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Ma se andiamo a scavare nel profondo, ci rendiamo conto che i filoni seguiti dall&#39;autore sono sempre gli stessi, e che esiti testuali apparentemente" /> <meta property="article:author" content="https://unipd.academia.edu/CarolaFarci" /> <meta name="description" content="Le opere di Sergio Atzeni sono numerose e molto eterogenee, sia nello stile che nei contenuti. Ma se andiamo a scavare nel profondo, ci rendiamo conto che i filoni seguiti dall&#39;autore sono sempre gli stessi, e che esiti testuali apparentemente" /> <title>(PDF) Cromatismo, ritmo, memoria: sulla narrativa di Sergio Atzeni</title> <link rel="canonical" href="https://www.academia.edu/30536037/Cromatismo_ritmo_memoria_sulla_narrativa_di_Sergio_Atzeni" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '260e66119368726bca8f95528d13f8b3d10b2ef8'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1740592556000); window.Aedu.timeDifference = new Date().getTime() - 1740592556000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"Le opere di Sergio Atzeni sono numerose e molto eterogenee, sia nello stile che nei contenuti. Ma se andiamo a scavare nel profondo, ci rendiamo conto che i filoni seguiti dall\u0026amp;#39;autore sono sempre gli stessi, e che esiti testuali apparentemente distinti hanno in realtà importanti aspetti in comune. Sergio Atzeni\u0026amp;#39;s works are many and really heterogeneous, both in style and contents. But if we dig up deeply into his texts, we discover that the currents followed by the author are always the same, and that texts that are apparently different have actually significant common aspects.","author":[{"@context":"https://schema.org","@type":"Person","name":"Carola Farci","url":"https://unipd.academia.edu/CarolaFarci"}],"contributor":[],"dateCreated":"2016-12-20","dateModified":"2016-12-20","headline":"Cromatismo, ritmo, memoria: sulla narrativa di Sergio Atzeni","image":"https://attachments.academia-assets.com/50979727/thumbnails/1.jpg","inLanguage":"it","keywords":["Italian Literature","Letteratura sarda","Sergio 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{"work":{"id":30536037,"created_at":"2016-12-20T01:43:09.426-08:00","from_world_paper_id":null,"updated_at":"2021-01-12T15:30:33.643-08:00","_data":{"abstract":"Le opere di Sergio Atzeni sono numerose e molto eterogenee, sia nello stile che nei contenuti. Ma se andiamo a scavare nel profondo, ci rendiamo conto che i filoni seguiti dall'autore sono sempre gli stessi, e che esiti testuali apparentemente distinti hanno in realtà importanti aspetti in comune. \n\nSergio Atzeni's works are many and really heterogeneous, both in style and contents. But if we dig up deeply into his texts, we discover that the currents followed by the author are always the same, and that texts that are apparently different have actually significant common aspects."},"document_type":"other","pre_hit_view_count_baseline":null,"quality":"high","language":"it","title":"Cromatismo, ritmo, memoria: sulla narrativa di Sergio Atzeni","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [26556421]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":50979727,"attachmentType":"pdf"}"><img alt="First page of “Cromatismo, ritmo, memoria: sulla narrativa di Sergio Atzeni”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/50979727/mini_magick20190126-9064-1g98pdj.png?1548563445" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Cromatismo, ritmo, memoria: sulla narrativa di Sergio Atzeni</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="26556421" href="https://unipd.academia.edu/CarolaFarci"><img alt="Profile image of Carola Farci" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/26556421/9921091/11061469/s65_carola.farci.jpg_oh_55aa0fbf1be7a1278c5b8ecdcfc88d5d_oe_56501b06___gda___1446706475_41f5ba910d945cb7ba6dc05d2b00e920" />Carola Farci</a></div><div class="ds-work-card--detail"><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">27 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 30536037; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Le opere di Sergio Atzeni sono numerose e molto eterogenee, sia nello stile che nei contenuti. Ma se andiamo a scavare nel profondo, ci rendiamo conto che i filoni seguiti dall'autore sono sempre gli stessi, e che esiti testuali apparentemente distinti hanno in realtà importanti aspetti in comune. Sergio Atzeni's works are many and really heterogeneous, both in style and contents. But if we dig up deeply into his texts, we discover that the currents followed by the author are always the same, and that texts that are apparently different have actually significant common aspects.