval_manuscripts?f_ri=22842"},{"id":40517,"name":"Barcelona","url":"https://www.academia.edu/Documents/in/Barcelona?f_ri=22842"},{"id":59652,"name":"Humanismo","url":"https://www.academia.edu/Documents/in/Humanismo?f_ri=22842"},{"id":98175,"name":"Minstrelsy Studies","url":"https://www.academia.edu/Documents/in/Minstrelsy_Studies?f_ri=22842"},{"id":108906,"name":"Historia Medieval","url":"https://www.academia.edu/Documents/in/Historia_Medieval?f_ri=22842"},{"id":113424,"name":"Educação Musical","url":"https://www.academia.edu/Documents/in/Educa%C3%A7%C3%A3o_Musical?f_ri=22842"},{"id":135396,"name":"Renacimiento","url":"https://www.academia.edu/Documents/in/Renacimiento?f_ri=22842"},{"id":139702,"name":"Edad Media","url":"https://www.academia.edu/Documents/in/Edad_Media?f_ri=22842"},{"id":215315,"name":"Catholic Monarchs of Spain 15th Century","url":"https://www.academia.edu/Documents/in/Catholic_Monarchs_of_Spain_15th_Century?f_ri=22842"},{"id":323719,"name":"Teoría Musical Del Renacimiento","url":"https://www.academia.edu/Documents/in/Teoria_Musical_Del_Renacimiento?f_ri=22842"},{"id":348689,"name":"Arte Del Renacimiento","url":"https://www.academia.edu/Documents/in/Arte_Del_Renacimiento?f_ri=22842"},{"id":630696,"name":"Humanismo y Renacimiento","url":"https://www.academia.edu/Documents/in/Humanismo_y_Renacimiento?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":1225248,"name":"Reyes Catolicos Fernando E Isabel","url":"https://www.academia.edu/Documents/in/Reyes_Catolicos_Fernando_E_Isabel?f_ri=22842"},{"id":1331635,"name":"Pedagogía en el Renacimiento","url":"https://www.academia.edu/Documents/in/Pedagogia_en_el_Renacimiento?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33529075" data-work_id="33529075" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33529075/Alexander_Agricola_Missa_In_Myne_Zin_Agnus_Dei_open_scoring_edition_Brussels_Bibliotheque_royale_MS_9126_fol_96v_115r_">Alexander Agricola: Missa "In Myne Zin", Agnus Dei, open scoring edition (Brussels, Bibliotheque royale, MS 9126 fol. 96v-115r)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">An open-score transcription of Alexander Agricola's "Agnus Dei" from his Missa Myne Zin. For a recording and video of the score, see the link below.<br /><br /><a href="https://www.youtube.com/watch?v=lsOzoKzIpIQ" rel="nofollow">https://www.youtube.com/watch?v=lsOzoKzIpIQ</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33529075" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ff5ee3cff76be52628628450f02eaf4c" rel="nofollow" data-download="{"attachment_id":53562319,"asset_id":33529075,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53562319/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_33529075 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33529075"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33529075, container: ".js-paper-rank-work_33529075", }); });</script></li><li class="js-percentile-work_33529075 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33529075; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33529075"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33529075 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33529075"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33529075; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33529075]").text(description); $(".js-view-count-work_33529075").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33529075").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33529075"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">68</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="683" href="https://www.academia.edu/Documents/in/Music_Education">Music Education</a>, <script data-card-contents-for-ri="683" type="text/json">{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a><script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33529075]'), work: {"id":33529075,"title":"Alexander Agricola: Missa \"In Myne Zin\", Agnus Dei, open scoring edition (Brussels, Bibliotheque royale, MS 9126 fol. 96v-115r)","created_at":"2017-06-17T17:10:39.820-07:00","url":"https://www.academia.edu/33529075/Alexander_Agricola_Missa_In_Myne_Zin_Agnus_Dei_open_scoring_edition_Brussels_Bibliotheque_royale_MS_9126_fol_96v_115r_?f_ri=22842","dom_id":"work_33529075","summary":"An open-score transcription of Alexander Agricola's \"Agnus Dei\" from his Missa Myne Zin. For a recording and video of the score, see the link below.\n\nhttps://www.youtube.com/watch?v=lsOzoKzIpIQ","downloadable_attachments":[{"id":53562319,"asset_id":33529075,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=22842","nofollow":false},{"id":683,"name":"Music Education","url":"https://www.academia.edu/Documents/in/Music_Education?f_ri=22842","nofollow":false},{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":8908,"name":"History of The Netherlands","url":"https://www.academia.edu/Documents/in/History_of_The_Netherlands?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":13052,"name":"History of Popular Music","url":"https://www.academia.edu/Documents/in/History_of_Popular_Music?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":23808,"name":"Christian liturgical music","url":"https://www.academia.edu/Documents/in/Christian_liturgical_music?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28612,"name":"Sacred Music","url":"https://www.academia.edu/Documents/in/Sacred_Music?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":30875,"name":"History of the Spanish-Habsburg Netherlands","url":"https://www.academia.edu/Documents/in/History_of_the_Spanish-Habsburg_Netherlands?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35304,"name":"15th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/15th_Century_Netherlandish_Art?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":58850,"name":"Historical Musicology","url":"https://www.academia.edu/Documents/in/Historical_Musicology?