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id="ProfileCheckPaperUpdate-react-component-40e67c49-b8dd-4849-8245-4dfdb785413d"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Jakub Frejtag</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://uw.academia.edu/">University of Warsaw</a>, <a class="u-tcGrayDarker" href="https://uw.academia.edu/Departments/Faculty_of_History_Wydzia%C5%82_Historii_/Documents">Faculty of History (Wydział Historii)</a>, <span 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data-dom-id="Pill-react-component-9b8b0711-388c-4e91-89ab-f754e4700f37"></div> <div id="Pill-react-component-9b8b0711-388c-4e91-89ab-f754e4700f37"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="160840632" href="https://www.academia.edu/Documents/in/History_of_architecture"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["History of architecture"]}" data-trace="false" data-dom-id="Pill-react-component-d8afa469-f789-44ea-89e3-d7f21ba20da2"></div> <div id="Pill-react-component-d8afa469-f789-44ea-89e3-d7f21ba20da2"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="160840632" href="https://www.academia.edu/Documents/in/Architectural_History"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Architectural History"]}" data-trace="false" data-dom-id="Pill-react-component-e7a5c4b2-46fa-421c-82f6-f047af147873"></div> <div id="Pill-react-component-e7a5c4b2-46fa-421c-82f6-f047af147873"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Jakub Frejtag</h3></div><div class="js-work-strip profile--work_container" data-work-id="117465597"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/117465597/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom"><img alt="Research paper thumbnail of Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117465597/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom">Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom</a></div><div class="wp-workCard_item"><span>Ikonotheka</span><span>, Aug 6, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The issue of construction projects conducted by the Germans in occupied Poland is researched with...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117465597"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117465597"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117465597; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117465597]").text(description); $(".js-view-count[data-work-id=117465597]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117465597; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117465597']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 117465597, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=117465597]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117465597,"title":"Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom","translated_title":"","metadata":{"abstract":"The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. 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One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. 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Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku" class="work-thumbnail" src="https://attachments.academia-assets.com/113315500/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117465596/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku">„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku</a></div><div class="wp-workCard_item"><span>Biuletyn Historii Sztuki</span><span>, Sep 12, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="625eb9f5c287d1f9a6f06f03727bbfab" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113315500,"asset_id":117465596,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113315500/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117465596"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117465596"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117465596; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117465596]").text(description); $(".js-view-count[data-work-id=117465596]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117465596; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117465596']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 117465596, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "625eb9f5c287d1f9a6f06f03727bbfab" } } $('.js-work-strip[data-work-id=117465596]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117465596,"title":"„Gotyk jakby z koronki dziergany”. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="95690961"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/95690961/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku"><img alt="Research paper thumbnail of „Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku" class="work-thumbnail" src="https://attachments.academia-assets.com/97803351/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95690961/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku">„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku</a></div><div class="wp-workCard_item"><span>Biuletyn Historii Sztuki</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form ar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form architektonicznych. Jedną z najbardziej popularnych w ówczesnym Królestwie Polskim kreacji stylistycznych tego typu był tzw. styl wiślano-bałtycki. Do jego rozpowszechnienia istotnie przyczyniła się twórczość Józefa Piusa Dziekońskiego, za którego sprawą szereg miejscowości Królestwa Polskiego ozdobiły sylwety owych „gotyckich”, „jakby z koronki dzierganych” świątyń. Jedną z nich był zaprojektowany dla Radomia kościół Opieki Najświętszej Marii Panny. W niniejszej pracy ukazano wpływ, jaki zaistnienie w przestrzeni Radomia tej neogotyckiej świątyni wywarło na twórczość miejscowych architektów, którzy poprzez zastosowanie we własnych dziełach spopularyzowanych przezeń form stylistycznych na stałe wprowadzili je do panoramy architektonicznej tego miasta.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d65a2bb680cfd706d7cb254a818c5099" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97803351,"asset_id":95690961,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97803351/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95690961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95690961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95690961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=95690961]").text(description); $(".js-view-count[data-work-id=95690961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 95690961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='95690961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 95690961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d65a2bb680cfd706d7cb254a818c5099" } } $('.js-work-strip[data-work-id=95690961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":95690961,"title":"„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku","translated_title":"","metadata":{"abstract":"Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form architektonicznych. Jedną z najbardziej popularnych w ówczesnym Królestwie Polskim kreacji stylistycznych tego typu był tzw. styl wiślano-bałtycki. Do jego rozpowszechnienia istotnie przyczyniła się twórczość Józefa Piusa Dziekońskiego, za którego sprawą szereg miejscowości Królestwa Polskiego ozdobiły sylwety owych „gotyckich”, „jakby z koronki dzierganych” świątyń. Jedną z nich był zaprojektowany dla Radomia kościół Opieki Najświętszej Marii Panny. 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Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku" class="work-thumbnail" src="https://attachments.academia-assets.com/92722214/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88819498/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku">„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku</a></div><div class="wp-workCard_item"><span>Biuletyn Historii Sztuki</span><span>, Jun 24, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The turn of the 19th century throughout Polish territories was the period of an intense search fo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The turn of the 19th century throughout Polish territories was the period of an intense search for native architectural forms. One of the most popular stylistic creations of the time in the Congress Kingdom of Poland was the so-called Vistula-Baltic style. It was the output of Józef Pius Dziekoński that substantially contributed to popularizing it. Thanks to him, a number of localities of the Kingdom were adorned with the silhouettes of those 'Gothic', 'as if lace-knitted' churches. One of them was the Church of the Protection of Our Lady designed for Radom. The present paper depicts the impact the Gothic Revival church's emergence within Radom's space had on the oeuvre of the local architects who by using the stylistic forms popularized by Dziekoński introduced them permanently into the architectural panorama of the city.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aa5cd2caeea336e3239ac46b6b17ea9e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92722214,"asset_id":88819498,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92722214/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88819498"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88819498"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88819498; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88819498]").text(description); $(".js-view-count[data-work-id=88819498]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88819498; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88819498']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 88819498, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "aa5cd2caeea336e3239ac46b6b17ea9e" } } $('.js-work-strip[data-work-id=88819498]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88819498,"title":"„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku","translated_title":"","metadata":{"doi":"10.36744/bhs.1352","issue":"1","volume":"84","abstract":"The turn of the 19th century throughout Polish territories was the period of an intense search for native architectural forms. One of the most popular stylistic creations of the time in the Congress Kingdom of Poland was the so-called Vistula-Baltic style. It was the output of Józef Pius Dziekoński that substantially contributed to popularizing it. Thanks to him, a number of localities of the Kingdom were adorned with the silhouettes of those 'Gothic', 'as if lace-knitted' churches. One of them was the Church of the Protection of Our Lady designed for Radom. The present paper depicts the impact the Gothic Revival church's emergence within Radom's space had on the oeuvre of the local architects who by using the stylistic forms popularized by Dziekoński introduced them permanently into the architectural panorama of the city.","location":"Warsaw","journal_name":"Biuletyn Historii Sztuki","organization":"Institute of Art, Polish Academy of Sciences","page_numbers":"133-170","publication_date":{"day":24,"month":6,"year":2022,"errors":{}},"publication_name":"Biuletyn Historii Sztuki"},"translated_abstract":"The turn of the 19th century throughout Polish territories was the period of an intense search for native architectural forms. One of the most popular stylistic creations of the time in the Congress Kingdom of Poland was the so-called Vistula-Baltic style. It was the output of Józef Pius Dziekoński that substantially contributed to popularizing it. Thanks to him, a number of localities of the Kingdom were adorned with the silhouettes of those 'Gothic', 'as if lace-knitted' churches. One of them was the Church of the Protection of Our Lady designed for Radom. The present paper depicts the impact the Gothic Revival church's emergence within Radom's space had on the oeuvre of the local architects who by using the stylistic forms popularized by Dziekoński introduced them permanently into the architectural panorama of the city.","internal_url":"https://www.academia.edu/88819498/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku","translated_internal_url":"","created_at":"2022-10-19T13:28:57.986-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":92722214,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92722214/thumbnails/1.jpg","file_name":"Frejtag_Gotyk_jakby_z_koronki_dziergany._Recepcja_stylu_wislano_bałtyckiego_w_tworczosci_radomskich_architektow.pdf","download_url":"https://www.academia.edu/attachments/92722214/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Gotyk_jakby_z_koronki_dziergany_Recepcj.