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src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">The 'Harmony' of the Machaut Mass</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="5702421" href="https://oxford.academia.edu/MBent"><img alt="Profile image of Margaret Bent" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/5702421/2982860/123000826/s65_margaret.bent.jpg" />Margaret Bent</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2003, Machaut's Music: New Interpretations, ed. by Elizabeth Eva Leach (Woodbridge: The Boydell Press)</p></div><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":117420867,"attachmentType":"pdf","workUrl":"https://www.academia.edu/19818876/The_Harmony_of_the_Machaut_Mass"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":117420867,"attachmentType":"pdf","workUrl":"https://www.academia.edu/19818876/The_Harmony_of_the_Machaut_Mass"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="117420867" data-landing_url="https://www.academia.edu/19818876/The_Harmony_of_the_Machaut_Mass" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="643934" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/643934/_Messy_Structure_Multiple_Tonal_Centers_in_the_Music_of_Machaut_">"'Messy Structure'? Multiple Tonal Centers in the Music of Machaut"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="110468" href="https://dal.academia.edu/JenniferBain">Jennifer Bain</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Music Theory Spectrum, 2008</p><p class="ds-related-work--abstract ds2-5-body-sm">This paper develops a theory of large-scale tonal structure for the secular, polyphonic music of Machaut. Allowing for the possibility of multiple tonal centers in individual works, it compares structural sonorities across Machaut’s output and accounts for a matrix of relationships rather than single categories for each piece. Proposing that coherence and aesthetic value can arise through layers of relationships, it provides a tool for discerning larger patterns of structure and for determining standard versus anomalous behavior in individual songs. Closer readings of the texts of three songs and the relationship between text and large-scale structure demonstrate the application of the theory.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"'Messy Structure'? Multiple Tonal Centers in the Music of Machaut\"","attachmentId":3536372,"attachmentType":"pdf","work_url":"https://www.academia.edu/643934/_Messy_Structure_Multiple_Tonal_Centers_in_the_Music_of_Machaut_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/643934/_Messy_Structure_Multiple_Tonal_Centers_in_the_Music_of_Machaut_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="228177" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/228177/_Theorizing_the_Cadence_in_the_Music_of_Machaut_">"Theorizing the Cadence in the Music of Machaut"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="110468" href="https://dal.academia.edu/JenniferBain">Jennifer Bain</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Music Theory, 2003</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Theorizing the Cadence in the Music of Machaut\"","attachmentId":885902,"attachmentType":"pdf","work_url":"https://www.academia.edu/228177/_Theorizing_the_Cadence_in_the_Music_of_Machaut_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/228177/_Theorizing_the_Cadence_in_the_Music_of_Machaut_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="92722898" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/92722898/The_Interplay_of_Language_and_Music_in_Machaut_u27s_Virelai_u27Foy_Porter_u27">The Interplay of Language and Music in Machaut\u27s Virelai \u27Foy Porter\u27</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="560141" href="https://scu.academia.edu/PhyllisBrown">Phyllis R Brown</a></div><p class="ds-related-work--metadata ds2-5-body-xs">1997</p><p class="ds-related-work--abstract ds2-5-body-sm">Scarcely anywhere else in the repertory of lyric poetry is the identity of the poet and the composer quite as apparent as in the works of Guillaume de Machaut, the foremost French poet and musician of the fourteenth century (d1377). His works with music should be approached confidently as integral lyrics, as composite works of poetry and music, because he wrote about the process of providing music for poetry and writing texts to be set to music. Furthermore, he specified the sequence of his own compositions- narrative and lyrical, poetical and musical - all in a single book</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Interplay of Language and Music in Machaut\\u27s Virelai \\u27Foy Porter\\u27","attachmentId":95656048,"attachmentType":"pdf","work_url":"https://www.academia.edu/92722898/The_Interplay_of_Language_and_Music_in_Machaut_u27s_Virelai_u27Foy_Porter_u27","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/92722898/The_Interplay_of_Language_and_Music_in_Machaut_u27s_Virelai_u27Foy_Porter_u27"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="96064541" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/96064541/Tonal_structure_and_the_melodic_role_of_chromatic_inflections_in_the_music_of_Machaut">Tonal structure and the melodic role of chromatic inflections in the music of Machaut</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="110468" href="https://dal.academia.edu/JenniferBain">Jennifer Bain</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Plainsong and Medieval Music, 2005</p><p class="ds-related-work--abstract ds2-5-body-sm">The interpretation of chromatic content in fourteenth-century music has been widely debated. 