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https://media.newyorker.com/photos/673fa5e7bdb09a15b2769dd1/4:3/w_240,c_limit/Trillin-Yiddish-Robinson.png 240w, https://media.newyorker.com/photos/673fa5e7bdb09a15b2769dd1/4:3/w_320,c_limit/Trillin-Yiddish-Robinson.png 320w, https://media.newyorker.com/photos/673fa5e7bdb09a15b2769dd1/4:3/w_640,c_limit/Trillin-Yiddish-Robinson.png 640w" sizes="100vw"/><img alt="Of Yiddish, Litvaks, and the Evil Eye" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673fa5e7bdb09a15b2769dd1/4:3/w_768%2Cc_limit/Trillin-Yiddish-Robinson.png"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl gXhIQj summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN gYIzIS summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Personal History</span></div></div><a class="SummaryItemHedLink-civMjp bMCiCb summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/personal-history/of-yiddish-litvaks-and-the-evil-eye" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ lLzlp summary-item__hed" data-testid="SummaryItemHed">Of Yiddish, Litvaks, and the Evil Eye</h3></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">A smattering of Yiddish happens to be all the Yiddish I have.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk jYjxgY bylines"><span class="BylineWrapper-jWHrLH YYNuC byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Calvin Trillin</span></span></span></div></div></div></div></div></div></div></div></div><div class="ticker-view" data-journey-hook="row-content"><div class="TickerWrapper-gzXWCq rLzXB"><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--cm-ticker" role="presentation" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--cm-ticker"></div><div class="journey-unit"></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr faNxPo dUIsmD"><div id="6542a5c675635ded66f506d9" class="TickerWrapper-gzXWCq 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jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"What Google Off-loading Chrome Would Mean for Users","id":"674638315c2c92f0faf61c6c","index":0,"contentType":"venue","hotelLink":"/culture/infinite-scroll/what-google-off-loading-chrome-would-mean-for-users","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/infinite-scroll/what-google-off-loading-chrome-would-mean-for-users" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_120,c_limit/NewYorker_Chrome_final.jpg 120w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_240,c_limit/NewYorker_Chrome_final.jpg 240w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_320,c_limit/NewYorker_Chrome_final.jpg 320w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_640,c_limit/NewYorker_Chrome_final.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_120,c_limit/NewYorker_Chrome_final.jpg 120w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_240,c_limit/NewYorker_Chrome_final.jpg 240w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_320,c_limit/NewYorker_Chrome_final.jpg 320w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_640,c_limit/NewYorker_Chrome_final.jpg 640w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_960,c_limit/NewYorker_Chrome_final.jpg 960w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_1280,c_limit/NewYorker_Chrome_final.jpg 1280w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_1600,c_limit/NewYorker_Chrome_final.jpg 1600w" sizes="100vw"/><img alt="What Google Off-loading Chrome Would Mean for Users" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_1600%2Cc_limit/NewYorker_Chrome_final.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Infinite Scroll</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/infinite-scroll/what-google-off-loading-chrome-would-mean-for-users" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">What Google Off-loading Chrome Would Mean for Users</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/infinite-scroll/what-google-off-loading-chrome-would-mean-for-users" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_120,c_limit/NewYorker_Chrome_final.jpg 120w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_240,c_limit/NewYorker_Chrome_final.jpg 240w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_320,c_limit/NewYorker_Chrome_final.jpg 320w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_640,c_limit/NewYorker_Chrome_final.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_120,c_limit/NewYorker_Chrome_final.jpg 120w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_240,c_limit/NewYorker_Chrome_final.jpg 240w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_320,c_limit/NewYorker_Chrome_final.jpg 320w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_640,c_limit/NewYorker_Chrome_final.jpg 640w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_960,c_limit/NewYorker_Chrome_final.jpg 960w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_1280,c_limit/NewYorker_Chrome_final.jpg 1280w, https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_1600,c_limit/NewYorker_Chrome_final.jpg 1600w" sizes="100vw"/><img alt="What Google Off-loading Chrome Would Mean for Users" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67463ed55c2c92f0faf61c80/4:3/w_1600%2Cc_limit/NewYorker_Chrome_final.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">A landmark antitrust ruling could change the Internet’s power balance, but the industry is shifting regardless.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Kyle Chayka</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Why Is Gratitude So Difficult?","id":"674270a93580e6c834e0063a","index":1,"contentType":"venue","hotelLink":"/culture/open-questions/why-is-gratitude-so-difficult","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/open-questions/why-is-gratitude-so-difficult" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_120,c_limit/Rothman_gratitude_final.jpg 120w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_240,c_limit/Rothman_gratitude_final.jpg 240w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_320,c_limit/Rothman_gratitude_final.jpg 320w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_640,c_limit/Rothman_gratitude_final.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_120,c_limit/Rothman_gratitude_final.jpg 120w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_240,c_limit/Rothman_gratitude_final.jpg 240w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_320,c_limit/Rothman_gratitude_final.jpg 320w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_640,c_limit/Rothman_gratitude_final.jpg 640w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_960,c_limit/Rothman_gratitude_final.jpg 960w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_1280,c_limit/Rothman_gratitude_final.jpg 1280w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_1600,c_limit/Rothman_gratitude_final.jpg 1600w" sizes="100vw"/><img alt="Why Is Gratitude So Difficult?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_1600%2Cc_limit/Rothman_gratitude_final.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Open Questions</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/open-questions/why-is-gratitude-so-difficult" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Why Is Gratitude So Difficult?</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/open-questions/why-is-gratitude-so-difficult" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_120,c_limit/Rothman_gratitude_final.jpg 120w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_240,c_limit/Rothman_gratitude_final.jpg 240w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_320,c_limit/Rothman_gratitude_final.jpg 320w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_640,c_limit/Rothman_gratitude_final.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_120,c_limit/Rothman_gratitude_final.jpg 120w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_240,c_limit/Rothman_gratitude_final.jpg 240w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_320,c_limit/Rothman_gratitude_final.jpg 320w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_640,c_limit/Rothman_gratitude_final.jpg 640w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_960,c_limit/Rothman_gratitude_final.jpg 960w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_1280,c_limit/Rothman_gratitude_final.jpg 1280w, https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_1600,c_limit/Rothman_gratitude_final.jpg 1600w" sizes="100vw"/><img alt="Why Is Gratitude So Difficult?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67449a018f6d18a55d80c4a2/4:3/w_1600%2Cc_limit/Rothman_gratitude_final.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">When we feel grateful, we’re doing something that’s more complex than it seems.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Joshua Rothman</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Daniel Craig’s Masculine Constructs","id":"673cf80b11f8467c4d76df81","index":2,"contentType":"venue","hotelLink":"/culture/the-new-yorker-interview/daniel-craigs-masculine-constructs","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-new-yorker-interview/daniel-craigs-masculine-constructs" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_120,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 120w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_240,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 240w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_320,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 320w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_640,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_120,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 120w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_240,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 240w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_320,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 320w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_640,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 640w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_960,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 960w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_1280,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 1280w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_1600,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 1600w" sizes="100vw"/><img alt="Daniel Craig’s Masculine Constructs" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_1600%2Cc_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The New Yorker Interview</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-new-yorker-interview/daniel-craigs-masculine-constructs" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Daniel Craig’s Masculine Constructs</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-new-yorker-interview/daniel-craigs-masculine-constructs" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_120,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 120w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_240,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 240w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_320,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 320w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_640,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_120,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 120w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_240,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 240w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_320,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 320w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_640,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 640w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_960,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 960w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_1280,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 1280w, https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_1600,c_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg 1600w" sizes="100vw"/><img alt="Daniel Craig’s Masculine Constructs" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673f9b1cd0d1a967cdef7cfb/4:3/w_1600%2Cc_limit/chotiner-daniel-craig-catherine-opie-TNY_DC_57098_w2-v2.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The actor discusses making the new movie “Queer” and breaking out of his Bondian image.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Isaac Chotiner</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Conner O’Malley Is the Bard of the Manosphere","id":"672d4981bd4963b382b2da18","index":3,"contentType":"venue","hotelLink":"/culture/critics-notebook/conner-omalley-is-the-bard-of-the-manosphere","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/critics-notebook/conner-omalley-is-the-bard-of-the-manosphere" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_120,c_limit/nyorker_rap_world.gif 120w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_240,c_limit/nyorker_rap_world.gif 240w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_320,c_limit/nyorker_rap_world.gif 320w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_640,c_limit/nyorker_rap_world.gif 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_120,c_limit/nyorker_rap_world.gif 120w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_240,c_limit/nyorker_rap_world.gif 240w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_320,c_limit/nyorker_rap_world.gif 320w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_640,c_limit/nyorker_rap_world.gif 640w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_960,c_limit/nyorker_rap_world.gif 960w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_1280,c_limit/nyorker_rap_world.gif 1280w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_1600,c_limit/nyorker_rap_world.gif 1600w" sizes="100vw"/><img alt="Conner O’Malley Is the Bard of the Manosphere" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_1600%2Cc_limit/nyorker_rap_world.gif"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Critic’s Notebook</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/critics-notebook/conner-omalley-is-the-bard-of-the-manosphere" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Conner O’Malley Is the Bard of the Manosphere</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/critics-notebook/conner-omalley-is-the-bard-of-the-manosphere" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_120,c_limit/nyorker_rap_world.gif 120w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_240,c_limit/nyorker_rap_world.gif 240w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_320,c_limit/nyorker_rap_world.gif 320w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_640,c_limit/nyorker_rap_world.gif 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_120,c_limit/nyorker_rap_world.gif 120w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_240,c_limit/nyorker_rap_world.gif 240w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_320,c_limit/nyorker_rap_world.gif 320w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_640,c_limit/nyorker_rap_world.gif 640w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_960,c_limit/nyorker_rap_world.gif 960w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_1280,c_limit/nyorker_rap_world.gif 1280w, https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_1600,c_limit/nyorker_rap_world.gif 1600w" sizes="100vw"/><img alt="Conner O’Malley Is the Bard of the Manosphere" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6740adf115ada29979d23ea0/4:3/w_1600%2Cc_limit/nyorker_rap_world.gif"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The comedian’s absurd, poignant work captures the lives of the kind of frustrated young men who helped Donald Trump win the election.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Naomi Fry</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="1mdvyf"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-journey-hook="row-content" class="ad-container ad-container-reduced-margin"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="yoz1r"></div></div></div><div data-testid="RowWrapper" id="books" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SectionTitleRoot-dBGvdq linnUJ SummaryCollectionGridSectionTitle-fCmYwG eAcJMh" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">Books</h2></div><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"What to Read This Winter, According to Tattered Cover","id":"67251f2ee68fd992565ecd49","index":0,"contentType":"venue","hotelLink":"/books/book-currents/what-to-read-this-winter-according-to-tattered-cover","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/book-currents/what-to-read-this-winter-according-to-tattered-cover" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_120,c_limit/BookCurrents-TatteredCover-New.jpg 120w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_240,c_limit/BookCurrents-TatteredCover-New.jpg 240w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_320,c_limit/BookCurrents-TatteredCover-New.jpg 320w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_640,c_limit/BookCurrents-TatteredCover-New.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_120,c_limit/BookCurrents-TatteredCover-New.jpg 120w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_240,c_limit/BookCurrents-TatteredCover-New.jpg 240w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_320,c_limit/BookCurrents-TatteredCover-New.jpg 320w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_640,c_limit/BookCurrents-TatteredCover-New.jpg 640w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_960,c_limit/BookCurrents-TatteredCover-New.jpg 960w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_1280,c_limit/BookCurrents-TatteredCover-New.jpg 1280w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_1600,c_limit/BookCurrents-TatteredCover-New.jpg 1600w" sizes="100vw"/><img alt="What to Read This Winter, According to Tattered Cover" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_1600%2Cc_limit/BookCurrents-TatteredCover-New.