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Me especializo en Lenguas Clásicas, Retórica y Oratoria.Desde el año 2002, pertenezco al Instituto de Lenguas y Literaturas Clásicas de la Facultad de Filosofía y Letras (UNCuyo) y, actualmente, me desempeño como Profesora Titular Exclusiva (Efectiva) de las cátedras Filología Latina, Cultura Grecolatina y Lengua y Literatura Latina I, todas materias pertenecientes a la Carrera de Letras. Dirijo el Centro Interdisciplinario de Retórica desde el año 2016, cuya finalidad es el estudio e interpretación interdisciplinarias, en lengua original, de los textos fuentes de la Antigüedad Grecolatina y su proyección histórica. Además, dirijo la Diplomatura de Posgrado en Retórica y Argumentación jurídica: praxis oral y escrita, organizada en forma conjunta entre la Facultad de Derecho y la Facultad de Filosofía y Letras de la Universidad Nacional de Cuyo (la cual orgullosamente ya va por su tercera cohorte). Soy traductora de latín-español inscripta en la nómina oficial de traductores avalados por el Consulado de Italia en Mendoza. Tengo una trayectoria de veinte años en investigación, como miembro de proyectos de investigación acreditados por la Universidad Nacional de Cuyo y, actualmente, dirijo el proyecto titulado: “Edición bilingüe de El asno de oro de Apuleyo (comentario filológico al texto latino)","image":"https://0.academia-photos.com/53902842/23213062/104110405/s200_lorena.ivars.jpg","thumbnailUrl":"https://0.academia-photos.com/53902842/23213062/104110405/s65_lorena.ivars.jpg","primaryImageOfPage":{"@type":"ImageObject","url":"https://0.academia-photos.com/53902842/23213062/104110405/s200_lorena.ivars.jpg","width":200},"sameAs":["https://instagram.com/@lennaivars","https://www.facebook.com/Lenna-Ivars-106775331216758"],"relatedLink":"https://www.academia.edu/112519196/Borges_Jorge_Luis_Borges_en_Sur_1931_1980_Buenos_Aires_Emec%C3%A9_1999_360_p%C3%A1gs"}</script><link rel="stylesheet" media="all" 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Me especializo en Lenguas Clásicas, Retórica y Oratoria.Desde el año 2002, pertenezco al Instituto de Lenguas y Literaturas Clásicas de la Facultad de Filosofía y Letras (UNCuyo) y, actualmente, me desempeño como Profesora Titular Exclusiva (Efectiva) de las cátedras Filología Latina, Cultura Grecolatina y Lengua y Literatura Latina I, todas materias pertenecientes a la Carrera de Letras. Dirijo el Centro Interdisciplinario de Retórica desde el año 2016, cuya finalidad es el estudio e interpretación interdisciplinarias, en lengua original, de los textos fuentes de la Antigüedad Grecolatina y su proyección histórica. Además, dirijo la Diplomatura de Posgrado en Retórica y Argumentación jurídica: praxis oral y escrita, organizada en forma conjunta entre la Facultad de Derecho y la Facultad de Filosofía y Letras de la Universidad Nacional de Cuyo (la cual orgullosamente ya va por su tercera cohorte). Soy traductora de latín-español inscripta en la nómina oficial de traductores avalados por el Consulado de Italia en Mendoza. Tengo una trayectoria de veinte años en investigación, como miembro de proyectos de investigación acreditados por la Universidad Nacional de Cuyo y, actualmente, dirijo el proyecto titulado: “Edición bilingüe de El asno de oro de Apuleyo (comentario filológico al texto latino)<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><h3 class="ds2-5-heading-sans-serif-xs">Related Authors</h3></div><ul class="suggested-user-card-list" data-nosnippet="true"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://conicet-ar.academia.edu/MagdalenaC%C3%A1mpora"><img class="profile-avatar u-positionAbsolute" alt="Magdalena Cámpora related author profile picture" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') 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href="https://ulb.academia.edu/RobinLEFERE">Robin LEFERE</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Université libre de Bruxelles</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://uba.academia.edu/LucasAdur"><img class="profile-avatar u-positionAbsolute" alt="Lucas Adur related author profile picture" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/35501531/12097560/18601226/s200_lucas.adur.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://uba.academia.edu/LucasAdur">Lucas Adur</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universidad de Buenos 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social-profile-avatar-container"><a data-nosnippet="" href="https://unlp.academia.edu/VDelgado"><img class="profile-avatar u-positionAbsolute" alt="Verónica Delgado related author profile picture" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/81761128/30640532/28373333/s200_ver_nica.delgado.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unlp.academia.edu/VDelgado">Verónica Delgado</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universidad Nacional de La Plata</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://colsan.academia.edu/AntonioCajeroVazquez"><img class="profile-avatar u-positionAbsolute" alt="Antonio Cajero Vazquez related author profile picture" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/157992915/48465377/36788549/s200_antonio.cajero_vazquez.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://colsan.academia.edu/AntonioCajeroVazquez">Antonio Cajero Vazquez</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">El Colegio de San Luis</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://independent.academia.edu/Sof%C3%ADaBonino"><img class="profile-avatar u-positionAbsolute" alt="Sofía Bonino related author profile picture" border="0" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/Sof%C3%ADaBonino">Sofía Bonino</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://conicet-ar.academia.edu/Mar%C3%ADaMercedesRodr%C3%ADguezTemperley"><img class="profile-avatar u-positionAbsolute" alt="María Mercedes Rodríguez Temperley related author profile picture" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/10086267/3178978/3742190/s200_mar_a_mercedes.rodr_guez_temperley.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header 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ds2-5-body-link" href="https://unlp.academia.edu/LibrosFaHCEUniversidadNacionaldeLaPlata">LibrosFaHCE Universidad Nacional de La Plata</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universidad Nacional de La Plata</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://uaslp.academia.edu/DanielMedina"><img class="profile-avatar u-positionAbsolute" alt="Daniel Zavala Medina related author profile picture" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1220007/493499/14469504/s200_daniel.zavala_medina.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://uaslp.academia.edu/DanielMedina">Daniel Zavala Medina</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universidad Autónoma de San Luis Potosí</p></div></div></ul></div><style type="text/css">.suggested-academics--header h3{font-size:16px;font-weight:500;line-height:20px}</style><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li><a class="ds2-5-text-link ds2-5-text-link--small" href="https://lorenaivars.academia.edu/"><span class="ds2-5-text-link__content"><i class="fa fa-laptop"></i></span></a></li><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Lorena Ivars</h3></div><div class="js-work-strip profile--work_container" data-work-id="112519196"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112519196/Borges_Jorge_Luis_Borges_en_Sur_1931_1980_Buenos_Aires_Emec%C3%A9_1999_360_p%C3%A1gs"><img alt="Research paper thumbnail of Borges, Jorge Luis. Borges en Sur 1931-1980. Buenos Aires, Emecé, 1999. 360 págs" class="work-thumbnail" src="https://attachments.academia-assets.com/109725079/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112519196/Borges_Jorge_Luis_Borges_en_Sur_1931_1980_Buenos_Aires_Emec%C3%A9_1999_360_p%C3%A1gs">Borges, Jorge Luis. Borges en Sur 1931-1980. Buenos Aires, Emecé, 1999. 360 págs</a></div><div class="wp-workCard_item"><span>Revista de Literaturas Modernas</span><span>, Dec 1, 1999</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Como homenaje al escritor en el centenario de su nacimiento y, a la vez, en conmemoración del fal...