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Repressive desublimation - Wikipedia

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</div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Repressive desublimation</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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<div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Concept of commodification of art</div><p><b>Repressive desublimation</b> is a term, first coined by <a href="/wiki/Frankfurt_School" title="Frankfurt School">Frankfurt School</a> philosopher and sociologist <a href="/wiki/Herbert_Marcuse" title="Herbert Marcuse">Herbert Marcuse</a> in his 1964 work <i><a href="/wiki/One-Dimensional_Man" title="One-Dimensional Man">One-Dimensional Man</a></i>, that refers to the way in which, in advanced <a href="/wiki/Industrial_society" title="Industrial society">industrial society</a> (<a href="/wiki/Capitalism" title="Capitalism">capitalism</a>), "the progress of <a href="/wiki/Technological_rationality" title="Technological rationality">technological rationality</a> is liquidating the oppositional and transcending elements in the “<a href="/w/index.php?title=Higher_culture&amp;action=edit&amp;redlink=1" class="new" title="Higher culture (page does not exist)">higher culture</a>.”<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> In other words, where art was previously a way to represent "that which is" from "that which is not,"<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> capitalist society causes the "flattening out"<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> of art into a commodity incorporated into society itself. As Marcuse put it in <i><a href="/wiki/One-Dimensional_Man" title="One-Dimensional Man">One-Dimensional Man</a></i>, "The music of the soul is also the music of salesmanship." </p><p>By offering instantaneous, rather than mediated, gratifications,<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> repressive desublimation was considered by Marcuse to remove the energies otherwise available for a social critique; and thus to function as an emancipating dynamic <i>under the guise of</i> collectivist politics. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Origins_and_influence">Origins and influence</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=1" title="Edit section: Origins and influence"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The roots of Marcuse's concept have been traced to the earlier writings of <a href="/wiki/Wilhelm_Reich" title="Wilhelm Reich">Wilhelm Reich</a> and <a href="/wiki/Theodor_Adorno" class="mw-redirect" title="Theodor Adorno">Theodor Adorno</a>,<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> as well as to a shared knowledge of the <a href="/wiki/Freud" class="mw-redirect" title="Freud">Freudian</a> idea of the involution of <a href="/wiki/Sublimation_(psychology)" title="Sublimation (psychology)">sublimation</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p><p>Marcuse's idea fed into the <a href="/wiki/Student_activism" title="Student activism">student activism</a> of the 1960s,<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> as well as being debated at a more formal level by figures such as <a href="/wiki/Hannah_Arendt" title="Hannah Arendt">Hannah Arendt</a> and <a href="/wiki/Norman_O._Brown" title="Norman O. Brown">Norman O. Brown</a>.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> A decade later, <a href="/wiki/Ernest_Mandel" title="Ernest Mandel">Ernest Mandel</a> took up Marcuse's theme in his analysis of how dreams of escape through sex (or drugs) were commodified as part of the growing commercialisation of leisure in <a href="/wiki/Late_modernity" title="Late modernity">late capitalism</a>.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> </p><p>The core logic of his thought regarded "repression" in late capitalism, which operates not through control and denial, but allowance and expression. Here the social "no" is eliminated, wherein all pleasures become allowed – in commodified form – leading to the controlled expression of all desires and wants, as the presentation and manipulation of these into prefabricated commodified forms becomes <i>the</i> crucial tool of recuperation and control in <a href="/wiki/Post-industrial" class="mw-redirect" title="Post-industrial">post-industrial</a> capital.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/False_consciousness" title="False consciousness">False consciousness</a> is perpetuated and the free exercise and pursuit of pleasure becomes a strategy of containment, as individuals find the vector of their desires, wants, drives, etc., become part of the Culture Industry.