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":50979727,"attachmentType":"pdf","workUrl":"https://www.academia.edu/30536037/Cromatismo_ritmo_memoria_sulla_narrativa_di_Sergio_Atzeni"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":50979727,"attachmentType":"pdf","workUrl":"https://www.academia.edu/30536037/Cromatismo_ritmo_memoria_sulla_narrativa_di_Sergio_Atzeni"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas" data-impression-entity-id="30536037" data-impression-entity-type="2" data-impression-source="signup-banner"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Racconti che rubano il tempo a sax, tamburi e giri ostinati di basso. Storie dettate dalla musica: «Ogni musica, evoca immagini, in chi ascolta ... chi riesce, a immaginare Toro Seduto che guida le truppe, e Custer laggiù in fondo, e le urla dei morenti - con La Primavera, in sottofondo?». Così Sergio Atzeni - l'energia dei trent'anni - danza il proprio rito di iniziazione al mestiere di scrittore. Batte e conta i passi e il tempo di un rigoroso lavoro di parola dove si fondono rhythm'n'blues, rock, fumetto, pop music, slang criminale, jazz e giovani vite randagie. La carica progettuale, il respiro della prosa, le coordinate poetiche sono già quelle dell'imminente e grandiosa stagione romanzesca: dall'Apologo del giudice bandito a Il quinto passo è l'addio. Un capitolo indispensabile alla lettura del romanzo-Atzeni, in una veste critica che ne illustra le pieghe più nascoste. Sergio Atzeni (1952-1995) ha vissuto a Cagliari, la sua città, fino al 1987. Dopo gli anni sardi, segnati da intensa attività giornalistica, una manciata di lavori letterari e un romanzo, passa il mare. Viaggia per l’Europa, stabilendosi poi a Torino, con una parentesi sui colli emiliani. Vive otto anni fecondi di scrittura – fra traduzioni, pubblicistica e narrativa – fino alla morte (settembre 1995) nel mare di Carloforte. Lascia una densa produzione romanzesca: Apologo del giudice bandito (Sellerio 1986); Il figlio di Bakunìn (Sellerio 1991); Il quinto passo è l’addio (Mondadori 1995; Il Maestrale 1996). Postumi vengono pubblicati: Passavamo sulla terra leggeri (Mondadori 1996; Il Maestrale 1997) e Bellas mariposas (Sellerio 1996); la raccolta completa delle poesie Versus (Il Maestrale 2008); le prose: Raccontar fole (Sellerio 1999); i racconti: Racconti con colonna sonora (Il Maestrale 2002; 2008); Gli anni della grande peste (Sellerio 2003); I sogni della città bianca (Il Maestrale 2005); la raccolta completa di Scritti giornalistici (Il Maestrale 2005).</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sergio Atzeni, Racconti con colonna sonora e altri in giallo, Notizia sul testo - Criteri di edizione - Apparati - Nota biobibliografica - Saggio conclusivo","attachmentId":45334030,"attachmentType":"pdf","work_url":"https://www.academia.edu/25008595/Sergio_Atzeni_Racconti_con_colonna_sonora_e_altri_in_giallo_Notizia_sul_testo_Criteri_di_edizione_Apparati_Nota_biobibliografica_Saggio_conclusivo","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/25008595/Sergio_Atzeni_Racconti_con_colonna_sonora_e_altri_in_giallo_Notizia_sul_testo_Criteri_di_edizione_Apparati_Nota_biobibliografica_Saggio_conclusivo"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="97932373" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/97932373/Rileggere_Sergio_Atzeni_trame_cosmogoniche_nellopera_di_una_vita">Rileggere Sergio Atzeni: trame cosmogoniche nell'opera di una vita</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="13879647" href="https://uniss.academia.edu/Nicol%C3%B2Atzori">Nicolò Atzori</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Rileggere Sergio Atzeni: trame cosmogoniche nell'opera di una vita istitutoeuroarabo.it/DM/rileggere-sergio-atzeni-trame-cosmogoniche-nellopera-di-una-vita/ di Nicolò Atzori Non sapevo nulla della vita, esordirà. La frase ha il sapore di un manifesto programmatico, a fine corsa, dell'afflato intellettuale di Sergio Atzeni, le cui opere sembrano respirare. Un senso nobile, catartico nella sua passione, permea la sua scrittura protesa alla comprensione dello spirito e delle meccaniche della sua terra d'origine, così bisognosa di curiosità. Quando nel 1996 si dà alle stampe, postumo, Passavamo sulla terra leggeri [1], oggi ristampato per i tipi di Sellerio (2023) si avanza così di cento passi nel percorso di definizione di una letteratura che insegni a pensare o ripensare la Sardegna [2]. L'ultimo romanzo dello scrittore di Capoterra, mancato l'anno prima, è un'opera che guarda alla