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":157892,"name":"Netherlands","url":"https://www.academia.edu/Documents/in/Netherlands?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":175289,"name":"Sacred Music of Renaissance Spain","url":"https://www.academia.edu/Documents/in/Sacred_Music_of_Renaissance_Spain?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":255267,"name":"Liturgical Music","url":"https://www.academia.edu/Documents/in/Liturgical_Music?f_ri=22842"},{"id":256220,"name":"16th Century Sacred Music","url":"https://www.academia.edu/Documents/in/16th_Century_Sacred_Music?f_ri=22842"},{"id":270908,"name":"Liturgy, Sacred Music","url":"https://www.academia.edu/Documents/in/Liturgy_Sacred_Music?f_ri=22842"},{"id":279462,"name":"15th Century","url":"https://www.academia.edu/Documents/in/15th_Century?f_ri=22842"},{"id":284992,"name":"Agricola","url":"https://www.academia.edu/Documents/in/Agricola?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":579323,"name":"Medieval liturgical music","url":"https://www.academia.edu/Documents/in/Medieval_liturgical_music?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":713834,"name":"Roman Catholic Church - Liturgical Music","url":"https://www.academia.edu/Documents/in/Roman_Catholic_Church_-_Liturgical_Music?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1121607,"name":"Liturgical Musicology","url":"https://www.academia.edu/Documents/in/Liturgical_Musicology?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1470755,"name":"Species Counterpoint","url":"https://www.academia.edu/Documents/in/Species_Counterpoint?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31933938" data-work_id="31933938" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31933938/Alexander_Agricola_Salve_Regina_II_Berlin_Deutsche_Staatsbibliothek_MS_40021_fol_218r_221r_Allex_pdf">Alexander Agricola: "Salve Regina II" (Berlin, Deutsche Staatsbibliothek, MS 40021 fol. 218r-221r. “Allex”).pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This motet is the second "Salve Regina" motet composed by Alexander Agricola. For a recording and score-video of Salve Regina II see here: <a href="https://www.youtube.com/watch?v=yoQLA3BXvQs" rel="nofollow">https://www.youtube.com/watch?v=yoQLA3BXvQs</a> For a transcription of his first Salve Regina see... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31933938" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This motet is the second "Salve Regina" motet composed by Alexander Agricola. <br />For a recording and score-video of Salve Regina II see here:<br /><a href="https://www.youtube.com/watch?v=yoQLA3BXvQs" rel="nofollow">https://www.youtube.com/watch?v=yoQLA3BXvQs</a><br /><br />For a transcription of his first Salve Regina see here: <br /><a href="https://www.academia.edu/21795600/Alexander_Agricola_Salve_Regina_I_Brussels_Bibliotheque_Royale_MS_9126_fol._138v-143r_" rel="nofollow">https://www.academia.edu/21795600/Alexander_Agricola_Salve_Regina_I_Brussels_Bibliotheque_Royale_MS_9126_fol._138v-143r_</a><br />For a recording and score-video of Salve Regina I see here:<br /><a href="https://www.youtube.com/watch?v=Q3B-j3fUbqc" rel="nofollow">https://www.youtube.com/watch?v=Q3B-j3fUbqc</a><br /><br />"Salve Regina II" is not only based off the classical "Salve Regina" (solemn tone) chant. The tenor of this piece is derived from Walter Frye's (d. 1474?) Marian motet, "Ave Regina". <br /><br />For information and a video-score on Frye's motet see the link here:<br /><a href="https://www.youtube.com/watch?v=BH43f-yd9oA" rel="nofollow">https://www.youtube.com/watch?v=BH43f-yd9oA</a><br />For a transcription see here:<br /><a href="https://www.academia.edu/31933857/Walter_Frye_-_Ave_Regina_tenor_for_Agricola_Salve_Regina_II_-_Full_Score.pdf" rel="nofollow">https://www.academia.edu/31933857/Walter_Frye_-_Ave_Regina_tenor_for_Agricola_Salve_Regina_II_-_Full_Score.pdf</a><br /><br />________________________<br /><br /><br />Ave Regina (Latin text):<br /><br />Ave Regina coelorum mater Regis angelorum.<br />O Maria flos virginum velut rosa, velut lilium.<br />Funde preces ad filium pro salute fidelium. <br />O Maria flos virginum velut rosa, velut lilium.<br /><br /><br />Hail Queen (English translation):<br /><br />Hail, Queen of heaven, Mother of the King of angels.<br />O Mary, flower of virgins, like the rose, like the lily.<br />Pour out prayers to the Son for the salvation of the faithful.<br />O Mary, flower of virgins, like the rose, like the lily.<br /><br />________________________<br /><br /><br />Salve Regina (Latin text):<br /><br />Salve, Regina, Mater misericordiæ,<br />vita, dulcedo, et spes nostra, salve.<br />Ad te clamamus exsules filii Hevæ,<br />Ad te suspiramus, gementes et flentes<br />in hac lacrimarum valle.<br />Eia, ergo, advocata nostra, illos tuos<br />misericordes oculos ad nos converte;<br />Et Jesum, benedictum fructum ventris tui,<br />nobis post hoc exsilium ostende.<br />O clemens, O pia, O dulcis Virgo Maria.<br /><br /><br />Hail, holy Queen (English translation):<br /><br />Hail, holy Queen, Mother of Mercy,<br />Our life, our sweetness and our hope.<br />To you do we cry,<br />Poor banished children of Eve;<br />To you do we send up our sighs,<br />Mourning and weeping in this valley of tears.<br />Turn then, most gracious advocate,<br />Your eyes of mercy toward us;<br />And after this our exile,<br />Show us the blessed fruit of your womb, Jesus.<br />O clement, O loving,<br />O sweet Virgin Mary.