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Book Currents</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/books/book-currents/what-to-read-this-winter-according-to-tattered-cover" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">What to Read This Winter, According to Tattered Cover</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/book-currents/what-to-read-this-winter-according-to-tattered-cover" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_120,c_limit/BookCurrents-TatteredCover-New.jpg 120w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_240,c_limit/BookCurrents-TatteredCover-New.jpg 240w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_320,c_limit/BookCurrents-TatteredCover-New.jpg 320w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_640,c_limit/BookCurrents-TatteredCover-New.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_120,c_limit/BookCurrents-TatteredCover-New.jpg 120w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_240,c_limit/BookCurrents-TatteredCover-New.jpg 240w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_320,c_limit/BookCurrents-TatteredCover-New.jpg 320w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_640,c_limit/BookCurrents-TatteredCover-New.jpg 640w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_960,c_limit/BookCurrents-TatteredCover-New.jpg 960w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_1280,c_limit/BookCurrents-TatteredCover-New.jpg 1280w, https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_1600,c_limit/BookCurrents-TatteredCover-New.jpg 1600w" sizes="100vw"/><img alt="What to Read This Winter, According to Tattered Cover" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67251e764b246647cf72162a/4:3/w_1600%2Cc_limit/BookCurrents-TatteredCover-New.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Kathy Baum, who curates new books for the Denver-area bookstore, shares some of her fall and winter favorites.</div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"A Portrait of the Artist as an Amazon Reviewer","id":"673b60b8fff67e1f65414a8d","index":1,"contentType":"venue","hotelLink":"/books/under-review/a-portrait-of-the-artist-as-an-amazon-reviewer","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/under-review/a-portrait-of-the-artist-as-an-amazon-reviewer" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_120,c_limit/AmazonReviews_Still.jpg 120w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_240,c_limit/AmazonReviews_Still.jpg 240w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_320,c_limit/AmazonReviews_Still.jpg 320w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_640,c_limit/AmazonReviews_Still.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_120,c_limit/AmazonReviews_Still.jpg 120w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_240,c_limit/AmazonReviews_Still.jpg 240w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_320,c_limit/AmazonReviews_Still.jpg 320w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_640,c_limit/AmazonReviews_Still.jpg 640w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_960,c_limit/AmazonReviews_Still.jpg 960w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_1280,c_limit/AmazonReviews_Still.jpg 1280w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_1600,c_limit/AmazonReviews_Still.jpg 1600w" sizes="25vw"/><img alt="A Portrait of the Artist as an Amazon Reviewer" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_1600%2Cc_limit/AmazonReviews_Still.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Under Review</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/books/under-review/a-portrait-of-the-artist-as-an-amazon-reviewer" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">A Portrait of the Artist as an Amazon Reviewer</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/under-review/a-portrait-of-the-artist-as-an-amazon-reviewer" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_120,c_limit/AmazonReviews_Still.jpg 120w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_240,c_limit/AmazonReviews_Still.jpg 240w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_320,c_limit/AmazonReviews_Still.jpg 320w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_640,c_limit/AmazonReviews_Still.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_120,c_limit/AmazonReviews_Still.jpg 120w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_240,c_limit/AmazonReviews_Still.jpg 240w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_320,c_limit/AmazonReviews_Still.jpg 320w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_640,c_limit/AmazonReviews_Still.jpg 640w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_960,c_limit/AmazonReviews_Still.jpg 960w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_1280,c_limit/AmazonReviews_Still.jpg 1280w, https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_1600,c_limit/AmazonReviews_Still.jpg 1600w" sizes="25vw"/><img alt="A Portrait of the Artist as an Amazon Reviewer" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6745ec48cd74c48690da18cb/2:1/w_1600%2Cc_limit/AmazonReviews_Still.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Between 2003 and 2019, Kevin Killian published almost twenty-four hundred reviews on the site. Can they be considered literature?</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Oscar Schwartz</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Briefly Noted","id":"673cb1dfa2171d3345f0e263","index":2,"contentType":"venue","hotelLink":"/magazine/2024/12/02/on-the-calculation-of-volume-book-1-the-mortal-and-immortal-life-of-the-girl-from-milan-burdened-and-linguaphile","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/02/on-the-calculation-of-volume-book-1-the-mortal-and-immortal-life-of-the-girl-from-milan-burdened-and-linguaphile" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_120,c_limit/r45310web-tout.jpg 120w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_240,c_limit/r45310web-tout.jpg 240w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_320,c_limit/r45310web-tout.jpg 320w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_640,c_limit/r45310web-tout.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_120,c_limit/r45310web-tout.jpg 120w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_240,c_limit/r45310web-tout.jpg 240w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_320,c_limit/r45310web-tout.jpg 320w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_640,c_limit/r45310web-tout.jpg 640w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_960,c_limit/r45310web-tout.jpg 960w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_1280,c_limit/r45310web-tout.jpg 1280w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_1600,c_limit/r45310web-tout.jpg 1600w" sizes="100vw"/><img alt="Briefly Noted" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_1600%2Cc_limit/r45310web-tout.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Books</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/12/02/on-the-calculation-of-volume-book-1-the-mortal-and-immortal-life-of-the-girl-from-milan-burdened-and-linguaphile" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Briefly Noted</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/02/on-the-calculation-of-volume-book-1-the-mortal-and-immortal-life-of-the-girl-from-milan-burdened-and-linguaphile" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_120,c_limit/r45310web-tout.jpg 120w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_240,c_limit/r45310web-tout.jpg 240w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_320,c_limit/r45310web-tout.jpg 320w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_640,c_limit/r45310web-tout.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_120,c_limit/r45310web-tout.jpg 120w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_240,c_limit/r45310web-tout.jpg 240w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_320,c_limit/r45310web-tout.jpg 320w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_640,c_limit/r45310web-tout.jpg 640w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_960,c_limit/r45310web-tout.jpg 960w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_1280,c_limit/r45310web-tout.jpg 1280w, https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_1600,c_limit/r45310web-tout.jpg 1600w" sizes="100vw"/><img alt="Briefly Noted" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673b9afd0f4087b4e3ae4eff/4:3/w_1600%2Cc_limit/r45310web-tout.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">“On the Calculation of Volume (Book I),” “The Mortal and Immortal Life of the Girl from Milan,” “Burdened,” and “Linguaphile.”</div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"The Surprisingly Sunny Origins of the Frankfurt School","id":"673df4100807601099dc67b9","index":3,"contentType":"venue","hotelLink":"/magazine/2024/12/02/naples-1925-martin-mittelmeier-book-review","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/02/naples-1925-martin-mittelmeier-book-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_120,c_limit/r45314.jpg 120w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_240,c_limit/r45314.jpg 240w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_320,c_limit/r45314.jpg 320w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_640,c_limit/r45314.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_120,c_limit/r45314.jpg 120w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_240,c_limit/r45314.jpg 240w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_320,c_limit/r45314.jpg 320w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_640,c_limit/r45314.jpg 640w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_960,c_limit/r45314.jpg 960w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_1280,c_limit/r45314.jpg 1280w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_1600,c_limit/r45314.jpg 1600w" sizes="100vw"/><img alt="The Surprisingly Sunny Origins of the Frankfurt School" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_1600%2Cc_limit/r45314.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Books</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/12/02/naples-1925-martin-mittelmeier-book-review" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Surprisingly Sunny Origins of the Frankfurt School</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/02/naples-1925-martin-mittelmeier-book-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_120,c_limit/r45314.jpg 120w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_240,c_limit/r45314.jpg 240w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_320,c_limit/r45314.jpg 320w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_640,c_limit/r45314.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_120,c_limit/r45314.jpg 120w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_240,c_limit/r45314.jpg 240w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_320,c_limit/r45314.jpg 320w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_640,c_limit/r45314.jpg 640w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_960,c_limit/r45314.jpg 960w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_1280,c_limit/r45314.jpg 1280w, https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_1600,c_limit/r45314.jpg 1600w" sizes="100vw"/><img alt="The Surprisingly Sunny Origins of the Frankfurt School" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673e0109b23594b457b849e4/4:3/w_1600%2Cc_limit/r45314.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">When a group of German Marxists arrived in Naples in the nineteen-twenties, they found a way of life that made them rethink modernity.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Thomas Meaney</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="uj544"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-testid="RowWrapper" id="movies" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SectionTitleRoot-dBGvdq linnUJ SummaryCollectionGridSectionTitle-fCmYwG eAcJMh" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">Movies</h2></div><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Pick 3: Justin Chang’s Downer Movies for the Holiday Season","id":"6744c41bd03d06a102db277f","index":0,"contentType":"venue","hotelLink":"/podcast/the-new-yorker-radio-hour/pick-3-justin-changs-downer-movies-for-the-holiday-season","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/podcast/the-new-yorker-radio-hour/pick-3-justin-changs-downer-movies-for-the-holiday-season" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_960,c_limit/Radio-Hour-Secondary-Segment.png 960w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1280,c_limit/Radio-Hour-Secondary-Segment.png 1280w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600,c_limit/Radio-Hour-Secondary-Segment.png 1600w" sizes="100vw"/><img alt="Pick 3: Justin Chang’s Downer Movies for the Holiday Season" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600%2Cc_limit/Radio-Hour-Secondary-Segment.png"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The New Yorker Radio Hour</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/podcast/the-new-yorker-radio-hour/pick-3-justin-changs-downer-movies-for-the-holiday-season" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Pick 3: Justin Chang’s Downer Movies for the Holiday Season</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/podcast/the-new-yorker-radio-hour/pick-3-justin-changs-downer-movies-for-the-holiday-season" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_960,c_limit/Radio-Hour-Secondary-Segment.png 960w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1280,c_limit/Radio-Hour-Secondary-Segment.png 1280w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600,c_limit/Radio-Hour-Secondary-Segment.png 1600w" sizes="100vw"/><img alt="Pick 3: Justin Chang’s Downer Movies for the Holiday Season" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600%2Cc_limit/Radio-Hour-Secondary-Segment.png"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek"><em>The New Yorker’s</em> critic on holiday-season films that he’s excited about. “These are not upbeat movies,” Chang admits, “but they are among the most thrilling that I’ve seen this year.”</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">With </span>David Remnick</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"The Operatic Drama of “Maria” Misses Its Cue","id":"67441586d7d40ff65af26c48","index":1,"contentType":"venue","hotelLink":"/culture/the-front-row/maria-angelina-jolie-review","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-front-row/maria-angelina-jolie-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_120,c_limit/Brody-Maria.jpg 120w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_240,c_limit/Brody-Maria.jpg 240w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_320,c_limit/Brody-Maria.jpg 320w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_640,c_limit/Brody-Maria.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_120,c_limit/Brody-Maria.jpg 120w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_240,c_limit/Brody-Maria.jpg 240w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_320,c_limit/Brody-Maria.jpg 320w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_640,c_limit/Brody-Maria.jpg 640w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_960,c_limit/Brody-Maria.jpg 960w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_1280,c_limit/Brody-Maria.jpg 1280w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_1600,c_limit/Brody-Maria.jpg 1600w" sizes="100vw"/><img alt="The Operatic Drama of “Maria” Misses Its Cue" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_1600%2Cc_limit/Brody-Maria.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Front Row</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-front-row/maria-angelina-jolie-review" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Operatic Drama of “Maria” Misses Its Cue</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-front-row/maria-angelina-jolie-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_120,c_limit/Brody-Maria.jpg 120w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_240,c_limit/Brody-Maria.jpg 240w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_320,c_limit/Brody-Maria.jpg 320w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_640,c_limit/Brody-Maria.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_120,c_limit/Brody-Maria.jpg 120w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_240,c_limit/Brody-Maria.jpg 240w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_320,c_limit/Brody-Maria.jpg 320w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_640,c_limit/Brody-Maria.jpg 640w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_960,c_limit/Brody-Maria.jpg 960w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_1280,c_limit/Brody-Maria.jpg 1280w, https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_1600,c_limit/Brody-Maria.jpg 1600w" sizes="100vw"/><img alt="The Operatic Drama of “Maria” Misses Its Cue" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6744ace265eb90ee49610d44/4:3/w_1600%2Cc_limit/Brody-Maria.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Despite Angelina Jolie’s passionate performance, this sensationalized story of Maria Callas’s last days neglects the diva’s true art.