complessità di un'Isola, quella dei nuraghi, da tanti percepita come "maledetta" nella sua bellezza, mai veramente afferrabile, disponibile a ricevere amore ma maldisposta a schiudersi per davvero; una terra in cui ciò che vale e può esprimere risulta sempre e comunque sottomesso all'esigenza di chiamarla in causa per investirla dei più gratificanti ma vuoti titoli, lontani dai suoi intrecci reali. Atzeni, invece, dimostra di avere capito bene la sua Sardegna, e vi riesce nel più mirabile dei modi: cantandone l'intimità, come già aveva saputo fare; condensando, in un ritmo vivace, ironico e mai eccessivo, contraddizioni, vicende, archetipi e stereotipi su un popolo che della varietà culturale e dell'unione è metafora storica e geografica. Onere e onore si bilanciano: il solco tracciato è quello, illustre, di Giulio Angioni, Grazia Deledda o Salvatore Satta, per dire solo alcuni fra i tanti eccezionali cantori della densità e della varietà sarde, dal primo declinate e tradotte anche nei linguaggi dell'antropologia. Come l'Angioni antropologo e poi scrittore e romanziere di fatti di Sardegna, anche Atzeni ama parlare di verità sociale e mancanze e non già rifacendosi a quanto plasticamente evidente e che, nella sua carica seduttiva, conduce a contentarsi dell'apparenza. Questa, infatti, che rende facilmente satolli, della comprensione è nemica giurata, poiché capace di contraffazione. Sergio Atzeni va invece a fondo, ossequioso verso una volontà dichiarata, quella di raccontare tutto il possibile della sua terra: «Io credo che la Sardegna vada raccontata tutta … se avrò vita cercherò di raccontare i paesi, uno per uno, e tutte le persone, una per una. Non credo che avrò vita per fare questo, ma cercherò di farlo 2/9 perché tutto merita di essere narrato. Credo che le vite di tutti gli uomini meritino di essere in qualche modo ricordate, trasmesse» [3].</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Rileggere Sergio Atzeni: trame cosmogoniche nell'opera di una vita","attachmentId":99421488,"attachmentType":"pdf","work_url":"https://www.academia.edu/97932373/Rileggere_Sergio_Atzeni_trame_cosmogoniche_nellopera_di_una_vita","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/97932373/Rileggere_Sergio_Atzeni_trame_cosmogoniche_nellopera_di_una_vita"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="94493250" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/94493250/Sergio_Atzeni_e_la_letteratura_come_il_Paese_della_lingua">Sergio Atzeni e la letteratura come il Paese della lingua</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="139335088" href="https://u-paris10.academia.edu/RamonaOnnis">Ramona Onnis</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Narrativa</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sergio Atzeni e la letteratura come il Paese della lingua","attachmentId":96933980,"attachmentType":"pdf","work_url":"https://www.academia.edu/94493250/Sergio_Atzeni_e_la_letteratura_come_il_Paese_della_lingua","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/94493250/Sergio_Atzeni_e_la_letteratura_come_il_Paese_della_lingua"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="7868518" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7868518/Trovare_racconti_mai_narrati_dirli_con_gioia_Convegno_di_studi_su_Sergio_Atzeni">Trovare racconti mai narrati, dirli con gioia. Convegno di studi su Sergio Atzeni </a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1307398" href="https://leeds.academia.edu/GigliolaSulis">Gigliola Sulis</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2001</p><p class="ds-related-work--abstract ds2-5-body-sm">Il presente volume raccoglie gli interventi offerti al convegno di studi Trovare racconti mai narrati, dirli con gioia (Cagliari, 25-26 novembre 1996), con il quale il dipartimento di Filologie e Letterature Moderne dell’Università di Cagliari ha voluto rendere omaggio alla figura di Sergio Atzeni, scrittore, giornalista, traduttore cagliaritano, scomparso nelle acque di Carloforte, a soli quarantadue anni, il 6 settembre 1995. […] Il convegno è stato organizzato con la finalità di far venire in primo piano non l’uomo, amico o nemico, compagno di viaggio per alcuni, figura-simbolo per molti dei più giovani, ma, ponendo un argine alla retorica dei sentimenti, lo scrittore, con la fatica dello scrivere e il piacere di raccontare, con l’impegno etico profuso in ogni singola pagina, con il fascino delle storie. Atzeni ci appare oggi come uno scrittore che ha voluto proporre una personale e intensa lettura della realtà a lui contemporanea e della storia mitica della Sardegna, facendo