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Como homenaje al escritor en el centenario de su nacimiento y, a la vez, en conmemoración del fallecimiento de Victoria Ocampo, ocurrido en 1979, Emecé reúne en este libro las colaboraciones de Borges en la revista Sur que permanecían editadas en distintas antologías y publicaciones o bien fuera del alcance del público. El objetivo de esta recopilación es entregar a los lectores y estudiosos de la literatura un compendio de los textos del autor publicados en la mencionada revista, y coronar la colección de Obras Completas que lanzó la editorial. En Sur, revista trimestral creada con el propósito de difundir la obra de los jóvenes autores tanto argentinos como extranjeros, Borges había publicado, entre los años 1931 y 1970, más de ciento setenta textos; setenta y cinco de los cuales ya habían sido publicados por Emecé en su edición de las Obras Completas. En este volumen se reúnen los restantes, de los cuales setenta y cinco aparecen por primera vez en forma de libro. La presente recopilación está organizada siguiendo el criterio de importancia que la revista asignó a los textos. De acuerdo con ello, los agrupa en seis secciones, teniendo en cuenta además el criterio cronológico. En la sección "Artículos" se reúnen ensayos, tales como "Destino escandinavo", "La biblioteca total", "La inocencia de Layamon", "La personalidad y el Buddha"; artículos de crítica literaria: "Una vindicación de Mark Twain", "Modos de G. K. Chesterton". "Sobre Don Segundo Sombra", "Página sobre Shakespeare"; tres artí</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d99103c372b5e2c35c2c4be90be99aee" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725079,"asset_id":112519196,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725079/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519196"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519196"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519196; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519196]").text(description); $(".js-view-count[data-work-id=112519196]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519196; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519196']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d99103c372b5e2c35c2c4be90be99aee" } } $('.js-work-strip[data-work-id=112519196]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519196,"title":"Borges, Jorge Luis. Borges en Sur 1931-1980. Buenos Aires, Emecé, 1999. 360 págs","translated_title":"","metadata":{"grobid_abstract":"Como homenaje al escritor en el centenario de su nacimiento y, a la vez, en conmemoración del fallecimiento de Victoria Ocampo, ocurrido en 1979, Emecé reúne en este libro las colaboraciones de Borges en la revista Sur que permanecían editadas en distintas antologías y publicaciones o bien fuera del alcance del público. El objetivo de esta recopilación es entregar a los lectores y estudiosos de la literatura un compendio de los textos del autor publicados en la mencionada revista, y coronar la colección de Obras Completas que lanzó la editorial. En Sur, revista trimestral creada con el propósito de difundir la obra de los jóvenes autores tanto argentinos como extranjeros, Borges había publicado, entre los años 1931 y 1970, más de ciento setenta textos; setenta y cinco de los cuales ya habían sido publicados por Emecé en su edición de las Obras Completas. 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El objetivo de esta recopilación es entregar a los lectores y estudiosos de la literatura un compendio de los textos del autor publicados en la mencionada revista, y coronar la colección de Obras Completas que lanzó la editorial. En Sur, revista trimestral creada con el propósito de difundir la obra de los jóvenes autores tanto argentinos como extranjeros, Borges había publicado, entre los años 1931 y 1970, más de ciento setenta textos; setenta y cinco de los cuales ya habían sido publicados por Emecé en su edición de las Obras Completas. En este volumen se reúnen los restantes, de los cuales setenta y cinco aparecen por primera vez en forma de libro. La presente recopilación está organizada siguiendo el criterio de importancia que la revista asignó a los textos. De acuerdo con ello, los agrupa en seis secciones, teniendo en cuenta además el criterio cronológico. En la sección \"Artículos\" se reúnen ensayos, tales como \"Destino escandinavo\", \"La biblioteca total\", \"La inocencia de Layamon\", \"La personalidad y el Buddha\"; artículos de crítica literaria: \"Una vindicación de Mark Twain\", \"Modos de G. K. Chesterton\". \"Sobre Don Segundo Sombra\", \"Página sobre Shakespeare\"; tres artí","owner":{"id":53902842,"first_name":"Lorena","middle_initials":null,"last_name":"Ivars","page_name":"LorenaIvars","domain_name":"uncu","created_at":"2016-09-23T13:55:03.776-07:00","display_name":"Lorena Ivars","url":"https://uncu.academia.edu/LorenaIvars"},"attachments":[{"id":109725079,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725079/thumbnails/1.jpg","file_name":"ivarsrlmodernas29.pdf","download_url":"https://www.academia.edu/attachments/109725079/download_file","bulk_download_file_name":"Borges_Jorge_Luis_Borges_en_Sur_1931_198.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725079/ivarsrlmodernas29-libre.pdf?1703821910=\u0026response-content-disposition=attachment%3B+filename%3DBorges_Jorge_Luis_Borges_en_Sur_1931_198.pdf\u0026Expires=1743150784\u0026Signature=FAnrP6jXFJ3h7vnYBuDTv-ZFNGzGk95Js7HSg4cNB3ajaPjaARXVKuBXIs7PpnH4BbzD9rOKrr13IZCpBsPUhzQ8UOJ-Hno-LrEuBfndqZJSBCy91cnisE8ofVneuvSBzei5dY0BKoTCMrMk95-mDUitXbfhW7bWhtt9A20kKglFiaY4HbMYKk6qshu2VK9BLJbiMUt34G2D2tFgHE9F~LoAULPT3kESFyXlPUWiJve1doXjMgE0R9dtsG-cKh7LsRVXk3vcSUQ1RUt-o2NBnxMo8InU6sdQeoxe8qHfJArpK01eCdxDlORqV2SbD0Wp94Rzyy5t7MnG7w380ksz0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":109725078,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725078/thumbnails/1.jpg","file_name":"ivarsrlmodernas29.pdf","download_url":"https://www.academia.edu/attachments/109725078/download_file","bulk_download_file_name":"Borges_Jorge_Luis_Borges_en_Sur_1931_198.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725078/ivarsrlmodernas29-libre.pdf?1703821911=\u0026response-content-disposition=attachment%3B+filename%3DBorges_Jorge_Luis_Borges_en_Sur_1931_198.pdf\u0026Expires=1743150784\u0026Signature=MrpQC41ANvR~eYRiM7iFm-D~Df84hnQr18pD7UAcmLTYxyZ~dN2AJKD9XlAgbFvsrCg3FADM5g55ZrDJW8Y3by4htiqDW1ruG3gXYw4pkmqy53chWAHsEX9YXrbb~9QCMuJkkyJkTADkdPf0ok~tMSv8TjmhIHfj0y1eeyzkuFU93uUdAALo4VEYD9IIAIEojY06LXWr0H-wurPOFTv4ORStKYZJp3ypZsJ~EWyCc-MxDAnfmGz5BXZJdZnfzct2-IRtDDviqkhAe1gOqx-lf5yiZ1gsJ5NrJeqTH0keFQS-2SxJh4kqwIdExh6q4CN~s8jLS-VCClMdV93QoAP2Uw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":8300,"name":"Jorge Luis Borges","url":"https://www.academia.edu/Documents/in/Jorge_Luis_Borges"},{"id":1557695,"name":"Antología","url":"https://www.academia.edu/Documents/in/Antolog%C3%ADa"},{"id":1716439,"name":"Reseñas De Libros","url":"https://www.academia.edu/Documents/in/Rese%C3%B1as_De_Libros"}],"urls":[{"id":37894460,"url":"https://bdigital.uncu.edu.ar/objetos_digitales/2625/ivarsrlmodernas29.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="112519195"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112519195/La_impronta_ret%C3%B3rica_en_Medea_y_Fedra_de_S%C3%A9neca"><img alt="Research paper thumbnail of La impronta retórica en Medea y Fedra de Séneca" class="work-thumbnail" src="https://attachments.academia-assets.com/109725083/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112519195/La_impronta_ret%C3%B3rica_en_Medea_y_Fedra_de_S%C3%A9neca">La impronta retórica en Medea y Fedra de Séneca</a></div><div class="wp-workCard_item"><span>Revista de Estudios Clásicos</span><span>, Jun 29, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. Su vida y ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. Su vida y su obra se distinguen por una general tendencia a la sabiduría, una admiración sin límites por el alto ideal ético del estoicismo y por la afanosa prédica de dicho ideal 2. En cuanto a su faceta filosófica, fue un estoico ecléctico interesado por el lado práctico de la filosofía-la ética-y, dentro de ella, por la práctica de la uirtus. Entre los aspectos más relevantes de su doctrina filosófica se destaca, en primer lugar, la búsqueda de la relación existente entre todos los seres humanos; en segundo lugar, la facultad de todo hombre, en cuanto ser racional, de seguir el camino de la uirtus y, finalmente, el dominio