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Senso e non senso in Bestie di Tozzi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="201904484" href="https://unipd.academia.edu/GiovanniSalvagniniZanazzo">Giovanni Salvagnini Zanazzo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Oblio, 2024</p><p class="ds-related-work--abstract ds2-5-body-sm">L'articolo intende indagare la tangenza della raccolta Bestie di Federigo Tozzi con il genere fantastico. Sebbene l'apparizione seriale degli animali in ciascuno dei frammenti rimandi senz'altro ad aspetti perturbanti, l'io narrante non appare incline a svilupparne le premesse, rimanendo chiuso su se stesso in un egotismo privo di evoluzione. In questo senso la comparsa delle bestie, più che un'allegoria vuota, sarebbe una non-allegoria, poiché la 'disposizione fantastica' del protagonista viene meno all'interrogazione ermeneutica, trascurata in favore della resa stilistica. Lungi dal costituire un freno all'inquietudine, questa separazione 'a tenuta stagna' fra senso e non-senso aumenta il quoziente straniante del testo. The article intends to explore the relationship between Federigo Tozzi's prose collection Bestie and the fantastic literary genre. Although the serial apparition of animals in each fragment certainly refers to perturbing aspects, the first-person narrator doesn't appear inclined to develop its premises, remaining closed in on himself, in an egotism without evolution. In this sense the occurrence of the bestie, more than an empty allegory, would be a non-allegory, since the protagonist's 'fantastic disposition' lacks in hermeneutic questioning, which is neglected in favor of stylistic rendering. However, this airtight separation between sense and nonsense , far from avoiding disquiet, increases the text's distancing quotient.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Una fantasticizzazione accidentata. Senso e non senso in Bestie di Tozzi","attachmentId":118162928,"attachmentType":"pdf","work_url":"https://www.academia.edu/123818721/Una_fantasticizzazione_accidentata_Senso_e_non_senso_in_Bestie_di_Tozzi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/123818721/Una_fantasticizzazione_accidentata_Senso_e_non_senso_in_Bestie_di_Tozzi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="24975196" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/24975196/Il_realismo_creaturale_di_Tozzi_una_lettura_di_Giovani">Il realismo creaturale di Tozzi: una lettura di Giovani</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6314813" href="https://unisi.academia.edu/RiccardoCastellana">Riccardo Castellana</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Saggio pubblicato in «La punta di diamante di tutta la sua opera». Sulla novellistica di Federigo Tozzi, Atti del convegno di Perugia, 14-15 novembre 2012, a cura di M. Tortora, Morlacchi editore U. P., Perugia, 2014, pp. 35-70.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Il realismo creaturale di Tozzi: una lettura di Giovani","attachmentId":45306022,"attachmentType":"pdf","work_url":"https://www.academia.edu/24975196/Il_realismo_creaturale_di_Tozzi_una_lettura_di_Giovani","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/24975196/Il_realismo_creaturale_di_Tozzi_una_lettura_di_Giovani"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="19926191" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19926191/Legoismo_di_Federigo_Tozzi">L'egoismo di Federigo Tozzi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="139412" href="https://barcelona.academia.edu/FrancescoArdolino">Francesco Ardolino</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Intervalles, 2012</p><p class="ds-related-work--abstract ds2-5-body-sm">Ogni pensiero che noi abbiamo circa un dato fatto è, per parlare esattamente, unico, ed ha soltanto una rassomiglianza generica cogli altri pensieri, che si possono avere circa lo stesso fatto. Così, ogniqualvolta lo stesso fatto si ripresenta, dobbiamo pensare ad esso in modo nuovo, vederlo sotto qualche angolo differente, considerarlo sotto certi rapporti diversi da quelli sotto cui ultimamente l'abbiamo considerato. (William James, Principii di psicologia) curato da Marchi il nome del filosofo tedesco è rintracciabile in un contesto importante), si prospettava la possibilità che una linea direttamente riconducibile all'Unico e alla sua proprietà fosse rimasta presente e attiva