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92722214/Frejtag_Gotyk_jakby_z_koronki_dziergany._Recepcja_stylu_wislano_ba%C5%82tyckiego_w_tworczosci_radomskich_architektow-libre.pdf?1666215286=\u0026response-content-disposition=attachment%3B+filename%3DGotyk_jakby_z_koronki_dziergany_Recepcj.pdf\u0026Expires=1732434414\u0026Signature=Dge9G5ZxD4KptqbjL0XbFGwvvv7mAoAXe4N8vDYjY5DobOm95W-Ee5kCDZlcNSzqGi7QlEEUSPFQmdjbCIayGCjyFKXQN6fFnUZ0kWoA5eVn4dOUJRin9~t19DOjc2wlF1pCKyj7HusfVD-nfXm2fdnbJjAXrg9UZmo34GvvPgGf~luwszdwnrx8mkPklHAew7yqNCR3ikz6iI8EzgJ1q1fAVxLJYbp6lyKHVj27hjaDTVGMs5pZxTjQ6kuXbEI0jCBXcsBW3wv9QfsrL261ldOcDyeC6uxIv4QA3Lm2tLBUHcekJCsJsEiuTc9xBDfk3gppV4aivSFsPiboR5zaNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wiślano_bałtyckiego_w_twórczości_radomskich_architektów_przełomu_XIX_i_XX_wieku","translated_slug":"","page_count":38,"language":"pl","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":92722214,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92722214/thumbnails/1.jpg","file_name":"Frejtag_Gotyk_jakby_z_koronki_dziergany._Recepcja_stylu_wislano_bałtyckiego_w_tworczosci_radomskich_architektow.pdf","download_url":"https://www.academia.edu/attachments/92722214/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Gotyk_jakby_z_koronki_dziergany_Recepcj.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92722214/Frejtag_Gotyk_jakby_z_koronki_dziergany._Recepcja_stylu_wislano_ba%C5%82tyckiego_w_tworczosci_radomskich_architektow-libre.pdf?1666215286=\u0026response-content-disposition=attachment%3B+filename%3DGotyk_jakby_z_koronki_dziergany_Recepcj.pdf\u0026Expires=1732434414\u0026Signature=Dge9G5ZxD4KptqbjL0XbFGwvvv7mAoAXe4N8vDYjY5DobOm95W-Ee5kCDZlcNSzqGi7QlEEUSPFQmdjbCIayGCjyFKXQN6fFnUZ0kWoA5eVn4dOUJRin9~t19DOjc2wlF1pCKyj7HusfVD-nfXm2fdnbJjAXrg9UZmo34GvvPgGf~luwszdwnrx8mkPklHAew7yqNCR3ikz6iI8EzgJ1q1fAVxLJYbp6lyKHVj27hjaDTVGMs5pZxTjQ6kuXbEI0jCBXcsBW3wv9QfsrL261ldOcDyeC6uxIv4QA3Lm2tLBUHcekJCsJsEiuTc9xBDfk3gppV4aivSFsPiboR5zaNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":13703,"name":"Sociology of Art","url":"https://www.academia.edu/Documents/in/Sociology_of_Art"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art"},{"id":25306,"name":"- Architecture history","url":"https://www.academia.edu/Documents/in/_Architecture_history"},{"id":34395,"name":"Gothic Revival Architecture","url":"https://www.academia.edu/Documents/in/Gothic_Revival_Architecture"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture"},{"id":47024,"name":"Polish Art and Architecture","url":"https://www.academia.edu/Documents/in/Polish_Art_and_Architecture"},{"id":47897,"name":"19th Century","url":"https://www.academia.edu/Documents/in/19th_Century"},{"id":99292,"name":"Russian Architecture","url":"https://www.academia.edu/Documents/in/Russian_Architecture"},{"id":231042,"name":"19th Century Architecture","url":"https://www.academia.edu/Documents/in/19th_Century_Architecture"},{"id":447621,"name":"Historicism in Architecture","url":"https://www.academia.edu/Documents/in/Historicism_in_Architecture"}],"urls":[{"id":24943093,"url":"https://czasopisma.ispan.pl/index.php/bhs/article/view/1352"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="81139592"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/81139592/Towarzystwo_Osiedli_Robotniczych_i_jego_dzia%C5%82alno%C5%9B%C4%87_na_rzecz_przezwyci%C4%99%C5%BCenia_kryzysu_mieszkaniowego_w_mi%C4%99dzywojennej_Polsce"><img alt="Research paper thumbnail of Towarzystwo Osiedli Robotniczych i jego działalność na rzecz przezwyciężenia kryzysu mieszkaniowego w międzywojennej Polsce" class="work-thumbnail" src="https://attachments.academia-assets.com/87288346/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81139592/Towarzystwo_Osiedli_Robotniczych_i_jego_dzia%C5%82alno%C5%9B%C4%87_na_rzecz_przezwyci%C4%99%C5%BCenia_kryzysu_mieszkaniowego_w_mi%C4%99dzywojennej_Polsce">Towarzystwo Osiedli Robotniczych i jego działalność na rzecz przezwyciężenia kryzysu mieszkaniowego w międzywojennej Polsce</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After the Great War, one of the most challenging obstacles of the newly recreated Polish state wa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e5d059c3211ec352364fdaf84b7fa0a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87288346,"asset_id":81139592,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87288346/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81139592"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81139592"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81139592; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=81139592]").text(description); $(".js-view-count[data-work-id=81139592]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 81139592; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='81139592']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 81139592, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e5d059c3211ec352364fdaf84b7fa0a" } } $('.js-work-strip[data-work-id=81139592]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":81139592,"title":"Towarzystwo Osiedli Robotniczych i jego działalność na rzecz przezwyciężenia kryzysu mieszkaniowego w międzywojennej Polsce","translated_title":"","metadata":{"abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...","publisher":"'Politechnika Lubelska'","publication_date":{"day":9,"month":2,"year":2021,"errors":{}}},"translated_abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="69693004"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/69693004/Rozw%C3%B3j_i_modernizacja_miast_Kr%C3%B3lestwa_Polskiego_w_kontek%C5%9Bcie_rozbudowy_sieci_kolejowej_na_przyk%C5%82adzie_Warszawy_Radomia_i_Piotrkowa_Przegl%C4%85d_zagadnie%C5%84"><img alt="Research paper thumbnail of Rozwój i modernizacja miast Królestwa Polskiego w kontekście rozbudowy sieci kolejowej na przykładzie Warszawy, Radomia i Piotrkowa. Przegląd zagadnień" class="work-thumbnail" src="https://attachments.academia-assets.com/79689782/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/69693004/Rozw%C3%B3j_i_modernizacja_miast_Kr%C3%B3lestwa_Polskiego_w_kontek%C5%9Bcie_rozbudowy_sieci_kolejowej_na_przyk%C5%82adzie_Warszawy_Radomia_i_Piotrkowa_Przegl%C4%85d_zagadnie%C5%84">Rozwój i modernizacja miast Królestwa Polskiego w kontekście rozbudowy sieci kolejowej na przykładzie Warszawy, Radomia i Piotrkowa. Przegląd zagadnień</a></div><div class="wp-workCard_item"><span>Miasto w naukach społecznych i humanistycznych. Wybrane przykłady, problemy i aspekty. Materiały z Ogólnopolskiej Konferencji Naukowej, Rzeszów, 2-3 lutego 2018 roku, red. T. Kasza, P. Kocańda, K. Socha, Rzeszów 2020</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Typical phenomena of both modernisation and development processes that occurred in the towns of C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Typical phenomena of both modernisation and development processes that occurred in the towns of Congress Poland in the second half of the 19th century are being discussed on the examples of three hubs – Warsaw, Radom and Piotrków. During the period of autonomy, the development of each of these cities was dominated by a political factor that disappeared in the inter-uprising period. From the 1840s on, the development of Warsaw and Piotrków was mainly stimulated by the extension of railway network. At the same time, the administrative factor dominated in Radom. It was not until the 1880s, when this town was connected to the railway network, that the period of its intensive development began.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="631486e8956011f9dfeabb5df69d83a8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79689782,"asset_id":69693004,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79689782/download_file?st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="69693004"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="69693004"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69693004; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69693004]").text(description); $(".js-view-count[data-work-id=69693004]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69693004; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='69693004']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 69693004, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "631486e8956011f9dfeabb5df69d83a8" } } $('.js-work-strip[data-work-id=69693004]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":69693004,"title":"Rozwój i modernizacja miast Królestwa Polskiego w kontekście rozbudowy sieci kolejowej na przykładzie Warszawy, Radomia i Piotrkowa. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="66936306"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/66936306/Society_of_Workers_Housing_Estates_and_its_attempt_to_overcome_the_residential_crisis_in_interwar_Poland"><img alt="Research paper thumbnail of Society of Workers’ Housing Estates and its attempt to overcome the residential crisis in interwar Poland" class="work-thumbnail" src="https://attachments.academia-assets.com/77943536/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/66936306/Society_of_Workers_Housing_Estates_and_its_attempt_to_overcome_the_residential_crisis_in_interwar_Poland">Society of Workers’ Housing Estates and its attempt to overcome the residential crisis in interwar Poland</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After the Great War, one of the most challenging obstacles of the newly recreated Polish state wa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a16d7502a549440ec2076235d3b850af" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77943536,"asset_id":66936306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77943536/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="66936306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="66936306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 66936306; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=66936306]").text(description); $(".js-view-count[data-work-id=66936306]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 66936306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='66936306']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 66936306, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a16d7502a549440ec2076235d3b850af" } } $('.js-work-strip[data-work-id=66936306]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":66936306,"title":"Society of Workers’ Housing Estates and its attempt to overcome the residential crisis in interwar Poland","translated_title":"","metadata":{"abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...","publication_date":{"day":null,"month":null,"year":2021,"errors":{}}},"translated_abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. 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O toposie starotestamentowego władcy w propagandzie królewskiej Stanisława Augusta" class="work-thumbnail" src="https://attachments.academia-assets.com/65396488/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44881639/_Salomon_na_tronie_O_toposie_starotestamentowego_w%C5%82adcy_w_propagandzie_kr%C3%B3lewskiej_Stanis%C5%82awa_Augusta">„Salomon na tronie”. O toposie starotestamentowego władcy w propagandzie królewskiej Stanisława Augusta</a></div><div class="wp-workCard_item"><span>Skłócony naród, król niepewny, szlachta dzika. Polska stanisławowska w świetle najnowszych badań</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Among the various propaganda creations used by king Stanisław August, one of the most interesting...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Among the various propaganda creations used by king Stanisław August, one of the most interesting but also the least recognized is the one based on the Old Testament king Solomon’s theme. Drawing on the history of his reign, this theme was widespread not only in the Jewish and Christian but also in the Islamic tradition. It appeared in the European literature and art in the Middle Ages and did not lose its popularity in the modern period. The first literary works and outstanding works of art in Poland drawn from the Salomon motif appeared during the reign of Sigismund I the Old. During the reign of Stanisław August it was used by both artists representing the court and king’s adversaries. At that time, many literary works were created whose authors, depending on the political orientation represented, pictured Stanisław August either as the personification of Solomonic features or their complete denial. Regardless of the character of the then literature and the attitude of the authors to the king, there is no doubt that one of the finest examples of using the motive of Solomonic virtues in relation to the last ruler of the Polish–Lithuanian Commonwealth was the painter's decoration of the central room of the Łazienki Palace - the Solomon Hall, which was one of the most outstanding works of art of Stanisław August’s reign.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3842f7e8b62fdbe002c366bda2d2a662" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65396488,"asset_id":44881639,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65396488/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44881639"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44881639"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44881639; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44881639]").text(description); $(".js-view-count[data-work-id=44881639]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44881639; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44881639']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44881639, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3842f7e8b62fdbe002c366bda2d2a662" } } $('.js-work-strip[data-work-id=44881639]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44881639,"title":"„Salomon na tronie”. 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At that time, many literary works were created whose authors, depending on the political orientation represented, pictured Stanisław August either as the personification of Solomonic features or their complete denial. Regardless of the character of the then literature and the attitude of the authors to the king, there is no doubt that one of the finest examples of using the motive of Solomonic virtues in relation to the last ruler of the Polish–Lithuanian Commonwealth was the painter's decoration of the central room of the Łazienki Palace - the Solomon Hall, which was one of the most outstanding works of art of Stanisław August’s reign.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Skłócony naród, król niepewny, szlachta dzika. 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Regardless of the character of the then literature and the attitude of the authors to the king, there is no doubt that one of the finest examples of using the motive of Solomonic virtues in relation to the last ruler of the Polish–Lithuanian Commonwealth was the painter's decoration of the central room of the Łazienki Palace - the Solomon Hall, which was one of the most outstanding works of art of Stanisław August’s reign.","internal_url":"https://www.academia.edu/44881639/_Salomon_na_tronie_O_toposie_starotestamentowego_w%C5%82adcy_w_propagandzie_kr%C3%B3lewskiej_Stanis%C5%82awa_Augusta","translated_internal_url":"","created_at":"2021-01-11T07:42:15.113-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":65396488,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65396488/thumbnails/1.jpg","file_name":"Frejtag_Salomon_na_tronie.pdf","download_url":"https://www.academia.edu/attachments/65396488/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salomon_na_tronie_O_toposie_starotestam.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65396488/Frejtag_Salomon_na_tronie-libre.pdf?1610383262=\u0026response-content-disposition=attachment%3B+filename%3DSalomon_na_tronie_O_toposie_starotestam.pdf\u0026Expires=1732434415\u0026Signature=GV8QpTSiP9qrp6~srYSQPFw996rgaVvk2lsTVT2vyEau8bwRYk77EQuBKYVDVmMT69TU3yp0lVx7QlZp-FH9IFyIIDUzgrgqCaK-TR7op-UsSC0axw1OLo9lpUCv76wx1KQfyAohWyyEfrbqsperczx8ZlFrF-4aaLOvnamJapDgnQX7OyUi0I2qylJZW3MWABRgXI-es0QhT0j0TMfjnbnjt2wL~zGpOPD0iM~UBN9eQf6tbo5WAA3Q1I9K~fE2dfH-n8eh2qyyavWJvJPx1exFf13bXyyM7dUNg5uDYXCKmosrmSPsD7Y7t3a8rMOJQKyvLZYFCHE9vLbUrvf6Mg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Salomon_na_tronie_O_toposie_starotestamentowego_władcy_w_propagandzie_królewskiej_Stanisława_Augusta","translated_slug":"","page_count":19,"language":"pl","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":65396488,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65396488/thumbnails/1.jpg","file_name":"Frejtag_Salomon_na_tronie.pdf","download_url":"https://www.academia.edu/attachments/65396488/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salomon_na_tronie_O_toposie_starotestam.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65396488/Frejtag_Salomon_na_tronie-libre.pdf?1610383262=\u0026response-content-disposition=attachment%3B+filename%3DSalomon_na_tronie_O_toposie_starotestam.pdf\u0026Expires=1732434415\u0026Signature=GV8QpTSiP9qrp6~srYSQPFw996rgaVvk2lsTVT2vyEau8bwRYk77EQuBKYVDVmMT69TU3yp0lVx7QlZp-FH9IFyIIDUzgrgqCaK-TR7op-UsSC0axw1OLo9lpUCv76wx1KQfyAohWyyEfrbqsperczx8ZlFrF-4aaLOvnamJapDgnQX7OyUi0I2qylJZW3MWABRgXI-es0QhT0j0TMfjnbnjt2wL~zGpOPD0iM~UBN9eQf6tbo5WAA3Q1I9K~fE2dfH-n8eh2qyyavWJvJPx1exFf13bXyyM7dUNg5uDYXCKmosrmSPsD7Y7t3a8rMOJQKyvLZYFCHE9vLbUrvf6Mg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment"},{"id":7072,"name":"XVIII century","url":"https://www.academia.edu/Documents/in/XVIII_century"},{"id":27831,"name":"18th Century","url":"https://www.academia.edu/Documents/in/18th_Century"},{"id":39556,"name":"History of the Polish-Lithuanian Commonwealth","url":"https://www.academia.edu/Documents/in/History_of_the_Polish-Lithuanian_Commonwealth"},{"id":186540,"name":"Royal propaganda","url":"https://www.academia.edu/Documents/in/Royal_propaganda"},{"id":306809,"name":"Stanislaw August Poniatowski","url":"https://www.academia.edu/Documents/in/Stanislaw_August_Poniatowski"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43532503"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43532503/Nowo%C5%BCytne_inspiracje_w_warszawskiej_architekturze_gmach%C3%B3w_publicznych_pierwszej_dekady_Niepodleg%C5%82o%C5%9Bci"><img alt="Research paper thumbnail of Nowożytne inspiracje w warszawskiej architekturze gmachów publicznych pierwszej dekady Niepodległości" class="work-thumbnail" src="https://attachments.academia-assets.com/63844123/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43532503/Nowo%C5%BCytne_inspiracje_w_warszawskiej_architekturze_gmach%C3%B3w_publicznych_pierwszej_dekady_Niepodleg%C5%82o%C5%9Bci">Nowożytne inspiracje w warszawskiej architekturze gmachów publicznych pierwszej dekady Niepodległości</a></div><div class="wp-workCard_item"><span>Wolność - niepodległość : zbiór studiów interdyscyplinarnych</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">At a time when Poland regained its independence Warsaw was almost completely deprived of the arch...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">At a time when Poland regained its independence Warsaw was almost completely deprived of the architectural signs of its role as a capital of the state. In such circumstances, one of the most important issues challenged by Polish architects was to create a new type of public utility buildings architecture. Initially, the reference was made mostly to the historical forms, inspired primarily by the Baroque and Neoclassical architecture. In 1920s a number of buildings were built in Warsaw that drew from both types of architecture and architects creatively processed their characteristic motives, often considered as native. Ultimately, due to the growing influence of modernism, a completely new kind of representative and monumental architecture of public utility buildings was created, which successfully filled the century-long delay of Warsaw in this type of construction.