de las pasiones, único punto de comparación posible con los dioses. Comparte con Cicerón el hecho de que su doctrina gravite en torno a la moral. Toda conducta debe, según su concepción, ser regida por la razón, puesto que solamente ella asegura el equilibrio de las pasiones. Concepción acerca de la uirtus y de la moral-como núcleo central de su pensamiento-que le valió, entre los escritores cristianos, el nombre de "Venerable Séneca", ganando así el duodécimo lugar en la lista de escritores que confeccionara San Jerónimo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ccb5daf4953e564d80b80884dfe1835d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725083,"asset_id":112519195,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725083/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519195"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519195"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519195; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519195]").text(description); $(".js-view-count[data-work-id=112519195]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519195; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519195']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ccb5daf4953e564d80b80884dfe1835d" } } $('.js-work-strip[data-work-id=112519195]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519195,"title":"La impronta retórica en Medea y Fedra de Séneca","translated_title":"","metadata":{"publisher":"Universidad Nacional de Cuyo","grobid_abstract":"ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. 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Concepción acerca de la uirtus y de la moral-como núcleo central de su pensamiento-que le valió, entre los escritores cristianos, el nombre de \"Venerable Séneca\", ganando así el duodécimo lugar en la lista de escritores que confeccionara San Jerónimo.","publication_date":{"day":29,"month":6,"year":2007,"errors":{}},"publication_name":"Revista de Estudios Clásicos","grobid_abstract_attachment_id":109725083},"translated_abstract":null,"internal_url":"https://www.academia.edu/112519195/La_impronta_ret%C3%B3rica_en_Medea_y_Fedra_de_S%C3%A9neca","translated_internal_url":"","created_at":"2023-12-28T19:18:50.699-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":53902842,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109725083,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725083/thumbnails/1.jpg","file_name":"ivarsmedeafedra.pdf","download_url":"https://www.academia.edu/attachments/109725083/download_file","bulk_download_file_name":"La_impronta_retorica_en_Medea_y_Fedra_de.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725083/ivarsmedeafedra-libre.pdf?1703821912=\u0026response-content-disposition=attachment%3B+filename%3DLa_impronta_retorica_en_Medea_y_Fedra_de.pdf\u0026Expires=1743150784\u0026Signature=bJm1ZDUEiOg8xDyaWHZKmCgYu8Go~fMf-HGdDC1qlDNgcovIK5y-2xTD11c29Nti~TUcoN2hGPTTCQDUnOI5gshl7OurQ4T9C9cs6vBzPkrDLKWrpSf63g4q6LEONAsUuZbQK2OsofT2BJ9R5buZcCaxEg8yh0Z1RwNlEykPy-uELQQnoipDfmix-J4MbrsEIxtYDUzahLHGLk6va0bH4xEzwprb-Z57w2Qa9aYSSE3mAfYgOrSwrpRb1tN8mZClkWUiK6O8AH9knOjLPPY9mhLt1t-1oZNY5gNODmnCDGBP1t9OkXBn5TXT8glXfAqe9owuqOChkDy2LEBrXz~p4Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"La_impronta_retórica_en_Medea_y_Fedra_de_Séneca","translated_slug":"","page_count":20,"language":"es","content_type":"Work","summary":"ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. 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Collected Studies on the Roman Novel. Ensayos sobre la novela romana" class="work-thumbnail" src="https://attachments.academia-assets.com/109725076/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112519193/Marcos_Carmignani_Luca_Graverini_y_Benjamin_Todd_Lee_eds_Collected_Studies_on_the_Roman_Novel_Ensayos_sobre_la_novela_romana">Marcos Carmignani, Luca Graverini y Benjamin Todd Lee (eds.). Collected Studies on the Roman Novel. Ensayos sobre la novela romana</a></div><div class="wp-workCard_item"><span>DOAJ (DOAJ: Directory of Open Access Journals)</span><span>, Sep 1, 2016</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="70a4ae29f19691d1f429999b2da8aeff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725076,"asset_id":112519193,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725076/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519193"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519193"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519193; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519193]").text(description); $(".js-view-count[data-work-id=112519193]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519193; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519193']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "70a4ae29f19691d1f429999b2da8aeff" } } $('.js-work-strip[data-work-id=112519193]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519193,"title":"Marcos Carmignani, Luca Graverini y Benjamin Todd Lee (eds.). 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Ose...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tendrá la criatura, esa estatua que labra, su tormento, que es carne e su carne la escultura. Osear Hennes Villordo Introducción El interés de Abelardo Arias por la relación de las artes entre sí ha mediado desde siempre su modo de concebir la literatura. Lo atestiguan los numerosos artículos publicados en periódicos de todo el país, así como también sus cuentos, ensayos, novelas y diarios de viajes, en los que, directa o indirectamente, analiza aquellas facetas que las distintas expresiones artísticas comparten. Sin embargo, en ninguno de sus libros se concreta la simbiosis de las artes, tal como sucede en su novela lnconfidencia (El Aleijadinho)l, obra con la cual el autor paga una vieja deuda con el Brasil, país que lo cautivó con sus claroscuros y su híbrida vivacidad, mezcla de macumba y cristianismo. Su homenaje se concreta en la figura de Antonio Francisco Lisboa, el "Aleijadinho", escultor cuya personalidad y producción artística resumen el desaITOllo del arte barroco brasileño. En primer I Abelardo Arias.lnconjidencia (El Aleijadinho). Buenos Aires, Sudamericana, 1979, 315 p. 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En ella, el narrador principal y los narradores ocasionales construyen su identidad por medio de esta dimensión con la finalidad de regular los criterios de verdad/ficción y el resto de los actantes lo hace para lograr el delectare propio de la novela, por medio de estas estrategias retóricas de la subjetividad. El marco teórico del presente tema se inscribe, por una parte, en la caracterización de las pístis afectivas que se encuentra en la Retórica y los Tópicos de Aristóteles, llevados a Roma por la tradición académica y estoica, y configurados definitivamente en De oratore, Orator y Topica de Cicerón. En esta tradición, los argumentos basados en el éthos mueven a través de la credibilidad del orador, los basados en el páthos, en cambio, conmueven a partir de las pasiones del auditorio. Por otro lado, la retórica contemporánea ha revisado las antiguas nociones de éthos y páthos observando el modo como los tópicos persuasivos que operan sobre la afectividad estructuran el discurso (Amossy, Maingueneau). En la novela antigua latina, estos tópicos modelan tanto la capacidad persuasiva del narrador como buena parte de los efectos de recepción del relato. Nuestro trabajo busca observar y delimitar la función de las pistis afectivas en la caracterización del narrador y de los personajes, como también su posible efecto sobre el lector del Asno de oro de Apuleyo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="337ae0afb51607039bb509e256fe0c9e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725098,"asset_id":112519179,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725098/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519179"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519179"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519179; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519179]").text(description); $(".js-view-count[data-work-id=112519179]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519179; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519179']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "337ae0afb51607039bb509e256fe0c9e" } } $('.js-work-strip[data-work-id=112519179]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519179,"title":"Éthos y Páthos en La Configuración Narrativa De El Asno De Oro, De Apuleyo","translated_title":"","metadata":{"publisher":"Asociacion Peruana de Retorica","grobid_abstract":"En este trabajo, partimos de la hipótesis de que éthos y páthos pueden constituir factores del discurso argumentativo dentro del general mundo narrativo de la novela latina. 