per almeno un decennio negli scritti e nelle riflessioni tozziane 2 . Si partiva, peraltro, da una base positiva: la segnalazione del volume stirneriano nell'elenco inventario autografo recuperato per la mostra di Palazzo Strozzi del 1984, indizio rafforzato poi dalla catalogazione del libro nella biblioteca del Senese nel repertorio curato da Costanza Geddes da Filicaia 3 . E alcuni aspetti senz'altro legati a un linguaggio che rimandava agli studi psicologici di William James, Théodule Ribot o Pierre Janet non sembrano comunque avulsi, per forma e contenuto, alle impostazioni anarcoindividualiste malgré lui dello Stirner. Ma ci si muove su un campo minato, e l'epigrafe qui apposta, estratta dai Principii, funge anche da censura a qualsiasi esagerazione nella ricerca angosciosa delle influenze. Del resto, il rapporto fondamentale che Tozzi stabilisce con James -in primis, con le Barche capovolte e, in secondo luogo, nell'intero spettro della sua produzione -è stato rigorosamente sistematizzato da Martina Martini 4 . Ma al di là di una ricerca di corrispondenze concrete e di reinterpretazioni tozziane, la presenza di «spie jamesiane» sparse lungo i testi rimanda a un vocabolario tecnico specifico. focalizzata sull'«irrazionalismo assoluto» (si passi l'imprecisione e la vaghezza terminologica), da Kierkegaard a Schopenhauer, tralasciando gli autori più familiari a Tozzi, come Emerson o Bergson. Dall'altra parte, bisognerà prendere atto di una visione globale del periodo, per cui Stirner rappresenta un fuoco di paglia per molti scrittori entre siècles che lo citano, dopo una lettura non approfondita e in momenti di esaltazione, e lo dimenticano altrettanto velocemente, sostituendolo automaticamente con Nietzsche: si pensi a Bontempelli, o a D'Annunzio ripreso e bacchettato intransigentemente da Lucini, si aggiunga, per deformazione di chi scrive, il poeta catalano Joan Maragall e ci si fermi dubitativamente davanti a Gide 5 . Proprio per questo, le orme stirneriane, se mai furono impresse nel Senese, appaiono tanto confuse da non lasciar più intravedere neanche l'abbozzo di un percorso specifico. Che poi, su Stirner, Tozzi potesse attuare un meccanismo mentale di (auto)protezione come quello che applica a Leopardi è tutt'un altro paio di maniche. Si ricordi la difesa del «gobbo di Recanati» dalle accuse umilianti di Giuliotti agli inizi del 1916, in cui il Nostro così argomenta le sue ragioni: [...] ma penso lo stesso che il Leopardi non abbia mai bestemmiato; e che sia un piccolissimo Dante rimasto giù nell'inferno. In lui c'è il senso della divinità A conti fatti, Stirner non potrebbe essere redento come Leopardi, ma, in una sorta di riciclaggio ideologico, funziona, per l'appunto, come un campanello d'allarme 9 . «La separazione tra la letteratura e la politica è improponibile per il Tozzi saggista», assicura Getrevi 10 . Non ne sarei tanto sicuro; comunque, persino negli articoli meno letterari, si trova sempre, da parte dello scrittore, una certa riluttanza di fronte alle conseguenzialità di un discorso reazionario veramente impegnato: basta comparare i suoi contributi sulla «Torre» con quelli del suo compagno Giuliotti e la distanza balza subito agli occhi. E ancora, fra le pagine di Novale, in data 22 agosto 1907, si può ritrovare quest'annotazione: «..... Oggi ho letto Studii di letteratura inglese del Nencioni.... A questo punto, però, e a scanso di equivoci, si ricordi che proprio il versante egoista che si vuole estrapolare da queste prose era già stato scorto da Saccone: Del resto, tutti i testi di Tozzi, e Bestie e Cose e persone in particolare, sono pieni di dichiarazioni e tentativi − sempre falliti − che vanno precisamente in questa direzione: la direzione dell'«egoismo», come sarà denunciata programmaticamente sin dal titolo nel romanzo Gli egoisti. Ecco per un minimo promemoria, da Cose e persone: «Quell'umidità entra fino nella mia anima» (p. 173 [MM, 627]); «Io non vivo se non quando mi sento da me stesso» (p. 177 [MM, 630]); «Io mi accorsi, allora, che la mia anima sarebbe stata capace di fare quel che fa la primavera; e che ogni cosa che io pensassi potesse nascere da me» (p. 178 [MM, 632]); «ogni azione degli altri passava attraverso me» (ibid.); «Io stesso ero la primavera» (p. 183 [MM, 636]); «E pensavo d'essere io medesimo il vento» (p. 187 [MM, 640]) 15 . In verità, la relazione con la musica, come l'amore per