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31933938" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0c8c0eeb0000dd36191394903e3ab852" rel="nofollow" data-download="{"attachment_id":54490343,"asset_id":31933938,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54490343/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6283566" href="https://florida.academia.edu/JordanAlexanderKey">Jordan Alexander Key</a><script data-card-contents-for-user="6283566" type="text/json">{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}</script></span></span></li><li class="js-paper-rank-work_31933938 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31933938"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31933938, container: ".js-paper-rank-work_31933938", }); });</script></li><li class="js-percentile-work_31933938 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31933938; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31933938"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31933938 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31933938"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31933938; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31933938]").text(description); $(".js-view-count-work_31933938").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31933938").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31933938"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">78</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="685" href="https://www.academia.edu/Documents/in/Music_History">Music History</a>, <script data-card-contents-for-ri="685" type="text/json">{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3027" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a><script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31933938]'), work: {"id":31933938,"title":"Alexander Agricola: \"Salve Regina II\" (Berlin, Deutsche Staatsbibliothek, MS 40021 fol. 218r-221r. “Allex”).pdf","created_at":"2017-03-19T12:42:08.521-07:00","url":"https://www.academia.edu/31933938/Alexander_Agricola_Salve_Regina_II_Berlin_Deutsche_Staatsbibliothek_MS_40021_fol_218r_221r_Allex_pdf?f_ri=22842","dom_id":"work_31933938","summary":"This motet is the second \"Salve Regina\" motet composed by Alexander Agricola. \nFor a recording and score-video of Salve Regina II see here:\nhttps://www.youtube.com/watch?v=yoQLA3BXvQs\n\nFor a transcription of his first Salve Regina see here: \nhttps://www.academia.edu/21795600/Alexander_Agricola_Salve_Regina_I_Brussels_Bibliotheque_Royale_MS_9126_fol._138v-143r_\nFor a recording and score-video of Salve Regina I see here:\nhttps://www.youtube.com/watch?v=Q3B-j3fUbqc\n\n\"Salve Regina II\" is not only based off the classical \"Salve Regina\" (solemn tone) chant. The tenor of this piece is derived from Walter Frye's (d. 1474?) Marian motet, \"Ave Regina\". \n\nFor information and a video-score on Frye's motet see the link here:\nhttps://www.youtube.com/watch?v=BH43f-yd9oA\nFor a transcription see here:\nhttps://www.academia.edu/31933857/Walter_Frye_-_Ave_Regina_tenor_for_Agricola_Salve_Regina_II_-_Full_Score.pdf\n\n________________________\n\n\nAve Regina (Latin text):\n\nAve Regina coelorum mater Regis angelorum.\nO Maria flos virginum velut rosa, velut lilium.\nFunde preces ad filium pro salute fidelium. \nO Maria flos virginum velut rosa, velut lilium.\n\n\nHail Queen (English translation):\n\nHail, Queen of heaven, Mother of the King of angels.\nO Mary, flower of virgins, like the rose, like the lily.\nPour out prayers to the Son for the salvation of the faithful.\nO Mary, flower of virgins, like the rose, like the lily.\n\n________________________\n\n\nSalve Regina (Latin text):\n\nSalve, Regina, Mater misericordiæ,\nvita, dulcedo, et spes nostra, salve.\nAd te clamamus exsules filii Hevæ,\nAd te suspiramus, gementes et flentes\nin hac lacrimarum valle.\nEia, ergo, advocata nostra, illos tuos\nmisericordes oculos ad nos converte;\nEt Jesum, benedictum fructum ventris tui,\nnobis post hoc exsilium ostende.\nO clemens, O pia, O dulcis Virgo Maria.\n\n\nHail, holy Queen (English translation):\n\nHail, holy Queen, Mother of Mercy,\nOur life, our sweetness and our hope.\nTo you do we cry,\nPoor banished children of Eve;\nTo you do we send up our sighs,\nMourning and weeping in this valley of tears.\nTurn then, most gracious advocate,\nYour eyes of mercy toward us;\nAnd after this our exile,\nShow us the blessed fruit of your womb, Jesus.\nO clement, O loving,\nO sweet Virgin Mary.","downloadable_attachments":[{"id":54490343,"asset_id":31933938,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6283566,"first_name":"Jordan Alexander","last_name":"Key","domain_name":"florida","page_name":"JordanAlexanderKey","display_name":"Jordan Alexander Key","profile_url":"https://florida.academia.edu/JordanAlexanderKey?f_ri=22842","photo":"https://0.academia-photos.com/6283566/2960433/67736632/s65_jordan_alexander.key.jpg"}],"research_interests":[{"id":685,"name":"Music History","url":"https://www.academia.edu/Documents/in/Music_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=22842"},{"id":3796,"name":"Composition (Music)","url":"https://www.academia.edu/Documents/in/Composition_Music_?f_ri=22842"},{"id":5148,"name":"The Low Countries","url":"https://www.academia.edu/Documents/in/The_Low_Countries?f_ri=22842"},{"id":8325,"name":"History of Musical Composition","url":"https://www.academia.edu/Documents/in/History_of_Musical_Composition?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":13281,"name":"Medieval Low Countries","url":"https://www.academia.edu/Documents/in/Medieval_Low_Countries?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17479,"name":"Music Composition","url":"https://www.academia.edu/Documents/in/Music_Composition?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":19425,"name":"Polyphony","url":"https://www.academia.edu/Documents/in/Polyphony?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":22845,"name":"Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Theory?f_ri=22842"},{"id":24365,"name":"History of Musicology","url":"https://www.academia.edu/Documents/in/History_of_Musicology?f_ri=22842"},{"id":25068,"name":"Critical Musicology","url":"https://www.academia.edu/Documents/in/Critical_Musicology?f_ri=22842"},{"id":28879,"name":"Music analysis","url":"https://www.academia.edu/Documents/in/Music_analysis?