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(PDF) „Był zawsze artystą”. Święty brat Albert w relacjach metropolity Andrzeja Szeptyckiego | Wiesław Ratajczak - Academia.edu

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Adamie Chmielowskim), choć niezbyt obszerne, zawierają szczególnie interesujący opis wpływu ich bohatera na współczesnych mu artystów, pisarzy, uczonych, ziemian i arystokratów. Tercjarz, który z odwagą i miłosierdziem szedł między najuboższych i najbardziej poniżonych, pociągał swą niezwykłą osobowością także ludzi z kręgów społecznej elity. Charakteryzując Kraków lat 80. XIX w., Nowaczyński pisał z emfazą o \"małym Rzymie\", o polskim odpowiedniku Heidelbergu, Oxfordu, Weimaru, Florencji oraz arystokratycznego Paryża jednocześnie, mieście bogactwa, towarzyskiego i intelektualnego wyrafi nowania (Nowaczyński 1999, s. 39-40). I dodawał z perspektywy współczesności (wspomnienie ukazało się po raz pierwszy w 1936 r.): Ewokujemy tu tę grupę socjalną, ten bourgetowski 2 świat i towarzystwo dziś bezpowrotnie już rozpierzchnięte i zagrzebane z tego powodu, że jeżeli nie w nim samym, to blisko niego znalazł się i przeżywał pewien okres swego żywota przyszły Brat Albert. 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Święty brat Albert w relacjach metropolity Andrzeja Szeptyckiego</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="24390649" href="https://independent.academia.edu/Wies%C5%82awRatajczak"><img alt="Profile image of Wiesław Ratajczak" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/24390649/6580508/7439709/s65_wies_aw.ratajczak.jpg_oh_138e2d74fb8f3ab3062ed1cbe32115d4_oe_55362654___gda___1429910715_eb8bb04d8aa43ba9de8aa27b0325b102" />Wiesław Ratajczak</a></div><p class="ds-work-card--detail ds2-5-body-sm">2021, Język, Szkoła, Religia</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--work-card&quot;,&quot;attachmentId&quot;:110857818,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/114060398/_By%C5%82_zawsze_artyst%C4%85_%C5%9Awi%C4%99ty_brat_Albert_w_relacjach_metropolity_Andrzeja_Szeptyckiego&quot;}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--work-card&quot;,&quot;attachmentId&quot;:110857818,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/114060398/_By%C5%82_zawsze_artyst%C4%85_%C5%9Awi%C4%99ty_brat_Albert_w_relacjach_metropolity_Andrzeja_Szeptyckiego&quot;}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="110857818" data-landing_url="https://www.academia.edu/114060398/_By%C5%82_zawsze_artyst%C4%85_%C5%9Awi%C4%99ty_brat_Albert_w_relacjach_metropolity_Andrzeja_Szeptyckiego" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="51057218" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/51057218/Obraz_Artura_Grottgera_Modlitwa_konfederat%C3%B3w_barskich_przed_bitw%C4%85_pod_Lanckoron%C4%85_historia_literatura_ogl%C4%85d">Obraz Artura Grottgera „Modlitwa konfederatów barskich przed bitwą” (pod Lanckoroną?): historia, literatura, ogląd</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5249176" href="https://independent.academia.edu/MariuszBryl">Mariusz Bryl</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Artium Quaestiones</p><p class="ds-related-work--abstract ds2-5-body-sm">The subject of the paper is a painting by Artur Grottger, which has not yet been the subject of close art historical analysis, hindered by the complicated history of the painting as a material object: from its creation (1861–63) and being exhibited in Vienesse Kunstverein in 1864 (titled Das Gebet vor der Schlacht. 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data-author-id="6365976" href="https://torun-pl.academia.edu/PiotrRoszak">Piotr Roszak</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Teologia i Człowiek, 2007</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Tomasza z Akwinu ideał egzegety i podstawy jego pracy In sacra pagina&quot;,&quot;attachmentId&quot;:113860195,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/118171481/Tomasza_z_Akwinu_idea%C5%82_egzegety_i_podstawy_jego_pracy_In_sacra_pagina&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/118171481/Tomasza_z_Akwinu_idea%C5%82_egzegety_i_podstawy_jego_pracy_In_sacra_pagina"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="75736883" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/75736883/%C3%89douard_Andr%C3%A9_i_jego_realizacje_ogrodowe_w_Polsce_i_na_Litwie">Édouard André i jego realizacje ogrodowe w Polsce i na Litwie</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="45028150" href="https://independent.academia.edu/MalgorzataOmilanowska">Malgorzata Omilanowska</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2011</p><div 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Lupa searches for individualizing tropes and methods of theatricalization of what’s intimate — concealed for the individual, corporeal, unconscious, urge-related, irrational, saint/demonic in a human. Utilizing the medium of a dreaming body of an actor in the process of transforming into a character, as well as group process, he examines cultural icons of the 20th century — Andy Warhol (Faktory 2), Marilyn Monroe (Persona. Tryptyk/Marilyn), Simone Weil (Persona. Ciało Simone). The productions from his unfinished triptych Persona are radically personal in presenting the existence of actor/character in the motion of opening, the changes and processes of mutual percolation between personal rituals and collective myths. 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