Albertina, come il rapporto con gli amici, con la campagna, o con certe strade di Roma, alludono ad altro, stanno per, sono segno di altro. O, per dir meglio, annunciano, promettono, cercano soprattutto di esprimere altro: la fine dell'«egoismo», o un altro egoismo 45 . L'egoismo non rientra, invece, nell'indice dei tópoi di Balducci né nel glossario jamesiano-tozziano apposto in appendice nel volume di Martini 46 , ma l'opportuna voce enciclopedica è curata dall'autore all'interno delle Barche capovolte, più esattamente in quella «Continuazione» che non aveva trovato spazio nelle pagine dell'«Eroica». Si tratta dell'aforisma «Il mio egoismo», in cui, tra l'altro, si afferma quanto segue:</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L'egoismo di Federigo Tozzi","attachmentId":40919299,"attachmentType":"pdf","work_url":"https://www.academia.edu/19926191/Legoismo_di_Federigo_Tozzi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19926191/Legoismo_di_Federigo_Tozzi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="10169280" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10169280/_Morte_di_un_fantoccio_Su_Una_recita_cinematografica_di_Federigo_Tozzi">«Morte di un fantoccio». 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Su «Una recita cinematografica» di Federigo Tozzi","attachmentId":36272967,"attachmentType":"pdf","work_url":"https://www.academia.edu/10169280/_Morte_di_un_fantoccio_Su_Una_recita_cinematografica_di_Federigo_Tozzi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10169280/_Morte_di_un_fantoccio_Su_Una_recita_cinematografica_di_Federigo_Tozzi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="39967971" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39967971/Sulla_modernit%C3%A0_de_Gli_egoisti_di_Federigo_Tozzi">Sulla modernità de "Gli egoisti" di Federigo Tozzi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4471661" href="https://u-paris10.academia.edu/AlessandroBenucci">Alessandro Benucci</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Studi sugli intellettuali europei fra Ottocento e Novecento, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">L'affermazione letteraria di Federigo Tozzi (1883-1920) è strettamente connessa alla figura di Giacomo Debenedetti. Questi, dedicando negli anni Sessanta i capitoli centrali del celebre Il Romanzo del Novecento alla sua opera più conosciuta, il romanzo "Con gli occhi chiusi"(1919), inserisce lo scrittore senese, la cui accoglienza nel panorama critico italiano era stata fino ad allora ben più che mite (e tutt' oggi lo è a livello internazionale), nel canone dei grandi classici italiani del ventesimo secolo a fianco di Pirandello e Svevo. Fulcro della fortunata operazione debenedettiana è l'interpretazione in chiave edipica della pigrizia fisica e mentale del protagonista, schiacciato dalla figura di un padre prepotente, invadente e mosso da un perenne slancio vitalistico. Molti gli studiosi che, sulla scia di Debenedetti, vedono in Tozzi un "freudiano ante litteram" e ridefiniscono il tema tardo-naturalistico dell'inettitudine mediante l' eco letteraria della vulgata psicanalitica che vibra in molti romanzi italiani dei primi decenni del XX secolo; in primiis Luigi Baldacci, che estende un ormai solido principio analitico agli altri testi maggiori (Tre croci, Il podere), poi alle novelle e ai romanzi minori e incompiuti dello scrittore senese. Con Baldacci si cristallizza negli anni Settanta e Ottanta la figura di Tozzi «scrittore rabdomantico», in grado di ricreare spontaneamente nei protagonisti dei suoi romanzi quel terreno psicologico in cui si manifestano molti dei disturbi nevrastenici analizzati da Freud. Peraltro si tende in quegli anni ad avvalorare la centralità della condizione psicopatologica nella produzione tozziana insistendo sull'assenza totale di riferimenti al particolare contingente storico e sociale attraversato che pur fa (o sembra fare) da sfondo alle vicende narrate, assenza quantomeno sconcertante per uno scrittore attivo quasi esclusivamente nel secondo decennio del Novecento. È archiviata in toto la lunga e prolifica esperienza di saggista presso riviste e quotidiani. Ora, l'impianto teorico debenedettiano, che coincideva col riconoscere nell' emergenza carsica dell'inconscio freudiano la cifra della modernità novecentesca di Tozzi, ha subito nel corso degli anni Novanta una progressiva rimessa in questione. Si