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":32861,"name":"Renaissance Music (Music)","url":"https://www.academia.edu/Documents/in/Renaissance_Music_Music_?f_ri=22842"},{"id":35456,"name":"15th Century Burgundy","url":"https://www.academia.edu/Documents/in/15th_Century_Burgundy?f_ri=22842"},{"id":53275,"name":"Vocal Polyphony","url":"https://www.academia.edu/Documents/in/Vocal_Polyphony?f_ri=22842"},{"id":67681,"name":"Burgundian history","url":"https://www.academia.edu/Documents/in/Burgundian_history?f_ri=22842"},{"id":67682,"name":"Burgundian Low Countries","url":"https://www.academia.edu/Documents/in/Burgundian_Low_Countries?f_ri=22842"},{"id":78679,"name":"Music Theory and Music Analysis","url":"https://www.academia.edu/Documents/in/Music_Theory_and_Music_Analysis?f_ri=22842"},{"id":98038,"name":"reign of Philip the Fair","url":"https://www.academia.edu/Documents/in/reign_of_Philip_the_Fair?f_ri=22842"},{"id":125933,"name":"History of the Low Countries","url":"https://www.academia.edu/Documents/in/History_of_the_Low_Countries?f_ri=22842"},{"id":127008,"name":"Burgundian Netherlands","url":"https://www.academia.edu/Documents/in/Burgundian_Netherlands?f_ri=22842"},{"id":135098,"name":"15th-c. Burgundian historiography","url":"https://www.academia.edu/Documents/in/15th-c._Burgundian_historiography?f_ri=22842"},{"id":137885,"name":"Philip the Fair","url":"https://www.academia.edu/Documents/in/Philip_the_Fair?f_ri=22842"},{"id":139040,"name":"Medieval, Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Medieval_Renaissance_and_Baroque_Music?f_ri=22842"},{"id":141529,"name":"Burgundian Court","url":"https://www.academia.edu/Documents/in/Burgundian_Court?f_ri=22842"},{"id":141774,"name":"Music transcription","url":"https://www.academia.edu/Documents/in/Music_transcription?f_ri=22842"},{"id":165916,"name":"16th-Century Polyphony","url":"https://www.academia.edu/Documents/in/16th-Century_Polyphony?f_ri=22842"},{"id":170697,"name":"Musical Analysis","url":"https://www.academia.edu/Documents/in/Musical_Analysis?f_ri=22842"},{"id":180515,"name":"Counterpoint","url":"https://www.academia.edu/Documents/in/Counterpoint?f_ri=22842"},{"id":198632,"name":"The history of the Low Countries in the fourteenth and fifteenth centuries","url":"https://www.academia.edu/Documents/in/The_history_of_the_Low_Countries_in_the_fourteenth_and_fifteenth_centuries?f_ri=22842"},{"id":236426,"name":"dukes of Burgundy","url":"https://www.academia.edu/Documents/in/dukes_of_Burgundy?f_ri=22842"},{"id":265809,"name":"Burgundy and England 1400-1500","url":"https://www.academia.edu/Documents/in/Burgundy_and_England_1400-1500?f_ri=22842"},{"id":332530,"name":"Burgundy","url":"https://www.academia.edu/Documents/in/Burgundy?f_ri=22842"},{"id":358901,"name":"Early Polyphony","url":"https://www.academia.edu/Documents/in/Early_Polyphony?f_ri=22842"},{"id":377157,"name":"Bruges","url":"https://www.academia.edu/Documents/in/Bruges?f_ri=22842"},{"id":418231,"name":"Musical Composition, arranging","url":"https://www.academia.edu/Documents/in/Musical_Composition_arranging?f_ri=22842"},{"id":486390,"name":"French and Burgundian Court Art","url":"https://www.academia.edu/Documents/in/French_and_Burgundian_Court_Art?f_ri=22842"},{"id":530244,"name":"Music Composition and Performance","url":"https://www.academia.edu/Documents/in/Music_Composition_and_Performance?f_ri=22842"},{"id":537703,"name":"Court of Burgundy","url":"https://www.academia.edu/Documents/in/Court_of_Burgundy?f_ri=22842"},{"id":545455,"name":"Georgian Polyphony","url":"https://www.academia.edu/Documents/in/Georgian_Polyphony?f_ri=22842"},{"id":614341,"name":"Late medieval and Renaissance music","url":"https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music?f_ri=22842"},{"id":674152,"name":"Hapsburg Netherlands","url":"https://www.academia.edu/Documents/in/Hapsburg_Netherlands?f_ri=22842"},{"id":733866,"name":"Ghent-Bruges School","url":"https://www.academia.edu/Documents/in/Ghent-Bruges_School?f_ri=22842"},{"id":740891,"name":"Harmony and Counterpoint","url":"https://www.academia.edu/Documents/in/Harmony_and_Counterpoint?f_ri=22842"},{"id":842169,"name":"Ghent","url":"https://www.academia.edu/Documents/in/Ghent?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":856036,"name":"Gregorian Chant and Renaissance Polyphony","url":"https://www.academia.edu/Documents/in/Gregorian_Chant_and_Renaissance_Polyphony?f_ri=22842"},{"id":888055,"name":"Liturgical Polyphony","url":"https://www.academia.edu/Documents/in/Liturgical_Polyphony?f_ri=22842"},{"id":924614,"name":"Classical Musical Composition","url":"https://www.academia.edu/Documents/in/Classical_Musical_Composition?f_ri=22842"},{"id":966731,"name":"Renaissance and Baroque Music","url":"https://www.academia.edu/Documents/in/Renaissance_and_Baroque_Music?f_ri=22842"},{"id":975188,"name":"Musical Transcription \u0026 Analysis","url":"https://www.academia.edu/Documents/in/Musical_Transcription_and_Analysis?f_ri=22842"},{"id":1000234,"name":"Scribes and Musicians at 16th Century Burgundian Habsburg Courts","url":"https://www.academia.edu/Documents/in/Scribes_and_Musicians_at_16th_Century_Burgundian_Habsburg_Courts?f_ri=22842"},{"id":1188138,"name":"Burgundian Court Culture","url":"https://www.academia.edu/Documents/in/Burgundian_Court_Culture?f_ri=22842"},{"id":1200345,"name":"Alexander Agricola","url":"https://www.academia.edu/Documents/in/Alexander_Agricola?f_ri=22842"},{"id":1277205,"name":"Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Flemish_Polyphony?f_ri=22842"},{"id":1313089,"name":"Burgundians","url":"https://www.academia.edu/Documents/in/Burgundians?f_ri=22842"},{"id":1364135,"name":"Medieval