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Richard Brody</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Is Virginia Tracy the First Great American Film Critic?","id":"673f90266b89c57ed959070f","index":2,"contentType":"venue","hotelLink":"/culture/the-front-row/is-virginia-tracy-the-first-great-american-film-critic","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-front-row/is-virginia-tracy-the-first-great-american-film-critic" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_120,c_limit/brody_tracy.jpg 120w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_240,c_limit/brody_tracy.jpg 240w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_320,c_limit/brody_tracy.jpg 320w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_640,c_limit/brody_tracy.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_120,c_limit/brody_tracy.jpg 120w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_240,c_limit/brody_tracy.jpg 240w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_320,c_limit/brody_tracy.jpg 320w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_640,c_limit/brody_tracy.jpg 640w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_960,c_limit/brody_tracy.jpg 960w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_1280,c_limit/brody_tracy.jpg 1280w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_1600,c_limit/brody_tracy.jpg 1600w" sizes="100vw"/><img alt="Is Virginia Tracy the First Great American Film Critic?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_1600%2Cc_limit/brody_tracy.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Front Row</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-front-row/is-virginia-tracy-the-first-great-american-film-critic" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Is Virginia Tracy the First Great American Film Critic?</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-front-row/is-virginia-tracy-the-first-great-american-film-critic" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_120,c_limit/brody_tracy.jpg 120w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_240,c_limit/brody_tracy.jpg 240w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_320,c_limit/brody_tracy.jpg 320w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_640,c_limit/brody_tracy.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_120,c_limit/brody_tracy.jpg 120w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_240,c_limit/brody_tracy.jpg 240w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_320,c_limit/brody_tracy.jpg 320w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_640,c_limit/brody_tracy.jpg 640w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_960,c_limit/brody_tracy.jpg 960w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_1280,c_limit/brody_tracy.jpg 1280w, https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_1600,c_limit/brody_tracy.jpg 1600w" sizes="100vw"/><img alt="Is Virginia Tracy the First Great American Film Critic?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6744945796816684f785cf8a/4:3/w_1600%2Cc_limit/brody_tracy.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The actress, screenwriter, and novelist’s reviews and essays from 1918-19 display a comprehensive grasp of movie art and a visionary sense of its future.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Richard Brody</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"“Terrorists in Retirement” Brings Wartime Traumas Back to Life","id":"67321ed05852c3fa3f27a5d6","index":3,"contentType":"venue","hotelLink":"/culture/the-front-row/terrorists-in-retirement-brings-wartime-traumas-back-to-life","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-front-row/terrorists-in-retirement-brings-wartime-traumas-back-to-life" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_120,c_limit/Brody-Terrorists-in-Retirement.jpg 120w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_240,c_limit/Brody-Terrorists-in-Retirement.jpg 240w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_320,c_limit/Brody-Terrorists-in-Retirement.jpg 320w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_640,c_limit/Brody-Terrorists-in-Retirement.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_120,c_limit/Brody-Terrorists-in-Retirement.jpg 120w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_240,c_limit/Brody-Terrorists-in-Retirement.jpg 240w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_320,c_limit/Brody-Terrorists-in-Retirement.jpg 320w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_640,c_limit/Brody-Terrorists-in-Retirement.jpg 640w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_960,c_limit/Brody-Terrorists-in-Retirement.jpg 960w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_1280,c_limit/Brody-Terrorists-in-Retirement.jpg 1280w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_1600,c_limit/Brody-Terrorists-in-Retirement.jpg 1600w" sizes="100vw"/><img alt="“Terrorists in Retirement” Brings Wartime Traumas Back to Life" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_1600%2Cc_limit/Brody-Terrorists-in-Retirement.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Front Row</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-front-row/terrorists-in-retirement-brings-wartime-traumas-back-to-life" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">“Terrorists in Retirement” Brings Wartime Traumas Back to Life</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-front-row/terrorists-in-retirement-brings-wartime-traumas-back-to-life" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_120,c_limit/Brody-Terrorists-in-Retirement.jpg 120w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_240,c_limit/Brody-Terrorists-in-Retirement.jpg 240w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_320,c_limit/Brody-Terrorists-in-Retirement.jpg 320w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_640,c_limit/Brody-Terrorists-in-Retirement.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_120,c_limit/Brody-Terrorists-in-Retirement.jpg 120w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_240,c_limit/Brody-Terrorists-in-Retirement.jpg 240w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_320,c_limit/Brody-Terrorists-in-Retirement.jpg 320w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_640,c_limit/Brody-Terrorists-in-Retirement.jpg 640w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_960,c_limit/Brody-Terrorists-in-Retirement.jpg 960w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_1280,c_limit/Brody-Terrorists-in-Retirement.jpg 1280w, https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_1600,c_limit/Brody-Terrorists-in-Retirement.jpg 1600w" sizes="100vw"/><img alt="“Terrorists in Retirement” Brings Wartime Traumas Back to Life" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67326670fbf04dd10f138a19/4:3/w_1600%2Cc_limit/Brody-Terrorists-in-Retirement.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">With in-depth interviews and startling reënactments, the director Mosco Boucault details the anguish and the heroism of a mainly Jewish group of French Resistance fighters.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Richard Brody</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="yqhtr8"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-testid="RowWrapper" id="food" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SectionTitleRoot-dBGvdq linnUJ SummaryCollectionGridSectionTitle-fCmYwG eAcJMh" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">Food</h2></div><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"The Triumph of the Post-Thanksgiving Sandwich","id":"67460ebffa90ce7b3744a5e4","index":0,"contentType":"venue","hotelLink":"/culture/the-food-scene/the-triumph-of-the-post-thanksgiving-sandwich","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/the-triumph-of-the-post-thanksgiving-sandwich" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_120,c_limit/Rosner_turkey_sandwich_social.jpg 120w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_240,c_limit/Rosner_turkey_sandwich_social.jpg 240w, 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1280w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_1600,c_limit/Rosner_turkey_sandwich_social.jpg 1600w" sizes="100vw"/><img alt="The Triumph of the Post-Thanksgiving Sandwich" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_1600%2Cc_limit/Rosner_turkey_sandwich_social.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Food Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-food-scene/the-triumph-of-the-post-thanksgiving-sandwich" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Triumph of the Post-Thanksgiving Sandwich</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/the-triumph-of-the-post-thanksgiving-sandwich" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_120,c_limit/Rosner_turkey_sandwich_social.jpg 120w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_240,c_limit/Rosner_turkey_sandwich_social.jpg 240w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_320,c_limit/Rosner_turkey_sandwich_social.jpg 320w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_640,c_limit/Rosner_turkey_sandwich_social.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_120,c_limit/Rosner_turkey_sandwich_social.jpg 120w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_240,c_limit/Rosner_turkey_sandwich_social.jpg 240w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_320,c_limit/Rosner_turkey_sandwich_social.jpg 320w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_640,c_limit/Rosner_turkey_sandwich_social.jpg 640w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_960,c_limit/Rosner_turkey_sandwich_social.jpg 960w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_1280,c_limit/Rosner_turkey_sandwich_social.jpg 1280w, https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_1600,c_limit/Rosner_turkey_sandwich_social.jpg 1600w" sizes="100vw"/><img alt="The Triumph of the Post-Thanksgiving Sandwich" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6746739d9be0aaafd72e4968/4:3/w_1600%2Cc_limit/Rosner_turkey_sandwich_social.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">After the big meal, alone with your refrigerator, let the real celebration begin.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Helen Rosner</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Put Your Money Where Your Loved One’s Mouth Is","id":"673e2cdcee869113d4bcbd6b","index":1,"contentType":"venue","hotelLink":"/culture/the-food-scene/put-your-money-where-your-loved-ones-mouth-is","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/put-your-money-where-your-loved-ones-mouth-is" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_120,c_limit/Rosner_Gift_Guide.jpg 120w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_240,c_limit/Rosner_Gift_Guide.jpg 240w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_320,c_limit/Rosner_Gift_Guide.jpg 320w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_640,c_limit/Rosner_Gift_Guide.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_120,c_limit/Rosner_Gift_Guide.jpg 120w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_240,c_limit/Rosner_Gift_Guide.jpg 240w, 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rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Food Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-food-scene/put-your-money-where-your-loved-ones-mouth-is" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Put Your Money Where Your Loved One’s Mouth Is</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/put-your-money-where-your-loved-ones-mouth-is" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_120,c_limit/Rosner_Gift_Guide.jpg 120w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_240,c_limit/Rosner_Gift_Guide.jpg 240w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_320,c_limit/Rosner_Gift_Guide.jpg 320w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_640,c_limit/Rosner_Gift_Guide.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_120,c_limit/Rosner_Gift_Guide.jpg 120w, https://media.newyorker.com/photos/673fa1cf9d6278f15aa7c13a/4:3/w_240,c_limit/Rosner_Gift_Guide.jpg 240w, 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class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Helen Rosner</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only 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gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_120,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 120w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_240,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 240w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_320,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 320w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_640,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_120,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 120w, 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src="https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_1600%2Cc_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Food Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-food-scene/upstairs-and-downstairs-at-clemente-bar" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Upstairs and Downstairs at Clemente Bar</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/upstairs-and-downstairs-at-clemente-bar" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_120,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 120w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_240,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 240w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_320,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 320w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_640,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_120,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 120w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_240,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 240w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_320,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 320w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_640,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 640w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_960,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 960w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_1280,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 1280w, https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_1600,c_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg 1600w" sizes="100vw"/><img alt="Upstairs and Downstairs at Clemente Bar" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6734bc893c4d6e007198bf88/4:3/w_1600%2Cc_limit/1-NewYorker_ClementeBar_Tompkins_0140.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">A new lounge above Eleven Madison Park offers refined plant-based bites and beverages while leaving fine-dining social hierarchies intact.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Helen Rosner</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Scene and Substance at New York’s Newest Hot Spot","id":"6729396377cad983b666cdf3","index":3,"contentType":"venue","hotelLink":"/culture/the-food-scene/bridges-scene-and-substance-at-new-yorks-newest-hot-spot","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/bridges-scene-and-substance-at-new-yorks-newest-hot-spot" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_120,c_limit/MorganLevy-1629.jpg 120w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_240,c_limit/MorganLevy-1629.jpg 240w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_320,c_limit/MorganLevy-1629.jpg 320w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_640,c_limit/MorganLevy-1629.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_120,c_limit/MorganLevy-1629.jpg 120w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_240,c_limit/MorganLevy-1629.jpg 240w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_320,c_limit/MorganLevy-1629.jpg 320w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_640,c_limit/MorganLevy-1629.jpg 640w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_960,c_limit/MorganLevy-1629.jpg 960w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_1280,c_limit/MorganLevy-1629.jpg 1280w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_1600,c_limit/MorganLevy-1629.jpg 1600w" sizes="100vw"/><img alt="Scene and Substance at New York’s Newest Hot Spot" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_1600%2Cc_limit/MorganLevy-1629.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Food Scene</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-food-scene/bridges-scene-and-substance-at-new-yorks-newest-hot-spot" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Scene and Substance at New York’s Newest Hot Spot</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/the-food-scene/bridges-scene-and-substance-at-new-yorks-newest-hot-spot" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_120,c_limit/MorganLevy-1629.jpg 120w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_240,c_limit/MorganLevy-1629.jpg 240w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_320,c_limit/MorganLevy-1629.jpg 320w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_640,c_limit/MorganLevy-1629.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_120,c_limit/MorganLevy-1629.jpg 120w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_240,c_limit/MorganLevy-1629.jpg 240w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_320,c_limit/MorganLevy-1629.jpg 320w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_640,c_limit/MorganLevy-1629.jpg 640w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_960,c_limit/MorganLevy-1629.jpg 960w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_1280,c_limit/MorganLevy-1629.jpg 1280w, https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_1600,c_limit/MorganLevy-1629.jpg 1600w" sizes="100vw"/><img alt="Scene and Substance at New York’s Newest Hot Spot" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/672cebda77f87e5ffe6c243a/4:3/w_1600%2Cc_limit/MorganLevy-1629.