privilegiano adesso approcci critici poliedrici, che includono riflessioni sull’apparato ideologico di Tozzi, sulle teorie politiche, sulla visione della società e sul pensiero religioso che strutturano i suoi racconti; ci si sofferma infine sulle innovanti soluzioni stilistico-espressive praticate dall’autore. A Luperini, che attraverso le pagine del saggio "Federigo Tozzi. Le immagini, le idee, le opere" afferma l’esigenza di tornare a precisare le coordinate della modernità letteraria di Tozzi, si deve fra l’altro l’invito a sfruttare in sede d’esegesi l’accesa dimensione etica dell’engagement tozziano, certamente non esigua benché dissimulata in una testualità squisitamente letteraria. All’interno del corpus tozziano l’ultimo romanzo, "Gli egoisti", è il solo in cui l’ambientazione è definita in relazione a coordinate storiche e sociali precise: quell’Italia liberale e giolittiana che vede nella borghesia intellettuale e mondana della capitale la sua incarnazione più eloquente (e a tratti caricaturale). Scritta e rivista dal 1917 al 1920 e pubblicata postuma nel 19236 per volontà dell’intellettuale e amico Giuseppe Antonio Borgese, l’opera appartiene, secondo la critica d’ortodossia debenedettiana, a quel periodo di creazione letteraria che va sotto il nome di “sessennio romano” e che coincide con il soggiorno di Tozzi nella capitale, come capo-redattore del «Messaggero della Domenica» sotto il patrocinio di Luigi Pirandello, nonché come caporale presso l’Ufficio Centrale Stampa della Croce Rossa. Periodo che, soprattutto se confrontato con il più innovativo “sessennio senese” (1908-1914)7 in cui si svolge fra l’altro la lunga gestazione del capolavoro "Con gli occhi chiusi", sancirebbe il rifiuto della dimensione onirica, della descrizione ricorrente dei moti dell’anima e l’abbandono del lirismo frammentario, per privilegiare il ritorno a una struttura narrativa tardo-ottocentesca e a uno sviluppo psicologico dei personaggi di stampo naturalistico. Un “Tozzi minore”, insomma, che compierebbe un ulteriore «splendido passo indietro» o una «regressione naturalistica»: Debenedetti qualifica così la stesura del coevo romanzo "Tre croci", colpevole di essere appiattito da una forte impronta ideologica di matrice cristiana per certi versi reazionaria, che dominerebbe l’insieme della produzione romana. Si consideri la prematura scomparsa dell’autore stroncato da una polmonite nel marzo del 1920 durante l’ultima revisione del testo che rivela a tratti la sua incompiutezza. Questo lungo racconto sembra offrire la materia ideale per accogliere la suggestione di Luperini a ricercare nuove spie della modernità tozziana in piena evoluzione che, quantunque tributaria delle coeve ricerche sulle psicopatologie comportamentali, non sapremmo limitare a una, seppur sublime, trasposizione letteraria di esse. Pare imprescindibile il ricorso all’esperienza del Tozzi critico (saggista, recensore, polemista), la cui vasta produzione, pazientemente ordinata da Giancarlo Bertoncini nelle ancora troppo poco sfogliate "Pagine critiche", corre parallela lungo il decennio 1910-1920 a quella del narratore e si intensifica proprio nel periodo romano. È raggiunta in questi anni «una dimensione più consapevolmente riflessa, più variamente motivata e dettagliata, nonché più rafforzata a sostenere, interpretare e giustificare ogni momento dell’esperienza umana: politica, sociale, culturale, e letteraria in senso stretto».</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sulla modernità de \"Gli egoisti\" di Federigo Tozzi","attachmentId":60157635,"attachmentType":"pdf","work_url":"https://www.academia.edu/39967971/Sulla_modernit%C3%A0_de_Gli_egoisti_di_Federigo_Tozzi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39967971/Sulla_modernit%C3%A0_de_Gli_egoisti_di_Federigo_Tozzi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="28278807" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/28278807/Denaro_nella_narrativa_di_Federigo_Tozzi">Denaro nella narrativa di Federigo Tozzi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="48231124" href="https://independent.academia.edu/MarialuigiaSipione">Marialuigia Sipione</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Denaro nella narrativa di Federigo