and Renaissance Music Theory","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Music_Theory?f_ri=22842"},{"id":1464327,"name":"Burgundian School","url":"https://www.academia.edu/Documents/in/Burgundian_School?f_ri=22842"},{"id":1594543,"name":"Historically Informed Composition (Music)","url":"https://www.academia.edu/Documents/in/Historically_Informed_Composition_Music_?f_ri=22842"},{"id":1626143,"name":"Franco-Flemish School","url":"https://www.academia.edu/Documents/in/Franco-Flemish_School?f_ri=22842"},{"id":1635741,"name":"Jacob Obrecht","url":"https://www.academia.edu/Documents/in/Jacob_Obrecht?f_ri=22842"},{"id":1761475,"name":"Medieval Ghent","url":"https://www.academia.edu/Documents/in/Medieval_Ghent?f_ri=22842"},{"id":2053120,"name":"Musical Transcription","url":"https://www.academia.edu/Documents/in/Musical_Transcription?f_ri=22842"},{"id":2125834,"name":"Franco-Flemish Polyphony","url":"https://www.academia.edu/Documents/in/Franco-Flemish_Polyphony?f_ri=22842"},{"id":2231766,"name":"Transcription of Music","url":"https://www.academia.edu/Documents/in/Transcription_of_Music?f_ri=22842"},{"id":2524415,"name":"Jordan Key","url":"https://www.academia.edu/Documents/in/Jordan_Key?f_ri=22842"},{"id":2524416,"name":"Jordan Alexander Key","url":"https://www.academia.edu/Documents/in/Jordan_Alexander_Key?f_ri=22842"},{"id":2524417,"name":"Key, Jordan","url":"https://www.academia.edu/Documents/in/Key_Jordan?f_ri=22842"},{"id":2524418,"name":"Jordan A. Key","url":"https://www.academia.edu/Documents/in/Jordan_A._Key?f_ri=22842"},{"id":2551688,"name":"Transcription (Music)","url":"https://www.academia.edu/Documents/in/Transcription_Music_?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35722815" data-work_id="35722815" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35722815/El_tratado_musical_de_Pedro_Mart%C3%ADnez_de_Osma_un_testimonio_recuperado_del_siglo_XV">El tratado musical de Pedro Martínez de Osma, un testimonio recuperado del siglo XV</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En 1482, el músico y teórico Ramos de Pareja, publicaba en Bolonia el primer tratado musical impreso de un autor español, titulado Musica practica. Ramos, nacido en Baeza unos cuarenta años antes, debió cursar estudios en la Universidad... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35722815" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En 1482, el músico y teórico Ramos de Pareja, publicaba en Bolonia el primer tratado musical impreso de un autor español, titulado Musica practica. Ramos, nacido en Baeza unos cuarenta años antes, debió cursar estudios en la Universidad de Salamanca, donde viviría los turbulentos años finales del reinado de Enrique IV de Castilla, antes de que le sucediese en el trono su hermanastra, la infanta Isabel. Una sucesión complicada por la Este artículo presenta un nuevo tratado musical español del siglo XV escrito por Pedro Martínez de Osma, catedrático de Teología en la Universidad de Salamanca. De esta obra se tenía noticia por referencias coetáneas debidas a su colega Ramos de Pareja, pero hasta ahora no se había identificado. Este texto, escrito en 1465 y conservado en la Biblioteca Nacional de Nápoles, permite obtener nueva información de un periodo muy poco ex-plorado en cuanto al pensamiento musical en España, precisamente por la ausencia de fuentes documentales. Analizando su contenido se detalla el ambiente reformista y pre-humanista que se vivía en esos años en el Estudio salmantino y se perfila la corriente de pensamiento que, pasando por Ramos y otros autores en torno al 1500, llevarán al flore-cimiento de los insignes autores del quinientos, en especial Francisco Salinas. Palabras clave: Pedro Martínez de Osma, Universidad de Salamanca, Ramos de Pareja, teoría musical, Renacimiento español, Humanismo. <br /> <br />This article presents a new fifteenth-century Spanish music treatise written by Pedro Martínez de Osma, Professor of Theology at the University of Salamanca. This text was known through contemporary references by his colleague Ramos de Pareja, but had not been identified until now. Written in 1465 and preserved at the Biblioteca Nazionale Vittorio Emanuele III in Naples, the text provides new information from a very little explored period in Spain in terms of music philosophy, precisely because of the lack of documentary sources. By analysing its content, the author explains the reformist and pre-humanist climate that characterized those years in Salamanca, and outlines the school of thought that would allow distinguished theorists of the sixteenth century century to flourish in the wake of Ramos and other composer-theorists around 1500, especially Francisco Salinas. <br /><a href="https://revistas.ucm.es/index.php/CMIB" rel="nofollow">https://revistas.ucm.es/index.php/CMIB</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35722815" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2465a8a293f13fcca23fdc366552c158" rel="nofollow" data-download="{"attachment_id":55596864,"asset_id":35722815,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55596864/download_file?st=MTczMjY5NDcwNCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4529878" href="https://independent.academia.edu/SantiagoGal%C3%A1n">Santiago Galán</a><script data-card-contents-for-user="4529878" type="text/json">{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}</script></span></span></li><li class="js-paper-rank-work_35722815 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35722815"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35722815, container: ".js-paper-rank-work_35722815", }); });</script></li><li class="js-percentile-work_35722815 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35722815; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35722815"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35722815 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35722815"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35722815; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35722815]").text(description); $(".js-view-count-work_35722815").