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En ella, el narrador principal y los narradores ocasionales construyen su identidad por medio de esta dimensión con la finalidad de regular los criterios de verdad/ficción y el resto de los actantes lo hace para lograr el delectare propio de la novela, por medio de estas estrategias retóricas de la subjetividad. El marco teórico del presente tema se inscribe, por una parte, en la caracterización de las pístis afectivas que se encuentra en la Retórica y los Tópicos de Aristóteles, llevados a Roma por la tradición académica y estoica, y configurados definitivamente en De oratore, Orator y Topica de Cicerón. En esta tradición, los argumentos basados en el éthos mueven a través de la credibilidad del orador, los basados en el páthos, en cambio, conmueven a partir de las pasiones del auditorio. Por otro lado, la retórica contemporánea ha revisado las antiguas nociones de éthos y páthos observando el modo como los tópicos persuasivos que operan sobre la afectividad estructuran el discurso (Amossy, Maingueneau). En la novela antigua latina, estos tópicos modelan tanto la capacidad persuasiva del narrador como buena parte de los efectos de recepción del relato. Nuestro trabajo busca observar y delimitar la función de las pistis afectivas en la caracterización del narrador y de los personajes, como también su posible efecto sobre el lector del Asno de oro de Apuleyo.","owner":{"id":53902842,"first_name":"Lorena","middle_initials":null,"last_name":"Ivars","page_name":"LorenaIvars","domain_name":"uncu","created_at":"2016-09-23T13:55:03.776-07:00","display_name":"Lorena Ivars","url":"https://uncu.academia.edu/LorenaIvars"},"attachments":[{"id":109725098,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725098/thumbnails/1.jpg","file_name":"141.pdf","download_url":"https://www.academia.edu/attachments/109725098/download_file","bulk_download_file_name":"Ethos_y_Pathos_en_La_Configuracion_Narra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725098/141-libre.pdf?1703821915=\u0026response-content-disposition=attachment%3B+filename%3DEthos_y_Pathos_en_La_Configuracion_Narra.pdf\u0026Expires=1743150785\u0026Signature=MdWOjXWYmuima4aUN1mV6S9zUXuJq2ludBQ4dzJAUt8zFmxCZwdCdNKdSSV4fPgs35ChlAwl-~hOLBJTa5FuQzDzKr7vHnGvkg9T2wOrev5-EvZjZQA-Jyhg1RZDWnfENs2TBO2-GPD8tM-WZU1~toDyFzMUokMPWM~hUTvuS-iP~5RixuKM58k-ZHfGAjmHdwJSv-WYKVF~jAc8UeaeZwu8-OLC8Uehzh94Akx9sXWnC1ycSGNqtxOJTVtQRgNk6hwZ0lrqG9~Bbfz-ZyQ6QPLrxY0IWJyqz6kd0ML9HANC2O1~NJWkUSC6u2EBZMn2iItkL8lN-gs2Pm6PfV3eww__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric"},{"id":2852,"name":"Narrative","url":"https://www.academia.edu/Documents/in/Narrative"},{"id":13314,"name":"Cicero","url":"https://www.academia.edu/Documents/in/Cicero"},{"id":63938,"name":"Ethos","url":"https://www.academia.edu/Documents/in/Ethos"},{"id":214167,"name":"Pathos","url":"https://www.academia.edu/Documents/in/Pathos"},{"id":220499,"name":"Passions","url":"https://www.academia.edu/Documents/in/Passions"},{"id":532956,"name":"Metáfora","url":"https://www.academia.edu/Documents/in/Met%C3%A1fora"},{"id":817638,"name":"Argumentative","url":"https://www.academia.edu/Documents/in/Argumentative"}],"urls":[{"id":37894446,"url":"https://doi.org/10.36286/mrlad.v1i1.6"}]}, dispatcherData: dispatcherData }); 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Su vida y ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. Su vida y su obra se distinguen por una general tendencia a la sabiduría, una admiración sin límites por el alto ideal ético del estoicismo y por la afanosa prédica de dicho ideal 2. En cuanto a su faceta filosófica, fue un estoico ecléctico interesado por el lado práctico de la filosofía-la ética-y, dentro de ella, por la práctica de la uirtus. Entre los aspectos más relevantes de su doctrina filosófica se destaca, en primer lugar, la búsqueda de la relación existente entre todos los seres humanos; en segundo lugar, la facultad de todo hombre, en cuanto ser racional, de seguir el camino de la uirtus y, finalmente, el dominio de las pasiones, único punto de comparación posible con los dioses. Comparte con Cicerón el hecho de que su doctrina gravite en torno a la moral. Toda conducta debe, según su concepción, ser regida por la razón, puesto que solamente ella asegura el equilibrio de las pasiones. Concepción acerca de la uirtus y de la moral-como núcleo central de su pensamiento-que le valió, entre los escritores cristianos, el nombre de "Venerable Séneca", ganando así el duodécimo lugar en la lista de escritores que confeccionara San Jerónimo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce604a465733df1b714e5fc253c8e3c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":76663781,"asset_id":64794668,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/76663781/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64794668"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64794668"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64794668; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64794668]").text(description); $(".js-view-count[data-work-id=64794668]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64794668; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='64794668']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce604a465733df1b714e5fc253c8e3c4" } } $('.js-work-strip[data-work-id=64794668]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":64794668,"title":"La impronta retórica en Medea y Fedra de Séneca","translated_title":"","metadata":{"grobid_abstract":"ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. 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Arias he chooses the mulatto and leper sculptor, who lived in times of the Imperial Brazil and of the revolt of the “Unconfidants” –a group of intellectuals who for the first time tried to liberate their country from the Portuguese yoke– as a synthesis of the American man and of his continuous debate to reach the longed for cultural identity. Principally, three axes of the novel are emphasized: the correspondence art-religion and the relation with the author’s poetics; the revolt of the Unconfidants like a mirror of the pursuit of the intellectual Argentinians during the last military dictatorshi...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64794666"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64794666"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64794666; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64794666]").text(description); $(".js-view-count[data-work-id=64794666]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64794666; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='64794666']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=64794666]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":64794666,"title":"El Brasil imperial y la obra de un condenado a muerte: `Inconfidencia´(`El Aleijadinho´) de Abelardo Arias","translated_title":"","metadata":{"abstract":"This paper analyzes Inconfidencia (El Aleijadinho) (1979) by Abelardo Arias, a historical novel in which the awardwinner Argentine writer recreates the life of the mestizo sculptor Antonio Francisco Lisboa, genius of sculpture more widely known by his nickname: “the Aleijadinho” and by his magnificent sculptures that recreate the Passion of Christ and twelve Prophets, in Ouro Preto, Brazil. Arias he chooses the mulatto and leper sculptor, who lived in times of the Imperial Brazil and of the revolt of the “Unconfidants” –a group of intellectuals who for the first time tried to liberate their country from the Portuguese yoke– as a synthesis of the American man and of his continuous debate to reach the longed for cultural identity. 