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41552fe1f2454d2f8aa04e1a45622e88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63844123,"asset_id":43532503,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63844123/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43532503"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43532503"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43532503; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43532503]").text(description); $(".js-view-count[data-work-id=43532503]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43532503; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43532503']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43532503, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41552fe1f2454d2f8aa04e1a45622e88" } } $('.js-work-strip[data-work-id=43532503]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43532503,"title":"Nowożytne inspiracje w warszawskiej architekturze\r\ngmachów publicznych pierwszej dekady Niepodległości","translated_title":"","metadata":{"abstract":"At a time when Poland regained its independence Warsaw was almost completely deprived of the architectural signs of its role as a capital of the state. In such circumstances, one of the most important issues challenged by Polish architects was to create a new type of public utility buildings architecture. Initially, the reference was made mostly to the historical forms, inspired primarily by the Baroque and Neoclassical architecture. In 1920s a number of buildings were built in Warsaw that drew from both types of architecture and architects creatively processed their characteristic motives, often considered as native. Ultimately, due to the growing influence of modernism, a completely new kind of representative and monumental architecture of public utility buildings was created, which successfully filled the century-long delay of Warsaw in this type of construction.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Wolność - niepodległość : zbiór studiów interdyscyplinarnych"},"translated_abstract":"At a time when Poland regained its independence Warsaw was almost completely deprived of the architectural signs of its role as a capital of the state. In such circumstances, one of the most important issues challenged by Polish architects was to create a new type of public utility buildings architecture. Initially, the reference was made mostly to the historical forms, inspired primarily by the Baroque and Neoclassical architecture. In 1920s a number of buildings were built in Warsaw that drew from both types of architecture and architects creatively processed their characteristic motives, often considered as native. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43317381"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43317381/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom"><img alt="Research paper thumbnail of Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom" class="work-thumbnail" src="https://attachments.academia-assets.com/63599185/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43317381/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom">Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom</a></div><div class="wp-workCard_item"><span>Ikonotheka</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The issue of construction projects conducted by the Germans in occupied Poland is researched with...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="29e406ba5b7216e53cb271355c4d74f7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63599185,"asset_id":43317381,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63599185/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43317381"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43317381"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43317381; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43317381]").text(description); $(".js-view-count[data-work-id=43317381]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43317381; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43317381']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43317381, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "29e406ba5b7216e53cb271355c4d74f7" } } $('.js-work-strip[data-work-id=43317381]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43317381,"title":"Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom","translated_title":"","metadata":{"doi":"10.5604/01.3001.0013.3345","volume":"28","abstract":"The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. 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Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.","page_numbers":"97-120","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Ikonotheka"},"translated_abstract":"The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.","internal_url":"https://www.academia.edu/43317381/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom","translated_internal_url":"","created_at":"2020-06-11T09:47:12.113-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":63599185,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63599185/thumbnails/1.jpg","file_name":"Frejtag_Ikonotheka_2820200611-23526-77lckx.pdf","download_url":"https://www.academia.edu/attachments/63599185/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Turning_Polish_Boxes_into_German_Houses.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63599185/Frejtag_Ikonotheka_2820200611-23526-77lckx-libre.pdf?1591895245=\u0026response-content-disposition=attachment%3B+filename%3DTurning_Polish_Boxes_into_German_Houses.pdf\u0026Expires=1732434415\u0026Signature=CGX0VnJBvunzUT-fUqbBDEk34qmZRqvWsBaTCnr3lUJhTWJ~cRBPv6-IB48zdqQj72OqLYpzjPaYi1hg64miz2w5lrEDZ2UJS1IEg4ZPrcwxSCeTl3YecmePf0wVCNz0QqBsQ5SphWYRmY4q5-2gA8gNJtfRR-HvAdD2KlfeHh1spCk3ha1u9acvMSFalvXQScVp7NgA0WwDvB8ED9yTr0iVKe~rRvknUgsvFF2Cv2ePUV~0dYdFvw6AN0FtUvBp2qDLq5pb1o8kB4oySDw~nLsvjdF~~IvlqhNTo925G-qEvB-02hVULDlhKRNROIs0KIr-KSZtCndHCXbUcxt6Kg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom","translated_slug":"","page_count":24,"language":"en","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":63599185,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63599185/thumbnails/1.jpg","file_name":"Frejtag_Ikonotheka_2820200611-23526-77lckx.pdf","download_url":"https://www.academia.edu/attachments/63599185/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Turning_Polish_Boxes_into_German_Houses.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63599185/Frejtag_Ikonotheka_2820200611-23526-77lckx-libre.pdf?1591895245=\u0026response-content-disposition=attachment%3B+filename%3DTurning_Polish_Boxes_into_German_Houses.pdf\u0026Expires=1732434415\u0026Signature=CGX0VnJBvunzUT-fUqbBDEk34qmZRqvWsBaTCnr3lUJhTWJ~cRBPv6-IB48zdqQj72OqLYpzjPaYi1hg64miz2w5lrEDZ2UJS1IEg4ZPrcwxSCeTl3YecmePf0wVCNz0QqBsQ5SphWYRmY4q5-2gA8gNJtfRR-HvAdD2KlfeHh1spCk3ha1u9acvMSFalvXQScVp7NgA0WwDvB8ED9yTr0iVKe~rRvknUgsvFF2Cv2ePUV~0dYdFvw6AN0FtUvBp2qDLq5pb1o8kB4oySDw~nLsvjdF~~IvlqhNTo925G-qEvB-02hVULDlhKRNROIs0KIr-KSZtCndHCXbUcxt6Kg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3410,"name":"Urban History","url":"https://www.academia.edu/Documents/in/Urban_History"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10455354" id="papers"><div class="js-work-strip profile--work_container" data-work-id="117465597"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/117465597/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom"><img alt="Research paper thumbnail of Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117465597/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom">Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom</a></div><div class="wp-workCard_item"><span>Ikonotheka</span><span>, Aug 6, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The issue of construction projects conducted by the Germans in occupied Poland is researched with...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117465597"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117465597"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117465597; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117465597]").text(description); $(".js-view-count[data-work-id=117465597]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117465597; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117465597']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 117465597, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=117465597]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117465597,"title":"Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom","translated_title":"","metadata":{"abstract":"The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.","publisher":"University of Warsaw - Warsaw University Press","publication_date":{"day":6,"month":8,"year":2019,"errors":{}},"publication_name":"Ikonotheka"},"translated_abstract":"The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.","internal_url":"https://www.academia.edu/117465597/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom","translated_internal_url":"","created_at":"2024-04-14T01:21:36.490-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":3410,"name":"Urban History","url":"https://www.academia.edu/Documents/in/Urban_History"},{"id":32175,"name":"German","url":"https://www.academia.edu/Documents/in/German"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture"},{"id":635748,"name":"History of Architecture","url":"https://www.academia.edu/Documents/in/History_of_Architecture-1"}],"urls":[{"id":41078571,"url":"https://doi.org/10.5604/01.3001.0013.3345"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="117465596"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/117465596/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku"><img alt="Research paper thumbnail of „Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku" class="work-thumbnail" src="https://attachments.academia-assets.com/113315500/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117465596/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku">„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku</a></div><div class="wp-workCard_item"><span>Biuletyn Historii Sztuki</span><span>, Sep 12, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="625eb9f5c287d1f9a6f06f03727bbfab" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113315500,"asset_id":117465596,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113315500/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117465596"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117465596"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117465596; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117465596]").text(description); $(".js-view-count[data-work-id=117465596]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117465596; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117465596']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 117465596, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "625eb9f5c287d1f9a6f06f03727bbfab" } } $('.js-work-strip[data-work-id=117465596]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117465596,"title":"„Gotyk jakby z koronki dziergany”. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="95690961"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/95690961/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku"><img alt="Research paper thumbnail of „Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku" class="work-thumbnail" src="https://attachments.academia-assets.com/97803351/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/95690961/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku">„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku</a></div><div class="wp-workCard_item"><span>Biuletyn Historii Sztuki</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form ar...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form architektonicznych. Jedną z najbardziej popularnych w ówczesnym Królestwie Polskim kreacji stylistycznych tego typu był tzw. styl wiślano-bałtycki. Do jego rozpowszechnienia istotnie przyczyniła się twórczość Józefa Piusa Dziekońskiego, za którego sprawą szereg miejscowości Królestwa Polskiego ozdobiły sylwety owych „gotyckich”, „jakby z koronki dzierganych” świątyń. Jedną z nich był zaprojektowany dla Radomia kościół Opieki Najświętszej Marii Panny. W niniejszej pracy ukazano wpływ, jaki zaistnienie w przestrzeni Radomia tej neogotyckiej świątyni wywarło na twórczość miejscowych architektów, którzy poprzez zastosowanie we własnych dziełach spopularyzowanych przezeń form stylistycznych na stałe wprowadzili je do panoramy architektonicznej tego miasta.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d65a2bb680cfd706d7cb254a818c5099" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":97803351,"asset_id":95690961,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/97803351/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="95690961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="95690961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 95690961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=95690961]").text(description); $(".js-view-count[data-work-id=95690961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 95690961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='95690961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 95690961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d65a2bb680cfd706d7cb254a818c5099" } } $('.js-work-strip[data-work-id=95690961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":95690961,"title":"„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku","translated_title":"","metadata":{"abstract":"Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form architektonicznych. Jedną z najbardziej popularnych w ówczesnym Królestwie Polskim kreacji stylistycznych tego typu był tzw. styl wiślano-bałtycki. Do jego rozpowszechnienia istotnie przyczyniła się twórczość Józefa Piusa Dziekońskiego, za którego sprawą szereg miejscowości Królestwa Polskiego ozdobiły sylwety owych „gotyckich”, „jakby z koronki dzierganych” świątyń. Jedną z nich był zaprojektowany dla Radomia kościół Opieki Najświętszej Marii Panny. W niniejszej pracy ukazano wpływ, jaki zaistnienie w przestrzeni Radomia tej neogotyckiej świątyni wywarło na twórczość miejscowych architektów, którzy poprzez zastosowanie we własnych dziełach spopularyzowanych przezeń form stylistycznych na stałe wprowadzili je do panoramy architektonicznej tego miasta.","publisher":"Instytut Sztuki Polskiej Akademii Nauk","publication_name":"Biuletyn Historii Sztuki"},"translated_abstract":"Przełom XIX i XX stulecia to na ziemiach polskich okres intensywnych poszukiwań rodzimych form architektonicznych. Jedną z najbardziej popularnych w ówczesnym Królestwie Polskim kreacji stylistycznych tego typu był tzw. styl wiślano-bałtycki. Do jego rozpowszechnienia istotnie przyczyniła się twórczość Józefa Piusa Dziekońskiego, za którego sprawą szereg miejscowości Królestwa Polskiego ozdobiły sylwety owych „gotyckich”, „jakby z koronki dzierganych” świątyń. Jedną z nich był zaprojektowany dla Radomia kościół Opieki Najświętszej Marii Panny. W niniejszej pracy ukazano wpływ, jaki zaistnienie w przestrzeni Radomia tej neogotyckiej świątyni wywarło na twórczość miejscowych architektów, którzy poprzez zastosowanie we własnych dziełach spopularyzowanych przezeń form stylistycznych na stałe wprowadzili je do panoramy architektonicznej tego miasta.","internal_url":"https://www.academia.edu/95690961/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku","translated_internal_url":"","created_at":"2023-01-25T13:00:40.669-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":97803351,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97803351/thumbnails/1.jpg","file_name":"801.pdf","download_url":"https://www.academia.edu/attachments/97803351/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Gotyk_jakby_z_koronki_dziergany_Recepcj.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97803351/801-libre.pdf?1674682111=\u0026response-content-disposition=attachment%3B+filename%3DGotyk_jakby_z_koronki_dziergany_Recepcj.pdf\u0026Expires=1732434414\u0026Signature=O1qlaR2DqjCV5-CcXuzQQo4EG1ijdPi-NS2tCKamk2MqnHGPMlkLNwLv-n4s1Z7xyVNSFcfotPlgO9XlkbRW~R0Mzw3ELBWrW3D8QRliTo3rylC8urW~Akee9Qz1YgyCSfo56iFBj2HqmAdRJlxn7pxRFarSvBMZXg3B6Oqjwaw0Ms92kVCFNtZdRlDV3fo6-Y4WyHwyLGNPJXRRKGeD652F0wV-9X4ZTOMF1KDCJhMiHlF8TMeBKFtKew950kuAjPX0Zu691DZfJEuGvdS15DxXi7eGQ4SRsovhjpUdDQwMYATuC2lcwzVrLIPqQhRbGxckLbwooySzFOWpEKFS8A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wiślano_bałtyckiego_w_twórczości_radomskich_architektów_przełomu_XIX_i_XX_wieku","translated_slug":"","page_count":38,"language":"pl","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":97803351,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/97803351/thumbnails/1.jpg","file_name":"801.pdf","download_url":"https://www.academia.edu/attachments/97803351/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Gotyk_jakby_z_koronki_dziergany_Recepcj.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/97803351/801-libre.pdf?1674682111=\u0026response-content-disposition=attachment%3B+filename%3DGotyk_jakby_z_koronki_dziergany_Recepcj.pdf\u0026Expires=1732434414\u0026Signature=O1qlaR2DqjCV5-CcXuzQQo4EG1ijdPi-NS2tCKamk2MqnHGPMlkLNwLv-n4s1Z7xyVNSFcfotPlgO9XlkbRW~R0Mzw3ELBWrW3D8QRliTo3rylC8urW~Akee9Qz1YgyCSfo56iFBj2HqmAdRJlxn7pxRFarSvBMZXg3B6Oqjwaw0Ms92kVCFNtZdRlDV3fo6-Y4WyHwyLGNPJXRRKGeD652F0wV-9X4ZTOMF1KDCJhMiHlF8TMeBKFtKew950kuAjPX0Zu691DZfJEuGvdS15DxXi7eGQ4SRsovhjpUdDQwMYATuC2lcwzVrLIPqQhRbGxckLbwooySzFOWpEKFS8A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture"},{"id":34395,"name":"Gothic Revival Architecture","url":"https://www.academia.edu/Documents/in/Gothic_Revival_Architecture"},{"id":40055,"name":"Architecture History","url":"https://www.academia.edu/Documents/in/Architecture_History"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture"},{"id":47024,"name":"Polish Art and Architecture","url":"https://www.academia.edu/Documents/in/Polish_Art_and_Architecture"},{"id":99292,"name":"Russian Architecture","url":"https://www.academia.edu/Documents/in/Russian_Architecture"},{"id":447621,"name":"Historicism in Architecture","url":"https://www.academia.edu/Documents/in/Historicism_in_Architecture"},{"id":635748,"name":"History of Architecture","url":"https://www.academia.edu/Documents/in/History_of_Architecture-1"}],"urls":[{"id":28392811,"url":"https://czasopisma.ispan.pl/index.php/bhs/article/download/1352/801"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="88819498"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/88819498/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku"><img alt="Research paper thumbnail of „Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku" class="work-thumbnail" src="https://attachments.academia-assets.com/92722214/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88819498/_Gotyk_jakby_z_koronki_dziergany_Recepcja_stylu_wi%C5%9Blano_ba%C5%82tyckiego_w_tw%C3%B3rczo%C5%9Bci_radomskich_architekt%C3%B3w_prze%C5%82omu_XIX_i_XX_wieku">„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku</a></div><div class="wp-workCard_item"><span>Biuletyn Historii Sztuki</span><span>, Jun 24, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The turn of the 19th century throughout Polish territories was the period of an intense search fo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The turn of the 19th century throughout Polish territories was the period of an intense search for native architectural forms. One of the most popular stylistic creations of the time in the Congress Kingdom of Poland was the so-called Vistula-Baltic style. It was the output of Józef Pius Dziekoński that substantially contributed to popularizing it. Thanks to him, a number of localities of the Kingdom were adorned with the silhouettes of those 'Gothic', 'as if lace-knitted' churches. One of them was the Church of the Protection of Our Lady designed for Radom. The present paper depicts the impact the Gothic Revival church's emergence within Radom's space had on the oeuvre of the local architects who by using the stylistic forms popularized by Dziekoński introduced them permanently into the architectural panorama of the city.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aa5cd2caeea336e3239ac46b6b17ea9e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92722214,"asset_id":88819498,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92722214/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88819498"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88819498"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88819498; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88819498]").text(description); $(".js-view-count[data-work-id=88819498]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88819498; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88819498']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 88819498, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "aa5cd2caeea336e3239ac46b6b17ea9e" } } $('.js-work-strip[data-work-id=88819498]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88819498,"title":"„Gotyk jakby z koronki dziergany”. Recepcja „stylu wiślano-bałtyckiego” w twórczości radomskich architektów przełomu XIX i XX wieku","translated_title":"","metadata":{"doi":"10.36744/bhs.1352","issue":"1","volume":"84","abstract":"The turn of the 19th century throughout Polish territories was the period of an intense search for native architectural forms. One of the most popular stylistic creations of the time in the Congress Kingdom of Poland was the so-called Vistula-Baltic style. It was the output of Józef Pius Dziekoński that substantially contributed to popularizing it. Thanks to him, a number of localities of the Kingdom were adorned with the silhouettes of those 'Gothic', 'as if lace-knitted' churches. One of them was the Church of the Protection of Our Lady designed for Radom. 