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ds2-5-body-xs">Polyphony and the Modern, 2021</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Smilansky-The Polyphony of Function, Mixing Text and Music in Guillaume de Machaut","attachmentId":67255657,"attachmentType":"pdf","work_url":"https://www.academia.edu/48837234/Smilansky_The_Polyphony_of_Function_Mixing_Text_and_Music_in_Guillaume_de_Machaut","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/48837234/Smilansky_The_Polyphony_of_Function_Mixing_Text_and_Music_in_Guillaume_de_Machaut"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="5004921" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/5004921/Review_Machaut_and_Reims_Anne_Walters_Robertson_Guillaume_de_Machaut_and_Reims_context_and_meaning_in_his_musical_works">Review: Machaut and Reims: Anne Walters Robertson, Guillaume de Machaut and Reims: context and meaning in his musical works</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6633349" href="https://uva.academia.edu/jacquesboogaart">jacques boogaart</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Early Music, 2004</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review: Machaut and Reims: Anne Walters Robertson, Guillaume de Machaut and Reims: context and meaning in his musical works","attachmentId":32243904,"attachmentType":"pdf","work_url":"https://www.academia.edu/5004921/Review_Machaut_and_Reims_Anne_Walters_Robertson_Guillaume_de_Machaut_and_Reims_context_and_meaning_in_his_musical_works","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/5004921/Review_Machaut_and_Reims_Anne_Walters_Robertson_Guillaume_de_Machaut_and_Reims_context_and_meaning_in_his_musical_works"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="10642873" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10642873/Interpretive_Problems_Regarding_Stylistic_Modal_and_Melodic_Cohesion_in_Machauts_Messe_de_Nostre_Dame">Interpretive Problems Regarding Stylistic, Modal and Melodic Cohesion in Machaut's Messe de Nostre Dame</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="25631429" href="https://upenn.academia.edu/OFiol">Orlando Fiol</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The fourteenth-century French poet and composer Guillaume de Machaut is Western Europe's first example of what we may term the "conscious composer," a composer aware of his entire output and therefore interested in compiling and preserving it. Machaut's consistent use of his own distinctive musical language, combining predominant stylistic techniques of his day with unique melodic features, provides the modern scholar with a number of compelling challenges, especially in the interpretation of what is generally thought to be the first polyphonic setting of the Mass Ordinary by a single composer, the Messe De Nostre Dame. Guillaume de Machaut's Messe de Nostre Dame is thus the first documented setting of a complete Mass Ordinary by a single composer. An important question for students and scholars is whether the Mass was conceived as a coherent work or was a mere assemblage of settings of the various sections, compiled for some special occasion or for regular liturgical use. Most contemporary scholars believe this setting was not composed as a unified work, but rather was composed as separate pieces for various occasions and later compiled into a single work overseen by Machaut himself. Thus, the scholar is faced with a fundamental methodological question: Should a work's stylistic, modal and melodic cohesion be analyzed when its composer was perhaps not consciously interested in them? Machaut’s setting employs isorhythm and both contrapuntal and homophonic polyphonic styles, is set in two modes and foreshadows many later fifteenth-century techniques such as the use of a cantus firmus and head motifs without adopting them directly. This study will explore the analytical problems in the interpretation of an admittedly transitional work, the first of its kind, bringing to the surface myriad aesthetic concerns from different epochs and displaying different musical organizational methods.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Interpretive Problems Regarding Stylistic, Modal and Melodic Cohesion in Machaut's Messe de Nostre Dame","attachmentId":36572542,"attachmentType":"pdf","work_url":"https://www.academia.edu/10642873/Interpretive_Problems_Regarding_Stylistic_Modal_and_Melodic_Cohesion_in_Machauts_Messe_de_Nostre_Dame","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10642873/Interpretive_Problems_Regarding_Stylistic_Modal_and_Melodic_Cohesion_in_Machauts_Messe_de_Nostre_Dame"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="122843083" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/122843083/Words_and_Music_in_Machauts_Motet_9">Words and Music in Machaut's Motet 9</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5702421" href="https://oxford.academia.edu/MBent">Margaret Bent</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Early Music, 2003</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Words and Music in Machaut's Motet 9","attachmentId":117421075,"attachmentType":"pdf","work_url":"https://www.academia.edu/122843083/Words_and_Music_in_Machauts_Motet_9","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/122843083/Words_and_Music_in_Machauts_Motet_9"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="22149545" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/22149545/17_Performing_Machaut_s_Messe_de_Notre_Dame_From_Modernist_Allegiances_to_the_Postmodern_Hinterland">17. 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