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Principally, three axes of the novel are emphasized: the correspondence art-religion and the relation with the author’s poetics; the revolt of the Unconfidants like a mirror of the pursuit of the intellectual Argentinians during the last military dictatorshi...","internal_url":"https://www.academia.edu/64794666/El_Brasil_imperial_y_la_obra_de_un_condenado_a_muerte_Inconfidencia_El_Aleijadinho_de_Abelardo_Arias","translated_internal_url":"","created_at":"2021-12-17T04:13:06.068-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":53902842,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"El_Brasil_imperial_y_la_obra_de_un_condenado_a_muerte_Inconfidencia_El_Aleijadinho_de_Abelardo_Arias","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"This paper analyzes Inconfidencia (El Aleijadinho) (1979) by Abelardo Arias, a historical novel in which the awardwinner Argentine writer recreates the life of the mestizo sculptor Antonio Francisco Lisboa, genius of sculpture more widely known by his nickname: “the Aleijadinho” and by his magnificent sculptures that recreate the Passion of Christ and twelve Prophets, in Ouro Preto, Brazil. Arias he chooses the mulatto and leper sculptor, who lived in times of the Imperial Brazil and of the revolt of the “Unconfidants” –a group of intellectuals who for the first time tried to liberate their country from the Portuguese yoke– as a synthesis of the American man and of his continuous debate to reach the longed for cultural identity. Principally, three axes of the novel are emphasized: the correspondence art-religion and the relation with the author’s poetics; the revolt of the Unconfidants like a mirror of the pursuit of the intellectual Argentinians during the last military dictatorshi...","owner":{"id":53902842,"first_name":"Lorena","middle_initials":null,"last_name":"Ivars","page_name":"LorenaIvars","domain_name":"uncu","created_at":"2016-09-23T13:55:03.776-07:00","display_name":"Lorena Ivars","url":"https://uncu.academia.edu/LorenaIvars"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="64794569"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/64794569/Inconfidencia_el_Aleijadinho_de_Abelardo_Arias_y_correspondencia_arte_religiosidad"><img alt="Research paper thumbnail of Inconfidencia (el Aleijadinho) de Abelardo Arias y correspondencia arte-religiosidad" class="work-thumbnail" src="https://attachments.academia-assets.com/76663623/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/64794569/Inconfidencia_el_Aleijadinho_de_Abelardo_Arias_y_correspondencia_arte_religiosidad">Inconfidencia (el Aleijadinho) de Abelardo Arias y correspondencia arte-religiosidad</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In 1979 Abelardo Arias publishes his second novel with a historical basis, Inconfidencia (El Alei...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 1979 Abelardo Arias publishes his second novel with a historical basis, Inconfidencia (El Aleijadinho) which recreates 18th-century-lmperial Brazil. the context that gave birth ta that strange art genius, the mestizo Antonio Francisco de Lisboa, &quot;el Aleijadinho &quot;. Arias avoids the novelized biography. and instead is able to reach the leper sculptor from his own tension as an artist. This enables him to understand his tortured lije. as a marginal man, disappainted at love, who turns his existence ta esthetic creatian. The relation Aleijadinho has with his creative work, osci//ating between religious exaltation and amorous pass ion. brings us to study in depth the tension lines around the correspondence between art and religiosity. In this respect. Abel Posse states. &quot;The great artist (el Aleijadihno) tends to fund his work on a weltanschaung or total cosmovision; and this ambition places him close to the religious world and metaphysical speculation. &quot; His work....</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e8cd1ca3fefb01124b274f04431194c9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":76663623,"asset_id":64794569,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/76663623/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64794569"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64794569"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64794569; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64794569]").text(description); $(".js-view-count[data-work-id=64794569]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64794569; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='64794569']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e8cd1ca3fefb01124b274f04431194c9" } } $('.js-work-strip[data-work-id=64794569]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":64794569,"title":"Inconfidencia (el Aleijadinho) de Abelardo Arias y correspondencia arte-religiosidad","translated_title":"","metadata":{"abstract":"In 1979 Abelardo Arias publishes his second novel with a historical basis, Inconfidencia (El Aleijadinho) which recreates 18th-century-lmperial Brazil. the context that gave birth ta that strange art genius, the mestizo Antonio Francisco de Lisboa, \u0026quot;el Aleijadinho \u0026quot;. 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Buenos Aires, Emecé, 1999. 360 págs</a></div><div class="wp-workCard_item"><span>Revista de Literaturas Modernas</span><span>, Dec 1, 1999</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Como homenaje al escritor en el centenario de su nacimiento y, a la vez, en conmemoración del fal...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Como homenaje al escritor en el centenario de su nacimiento y, a la vez, en conmemoración del fallecimiento de Victoria Ocampo, ocurrido en 1979, Emecé reúne en este libro las colaboraciones de Borges en la revista Sur que permanecían editadas en distintas antologías y publicaciones o bien fuera del alcance del público. El objetivo de esta recopilación es entregar a los lectores y estudiosos de la literatura un compendio de los textos del autor publicados en la mencionada revista, y coronar la colección de Obras Completas que lanzó la editorial. En Sur, revista trimestral creada con el propósito de difundir la obra de los jóvenes autores tanto argentinos como extranjeros, Borges había publicado, entre los años 1931 y 1970, más de ciento setenta textos; setenta y cinco de los cuales ya habían sido publicados por Emecé en su edición de las Obras Completas. En este volumen se reúnen los restantes, de los cuales setenta y cinco aparecen por primera vez en forma de libro. La presente recopilación está organizada siguiendo el criterio de importancia que la revista asignó a los textos. De acuerdo con ello, los agrupa en seis secciones, teniendo en cuenta además el criterio cronológico. En la sección "Artículos" se reúnen ensayos, tales como "Destino escandinavo", "La biblioteca total", "La inocencia de Layamon", "La personalidad y el Buddha"; artículos de crítica literaria: "Una vindicación de Mark Twain", "Modos de G. K. Chesterton". 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El objetivo de esta recopilación es entregar a los lectores y estudiosos de la literatura un compendio de los textos del autor publicados en la mencionada revista, y coronar la colección de Obras Completas que lanzó la editorial. En Sur, revista trimestral creada con el propósito de difundir la obra de los jóvenes autores tanto argentinos como extranjeros, Borges había publicado, entre los años 1931 y 1970, más de ciento setenta textos; setenta y cinco de los cuales ya habían sido publicados por Emecé en su edición de las Obras Completas. En este volumen se reúnen los restantes, de los cuales setenta y cinco aparecen por primera vez en forma de libro. La presente recopilación está organizada siguiendo el criterio de importancia que la revista asignó a los textos. De acuerdo con ello, los agrupa en seis secciones, teniendo en cuenta además el criterio cronológico. 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Chesterton\". \"Sobre Don Segundo Sombra\", \"Página sobre Shakespeare\"; tres artí","owner":{"id":53902842,"first_name":"Lorena","middle_initials":null,"last_name":"Ivars","page_name":"LorenaIvars","domain_name":"uncu","created_at":"2016-09-23T13:55:03.776-07:00","display_name":"Lorena Ivars","url":"https://uncu.academia.edu/LorenaIvars"},"attachments":[{"id":109725079,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725079/thumbnails/1.jpg","file_name":"ivarsrlmodernas29.pdf","download_url":"https://www.academia.edu/attachments/109725079/download_file","bulk_download_file_name":"Borges_Jorge_Luis_Borges_en_Sur_1931_198.