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35722815").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35722815"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">32</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1366" href="https://www.academia.edu/Documents/in/Late_Middle_Ages">Late Middle Ages</a>, <script data-card-contents-for-ri="1366" type="text/json">{"id":1366,"name":"Late Middle Ages","url":"https://www.academia.edu/Documents/in/Late_Middle_Ages?f_ri=22842","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35722815]'), work: {"id":35722815,"title":"El tratado musical de Pedro Martínez de Osma, un testimonio recuperado del siglo XV","created_at":"2018-01-21T10:25:24.522-08:00","url":"https://www.academia.edu/35722815/El_tratado_musical_de_Pedro_Mart%C3%ADnez_de_Osma_un_testimonio_recuperado_del_siglo_XV?f_ri=22842","dom_id":"work_35722815","summary":"En 1482, el músico y teórico Ramos de Pareja, publicaba en Bolonia el primer tratado musical impreso de un autor español, titulado Musica practica. Ramos, nacido en Baeza unos cuarenta años antes, debió cursar estudios en la Universidad de Salamanca, donde viviría los turbulentos años finales del reinado de Enrique IV de Castilla, antes de que le sucediese en el trono su hermanastra, la infanta Isabel. Una sucesión complicada por la Este artículo presenta un nuevo tratado musical español del siglo XV escrito por Pedro Martínez de Osma, catedrático de Teología en la Universidad de Salamanca. De esta obra se tenía noticia por referencias coetáneas debidas a su colega Ramos de Pareja, pero hasta ahora no se había identificado. Este texto, escrito en 1465 y conservado en la Biblioteca Nacional de Nápoles, permite obtener nueva información de un periodo muy poco ex-plorado en cuanto al pensamiento musical en España, precisamente por la ausencia de fuentes documentales. Analizando su contenido se detalla el ambiente reformista y pre-humanista que se vivía en esos años en el Estudio salmantino y se perfila la corriente de pensamiento que, pasando por Ramos y otros autores en torno al 1500, llevarán al flore-cimiento de los insignes autores del quinientos, en especial Francisco Salinas. Palabras clave: Pedro Martínez de Osma, Universidad de Salamanca, Ramos de Pareja, teoría musical, Renacimiento español, Humanismo. \r\n\r\nThis article presents a new fifteenth-century Spanish music treatise written by Pedro Martínez de Osma, Professor of Theology at the University of Salamanca. This text was known through contemporary references by his colleague Ramos de Pareja, but had not been identified until now. Written in 1465 and preserved at the Biblioteca Nazionale Vittorio Emanuele III in Naples, the text provides new information from a very little explored period in Spain in terms of music philosophy, precisely because of the lack of documentary sources. By analysing its content, the author explains the reformist and pre-humanist climate that characterized those years in Salamanca, and outlines the school of thought that would allow distinguished theorists of the sixteenth century century to flourish in the wake of Ramos and other composer-theorists around 1500, especially Francisco Salinas.\r\nhttps://revistas.ucm.es/index.php/CMIB\r\n","downloadable_attachments":[{"id":55596864,"asset_id":35722815,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4529878,"first_name":"Santiago","last_name":"Galán","domain_name":"independent","page_name":"SantiagoGalán","display_name":"Santiago Galán","profile_url":"https://independent.academia.edu/SantiagoGal%C3%A1n?f_ri=22842","photo":"https://0.academia-photos.com/4529878/2075882/2442591/s65_santiago.gal_n.jpg"}],"research_interests":[{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=22842","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=22842","nofollow":false},{"id":1366,"name":"Late Middle Ages","url":"https://www.academia.edu/Documents/in/Late_Middle_Ages?f_ri=22842","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=22842","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=22842"},{"id":4154,"name":"Iberian Studies","url":"https://www.academia.edu/Documents/in/Iberian_Studies?f_ri=22842"},{"id":6859,"name":"Medieval Iberian History","url":"https://www.academia.edu/Documents/in/Medieval_Iberian_History?f_ri=22842"},{"id":9900,"name":"Cultural Musicology","url":"https://www.academia.edu/Documents/in/Cultural_Musicology?f_ri=22842"},{"id":10604,"name":"History of Music Theory","url":"https://www.academia.edu/Documents/in/History_of_Music_Theory?f_ri=22842"},{"id":15841,"name":"16th Century Counterpoint","url":"https://www.academia.edu/Documents/in/16th_Century_Counterpoint?f_ri=22842"},{"id":17547,"name":"Renaissance music","url":"https://www.academia.edu/Documents/in/Renaissance_music?f_ri=22842"},{"id":22842,"name":"14th-16th Centuries Counterpoint","url":"https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint?f_ri=22842"},{"id":30530,"name":"History of music","url":"https://www.academia.edu/Documents/in/History_of_music?f_ri=22842"},{"id":59652,"name":"Humanismo","url":"https://www.academia.edu/Documents/in/Humanismo?f_ri=22842"},{"id":71569,"name":"Cultural History of Music","url":"https://www.academia.edu/Documents/in/Cultural_History_of_Music?f_ri=22842"},{"id":81894,"name":"Middle Ages","url":"https://www.academia.edu/Documents/in/Middle_Ages?f_ri=22842"},{"id":215315,"name":"Catholic Monarchs of Spain 15th Century","url":"https://www.academia.edu/Documents/in/Catholic_Monarchs_of_Spain_15th_Century?f_ri=22842"},{"id":306050,"name":"Medieval