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Bridges, a chic new restaurant from a former Estela chef, offers indulgence through restraint, with eye-opening results.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Helen Rosner</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="0xdzlp"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-journey-hook="row-content" class="ad-container ad-container-reduced-margin"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="a92go"></div></div></div><div class="ticker-view" data-journey-hook="row-content"><div class="TickerWrapper-gzXWCq rLzXB"><div class="ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--cm-ticker" role="presentation" aria-hidden="true"><div class="consumer-marketing-unit__slot consumer-marketing-unit__slot--cm-ticker"></div><div class="journey-unit"></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr faNxPo dUIsmD"><div id="6579d3539d07d3be7e8da6c7" class="TickerWrapper-gzXWCq rLzXB"><section class="TickerWrapper-bzDcsz jgjJDr ticker-wrapper"><a href="https://link.chtbl.com/P6qIHKFD" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM TickerLinkWrapper-heSBck iUEiRd dTCiYp deJsDf"><span class="SpanWrapper-umhxW jvZaPI responsive-asset TickerImage-bzqpYE iWjXoH ticker__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz hlQxkn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa TickerImage-bzqpYE iWjXoH ticker__image responsive-image"><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/650b5d4f3931a56caf594a89/master/w_120,c_limit/CAL-TILE.png 120w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/650b5d4f3931a56caf594a89/master/w_120,c_limit/CAL-TILE.png 120w" sizes="100vw"/><img alt="" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/650b5d4f3931a56caf594a89/master/w_150%2Cc_limit/CAL-TILE.png"/></picture></div></div></span></a><span class="TickerText-ctVCGS gzjooS"><span data-testid="TickerText" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TickerHed-jMZYxm iUEiRd lfkvcU cfsdUk">Listen to lively debates about the art of the moment.</span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLink-eNWuiM TickerLink-dBIUkP iUEiRd dTCiYp deJsDf lkjnIv ticker__link" href="https://link.chtbl.com/P6qIHKFD">Follow Critics at Large wherever you get your podcasts »</a></span></section></div></div></div><div data-testid="RowWrapper" id="6579cb3034dddc6ac651a13c" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div data-testid="SummaryCollageOneSingleFeature" class="SummaryCollageOneGridWithMargin-jQiZuW bvnqfa summary-collage-one"><div class="SummaryItemWrapper-iwvBff hiINGu summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-center summary-item--layout-placement-side-by-side-desktop-only summary-item--layout-position-image-left summary-item--layout-proportions-50-50 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollageOneItemComponent-kqWTHk cJrTnJ" data-item="{"dangerousHed":"A Bahraini Photographer Returns Home","id":"673f7733f406beb689ab0e32","contentType":"venue","hotelLink":"/culture/photo-booth/a-bahraini-photographer-returns-home","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/photo-booth/a-bahraini-photographer-returns-home" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_120,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 120w, https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_240,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 240w, https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_320,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 320w, https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_640,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_120,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 120w, https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_240,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 240w, https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_320,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 320w, https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_640,c_limit/Adnan-Al-Shehabi-DSC_2456.jpg 640w" sizes="100vw"/><img alt="A Bahraini Photographer Returns Home" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67478a218f8a1a1ca88e37dd/4:3/w_768%2Cc_limit/Adnan-Al-Shehabi-DSC_2456.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl gXhIQj summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN gYIzIS summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Photo Booth</span></div></div><a class="SummaryItemHedLink-civMjp bMCiCb summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/photo-booth/a-bahraini-photographer-returns-home" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ lLzlp summary-item__hed" data-testid="SummaryItemHed">A Bahraini Photographer Returns Home</h3></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">Ali Al Shehabi’s images of the Gulf kingdom dwell on the texture of a homeland he felt alienated from for most of his life.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk jYjxgY bylines"><span class="BylineWrapper-jWHrLH YYNuC byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>M. Z. Adnan</span></span></span></div></div></div></div></div></div></div></div></div><div data-testid="RowWrapper" id="television" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SectionTitleRoot-dBGvdq linnUJ SummaryCollectionGridSectionTitle-fCmYwG eAcJMh" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">Television</h2></div><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"The Amazing, Disappearing Johnny Carson","id":"67228d18c68572b142940173","index":0,"contentType":"venue","hotelLink":"/books/under-review/the-amazing-disappearing-johnny-carson","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/under-review/the-amazing-disappearing-johnny-carson" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_120,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 120w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_240,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 240w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_320,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 320w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_640,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_120,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 120w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_240,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 240w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_320,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 320w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_640,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 640w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_960,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 960w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_1280,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 1280w, 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href="/books/under-review/the-amazing-disappearing-johnny-carson" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Amazing, Disappearing Johnny Carson</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/under-review/the-amazing-disappearing-johnny-carson" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_120,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 120w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_240,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 240w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_320,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 320w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_640,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_120,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 120w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_240,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 240w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_320,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 320w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_640,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 640w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_960,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 960w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_1280,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 1280w, https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_1600,c_limit/Butler-Under-Review-Carson-the-Magnificent.jpg 1600w" sizes="100vw"/><img alt="The Amazing, Disappearing Johnny Carson" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67292d9b20e5fdd575de0ea0/4:3/w_1600%2Cc_limit/Butler-Under-Review-Carson-the-Magnificent.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Carson pioneered a new style of late-night hosting—relaxed, improvisatory, risk-averse, and inscrutable.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Isaac Butler</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"“Disclaimer” Is a Baffling Misfire from a Great Auteur","id":"6712d0c4faaf25e5b99a4a27","index":1,"contentType":"venue","hotelLink":"/culture/on-television/disclaimer-is-a-baffling-misfire-from-a-great-auteur","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/on-television/disclaimer-is-a-baffling-misfire-from-a-great-auteur" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_120,c_limit/Disclaimer_Photo_010402.jpg 120w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_240,c_limit/Disclaimer_Photo_010402.jpg 240w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_320,c_limit/Disclaimer_Photo_010402.jpg 320w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_640,c_limit/Disclaimer_Photo_010402.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_120,c_limit/Disclaimer_Photo_010402.jpg 120w, 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class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">On Television</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/on-television/disclaimer-is-a-baffling-misfire-from-a-great-auteur" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">“Disclaimer” Is a Baffling Misfire from a Great Auteur</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/on-television/disclaimer-is-a-baffling-misfire-from-a-great-auteur" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_120,c_limit/Disclaimer_Photo_010402.jpg 120w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_240,c_limit/Disclaimer_Photo_010402.jpg 240w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_320,c_limit/Disclaimer_Photo_010402.jpg 320w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_640,c_limit/Disclaimer_Photo_010402.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_120,c_limit/Disclaimer_Photo_010402.jpg 120w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_240,c_limit/Disclaimer_Photo_010402.jpg 240w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_320,c_limit/Disclaimer_Photo_010402.jpg 320w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_640,c_limit/Disclaimer_Photo_010402.jpg 640w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_960,c_limit/Disclaimer_Photo_010402.jpg 960w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_1280,c_limit/Disclaimer_Photo_010402.jpg 1280w, https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_1600,c_limit/Disclaimer_Photo_010402.jpg 1600w" sizes="100vw"/><img alt="“Disclaimer” Is a Baffling Misfire from a Great Auteur" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6713db6c9d496f6b6fe89c1d/4:3/w_1600%2Cc_limit/Disclaimer_Photo_010402.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Alfonso Cuarón’s foray into television is a work of such vacuity that even Cate Blanchett can’t salvage it.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Inkoo Kang</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Ryan Murphy’s Latest Era of Cynical Hits","id":"67002cfcbe2d0cc7945f8637","index":2,"contentType":"venue","hotelLink":"/culture/on-television/ryan-murphys-latest-era-of-cynical-hits","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a 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responsive-image__image" src="https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_1600%2Cc_limit/Kang-Monsters.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">On Television</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/on-television/ryan-murphys-latest-era-of-cynical-hits" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Ryan Murphy’s Latest Era of Cynical Hits</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/on-television/ryan-murphys-latest-era-of-cynical-hits" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_120,c_limit/Kang-Monsters.jpg 120w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_240,c_limit/Kang-Monsters.jpg 240w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_320,c_limit/Kang-Monsters.jpg 320w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_640,c_limit/Kang-Monsters.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_120,c_limit/Kang-Monsters.jpg 120w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_240,c_limit/Kang-Monsters.jpg 240w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_320,c_limit/Kang-Monsters.jpg 320w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_640,c_limit/Kang-Monsters.jpg 640w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_960,c_limit/Kang-Monsters.jpg 960w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_1280,c_limit/Kang-Monsters.jpg 1280w, https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_1600,c_limit/Kang-Monsters.jpg 1600w" sizes="100vw"/><img alt="Ryan Murphy’s Latest Era of Cynical Hits" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/67054528aa535d0dd7e3dc6e/4:3/w_1600%2Cc_limit/Kang-Monsters.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">In “Monsters: The Lyle and Erik Menendez Story,” the astoundingly prolific showrunner melds his modes as provocateur and clumsy social-justice warrior, with mixed results.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Inkoo Kang</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Is Matt Walsh Trying to Make “Am I Racist?” the “Borat” of the Right?","id":"66f6c477b58e29fc2d4487ef","index":3,"contentType":"venue","hotelLink":"/culture/on-television/is-matt-walsh-trying-to-make-am-i-racist-the-borat-of-the-right","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/on-television/is-matt-walsh-trying-to-make-am-i-racist-the-borat-of-the-right" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_120,c_limit/Cunningham-Am-I-Racist.jpg 120w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_240,c_limit/Cunningham-Am-I-Racist.jpg 240w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_320,c_limit/Cunningham-Am-I-Racist.jpg 320w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_640,c_limit/Cunningham-Am-I-Racist.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_120,c_limit/Cunningham-Am-I-Racist.jpg 120w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_240,c_limit/Cunningham-Am-I-Racist.jpg 240w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_320,c_limit/Cunningham-Am-I-Racist.jpg 320w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_640,c_limit/Cunningham-Am-I-Racist.jpg 640w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_960,c_limit/Cunningham-Am-I-Racist.jpg 960w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_1280,c_limit/Cunningham-Am-I-Racist.jpg 1280w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_1600,c_limit/Cunningham-Am-I-Racist.jpg 1600w" sizes="100vw"/><img alt="Is Matt Walsh Trying to Make “Am I Racist?” the “Borat” of the Right?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_1600%2Cc_limit/Cunningham-Am-I-Racist.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">On Television</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/on-television/is-matt-walsh-trying-to-make-am-i-racist-the-borat-of-the-right" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Is Matt Walsh Trying to Make “Am I Racist?” the “Borat” of the Right?</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/on-television/is-matt-walsh-trying-to-make-am-i-racist-the-borat-of-the-right" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_120,c_limit/Cunningham-Am-I-Racist.jpg 120w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_240,c_limit/Cunningham-Am-I-Racist.jpg 240w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_320,c_limit/Cunningham-Am-I-Racist.jpg 320w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_640,c_limit/Cunningham-Am-I-Racist.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_120,c_limit/Cunningham-Am-I-Racist.jpg 120w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_240,c_limit/Cunningham-Am-I-Racist.jpg 240w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_320,c_limit/Cunningham-Am-I-Racist.jpg 320w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_640,c_limit/Cunningham-Am-I-Racist.jpg 640w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_960,c_limit/Cunningham-Am-I-Racist.jpg 960w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_1280,c_limit/Cunningham-Am-I-Racist.jpg 1280w, https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_1600,c_limit/Cunningham-Am-I-Racist.jpg 1600w" sizes="100vw"/><img alt="Is Matt Walsh Trying to Make “Am I Racist?” the “Borat” of the Right?" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/66f6c7e7cb0529bda9d5cd7a/4:3/w_1600%2Cc_limit/Cunningham-Am-I-Racist.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">In his work with the Daily Wire and in a new movie, the conservative podcaster and activist tries to expose the hypocrisies of the left.