dell’isola una metafora letteraria di forte impatto. Uno scrittore che ha dedicato l’esistenza allo scavo nella storia e nell’attualità della sua terra al fine di “trovare racconti mai narrati, dirli con gioia”, realizzando un’esigenza affabulatoria sentita come un bisogno sin dalla primissima gioventù. (Dall’Introduzione di Gigliola Sulis)</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Trovare racconti mai narrati, dirli con gioia. Convegno di studi su Sergio Atzeni ","attachmentId":34359417,"attachmentType":"pdf","work_url":"https://www.academia.edu/7868518/Trovare_racconti_mai_narrati_dirli_con_gioia_Convegno_di_studi_su_Sergio_Atzeni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7868518/Trovare_racconti_mai_narrati_dirli_con_gioia_Convegno_di_studi_su_Sergio_Atzeni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="7994803" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7994803/articolo_su_Sergio_Atzeni_pubblicato_sulla_rivista_Reportage">articolo su Sergio Atzeni pubblicato sulla rivista Reportage </a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="12567723" href="https://independent.academia.edu/FrancescoForlani">Francesco Forlani</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"articolo su Sergio Atzeni pubblicato sulla rivista Reportage ","attachmentId":34460893,"attachmentType":"pdf","work_url":"https://www.academia.edu/7994803/articolo_su_Sergio_Atzeni_pubblicato_sulla_rivista_Reportage","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7994803/articolo_su_Sergio_Atzeni_pubblicato_sulla_rivista_Reportage"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="45079281" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/45079281/Omaggio_a_Enrico_Atzeni_Miscellanea_di_Paletnologia_a_cura_di">Omaggio a Enrico Atzeni. Miscellanea di Paletnologia a cura di</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="14061374" href="https://independent.academia.edu/mariarosariamanunza">mariarosaria manunza</a></div><p class="ds-related-work--abstract ds2-5-body-sm">ARCHAEOLOGICAL FINDS IN VIA ROMA -NURAXI FIGUS (GONNESA -CA) The highlighted area with petroglyphs, in a plant for the production of wine and the review of the results of a previous survey on the same site with vases of Monte Claro culture, leads to the hypothesis that the plant, certainly used in Roman times, could have been made in the religious and funeral context during the Copper Age. PAROLE CHIAVE Petroglifi, Impianto di vinificazione, Attività cultuali, Cultura Monte Claro, Età del Rame.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Omaggio a Enrico Atzeni. Miscellanea di Paletnologia a cura di","attachmentId":65637581,"attachmentType":"pdf","work_url":"https://www.academia.edu/45079281/Omaggio_a_Enrico_Atzeni_Miscellanea_di_Paletnologia_a_cura_di","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/45079281/Omaggio_a_Enrico_Atzeni_Miscellanea_di_Paletnologia_a_cura_di"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="43262820" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43262820/Sergio_Atzeni_Passavamo_sulla_Terra_Leggeri">Sergio Atzeni, Passavamo sulla Terra Leggeri.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="45620433" href="https://unica-it.academia.edu/MGiallara">Micaela Giallara</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2015</p><p class="ds-related-work--abstract ds2-5-body-sm">Tesi di laurea sulle diverse posizioni della critica letteraria rispetto al romanzo di Sergio Atzeni "Passavamo sulla terra leggeri".</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sergio Atzeni, Passavamo sulla Terra Leggeri.","attachmentId":63535073,"attachmentType":"pdf","work_url":"https://www.academia.edu/43262820/Sergio_Atzeni_Passavamo_sulla_Terra_Leggeri","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/43262820/Sergio_Atzeni_Passavamo_sulla_Terra_Leggeri"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="2178093" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/2178093/Chi_era_Sergio_Atzeni_">'Chi era Sergio Atzeni?'