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> The actual material unfreedom of individuals (vis-a-vis a Marxist analysis of the means of production and labor's exploitation/alienation/reification) passes by unnoticed – as the "negative is sublated." </p><p>The key is that the well or reservoir of revolutionary energy (dissatisfaction, frustrated desire, truncated fulfillment, bastardized actualization of wants, failed <a href="/wiki/Cathexis" title="Cathexis">cathexis</a>, etc.) which historically has served as the catalyst for revolutionary action no longer exists, as <a href="/wiki/Late_capitalism" title="Late capitalism">late capitalism</a> has learned to allow for the controlled expression of all desires, whence the experience of frustration (negation) is erased, leading to the seeming appearance of capitalism as an "affirmative" culture – where never faced with denial, negation, or curtailment in their cultural life, the <a href="/wiki/Proletariat" title="Proletariat">proletariat</a> feels no desire or drive for revolutionary action.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> Individuals thus pursue instantaneous and non-mediated desire satisfaction which dissipates the energies and drivers of critique and negative thinking. "The world is no longer perceived as hostile" wherein the status quo is perpetuated through the proliferation of comforts, <a href="/wiki/Consumerism" title="Consumerism">consumerism</a>, and <a href="/wiki/Commodification" title="Commodification">commodification</a>; where the concept of repressive desublimation highlights the <a href="/w/index.php?title=Desire-production&amp;action=edit&amp;redlink=1" class="new" title="Desire-production (page does not exist)">desire-production</a> and control dynamics of these processes.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> Controlled gratification is therein said to produce voluntary compliance and submission, wherein the desire for transcendence is eradicated. This is opposed to prior societies whose social controls banned the access and expression of certain pleasures, leading to their "repression," which was expressed as an antagonism in the life of individuals who were forced to "sublate" their desires into socially acceptable forms.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> </p><p>Today, repression operates through the desublimation of desire, wherein no desires are forced underground, therein eliminating forms of critical distance from society. For examples, see the acceptance of <a href="/wiki/Pornography" title="Pornography">pornography</a>, <a href="/wiki/Sex_work" title="Sex work">sex work</a>, <a href="/wiki/Drug_culture" title="Drug culture">drug culture</a>, <a href="/wiki/BDSM" title="BDSM">BDSM</a>, <a href="/wiki/Furries" class="mw-redirect" title="Furries">furries</a>, <a href="/wiki/Gay_culture" class="mw-redirect" title="Gay culture">gay culture</a>, lavish living, <a href="/wiki/Trans_culture" class="mw-redirect" title="Trans culture">trans culture</a>, and the like, which are no longer seen by society as negative or pernicious lifestyles. The pursuit of these is now sanctioned and celebrated, meaning being a member of these types of forms of life is no longer a subversive action or lifestyle, but in fact, has been commodified and now perpetuates capital society via the value-form. A negative has been turned into a positive – only operating here at the level of desire-production. This idea was later picked up by <a href="/wiki/Gilles_Deleuze" title="Gilles Deleuze">Deleuze</a>, <a href="/wiki/Jean_Baudrillard" title="Jean Baudrillard">Baudrillard</a>, <a href="/wiki/Slavoj_%C5%BDi%C5%BEek" title="Slavoj Žižek">Žižek</a>, and others.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Subsequent_developments">Subsequent developments</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=2" title="Edit section: Subsequent developments"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Critical exploration of contemporary <a href="/wiki/Raunch_culture" class="mw-redirect" title="Raunch culture">raunch culture</a> has been usefully linked to the notion of repressive desublimation.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> </p><p>But some <a href="/wiki/Postmodernism" title="Postmodernism">postmodernist</a> thinkers – while accepting repressive desublimation as a fairly accurate description of changing social mores – see the ensuing <a href="/wiki/Superficiality" title="Superficiality">depthlessness</a> of <a href="/wiki/Postmodernism" title="Postmodernism">postmodernism</a> as something to be celebrated, not (as with Marcuse) condemned.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Thus the advertisement-based system of mass sexualised commodification of the nineties meshed comfortably with the conservative, post-political ethos of the times, to create a kind of media-friendly and increasingly pervasive superficial sexuality.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> </p><p>Figures like <a href="/wiki/Slavoj_%C5%BDi%C5%BEek" title="Slavoj Žižek">Slavoj Žižek</a> however have taken up Marcuse's idea in a more critical sense, to explore the postmodern short-circuiting of desire, and effacement of the psychological dimension to sex.