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Vinson Cunningham</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="jzxg2"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-journey-hook="row-content" class="ad-container ad-container-reduced-margin"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-content should-hold-space"><div class="ad__slot ad__slot--mid-content" data-node-id="3kjbhl"></div></div></div><div data-testid="RowWrapper" id="the-theatre" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SectionTitleRoot-dBGvdq linnUJ SummaryCollectionGridSectionTitle-fCmYwG eAcJMh" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">The Theatre</h2></div><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"A Lakota Playwright’s Take on Thanksgiving","id":"673e532337002d53e3e32351","index":0,"contentType":"venue","hotelLink":"/podcast/the-new-yorker-radio-hour/a-lakota-playwrights-take-on-thanksgiving","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/podcast/the-new-yorker-radio-hour/a-lakota-playwrights-take-on-thanksgiving" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_960,c_limit/Radio-Hour-Secondary-Segment.png 960w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1280,c_limit/Radio-Hour-Secondary-Segment.png 1280w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600,c_limit/Radio-Hour-Secondary-Segment.png 1600w" sizes="100vw"/><img alt="A Lakota Playwright’s Take on Thanksgiving" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600%2Cc_limit/Radio-Hour-Secondary-Segment.png"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The New Yorker Radio Hour</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/podcast/the-new-yorker-radio-hour/a-lakota-playwrights-take-on-thanksgiving" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">A Lakota Playwright’s Take on Thanksgiving</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/podcast/the-new-yorker-radio-hour/a-lakota-playwrights-take-on-thanksgiving" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_960,c_limit/Radio-Hour-Secondary-Segment.png 960w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1280,c_limit/Radio-Hour-Secondary-Segment.png 1280w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600,c_limit/Radio-Hour-Secondary-Segment.png 1600w" sizes="100vw"/><img alt="A Lakota Playwright’s Take on Thanksgiving" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600%2Cc_limit/Radio-Hour-Secondary-Segment.png"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">“The Thanksgiving Play” is a comedy on an awkward subject, and a sendup of liberal good intentions. The staff writer Vinson Cunningham speaks with the playwright Larissa FastHorse.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">With </span>David Remnick</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Faustian Bargains in “Death Becomes Her” and “Burnout Paradise”","id":"673df42480b4b642a4d5040e","index":1,"contentType":"venue","hotelLink":"/magazine/2024/12/02/death-becomes-her-theatre-review-broadway","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/02/death-becomes-her-theatre-review-broadway" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_120,c_limit/r45316.jpg 120w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_240,c_limit/r45316.jpg 240w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_320,c_limit/r45316.jpg 320w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_640,c_limit/r45316.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_120,c_limit/r45316.jpg 120w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_240,c_limit/r45316.jpg 240w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_320,c_limit/r45316.jpg 320w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_640,c_limit/r45316.jpg 640w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_960,c_limit/r45316.jpg 960w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_1280,c_limit/r45316.jpg 1280w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_1600,c_limit/r45316.jpg 1600w" sizes="100vw"/><img alt="Faustian Bargains in “Death Becomes Her” and “Burnout Paradise”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_1600%2Cc_limit/r45316.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Theatre</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/12/02/death-becomes-her-theatre-review-broadway" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Faustian Bargains in “Death Becomes Her” and “Burnout Paradise”</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/02/death-becomes-her-theatre-review-broadway" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_120,c_limit/r45316.jpg 120w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_240,c_limit/r45316.jpg 240w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_320,c_limit/r45316.jpg 320w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_640,c_limit/r45316.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_120,c_limit/r45316.jpg 120w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_240,c_limit/r45316.jpg 240w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_320,c_limit/r45316.jpg 320w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_640,c_limit/r45316.jpg 640w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_960,c_limit/r45316.jpg 960w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_1280,c_limit/r45316.jpg 1280w, https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_1600,c_limit/r45316.jpg 1600w" sizes="100vw"/><img alt="Faustian Bargains in “Death Becomes Her” and “Burnout Paradise”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673e6167a6d3e67544200a79/4:3/w_1600%2Cc_limit/r45316.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The audience gets what it paid for in both the musical adaptation of the 1992 film, with Megan Hilty and Jennifer Simard, and a new show about the treadmill of life.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Helen Shaw</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"“Give Me Carmelita Tropicana!” and “Gatz” Beat On Against the Current","id":"6734ba3ed1e31c75af7f4473","index":2,"contentType":"venue","hotelLink":"/magazine/2024/11/25/give-me-carmelita-tropicana-theatre-review-gatz","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/11/25/give-me-carmelita-tropicana-theatre-review-gatz" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_120,c_limit/r45292.jpg 120w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_240,c_limit/r45292.jpg 240w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_320,c_limit/r45292.jpg 320w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_640,c_limit/r45292.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_120,c_limit/r45292.jpg 120w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_240,c_limit/r45292.jpg 240w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_320,c_limit/r45292.jpg 320w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_640,c_limit/r45292.jpg 640w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_960,c_limit/r45292.jpg 960w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_1280,c_limit/r45292.jpg 1280w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_1600,c_limit/r45292.jpg 1600w" sizes="100vw"/><img alt="“Give Me Carmelita Tropicana!” and “Gatz” Beat On Against the Current" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_1600%2Cc_limit/r45292.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Theatre</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/11/25/give-me-carmelita-tropicana-theatre-review-gatz" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">“Give Me Carmelita Tropicana!” and “Gatz” Beat On Against the Current</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/11/25/give-me-carmelita-tropicana-theatre-review-gatz" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_120,c_limit/r45292.jpg 120w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_240,c_limit/r45292.jpg 240w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_320,c_limit/r45292.jpg 320w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_640,c_limit/r45292.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_120,c_limit/r45292.jpg 120w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_240,c_limit/r45292.jpg 240w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_320,c_limit/r45292.jpg 320w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_640,c_limit/r45292.jpg 640w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_960,c_limit/r45292.jpg 960w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_1280,c_limit/r45292.jpg 1280w, https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_1600,c_limit/r45292.jpg 1600w" sizes="100vw"/><img alt="“Give Me Carmelita Tropicana!” and “Gatz” Beat On Against the Current" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6734c5034cdea8238cbae766/4:3/w_1600%2Cc_limit/r45292.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">The playwright Branden Jacobs-Jenkins and the performance artist Alina Troyano summon downtown’s wild spirit, and Elevator Repair Service revives its signature hit.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Helen Shaw</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Sam Gold’s “Romeo + Juliet” Is Shakespeare for the Youth","id":"672e81d8a192f6993382c090","index":3,"contentType":"venue","hotelLink":"/podcast/the-new-yorker-radio-hour/sam-golds-romeo-juliet-is-shakespeare-for-the-youth","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/podcast/the-new-yorker-radio-hour/sam-golds-romeo-juliet-is-shakespeare-for-the-youth" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, 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src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600%2Cc_limit/Radio-Hour-Secondary-Segment.png"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The New Yorker Radio Hour</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/podcast/the-new-yorker-radio-hour/sam-golds-romeo-juliet-is-shakespeare-for-the-youth" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Sam Gold’s “Romeo + Juliet” Is Shakespeare for the Youth</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/podcast/the-new-yorker-radio-hour/sam-golds-romeo-juliet-is-shakespeare-for-the-youth" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_120,c_limit/Radio-Hour-Secondary-Segment.png 120w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_240,c_limit/Radio-Hour-Secondary-Segment.png 240w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_320,c_limit/Radio-Hour-Secondary-Segment.png 320w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_640,c_limit/Radio-Hour-Secondary-Segment.png 640w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_960,c_limit/Radio-Hour-Secondary-Segment.png 960w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1280,c_limit/Radio-Hour-Secondary-Segment.png 1280w, https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600,c_limit/Radio-Hour-Secondary-Segment.png 1600w" sizes="100vw"/><img alt="Sam Gold’s “Romeo + Juliet” Is Shakespeare for the Youth" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/4:3/w_1600%2Cc_limit/Radio-Hour-Secondary-Segment.png"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Gold, a celebrated Shakespeare director, designed his theatre production for a young audience. “It’s loud. I’m willing to hear the complaints, because I have risk tolerance,” he said.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">With </span>David Remnick</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="w2kulb"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div data-testid="RowWrapper" id="music" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx lkTDwo"><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan FeaturesRow-fFHjAg kQkRwY verso-features"><div class="GridWrapper-cAzTTK jXvsWG grid grid-margins grid-items-0 SummaryCollectionGridComponent-ktyEog PaVHW summary-collection-grid summary-collection-grid--four-columns summary-collection-grid__tablet-single-column summary-collection-grid--DenseDesktopStack"><div class="GridItem-buujkM kHPPIF grid--item"><div class="SummaryCollectionGridContent-eVUpRm kLpQMK"><div class="SectionTitleRoot-dBGvdq linnUJ SummaryCollectionGridSectionTitle-fCmYwG eAcJMh" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">Music</h2></div><div class="SummaryCollectionGridItems-DZShR ioydyD hide-read-more-ad" data-testid="SummaryCollectionGridItems"><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"How R.E.M. Created Alternative Music","id":"671276cd1ba2ac8e70cc76b0","index":0,"contentType":"venue","hotelLink":"/books/under-review/how-rem-created-alternative-music","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/under-review/how-rem-created-alternative-music" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_120,c_limit/Krotov-REM-GettyImages-86113930.jpg 120w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_240,c_limit/Krotov-REM-GettyImages-86113930.jpg 240w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_320,c_limit/Krotov-REM-GettyImages-86113930.jpg 320w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_640,c_limit/Krotov-REM-GettyImages-86113930.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_120,c_limit/Krotov-REM-GettyImages-86113930.jpg 120w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_240,c_limit/Krotov-REM-GettyImages-86113930.jpg 240w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_320,c_limit/Krotov-REM-GettyImages-86113930.jpg 320w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_640,c_limit/Krotov-REM-GettyImages-86113930.jpg 640w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_960,c_limit/Krotov-REM-GettyImages-86113930.jpg 960w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_1280,c_limit/Krotov-REM-GettyImages-86113930.jpg 1280w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_1600,c_limit/Krotov-REM-GettyImages-86113930.jpg 1600w" sizes="100vw"/><img alt="How R.E.M. Created Alternative Music" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_1600%2Cc_limit/Krotov-REM-GettyImages-86113930.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Under Review</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/books/under-review/how-rem-created-alternative-music" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">How R.E.M. Created Alternative Music</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/books/under-review/how-rem-created-alternative-music" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_120,c_limit/Krotov-REM-GettyImages-86113930.jpg 120w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_240,c_limit/Krotov-REM-GettyImages-86113930.jpg 240w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_320,c_limit/Krotov-REM-GettyImages-86113930.jpg 320w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_640,c_limit/Krotov-REM-GettyImages-86113930.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_120,c_limit/Krotov-REM-GettyImages-86113930.jpg 120w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_240,c_limit/Krotov-REM-GettyImages-86113930.jpg 240w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_320,c_limit/Krotov-REM-GettyImages-86113930.jpg 320w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_640,c_limit/Krotov-REM-GettyImages-86113930.jpg 640w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_960,c_limit/Krotov-REM-GettyImages-86113930.jpg 960w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_1280,c_limit/Krotov-REM-GettyImages-86113930.jpg 1280w, https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_1600,c_limit/Krotov-REM-GettyImages-86113930.jpg 1600w" sizes="100vw"/><img alt="How R.E.M. Created Alternative Music" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673267b047bf5cfb6f7df5de/4:3/w_1600%2Cc_limit/Krotov-REM-GettyImages-86113930.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">In the cultural wasteland of the Reagan era, they showed that a band could break through to mass appeal without being cheesy, or nostalgic, or playing hair metal.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Mark Krotov</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Charles Ives, Connoisseur of Chaos","id":"6720fbd3dffb60b40fca25d8","index":1,"contentType":"venue","hotelLink":"/magazine/2024/11/11/charles-ives-at-150-music-review","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/11/11/charles-ives-at-150-music-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_120,c_limit/r45217.jpg 120w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_240,c_limit/r45217.jpg 240w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_320,c_limit/r45217.jpg 320w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_640,c_limit/r45217.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_120,c_limit/r45217.jpg 120w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_240,c_limit/r45217.jpg 240w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_320,c_limit/r45217.jpg 320w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_640,c_limit/r45217.jpg 640w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_960,c_limit/r45217.jpg 960w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_1280,c_limit/r45217.jpg 1280w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_1600,c_limit/r45217.jpg 1600w" sizes="100vw"/><img alt="Charles Ives, Connoisseur of Chaos" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_1600%2Cc_limit/r45217.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Musical Events</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/11/11/charles-ives-at-150-music-review" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Charles Ives, Connoisseur of Chaos</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/11/11/charles-ives-at-150-music-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_120,c_limit/r45217.jpg 120w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_240,c_limit/r45217.jpg 240w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_320,c_limit/r45217.jpg 320w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_640,c_limit/r45217.