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725079/ivarsrlmodernas29-libre.pdf?1703821910=\u0026response-content-disposition=attachment%3B+filename%3DBorges_Jorge_Luis_Borges_en_Sur_1931_198.pdf\u0026Expires=1743150784\u0026Signature=FAnrP6jXFJ3h7vnYBuDTv-ZFNGzGk95Js7HSg4cNB3ajaPjaARXVKuBXIs7PpnH4BbzD9rOKrr13IZCpBsPUhzQ8UOJ-Hno-LrEuBfndqZJSBCy91cnisE8ofVneuvSBzei5dY0BKoTCMrMk95-mDUitXbfhW7bWhtt9A20kKglFiaY4HbMYKk6qshu2VK9BLJbiMUt34G2D2tFgHE9F~LoAULPT3kESFyXlPUWiJve1doXjMgE0R9dtsG-cKh7LsRVXk3vcSUQ1RUt-o2NBnxMo8InU6sdQeoxe8qHfJArpK01eCdxDlORqV2SbD0Wp94Rzyy5t7MnG7w380ksz0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":109725078,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725078/thumbnails/1.jpg","file_name":"ivarsrlmodernas29.pdf","download_url":"https://www.academia.edu/attachments/109725078/download_file","bulk_download_file_name":"Borges_Jorge_Luis_Borges_en_Sur_1931_198.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725078/ivarsrlmodernas29-libre.pdf?1703821911=\u0026response-content-disposition=attachment%3B+filename%3DBorges_Jorge_Luis_Borges_en_Sur_1931_198.pdf\u0026Expires=1743150784\u0026Signature=MrpQC41ANvR~eYRiM7iFm-D~Df84hnQr18pD7UAcmLTYxyZ~dN2AJKD9XlAgbFvsrCg3FADM5g55ZrDJW8Y3by4htiqDW1ruG3gXYw4pkmqy53chWAHsEX9YXrbb~9QCMuJkkyJkTADkdPf0ok~tMSv8TjmhIHfj0y1eeyzkuFU93uUdAALo4VEYD9IIAIEojY06LXWr0H-wurPOFTv4ORStKYZJp3ypZsJ~EWyCc-MxDAnfmGz5BXZJdZnfzct2-IRtDDviqkhAe1gOqx-lf5yiZ1gsJ5NrJeqTH0keFQS-2SxJh4kqwIdExh6q4CN~s8jLS-VCClMdV93QoAP2Uw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"},{"id":8300,"name":"Jorge Luis Borges","url":"https://www.academia.edu/Documents/in/Jorge_Luis_Borges"},{"id":1557695,"name":"Antología","url":"https://www.academia.edu/Documents/in/Antolog%C3%ADa"},{"id":1716439,"name":"Reseñas De Libros","url":"https://www.academia.edu/Documents/in/Rese%C3%B1as_De_Libros"}],"urls":[{"id":37894460,"url":"https://bdigital.uncu.edu.ar/objetos_digitales/2625/ivarsrlmodernas29.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="112519195"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112519195/La_impronta_ret%C3%B3rica_en_Medea_y_Fedra_de_S%C3%A9neca"><img alt="Research paper thumbnail of La impronta retórica en Medea y Fedra de Séneca" class="work-thumbnail" src="https://attachments.academia-assets.com/109725083/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112519195/La_impronta_ret%C3%B3rica_en_Medea_y_Fedra_de_S%C3%A9neca">La impronta retórica en Medea y Fedra de Séneca</a></div><div class="wp-workCard_item"><span>Revista de Estudios Clásicos</span><span>, Jun 29, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. Su vida y ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. Su vida y su obra se distinguen por una general tendencia a la sabiduría, una admiración sin límites por el alto ideal ético del estoicismo y por la afanosa prédica de dicho ideal 2. En cuanto a su faceta filosófica, fue un estoico ecléctico interesado por el lado práctico de la filosofía-la ética-y, dentro de ella, por la práctica de la uirtus. Entre los aspectos más relevantes de su doctrina filosófica se destaca, en primer lugar, la búsqueda de la relación existente entre todos los seres humanos; en segundo lugar, la facultad de todo hombre, en cuanto ser racional, de seguir el camino de la uirtus y, finalmente, el dominio de las pasiones, único punto de comparación posible con los dioses. Comparte con Cicerón el hecho de que su doctrina gravite en torno a la moral. Toda conducta debe, según su concepción, ser regida por la razón, puesto que solamente ella asegura el equilibrio de las pasiones. Concepción acerca de la uirtus y de la moral-como núcleo central de su pensamiento-que le valió, entre los escritores cristianos, el nombre de "Venerable Séneca", ganando así el duodécimo lugar en la lista de escritores que confeccionara San Jerónimo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ccb5daf4953e564d80b80884dfe1835d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725083,"asset_id":112519195,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725083/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519195"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519195"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519195; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519195]").text(description); $(".js-view-count[data-work-id=112519195]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519195; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519195']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ccb5daf4953e564d80b80884dfe1835d" } } $('.js-work-strip[data-work-id=112519195]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519195,"title":"La impronta retórica en Medea y Fedra de Séneca","translated_title":"","metadata":{"publisher":"Universidad Nacional de Cuyo","grobid_abstract":"ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. 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Concepción acerca de la uirtus y de la moral-como núcleo central de su pensamiento-que le valió, entre los escritores cristianos, el nombre de \"Venerable Séneca\", ganando así el duodécimo lugar en la lista de escritores que confeccionara San Jerónimo.","publication_date":{"day":29,"month":6,"year":2007,"errors":{}},"publication_name":"Revista de Estudios Clásicos","grobid_abstract_attachment_id":109725083},"translated_abstract":null,"internal_url":"https://www.academia.edu/112519195/La_impronta_ret%C3%B3rica_en_Medea_y_Fedra_de_S%C3%A9neca","translated_internal_url":"","created_at":"2023-12-28T19:18:50.699-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":53902842,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109725083,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725083/thumbnails/1.jpg","file_name":"ivarsmedeafedra.pdf","download_url":"https://www.academia.edu/attachments/109725083/download_file","bulk_download_file_name":"La_impronta_retorica_en_Medea_y_Fedra_de.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725083/ivarsmedeafedra-libre.pdf?1703821912=\u0026response-content-disposition=attachment%3B+filename%3DLa_impronta_retorica_en_Medea_y_Fedra_de.pdf\u0026Expires=1743150784\u0026Signature=bJm1ZDUEiOg8xDyaWHZKmCgYu8Go~fMf-HGdDC1qlDNgcovIK5y-2xTD11c29Nti~TUcoN2hGPTTCQDUnOI5gshl7OurQ4T9C9cs6vBzPkrDLKWrpSf63g4q6LEONAsUuZbQK2OsofT2BJ9R5buZcCaxEg8yh0Z1RwNlEykPy-uELQQnoipDfmix-J4MbrsEIxtYDUzahLHGLk6va0bH4xEzwprb-Z57w2Qa9aYSSE3mAfYgOrSwrpRb1tN8mZClkWUiK6O8AH9knOjLPPY9mhLt1t-1oZNY5gNODmnCDGBP1t9OkXBn5TXT8glXfAqe9owuqOChkDy2LEBrXz~p4Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"La_impronta_retórica_en_Medea_y_Fedra_de_Séneca","translated_slug":"","page_count":20,"language":"es","content_type":"Work","summary":"ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. 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Collected Studies on the Roman Novel. Ensayos sobre la novela romana" class="work-thumbnail" src="https://attachments.academia-assets.com/109725076/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112519193/Marcos_Carmignani_Luca_Graverini_y_Benjamin_Todd_Lee_eds_Collected_Studies_on_the_Roman_Novel_Ensayos_sobre_la_novela_romana">Marcos Carmignani, Luca Graverini y Benjamin Todd Lee (eds.). Collected Studies on the Roman Novel. Ensayos sobre la novela romana</a></div><div class="wp-workCard_item"><span>DOAJ (DOAJ: Directory of Open Access Journals)</span><span>, Sep 1, 2016</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="70a4ae29f19691d1f429999b2da8aeff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725076,"asset_id":112519193,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725076/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519193"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519193"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519193; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519193]").text(description); $(".js-view-count[data-work-id=112519193]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519193; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519193']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "70a4ae29f19691d1f429999b2da8aeff" } } $('.js-work-strip[data-work-id=112519193]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519193,"title":"Marcos Carmignani, Luca Graverini y Benjamin Todd Lee (eds.). 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Ose...