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> Here what has been called the socialisation of the unconscious into mass form of pleasure-drills,<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> and the exercise of control through the command to transgress, rather than to repress,<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> appear as practical instances of repressive desublimation pervading global culture. </p> <div class="mw-heading mw-heading2"><h2 id="Criticism">Criticism</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=3" title="Edit section: Criticism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Marcuse's idea has been criticized for utopianism in seeking to envisage an alternative to the happy consciousness of repressive desublimation that permeates postmodern culture, as well as for modernist elitism in his appeal for critical leverage to an 'autonomous' sphere of high culture.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Michel_Foucault" title="Michel Foucault">Foucault</a> expanded the concept into 'hyper-repressive desublimation', and simultaneously criticized it for ignoring the plurality and extent of competing sexual discourses that emerged from the <a href="/wiki/Sexual_revolution" title="Sexual revolution">sexual revolution</a>.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=4" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 22em;"> <ul><li><i><a href="/wiki/Brave_New_World" title="Brave New World">Brave New World</a></i></li> <li><a href="/wiki/Circe" title="Circe">Circe</a></li> <li><a href="/wiki/Counterculture_of_the_1960s" title="Counterculture of the 1960s">Counterculture of the 1960s</a></li> <li><a href="/wiki/Double_bind" title="Double bind">Double bind</a></li> <li><a href="/wiki/Lad_culture" title="Lad culture">Lad culture</a></li> <li><a href="/wiki/Nostalgie_de_la_boue" title="Nostalgie de la boue">Nostalgie de la boue</a></li> <li><a href="/wiki/Pornotopia" title="Pornotopia">Pornotopia</a></li> <li><a href="/wiki/Repressive_tolerance" class="mw-redirect" title="Repressive tolerance">Repressive tolerance</a></li> <li><a href="/wiki/Sex_addiction" class="mw-redirect" title="Sex addiction">Sex addiction</a></li></ul></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=5" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Herbert Marcuse, <i>One-Dimensional Man</i> (London 2002) p. 75-8</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Herbert Marcuse, <i>One-Dimensional Man</i> (London 2002) p. 75-8</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">Herbert Marcuse, <i>One-Dimensional Man</i> (London 2002) p. 75-8</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">Herbert Marcuse, <i>One-Dimensional Man</i> (London 2002) p. 75-8</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFHorowitz1977" class="citation book cs1">Horowitz, G. (1977). <i>Repression</i>. University of Toronto Press. p.&#160;78. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-8020-5379-3" title="Special:BookSources/0-8020-5379-3"><bdi>0-8020-5379-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Repression&amp;rft.pages=78&amp;rft.pub=University+of+Toronto+Press&amp;rft.date=1977&amp;rft.isbn=0-8020-5379-3&amp;rft.aulast=Horowitz&amp;rft.aufirst=G.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARepressive+desublimation" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Sigmund Freud, <i>On Metapsychology</i> (PFL 11) p. 97</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCranston1968" class="citation journal cs1">Cranston, Maurice (1968). "Neocommunism and the Students' Revolts". <i>Studies in Comparative Communism</i>. <b>1</b>: 40-54 [pp. 49-52]. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/45366611">45366611</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Studies+in+Comparative+Communism&amp;rft.atitle=Neocommunism+and+the+Students%27+Revolts&amp;rft.volume=1&amp;rft.pages=40-54+pp.+49-52&amp;rft.date=1968&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F45366611%23id-name%3DJSTOR&amp;rft.aulast=Cranston&amp;rft.aufirst=Maurice&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARepressive+desublimation" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">O'Neill, p. 53-60</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMandel1975" class="citation book cs1">Mandel, Ernest (1975). <i>Late Capitalism</i>. London. p.&#160;502 and p. 393. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-902308-07-6" title="Special:BookSources/0-902308-07-6"><bdi>0-902308-07-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Late+Capitalism&amp;rft.place=London&amp;rft.pages=502+and+p.+393&amp;rft.date=1975&amp;rft.isbn=0-902308-07-6&amp;rft.aulast=Mandel&amp;rft.aufirst=Ernest&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARepressive+desublimation" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: CS1 maint: location missing publisher (<a href="/wiki/Category:CS1_maint:_location_missing_publisher" title="Category:CS1 maint: location missing publisher">link</a>)</span></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Marcuse, Herbert. <i>One-Dimensional Man</i>. pg.62-80.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">Marcuse, Herbert. <i>One-Dimensional Man</i>. Introduction.