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Thanks to him, a number of localities of the Kingdom were adorned with the silhouettes of those 'Gothic', 'as if lace-knitted' churches. One of them was the Church of the Protection of Our Lady designed for Radom. The present paper depicts the impact the Gothic Revival church's emergence within Radom's space had on the oeuvre of the local architects who by using the stylistic forms popularized by Dziekoński introduced them permanently into the architectural panorama of the 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mieszkaniowego w międzywojennej Polsce" class="work-thumbnail" src="https://attachments.academia-assets.com/87288346/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/81139592/Towarzystwo_Osiedli_Robotniczych_i_jego_dzia%C5%82alno%C5%9B%C4%87_na_rzecz_przezwyci%C4%99%C5%BCenia_kryzysu_mieszkaniowego_w_mi%C4%99dzywojennej_Polsce">Towarzystwo Osiedli Robotniczych i jego działalność na rzecz przezwyciężenia kryzysu mieszkaniowego w międzywojennej Polsce</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After the Great War, one of the most challenging obstacles of the newly recreated Polish state wa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e5d059c3211ec352364fdaf84b7fa0a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":87288346,"asset_id":81139592,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/87288346/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="81139592"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="81139592"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 81139592; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=81139592]").text(description); $(".js-view-count[data-work-id=81139592]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 81139592; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='81139592']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 81139592, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e5d059c3211ec352364fdaf84b7fa0a" } } $('.js-work-strip[data-work-id=81139592]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":81139592,"title":"Towarzystwo Osiedli Robotniczych i jego działalność na rzecz przezwyciężenia kryzysu mieszkaniowego w międzywojennej Polsce","translated_title":"","metadata":{"abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="69693004"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/69693004/Rozw%C3%B3j_i_modernizacja_miast_Kr%C3%B3lestwa_Polskiego_w_kontek%C5%9Bcie_rozbudowy_sieci_kolejowej_na_przyk%C5%82adzie_Warszawy_Radomia_i_Piotrkowa_Przegl%C4%85d_zagadnie%C5%84"><img alt="Research paper thumbnail of Rozwój i modernizacja miast Królestwa Polskiego w kontekście rozbudowy sieci kolejowej na przykładzie Warszawy, Radomia i Piotrkowa. Przegląd zagadnień" class="work-thumbnail" src="https://attachments.academia-assets.com/79689782/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/69693004/Rozw%C3%B3j_i_modernizacja_miast_Kr%C3%B3lestwa_Polskiego_w_kontek%C5%9Bcie_rozbudowy_sieci_kolejowej_na_przyk%C5%82adzie_Warszawy_Radomia_i_Piotrkowa_Przegl%C4%85d_zagadnie%C5%84">Rozwój i modernizacja miast Królestwa Polskiego w kontekście rozbudowy sieci kolejowej na przykładzie Warszawy, Radomia i Piotrkowa. Przegląd zagadnień</a></div><div class="wp-workCard_item"><span>Miasto w naukach społecznych i humanistycznych. Wybrane przykłady, problemy i aspekty. Materiały z Ogólnopolskiej Konferencji Naukowej, Rzeszów, 2-3 lutego 2018 roku, red. T. Kasza, P. Kocańda, K. Socha, Rzeszów 2020</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Typical phenomena of both modernisation and development processes that occurred in the towns of C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Typical phenomena of both modernisation and development processes that occurred in the towns of Congress Poland in the second half of the 19th century are being discussed on the examples of three hubs – Warsaw, Radom and Piotrków. During the period of autonomy, the development of each of these cities was dominated by a political factor that disappeared in the inter-uprising period. From the 1840s on, the development of Warsaw and Piotrków was mainly stimulated by the extension of railway network. At the same time, the administrative factor dominated in Radom. It was not until the 1880s, when this town was connected to the railway network, that the period of its intensive development began.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="631486e8956011f9dfeabb5df69d83a8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79689782,"asset_id":69693004,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79689782/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="69693004"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="69693004"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69693004; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69693004]").text(description); $(".js-view-count[data-work-id=69693004]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69693004; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='69693004']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 69693004, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "631486e8956011f9dfeabb5df69d83a8" } } $('.js-work-strip[data-work-id=69693004]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":69693004,"title":"Rozwój i modernizacja miast Królestwa Polskiego w kontekście rozbudowy sieci kolejowej na przykładzie Warszawy, Radomia i Piotrkowa. Przegląd zagadnień","translated_title":"","metadata":{"abstract":"Typical phenomena of both modernisation and development processes that occurred in the towns of Congress Poland in the second half of the 19th century are being discussed on the examples of three hubs – Warsaw, Radom and Piotrków. During the period of autonomy, the development of each of these cities was dominated by a political factor that disappeared in the inter-uprising period. From the 1840s on, the development of Warsaw and Piotrków was mainly stimulated by the extension of railway network. At the same time, the administrative factor dominated in Radom. It was not until the 1880s, when this town was connected to the railway network, that the period of its intensive development began.","page_numbers":"77-103","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Miasto w naukach społecznych i humanistycznych. Wybrane przykłady, problemy i aspekty. 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It was not until the 1880s, when this town was connected to the railway network, that the period of its intensive development began.","internal_url":"https://www.academia.edu/69693004/Rozw%C3%B3j_i_modernizacja_miast_Kr%C3%B3lestwa_Polskiego_w_kontek%C5%9Bcie_rozbudowy_sieci_kolejowej_na_przyk%C5%82adzie_Warszawy_Radomia_i_Piotrkowa_Przegl%C4%85d_zagadnie%C5%84","translated_internal_url":"","created_at":"2022-01-27T15:45:29.753-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":79689782,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/79689782/thumbnails/1.jpg","file_name":"Frejtag_Rozwoj_i_modernizacja_miast_Krolestwa_Polskiego.pdf","download_url":"https://www.academia.edu/attachments/79689782/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Rozwoj_i_modernizacja_miast_Krolestwa_Po.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/79689782/Frejtag_Rozwoj_i_modernizacja_miast_Krolestwa_Polskiego-libre.pdf?1643474988=\u0026response-content-disposition=attachment%3B+filename%3DRozwoj_i_modernizacja_miast_Krolestwa_Po.pdf\u0026Expires=1732434414\u0026Signature=XTrp1Ju2PY6JABMNfS085RVbWdlvPde6-qHinM~pz2Jo8kBAnm6HgIna4rRwmIZA4QEzGs56y1YV6EUcCHXKV4gLoKDKXFgdOdYHdqMZd5PbiPhVE5s52vUtJjs7WRjGQ01cUgkzJEAx6OJCuK0p8wfx4iS-z7xRGfzpliMxwHqZ1nxyGLT1m3jBmcpAZf32QFY52R1eiE-53Hu94QuxP3T3XTNTTx-V4KNeNE8CxSLF2yH4yMjJg9AssRlr-Mvg8WBWTkBPIuu8znLwXgTQ6DgiGgcDBOZ7UaBwR7S7AZsP7vC-QAqdQclZa-YPQSRhuvnZVUNZQrV~wEdMgtl74Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Rozwój_i_modernizacja_miast_Królestwa_Polskiego_w_kontekście_rozbudowy_sieci_kolejowej_na_przykładzie_Warszawy_Radomia_i_Piotrkowa_Przegląd_zagadnień","translated_slug":"","page_count":27,"language":"pl","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":79689782,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/79689782/thumbnails/1.jpg","file_name":"Frejtag_Rozwoj_i_modernizacja_miast_Krolestwa_Polskiego.pdf","download_url":"https://www.academia.edu/attachments/79689782/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Rozwoj_i_modernizacja_miast_Krolestwa_Po.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/79689782/Frejtag_Rozwoj_i_modernizacja_miast_Krolestwa_Polskiego-libre.pdf?1643474988=\u0026response-content-disposition=attachment%3B+filename%3DRozwoj_i_modernizacja_miast_Krolestwa_Po.pdf\u0026Expires=1732434414\u0026Signature=XTrp1Ju2PY6JABMNfS085RVbWdlvPde6-qHinM~pz2Jo8kBAnm6HgIna4rRwmIZA4QEzGs56y1YV6EUcCHXKV4gLoKDKXFgdOdYHdqMZd5PbiPhVE5s52vUtJjs7WRjGQ01cUgkzJEAx6OJCuK0p8wfx4iS-z7xRGfzpliMxwHqZ1nxyGLT1m3jBmcpAZf32QFY52R1eiE-53Hu94QuxP3T3XTNTTx-V4KNeNE8CxSLF2yH4yMjJg9AssRlr-Mvg8WBWTkBPIuu8znLwXgTQ6DgiGgcDBOZ7UaBwR7S7AZsP7vC-QAqdQclZa-YPQSRhuvnZVUNZQrV~wEdMgtl74Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3410,"name":"Urban History","url":"https://www.academia.edu/Documents/in/Urban_History"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="66936306"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/66936306/Society_of_Workers_Housing_Estates_and_its_attempt_to_overcome_the_residential_crisis_in_interwar_Poland"><img alt="Research paper thumbnail of Society of Workers’ Housing Estates and its attempt to overcome the residential crisis in interwar Poland" class="work-thumbnail" src="https://attachments.academia-assets.com/77943536/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/66936306/Society_of_Workers_Housing_Estates_and_its_attempt_to_overcome_the_residential_crisis_in_interwar_Poland">Society of Workers’ Housing Estates and its attempt to overcome the residential crisis in interwar Poland</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">After the Great War, one of the most challenging obstacles of the newly recreated Polish state wa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a16d7502a549440ec2076235d3b850af" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":77943536,"asset_id":66936306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/77943536/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="66936306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="66936306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 66936306; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=66936306]").text(description); $(".js-view-count[data-work-id=66936306]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 66936306; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='66936306']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 66936306, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a16d7502a549440ec2076235d3b850af" } } $('.js-work-strip[data-work-id=66936306]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":66936306,"title":"Society of Workers’ Housing Estates and its attempt to overcome the residential crisis in interwar Poland","translated_title":"","metadata":{"abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. All these in...","publication_date":{"day":null,"month":null,"year":2021,"errors":{}}},"translated_abstract":"After the Great War, one of the most challenging obstacles of the newly recreated Polish state was to ensure residential space for the group of citizens most vulnerable to exclusion. Labourers indeed required an inexpensive and modest habitations maintaining modern sanitary standards. Such facilities were underrepresented in Poland at that time. Mostly overpriced and unsanitary flats were offered in 19th-century housing. Also new housing, although with all modern amenities, did not provide flats with parameters that could meet the expectations of the least wealthy of labourers. In such circumstances, at the end of 1934, a new state-owned company was created – the Society of Workers’ Housing Estate (Towarzystwo Osiedli Robotniczych). Its aim was to build and grant loans for the construction of residential areas with flats meeting the needs of the lower-class labourers. Despite the difficulties, up to 1939, thousands of new flats were built under the Society’s initiative. 