</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1307398" href="https://leeds.academia.edu/GigliolaSulis">Gigliola Sulis</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2012</p><p class="ds-related-work--abstract ds2-5-body-sm">di Gigliola Sulis [Uno dei film italiani più interessanti presentati a Venezia 69 è Bellas Mariposas, di Salvatore Mereu. Il film è tratto da un racconto di Sergio Atzeni, nato a Cagliari nel 1952, e morto tra le acque intorno all'isola di San Pietro il 6 settembre 1995. Atzeni ha scritto e tradotto molto; da un po' di tempo è un autore più noto e apprezzato, sia in Italia che all'estero. Il suo secondo romanzo ll figlio di Bakunìn (1991), da cui Gianfranco Cabiddu ha tratto un film (1997), racconta il Novecento dal punto di vista dei minatori del Sulcis-Iglesiente, e si può leggere, tra l'altro, come un testo esemplare della letteratura italiana postcoloniale. Abbiamo chiesto a Gigliola Sulis di spiegare ai lettori di LPLC chi era l'autore di Bellas Mariposas. Una versione più breve di questo articolo è già uscita su «La Nuova Sardegna» (dbr)]</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"'Chi era Sergio Atzeni?'","attachmentId":30230961,"attachmentType":"pdf","work_url":"https://www.academia.edu/2178093/Chi_era_Sergio_Atzeni_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/2178093/Chi_era_Sergio_Atzeni_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="10888499" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10888499/La_narrazione_polifonica_in_Il_figlio_di_Bakun%C3%ACn_di_Sergio_Atzeni">La narrazione polifonica in 'Il figlio di Bakunìn' di Sergio Atzeni</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5804245" href="https://flul.academia.edu/MasinaDepperu">Masina Depperu</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Un omaggio a Sergio Atzeni a 20 anni dalla sua scomparsa è doveroso. Questo romanzo in modo particolare testimonia il suo alto livello di registro narrativo, con una polifonia di voci che si levano a rivendicare la verità e i diritti negati di tutti gli oppressi di ieri e di oggi.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La narrazione polifonica in 'Il figlio di Bakunìn' di Sergio Atzeni","attachmentId":36677950,"attachmentType":"pdf","work_url":"https://www.academia.edu/10888499/La_narrazione_polifonica_in_Il_figlio_di_Bakun%C3%ACn_di_Sergio_Atzeni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10888499/La_narrazione_polifonica_in_Il_figlio_di_Bakun%C3%ACn_di_Sergio_Atzeni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="37356247" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017">Sergio Atzeni e le voci della Sardegna, a cura di Giuseppe Ledda e Gigliola Sulis, Bologna, Bononia University Press, 2017</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="17052345" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1307398" href="https://leeds.academia.edu/GigliolaSulis">Gigliola Sulis</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Sono passati oltre vent’anni anni dalla scomparsa dello scrittore Sergio Atzeni (1952-1995), ma la sua opera, radicata profondamente nella tradizione sarda e insieme aperta all’innovazione e al dialogo con la cultura contemporanea internazionale, continua ad avere una fortissima presenza in Sardegna e a suscitare un ampio interesse in Italia e all’estero. Questo volume, composto di quindici capitoli firmati da scrittori e da studiosi attivi in università italiane e straniere, indaga molti aspetti della scrittura di Atzeni: le relazioni con la letteratura e la politica sarda, con la tradizione letteraria italiana e con fenomeni culturali internazionali; il ricorso alle tecniche allegoriche e la riflessione sui rapporti fra storia e narrativa; i dialoghi con la musica e con il cinema; i caratteri tematici, strutturali e stilistici delle sue opere. Emerge così il profilo multiforme di uno scrittore che ha anticipato fenomeni pienamente affermatisi dopo la sua scomparsa, sia nell’ambito della letteratura italiana, come l’attenzione per la “realtà” o il ricorso al romanzo storico, sia in una dimensione più ampia, come la prospettiva postcoloniale o la riflessione sulle identità nazionali sotto il profilo linguistico, culturale e politico. Contributi di Marcello Fois, Paola Soriga, Duilio Caocci, Paolo Maninchedda, Mauro Pala, Giuseppe Marci, Roberto Puggioni, Giulio Iacoli, Filippo Milani, Myriam Mereu, Birgit Wagner, Gigliola Sulis, Aldo Maria Morace, Ilaria Puggioni, Giuseppe Ledda.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sergio Atzeni e le voci della Sardegna, a cura di Giuseppe Ledda e Gigliola Sulis, Bologna, Bononia University Press, 2017","attachmentId":57317006,"attachmentType":"pdf","work_url":"https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37356247/Sergio_Atzeni_e_le_voci_della_Sardegna_a_cura_di_Giuseppe_Ledda_e_Gigliola_Sulis_Bologna_Bononia_University_Press_2017"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":50979727,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":50979727,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_50979727" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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