</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">Marcuse, Herbert. <i>One-Dimensional Man</i>. Introduction.</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"> Marcuse, Herbert, <i>One-Dimensional Man</i>. pp. 56-83</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Marcuse, Herbert. <i>Negations</i>. Chapter 1, The Affirmation of Culture</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"> Marcuse, Herbert. <i>One-Dimensional Man</i>. pp. 56-83 </span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Chloe Avril, <i>The Feminist Utopian novels of Charlotte Perkins Gilman</i> (2008) p. 77</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Marianne DeKoven, <i>Utopia Unlimited</i> (2004) p. 39</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Michael Bracewell, <i>The Nineties: When Surface was Depth</i> (London 2003) p. 20-22</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Slavoj Zizek, <i>The Metastases of Enjoyment</i> (2005) p. 18</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Ken Geller, <i>The Horror Reader</i> (2000) p. 102</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text">Antonios Vadolas, <i>Perversions of Fascism</i> (2009) p. 25</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text">M. Hardt/K. Weeks eds., <i>The Jameson Reader</i> (2000) p. 127-8 and p. 363-4</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">Robert Miklitsch, <i>From Hegel to Madonna</i> (1998) p. 63</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=6" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAgger1991" class="citation book cs1">Agger, Ben (1991). <i>A Critical Theory of Public Life</i>. London: Falmer Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/1-85000-966-X" title="Special:BookSources/1-85000-966-X"><bdi>1-85000-966-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=A+Critical+Theory+of+Public+Life&amp;rft.place=London&amp;rft.pub=Falmer+Press&amp;rft.date=1991&amp;rft.isbn=1-85000-966-X&amp;rft.aulast=Agger&amp;rft.aufirst=Ben&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARepressive+desublimation" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcuse1954" class="citation book cs1">Marcuse, Herbert (1954). "Chap X". <i>Eros and Civilization</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Chap+X&amp;rft.btitle=Eros+and+Civilization&amp;rft.date=1954&amp;rft.aulast=Marcuse&amp;rft.aufirst=Herbert&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARepressive+desublimation" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShapiro1970" class="citation journal cs1">Shapiro, Jeremy (1970). "From Marcuse to Habermas". <i>Continuum</i>. <b>8</b>: 65–76.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Continuum&amp;rft.atitle=From+Marcuse+to+Habermas&amp;rft.volume=8&amp;rft.pages=65-76&amp;rft.date=1970&amp;rft.aulast=Shapiro&amp;rft.aufirst=Jeremy&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARepressive+desublimation" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Repressive_desublimation&amp;action=edit&amp;section=7" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.marxists.org/reference/archive/marcuse/works/one-dimensional-man/ch03.htm">Herbert Marcuse, 'The Conquest of the Unhappy Consciousness: Repressive Desublimation</a></li> <li><a rel="nofollow" class="external text" href="http://www4.hmc.edu:8001/humanities/beckman/PhilNotes/marcuse.htm">Herbert Marcuse</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist 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Marxism: A Critical Analysis">Soviet Marxism: A Critical Analysis</a></i> (1958)</span></li> <li><span class="nowrap"><i><a href="/wiki/One-Dimensional_Man" title="One-Dimensional Man">One-Dimensional Man</a></i> (1964)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Critique_of_Pure_Tolerance" title="A Critique of Pure Tolerance">A Critique of Pure Tolerance</a></i> (1965)</span></li> <li><span class="nowrap"><i><a href="/wiki/An_Essay_on_Liberation" title="An Essay on Liberation">An Essay on Liberation</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Counterrevolution_and_Revolt" title="Counterrevolution and Revolt">Counterrevolution and Revolt</a></i> (1972)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Aesthetic_Dimension" title="The Aesthetic Dimension">The Aesthetic Dimension</a></i> (1977)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Concepts</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a class="mw-selflink selflink">Repressive desublimation</a></span></li> <li><span class="nowrap"><a href="/wiki/Technological_rationality" title="Technological rationality">Technological rationality</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Miscellaneous</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Secret_Reports_on_Nazi_Germany" title="Secret Reports on Nazi Germany">Secret Reports on Nazi Germany</a></i></span></li></ul> </div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐f69cdc8f6‐nsrkh Cached time: 20241122154155 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.252 seconds Real time usage: 0.321 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