musicology","url":"https://www.academia.edu/Documents/in/Medieval_musicology?f_ri=22842"},{"id":323719,"name":"Teoría Musical Del Renacimiento","url":"https://www.academia.edu/Documents/in/Teoria_Musical_Del_Renacimiento?f_ri=22842"},{"id":537738,"name":"Spanish Renaissance Music","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Music?f_ri=22842"},{"id":622781,"name":"Spanish Renaissance Thought","url":"https://www.academia.edu/Documents/in/Spanish_Renaissance_Thought?f_ri=22842"},{"id":630696,"name":"Humanismo y Renacimiento","url":"https://www.academia.edu/Documents/in/Humanismo_y_Renacimiento?f_ri=22842"},{"id":635851,"name":"Contrapunto","url":"https://www.academia.edu/Documents/in/Contrapunto?f_ri=22842"},{"id":784917,"name":"Iberian renaissance music","url":"https://www.academia.edu/Documents/in/Iberian_renaissance_music?f_ri=22842"},{"id":789462,"name":"University of Salamanca In Middle Ages","url":"https://www.academia.edu/Documents/in/University_of_Salamanca_In_Middle_Ages?f_ri=22842"},{"id":817836,"name":"Teoría De La Música","url":"https://www.academia.edu/Documents/in/Teoria_De_La_Musica?f_ri=22842"},{"id":853849,"name":"Renaissance Counterpoint","url":"https://www.academia.edu/Documents/in/Renaissance_Counterpoint?f_ri=22842"},{"id":1159936,"name":"Universidad de Salamanca (Spain)","url":"https://www.academia.edu/Documents/in/Universidad_de_Salamanca_Spain_?f_ri=22842"},{"id":1198421,"name":"Improvvised counterpoint","url":"https://www.academia.edu/Documents/in/Improvvised_counterpoint?f_ri=22842"},{"id":1225248,"name":"Reyes Catolicos Fernando E Isabel","url":"https://www.academia.edu/Documents/in/Reyes_Catolicos_Fernando_E_Isabel?f_ri=22842"},{"id":1316744,"name":"Música Española Del Renacimiento","url":"https://www.academia.edu/Documents/in/Musica_Espanola_Del_Renacimiento?f_ri=22842"},{"id":1462988,"name":"Música Del Renacimiento Español","url":"https://www.academia.edu/Documents/in/Musica_Del_Renacimiento_Espanol?f_ri=22842"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/14th-16th_Centuries_Counterpoint?after=50%2C35722815" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/14th-16th_Centuries_Counterpoint?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Late_medieval_and_Renaissance_music">Late medieval and Renaissance music</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="614341">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="614341">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Josquin_des_Prez">Josquin des Prez</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="14869">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="14869">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Musical_Canon">Musical Canon</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="281760">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="281760">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/16th_Century_Counterpoint">16th Century Counterpoint</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="15841">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="15841">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Manuscripts_Medieval_Studies_">Manuscripts (Medieval Studies)</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="26891">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="26891">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Counterpoint">Counterpoint</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="180515">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="180515">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Renaissance_music">Renaissance music</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="17547">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="17547">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Medieval_Music_Theory">Medieval Music Theory</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="19642">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="19642">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Ars_nova">Ars nova</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="136113">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="136113">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Early_Music">Early Music</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="681">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="681">Following</a></div></li></ul></div></div></div></div></div></div><script>// MIT License // Copyright © 2011 Sebastian Tschan, https://blueimp.net // Permission is hereby granted, free of charge, to any person obtaining a copy of // this software and associated documentation files (the "Software"), to deal in // the Software without restriction, including without limitation the rights to // use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of // the Software, and to permit persons to whom the Software is furnished to do so, // subject to the following conditions: // The above copyright notice and this permission notice shall be included in all // copies or substantial portions of the Software. // THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR // IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS // FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR // COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER // IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN // CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. !function(n){"use strict";function d(n,t){var r=(65535&n)+(65535&t);return(n>>16)+(t>>16)+(r>>16)<<16|65535&r}function f(n,t,r,e,o,u){return d((c=d(d(t,n),d(e,u)))<<(f=o)|c>>>32-f,r);var c,f}function l(n,t,r,e,o,u,c){return f(t&r|~t&e,n,t,o,u,c)}function v(n,t,r,e,o,u,c){return f(t&e|r&~e,n,t,o,u,c)}function g(n,t,r,e,o,u,c){return f(t^r^e,n,t,o,u,c)}function m(n,t,r,e,o,u,c){return f(r^(t|~e),n,t,o,u,c)}function i(n,t){var r,e,o,u;n[t>>5]|=128<<t%32,n[14+(t+64>>>9<<4)]=t;for(var