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_120,c_limit/r45217.jpg 120w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_240,c_limit/r45217.jpg 240w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_320,c_limit/r45217.jpg 320w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_640,c_limit/r45217.jpg 640w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_960,c_limit/r45217.jpg 960w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_1280,c_limit/r45217.jpg 1280w, https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_1600,c_limit/r45217.jpg 1600w" sizes="100vw"/><img alt="Charles Ives, Connoisseur of Chaos" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6721228eb6cf49b3dbb64cfe/4:3/w_1600%2Cc_limit/r45217.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">Celebrating the composer’s hundred-and-fiftieth birthday, at a festival in Bloomington, Indiana.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Alex Ross</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"Soccer Mommy’s Visceral Chronicle of Loss","id":"671a6e335bec6cadbada6d6d","index":2,"contentType":"venue","hotelLink":"/culture/listening-booth/soccer-mommys-visceral-chronicle-of-loss","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/listening-booth/soccer-mommys-visceral-chronicle-of-loss" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_120,c_limit/Abdurraqib-Soccer-Mommy.jpg 120w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_240,c_limit/Abdurraqib-Soccer-Mommy.jpg 240w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_320,c_limit/Abdurraqib-Soccer-Mommy.jpg 320w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_640,c_limit/Abdurraqib-Soccer-Mommy.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_120,c_limit/Abdurraqib-Soccer-Mommy.jpg 120w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_240,c_limit/Abdurraqib-Soccer-Mommy.jpg 240w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_320,c_limit/Abdurraqib-Soccer-Mommy.jpg 320w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_640,c_limit/Abdurraqib-Soccer-Mommy.jpg 640w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_960,c_limit/Abdurraqib-Soccer-Mommy.jpg 960w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_1280,c_limit/Abdurraqib-Soccer-Mommy.jpg 1280w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_1600,c_limit/Abdurraqib-Soccer-Mommy.jpg 1600w" sizes="100vw"/><img alt="Soccer Mommy’s Visceral Chronicle of Loss" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_1600%2Cc_limit/Abdurraqib-Soccer-Mommy.jpg"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Listening Booth</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/listening-booth/soccer-mommys-visceral-chronicle-of-loss" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Soccer Mommy’s Visceral Chronicle of Loss</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/culture/listening-booth/soccer-mommys-visceral-chronicle-of-loss" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_120,c_limit/Abdurraqib-Soccer-Mommy.jpg 120w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_240,c_limit/Abdurraqib-Soccer-Mommy.jpg 240w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_320,c_limit/Abdurraqib-Soccer-Mommy.jpg 320w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_640,c_limit/Abdurraqib-Soccer-Mommy.jpg 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_120,c_limit/Abdurraqib-Soccer-Mommy.jpg 120w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_240,c_limit/Abdurraqib-Soccer-Mommy.jpg 240w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_320,c_limit/Abdurraqib-Soccer-Mommy.jpg 320w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_640,c_limit/Abdurraqib-Soccer-Mommy.jpg 640w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_960,c_limit/Abdurraqib-Soccer-Mommy.jpg 960w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_1280,c_limit/Abdurraqib-Soccer-Mommy.jpg 1280w, https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_1600,c_limit/Abdurraqib-Soccer-Mommy.jpg 1600w" sizes="100vw"/><img alt="Soccer Mommy’s Visceral Chronicle of Loss" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/671aa8a88ddc847b1a07758c/4:3/w_1600%2Cc_limit/Abdurraqib-Soccer-Mommy.jpg"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">On the new album “Evergreen,” the artist Sophie Allison makes sadness come alive and transform.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Hanif Abdurraqib</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fmQlYI summary-item summary-item--has-border summary-item--has-mobile-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-text-below-desktop-only summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryCollectionGridSummaryItem-WColm kLBloP" data-item="{"dangerousHed":"The Decline of the Working Musician","id":"670d7c69d0113bb509dc3e71","index":3,"contentType":"venue","hotelLink":"/magazine/2024/10/28/band-people-franz-nicolay-book-review","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/10/28/band-people-franz-nicolay-book-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_120,c_limit/r45145-siteimage.gif 120w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_240,c_limit/r45145-siteimage.gif 240w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_320,c_limit/r45145-siteimage.gif 320w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_640,c_limit/r45145-siteimage.gif 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_120,c_limit/r45145-siteimage.gif 120w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_240,c_limit/r45145-siteimage.gif 240w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_320,c_limit/r45145-siteimage.gif 320w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_640,c_limit/r45145-siteimage.gif 640w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_960,c_limit/r45145-siteimage.gif 960w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_1280,c_limit/r45145-siteimage.gif 1280w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_1600,c_limit/r45145-siteimage.gif 1600w" sizes="25vw"/><img alt="The Decline of the Working Musician" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_1600%2Cc_limit/r45145-siteimage.gif"/></noscript></picture></span></a></div><div class="SummaryItemContent-eiDYMl hHwfjN summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN fYiFyD summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Pop Music</span></div></div><a class="SummaryItemHedLink-civMjp iksxXg summary-item-tracking__hed-link summary-item__hed-link" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/10/28/band-people-franz-nicolay-book-review" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Decline of the Working Musician</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb USLvL summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/10/28/band-people-franz-nicolay-book-review" aria-hidden="true" tabindex="-1" data-component-title="" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_120,c_limit/r45145-siteimage.gif 120w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_240,c_limit/r45145-siteimage.gif 240w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_320,c_limit/r45145-siteimage.gif 320w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_640,c_limit/r45145-siteimage.gif 640w" sizes="100vw"/><source media="(min-width: 1024px)" srcSet="https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_120,c_limit/r45145-siteimage.gif 120w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_240,c_limit/r45145-siteimage.gif 240w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_320,c_limit/r45145-siteimage.gif 320w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_640,c_limit/r45145-siteimage.gif 640w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_960,c_limit/r45145-siteimage.gif 960w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_1280,c_limit/r45145-siteimage.gif 1280w, https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_1600,c_limit/r45145-siteimage.gif 1600w" sizes="25vw"/><img alt="The Decline of the Working Musician" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/670d84e4d0113bb509dc3e73/2:1/w_1600%2Cc_limit/r45145-siteimage.gif"/></noscript></picture></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo hFIELG summary-item__dek">You used to be able to make a living playing in a band. A new book, “Band People,” charts how that changed.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Hua Hsu</span></span></span></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectionGridSummaryItem-WColm kLBloP ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-node-id="rusmgr"></div></div></div><div class="SummaryCollectionGridToActionWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div><div data-testid="RowWrapper" id="more-in-culture" data-journey-hook="row-content" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr knBfzx kPnZDY"><div class="SummaryRiverWrapper-cPyVqg cjXdnq summary-river-verso-channel" data-testid="SummaryRiverWrapper"><section data-testid="SummaryRiverSection" class="SummaryRiverSection-kPnzzO fhMbrM"><div id="More in Culture" class="SummaryRiverTitleWrapper-btvnRQ iXZzqQ"><div class="SectionTitleRoot-dBGvdq linnUJ" data-testid="SectionTitle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectionTitleHed-dKqZet dxqEAa hLZrSI gbguXG">More in Culture</h2></div></div><div class="GridWrapper-cAzTTK iSDgMW grid grid-margins grid-items-2 SummaryListWrapper-eeFlQw fboyYe summary-list SummaryRiverList-ggyoWN fRqnb grid-layout--adrail"><div class="GridItem-buujkM ckUkOW grid--item grid-layout__content"><div><div class="summary-list__items"><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"Looking Back on a Fallen Life in “Oh, Canada”","id":"6744a3f85e4bcbddee99e602","index":0,"contentType":"venue","hotelLink":"/magazine/2024/12/09/oh-canada-movie-review","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/09/oh-canada-movie-review" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_120,c_limit/r45354.jpg 120w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_240,c_limit/r45354.jpg 240w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_320,c_limit/r45354.jpg 320w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_640,c_limit/r45354.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_120,c_limit/r45354.jpg 120w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_240,c_limit/r45354.jpg 240w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_320,c_limit/r45354.jpg 320w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_640,c_limit/r45354.jpg 640w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_960,c_limit/r45354.jpg 960w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_1280,c_limit/r45354.jpg 1280w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_1600,c_limit/r45354.jpg 1600w" sizes="25vw"/><img alt="Looking Back on a Fallen Life in “Oh, Canada”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_1600%2Cc_limit/r45354.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The Current Cinema</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/magazine/2024/12/09/oh-canada-movie-review" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Looking Back on a Fallen Life in “Oh, Canada”</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/magazine/2024/12/09/oh-canada-movie-review" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_120,c_limit/r45354.jpg 120w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_240,c_limit/r45354.jpg 240w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_320,c_limit/r45354.jpg 320w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_640,c_limit/r45354.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_120,c_limit/r45354.jpg 120w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_240,c_limit/r45354.jpg 240w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_320,c_limit/r45354.jpg 320w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_640,c_limit/r45354.jpg 640w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_960,c_limit/r45354.jpg 960w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_1280,c_limit/r45354.jpg 1280w, https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_1600,c_limit/r45354.jpg 1600w" sizes="25vw"/><img alt="Looking Back on a Fallen Life in “Oh, Canada”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6746066c752238c316de4d3f/4:3/w_1600%2Cc_limit/r45354.jpg"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">In Paul Schrader’s latest film—his most audacious religious vision yet—a documentarian on his deathbed confesses, on camera, to a lifetime of misdeeds.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Richard Brody</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"The Best Jokes of 2024","id":"673e081b3c847825a1007562","index":1,"contentType":"venue","hotelLink":"/culture/2024-in-review/the-best-jokes-of-2024","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/2024-in-review/the-best-jokes-of-2024" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_120,c_limit/01_best_jokes.gif 120w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_240,c_limit/01_best_jokes.gif 240w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_320,c_limit/01_best_jokes.gif 320w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_640,c_limit/01_best_jokes.gif 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_120,c_limit/01_best_jokes.gif 120w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_240,c_limit/01_best_jokes.gif 240w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_320,c_limit/01_best_jokes.gif 320w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_640,c_limit/01_best_jokes.gif 640w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_960,c_limit/01_best_jokes.gif 960w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_1280,c_limit/01_best_jokes.gif 1280w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_1600,c_limit/01_best_jokes.gif 1600w" sizes="25vw"/><img alt="The Best Jokes of 2024" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_1600%2Cc_limit/01_best_jokes.gif"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">2024 in Review</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/2024-in-review/the-best-jokes-of-2024" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">The Best Jokes of 2024</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/2024-in-review/the-best-jokes-of-2024" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_120,c_limit/01_best_jokes.gif 120w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_240,c_limit/01_best_jokes.gif 240w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_320,c_limit/01_best_jokes.gif 320w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_640,c_limit/01_best_jokes.gif 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_120,c_limit/01_best_jokes.gif 120w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_240,c_limit/01_best_jokes.gif 240w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_320,c_limit/01_best_jokes.gif 320w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_640,c_limit/01_best_jokes.gif 640w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_960,c_limit/01_best_jokes.gif 960w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_1280,c_limit/01_best_jokes.gif 1280w, https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_1600,c_limit/01_best_jokes.gif 1600w" sizes="25vw"/><img alt="The Best Jokes of 2024" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6745fbd9e7d994571b734d48/4:3/w_1600%2Cc_limit/01_best_jokes.gif"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">A suggestive tennis match, a manic “Hot Ones” interview, and other amusing moments in an often surreal year.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Ian Crouch</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"Hilton Als on Understanding Difference in “Alok”","id":"673e02f6fa2ee4f247091a23","index":2,"contentType":"venue","hotelLink":"/culture/goings-on/hilton-als-on-understanding-difference-in-alok","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/goings-on/hilton-als-on-understanding-difference-in-alok" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_120,c_limit/r45361%20copy.jpg 120w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_240,c_limit/r45361%20copy.jpg 240w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_320,c_limit/r45361%20copy.jpg 320w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_640,c_limit/r45361%20copy.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_120,c_limit/r45361%20copy.jpg 120w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_240,c_limit/r45361%20copy.jpg 240w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_320,c_limit/r45361%20copy.jpg 320w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_640,c_limit/r45361%20copy.jpg 640w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_960,c_limit/r45361%20copy.jpg 960w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_1280,c_limit/r45361%20copy.jpg 1280w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_1600,c_limit/r45361%20copy.jpg 1600w" sizes="25vw"/><img alt="Hilton Als on Understanding Difference in “Alok”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_1600%2Cc_limit/r45361%2520copy.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Goings On</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/goings-on/hilton-als-on-understanding-difference-in-alok" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Hilton Als on Understanding Difference in “Alok”</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/goings-on/hilton-als-on-understanding-difference-in-alok" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_120,c_limit/r45361%20copy.jpg 120w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_240,c_limit/r45361%20copy.jpg 240w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_320,c_limit/r45361%20copy.jpg 320w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_640,c_limit/r45361%20copy.