Tozzi","attachmentId":48607303,"attachmentType":"pdf","work_url":"https://www.academia.edu/28278807/Denaro_nella_narrativa_di_Federigo_Tozzi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/28278807/Denaro_nella_narrativa_di_Federigo_Tozzi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="4444360" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4444360/Federigo_Tozzi_Novelle_postume_edizione_critica">Federigo Tozzi, Novelle postume, edizione critica</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4432022" href="https://unito.academia.edu/MassimilianoTortora">Massimiliano Tortora</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Federigo Tozzi, Novelle postume, edizione critica","attachmentId":31858309,"attachmentType":"pdf","work_url":"https://www.academia.edu/4444360/Federigo_Tozzi_Novelle_postume_edizione_critica","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/4444360/Federigo_Tozzi_Novelle_postume_edizione_critica"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="38559009" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38559009/Saggio_su_F_Tozzi_rtf">Saggio su F. Tozzi.rtf</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="55805708" href="https://independent.academia.edu/ESardellaro">Enzo Sardellaro</a></div><p class="ds-related-work--abstract ds2-5-body-sm">«Capire Tozzi non è mica facile»: sono parole di Luigi Baldacci, un critico che ha dedicato a Tozzi studi stimolanti da trent'anni a questa parte. E si tratta dell'onesta constatazione di uno studioso che pure ha avuto spunti interpretativi di prim'ordine, che costituiscono quanto di meglio ha saputo produrre la critica(1). Tuttavia, se Baldacci riconosce che a tutt'oggi qualcosa non torna nell'interpretazione generale dello scrittore senese, esprime un giudizio credo perfettamente fondato e condivisibile.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Saggio su F. Tozzi.rtf","attachmentId":58630963,"attachmentType":"doc","work_url":"https://www.academia.edu/38559009/Saggio_su_F_Tozzi_rtf","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38559009/Saggio_su_F_Tozzi_rtf"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="120567798" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/120567798/Appunti_didattici_su_Una_recita_cinematografica_di_Federigo_Tozzi">Appunti didattici su Una recita cinematografica di Federigo Tozzi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="28632053" href="https://uniud.academia.edu/PaoloCerutti">Paolo Cerutti</a></div><p class="ds-related-work--metadata ds2-5-body-xs">LaMODernitàdellaSCUOLA, 2024</p><p class="ds-related-work--abstract ds2-5-body-sm">Sebbene Tozzi sia ormai riconosciuto, anche nei manuali scolastici, come un esponente rappresentativo del modernismo italiano a fianco di Svevo e Pirandello, lo spazio che gli viene dedicato nella effettiva prassi didattica è piuttosto circoscritto. Eppure, i racconti brevi di una raccolta come Giovani (1920) – si ricordi che Baldacci indicò proprio nella novellistica la «punta di diamante di tutta la sua opera» (L. Baldacci, Tozzi moderno, 1993) – offrono materiale funzionale agli insegnanti di italiano: sia per la loro compattezza, sia per i modi e lo stile adottati, sia infine per i temi trattati. L’intervento intende provare questa tesi attraverso una lettura orientata alla didattica del racconto Una recita cinematografica. Della novella verranno messi in evidenza: l’uso idiosincratico della punteggiatura; il trattamento del personaggio, con riferimento alla poetica tozziana e al saggio Come leggo io (1919); infine, e soprattutto, il cortocircuito tra fatto e finzione del finale, in cui un la visione di un evento finzionale – un suicidio inscenato da un gruppo di attori durante le prove per un film – distoglie il protagonista Calepodio dal proposito di uccidersi, impedendo quindi il compiersi di un fatto.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Appunti didattici su Una recita cinematografica di Federigo Tozzi","attachmentId":115675356,"attachmentType":"pdf","work_url":"https://www.academia.edu/120567798/Appunti_didattici_su_Una_recita_cinematografica_di_Federigo_Tozzi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/120567798/Appunti_didattici_su_Una_recita_cinematografica_di_Federigo_Tozzi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":38194399,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":38194399,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_38194399" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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