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tendrá la criatura, esa estatua que labra, su tormento, que es carne e su carne la escultura. Osear Hennes Villordo Introducción El interés de Abelardo Arias por la relación de las artes entre sí ha mediado desde siempre su modo de concebir la literatura. Lo atestiguan los numerosos artículos publicados en periódicos de todo el país, así como también sus cuentos, ensayos, novelas y diarios de viajes, en los que, directa o indirectamente, analiza aquellas facetas que las distintas expresiones artísticas comparten. Sin embargo, en ninguno de sus libros se concreta la simbiosis de las artes, tal como sucede en su novela lnconfidencia (El Aleijadinho)l, obra con la cual el autor paga una vieja deuda con el Brasil, país que lo cautivó con sus claroscuros y su híbrida vivacidad, mezcla de macumba y cristianismo. Su homenaje se concreta en la figura de Antonio Francisco Lisboa, el "Aleijadinho", escultor cuya personalidad y producción artística resumen el desaITOllo del arte barroco brasileño. En primer I Abelardo Arias.lnconjidencia (El Aleijadinho). Buenos Aires, Sudamericana, 1979, 315 p. 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En ella, el narrador principal y los narradores ocasionales construyen su identidad por medio de esta dimensión con la finalidad de regular los criterios de verdad/ficción y el resto de los actantes lo hace para lograr el delectare propio de la novela, por medio de estas estrategias retóricas de la subjetividad. El marco teórico del presente tema se inscribe, por una parte, en la caracterización de las pístis afectivas que se encuentra en la Retórica y los Tópicos de Aristóteles, llevados a Roma por la tradición académica y estoica, y configurados definitivamente en De oratore, Orator y Topica de Cicerón. En esta tradición, los argumentos basados en el éthos mueven a través de la credibilidad del orador, los basados en el páthos, en cambio, conmueven a partir de las pasiones del auditorio. Por otro lado, la retórica contemporánea ha revisado las antiguas nociones de éthos y páthos observando el modo como los tópicos persuasivos que operan sobre la afectividad estructuran el discurso (Amossy, Maingueneau). En la novela antigua latina, estos tópicos modelan tanto la capacidad persuasiva del narrador como buena parte de los efectos de recepción del relato. Nuestro trabajo busca observar y delimitar la función de las pistis afectivas en la caracterización del narrador y de los personajes, como también su posible efecto sobre el lector del Asno de oro de Apuleyo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="337ae0afb51607039bb509e256fe0c9e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109725098,"asset_id":112519179,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109725098/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112519179"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112519179"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112519179; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112519179]").text(description); $(".js-view-count[data-work-id=112519179]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112519179; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112519179']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "337ae0afb51607039bb509e256fe0c9e" } } $('.js-work-strip[data-work-id=112519179]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112519179,"title":"Éthos y Páthos en La Configuración Narrativa De El Asno De Oro, De Apuleyo","translated_title":"","metadata":{"publisher":"Asociacion Peruana de Retorica","grobid_abstract":"En este trabajo, partimos de la hipótesis de que éthos y páthos pueden constituir factores del discurso argumentativo dentro del general mundo narrativo de la novela latina. 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En ella, el narrador principal y los narradores ocasionales construyen su identidad por medio de esta dimensión con la finalidad de regular los criterios de verdad/ficción y el resto de los actantes lo hace para lograr el delectare propio de la novela, por medio de estas estrategias retóricas de la subjetividad. El marco teórico del presente tema se inscribe, por una parte, en la caracterización de las pístis afectivas que se encuentra en la Retórica y los Tópicos de Aristóteles, llevados a Roma por la tradición académica y estoica, y configurados definitivamente en De oratore, Orator y Topica de Cicerón. En esta tradición, los argumentos basados en el éthos mueven a través de la credibilidad del orador, los basados en el páthos, en cambio, conmueven a partir de las pasiones del auditorio. Por otro lado, la retórica contemporánea ha revisado las antiguas nociones de éthos y páthos observando el modo como los tópicos persuasivos que operan sobre la afectividad estructuran el discurso (Amossy, Maingueneau). En la novela antigua latina, estos tópicos modelan tanto la capacidad persuasiva del narrador como buena parte de los efectos de recepción del relato. Nuestro trabajo busca observar y delimitar la función de las pistis afectivas en la caracterización del narrador y de los personajes, como también su posible efecto sobre el lector del Asno de oro de Apuleyo.","owner":{"id":53902842,"first_name":"Lorena","middle_initials":null,"last_name":"Ivars","page_name":"LorenaIvars","domain_name":"uncu","created_at":"2016-09-23T13:55:03.776-07:00","display_name":"Lorena Ivars","url":"https://uncu.academia.edu/LorenaIvars"},"attachments":[{"id":109725098,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109725098/thumbnails/1.jpg","file_name":"141.pdf","download_url":"https://www.academia.edu/attachments/109725098/download_file","bulk_download_file_name":"Ethos_y_Pathos_en_La_Configuracion_Narra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109725098/141-libre.pdf?1703821915=\u0026response-content-disposition=attachment%3B+filename%3DEthos_y_Pathos_en_La_Configuracion_Narra.pdf\u0026Expires=1743150785\u0026Signature=MdWOjXWYmuima4aUN1mV6S9zUXuJq2ludBQ4dzJAUt8zFmxCZwdCdNKdSSV4fPgs35ChlAwl-~hOLBJTa5FuQzDzKr7vHnGvkg9T2wOrev5-EvZjZQA-Jyhg1RZDWnfENs2TBO2-GPD8tM-WZU1~toDyFzMUokMPWM~hUTvuS-iP~5RixuKM58k-ZHfGAjmHdwJSv-WYKVF~jAc8UeaeZwu8-OLC8Uehzh94Akx9sXWnC1ycSGNqtxOJTVtQRgNk6hwZ0lrqG9~Bbfz-ZyQ6QPLrxY0IWJyqz6kd0ML9HANC2O1~NJWkUSC6u2EBZMn2iItkL8lN-gs2Pm6PfV3eww__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":953,"name":"Rhetoric","url":"https://www.academia.edu/Documents/in/Rhetoric"},{"id":2852,"name":"Narrative","url":"https://www.academia.edu/Documents/in/Narrative"},{"id":13314,"name":"Cicero","url":"https://www.academia.edu/Documents/in/Cicero"},{"id":63938,"name":"Ethos","url":"https://www.academia.edu/Documents/in/Ethos"},{"id":214167,"name":"Pathos","url":"https://www.academia.edu/Documents/in/Pathos"},{"id":220499,"name":"Passions","url":"https://www.academia.edu/Documents/in/Passions"},{"id":532956,"name":"Metáfora","url":"https://www.academia.edu/Documents/in/Met%C3%A1fora"},{"id":817638,"name":"Argumentative","url":"https://www.academia.edu/Documents/in/Argumentative"}],"urls":[{"id":37894446,"url":"https://doi.org/10.36286/mrlad.v1i1.6"}]}, dispatcherData: dispatcherData }); 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Su vida y ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. Su vida y su obra se distinguen por una general tendencia a la sabiduría, una admiración sin límites por el alto ideal ético del estoicismo y por la afanosa prédica de dicho ideal 2. En cuanto a su faceta filosófica, fue un estoico ecléctico interesado por el lado práctico de la filosofía-la ética-y, dentro de ella, por la práctica de la uirtus. Entre los aspectos más relevantes de su doctrina filosófica se destaca, en primer lugar, la búsqueda de la relación existente entre todos los seres humanos; en segundo lugar, la facultad de todo hombre, en cuanto ser racional, de seguir el camino de la uirtus y, finalmente, el dominio de las pasiones, único punto de comparación posible con los dioses. Comparte con Cicerón el hecho de que su doctrina gravite en torno a la moral. Toda conducta debe, según su concepción, ser regida por la razón, puesto que solamente ella asegura el equilibrio de las pasiones. Concepción acerca de la uirtus y de la moral-como núcleo central de su pensamiento-que le valió, entre los escritores cristianos, el nombre de "Venerable Séneca", ganando así el duodécimo lugar en la lista de escritores que confeccionara San Jerónimo.