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_120,c_limit/r45361%20copy.jpg 120w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_240,c_limit/r45361%20copy.jpg 240w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_320,c_limit/r45361%20copy.jpg 320w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_640,c_limit/r45361%20copy.jpg 640w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_960,c_limit/r45361%20copy.jpg 960w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_1280,c_limit/r45361%20copy.jpg 1280w, https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_1600,c_limit/r45361%20copy.jpg 1600w" sizes="25vw"/><img alt="Hilton Als on Understanding Difference in “Alok”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/6744a0cdd1856495331d83ed/4:3/w_1600%2Cc_limit/r45361%2520copy.jpg"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">Also: A fresh “Elf” on Broadway, Michael Shannon and Tilda Swinton navigate “The End,” the French hip-hop dance of Bintou Dembélé, and more.</div></div></div><div class="hide-river-ad"><div class="AdWrapper-dQtivb fZrssQ summary-item summary-item--has-border summary-item--has-rule summary-item--article summary-item--text-align-left summary-list__item ad ad--river"><div class="ad__slot ad__slot--river" data-node-id="wmhitr"></div></div></div><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"“The Seed of the Sacred Fig” Is a Shattering Epic of Reproach","id":"6744157b3258d574f019a9e6","index":3,"contentType":"venue","hotelLink":"/culture/the-current-cinema/the-seed-of-the-sacred-fig-is-a-shattering-epic-of-reproach","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/the-current-cinema/the-seed-of-the-sacred-fig-is-a-shattering-epic-of-reproach" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_120,c_limit/Chang-Seeds.jpg 120w, 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href="/culture/the-current-cinema/the-seed-of-the-sacred-fig-is-a-shattering-epic-of-reproach" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">“The Seed of the Sacred Fig” Is a Shattering Epic of Reproach</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/the-current-cinema/the-seed-of-the-sacred-fig-is-a-shattering-epic-of-reproach" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_120,c_limit/Chang-Seeds.jpg 120w, https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_240,c_limit/Chang-Seeds.jpg 240w, https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_320,c_limit/Chang-Seeds.jpg 320w, https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_640,c_limit/Chang-Seeds.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_120,c_limit/Chang-Seeds.jpg 120w, https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_240,c_limit/Chang-Seeds.jpg 240w, https://media.newyorker.com/photos/6744b529320a3c94f40d6743/4:3/w_320,c_limit/Chang-Seeds.jpg 320w, 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summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Justin Chang</span></span></span></div></div></div></div></div></div></div></div></div><div class="GridItem-buujkM fLDozG grid--item grid-layout__aside"><aside class="SummaryListAside-cnFLhR bwfBrh summary-list__aside"><div class="StickyBoxWrapper-jfYBuk fifekH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb 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https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_960,c_limit/frank_gif5.gif 960w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_1280,c_limit/frank_gif5.gif 1280w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_1600,c_limit/frank_gif5.gif 1600w" sizes="25vw"/><img alt="A Ninety-Nine-Year-Old Lawyer’s Final Case in “Frank”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_1600%2Cc_limit/frank_gif5.gif"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">The New Yorker Documentary</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/the-new-yorker-documentary/a-ninety-nine-year-old-lawyers-final-case-in-frank" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">A Ninety-Nine-Year-Old Lawyer’s Final Case in “Frank”</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/the-new-yorker-documentary/a-ninety-nine-year-old-lawyers-final-case-in-frank" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_120,c_limit/frank_gif5.gif 120w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_240,c_limit/frank_gif5.gif 240w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_320,c_limit/frank_gif5.gif 320w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_640,c_limit/frank_gif5.gif 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_120,c_limit/frank_gif5.gif 120w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_240,c_limit/frank_gif5.gif 240w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_320,c_limit/frank_gif5.gif 320w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_640,c_limit/frank_gif5.gif 640w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_960,c_limit/frank_gif5.gif 960w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_1280,c_limit/frank_gif5.gif 1280w, https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_1600,c_limit/frank_gif5.gif 1600w" sizes="25vw"/><img alt="A Ninety-Nine-Year-Old Lawyer’s Final Case in “Frank”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673f67c0516b442e4360ed36/4:3/w_1600%2Cc_limit/frank_gif5.gif"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">Frank Lucianna spent most of his life as a criminal-defense lawyer from New Jersey; even as he pushed a hundred, he didn’t wish to retire.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">Film by </span>David Gauvey Herbert</span></span></span></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"Tom Toro’s “Incognito”","id":"673f9bda6be157a82135fee8","index":2,"contentType":"venue","hotelLink":"/culture/cover-story/cover-story-2024-12-02","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/cover-story/cover-story-2024-12-02" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_120,c_limit/cover-story-promo-toro_turkey.jpg 120w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_240,c_limit/cover-story-promo-toro_turkey.jpg 240w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_320,c_limit/cover-story-promo-toro_turkey.jpg 320w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_640,c_limit/cover-story-promo-toro_turkey.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_120,c_limit/cover-story-promo-toro_turkey.jpg 120w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_240,c_limit/cover-story-promo-toro_turkey.jpg 240w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_320,c_limit/cover-story-promo-toro_turkey.jpg 320w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_640,c_limit/cover-story-promo-toro_turkey.jpg 640w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_960,c_limit/cover-story-promo-toro_turkey.jpg 960w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_1280,c_limit/cover-story-promo-toro_turkey.jpg 1280w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_1600,c_limit/cover-story-promo-toro_turkey.jpg 1600w" sizes="25vw"/><img alt="Tom Toro’s “Incognito”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_1600%2Cc_limit/cover-story-promo-toro_turkey.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Cover Story</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/cover-story/cover-story-2024-12-02" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Tom Toro’s “Incognito”</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/cover-story/cover-story-2024-12-02" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_120,c_limit/cover-story-promo-toro_turkey.jpg 120w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_240,c_limit/cover-story-promo-toro_turkey.jpg 240w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_320,c_limit/cover-story-promo-toro_turkey.jpg 320w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_640,c_limit/cover-story-promo-toro_turkey.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_120,c_limit/cover-story-promo-toro_turkey.jpg 120w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_240,c_limit/cover-story-promo-toro_turkey.jpg 240w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_320,c_limit/cover-story-promo-toro_turkey.jpg 320w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_640,c_limit/cover-story-promo-toro_turkey.jpg 640w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_960,c_limit/cover-story-promo-toro_turkey.jpg 960w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_1280,c_limit/cover-story-promo-toro_turkey.jpg 1280w, https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_1600,c_limit/cover-story-promo-toro_turkey.jpg 1600w" sizes="25vw"/><img alt="Tom Toro’s “Incognito”" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673fc4669d6278f15aa7c1e0/4:3/w_1600%2Cc_limit/cover-story-promo-toro_turkey.jpg"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">Putting on a friendly face.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Françoise Mouly</span></span></span><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">Art by </span>Tom Toro</span></span></span></div></div></div></div></div></div><div class="hide-river-ad"><div class="AdWrapper-dQtivb fZrssQ summary-item summary-item--has-border summary-item--has-rule summary-item--article summary-item--text-align-left summary-list__item ad ad--river"><div class="ad__slot ad__slot--river" data-node-id="knr1i8"></div></div></div><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"How <em>Giant Robot</em> Captured Asian America","id":"673b7b710cd3084dcdb0c5b8","index":3,"contentType":"venue","hotelLink":"/books/page-turner/how-giant-robot-captured-asian-america","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/books/page-turner/how-giant-robot-captured-asian-america" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_120,c_limit/Hsu-GiantRobot.jpg 120w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_240,c_limit/Hsu-GiantRobot.jpg 240w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_320,c_limit/Hsu-GiantRobot.jpg 320w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_640,c_limit/Hsu-GiantRobot.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_120,c_limit/Hsu-GiantRobot.jpg 120w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_240,c_limit/Hsu-GiantRobot.jpg 240w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_320,c_limit/Hsu-GiantRobot.jpg 320w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_640,c_limit/Hsu-GiantRobot.jpg 640w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_960,c_limit/Hsu-GiantRobot.jpg 960w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_1280,c_limit/Hsu-GiantRobot.jpg 1280w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_1600,c_limit/Hsu-GiantRobot.jpg 1600w" sizes="25vw"/><img alt="How Giant Robot Captured Asian America" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_1600%2Cc_limit/Hsu-GiantRobot.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Page-Turner</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/books/page-turner/how-giant-robot-captured-asian-america" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">How <em>Giant Robot</em> Captured Asian America</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/books/page-turner/how-giant-robot-captured-asian-america" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_120,c_limit/Hsu-GiantRobot.jpg 120w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_240,c_limit/Hsu-GiantRobot.jpg 240w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_320,c_limit/Hsu-GiantRobot.jpg 320w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_640,c_limit/Hsu-GiantRobot.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_120,c_limit/Hsu-GiantRobot.jpg 120w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_240,c_limit/Hsu-GiantRobot.jpg 240w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_320,c_limit/Hsu-GiantRobot.jpg 320w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_640,c_limit/Hsu-GiantRobot.jpg 640w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_960,c_limit/Hsu-GiantRobot.jpg 960w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_1280,c_limit/Hsu-GiantRobot.jpg 1280w, https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_1600,c_limit/Hsu-GiantRobot.jpg 1600w" sizes="25vw"/><img alt="How Giant Robot Captured Asian America" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673b7c3d4857b2155f45aa3b/4:3/w_1600%2Cc_limit/Hsu-GiantRobot.jpg"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">The magazine explored Asian American culture, without dwelling too much on what that meant.</div><div class="SummaryItemBylineWrapper-boCfbi hYsZi summary-item__byline-date-icon"><div class="SummaryItemBaseByline-fFbXkY bzOILa summary-item__byline"><div class="summary-item__byline__content"><div data-testid="BylinesWrapper" class="BylinesWrapper-KIudk cdSbAY bylines"><span class="BylineWrapper-jWHrLH ciXFAu byline bylines__byline" data-testid="BylineWrapper" itemProp="author" itemType="http://schema.org/Person"><span itemProp="name" class="BylineNamesWrapper-jbHncj fuDQVo"><span data-testid="BylineName" class="BylineName-kwmrLn cYaBcc byline__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylinePreamble-iJolpQ iUEiRd iBDlDQ gnILss byline__preamble">By </span>Hua Hsu</span></span></span></div></div></div></div></div></div></div></div></div><div class="GridItem-buujkM fLDozG grid--item grid-layout__aside"><aside class="SummaryListAside-cnFLhR bwfBrh summary-list__aside"><div class="StickyBoxWrapper-jfYBuk fifekH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-node-id="4tvhnq"></div></div><div data-attr-viewport-monitor="" class="RecircMostPopularWrapper-bRuGTi nZGkR recirc-most-popular-wrapper viewport-monitor-anchor"></div></div><div class="StickyBoxPlaceholder-grPmrg dxAvXx"></div></div></aside></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryRiverAd-krWIDC fofFLv ad ad--mid-content"><div class="ad__slot ad__slot--mid-content" data-node-id="rle9eg"></div></div></section><section data-testid="SummaryRiverSection" class="SummaryRiverSection-kPnzzO fhMbrM"><div class="GridWrapper-cAzTTK iSDgMW grid grid-margins grid-items-2 SummaryListWrapper-eeFlQw fboyYe summary-list SummaryRiverList-ggyoWN fRqnb grid-layout--adrail"><div class="GridItem-buujkM ckUkOW grid--item grid-layout__content"><div><div class="summary-list__items"><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"Celebrating the Holidays in N.Y.C.","id":"673e7bb5a7f1e544a75013ff","index":0,"contentType":"venue","hotelLink":"/culture/goings-on/celebrating-the-holidays-2024","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/goings-on/celebrating-the-holidays-2024" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_120,c_limit/r45302.jpg 120w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_240,c_limit/r45302.jpg 240w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_320,c_limit/r45302.jpg 320w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_640,c_limit/r45302.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_120,c_limit/r45302.jpg 120w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_240,c_limit/r45302.jpg 240w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_320,c_limit/r45302.jpg 320w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_640,c_limit/r45302.jpg 640w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_960,c_limit/r45302.jpg 960w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_1280,c_limit/r45302.jpg 1280w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_1600,c_limit/r45302.jpg 1600w" sizes="25vw"/><img alt="Celebrating the Holidays in N.Y.C." class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_1600%2Cc_limit/r45302.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Goings On</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/goings-on/celebrating-the-holidays-2024" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Celebrating the Holidays in N.Y.C.</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/goings-on/celebrating-the-holidays-2024" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_120,c_limit/r45302.jpg 120w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_240,c_limit/r45302.jpg 240w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_320,c_limit/r45302.jpg 320w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_640,c_limit/r45302.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_120,c_limit/r45302.jpg 120w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_240,c_limit/r45302.jpg 240w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_320,c_limit/r45302.jpg 320w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_640,c_limit/r45302.jpg 640w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_960,c_limit/r45302.jpg 960w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_1280,c_limit/r45302.jpg 1280w, https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_1600,c_limit/r45302.jpg 1600w" sizes="25vw"/><img alt="Celebrating the Holidays in N.Y.C." class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673cbdc9884f04e9e4865bf4/4:3/w_1600%2Cc_limit/r45302.jpg"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">Favorite traditions light up the season, including “Messiah”s, “Nutcracker”s, Scrooge, James Joyce, the Rockettes, and more.</div></div></div><div class="SummaryItemWrapper-iwvBff foRBUi summary-item summary-item--has-border summary-item--article summary-item--no-icon summary-item--text-align-left summary-item--layout-placement-side-by-side summary-item--layout-position-image-right summary-item--layout-proportions-33-66 summary-item--side-by-side-align-center summary-item--side-by-side-image-right-mobile-false summary-item--standard SummaryItemWrapper-iGxRII djdwgT summary-list__item" data-item="{"dangerousHed":"Dalí, Basquiat, Haring, and Hockney at Luna Luna","id":"673e769f8e072b5aaf211271","index":1,"contentType":"venue","hotelLink":"/culture/goings-on/dali-basquiat-haring-and-hockney-at-luna-luna","layout":"GridFourColumns"}" role="button" tabindex="0"><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/goings-on/dali-basquiat-haring-and-hockney-at-luna-luna" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_120,c_limit/r45301.jpg 120w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_240,c_limit/r45301.jpg 240w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_320,c_limit/r45301.jpg 320w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_640,c_limit/r45301.