c=1732584193,f=-271733879,i=-1732584194,a=271733878,h=0;h<n.length;h+=16)c=l(r=c,e=f,o=i,u=a,n[h],7,-680876936),a=l(a,c,f,i,n[h+1],12,-389564586),i=l(i,a,c,f,n[h+2],17,606105819),f=l(f,i,a,c,n[h+3],22,-1044525330),c=l(c,f,i,a,n[h+4],7,-176418897),a=l(a,c,f,i,n[h+5],12,1200080426),i=l(i,a,c,f,n[h+6],17,-1473231341),f=l(f,i,a,c,n[h+7],22,-45705983),c=l(c,f,i,a,n[h+8],7,1770035416),a=l(a,c,f,i,n[h+9],12,-1958414417),i=l(i,a,c,f,n[h+10],17,-42063),f=l(f,i,a,c,n[h+11],22,-1990404162),c=l(c,f,i,a,n[h+12],7,1804603682),a=l(a,c,f,i,n[h+13],12,-40341101),i=l(i,a,c,f,n[h+14],17,-1502002290),c=v(c,f=l(f,i,a,c,n[h+15],22,1236535329),i,a,n[h+1],5,-165796510),a=v(a,c,f,i,n[h+6],9,-1069501632),i=v(i,a,c,f,n[h+11],14,643717713),f=v(f,i,a,c,n[h],20,-373897302),c=v(c,f,i,a,n[h+5],5,-701558691),a=v(a,c,f,i,n[h+10],9,38016083),i=v(i,a,c,f,n[h+15],14,-660478335),f=v(f,i,a,c,n[h+4],20,-405537848),c=v(c,f,i,a,n[h+9],5,568446438),a=v(a,c,f,i,n[h+14],9,-1019803690),i=v(i,a,c,f,n[h+3],14,-187363961),f=v(f,i,a,c,n[h+8],20,1163531501),c=v(c,f,i,a,n[h+13],5,-1444681467),a=v(a,c,f,i,n[h+2],9,-51403784),i=v(i,a,c,f,n[h+7],14,1735328473),c=g(c,f=v(f,i,a,c,n[h+12],20,-1926607734),i,a,n[h+5],4,-378558),a=g(a,c,f,i,n[h+8],11,-2022574463),i=g(i,a,c,f,n[h+11],16,1839030562),f=g(f,i,a,c,n[h+14],23,-35309556),c=g(c,f,i,a,n[h+1],4,-1530992060),a=g(a,c,f,i,n[h+4],11,1272893353),i=g(i,a,c,f,n[h+7],16,-155497632),f=g(f,i,a,c,n[h+10],23,-1094730640),c=g(c,f,i,a,n[h+13],4,681279174),a=g(a,c,f,i,n[h],11,-358537222),i=g(i,a,c,f,n[h+3],16,-722521979),f=g(f,i,a,c,n[h+6],23,76029189),c=g(c,f,i,a,n[h+9],4,-640364487),a=g(a,c,f,i,n[h+12],11,-421815835),i=g(i,a,c,f,n[h+15],16,530742520),c=m(c,f=g(f,i,a,c,n[h+2],23,-995338651),i,a,n[h],6,-198630844),a=m(a,c,f,i,n[h+7],10,1126891415),i=m(i,a,c,f,n[h+14],15,-1416354905),f=m(f,i,a,c,n[h+5],21,-57434055),c=m(c,f,i,a,n[h+12],6,1700485571),a=m(a,c,f,i,n[h+3],10,-1894986606),i=m(i,a,c,f,n[h+10],15,-1051523),f=m(f,i,a,c,n[h+1],21,-2054922799),c=m(c,f,i,a,n[h+8],6,1873313359),a=m(a,c,f,i,n[h+15],10,-30611744),i=m(i,a,c,f,n[h+6],15,-1560198380),f=m(f,i,a,c,n[h+13],21,1309151649),c=m(c,f,i,a,n[h+4],6,-145523070),a=m(a,c,f,i,n[h+11],10,-1120210379),i=m(i,a,c,f,n[h+2],15,718787259),f=m(f,i,a,c,n[h+9],21,-343485551),c=d(c,r),f=d(f,e),i=d(i,o),a=d(a,u);return[c,f,i,a]}function a(n){for(var t="",r=32*n.length,e=0;e<r;e+=8)t+=String.fromCharCode(n[e>>5]>>>e%32&255);return t}function h(n){var t=[];for(t[(n.length>>2)-1]=void 0,e=0;e<t.length;e+=1)t[e]=0;for(var r=8*n.length,e=0;e<r;e+=8)t[e>>5]|=(255&n.charCodeAt(e/8))<<e%32;return t}function e(n){for(var t,r="0123456789abcdef",e="",o=0;o<n.length;o+=1)t=n.charCodeAt(o),e+=r.charAt(t>>>4&15)+r.charAt(15&t);return e}function r(n){return unescape(encodeURIComponent(n))}function o(n){return a(i(h(t=r(n)),8*t.length));var t}function u(n,t){return function(n,t){var r,e,o=h(n),u=[],c=[];for(u[15]=c[15]=void 0,16<o.length&&(o=i(o,8*n.length)),r=0;r<16;r+=1)u[r]=909522486^o[r],c[r]=1549556828^o[r];return e=i(u.concat(h(t)),512+8*t.length),a(i(c.concat(e),640))}(r(n),r(t))}function t(n,t,r){return t?r?u(t,n):e(u(t,n)):r?o(n):e(o(n))}"function"==typeof define&&define.amd?define(function(){return t}):"object"==typeof module&&module.exports?module.exports=t:n.md5=t}(this);</script><script>window.AbTest = (function() { return { 'ab_test': (uniqueId, test_name, buckets) => { let override = new URLSearchParams(window.location.search).get(`ab_test[${test_name}]`); if ( override ) { return override; } const bucketNames = buckets.map((bucket) => { return typeof bucket === 'string' ? bucket : Object.keys(bucket)[0]; }); const weights = buckets.map((bucket) => { return typeof bucket === 'string' ? 1 : Object.values(bucket)[0]; }); const total = weights.reduce((sum, weight) => sum + weight); const hash = md5(`${uniqueId}${test_name}`); const hashNum = parseInt(hash.slice(-12), 16); let bucketPoint = total * (hashNum % 100000) / 100000; const bucket = bucketNames.find((_, i) => { if (weights[i] > bucketPoint) { return true; } bucketPoint -= weights[i]; return false; }); return bucket; } }; })();</script><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-landing_url="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><script>function onGoogleOneTapEvent(event) { var momentType = event.getMomentType(); var momentReason = null; if (event.isNotDisplayed()) { momentReason = event.getNotDisplayedReason(); } else if (event.isSkippedMoment()) { momentReason = event.getSkippedReason(); } else if (event.isDismissedMoment()) { momentReason = event.getDismissedReason(); } Aedu.arbitraryEvents.write('GoogleOneTapEvent', { moment_type: momentType, moment_reason: momentReason, }); }</script><script>(function() { var auvid = unescape( document.cookie .split(/; ?/) .find((s) => s.startsWith('auvid')) .substring(6)); var bucket = AbTest.ab_test(auvid, 'lo_ri_one_tap_google_sign_on', ['control', 'one_tap_google_sign_on']); if (bucket === 'control') return; var oneTapTag = document.createElement('script') oneTapTag.async = true oneTapTag.defer = true oneTapTag.src = 'https://accounts.google.com/gsi/client' document.body.appendChild(oneTapTag) })();</script></div></div></div> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "5c21b2d6fbef66da6ea382e75f35ac0a436bf5dc8648b2aa49fa9e68df714dd6", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="d8sX0RNuNmKAiuCl5esNkRF6cO0nXqhJvw+ArkRmLVTsTOqoGOqVgO3xwMwApvMwmmF3r/uehpAvcfHDmKGSMw==" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://www.academia.edu/Documents/in/14th-16th_Centuries_Counterpoint" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="hi6oRwni87/auu3sRheBcHON1Xq1IVIeFKJFXYv9FUQdqVU+AmZQXbfBzYWjWn/R+JbSOGnhfMeE3DQwVzqqIw==" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a rel="nofollow" href="https://medium.com/academia">Blog</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2024</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>