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O toposie starotestamentowego władcy w propagandzie królewskiej Stanisława Augusta" class="work-thumbnail" src="https://attachments.academia-assets.com/65396488/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44881639/_Salomon_na_tronie_O_toposie_starotestamentowego_w%C5%82adcy_w_propagandzie_kr%C3%B3lewskiej_Stanis%C5%82awa_Augusta">„Salomon na tronie”. O toposie starotestamentowego władcy w propagandzie królewskiej Stanisława Augusta</a></div><div class="wp-workCard_item"><span>Skłócony naród, król niepewny, szlachta dzika. Polska stanisławowska w świetle najnowszych badań</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Among the various propaganda creations used by king Stanisław August, one of the most interesting...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Among the various propaganda creations used by king Stanisław August, one of the most interesting but also the least recognized is the one based on the Old Testament king Solomon’s theme. Drawing on the history of his reign, this theme was widespread not only in the Jewish and Christian but also in the Islamic tradition. It appeared in the European literature and art in the Middle Ages and did not lose its popularity in the modern period. The first literary works and outstanding works of art in Poland drawn from the Salomon motif appeared during the reign of Sigismund I the Old. During the reign of Stanisław August it was used by both artists representing the court and king’s adversaries. At that time, many literary works were created whose authors, depending on the political orientation represented, pictured Stanisław August either as the personification of Solomonic features or their complete denial. Regardless of the character of the then literature and the attitude of the authors to the king, there is no doubt that one of the finest examples of using the motive of Solomonic virtues in relation to the last ruler of the Polish–Lithuanian Commonwealth was the painter's decoration of the central room of the Łazienki Palace - the Solomon Hall, which was one of the most outstanding works of art of Stanisław August’s reign.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3842f7e8b62fdbe002c366bda2d2a662" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65396488,"asset_id":44881639,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65396488/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44881639"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44881639"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44881639; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44881639]").text(description); $(".js-view-count[data-work-id=44881639]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44881639; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44881639']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 44881639, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3842f7e8b62fdbe002c366bda2d2a662" } } $('.js-work-strip[data-work-id=44881639]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44881639,"title":"„Salomon na tronie”. O toposie starotestamentowego władcy w propagandzie królewskiej Stanisława Augusta","translated_title":"","metadata":{"abstract":"Among the various propaganda creations used by king Stanisław August, one of the most interesting but also the least recognized is the one based on the Old Testament king Solomon’s theme. Drawing on the history of his reign, this theme was widespread not only in the Jewish and Christian but also in the Islamic tradition. It appeared in the European literature and art in the Middle Ages and did not lose its popularity in the modern period. The first literary works and outstanding works of art in Poland drawn from the Salomon motif appeared during the reign of Sigismund I the Old. During the reign of Stanisław August it was used by both artists representing the court and king’s adversaries. At that time, many literary works were created whose authors, depending on the political orientation represented, pictured Stanisław August either as the personification of Solomonic features or their complete denial. Regardless of the character of the then literature and the attitude of the authors to the king, there is no doubt that one of the finest examples of using the motive of Solomonic virtues in relation to the last ruler of the Polish–Lithuanian Commonwealth was the painter's decoration of the central room of the Łazienki Palace - the Solomon Hall, which was one of the most outstanding works of art of Stanisław August’s reign.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Skłócony naród, król niepewny, szlachta dzika. Polska stanisławowska w świetle najnowszych badań"},"translated_abstract":"Among the various propaganda creations used by king Stanisław August, one of the most interesting but also the least recognized is the one based on the Old Testament king Solomon’s theme. Drawing on the history of his reign, this theme was widespread not only in the Jewish and Christian but also in the Islamic tradition. It appeared in the European literature and art in the Middle Ages and did not lose its popularity in the modern period. The first literary works and outstanding works of art in Poland drawn from the Salomon motif appeared during the reign of Sigismund I the Old. During the reign of Stanisław August it was used by both artists representing the court and king’s adversaries. At that time, many literary works were created whose authors, depending on the political orientation represented, pictured Stanisław August either as the personification of Solomonic features or their complete denial. Regardless of the character of the then literature and the attitude of the authors to the king, there is no doubt that one of the finest examples of using the motive of Solomonic virtues in relation to the last ruler of the Polish–Lithuanian Commonwealth was the painter's decoration of the central room of the Łazienki Palace - the Solomon Hall, which was one of the most outstanding works of art of Stanisław August’s reign.","internal_url":"https://www.academia.edu/44881639/_Salomon_na_tronie_O_toposie_starotestamentowego_w%C5%82adcy_w_propagandzie_kr%C3%B3lewskiej_Stanis%C5%82awa_Augusta","translated_internal_url":"","created_at":"2021-01-11T07:42:15.113-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":65396488,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65396488/thumbnails/1.jpg","file_name":"Frejtag_Salomon_na_tronie.pdf","download_url":"https://www.academia.edu/attachments/65396488/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salomon_na_tronie_O_toposie_starotestam.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65396488/Frejtag_Salomon_na_tronie-libre.pdf?1610383262=\u0026response-content-disposition=attachment%3B+filename%3DSalomon_na_tronie_O_toposie_starotestam.pdf\u0026Expires=1732434415\u0026Signature=GV8QpTSiP9qrp6~srYSQPFw996rgaVvk2lsTVT2vyEau8bwRYk77EQuBKYVDVmMT69TU3yp0lVx7QlZp-FH9IFyIIDUzgrgqCaK-TR7op-UsSC0axw1OLo9lpUCv76wx1KQfyAohWyyEfrbqsperczx8ZlFrF-4aaLOvnamJapDgnQX7OyUi0I2qylJZW3MWABRgXI-es0QhT0j0TMfjnbnjt2wL~zGpOPD0iM~UBN9eQf6tbo5WAA3Q1I9K~fE2dfH-n8eh2qyyavWJvJPx1exFf13bXyyM7dUNg5uDYXCKmosrmSPsD7Y7t3a8rMOJQKyvLZYFCHE9vLbUrvf6Mg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Salomon_na_tronie_O_toposie_starotestamentowego_władcy_w_propagandzie_królewskiej_Stanisława_Augusta","translated_slug":"","page_count":19,"language":"pl","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":65396488,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65396488/thumbnails/1.jpg","file_name":"Frejtag_Salomon_na_tronie.pdf","download_url":"https://www.academia.edu/attachments/65396488/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Salomon_na_tronie_O_toposie_starotestam.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65396488/Frejtag_Salomon_na_tronie-libre.pdf?1610383262=\u0026response-content-disposition=attachment%3B+filename%3DSalomon_na_tronie_O_toposie_starotestam.pdf\u0026Expires=1732434415\u0026Signature=GV8QpTSiP9qrp6~srYSQPFw996rgaVvk2lsTVT2vyEau8bwRYk77EQuBKYVDVmMT69TU3yp0lVx7QlZp-FH9IFyIIDUzgrgqCaK-TR7op-UsSC0axw1OLo9lpUCv76wx1KQfyAohWyyEfrbqsperczx8ZlFrF-4aaLOvnamJapDgnQX7OyUi0I2qylJZW3MWABRgXI-es0QhT0j0TMfjnbnjt2wL~zGpOPD0iM~UBN9eQf6tbo5WAA3Q1I9K~fE2dfH-n8eh2qyyavWJvJPx1exFf13bXyyM7dUNg5uDYXCKmosrmSPsD7Y7t3a8rMOJQKyvLZYFCHE9vLbUrvf6Mg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment"},{"id":7072,"name":"XVIII century","url":"https://www.academia.edu/Documents/in/XVIII_century"},{"id":27831,"name":"18th Century","url":"https://www.academia.edu/Documents/in/18th_Century"},{"id":39556,"name":"History of the Polish-Lithuanian Commonwealth","url":"https://www.academia.edu/Documents/in/History_of_the_Polish-Lithuanian_Commonwealth"},{"id":186540,"name":"Royal propaganda","url":"https://www.academia.edu/Documents/in/Royal_propaganda"},{"id":306809,"name":"Stanislaw August Poniatowski","url":"https://www.academia.edu/Documents/in/Stanislaw_August_Poniatowski"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43532503"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43532503/Nowo%C5%BCytne_inspiracje_w_warszawskiej_architekturze_gmach%C3%B3w_publicznych_pierwszej_dekady_Niepodleg%C5%82o%C5%9Bci"><img alt="Research paper thumbnail of Nowożytne inspiracje w warszawskiej architekturze gmachów publicznych pierwszej dekady Niepodległości" class="work-thumbnail" src="https://attachments.academia-assets.com/63844123/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43532503/Nowo%C5%BCytne_inspiracje_w_warszawskiej_architekturze_gmach%C3%B3w_publicznych_pierwszej_dekady_Niepodleg%C5%82o%C5%9Bci">Nowożytne inspiracje w warszawskiej architekturze gmachów publicznych pierwszej dekady Niepodległości</a></div><div class="wp-workCard_item"><span>Wolność - niepodległość : zbiór studiów interdyscyplinarnych</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">At a time when Poland regained its independence Warsaw was almost completely deprived of the arch...