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_120,c_limit/r45301.jpg 120w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_240,c_limit/r45301.jpg 240w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_320,c_limit/r45301.jpg 320w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_640,c_limit/r45301.jpg 640w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_960,c_limit/r45301.jpg 960w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_1280,c_limit/r45301.jpg 1280w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_1600,c_limit/r45301.jpg 1600w" sizes="25vw"/><img alt="Dalí, Basquiat, Haring, and Hockney at Luna Luna" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_1600%2Cc_limit/r45301.jpg"/></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ePPNpk summary-item__content"><div class="SummaryItemRubricWrapper-jjNbqu bsjkmD"><div class="RubricWrapper-dKmCNX braSQU rubric rubric--discovery SummaryItemRubric-dguGKN lapGFj summary-item__rubric"><span class="RubricName-fVtemz cLxcNi rubric__name">Goings On</span></div></div><a class="SummaryItemHedLink-civMjp jRfyII summary-item-tracking__hed-link summary-item__hed-link" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" href="/culture/goings-on/dali-basquiat-haring-and-hockney-at-luna-luna" target="_self"><h3 class="SummaryItemHedBase-hiFYpQ eAqtuL summary-item__hed" data-testid="SummaryItemHed">Dalí, Basquiat, Haring, and Hockney at Luna Luna</h3></a><div class="SummaryItemAssetContainer-gwhFFH ogpYq summary-item__asset-container"><a class="SummaryItemImageLink-dshqxb cPpCwE summary-item__image-link summary-item-tracking__image-link" href="/culture/goings-on/dali-basquiat-haring-and-hockney-at-luna-luna" aria-hidden="true" tabindex="-1" data-component-title="More in Culture" data-component-type="recirc-river" data-recirc-pattern="summary-item" target="_self"><span class="SpanWrapper-umhxW kGxnNB responsive-asset SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image"><div data-testid="aspect-ratio-container" class="AspectRatioContainer-bJHpJz jgsWEn"><div class="aspect-ratio--overlay-container"><picture class="ResponsiveImagePicture-cWuUZO dUOtEa SummaryItemResponsiveAsset-hjGIGg gJaBeu summary-item__image responsive-image"><noscript><source media="(max-width: 767px)" srcSet="https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_120,c_limit/r45301.jpg 120w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_240,c_limit/r45301.jpg 240w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_320,c_limit/r45301.jpg 320w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_640,c_limit/r45301.jpg 640w" sizes="100vw"/><source media="(min-width: 768px)" srcSet="https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_120,c_limit/r45301.jpg 120w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_240,c_limit/r45301.jpg 240w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_320,c_limit/r45301.jpg 320w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_640,c_limit/r45301.jpg 640w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_960,c_limit/r45301.jpg 960w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_1280,c_limit/r45301.jpg 1280w, https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_1600,c_limit/r45301.jpg 1600w" sizes="25vw"/><img alt="Dalí, Basquiat, Haring, and Hockney at Luna Luna" class="ResponsiveImageContainer-eybHBd fptoWY responsive-image__image" src="https://media.newyorker.com/photos/673cf97171cd35bb0d70db5d/4:3/w_1600%2Cc_limit/r45301.jpg"/></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd eDsHHo ptJEE summary-item__dek">Also: Interpol’s “Antics” turns twenty, Kyle Abraham fills Drill Hall, new work by the photographer Jeff Wall, and more.</div></div></div></div></div></div><div class="GridItem-buujkM fLDozG grid--item grid-layout__aside"><aside class="SummaryListAside-cnFLhR bwfBrh summary-list__aside"><div class="StickyBoxWrapper-jfYBuk fifekH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-node-id="ey979"></div></div><div data-attr-viewport-monitor="" class="RecircMostPopularWrapper-bRuGTi nZGkR recirc-most-popular-wrapper viewport-monitor-anchor"></div></div><div class="StickyBoxPlaceholder-grPmrg dxAvXx"></div></div></aside></div></div></section></div></div></div><div data-testid="RowWrapper" class="BaseWrap-sc-gjQpdd RowWrapper-UmqTg iUEiRd HEhan MultiPackageBaseRow-gSnwPR MultiPackageRow-cnuYUr MultiPackageReadMore-cElVLZ faNxPo dhdXip PxdUy"><div><a href="?page=2" class="BaseButton-bLlsy 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In his column, \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Finfinite-scroll\"\u003EInfinite Scroll\u003C\u002Fa\u003E, he has explored why \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Finfinite-scroll\u002Fwhy-the-internet-isnt-fun-anymore\"\u003Ethe Internet isn’t fun anymore\u003C\u002Fa\u003E, examined whether \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Finfinite-scroll\u002Fis-ai-art-stealing-from-artists\"\u003EA.I. art steals from artists\u003C\u002Fa\u003E, and covered \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fcultural-comment\u002Ftiktok-and-the-vibes-revival\"\u003ETikTok’s role in the vibes revival\u003C\u002Fa\u003E. Chayka, who first contributed to *The... \u003Ca href=\"\u002Fcontributors\u002Fkyle-chayka\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Fkyle-chayka\"\u003EKyle Chayka\u003C\u002Fa\u003E is a staff writer at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E. His column, \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Finfinite-scroll\"\u003EInfinite Scroll\u003C\u002Fa\u003E, examines the people and platforms shaping the Internet. 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He is the author of the weekly column \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fopen-questions\"\u003EOpen Questions\u003C\u002Fa\u003E, which explores, from various angles, what it means to be human. Previously, he was an ideas columnist at the Boston \u003Cem\u003EGlobe\u003C\u002Fem\u003E, and he has taught at Harvard’s Kennedy... \u003Ca href=\"\u002Fcontributors\u002Fjoshua-rothman\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Fjoshua-rothman\"\u003EJoshua Rothman\u003C\u002Fa\u003E, The New Yorker’s ideas editor, writes the weekly column \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fopen-questions\"\u003EOpen Questions\u003C\u002Fa\u003E. 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diva’s true art.","date":"November 25, 2024","pubDate":"2024-11-25T21:59:16.215Z","issueDate":"","image":{"altText":"The Operatic Drama of “Maria” Misses Its Cue","caption":"“Maria” gets lost in a tangle of clichéd bio-pic narrative stuffing.","contentType":"photo","credit":"Photograph by Pablo Larraín \u002F Netflix","id":"6744ace265eb90ee49610d44","sources":{"sm":{"aspectRatio":"4:3","width":768,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744ace265eb90ee49610d44\u002F4:3\u002Fw_768,c_limit\u002FBrody-Maria.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744ace265eb90ee49610d44\u002F4:3\u002Fw_120,c_limit\u002FBrody-Maria.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744ace265eb90ee49610d44\u002F4:3\u002Fw_240,c_limit\u002FBrody-Maria.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744ace265eb90ee49610d44\u002F4:3\u002Fw_320,c_limit\u002FBrody-Maria.jpg 320w, 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New Yorker\u003C\u002Fem\u003E, began contributing in 1999. For his column, \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\"\u003EThe Front Row\u003C\u002Fa\u003E, he has reviewed blockbusters, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Ftop-gun-maverick-reviewed-tom-cruise-takes-empty-thrills-to-new-heights\"\u003ETop Gun: Maverick\u003C\u002Fa\u003E”; international movies, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Fhow-parasite-falls-short-of-greatness\"\u003EParasite\u003C\u002Fa\u003E”; independent films, including “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Frichard-brody\u002Fgreta-gerwigs-exquisite-flawed-lady-bird\"\u003ELady Bird\u003C\u002Fa\u003E”; and documentaries, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Fhow-hindsight-distorts-our-view-of-the-beatles-in-let-it-be\"\u003ELet It Be\u003C\u002Fa\u003E,” the 1970 film about the... \u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERichard Brody\u003C\u002Fa\u003E, a film critic, began writing for \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E in 1999. 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movie art and a visionary sense of its future.","date":"November 25, 2024","pubDate":"2024-11-25T15:37:46.214Z","issueDate":"","image":{"altText":"Is Virginia Tracy the First Great American Film Critic?","caption":"","contentType":"photo","credit":"Photograph from Book News Monthly, 1915","id":"6744945796816684f785cf8a","sources":{"sm":{"aspectRatio":"4:3","width":768,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744945796816684f785cf8a\u002F4:3\u002Fw_768,c_limit\u002Fbrody_tracy.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744945796816684f785cf8a\u002F4:3\u002Fw_120,c_limit\u002Fbrody_tracy.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744945796816684f785cf8a\u002F4:3\u002Fw_240,c_limit\u002Fbrody_tracy.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744945796816684f785cf8a\u002F4:3\u002Fw_320,c_limit\u002Fbrody_tracy.jpg 320w, 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href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERichard Brody\u003C\u002Fa\u003E, a film critic at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E, began contributing in 1999. For his column, \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\"\u003EThe Front Row\u003C\u002Fa\u003E, he has reviewed blockbusters, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Ftop-gun-maverick-reviewed-tom-cruise-takes-empty-thrills-to-new-heights\"\u003ETop Gun: Maverick\u003C\u002Fa\u003E”; international movies, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Fhow-parasite-falls-short-of-greatness\"\u003EParasite\u003C\u002Fa\u003E”; independent films, including “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Frichard-brody\u002Fgreta-gerwigs-exquisite-flawed-lady-bird\"\u003ELady Bird\u003C\u002Fa\u003E”; and documentaries, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Fhow-hindsight-distorts-our-view-of-the-beatles-in-let-it-be\"\u003ELet It Be\u003C\u002Fa\u003E,” the 1970 film about the... \u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERichard Brody\u003C\u002Fa\u003E, a film critic, began writing for \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E in 1999. 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A new book, “Band People,” charts how that changed."},"showAssetOnly":false,"showLinkedAsset":false,"url":"\u002Fmagazine\u002F2024\u002F10\u002F28\u002Fband-people-franz-nicolay-book-review","functionalTags":["signal-audio"],"signalType":"audio"}],"layout":"GridFourColumns","limit":4,"template":"verso-search-features","totalResults":3420,"shouldHideVideoDek":false,"shouldEnableBundleComponentAnalytics":false,"viewAllButton":{}},{"copilotId":"6579d21b66d502afdce1f7a5","containerId":"6579d21b66d502afdce1f7a5","dangerousDek":"","dangerousHed":"More in Culture","featuredDangerousHed":"","featuredFooter":{},"items":[{"id":"6744a3f85e4bcbddee99e602","contributors":{"author":{"items":[{"dangerousBio":"\u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERichard Brody\u003C\u002Fa\u003E, a film critic at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E, began contributing in 1999. For his column, \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\"\u003EThe Front Row\u003C\u002Fa\u003E, he has reviewed blockbusters, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Ftop-gun-maverick-reviewed-tom-cruise-takes-empty-thrills-to-new-heights\"\u003ETop Gun: Maverick\u003C\u002Fa\u003E”; international movies, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Fhow-parasite-falls-short-of-greatness\"\u003EParasite\u003C\u002Fa\u003E”; independent films, including “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Frichard-brody\u002Fgreta-gerwigs-exquisite-flawed-lady-bird\"\u003ELady Bird\u003C\u002Fa\u003E”; and documentaries, such as “\u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fculture\u002Fthe-front-row\u002Fhow-hindsight-distorts-our-view-of-the-beatles-in-let-it-be\"\u003ELet It Be\u003C\u002Fa\u003E,” the 1970 film about the... \u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Frichard-brody\"\u003ERichard Brody\u003C\u002Fa\u003E, a film critic, began writing for \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E in 1999. 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camera, to a lifetime of misdeeds.","date":"November 29, 2024","pubDate":"2024-11-29T11:00:00.000Z","issueDate":"December 9, 2024","image":{"altText":"Looking Back on a Fallen Life in “Oh, Canada”","caption":"Richard Gere and Jacob Elordi play the same character decades apart.","contentType":"photo","credit":"Illustration by Hokyoung Kim","id":"6746066c752238c316de4d3f","sources":{"sm":{"aspectRatio":"4:3","width":768,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6746066c752238c316de4d3f\u002F4:3\u002Fw_768,c_limit\u002Fr45354.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6746066c752238c316de4d3f\u002F4:3\u002Fw_120,c_limit\u002Fr45354.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6746066c752238c316de4d3f\u002F4:3\u002Fw_240,c_limit\u002Fr45354.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6746066c752238c316de4d3f\u002F4:3\u002Fw_320,c_limit\u002Fr45354.jpg 320w, 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more."},"showAssetOnly":false,"showLinkedAsset":false,"url":"\u002Fculture\u002Fgoings-on\u002Fhilton-als-on-understanding-difference-in-alok","functionalTags":["sensitivecontent"]},{"id":"6744157b3258d574f019a9e6","contributors":{"author":{"items":[{"dangerousBio":"\u003Ca href=\"\u002Fcontributors\u002Fjustin-chang\"\u003EJustin Chang\u003C\u002Fa\u003E is a film critic at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E. He also reviews movies for NPR’s “Fresh Air.” Previously, he was the film critic at the Los Angeles \u003Cem\u003ETimes\u003C\u002Fem\u003E and the chief film critic at \u003Cem\u003EVariety\u003C\u002Fem\u003E. His book “\u003Ca href=\"https:\u002F\u002Fwww.amazon.com\u002FFilmCraft-Editing-Justin-Chang\u002Fdp\u002F0240818644\"\u003EFilmCraft: Editing\u003C\u002Fa\u003E” was published in 2011. Chang serves as the chair of... \u003Ca href=\"\u002Fcontributors\u002Fjustin-chang\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Fjustin-chang\"\u003EJustin Chang\u003C\u002Fa\u003E is a film critic at \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E. 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2024","pubDate":"2024-11-26T15:05:23.513Z","issueDate":"","image":{"altText":"“The Seed of the Sacred Fig” Is a Shattering Epic of Reproach","caption":"From left, Soheila Golestani, Mahsa Rostami, and Setareh Maleki in “The Seed of the Sacred Fig.”","contentType":"photo","credit":"Photograph courtesy of NEON","id":"6744b529320a3c94f40d6743","sources":{"sm":{"aspectRatio":"4:3","width":768,"url":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744b529320a3c94f40d6743\u002F4:3\u002Fw_768,c_limit\u002FChang-Seeds.jpg","srcset":"https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744b529320a3c94f40d6743\u002F4:3\u002Fw_120,c_limit\u002FChang-Seeds.jpg 120w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744b529320a3c94f40d6743\u002F4:3\u002Fw_240,c_limit\u002FChang-Seeds.jpg 240w, https:\u002F\u002Fmedia.newyorker.com\u002Fphotos\u002F6744b529320a3c94f40d6743\u002F4:3\u002Fw_320,c_limit\u002FChang-Seeds.jpg 320w, 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unrest threatens to tear an Iranian family apart."},"showAssetOnly":false,"showLinkedAsset":false,"url":"\u002Fculture\u002Fthe-current-cinema\u002Fthe-seed-of-the-sacred-fig-is-a-shattering-epic-of-reproach","functionalTags":["signal-audio"],"signalType":"audio"},{"id":"673fa1af9d6278f15aa7c138","contributors":{"author":{"items":[{"dangerousBio":"\u003Ca href=\"\u002Fcontributors\u002Frachel-syme\"\u003ERachel Syme\u003C\u002Fa\u003E, a staff writer, has covered Hollywood, theatre, fashion, television, podcasts, style, and other cultural subjects for \u003Cem\u003EThe New Yorker\u003C\u002Fem\u003E since 2012. Her recent work includes profiles of the actors \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2022\u002F04\u002F11\u002Fin-russian-doll-natasha-lyonne-barrels-into-the-past\"\u003ENatasha Lyonne\u003C\u002Fa\u003E and \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F06\u002F26\u002Fsarah-jessica-parker-profile\"\u003ESarah Jessica Parker\u003C\u002Fa\u003E, the director \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2024\u002F01\u002F29\u002Fsofia-coppola-profile\"\u003ESofia Coppola\u003C\u002Fa\u003E, the Netflix television executive \u003Ca href=\"https:\u002F\u002Fwww.newyorker.com\u002Fmagazine\u002F2023\u002F01\u002F16\u002Fhow-much-more-netflix-can-the-world-absorb-bela-bajaria\"\u003EBela Bajaria\u003C\u002Fa\u003E, the theatre director... \u003Ca href=\"\u002Fcontributors\u002Frachel-syme\"\u003ERead more\u003C\u002Fa\u003E","dangerousTitle":"\u003Ca href=\"\u002Fcontributors\u002Frachel-syme\"\u003ERachel Syme\u003C\u002Fa\u003E is a staff writer at The New Yorker. 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