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ce604a465733df1b714e5fc253c8e3c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":76663781,"asset_id":64794668,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/76663781/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64794668"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64794668"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64794668; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64794668]").text(description); $(".js-view-count[data-work-id=64794668]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64794668; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='64794668']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ce604a465733df1b714e5fc253c8e3c4" } } $('.js-work-strip[data-work-id=64794668]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":64794668,"title":"La impronta retórica en Medea y Fedra de Séneca","translated_title":"","metadata":{"grobid_abstract":"ha sido reconocido y aclamado a través de la historia como filósofo, político y poeta. 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Arias he chooses the mulatto and leper sculptor, who lived in times of the Imperial Brazil and of the revolt of the “Unconfidants” –a group of intellectuals who for the first time tried to liberate their country from the Portuguese yoke– as a synthesis of the American man and of his continuous debate to reach the longed for cultural identity. Principally, three axes of the novel are emphasized: the correspondence art-religion and the relation with the author’s poetics; the revolt of the Unconfidants like a mirror of the pursuit of the intellectual Argentinians during the last military dictatorshi...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64794666"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64794666"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64794666; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64794666]").text(description); $(".js-view-count[data-work-id=64794666]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64794666; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='64794666']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=64794666]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":64794666,"title":"El Brasil imperial y la obra de un condenado a muerte: `Inconfidencia´(`El Aleijadinho´) de Abelardo Arias","translated_title":"","metadata":{"abstract":"This paper analyzes Inconfidencia (El Aleijadinho) (1979) by Abelardo Arias, a historical novel in which the awardwinner Argentine writer recreates the life of the mestizo sculptor Antonio Francisco Lisboa, genius of sculpture more widely known by his nickname: “the Aleijadinho” and by his magnificent sculptures that recreate the Passion of Christ and twelve Prophets, in Ouro Preto, Brazil. Arias he chooses the mulatto and leper sculptor, who lived in times of the Imperial Brazil and of the revolt of the “Unconfidants” –a group of intellectuals who for the first time tried to liberate their country from the Portuguese yoke– as a synthesis of the American man and of his continuous debate to reach the longed for cultural identity. 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Principally, three axes of the novel are emphasized: the correspondence art-religion and the relation with the author’s poetics; the revolt of the Unconfidants like a mirror of the pursuit of the intellectual Argentinians during the last military dictatorshi...","internal_url":"https://www.academia.edu/64794666/El_Brasil_imperial_y_la_obra_de_un_condenado_a_muerte_Inconfidencia_El_Aleijadinho_de_Abelardo_Arias","translated_internal_url":"","created_at":"2021-12-17T04:13:06.068-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":53902842,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"El_Brasil_imperial_y_la_obra_de_un_condenado_a_muerte_Inconfidencia_El_Aleijadinho_de_Abelardo_Arias","translated_slug":"","page_count":null,"language":"en","content_type":"Work","summary":"This paper analyzes Inconfidencia (El Aleijadinho) (1979) by Abelardo Arias, a historical novel in which the awardwinner Argentine writer recreates the life of the mestizo sculptor Antonio Francisco Lisboa, genius of sculpture more widely known by his nickname: “the Aleijadinho” and by his magnificent sculptures that recreate the Passion of Christ and twelve Prophets, in Ouro Preto, Brazil. Arias he chooses the mulatto and leper sculptor, who lived in times of the Imperial Brazil and of the revolt of the “Unconfidants” –a group of intellectuals who for the first time tried to liberate their country from the Portuguese yoke– as a synthesis of the American man and of his continuous debate to reach the longed for cultural identity. Principally, three axes of the novel are emphasized: the correspondence art-religion and the relation with the author’s poetics; the revolt of the Unconfidants like a mirror of the pursuit of the intellectual Argentinians during the last military dictatorshi...","owner":{"id":53902842,"first_name":"Lorena","middle_initials":null,"last_name":"Ivars","page_name":"LorenaIvars","domain_name":"uncu","created_at":"2016-09-23T13:55:03.776-07:00","display_name":"Lorena Ivars","url":"https://uncu.academia.edu/LorenaIvars"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="64794569"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/64794569/Inconfidencia_el_Aleijadinho_de_Abelardo_Arias_y_correspondencia_arte_religiosidad"><img alt="Research paper thumbnail of Inconfidencia (el Aleijadinho) de Abelardo Arias y correspondencia arte-religiosidad" class="work-thumbnail" src="https://attachments.academia-assets.com/76663623/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/64794569/Inconfidencia_el_Aleijadinho_de_Abelardo_Arias_y_correspondencia_arte_religiosidad">Inconfidencia (el Aleijadinho) de Abelardo Arias y correspondencia arte-religiosidad</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In 1979 Abelardo Arias publishes his second novel with a historical basis, Inconfidencia (El Alei...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 1979 Abelardo Arias publishes his second novel with a historical basis, Inconfidencia (El Aleijadinho) which recreates 18th-century-lmperial Brazil. the context that gave birth ta that strange art genius, the mestizo Antonio Francisco de Lisboa, &quot;el Aleijadinho &quot;. Arias avoids the novelized biography. and instead is able to reach the leper sculptor from his own tension as an artist. This enables him to understand his tortured lije. as a marginal man, disappainted at love, who turns his existence ta esthetic creatian. The relation Aleijadinho has with his creative work, osci//ating between religious exaltation and amorous pass ion. brings us to study in depth the tension lines around the correspondence between art and religiosity. In this respect. Abel Posse states. &quot;The great artist (el Aleijadihno) tends to fund his work on a weltanschaung or total cosmovision; and this ambition places him close to the religious world and metaphysical speculation. &quot; His work....</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e8cd1ca3fefb01124b274f04431194c9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":76663623,"asset_id":64794569,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/76663623/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="64794569"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="64794569"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64794569; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64794569]").text(description); $(".js-view-count[data-work-id=64794569]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64794569; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='64794569']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e8cd1ca3fefb01124b274f04431194c9" } } $('.js-work-strip[data-work-id=64794569]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":64794569,"title":"Inconfidencia (el Aleijadinho) de Abelardo Arias y correspondencia arte-religiosidad","translated_title":"","metadata":{"abstract":"In 1979 Abelardo Arias publishes his second novel with a historical basis, Inconfidencia (El Aleijadinho) which recreates 18th-century-lmperial Brazil. the context that gave birth ta that strange art genius, the mestizo Antonio Francisco de Lisboa, \u0026quot;el Aleijadinho \u0026quot;. 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