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">At a time when Poland regained its independence Warsaw was almost completely deprived of the architectural signs of its role as a capital of the state. In such circumstances, one of the most important issues challenged by Polish architects was to create a new type of public utility buildings architecture. Initially, the reference was made mostly to the historical forms, inspired primarily by the Baroque and Neoclassical architecture. In 1920s a number of buildings were built in Warsaw that drew from both types of architecture and architects creatively processed their characteristic motives, often considered as native. Ultimately, due to the growing influence of modernism, a completely new kind of representative and monumental architecture of public utility buildings was created, which successfully filled the century-long delay of Warsaw in this type of construction.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="41552fe1f2454d2f8aa04e1a45622e88" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63844123,"asset_id":43532503,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63844123/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43532503"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43532503"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43532503; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43532503]").text(description); $(".js-view-count[data-work-id=43532503]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43532503; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43532503']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43532503, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "41552fe1f2454d2f8aa04e1a45622e88" } } $('.js-work-strip[data-work-id=43532503]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43532503,"title":"Nowożytne inspiracje w warszawskiej architekturze\r\ngmachów publicznych pierwszej dekady Niepodległości","translated_title":"","metadata":{"abstract":"At a time when Poland regained its independence Warsaw was almost completely deprived of the architectural signs of its role as a capital of the state. In such circumstances, one of the most important issues challenged by Polish architects was to create a new type of public utility buildings architecture. Initially, the reference was made mostly to the historical forms, inspired primarily by the Baroque and Neoclassical architecture. In 1920s a number of buildings were built in Warsaw that drew from both types of architecture and architects creatively processed their characteristic motives, often considered as native. Ultimately, due to the growing influence of modernism, a completely new kind of representative and monumental architecture of public utility buildings was created, which successfully filled the century-long delay of Warsaw in this type of construction.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Wolność - niepodległość : zbiór studiów interdyscyplinarnych"},"translated_abstract":"At a time when Poland regained its independence Warsaw was almost completely deprived of the architectural signs of its role as a capital of the state. In such circumstances, one of the most important issues challenged by Polish architects was to create a new type of public utility buildings architecture. Initially, the reference was made mostly to the historical forms, inspired primarily by the Baroque and Neoclassical architecture. In 1920s a number of buildings were built in Warsaw that drew from both types of architecture and architects creatively processed their characteristic motives, often considered as native. Ultimately, due to the growing influence of modernism, a completely new kind of representative and monumental architecture of public utility buildings was created, which successfully filled the century-long delay of Warsaw in this type of construction.","internal_url":"https://www.academia.edu/43532503/Nowo%C5%BCytne_inspiracje_w_warszawskiej_architekturze_gmach%C3%B3w_publicznych_pierwszej_dekady_Niepodleg%C5%82o%C5%9Bci","translated_internal_url":"","created_at":"2020-07-06T08:34:33.403-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":160840632,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":63844123,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63844123/thumbnails/1.jpg","file_name":"Frejtag_Nowozytne_inspiracje20200706-16445-ebhbbg.pdf","download_url":"https://www.academia.edu/attachments/63844123/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nowozytne_inspiracje_w_warszawskiej_arch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63844123/Frejtag_Nowozytne_inspiracje20200706-16445-ebhbbg-libre.pdf?1594051406=\u0026response-content-disposition=attachment%3B+filename%3DNowozytne_inspiracje_w_warszawskiej_arch.pdf\u0026Expires=1732434415\u0026Signature=H6WQNI1-8V0Yu~Rzy8oDYt4Mzx3WVstlYOZZcOfvM6FL1WRssOkihaNwxbFQoYXwhHbZEm7sdad~YmjtF5RqgxG3406XLY-j~Y7vTMQJ5aZDOO8~tEGrYRx9tE7XC3woZrG5Y-xzOShD-21pTg5ytcJpNy1165aIfAJp9tQFL2KOFwBBa56u7mF~vXrZkspIay8EAsDwM8hcTIHSZ3EWw4J59bfR7qMMYQ5wNwX1Y5o2SI12FgSkVzBnRGDsLZTOFytNgzxK7tQKSYkf4ubccdLPlJ7jkB7o~uuJ0f6fElGFD~FU-5-nrFvKLwdWb8GpumSBmiRvNhkXrw-OPvtzWg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nowożytne_inspiracje_w_warszawskiej_architekturze_gmachów_publicznych_pierwszej_dekady_Niepodległości","translated_slug":"","page_count":23,"language":"pl","content_type":"Work","owner":{"id":160840632,"first_name":"Jakub","middle_initials":null,"last_name":"Frejtag","page_name":"JakubFrejtag","domain_name":"uw","created_at":"2020-06-11T09:33:04.171-07:00","display_name":"Jakub Frejtag","url":"https://uw.academia.edu/JakubFrejtag"},"attachments":[{"id":63844123,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63844123/thumbnails/1.jpg","file_name":"Frejtag_Nowozytne_inspiracje20200706-16445-ebhbbg.pdf","download_url":"https://www.academia.edu/attachments/63844123/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Nowozytne_inspiracje_w_warszawskiej_arch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63844123/Frejtag_Nowozytne_inspiracje20200706-16445-ebhbbg-libre.pdf?1594051406=\u0026response-content-disposition=attachment%3B+filename%3DNowozytne_inspiracje_w_warszawskiej_arch.pdf\u0026Expires=1732434415\u0026Signature=H6WQNI1-8V0Yu~Rzy8oDYt4Mzx3WVstlYOZZcOfvM6FL1WRssOkihaNwxbFQoYXwhHbZEm7sdad~YmjtF5RqgxG3406XLY-j~Y7vTMQJ5aZDOO8~tEGrYRx9tE7XC3woZrG5Y-xzOShD-21pTg5ytcJpNy1165aIfAJp9tQFL2KOFwBBa56u7mF~vXrZkspIay8EAsDwM8hcTIHSZ3EWw4J59bfR7qMMYQ5wNwX1Y5o2SI12FgSkVzBnRGDsLZTOFytNgzxK7tQKSYkf4ubccdLPlJ7jkB7o~uuJ0f6fElGFD~FU-5-nrFvKLwdWb8GpumSBmiRvNhkXrw-OPvtzWg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43317381"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43317381/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom"><img alt="Research paper thumbnail of Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom" class="work-thumbnail" src="https://attachments.academia-assets.com/63599185/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43317381/Turning_Polish_Boxes_into_German_Houses_On_the_Transformations_of_Architecture_in_Poland_during_the_Second_World_War_as_Exemplified_by_the_Changing_Design_of_the_Zajdensznir_Tenement_in_Radom">Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom</a></div><div class="wp-workCard_item"><span>Ikonotheka</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The issue of construction projects conducted by the Germans in occupied Poland is researched with...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. One of the reasons for this is certainly the exceptional role of the works of architecture as historical documents that constitute a tangible reflection of the historical moment in which they were constructed. When viewed from this perspective, the case of one of Radom tenements acquires an almost symbolic significance. The Functionalist building was designed by the Lvov engineer Artur Haskler for Mr Hersz Zajdensznir and his wife, Róża; its construction began shortly before the outbreak of the Second World War. It was intended to compete one quarter of the most prestigious sections of Radom’s city centre. The works were interrupted after the Nazi Germany invaded Poland. Both the architect and the owners of the tenement were Jews, which radically altered their position. The fate of Mr and Mrs Zajdensznir remains unknown. Haskler, who had been involved in the construction of the telecommunication network, which had begun in 1939 and was still unfinished, was allowed to stay outside the ghetto until the completion of the relevant works. In addition, he was ordered to alter the design of the Zajdensznir house, which was already under construction, so that it could be used as quarters for the staff of the German Postal Services East. The architect entirely changed the concept for his design. The original Functionalist form, representing a type of architecture not condoned by the Nazi authorities, was altered in keeping with the principles of Heimatschutzarchitektur; the building acquired a much more conservative form inspired by traditional architecture. The arrangement of the interiors was altered as well, attesting to the fact that Haskler had familiarised himself with the German norms regarding residential construction. The residence of the staff of the German Postal Services East, together with other edifices built in Radom by the Germans during the Second World War, as well as the very history of its construction, constitute a telling testimony to the history of the era. In the context of the urban design of Radom’s city centre, these edifices are valuable as historical monuments and they certainly enhance it as an original urban structure with successive morphogenetic units discernible with remarkable clarity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="29e406ba5b7216e53cb271355c4d74f7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63599185,"asset_id":43317381,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63599185/download_file?st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQzMDgxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43317381"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43317381"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43317381; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43317381]").text(description); $(".js-view-count[data-work-id=43317381]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43317381; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43317381']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43317381, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "29e406ba5b7216e53cb271355c4d74f7" } } $('.js-work-strip[data-work-id=43317381]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43317381,"title":"Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom","translated_title":"","metadata":{"doi":"10.5604/01.3001.0013.3345","volume":"28","abstract":"The issue of construction projects conducted by the Germans in occupied Poland is researched with increasing frequency by both historians and historians of architecture. 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